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Igra sudbine, Epizoda 1765, Igra sudbine 1766, Igra sudbine 1765, Igra sudbine Epizoda 1765, Igra sudbine Epizoda 1766, Epizoda 1766 Igra sudbine, Epizoda 1765 Igra sudbine
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00:12Transcription by ESO. Translation by —
00:30— U sebe vredi uložiti, ti da mi napiš normalno.
00:36A što se tog dela tiče, mislila sam da se sve snima telefonima.
00:41Pa vidi će svakako ići na društvene mreže, a ne mora da bude skupo da bi bilo dobro.
00:47I tako ćemo se uklopiti u Gabrielin zahtev da kampanja bude bez budžeta.
00:52Suna, moram da priznam da ti je ideja odlična.
00:55Nadnošila smo očekivanja, tako da, svaka čast.
00:58A, zapravo, ovo uopšte nije moja ideja.
01:03Neko čije?
01:05Ovo je moj privatni broj.
01:08Hvala vam.
01:10Treba da imate.
01:12Ako se bilo šta desi,
01:15zovete mi bilo koja doba dana noći.
01:19Da smo se razumijeli.
01:21Jes, hvala vam.
01:23O, čao.
01:25Gde ćeš ovati, Stajana?
01:27Možeš na stop.
01:32Znaš, nešto sam razmišljala i shvatila sam da si ti jedan baš super heroj.
01:40I da si ti sad uradio zapravo baš nešto što meni treba.
01:47A da donosam ti hranu zato što si to tražio?
01:50Ne.
01:52Ja sam mislila na nešto drugo.
01:55Razmišljam da prodam biljenim u kuću.
01:58A otkut to zbog čega?
02:00Pa, zato što mi je žal.
02:02Žal mi je da se ta kuća ne koristi, tako kuća propade i to treba prodati.
02:07Ček, Gabriela, kako se kuća ne koristi kada su se stanarke uselina?
02:11To nije isplativo, ti to vrlo dobro, znaš.
02:13Kako nije isplativo?
02:14One plaćaju kiriju, plaćaju račune.
02:17Na biljaninu penziju, to je njoj bonus.
02:19Ne vidim koja ti je logika uopšte.
02:20Logika je u tome da to treba prodati, da treba uzeti nešto manje.
02:26Naprimjer, neku garsonjeru za biljanu, to je njoj dovoljno, pa može i to da izdešta pali.
02:32Zašto ti je potreba novaca?
02:34Čekajte veliko iskušenje.
02:37Sada, može da bude na polju posla, može da bude i na polju ljubavi.
02:42Ja, molim te, ja, ovo kao one manekinke želi miru svetovati.
02:46To je tako opšta mesta.
02:48Mislim, sve smo to već čuli i nema ničeg novog tu.
02:50Kajo, ovo ti je znak da treba da budeš spremna.
02:55Spremna?
02:55Ovo je smrt.
02:58Šta?
03:03Slušaj, daljela sam odluku koja se tiče tebe.
03:07Šta će sada me snađi?
03:11Odlučila sam da prodamo kuću.
03:13Našu kuću.
03:15Našu kuću?
03:17Da prodamo?
03:19Kako je ta ide, pa za...
03:20Zašto?
03:22Je li smenu da ti pitam nešto?
03:26Pitaj.
03:28Sam je uradio nešto što je tebe možda uvredilo ili naljutilo?
03:32Ne.
03:33Super se osjećam.
03:35Pa, pitam zato što osjećam baš neke negativne vibracije s tvoje strane, pa me zanima zašto.
03:40Zato što sam u haosu od posla.
03:43Nemam vremena ni za one koji su mi mnogo bitniji u tebe.
03:46A dobro, zašto si me pozvala se vidimo danas uopšte?
03:51A što se ti praviš da ti mene ne želiš?
03:57Zato što to nije pametna ideja, zato što će onda doći do...
04:04Šta?
04:06Šta će onda goriš?
04:16Da, pod veliki sam stresu, ma ne želim tebe dublo čim u sve ovo.
04:22Ali želila bih dosta nemao prijatelja ako ti to želiš.
04:26Ništa više i bolje toga ne mogu da ti ponudim.
04:30Pa dobro onda za novo lepo prijateljstvo.
04:34Za pravo prijateljstvo.
04:35Živio.
04:37Na stivlom je sa svih strani.
04:40Naj mora tako da bude.
04:45Kako to misliš?
04:47Evane, tvoja tajna je sa mnom sigurna.
