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#video #welcome to moore street s01e03 Episode 3 Engsub #drama2026 #movie2026 #hotmovie
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00:00Two pounder chops, no for £50.
00:03To match ten for a euro.
00:05Deep in Dublin's north inner city lies Moor Street.
00:10Known widely for its history and its traders,
00:13all life is on the streets.
00:15I want to contribute to the society.
00:18Don't be worrying, just spend, spend, spend.
00:21This iconic street has become one of the most diverse places in Ireland.
00:25And while its future is uncertain...
00:27It's the not known where we're going to end up, that's the stressful part.
00:31There's no place quite like it.
00:34It's going to make you, or it's going to break you.
00:37Oh!
00:4883 I was in June.
00:50I'm still walking.
00:53When I was selling paper since I was seven years of age,
00:55all around the place.
00:57Every pub all around.
00:58And then I got Aloysius when I was 14.
01:03Aloysius was trained.
01:05Sixth of us.
01:07You didn't get good money in the street then.
01:10The street was all here with little apple soils and all.
01:13None of those big things.
01:15We worked off small tables and all they did.
01:18And we used to rob the apples.
01:21A bit of wire on it.
01:32More Street's historic role in the Easter Rising of 1916 centres on numbers 14 to 17.
01:38Unlike much of the street, which is in the hands of property developers,
01:42the four houses have been owned by the state since 2015.
01:45The OPW are leading the conservation and adaptation of the houses into a commemorative centre.
01:51Architect Gráinne is leading the design element of the project and plans are at an advanced stage.
01:57I'm sure the traders are wondering, you know, what's happening and all these people coming in and out and wearing
02:03hard hats.
02:04And, you know, here's another big delegation coming to visit More Street.
02:08And it has been slow and there's a history there and there are reasons for that.
02:13Well, I think we're at a point with the project now where it is happening.
02:17You know, the support is there, the money is there, the pressure is there.
02:21We'll hopefully get to site next year.
02:23It's slow, it's careful work.
02:25So, you know, there's a guts of 18 months, two years of construction.
02:30We're in 14 and this is where you will enter when you're coming in to visit.
02:35And it'll be there'll be a reception kind of here.
02:40Coming up the stairs, it's all protected with protective ply because underneath this is the baluster and the stairs of
02:50the original 1759, 1760 staircase.
02:54And it's quite remarkable that they survive in all of the four buildings.
02:59The reason why it's a monument is really because of the significant events that took place.
03:06So obviously in 1916, the leaders and the rebels escaped from the GPO.
03:11It was burning.
03:12They made a dash across Henry Street into Henry Place.
03:16They eventually broke into Number 10 Moore Street and they stay there overnight while the other rebel soldiers burrowed from
03:23building to building up the terrace.
03:25And then they moved gradually and ended up, as we understand, in Number 16.
03:31And it's in Number 16 then where the leaders rested, had their final council of war and made the momentous
03:38decision to surrender.
03:42The visit will be guided, very small groups, and this is all to do with the limited capacity of the
03:49buildings to take large groups.
03:50But it also really is appropriate to the kind of nature of the experience.
03:56To some extent, it's a sombre story. It's a serious story.
04:03We're in 16 and we're going from ground floor to first floor.
04:06And I just stopped to kind of look at the blocked up or the repaired opening that would have been
04:12the breach in the wall, the tunnel between 15 and 16.
04:16So the rebels would have broken through from the other side and they wouldn't necessarily have known that they were
04:24going to break out onto the stairs.
04:27You had Connolly on a stretcher and you had another British soldier on a stretcher coming in and out, negotiating
04:35this difficult gap.
04:38As you go around the houses as a visitor, you could maybe put yourself into that experience or that sense
04:45of what it might have been like for the rebels as they knocked their way through.
04:49And in Number 16, you'll learn more about the leaders.
04:53You'll learn more about what precipitated the decision to surrender.
05:00There's reference to Pierce going to the window, looking out, seeing dead bodies on the street.
05:08I suppose one tries to imagine oneself and you never cease to be moved when you think about coming to
05:15that decision that this can't go on.
05:17The reality of what was happening probably confronted him very, very powerfully.
05:22And obviously they had their council of war. They made that decision. You'll go into the room where that happened.
05:29You have the sense of the sound of the street. And that's really, really quite potent, I think, and quite
05:35evocative.
05:37Moore Street has no cars on it. So it's really the sound is the hubbub of people's voices.
05:44Hopefully the museum or the national monument will be something that says this street has been looked after and it
05:52matters.
05:53If it can make a contribution to revitalization of Moore Street, then that really would be terrific.
06:02If it can succeed at the local level, it will succeed at every level.
06:07Irish tomatoes now 10 for a euro.
06:10Years ago we were running firm tomatoes.
06:14Sound.
06:15Sound tomatoes, that's right.
