- 2 days ago
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00:03Nobody knows the systems on this rig better than I do.
00:07God, I hate that bitch.
00:10Probably shouldn't have married her then, huh?
00:19Here, you put this over!
00:21No, no! What are you doing throwing gills all of a sudden?
00:23Listen, don't argue for that dammit!
00:24Look, this is not an option, so just forget about it, alright?
00:27Lindsay, shut up! Shut up and put this thing on!
00:29Don't you just be logical for what?
00:30Fuck logic!
00:30I can listen! Just listen to me for one second.
00:33You've got the suit on, and you're a much better swimmer than I am, right?
00:36Yeah, maybe not.
00:37Right? Yes!
00:38I've got a plan.
00:39What's the plan?
00:40I drown when you throw me back to the rig.
00:43What the hell kind of plan is that?!
00:46I drown now.
00:47No!
00:48Yes, this water!
00:49No!
00:49Only a couple degrees above freezes!
00:51I go into deep hypothermia, my blood will go like ice water!
00:55My body systems will slow down, they won't stop!
00:57You told me back, and I can be revived after maybe 10 or 15 minutes!
01:03Lindsay, put this on!
01:05You put it on!
01:05You put it on!
01:05The only way!
01:06Bud, please!
01:08This is insane!
01:11I know!
01:14You can do this!
01:15You can do this!
01:16I know!
01:17You can do this!
01:18No!
01:22No!
01:23No!
01:24No!
01:25No!
01:28Luke!
01:29W-Wild!
01:30Uh-uh-uh-uh!
01:31This is a heavy Nazis, a good idea!
01:33No, no!
01:35No, no, no!
01:36I'll pass you!
02:00Noooo!
02:01The audience, in principle, is not very much important
02:03how you think about the work with the people.
02:08What is new in the whole way?
02:12What is new in the whole way?
02:13What does it mean?
02:15How do the distributers start to buy films?
02:18We now have fixed films.
02:21We have to buy their own price.
02:23We have a system of lists.
02:27It's a little complicated system
02:29that is not a publicist.
03:00We have a number of copies,
03:02a number of copies,
03:03and so on.
03:05To, in fact,
03:05you mean that you are, in a way,
03:07you are, in a way,
03:09you are, in a way,
03:10you are a partner
03:10and you are, in a way,
03:13you are, in a way,
03:27you are, in a way,
03:29you are, in a way,
03:29you are, in a way,
03:57you are, in a way,
03:59you are, in a way,
04:08you, in a way.
04:14I think first of all we need to talk about the price, about profit.
04:20For us, we need to talk about the cultural mission and so on.
04:25Now I can talk about the cultural mission,
04:28but we need to talk about profit first of all.
04:45First, you've got to get out and change clothes.
04:47But right now, it's boring.
04:52Wait five more seconds.
05:02Right on the tick. Amazing. Absolutely amazing.
05:07Too bad the post office isn't as efficient as the weather service.
05:19The future.
05:22Unbelievable.
05:24I've got to check this out, Doc.
05:25Well, have a good time, Marty. We're on a tight schedule here.
05:28Tell me about my future. I mean, I know I make it big,
05:30but what, do I become like a rich rock star?
05:32Please, Marty, no one should know too much about their own destiny.
05:34Right, right. I am rich though, right?
05:37Marty, please, take off your shirt.
05:39The future.
05:43.
05:47.
06:15Welcome to Texaco.
06:18Newt has to up your car to the system with the star.
06:22Check the guard.
06:24Check the classic gear.
06:37What do the Nazis want with you, Dad?
06:39They want in my diary.
06:41Yeah, I knew I had to get in that book as far away from me as I possibly could.
06:49Yeah.
06:55Dr. Jones?
06:56Yes?
07:01I will take the book now.
07:05What book?
07:06You have the diary in your pocket.
07:10You don't.
07:12Do you think my son would be that stupid that he would bring my diary all the way back here?
07:19You didn't, did you?
07:22You didn't bring it, did you?
07:23Well, I...
07:24You did.
07:26Look, we'll discuss this later.
07:28My sheet has mailed it to the marksbrook.
07:30Well, you take it easy.
07:32Take it easy?
07:33Why do you think I sent it home in the first place so it wouldn't fall into their hands?
07:37I came here to save you.
07:39Oh, yeah?
07:40And who's gonna come to save you, Junior?
07:49The saga of the Karate Kid continues with the Karate Kid Part 3, in which Daniel must fight his most
07:56difficult battle alone.