04:53Koja tajna?
05:12Kažu da život piše romane.
05:18Kažu da život nije fel.
05:22Ponekad pobodi, ali često omane.
05:26I sve je nežesno, osim sudbine.
05:36Kao ljubavi u ratu.
05:39Puca se nema pravila.
05:45Imaš jedan život, samo jednu šansu.
05:50Da postaneš nikom, jer zvezda sve mi ra.
05:58I na sudbine, kao kolo sreće.
06:03Nekoga noće, nekoga baš neće.
06:08Kao na ruletu sve se opleće.
06:12Ami svoj ta ote.
06:17So you should be there.
06:21Oh, oh, oh, oh.
06:28Oh, oh, oh, oh.
06:33Oh, oh, oh, oh.
06:34Oh, oh, oh, oh, oh.
06:40Oh, oh, oh, oh.
06:46I don't know what the hell is going on.
07:03Where are you from?
07:04Relia!
07:05Let's play a little bit.
07:06Let's leave it.
07:08What happened?
07:09What happened?
07:10I don't want to sing something.
07:12It's late.
07:13Not late.
07:14Not late.
07:16Let's go to the song.
07:18I'll never go to the song.
07:19I'll never go to the song.
07:21I'll never go to the song.
07:23A lot!
07:25Stop it.
07:27What is it?
07:29Is there someone who's there?
07:30Is there someone who's there?
07:33No.
07:36What's the problem?
07:37You're going to ask me something good.
07:40I'll ask you something.
07:41I'll ask you something.
07:42You're good.
07:43You're good.
07:44You're going to change two positions.
07:46You're wrong.
07:47You're nervous.
07:50Okay.
07:51Now, it's the third position.
07:53Listen to me.
07:54That position should be necessary.
07:58Relia, I'm becoming a star.
08:00I don't know if you've noticed that.
08:01Yes.
08:03That's why I need lots of talent.
08:07You have talent.
08:08You have talent as much as you want.
08:10That's not a problem.
08:11Yes.
08:12Talent.
08:12I didn't think about it.
08:14I had money.
08:15I had money.
08:16I had money.
08:18I had money.
08:18In fact, this is like the bamboo.
08:20And we have dinner.
08:21Because, where are you?
08:21I'm making money.
08:22Of my love.
08:24Give me money!
08:26Do you understand?
08:28You've lost everything and now you're lost!
08:31How did I lose?
08:32Everything is covered.
08:33What is the problem?
08:34Show me the money!
08:37Good, good.
08:39You'll see the money soon.
08:41I can't talk a lot about that now.
08:43That's true.
08:45But soon you'll be very happy.
08:48When?
08:49I'll be back in the evening.
09:01Do you know?
09:05Yes, that's true.
09:17I know your affair with Marianne.
09:20Please, please.
09:22Where are you from?
09:24I've heard that I've heard from you.
09:25I've heard that I've heard from you.
09:28No, it's not.
09:29You've heard everything wrong.
09:31Everything I understand.
09:33I'm a tough woman.
09:35I've tried everything with her.
09:37I've tried everything with her.
09:38I completely understand your need for understanding
09:42other women's needs.
09:43It wasn't like that.
09:45I don't want to say that I don't want to say that.
09:47What do you say?
09:50I don't have anything like that.
09:52Okay, what did you do?
09:55Let me hear it.
09:59I'm right.
10:01I understand, Ivana,
10:03your needs for young women.
10:05In these years,
10:06it's like a prestige.
10:10It's not just one thing.
10:13You don't need to do it at home.
10:15You do it somewhere else.
10:18It's like that.
10:19You've seen it, right?
10:20Tell me.
10:21I was at the airport and I've heard it случайly.
10:23I'm sorry.
10:25It's not my fault.
10:26It's just a memory of Ivan's head.
10:33Don't care.
10:34Nobody will know from me.
10:37Let's have a nice night.
11:01Let's have a nice night.
11:03Let's have a nice night.
11:05I'll wait to see it next to you.
11:07What do you like?
11:08This is what you like.
11:10Max is there.
11:10We said, the natural look for this campaign.
11:12What is this?
11:14This is natural.
11:15I'm sorry.
11:16You see the eggs, the mouth is all over.
11:19What do you want to do?
11:21You see it.
11:22You see it.
11:22You see it.
11:24This is natural girl.
11:26Okay, David.
11:27You see the difference.
11:28You're right.
11:29Okay, okay.
11:30Okay, don't go.
11:35What do you think about Kaji?