06:17How much is this?
06:21I think two euro.
06:24Two euro.
06:25Okay.
06:27And people say, what does that mean, sound? It means the heart.
06:31How much is that taste?
06:33Three for a euro.
06:35But you'd get a euro.
06:36No, I didn't. I said two euro. A box.
06:41Did you buy them?
06:43No, Iran.
06:43Yeah.
06:51Situated over a phone shop on Moore Street, Pisa's tiny boutique is in contrast to the high street stores on
06:57nearby Henry Street.
06:58You can't see this in anywhere in Ireland.
07:01This is very, very special, elegant.
07:04If you want to go for any party, you know, wedding, you want to look different, people would say, oh,
07:11I love this.
07:11So this is why I'm unique.
07:14I love clothes.
07:15I love clothes.
07:16If you ask me to choose between my clothes or a man, I'm going to choose my clothes.
07:21Because I love clothes more than anything.
07:24That is what gives me happiness.
07:26Once I see anything I like, I'll go for it.
07:30I'm like, people will say, I don't know if I will use the word junkie in clothes.
07:34What does that do?
07:36I try to do my own thing to be different from other people.
07:40Harry's style, they are not too flashy in their design.
07:45They don't pop up.
07:47We in Africa, we imitate Americans.
07:50So we always throw out sexy, try to show off.
07:55When you look at downstairs, look at Madison Spencer, it's like most of their things are for old people.
08:02You can't go wrong with this dress.
08:04Have you worn this one?
08:06Yes.
08:08I do.
08:09Any good thing is for me.
08:18Social media is only where now you can sell things.
08:22Everybody is on social media checking what is going on.
08:25So I do the modeling, my niece helps out as well.
08:30When they see you wear it, they will see the fitting.
08:34People will say, oh, peace, I like what we are wearing in the airport.
08:37I say, I have it in shop.
08:39Take a step back, please.
08:42Take a deep breath.
08:44Are you ready?
08:44Yeah.
08:46Buy to look elegant.
08:48The last thing, buy to look elegant.
08:51Buy.
08:53Like my tribe, I'm from the Igbos tribe.
08:56And in my own states, they will say, any country you don't see an Igbo person, that country does not
09:03exist.
09:04Because we travel a lot.
09:07An Igbo person, they are like industrials, they want to make money, they want to make business.
09:14An average Igbo person is a business tackle.
09:18They are like hungry for money.
09:22I say it.
09:24Hi, guys.
09:25You can look elegant with this jumpsuit.
09:30Bye-bye.
09:37Set up outside the 1916 buildings on Moore Street, Charlie comes in most days to busk with his guitar.
09:44I love busking.
09:45What I love the most about my job, it's a very good way of socialising.
09:50Meeting with people and everything like that, and you share good ideas with them and they share good ideas with
09:56you.
09:56There's some who go to bars, they buy their drinks and so on.
10:00I don't, I just love socialising here.
10:04It's ages since I've been to a bar.
10:11My dad didn't want me to be a guitar player.
10:13He wanted to be a civil servant like himself, but as far as I was concerned, the die was cast.
10:20I had thought of becoming an actor, but it could be a very sort of boring task.
10:25I love the series Father Ted, but some of the acting there.
10:28I mean, you have Mrs. Doyle, and all she gets to say is,
10:32I go on, go on, go on, go on, go on, go on, go on, go on, have a cup
10:37of tea.
10:37That's all she gets to say.
10:45I can't read or write music, and I felt inadequate, I suppose.
10:49And I was going to stop with guitar.
10:52And people told me, no, don't you do that, you know, which is really nice.
10:57But I still have a lot to learn.
11:10I'll sing what's certain, little age in the end.
11:18Let me start for two, little meaning to say.
11:23The Ilac shopping centre on Moore Street houses the central library where Charlie comes to play music and read.
11:29It's a sanctuary for him, a place to escape the hustle and bustle of the street.
11:34I like to read aphorisms.
11:36And there's a Viking book of aphorisms.
11:39So it's books about quotes that you like?
11:41Sorry?
11:41Quotes and things, a book of quotes?
11:43If I got you a book of quotes, would that be good?
11:45That'd be good, that'd be excellent.
11:46Okay, if you stay there, I'll get you.
11:47Okay.
11:48But yeah, I like to study books of geniuses.
11:55Oh, lovely!
11:58Well, try Abbott and Costello.
12:00How stupid can you get?
12:02How stupid do you want?
12:06Or how about this one?
12:07Some are wise, others are otherwise.
12:12Song by the Tremolos.
12:14It's called Silence is Golden.
12:17Talking is cheap, people follow like sheep, even when there is nowhere to go.
12:23I really love that song.
12:26I travelled around mainland Europe a lot.
12:30I've never seen anything like Moore Street.
12:33It is beautiful.
