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Watch How to Get to Heaven from Belfast Season 1 Episode 5 online in HD on Dailymotion (2026).
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00:28Transcription by CastingWords
00:58CastingWords
01:06CastingWords
01:15my god she's done it she's done it my name's marco you did very well you're a very clever girl
01:27so don't hurt me she thinks she's stupid that's not true he won't come now he's never coming now
01:36he won't come yeah god you don't think you're clever he is a gun grab to a fake and term
01:45she says i said
01:47i knew you were watching i'd like to keep working with this one the other child nothing i can do
01:55for
01:55the other child
02:00so
02:04so
02:09so
02:14so
02:20so
02:28so
02:35so
02:43so
02:45so
02:49so
02:52so
03:22did you break
03:24that
03:25they do like an inventory babes i'm never going to hear the end of this
03:29my last woman she threw a fridge out of one door and we were like seven stories up it was
03:35a whole
03:35thing
03:37you're scared i get it this is a really shit really stressful time for you but things don't
03:43have to get all you know like greek
03:47who the fuck are you
03:52i'm phoenix i'm phoenix i'm your new best friend you drug me
03:59you undressed me
04:00uh-uh
04:01you're making it sound creepy
04:02you're making it sound creepy
04:03it is fucking creepy
04:04where are the clothes you had on
04:07gotta burn them i'm afraid mostly because it's like procedure but also well they're kind of horrific babes
04:15oh coffee's ready
04:18i want to talk to booker
04:20booker's gone babes
04:22when will she be back
04:23he won't see booker again
04:24i take things from here
04:25what
04:29look how cute these wee cops are
04:34i don't understand
04:35if you have questions when i land on the scene everyone's full of this
04:40i couldn't be dealing with that last night
04:42so you stuck a syringe in my neck
04:44i'm gonna move on from the syringe thing babes
04:47it was late you needed some sleep i had shit to do i made an executive decision
04:54now will you please just sit down and have some coffee and a wee tiny gold cup
05:03why should i trust you
05:09because there's no one else here
05:14yep we are 100% not making it off this flight of life
05:17what exactly is she gonna do to us in a confined space with loads of witnesses
05:20she seems to really want that box
05:22so as long as we have
05:24hang on where is that box
05:25i'm sorry ladies
05:27your overhead locker is a little stuffed
05:35the box is in that bag isn't it
05:37it is yeah
05:37for fuck's sake
05:41linda
05:42what are you doing lovely
05:43the uh locker was over capacity
05:45did it close
05:47yes
05:47then it's fine
05:49drink surely
05:50now
05:53sorry about that
05:54these agency stand-ins are always messing with procedure
05:56actually can i just grab something out of that really quick
06:00it's
06:01er
06:02it
06:04it's our mother's ashes
06:06yeah
06:07yeah
06:08of course lovely
06:13thank you
06:15right
06:15let's get used to your drink
06:17linda
06:18linda
06:18linda
06:19linda
06:31linda
06:46linda
06:47linda
07:12linda
07:13goodbye
07:13isolated
07:13linda
07:14linda
07:14linda
07:14linda
07:15linda
07:15linda
07:17linda
07:17linda
07:17too soon i never know if i should delete and start again when that happens or if that looks a
07:21bit
07:24sorry i did it again there i think maybe i just have really big fingers
07:30anyway look so i spoke to margot she didn't know anything about jody for it or so she says but
07:35she
07:36did tell me something which was a bit i don't believe this me again anyway i spoke to margot
07:43she told me when she was pregnant she was reading this book the author was a psychiatrist she
07:47admired greta gang call it so she margot that is she decided she'd name her child after her
07:53but here's the thing jesus christ sorry here's the thing this woman she only published one book
08:01and it was written more than a decade after greta was born so that can't be right can it
08:05i'm not really sure what it means but how the have you done that again maybe just give me a
08:12call back
08:12sure