11:36What do you think about Kaji?
11:40What do you think about Kaji?
11:42She has that natural beauty.
11:45I don't know.
11:46After everything that happened, I'm not for that.
11:51Okay, but it's not really professional.
11:53Really, you have to learn how to move the private business.
11:56You know it.
11:58You know it.
11:58Let's go to Kaji.
12:00Okay, where are you going?
12:01I'm going to see where are you going.
12:03Here, for example.
12:04Yes.
12:05Yes, a lot.
12:06Suna, Ilaja.
12:07I forgot you.
12:08I'm young, beautiful.
12:09They are sweet.
12:10They are great boys.
12:11I don't have to pay them.
12:13Okay, that would be a big plus.
12:15Can I see some pictures?
12:18You should have to have something.
12:19Wait.
12:21Is it?
12:22Yes.
12:23Yes.
12:28You get inside.
12:30Yes.
12:31You have to be in charge of Gala.
12:36Yes.
12:39Oh, that's second.
12:43Yes.
12:45You're in charge of Gala?
12:47Yes.
12:49Yes.
12:49I'm not going to let you go.
12:51Don't let you go, don't let you go.
12:54We've done a lot of work,
12:55and Gala is in the morning.
12:57Yes.
12:58And I'm sure that Gala doesn't listen to this.
13:02I listen to it all without any trouble.
13:04Come on, come on.
13:06You're free.
13:07Let's go.
13:09Let's go.
13:11What?
13:16Thank you, thank you.
13:17I'll hold you for a while.
13:20Let's go.
13:22Ciao, ciao.
13:23Show me the photos.
13:24Of course.
13:48What are you looking for?
13:53What are you looking for?
13:54And how does Gala behave?
13:57I don't see him.
14:00What is it?
14:04What is it?
14:04In principle, he does what he says.
14:08For example, what?
14:10For example,
14:12I'm going to buy something,
14:14I'm going to bring food,
14:15I'm going to buy flowers for Xenia.
14:20And all those things.
14:23What are you looking for?
14:23And how is he?
14:25Who?
14:26Relja.
14:27My mother, how is it?
14:29Of course, how is it?
14:30How is it?
14:31Smir.
14:33Smir.
14:38What are you looking for?
14:39What are you looking for?
14:40Eh...
14:40do you want to be lovingly?
14:44Yes.
14:45Do you want to be the other guests?
14:48Smir.
14:49Who do you see?
14:51I'll tell you.
14:54I'm not looking for him.
14:55I'm not looking for him.
14:56I'm going to ask him other questions.
14:57Even Daniela.
14:58I'm not looking for him.
14:59No.
14:59I'm sorry for you.
15:01Do you deal with Relja?
15:02Yes.
15:04If I'm going to ask you something,
15:06I'll give you a question.
15:08Would I need a return information?
15:11Yes.
15:12Everything is fine.
15:13I'm constantly asking me questions.
15:16I'm not here.
15:17I have to go for Xenia, for him.
15:20So I can't get the right information with him.
15:24What?
15:27That little girl, you know?
15:31Xenia.
15:32I don't think so.
15:33I think so.
15:34I could have been able to get to some...
15:37...unless situation.
15:42But many heads were gone because of those...
15:45...unless situation.
15:46I could have been able to get into the evenings.
15:51You're not as if you're starting, right?
15:56I didn't.
16:01I didn't.
16:02I was not, I don't know.
16:18I have to admit that it is very unusual that we are completely alone.
16:24Is it unusual in a good sense or in a bad sense?
16:31What do you think?
16:34Well, regardless of the fact that you came to the Gala before, I think that you should be able to
16:43get the track party.
16:46Okay, but what do you think about it?
16:50What do you think about it?
16:58Yes, you have to give me a card.
17:02I am accepted.
17:03And you asked me whether you want to admit that I have the time to give you that.
17:06Yes, I am accepted.
17:11I hope you don't have to laugh when I was arrested.
17:14What?
17:16She said something in the background that she kept us with the light.
17:23I've never heard of it.
17:25Yes.
17:26I have a lot of fun, but I didn't show them the opportunity to show them.
17:35And then...
17:38You have to do something wrong.
17:41You have to do something wrong.
17:44You have to do something wrong.
18:20What do you say? What did you see?
18:24Even though you had to talk to them, you could speak to them.
18:28It's like that. Let's say something and take a little bit.
18:35What do you say? I'm a liar?
18:39That the police station and all my colleagues are laughing?
18:43Yes. What if you are laughing?