12:34I've never come across any place that has its own character quite like here.
12:49In the Moore Street Basement Mall, Lisa, who's from Georgia, has been running her alteration business for nearly a year.
12:56She has big plans for the shop, maybe even for a fashion brand of her own one day.
13:01And she has loyal customers for her alteration service.
13:10Hey, Lisa.
13:11Hello, how are you?
13:12How are you?
13:13It's very good.
13:14You?
13:14Great.
13:14I stitch it here and short it.
13:18Brilliant.
13:19Brilliant.
13:19You're a great worker.
13:20You do army stuff.
13:21Thank you so much.
13:21I travel in from North County Dublin to you.
13:23Very good.
13:24Very good.
13:28I have idea for my brand.
13:33I want to stitch classic dresses, clothes for women.
13:43I like Coco Chanel, and I want to put in this style a little bit my line, a little difference
13:56for this.
13:58This is my designs.
13:59This was one scarf, and I make it for minutes, this for me.
14:06Okay, this one, this was jeans, and I changed it, before skirt.
14:27It's my
14:50My life was very difficult.
14:57If you believe yourself, all go very nice, good, and go up and up, step by step.
15:11You have a jiu-jitsu club in North County Dublin.
15:15We're always looking for wrestlers to come in, and Georgians are good wrestlers and good judo players.
15:19So if anyone's looking to do judo or jiu-jitsu, get them to give me a ring.
15:24Yes, this is my brother.
15:26One finger push-ups?
15:28Yes.
15:29He's an European champion.
15:31European?
15:31He was, yes.
15:33I'd have strong fingers, yeah.
15:35Difficult.
15:36I've no need for him.
15:54It's really early on Saturday morning.
15:56Heather works for the Temple Bar Company.
15:58They run the weekly Moore Street Markets with Dublin City Council.
16:02Along with the usual business happening on the street today, she's preparing for a very different kind of event.
16:08It's Pride!
16:10So excited.
16:11It's going to be a great day.
16:13Been long in the making, I think, at this point.
16:16Yeah, no, super excited.
16:19I'm a musician myself.
16:21I spend a lot of time out and about and gigging and in clubs and in bars and at parties.
16:27So when it comes to my own parties, I'm definitely a host.
16:30Like I'm a Monica character, if you will.
16:33You know, I love putting on a good event.
16:36I love kind of sharing those experiences with people.
16:39So I guess that's kind of what led me into finding this job.
16:42I don't think there's any point in life without kind of a community.
16:48Grand stuff.
16:50We just need to get a stage.
16:52If we get a stage, that'd be fantastic.
16:54It'd be brilliant.
16:55This is my first Pride on Moore Street.
16:57I've done other events in the past, but this will be my first Pride.
17:01What I worry most about is the weather affecting the equipment, the equipment working properly.
17:06And those people in the world who just like to cause a ruckus.
17:12So just watching for that on the day.
17:14You know, it's going to be a very, very busy day.
17:16It's going to be a lot of people coming in and out of town.
17:18So just making sure it's the whole thing real smoothly.
17:21While the production may be stressful, I'm not really stressed about the acts.
17:25I have a lot of faith in the artists I've booked.
17:27I've talked to all of them in great lengths about the event itself.
17:31And I think once things kick off, I think the community of Moore Street is really going to be really,
17:36really appreciative of what's going on.
17:39It's nice, it's interesting because we get to do this every year.
17:43I was there last year and, you know, we had great fun.
17:48You know, we had a lot of people coming in and after the parade they came down.
17:52People were buying food and so yeah, it's good.
17:55One o'clock we have the drag queen takeover because, you know, it's pride.
18:00You can't have pride without a drag queen.
18:02We'll have two drag queen performers who will put on a bit of a show and then we have a
18:06DJ with drag queen host.
18:07We'll finish the evening off.
18:09What are you chatting about?
18:10I think this is going to be one of those moments in the documentary where, like, they zoom in on
18:14me telling you something bad.
18:15What?
18:16There's no power on the street.
18:20There's a power cut.
18:22This is Moore Street, typically.
18:23They'll have to hit my main line on Moftown Street.
18:25We could be out all day, but we're hoping to be on the next couple of hours.
18:29But at the minute that's saying six o'clock this evening.
18:32There's a few food stalls around here that need it.
18:35The mom machines and everything will need electricity.
18:38So, I don't know, we'll see.
18:40Like, I don't know how they're going to set up if there's no electricity on the street.
18:47But, yeah.
18:59Back on Moore Street, an emergency generator has been found.
19:03And power has been restored for the performers and market traders.
19:08So, we could put the DJ on show.
19:15To have everything set up now in the next, like, ten minutes or so,
19:18they need to kick start the generator.
19:20So, we'll have that happen.
19:21And then, yeah, kick off for 11.