08:17please fasten your seat belts and place your seat excuse me
08:27right let's do this ready no great
08:35why would we scatter her in the sea sure she hated getting her hair wet i would you know what
08:41she
08:42hated you never saw her you moved to london and forgot about us she wanted scattered in the big
08:47premark she loved it there was her happy place i'm gonna have to ask you all to take it down
08:52a notch
08:52for me girls i can deal with this if you want to let the pilot know what's going on well
08:55sure i'll
08:56open the door to the cockpit now who the hell trained you linda al-qaeda you always give her
09:00bad advice seat belt no well you were always ripping the back out of me back down well current for
09:06her
09:06was the worst decision you ever made it only exacerbated your avoidant personality and gave
09:11you an excuse to never put yourself out there live your own life for fear of rejection
09:17so so so skin livers
09:29we're not drunk not really we were acting it was an act
09:32yeah hello if you are going to subject us to any kind of breathalyzer type scenario i should say i've
09:38had a few prosecco's that woman was trying to kill us she's a psychopath she locked us in a boat
09:41a big
09:42boat she blew it up she blew that big boat up if it wasn't for dara's banana we'd all be
09:46standing
09:46here dead now impersonating a member of cabin crew staff she did not know what she was doing during
09:51that safety demonstration and where's the real linda that's what i want to know you have to help us
09:57on you go okay then well thanks for listening lots
10:20i'm sorry robin that is actually immoral absolutely cracker looking on me is what it is
10:29okay okay
10:37come on
10:48hello
10:49All right, Pops.
11:20This person who called this woman,
11:23she said Greta knew your father?
11:25That she knew something about his disappearance, yes.
11:29But the caller, they didn't identify themselves?
11:31No, and that was the only time they contacted me.
11:34What day did you receive this call?
11:35The ninth of this month.
11:37I think Greta died.
11:43I've since learned as much, yes.
11:46That was strange.
11:50So did your wife ever mention my father?
11:53Or talk about having any dealings with a journalist?
11:55No, never.
11:56Would have been a long time ago.
11:57She didn't mention anything.
12:00Well, she would have been a teenager when he went missing.
12:05Around the same age as your daughter, perhaps.
12:07My daughter?
12:08Yes.
12:09What do you know about my daughter?
12:11Well, I tried your house.
12:13You weren't in, but she was, and I briefly...
12:16You leave my daughter out of this.
12:17Sorry?
12:18I mean, whatever this is, you leave my daughter out of this.
12:20No, I didn't even speak to her.
12:21My mother has just died.
12:22My wife has just died.
12:24I didn't...
12:24And you come in here with this insane story?
12:29It's not a story, Inspector O'Neill.
12:32It's a fact.
12:34Someone did call me.
12:36And someone gave me your wife's name.
12:48I don't have time for this.
12:55I understand.
12:57I apologise, sir.
13:00It's not the right time.
13:02Perhaps.
13:04I can wait.
13:16Yeah?
13:20Anything I reckon help with?
13:22No.
13:25No, it's...
13:27It's fine.
13:47Maybe it's time we talk to the guards.
13:48Maybe we should just tell them everything.
13:50Yeah, but you see, we can't tell them everything, can't we, darling?
13:52Because there's some bits we need to keep to ourselves.
13:54Like some quite big criminally-type bit.
13:56Oh, that name guy, he might help.
13:58Well, my phone's fucked.
13:59Oh, shit, my team.
14:01Robin's works!
14:03Fuck's sake, Jim.
14:04I don't remember his number.
14:05Why's Jim ringing me?
14:06I don't know Robin, maybe because he's your husband and the father of your children.
14:09Hiya, love.
14:10How's things?
14:12Great, yeah.
14:13All under control here.
14:15Ryan's bleeding, darling!
14:17How is Portugal?
14:18Hey, baby, let the free marriage lie!
14:21Yeah, a lot of Irish here.
14:24What in the name of...
14:25I've got to go deal with this.
14:26Ryan!
14:27Look, we need to focus, girls, okay?
14:29What do we actually know?
14:30What are the facts, okay?