07:58After returning from Okinawa, hoping for a peaceful life working with his mentor, Mr. Miyagi, he is blackmailed into competing
08:05against the vicious bad boy of karate, Mike Barnes.
08:09To his shock, Daniel discovers that Mr. Miyagi won't help him.
08:14Mr. Miyagi, I've got to be honest with you, I don't stand a chance against this guy unless you train
08:18me.
08:19Understand.
08:20Well, then you train me, right?
08:24Daniel, Miyagi always trains you.
08:29But what tournament?
08:31Cannot?
08:33I'm not.
08:36Cannot? What do you mean, get out of it, Mr. Miyagi?
08:39Why not?
08:41The first two Karate Kid films were overwhelming successes, garnering over 300 million dollars at the box office worldwide.
08:51The Karate Kid Part 3 continues this phenomenal success, earning over 14 million dollars during its first week of engagements
08:59in the US.
08:59In the same time, the Brandon taste, the asset has been anywhere with the price of inflation.
09:08In the same way, the asset is the option of the US.
09:10Oh, that is the interest in the US.
09:15That is, I think, that's it's the first time of that profit was not to have a high-d villian,
09:19the time of the price of inflation and the day, the time of the price of the world.
09:23So that's the difference of the price of the life, that's the first.
09:25That's the difference.
09:29when they write about it.
09:31And it's not a big hit.
09:32We have a lot of names,
09:34that's what we've been doing.
09:36For example, Kubrick,
09:37from Odyssey,
09:39he didn't want to work
09:42with a single one,
09:43if he didn't want to do it,
09:47if he didn't want to do it,
09:48and so on.
09:49When we talk about piratization,
09:53it's popular,
09:53that piratization is usually
09:56the most important problem
10:02is that piratization is
10:05the most important problem
10:05is that piratization,
10:06the entire process
10:07around piratization,
10:09the most important thing is to do
10:10what will happen in the future?
10:14First of all,
10:15it's because
10:17it's because people
10:19take a look at the film
10:21and look at the film,
10:23why should I go to the film
10:24and pay attention to the film
10:27for something that I don't like.
10:29I'm on a film,
10:30even though it's good,
10:31even if you don't have to watch it,
10:35especially if you don't have to watch it,
10:35even if you don't have to watch it,
10:37what is happening?
10:39What is happening?
10:40To the point is happening
10:40that we don't have to watch it,
10:45oh,
10:45we live some people that want to watch it,
10:45we always want to watch it,
10:45we can have to watch it.
10:48To see people that are not
10:51we don't have to watch it in case,
10:53we need to watch it,
10:54we need to watch it.
11:09Yeah,
11:09and the profit is a lot of big.
11:12Look at this, when it comes to the program and films,
11:16there are three people in Yugoslavia
11:19who are doing the most powerful
11:24film, and they are in Beograd.
11:27We have a complete master,
11:29a copy from the original or a copy from the first copy,
11:33a pirate copy that comes to Yugoslavia.
11:35Okay, tell me,
11:37that the pirate copy that you use,
11:39and that they sell master,
11:40they sell you?
11:42Yes, yes.
11:43And how are the prices?
11:47The original copy is 8 marks,
11:51the pirate copy is 14 marks.
11:54If you take it, it is a complete reproduction.
11:57It is a complete master.
12:01No, it is complete.
12:01There are a complete paper.
12:04There are all examples of movies.
12:08For the beautiful,
12:13for the only,
12:15Ghostbusters,
12:16they are back!
12:22Ghostbusters!
12:23Ghostbusters!
12:24Ghostbusters!
12:25Yes, we are back.
12:27I am afraid to go with Ghostbusters!
12:29Something strange going on, something's wrong, room in the room, outside is the storm, all alone, certified check, cash or
12:41money order, yo is that what I did, did I see something move, chilled on the spine, your heart goes
12:48astride, not filled by the things that go bump in the sky, walk through the wall, with no time to
12:56stall, you call the Ghostbusters,
12:58well that's what you call
13:11The first time we make it for 100-150 copies, then after that we lose a little bit, we're just
13:18one or two copies.
13:19You can know that we have 150 copies of one number.
13:21Yes.
13:22And then 150, how do you do this?
13:241.4-5 days, how do you do this?
13:30How do you do this one?
13:30I mean, the first one.
13:33How do you do this?
13:3410 days.
13:36All of them are completely looking for.