19:24Fingers crossed.
19:25Everything runs smoothly.
19:26I think we've had enough hiccups.
19:4018-year-old Noah is performing on the street today as his drag act, Sardonyx.
19:45He has performed only once before in a gay bar.
19:48So, this will be his very first performance in front of the general public.
19:52The makeup alone takes four hours to apply.
19:55I kind of treat my face like sections in a way.
20:00I always kind of start going from my eyebrows up and then kind of tackle the rest of my face.
20:10I always wanted to, like, draw but I was never good at it.
20:15But I always had that, like, creative part of me.
20:18So, I'd, like, make things when I was a kid and stuff.
20:20Or I'd perform, like, a character.
20:23So, like that.
20:25But with drag, when I did it the first time, I was really bad.
20:30I looked crazy.
20:32But just, like, I immediately was like, okay, this is the one.
20:35I like this a lot.
20:37And it just offers such diversity in what you can do.
20:40Like, in the same week, I can dress up and be a plank of wood, which I have done.
20:46Or I can be, like, just this regal kind of, like, old Hollywood woman.
20:51And then I can be an alien all within the same, like, few days.
20:54But it's all still, like, drag.
20:56And it's just, um, such freedom, almost, with what I can do.
21:04Yeah?
21:06What's up?
21:08Hi.
21:08So, I tried to fix the wig as best as I could.
21:11So, how's she?
21:12Oh, she's grand.
21:13Oh, she's grand.
21:14Yeah?
21:15Yeah.
21:15Sorry.
21:17And she's pinned.
21:18Okay, grand.
21:18Well, I have to pin her because it's the only way.
21:20Now, I mean, she is sprayed into oblivion.
21:22She ain't going nowhere.
21:23That is a rock.
21:25I feel like my mom has always known I was quite an extravagant person, flamboyant even.
21:33So, like, when I came out and stuff, she was like, okay.
21:37Big deal.
21:38So what?
21:38Who cares?
21:39And then when I was like, I want to start doing drag, she was like, okay.
21:43If you're not hurting anyone, you're not harming anyone, who might stop you?
21:47You know?
21:48If you enjoy it, if it brings you joy, then it brings me joy.
21:51Your purple eyeshadow is gorgeous.
21:53Keep going.
21:54I won't delay it any longer.
21:55If you want something to eat, just roar.
21:57Yeah.
21:57Okay.
21:58All right.
21:58Love you.
21:58Love you.
21:59When you have a child, right, you have them.
22:02You bring them up.
22:04You teach them right from wrong.
22:05But when they get to a certain age, they decide who they want to be.
22:09I can't make them into what I want them to be.
22:13So it was important, like myself and my husband, we knew Noah was a spark.
22:19And there was no way that we were going to put it down or die.
22:23And he shouldn't have to.
22:24We just tried our best to make sure he knew where he was safe, where he was loved, where nothing
22:32had to change and he shouldn't have to change.
22:35The safest place that any child should have is their home.
22:39When it comes to Moore Street, I remember, especially as a child, going in, we used to meet my nana
22:45and I think it was a Friday we used to go in and go up and she'd get the fruit
22:52and the veg and the fish.
22:54Then as I got older, I actually started working in Paddy Powers and the first Paddy Powers I worked in
22:59was the one on Moore Street.
23:02And for the first two weeks, my job was to learn what way the traders liked their tea.
23:08I used to make, I don't know, I think it was about 10 or 12 cups of tea in the
23:12morning and the same in the afternoon.
23:14And woe betide me if I got the sugars wrong.
23:18I could never have imagined at this age, I'd be going in to see my son perform in there.
23:26It's something that I could never have contemplated, but I am absolutely delighted it is happening.
23:36It's very weird.
23:38Hey.
23:40Look at you.
23:42Twirl, twirl, twirl, shami, shami.
23:44Stunning.
23:45Hello.
23:46Hello.
23:46You happy enough with the wig?
23:48Yeah, I'm just...
23:51Braids.
23:51Will you do me a favour on braids?
23:53No.
23:53I couldn't find the right corset, my good corset, just disappeared.
23:56Listen, you're tiny.
23:58Stop.
23:58You're about the width of my shin.
24:00Give over.
24:01The wig is working.
24:02It is and it feels secure, you know.
24:05What can I say?
24:06I have my...
24:07The first time I saw him in good drag.
24:13You're about nine foot two.
24:14Yeah.
24:14You too, I guess.
24:16I was like, holy hell.
24:19Like, the figure, the legs, the hair.
24:22I was like...
24:22I was jealous.
24:24I was like, that's my boy.
24:26I should look like that.
24:28Not him.
24:28I have to be there in 30 minutes.
24:30Okay, well, we were all waiting on you, sweetheart.
24:32I know, but like, I...
24:33Okay, Dad's driving.