14:31So we know that this thing belongs to Jodie.
14:33We know that Jodie and Greta grew up together.
14:35We know that they were connected.
14:37What was the name of that tiny game?
14:40Er...
14:40Come on, Tashban.
14:41Tashban, that's right.
14:42Why are you talking about Narnia?
14:43What?
14:44Tashban.
14:44It's from the Chronicles of Narnia.
14:47Yeah, Jack's reading it.
14:48I forgot how messed up it is.
14:49That lion is a friggin' narcissist.
14:52I, I, I, I've got to go, love.
14:53Okay?
14:54Right, bye, bye, bye, bye.
14:55Yeah, love you, bye.
14:56Fuck.
15:00Jesus Christ.
15:02What was it?
15:03He was right.
15:04What are you talking about, yeah?
15:06They couldn't have come from Tashban.
15:08Because Tashban doesn't actually exist, girls.
15:12Every single thing she told us was a fucking lie.
15:28And with that, it's goodbye, Jodie.
15:31Perfect.
15:32A passport pick is everyone on their bestie.
15:35It looks great like this, by the way, babes.
15:37If I do say so myself.
15:39The truth is, you don't have to do that much.
15:41What's that thing they say about lying?
15:45A good lie stays close to the truth.
15:48Like with your name.
15:49I always think it's best to go for something that sounds similar.
15:53That way, when someone calls you, or you have to sign something, it's less of a leap like psychologically.
15:59So I'm thinking...
16:01Gráinne!
16:02Gráinne?
16:03Gráinne.
16:03I think it's itchy, babes.
16:04I honestly do.
16:06Gráinne.
16:07It's like an echo of the person you once were.
16:10I like that.
16:12Like a ghost of yourself.
16:14That's actually quite profound.
16:16That's me, babes.
16:17Now, the surname, we have less, freedomless.
16:20We have to work off a list that's been cleared.
16:22What?
16:23I must have left it upstairs.
16:25Let me run and grab it.
16:28Gotta take the hardware with me, I'm afraid, babes.
16:31It's not that I don't trust you.
16:34It's just better safe than sorry type thing.
16:37And I've been stung before.
16:39People are like, I just want to talk to my manual.
16:42Just once.
16:43Just to hear their voice.
16:45And I'm like, I get a babes.
16:47But now you've blown the whole operation, and I'm starting to decide with whoever it is that wants you dead.
16:55You're on the other side of things now, I guess.
16:57What's that?
16:58Well, earlier you said that you were evaporated too.
17:02Oh, right.
17:04Yeah.
17:05But I was so young.
17:08How young?
17:10Thirteen.
17:12Yeah, my parents.
17:14They were both so good.
17:18I still haven't found a better way of putting this.
17:22Like, they were kind of murdered babes.
17:27I'm so sorry.
17:28You don't need to know all the details.
17:30Trust me, it will kill the crack.
17:33Overnight, my environment became, well, not the safest.
17:38And Booker heard what happened.
17:41And she decided to help me.
17:45Booker saved me.
17:47I owe her everything.
17:50I guess that's why I'm here.
17:53Doing what I do.
17:55Hmm.
17:56That's something else we have in common.
18:00What is?
18:02Well, you were young too.
18:04When that Michael woman stepped up on me.
18:11You know about that?
18:12You know what happened with my mother?
18:14We know everything babes.
18:17It doesn't.
18:22It's good.
18:38You know what?
18:38I have a birthday by mother.
18:42Iligia, it me.
18:42But I am gonna show that I'll show you a star.
18:43I do believe that I'm so sorry.
18:45Be good luck.
18:46You should have loved me.
18:53Cheers, Rob!
18:55You go kick the shit out of those go-away packers!
18:58Yeah!
19:04It's all St. Patrick's Theatre.
19:23For fuck's sake, I'm not even wearing green.
19:26It's supposed to bring you bad luck.
19:29Don't get it already.
19:32Run!
19:46Born in school, Byron
19:47We don't want to have it already.