18:45But it's hard to tell you. It's not about you, not about me.
18:49Well, they are laughing.
18:52Who is laughing? Who is laughing? Who is laughing?
18:56Because we have a plan.
19:00What do we plan?
19:02We plan to know who is standing there.
19:06Do you believe in what you are talking about?
19:09Of course, I believe.
19:13We already know who is standing there.
19:15We know who is standing there, but we don't know.
19:17We have to know what Grkljan and his team have for everything.
19:22Do you understand?
19:24But until we do this?
19:25Until we don't know.
19:27And when we do it, we will hit it.
19:31And we will succeed.
19:34There is no one knows who will survive.
19:50You see, Gabriela, it's hard to learn so much money.
19:56I know.
19:58Why are you here?
20:00I know.
20:01I would have to finish it alone.
20:02I know, but I need to do it for 250.000 euros.
20:08Vanja, I didn't call you to tell me what I should do.
20:12I was calling you to find out that I should do it.
20:14I wanted to find out how to do it.
20:15Okay, why do you have so much money?
20:18I want to invest in something.
20:20What?
20:24I'm dying.
20:27Can we talk about ideas?
20:31We can.
20:32And better than that idea would be genius.
20:35Because I'm listening to the crazy ideas and crazy ideas.
20:58Okay.
20:59Are you okay, Kafa?
21:00Mm-hmm.
21:02Ah, okay.
21:03It's open for debate.
21:05Yeah?
21:05What?
21:06Yeah, I don't forget that, Mr. Kafa, you can just drink espresso with the phone.
21:13No, I don't know.
21:14I have a feeling about your heart, and I can't feel the taste of coffee.
21:22No, I don't know.
21:25It was a beautiful night.
21:28I would like to go to the day together.
21:31I would like to go to the day.
21:32I would like it.
21:34I have a lot to do.
21:36I would like to go to the day.
21:39I would like to go to the day.
21:41I would like to go to the day.
21:44I don't know that you do that.
21:46Oh, my God.
21:52I would like to go to the day.
21:53I know.
21:57Let's go.
21:59Let's see.
22:12Hey, Kajo.
22:16What? I don't understand anything. Why do you pay?
22:20What happened?
22:22I can, I can, I can see you again.
22:24Come to me.
22:27Yes, I'm at home.
22:27Let's go, let's go.
22:31That's it.
22:47Let's go, let's go.
22:49Let's go, let's go, let's go.
22:59Let's go, let's go.
23:03What are good activities?
23:05We would have to divide food with those who are the most important.
23:08Of course, we would have to include restaurants with which we have already worked.
23:12And so we would have to combine beautiful and useful, humorous work.
23:15And this is great.
23:18Yes.
23:18And Alex is the best?
23:19Yes, Alex is the best.
23:23Okay.
23:24If Alex is okay, then for me.
23:29Let's go and start working at home.
23:39Everything is better than the other.
23:41No, Gabriela, this is actually not a bad idea.
23:45You're kidding me.
23:48Humanitarian action is an excellent way to get money.
23:52It's not a bad idea.
24:09It's not a bad idea.
24:13When he heard, he doesn't have a bad idea.
24:14When he heard, what?
24:16What?
24:17What?
24:18For Ticci and Strahin.
24:19What?
24:20What?
24:21You don't know.
24:22Ticci and Strahin are dead in that regret.
24:28Ticci and Strahin are dead in that regret.
24:32What?
24:34What?
24:35What?
24:39What?
25:02What?
25:02What?
25:02What?
25:04What?
25:10What?
25:17What?
25:19What?
25:20And who are you?
25:21I'm sorry.
25:23Yes.
25:25Oh, great.
25:27Oh, that's right.
25:28I'm sorry.
25:30Even if one doesn't cry and the other doesn't cry.
25:32What do you worry?
25:33What do you worry?
25:35Someone has fallen lives, you enjoy that.
25:37What do you think?
25:39Wait, sorry.
25:40What does that mean?
25:42I'm wrong for your hurt.
25:44I'm not wrong for you.
25:44I'm not wrong for you.
25:46I'll just tell you.
25:47I'm living here on the other side.
25:48You live on max.
25:50The night is crazy.
25:51That's the truth.
25:53Sorry, Kajo.
25:54I fell down for months, if not too long.
25:57The world didn't stop and no one was crying because of me.
26:00I have the right to have the night I want.
26:02Of course, it doesn't reduce your pain.
26:06No, it doesn't reduce the pain.
26:07It doesn't reduce the pain.