24:34Calm down.
24:35I want to make this performance memorable.
24:37I'm kind of nervous to do it.
24:39Okay.
24:40Let's do this.
24:40I'll be kind of looking for a decent size of a crowd.
24:45And if I see them applaud, even better.
24:52Let's go, Mama.
24:57Peace came to Ireland from Nigeria in 2004.
25:00She has three children, including her oldest, 20-year-old daughter, Ellen.
25:05Hello.
25:07Hi.
25:08Hello, Ellen.
25:09Hello.
25:10Hi.
25:10Ellen wants to get Coral done.
25:12Um...
25:13Okay.
25:14So...
25:14How do you want it?
25:16Our back.
25:18Okay.
25:18Just something simple.
25:20Ellen has a challenge.
25:22She's especially a child.
25:23She has autism.
25:26And her own case is that she doesn't speak.
25:30She understands everything, even my language.
25:33But she cannot express herself.
25:35Mama, are you happy?
25:37Yay.
25:38When she was young, it was difficult.
25:41I believe in God, and I've accepted it before.
25:48Oh, Jesus.
25:49Seeing your daughters, your child, struggling.
25:53Emotionally, it can kill.
25:55Mama, you like your hand?
25:57Some of the African people, they're believing it's voodoo.
26:01You know, winch crap.
26:03You know, that kind of a thing.
26:04That's why the child is like that.
26:06Or what happened to their child?
26:07No.
26:08I don't talk to them.
26:09I said, no.
26:11They should stop telling you bullshit.
26:13So I want my African people to get sense.
26:15So no, this has nothing to do with winch crap.
26:19It just happened.
26:21So I made Ellen to understand.
26:23And the brothers.
26:25Ellen is not handicapped.
26:27That she doesn't speak does not mean she cannot do anything.
26:30So I treat Ellen the same way I treat everybody in that house.
26:35You know?
26:35So all I do is that I tell Ellen, what do you want?
26:40Go and show me.
26:41So she show me what she want.
26:43You love it.
26:45You love your hair.
26:46Isn't it?
26:47Full of smile.
26:47You're happy.
26:49You are.
26:50Yeah.
26:51She loves beauty.
26:53I see it in her.
26:54She loves when you do her hair.
26:56She loves wearing her clothes.
26:58She's kind of, she likes outing.
27:00She's not the type that wants to stay in one place.
27:02You know, she's always, let's go.
27:06But sometimes she can be stubborn though.
27:09Don't because she doesn't talk doesn't mean she doesn't know her rights.
27:12She knows her rights.
27:17Which color do you like?
27:18Show me the color you like.
27:19Oh, this is a lovely dress.
27:22It hurts me that she doesn't have friends.
27:24She doesn't have somebody who comes at home to knock on the door.
27:27Oh, Ellen, I want to see you.
27:29Can we go out?
27:30It hurts.
27:30I need my daughter to have friendship.
27:33I need my daughter to engage.
27:36Ellen is going to be in my care to the rest of her life.
27:39If I'm not there tomorrow, my family has to come in and assist.
27:44I don't see Ellen living outside the home.
27:46No.
27:47And it's a bit consigned.
27:50Yeah, come and put them here.
27:52I'm telling you, without my family, with Ellen,
27:56maybe I would have been a bit depressed today.
28:00Everybody in the family have accepted it.
28:02If she go to my village, their love is overwhelming.
28:06Some of them, they even know she doesn't speak.
28:07Sometimes they will come to me.
28:08Some children, they will say,
28:10Oh, why is Ellen not talking to me?
28:12I'll say, go to her.
28:13Speak to her.
28:14Maybe she will talk to you.
28:16Come and give me a hug.
28:31For many of those running businesses here,
28:33Moore Street represents a chance for a better life for them and their families.
28:37Lisa has been in Ireland since 2022.
28:40She fled her home in Georgia 20 years ago because of a difficult marriage,
28:44leaving her then teenage children behind her.
28:47I want this business for family business.
28:54My life was very difficult.
28:5721 old, I married.
29:01I have two children, one son, one daughter.
29:06My son is 33.
29:11He lives in Ireland.
29:13My daughter's name is Tamuna.
29:16She lives in Georgia.
29:18She has two children.
29:20Oh, yeah.
29:22This is my very difficult moment when I speak for my children.
29:29This.
29:30Because I don't see my children 15 years.
29:40in the hospital, she is a helper to give herself.
29:53I don't know if she's a daughter.
29:59She is a child when every support eye is getting treated,
30:01she comes get treated while having she is injured and unfamiliar.
30:04This does not matter if she is.
30:05It is that she is coming back to you.
30:08And if we had to go to the side of the other side,
30:10then we'd get to the side of the side of the side.
30:18We'd get to the side of the side of the road.
30:22And you'd see the side of the road that we were coming to the side of the road.