19:50Well, come on a new girl!
19:53We need to be the new young...
19:55Come on, you're a Roth deviator...
20:00No!
20:00тебе, but a unique...
20:03I know I can't see you!
20:06But I'm telling you I've far gone down here
20:11In society, Jerob DVD,
20:13Kurt, Shut up and hit on me!
20:22She's grand!
20:24She's grand!
20:29She's here.
20:31Why does she do that?
20:34Go, go, go!
20:54Thanks.
20:55Sure you think we're on?
20:56I'm grand.
20:57That's not very Irish, are you?
20:59That's quite offensive.
21:00He's no crack.
21:02Don't say crack.
21:04Sorry.
21:04Great man, St. Patrick.
21:06Single-handedly drove the English out of Ireland, you know.
21:09No way.
21:10Not the English.
21:11Snakes.
21:12Jim, that's two things.
21:13Wait, you know, Donald.
21:14You're quite upbeat for a fellow with a missing dad.
21:17He went missing when I was a baby.
21:19Settled into it.
21:24Would you like a straw?
21:26Do you think I could ask one?
21:27No.
21:31So, why all of these questions about my meeting with your boss?
21:35Just curiosity, really.
21:37Okay.
21:38Well, I don't trust him.
21:42Really?
21:45I've seen you before.
21:47Sorry?
21:47I called at Owen's house yesterday.
21:50I walked there.
21:51I, uh, I saw him lead you out.
21:53I saw you get in your car and drive away.
21:55You didn't see me.
21:56Neither did he.
21:58But, anyway, when I reached the door, there's no answer.
22:03For some reason, he didn't want to speak to me.
22:06Why don't you trust him?
22:07What makes you think I don't trust him?
22:09The fact that you're sitting here.
22:13All right, fine.
22:15In the meantime, let me show you this.
22:17So, these are my father's old notebooks.
22:21I've, uh, been trying to decode them.
22:24Decode?
22:24Yeah.
22:25He interviewed paramilitary members, intelligence agents.
22:27When you said he was a journalist, he was an actual journalist.
22:30So, a few times, he talks about what I thought was something like sad girl or mournful woman.
22:36But then I found out that the school that Greta attended was called Our Lady of the Sorrows.
22:43Do you know there are probably a hundred skills in Ireland with that name?
22:46Yes.
22:47But then there's this.
22:50What does it mean?
22:52No idea.
22:53It feels religious.
22:55It's my instinct.
22:56Anyway.
22:59I, uh, went to Greta's old school for a look.
23:02And there's this whole area of the grounds that's just sort of abandoned now.
23:05And there's an old caretaker's cottage.
23:10This isn't all just a coincidence.
23:14Greta O'Neill was connected to my father.
23:19How did you find out that was Greta's old school?
23:21Oh, well, when I spoke to her friends, they mentioned it.
23:24And Greta, well, she'd have still been there the year that my father disappeared.
23:30Did you say you spoke to her friends?
23:34Hey, Saoirse.
23:36So, uh, I just had a chat with Andrew.
23:39You remember Andrew?
23:40English lad.
23:41He, uh, spoke to you about the fact that his father disappeared.
23:44About how he thinks Greta was involved.
23:46Now, here's what I'm wondering.
23:48I'm wondering why you didn't mention any of this.
23:50I want you to call me back.
23:52I want you to tell me what the hell is going on here.
23:54It's okay.
23:55I'm coming to Belfast.
23:56See you at the studio.
24:22If this is how it ends...
24:26If I die today...
24:30Then I want my conscience to be clear.
24:33You're not dying, Saoirse.
24:36My head is banging.
24:37I might have some painkillers in my bum bag.
24:40Okay.
24:40At some point, we need to address the fact that you've started wearing a bum bag.
24:45Now, these are mums.
24:46They're prescription only.
24:48They are really strong.
24:50Class.
24:50We need backup.
24:51I'm calling Jim.
24:52What's Jim going to do?