26:20I'm listening.
26:22I'm listening.
26:24Humanitarna action is great for selling parts from company.
26:28How?
26:29We are based on the humanitarian organization.
26:32I mean, it's great because of the purchase.
26:35Do you understand?
26:36I'm listening.
26:36I don't know.
26:36I'm listening to the idea of the best.
26:37I'm listening to the best.
26:38I'm listening to the idea of the product.
26:38We are based on the phantom company for, for example, the dog's horse.
26:44I'm listening to the best.
26:46I mean, the homeless and the rest of the sadness that she mentioned.
26:49But it can be.
26:53It can be. Listen, Banja.
26:55I want everything you are doing right now to the side.
26:59And to be here to be completely.
27:01Okay.
27:03I'm sorry.
27:05I'm going to go.
27:06Let's go.
27:24Okay.
27:25We're going for two minutes.
27:28Let's go.
27:28Let's go.
27:30We're going after Vada, Zlato and Sefa.
27:32We're going to take the two from the safety.
27:34I'm holding them down.
27:37Okay.
27:38I'm going to go to the street.
27:39We've got a fire alarm.
27:40We've got two minutes before you, until we get to them.
27:44We're going to go.
27:45Okay, let's go.
27:45Okay, let's go.
27:48Let's go.
27:49And exactly.
27:57Let's go.
28:08Listen to me, good.
28:10Listen to me.
28:11Ovo nema nikakve veze sa tobom.
28:14Mila je otišao jer je njega pogodila vest.
28:18I teško mu je pala.
28:19I otišao je da se smiri.
28:21Nije on otišao od tebe.
28:23Razumeš? To je činjenica.
28:26Ja znam da to nema nikakve veze sa mnom.
28:29I moram te, izvini za ovo sve što sam ti rekla stvarno.
28:32Samo mnogo mi je teško, lenka.
28:34Sve me steže, sve me guži.
28:37Ne mogu da diš.
28:38Razumem, razumem i nemoj mi se izvinjavati.
28:40Sve je kapira.
28:42Ali nećeš ništa uraditi time što plačeš i gledaš u prazno.
28:46I šta već radiš.
28:47Niti je bolje tebi, niti je bolje miletu.
28:50Tako da ja predlažem da se ni malo pomerimo od toga.
28:53Kako?
28:54Kako šta?
28:55Ja ne znam ni dalje on živ, lenka ili nije.
28:58Može naravno da je živ šta pričaš.
29:00Naravno da je živ.
29:01I ti si živa.
29:02I to je super vest.
29:03I imam na umu jednu stvar koju možeš da uradiš da ti malo bude bolje.
29:11Znam.
29:11Ti ćeš da mi predložiš da idem po kafanama, da ga tražim.
29:14Ja to opet mogu da radim.
29:16Ne, ne.
29:16Ja predlažem nešto drugo što će malo da ti pomogne da se opustiš.
29:23Vidi.
29:24Ostaneš ti ovde kod mene.
29:25Da.
29:26Budeš mi model za foto session.
29:29Da, pravim neku seriju novih fotkica za kolekciju.
29:33Nije važno, doći će i druge devojke.
29:35Naručimo neku klopu, piće, muzika, malo se opustimo, fotkamo, napravimo lepo zezanje.
29:40Joj Lenka, pa kako da bude model? Mislim, kako s ovim licem sad...
29:46Mislim, mislim, ja ne sam prelepa stvarno, sad posljednje vreme nešto...
29:50Tako što si prelepa, eto, baš tako.
29:52Jeste, ali nekako mislim da nije momenat.
29:55Pa napravit ćemo momenat, Kajo, ej, ej.
29:58Samo ti malo obrešemo te suze da ne bude žena koja plače za mužem,
30:02nego da budeš, ono, fotomodel.
30:06Fotomodel ispred objektiva, žena koja uživa, koja je prelepa.
30:10Hm?
30:12Joj, ne znam, ali Mile...
30:14Ali Mile će se vratiti. Daj mu malo vremena, vratit će se.
30:19I evo je, realno bolje da ga dočekaš kao srećna vedra žena,
30:24koja ima uspomenu na fotosession i na to da je uživala pod objektivom,
30:28nego kao neka ucveljena i iznurena žena koja plače.
30:32Mislim, nije dobro za Bore da plačeš to.
30:34Jeste, to si skroz upravo.
30:37Ne, ne, ne, ti si upravo.
30:39Meni je zapravo potrebna neka vrsta distrakcije s ovog problema i stresa.