30:27And then you'd see the side of the road.
30:35And I thought,
30:46I was maybe 14 when she lived, so it was difficult, but in that moment, when I was a kid,
30:55I didn't realize this because we were alone.
31:01I was not living with my mother from my childhood, and when I chose to come to Ireland, I wanted
31:11to be with my mother with me, and I said to my mom to just come with me where I
31:17am right now, and she followed me.
31:23My before life was very difficult, but Ireland, I don't speak English.
31:30All want help me for my job, my life, my documents, and all.
31:40I am so, so happy for all.
31:43I hope Ireland helped me bring me my daughter.
31:49Maybe one day we will be together.
31:53Bye-bye.
31:54But love continues.
32:06Hidden down a laneway off Moor Street is Seven, an e-bike shop.
32:11Here, they repair and rent out electric bikes for many delivery riders around Dublin.
32:16Set up by Brazilian Jean, it's a first port of call and a place to hang out for people who
32:21have just arrived in Ireland looking for work.
32:23Hello.
32:24How are you? Welcome.
32:25Where are you from?
32:26Brazilian.
32:27How long are you here?
32:29Two weeks ago.
32:31Two weeks?
32:31Welcome.
32:32More than welcome.
32:34Good teacher.
32:37Thanks.
32:38First of all, I'm going to take the bike to adapt a little bit.
32:44Hello.
32:44How are you?
32:46Fine.
32:46What's your name?
32:47Mateus.
32:48Mateus, nice to meet you.
32:49My name is Savelli.
32:49How do you think the traveling from here and why are you coming here?
32:55The side to drive is something confused.
32:59Okay.
32:59The left side, but...
33:00Yeah, because it's different, right?
33:02Yeah, from Brazil it's different.
33:04Many people that is making a delivery, they came here to Ireland from another country.
33:11There is many opportunities.
33:12You can make money, you can make friends, you can have a good life.
33:20But you have to go to work to make, you have to be a better person.
33:26You have to go to the client's house and you have a smile, a smile, a smile, a voice,
33:34Hello!
33:35How are you?
33:36The person will already feel that their day will be better, you know?
33:40Yes.
33:40Because a lot of times the person will come and say,
33:43Look, take this shit here.
33:45Like, would you like to receive a request like this?
33:48Yes.
33:48Would you like to give a tip to someone who is doing this?
33:51No.
33:51Some people don't speak English.
33:53And many companies need it.
33:57The people speak English to talk with each other.
34:00Go to the front and go to the left.
34:06Okay.
34:06To the left.
34:08In the delivery, you don't need to speak English.
34:11You just show the number, you take the order, but you can start working quickly.
34:16And you start to make your own money.
34:18This is important, yeah?
34:20I'm here.
34:22I'm here.
34:23I'm here.
34:24I'm here.
34:24That's it.
34:26Where are you?
34:26Where are you going?
34:28Where are you going?
34:29Where are you going?
34:30Now, yes.
34:31Now, yes.
34:33Because if you don't do this, you have the possibility of an accident.
34:38It happened to do this and go straight to the car.
34:44You stay a month without working.
34:46And you don't want that, right?
34:47No, never.
34:48Many people feel alone here, you know?
34:51And we try to help these people.
34:56It's not only renting bikes and fix bikes.
35:01But, like I say, we try to give some hope, some words.
35:05It's a bigger thing.
35:07And, like, you want to get married?
35:11You want to get married?
35:11Yes, I think I like a lot of Europe.
35:15I think it's a good life.
35:17It's a good life.
35:17It seems to be very palpable everything you want.
35:21Of course, working, it's not easy.
35:24But, I think it's a good place to live.
35:26It's a good life.
35:27It's a good life.
35:27Yes, yes.
35:28I've been here for two years and three months.
35:31I'm going to tell you something.
35:32As you said, it's not easy.
35:35It's difficult.
35:37It's complicated.
35:38But, I love this country.
35:41Because it gave me everything.
35:43Yes.
35:52It's clear that, like Rosie Johnson before her, May Gorman holds a special place in the
35:57hearts of her fellow Moor Street traders.
35:59The coronation took place of a totally surprised new Queen of Moor Street.
36:04What do you mean, do you mean to me?
36:08What do you mean to me?
36:08What?
36:08What?
36:14What are you doing?
36:25I love her.
36:26How are you?
36:28Oh, I'm crying.
36:29I am so good to see you.
36:31You look amazing, sorry, you look amazing.
36:34You're absolutely brilliant.
36:35Are you excited?
36:36Yeah, yeah.
36:37How'd everything go this morning?
36:39We got there, in the end, we got there.
36:41It was a bit of a panic, but we got there in the end.
36:44We're here.
36:45As I was saying to them,
36:46the amount of things have gone wrong already today,
36:48you know, it's just roll with the punches,
36:49keep having a good time, it's about that.