24:53See that mad bitch?
24:54I'll have Jim for breakfast.
24:56How's it going?
24:57You've reached Jim's phone.
24:58Where the hell is he?
25:01He's gone out.
25:03Who the hell does he think he is?
25:05Wait, you're tracking Jim.
25:06Obviously.
25:07I haven't trusted him since the whole affair thing.
25:09There was no fucking affair thing.
25:12Shit.
25:13She's tracking us.
25:16She's tagged us somehow.
25:17Why?
25:18It could be on her clothes and her hair.
25:21You know what that means.
25:22On her hair?
25:24She's on her way here.
25:37Robin.
25:38Shh.
25:38Stay beside that door.
25:39I don't want a priest walking in here and seeing my Fandango.
25:42What's your Fandango doing out?
25:43Can everybody just keep their Fandangos under wraps, please?
25:50Shh.
25:51What's up?
26:09Grab a weapon, quick.
26:17Come on.
26:19Come on.
26:20Come on.
26:20Come on.
26:21Come on.
26:22Come on.
26:22Come on.
26:23We're ready?
26:24For a fucking exorcism, maybe?
26:30She hurts.
26:31Is she playing at night?
26:35She's playing at night.
26:42Moving on to seat 32A, let's have cast on set in five minutes, please.
27:04I feel like I need mass, it's terrible, it's so obvious.
27:08Excuse me.
27:09Yeah, I'm gonna have to see the brain.
27:10Excuse me.
27:11Scene 32A, Crucio, people, Crucio.
27:15So, I'm not sure if you remember me.
27:18Cop, I remember.
27:19I'm looking for Saoirse.
27:21I bet.
27:23Why would I know where she is?
27:24Well, because you work together and also, aren't you engaged?
27:28Well, I'm sure you've seen a lot more of her than me recently.
27:31What?
27:32You think I don't know what's going on?
27:36There's nothing going on.
27:37Look, I don't mind.
27:38You don't mind?
27:39I'd just like to be involved.
27:44Involved?
27:44I think you'll find I have a lot to offer in that department.
27:47Okay.
27:48Well, you genuinely don't know what you're talking about.
27:50And I'm kind of afraid to ask.
27:52Oh, come off her.
27:53It explains why she's been AWOL for days.
27:56What does?
27:57She's storylining season five and you're helping with research.
28:01Oh.
28:02No.
28:03No.
28:03Pushing me out.
28:04Again.
28:05So much for TV being collaborative.
28:06Listen, boss.
28:08Um, why are you in the wrong uniform?
28:09No, he's a guard.
28:10We're shooting those scenes next week.
28:11No.
28:11That's all location.
28:12Costume.
28:13Yeah.
28:13This Egypt's in the wrong uniform.
28:14No, he's not.
28:15I'm not an actor.
28:16I'm a real person.
28:16Oh, and actors aren't real people?
28:17He's an actual guard, okay?
28:19He's helping Saoirse storyline season five.
28:21Really?
28:22We're gonna have to swap out scene 15.
28:23This friend's not stopping anytime soon.
28:25Oh, no.
28:26Could you just have her call me?
28:27Mm.
28:27Seb, darling, my car's here taking that god-awful tele-interview.
28:31Love you, darling.
28:32Um, what's 15 again?
28:33Exterior school.
28:34Bearing of the body.
28:36Okay, fine.
28:39Hey, eh, sorry.
28:41Do you have a script?
28:44Can we get a move on, people?
28:45No.
28:51What is she playing at?
28:53She knows we're in here.
28:57Sanctuary law!
28:59She is obeying our right to claim sanctuary.
29:02So long as we're in here, she won't touch us.
29:04So why the fuck would we leave?
29:23Hello.
29:24I just want the box.
29:27You've been swept up on something you deserve no part of.
29:32I don't want to hurt you.
29:33She tried to kill us.
29:34The boat?
29:35That was a warning.
29:37If I really wanted you dead, you would be.
29:40I just want the box.