30:44Prvo, prvo, daj ne napravimo.
30:45Da, treba da napravimo distrakciju od svih pitanja i svih situacija koje su.
30:49Tako je, brišite suze i ima da te sredimo da budeš top model.
30:54Može, to ćemo da napravimo atrakciju od distrakcije.
30:58Upravo tako.
30:59To ćemo, Lenka, hvala ti.
31:01Češ bi i prelepa si.
31:02Prelepa si.
31:03Jeste, u posljednje vreme baš.
31:04Baš i lepa.
31:05Hvala ti.
31:11Hvala ti.
31:28Hvala ti!
31:29Hvala ti!
31:29Što vi?
31:30Šta šta šta što što što?
31:32Uuuuuhuhuhuhu,
31:33but there's a lot more than we thought.
31:35Why are you doing that?
31:37Here are 150-200 people, the least!
31:40Oh, oh, oh, oh!
31:42Oh, oh!
31:45Pink panther! Pink panther!
31:47Pink panther!
31:49No, no, no!
31:52No, no, no!
31:56There's no, no, no!
31:59Okay, okay, okay.
32:00I'm right.
32:06I'm right.
32:08Take the car.
32:24Throw it away.
32:25Let's go.
32:26I'm going to give you my own.
32:26I'm going to take a second.
32:28Now, I'm going to come back.
32:34Okay.
32:42What do you mean?
32:43Well, I'll first see you.
32:46I can see you.
32:49Why are you looking at me?
32:49I can see you. Why are you looking at me?
32:51I can see you.
32:53Are you normal? Are you in a position?
32:55Do you think you're tired? Do you think you're out of yourself? Do you think you're full of yourself?
32:59Everything is fine, everything is normal. So, what did you call me?
33:04He came to a wedding shop from which he had taken a huge plen in a rare stone.
33:11I'm waiting for you now to go to the face of the place and so on.
33:18Stop, stop.
33:21One more thing.
33:29I hope, I don't want you to be aware that this is your last chance to stop all the mistakes
33:43and stupid things that you did in the last few days.
33:47It's clear.
33:48It's clear.
33:49I pray to you as a god that you don't lose this chance.
33:56I understand.
33:56I don't know.
33:57Elko, I don't know.
33:58It's clear that you told me that it was not hard.
34:02I understand.
34:04And then I'll go.
34:05I don't know.
34:06I don't know.
34:07I don't know.
34:27I don't know.
34:36I don't know.
34:41I don't know.
34:42I don't know.
34:43I don't know.
34:45I don't know.
34:47I don't know.
35:00I don't know.
35:02I don't know.
35:06I don't know.
35:10I don't know.
35:21I don't know.
35:25I don't know.
35:27I don't know.
35:28I don't know.
35:29I don't know.
35:33I don't know.
35:35But then, she thought that it would be well.
35:37So I don't know.
35:41I don't know what I'm trying to do to do.
35:48I don't know.
35:51Oh, I don't know.
35:52It's important that we're going to get to Gabriel.
35:55Yes.
35:56Yes.
35:59I talked with Alex.
36:12Hey, hello.
36:13We bought the documents that are visible on the face.
36:16What do you say?
36:17It's the most important department.
36:19Yes.
36:20And?
36:20You?
36:21They were blinded by themselves.
36:33Do you have something to tell me?
36:38I have.
36:41What?
36:42I have.
36:43I found a girl in my life.
36:46Oh, wait a minute.
36:49You know what I'm looking for.
36:51Yes.
36:53But I think that's all about her.
36:54I think that's all about her.
36:55Um, we have to have for you.
37:07Oh, wait a minute.
37:21How do you think you've had a good job?
37:37One, then...
37:39One...
37:41...and on the end.
37:44What else is that?
37:47How are you doing?
37:51How are you doing?
38:00Eh, come on now.
38:03Let's start.
38:04Listen.
38:06Okay.
38:07Elem.
38:08I had a wonderful speech.
38:12I want to say...
38:13We are finally here.
38:26I'm here.
38:28I'm here.
38:30What did you give us?
38:32I thought it's been given.
38:33It's not some punishment.
38:35Let's stop it.
38:57What are you doing?
39:11Where are the people? There's no one.
39:13I don't know, I don't understand it on different sides.
39:15What do you ask?
39:17I need diskrecia.
39:31Do you think I can?
39:32I can't.
39:34Reja, the question is whether you can do it or not.
39:39You have to, brate.
39:42I think I understand what you want to say.
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