36:51So we'll get you going for about
36:53a quarter past, if that's okay?
36:56It's a long set, it's 30 minutes.
36:58At the very end of my set, do you know what?
36:59I'm gonna take a risk.
37:00I'm not just gonna lip sync the whole time.
37:02I'm gonna sing three songs at the very end,
37:04and hopefully that goes well.
37:06I learnt one specifically for this gig.
37:08It is a challenging song to sing,
37:10and in a corset, with a wig on, pounds of makeup.
37:14It's really scary, though.
37:15It's really scary, because I can't mess it up.
37:17It's one of those songs where it's like,
37:18if you mess it up, it's like, oh, it's over.
37:23I don't know if it's brave.
37:25I think it's insane.
37:30Thanks so much!
37:32Woo!
37:38Five, six, five, six, seven...
37:41On Moore Street, the Pride Festival is up and running,
37:44and 18-year-old Noah is about to give his first ever
37:46public drag performance as Sardonyx.
37:49Jesus!
37:49I'm nervous, I'm nervous, I'm nervous.
37:51I'm grand, I'm grand.
37:52You're going to be fab.
37:54Pride, to me, is extremely important.
37:58In all of its celebrations, and all of its happiness it brings,
38:02is at its core, a protest.
38:04And it's proof that we are here.
38:07Queer people will be here forever and always.
38:12It's inspiring to see all of these people,
38:15queer, ally, whatever you are, show up for us
38:18in this really weird time that we're living in right now.
38:22With the climate of the world at the moment, it's scary.
38:26It really is scary for everyone.
38:29So it's going to be really comforting to see all people like me.
38:33And I don't have to be scared going into town.
38:37I just get to go in and have fun, and show myself off.
38:42Are you ready?
38:43OK.
38:43No bother.
38:45Okey-dokey.
38:46So we'll start it off, and then, yeah.
38:49Hold on.
38:49Do you want to do the intro before the song, or?
38:51After.
38:52After, perfect.
38:53OK, so we're going to pump that a little bit, pump their track,
38:56and we'll start with the first song there.
38:58I just hope that he enjoys every second
39:01and gets everything he wants from it,
39:07however big or small that may be.
39:10That's what I hope, and is supported.
39:17CHEERING AND APPLAUSE
39:18CHEERING AND APPLAUSE
39:22It don't matter what you wear,
39:24it don't matter what you wear,
39:25they're checking out yourself up, yeah.
39:29Ooh, yeah.
39:29And it don't matter what you do,
39:33cos everything looks good on you.
39:36Woo!
39:37Super Mario!
39:39Hello, hello, hello, hello!
39:41We're about to be up on the floor,
39:43waiting up for zombies,
39:45so put your pride all over me,
39:47you zombie boy!
39:47I got to go into it.
39:52CHEERING AND APPLAUSE
39:53CHEERING AND APPLAUSE
39:55This wasn't planned.
39:56Can I see you over fire in the back of this party,
40:00and your girlfriend isn't here?
40:02Yeah, your girlfriend isn't here.
40:04Now, I'm dancing straight,
40:06but I'm a baby child.
40:08I let me get tired,
40:10and it's going to be hard.
40:12I can see you!
40:13Woo!
40:14What's this is,
40:15what do you call me?
40:15What do you call me?
40:18What do you call me?
40:19What do you call me?
40:21Woo!
40:22Woo!
40:24What's your power?
40:25Don't let it shine
40:26I don't want you to die
40:31I want you to walk away
40:35With the back view in my dream
40:38My million tons of foot
40:44My powerwiÄ™ boom
40:46Villirs of the day
40:48¿Vivin my dream?
40:50I'll see you in my dreams
40:51Toyogує just look at me
41:07Let's go back here.
41:09This is the map of the area.
41:11This one, I'm going straight into the area.
41:14The problem is this side.
41:16But the problem is about the night.
41:18When it goes to the night,
41:19that they are with the bikes and everything,
41:22and then it's a bit complicated.
41:23I understand.
41:24And those bikes are a mess.
41:26It could be a bike of 1,000.
41:28They come behind us.
41:29That's why we have to take care of it.
41:31So, like that.
41:33Delivery riders in Dublin have often been targets for attack.
41:37Their bikes have been stolen,
41:38and some riders have been physically assaulted.
41:42If the people steal your bike,
41:45you go work and you buy again.
41:48It's not nice, but it's okay.
41:50But I hear some cases that need to go to the hospital,
41:55and yes, this is a big problem,
41:57because they attacked the person.
42:00I remember now one case that the guy was attacked,
42:03and he broke his leg.
42:05He stayed five months or six months without work.
42:09Some guys, they leave their bikes on our shops
42:13because if they leave the bikes on the street,
42:15it can be dangerous because it's electric,
42:17and they leave the bikes there, and they go together.