29:43Why?
29:44I don't want to hurt you.
29:44If I really wanted you dead, you would be.
29:45What's in it?
29:46What's all this got to do with Greta?
29:49Knowing that will infect you like a disease.
29:52A fatal one.
29:54All you have to do is come out here and hand me the box.
30:03Do that and I promise you will never see me again.
30:10After a while, you'll begin to question if any of this actually even happened.
30:17If I ever actually existed.
30:22What will it be?
30:40Let me do it.
31:23Why didn't you come inside?
31:25I don't do business in God's house.
31:30I don't trust him.
31:32I see.
31:38Well...
31:41We don't make deals with the devil.
31:55That's so cute.
31:57We chart a shop number.
32:00You gotta get the balance right with this stuff.
32:02It's more time consuming, but every stitch you own can't be brand new.
32:07I'll sort the basics.
32:08Because they haven't told me where you're going yet.
32:11So, I don't know what conditions we're dealing with.
32:14Will you travel with me?
32:16They'll send the midwife.
32:17The what?
32:18She delivers you to your new life.
32:21When?
32:23Soon.
32:23Too soon.
32:24It was my understanding that when I'm settled to my daughter, she could join me.
32:28Oh, come on, babes.
32:30I get that there's a lot to do.
32:32Well, that's one way to put it.
32:33I thought if I could get a sense of any of the timeframe.
32:34You're giving me cause for concern here, babes.
32:37You're concerning me.
32:39I'm concerned...
32:40You don't need to be.
32:41A timeframe!
32:42Just roughly.
32:42This is a very delicate procedure.
32:45I get that.
32:46With no guarantees.
32:48But if everything goes to plan...
32:49With no guarantees!
32:52She's my daughter.
32:54And she thinks I'm dead.
32:58What is in her best interests?
33:07You'll be okay.
33:10Will I?
33:12Some people are built to survive.
33:17That's what Bicker told me when my parents died.
33:21She said...
33:23She knew I was deafening because I cleaned it all up.
33:28Most adults couldn't have managed that, she said.
33:32Cleaned what up?
33:33The mess, babes.
33:36There was such a terrible mess.
33:39They were stabbed, you see.
33:42Thirteen times between them.
33:46Oh, my God.
33:48It's fine, honestly.
33:51They wouldn't have known anything about it.
33:54What do you mean?
33:57They were fast asleep.
34:04Thirteen times.
34:06A wound for every miserable year.
34:11Oh, don't look so shocked.
34:14You recognized it in me.
34:16I saw it in you two.
34:18Before I'd read a word.
34:20It takes one to know one, doesn't it, babes?
34:28You'll be okay.
34:31You'll survive.
34:33People like us always do.
34:41I wish you should call somebody.
34:43Yeah, all right, love.
34:44You okay?
34:52Exactly what part of the plan were you unclear on, Dara?
34:55I'm telling you, I was chilling.
34:57I was standing there, looking her right in the eyes,
35:00and it was like she had no soul.
35:02It was like you're in the presence of evil.
35:05Actual evil.
35:06How might someone like that react to you bashing her face in, I wonder?
35:09She was never going to let us walk away, Robin.
35:11She was lying.
35:13What's this cue for, exactly?
35:15I have no idea.
35:16But I'm thinking, if we're hiding behind lots of people, she'll have to kill them first.
35:20Jesus, Robin.
35:21Even I think that's dark, Robin, and I'm morally quite sketchy like I work in television.
35:26Oh, speaking of which, Seb's been trying to get you.
35:29He wants to know how many scripts to give Liam now that he's a consultant.
35:32What the fuck is he asking for scripts?
35:34He'll need them if he's a consultant.
35:35He's not a consultant, Dara.
35:38What is going on here?
35:40Uncle Easy, almost.
35:42Tickets?
35:43Or what?
35:44The Late Late Show.
35:45Oh, my God, The Late Late Show.
35:48I love Patrick Hilty.
35:50I love Patrick Hilty.
35:53Oh, yeah.
35:55I mean, I suppose he's good at what he does.
35:57I just don't get what all the fuss is.
36:00Fine, I love Patrick Hilty.
36:02Jesus.
36:04She can't kill us on live TV.
36:08Okay, can you guys move us out, please?
36:11Uh, we don't have tickets because these are the competition members.
36:14What are you talking about?
36:16She'll be on your list.
36:17Jesus, I emailed about this yesterday.
36:19What list are you working from?
36:22Who put you in the door?
36:23Cara.
36:24Ah, typical.
36:25Aye.
36:26Well, tell me that you at least have some high seats back.
36:29Yeah, of course, always.
36:30Right, soon.
36:31Shall we?
36:32Mmm.
36:34Tickets!
36:35I've seen a lot of 30 Rocks.
36:38You've yet to watch one episode of my show.
36:41The show's not funny.
36:42How would you know?
36:44We're just down the end there.
36:45Sorry, thanks.
36:46Thank you very much.
36:47We're just down the side there.
36:48Thank you very much.
36:50That's good.
36:54It's okay.
36:55It should be okay.
36:56I'll be back.
36:57It's going live in three!
37:35Hello, good evening. Welcome to the Late Late Show.
37:38Thank you for our band, folks. Look at Jonathan there.
37:42Hey, would you ever turn that bollocks off?
37:47And happy St. Patrick's Day.
37:55Also on the show tonight, he went viral this week when he rescued a blind sheep stuck in the mud
38:01halfway up the Wicklow Mountains and carried it down on his back to safety.
38:06His name is Sean O'Kelly.
38:08Oh, good man yourself, Sean.
38:11Where would you get it?
38:13What a strange show.
38:15She plays Detective Emma Fierce in the smash hit multi-award winning television series Murder Code.
38:21Let's have a huge welcome for the one and only Marnie Mullins.
38:29Oh, shit, man.
38:31Isn't that those three Belfast ages we questioned?
38:35God, I think you're right.
38:36Are you sure?
38:37Sure, I'm sure.
38:39I'd recognise you weren't anywhere.
38:41This thing's still alive, right?
38:42Oh, God, yeah.
38:43So you cannot whack it.
38:44Now, the show has such a huge following.
38:48Shall we all love a bit of Murder Code?
38:52When you first read the scripts, did you know it was going to be such a massive hit?
38:55Do you know what, Paddy?
38:56Here we go.
38:57No.
38:58I actually struggled to see what the big deal was, but then I realised it was the audience's attachment to
39:05my character, Emma.
39:07My character, Emma.
39:09That was the big pull.
39:10So I made a few suggestions.
39:12The tag words.
39:12To make her relatable, and the scripts were definitely elevated after that.
39:19I mean, we did a lot of work on them.
39:20We.
39:21And after all that, I think we knew we'd made something truly special.
39:25Well, special is right.
39:26I mean, what was it?
39:27Something like 10 million viewers tuned in to see you catch the elusive career killer in your own home?
39:36Actually, actually, a lot of that scene was improvised.
39:41That is it.
39:43That is it.
39:48Oh, my God.
39:51That's our writer, Saoirse Shaw.
39:55Surprise!
39:56Saoirse Shaw, writer of Murder Code.
39:59Ladies and gentlemen, let's get her down here.
40:12Look!
40:13Look, Mummy's on TV.
40:15She really is.
40:16Oh, lads, we'll just stop.
40:17Your mum's in Portugal.
40:24So, Saoirse.
40:26Patrick Kielty.
40:27Paddy.
40:28Patrick.
40:28Paddy Kielty.
40:29PK.
40:29Paddy.
40:30Mr. Paddy.
40:30You take a breath.
40:31Yes.
40:33Jesus.
40:34Jesus.
40:35So, tell us, uh, tell us this.
40:37Where do you get your inspiration?
40:39All these complicated plots and twists and turns?
40:43I guess, uh, I, lots of things inspire me.
40:47Books.