42:22I want to fail you to pick up an order.
42:25Yeah.
42:26When I got there, the order was ready,
42:29and I didn't lock my bike.
42:30I just parked it outside and ran inside the store.
42:33You can't do that.
42:35I know.
42:35Gina said that like 10 times.
42:36Now you know.
42:38It's only the bicycle.
42:39No, it wasn't just the bike.
42:41My power bank, the one I bought new,
42:44was inside the bag.
42:46I was having my cable for my phone.
42:48My jacket, two of my jacket was in my bag.
42:51Everything, everything was inside my bag.
42:53I lost everything.
42:54So here in Ireland, it's a really, really good country.
42:58There is some problem, as every country.
43:02But I think there is much more positive things.
43:06You know?
43:06Ah, sometimes there is some problem in the streets
43:11or something like that.
43:12But there is much more people that is nicer,
43:15that wants to help.
43:28No matter where you put on these types of events,
43:30you're going to get that sort of behavior.
43:345, 6, 5, 6, 7, 8.
43:37It's just a thing on the day to have the security there,
43:40to watch out for anyone who does want to make the day
43:44about themselves and not about the community
43:46that it's meant to be about.
43:52I had rosary beads.
43:53And he had a little cross at the end of it.
43:54And he was walking past, and I was on the street.
43:56He raised his little rosary beads with a cross
43:57and was, like, shoving it in my face.
43:59And I just did a little, like, one, two, three, four.
44:01Because what else am I meant to do?
44:05To me, it won't bother me.
44:07I know that I have a lot of people who are showing up for me,
44:11to support me, to watch me.
44:17And I'm the one on the stage, not that.
44:22This is my last song.
44:23I hope you all enjoyed my set,
44:24even though I started with a wig and gloves,
44:26and am ending with no wig, no gloves,
44:27and no dignity.
44:31I love my mother, and so should you.
44:33On this pride, let's celebrate the mothers of our queer children
44:35and the fathers of our queer children.
44:37They all matter a lot.
44:38Without them, we would be nothing.
44:41I love you every day
44:44Think a little strange in a usual
44:48And you will find
44:50A little unconventional
44:53I know
44:58Mama, I'm home
45:07I'm home
45:17I'm home
45:18I'm home
45:26Honestly, I feel like a proud mama
45:28Like I know his mom was here
45:29But it was just amazing
45:31Like, everything that could go wrong went wrong
45:34As I was saying
45:35It's like, hope for the best, prepare for the worst
45:37We had a speaker fall
45:38It started to lash rain
45:40We had some absolute idiot walking around screaming at the stage
45:44But, like, Sardonyx handled it so well
45:48Just made jokes about it
45:49Just like, tried to have the fun
45:52That was my dad's first time seeing me perform
45:53But I hope he liked it
45:55It was good, yeah
45:56It was brilliant
45:57Yeah, yeah
45:58Look, it's a dad's response
45:59That means it was excellent and fabulous
46:01Maybe the next time you'll walk on the shoes
46:03Yeah, maybe not cobbled next time
46:05I warned you
46:14Down in the Moore Street Mall
46:16Liza is celebrating the first anniversary
46:18Of her alteration shop with customers and family
46:24In Ireland, I am so happy
46:27I see my son and families
46:30And I have now more energy
46:34My thing is all for my daughter
46:37Because she's not here
46:41I'm so emotional, not nervous
46:45Thank you so much
46:48Thank you so much
46:48My friends
46:49My customers
46:50My family
46:51I love you all
46:53I am so happy to see you
46:57With my place
47:00My one year
47:04Anniversary
47:05Anniversary
47:05And I am so happy
47:07This all
47:09Irish peoples
47:10Georgian peoples
47:12Ukrainian peoples
47:14French
47:15French
47:15My student
47:16It's here
47:17And I am really so, so happy
47:20At home
47:21This was my dream
47:23Thank you so much
47:28Thank you
47:30Of course
47:30I am so proud
47:31With my mom
47:32Because whenever she sets the goal
47:35She always achieve it
47:37And I am so proud
47:38And I want to be
47:41Like my mom
47:42How she is doing the things
47:44In their life
47:46She don't have to worry about
47:48What was 10 or 20 years ago
47:51To be a young woman
47:52Oh
47:52Yeah
47:54Yeah
47:55Yeah
47:57Yeah
47:59Yeah
47:59Yeah
48:00Yeah
48:03Yeah
48:03That's a great
48:05Alright
48:06Yeah
48:07Yeah
48:08I'm sure
48:10But I can't
48:11I can't
48:12I can't
48:13I can't
48:18and I was like, I don't think I'm going to work.
48:24I'm going to work on you.
48:27I'm going to work on you and I'm going to work on you.
48:31I'm going to work on you.
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