40:48Yeah, look, Seb, just calm down.
40:50I'm just loading up now.
40:51Give me a second.
40:53Yeah, got it.
40:55Uh, films, news stories, uh, history, uh.
41:01Oh, what the fuck is she doing?
41:04How many of those bloody pills did she take?
41:07Oh, for God's sake.
41:08Yeah, sort of, uh, things that happen in real life.
41:12Even.
41:13Let's talk about that.
41:15Talk about.
41:15Give us an example.
41:17Well.
41:19Oh, maybe I shouldn't say that.
41:21Go on, I don't be a tease.
41:26When we were young, my, my friends and I, we did this pretty terrible thing.
41:32But only because we were, we were, uh, trying to protect someone.
41:38Go on.
41:39Oh, I get in trouble here.
41:40Sure, isn't that what live TV's for?
41:42Yeah.
41:45I think this is a bad idea, Patrick Hilty.
41:49Tell us.
41:51Tell us.
41:52Tell us.
41:53Tell us.
41:55Tell us.
41:55Tell us.
41:56Tell us.
41:57Tell us.
41:58Tell us.
41:59Tell us.
42:00Tell us.
42:01Well, turns out the person we were trying to protect, she was lying.
42:08So now we've done this terrible thing, but we don't even, we don't even know why.
42:13If this were murder code, and you were Emma, I mean, what would you do?
42:20Well, I suppose, well, I suppose Emma would realize that she's overlooked something small,
42:29something that she initially thought was insignificant.
42:35But it turns out that it was the key to unlocking the case.
42:43The key to unlocking the box.
42:46Locking the box.
42:47She had it all alone.
42:50I had it all alone.
42:51She already knew the answer.
42:53I already know.
42:54I already know.
42:55Of course you do.
42:57You've seen it.
42:59Where have you seen it?
43:00I don't know.
43:02Think.
43:09I don't remember.
43:10I can't remember.
43:11Picture.
43:12Picture.
43:12Picture.
43:13A painting.
43:14A painting.
43:15Picture of a painting.
43:23I've got it.
43:24Patty, it was actually a pretty challenging shoot.
43:27I assume.
43:28I had these sort of panic attacks, but I had someone talk to me.
43:30I really must get her some media training.
43:32Back at five.
43:33Don't go anywhere now.
43:35Roll it there.
43:39Totally surrendered.
43:40Big fan of your work.
43:41Right.
43:42Hello.
43:42Let's go.
43:43We've got to get you.
43:43Let's go.
43:44I saw Patrick.
43:45We also saw Patrick.
43:47Keep going.
43:48Keep going.
43:48What is he like?
43:49What is he like?
43:50This is Christ.
43:51Let's go.
43:51Come on.
43:53Jesus.
43:54Seriously, those things could kill a horse.
43:56You're such a liability.
43:58I think I solved it.
44:00We solved it.
44:02Me and Patrick, Katie.
44:04I love Patrick, Katie.
44:11We already saw the answer.
44:14We had it right in front of us.
44:17What?
44:19Symbol in Portugal.
44:22Did you take a picture?
44:24Wait.
44:31Was there a number on it?
44:33Yes.
44:34Yes, there was a number.
44:35It's a date.
44:36I'll call it out.
44:38Two five zero one nine seven.
44:59Oh, my God.
45:02Oh, my God.
45:15What happened to her?
45:17Baby, when you left me like this
45:20And when you hold me like that
45:23It was gone with the wind
45:26But it's all coming back to me
45:29When you see me like this
45:30What the hell is going on here, girls?
45:33It's actually quite difficult to know where to start.
45:36Charles Sampson.
45:37Start there.
45:38What do you know about Charles Sampson?
45:40Watch your eyes!
45:47Holy shit.
45:48Step out of the car!
46:18What do you want?
46:30What do you want?
46:32Help!
46:32Yee!
46:33Dreif!
46:36Me!
46:53You keep going there, tell you to stop.
47:12You keep going there!
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