13:38Tell me one more thing.
13:40When you come to China, what do you do?
13:42Do you do this interest in China?
13:44How do you do this?
13:46How do you do this one?
13:49It is still growing.
13:50Yes, it is still growing.
13:52Because people who know, who watch films, know that Batman is here.
13:59There are a lot of people who don't know, who don't know about that film.
14:06Then, across the radio or television, they increase us the opportunity for that film.
14:13It is indirect advertising for us.
14:15In a film, the film is the same.
14:19It is still growing.
14:20An incredible show!
14:21We are struggling, to hear American becich shops,
14:23and they give so many copies for us.
14:23To show the moderns events, it is a film to see in the previous film.
14:27And we'll see that film.
14:29We'll see in the film we'll see back and forth.
14:30We'll see the experience coming in on the next one.
14:36This film will be by the next part of the film.
14:41We will see the film and the actors in the future.
14:41Who will see it?
14:42We'll see that film is the film by the film.
14:43We'll see you in the film.
14:43And what do you do?
14:44We'll see you in the film by the film.
14:45but they didn't have to be in Doran.
14:47The movie is a very bad movie.
14:50The movie is even worse.
14:51Everything is happening under the sea.
14:54He will start the movie.
14:55The movie that we had before a year ago,
14:57which is a great movie with Zeku Rodger,
14:59which is a great movie,
15:01which is a great show.
15:03The movie is a great movie.
15:05The television is a great movie.
15:09The movie is a great movie.
15:10The movie is a great movie.
15:10The movie is a great movie.
15:13________
15:20at theulating the Hangos Imageocalypse-
15:24That's fire.
15:28How about this weather ?
15:32That's hard, but I'm gonna drive.
15:35I'm tired.
15:35Oh, I'm tired.
15:36I'm your lamb.
15:38From the ark.
15:39How about this weather, huh? It never rains!
15:44They sprung the camp! Let's go!
15:47And how about those Brooklyn Dodgers? Are they bombs or what?
15:50Move over, I'm driving!
15:55Buddy Eddie, we got company!
15:57Well, you look at these two... Excuse me, ladies!
16:01Now that's what I call a couple of road hogs!
16:04I'm gonna blow his pedal off.
16:05Buddy, look out for the game time!
16:17Buddy, this hat's right behind us!
16:20Not for long, Roger!
16:23Now they're right in front of us!
16:27Buddy, we're going back! We're turning around!
16:29Give me the wiggles! Give me the wiggles!
16:35The cops are doing our tails!
16:37I know the cops are doing our tails!
16:38I know the cops are doing our tails!
16:38What do you think I am?
16:39Buddy!
16:40Yeah!
16:42Call the lever!
16:44Which one?
16:45Which one?
16:46Which one?
16:46Which one?
16:48I'm gonna ram him!
16:51What?
16:56I'm getting too long for this!
17:06Jumping jippers!
17:07Hey, Roger!
17:07What do you call the middle of a zoo?
17:09Gee, I don't know!
17:14Well, fellas, where can I drop him?
17:16Somewhere we can hide!
17:17I got just the place!
17:19And incidentally, if you should never need to arrive, just stick out your phone!
17:24Hey, share the raw, be you lady!
17:26We continue our conversations about the situation in domestic photography today.
17:31I'm pleased to welcome another guest in the studio, Voju Mirić, director of Inex Films from Beograd.
17:37Vojo, viewers who are interested in domestic films and better memories, and those who are still watching other films of
17:43domestic films,
17:43and they're dreamt, and they still miss you.
17:45What a detective plays in film, as a professional.
17:49We know that Roland Reagan is a president!
17:51How are you divorced from a film company?
17:55Well, it wasn't bad with Reagan.
17:57I think it wasn't bad, it wasn't true,
17:58I mean, that I was wrong.
17:59That's correct.
18:00Yes, but...
18:02What I know, I know!
18:04Later, I'm always, as a detective,
18:06a detective, a company always involved with какую-to organization.
18:10I was also interested in building and building different relations,
18:14and in cinematography, and forming a team, and so on.
18:19In that sense, I'm still interested in the future.
18:24You are also found in a situation where you talk about a very big film
18:28and before the record of our viewers,
18:32what is the company, the U.I.P.?
18:36Prvo, ja ne bih rekao da su to novi odnosi.
18:40Stvar je u tome što su novi odnosi bili oni koji smo 40 godina
18:44u odnosu na jedne prirodne odnose koju uopšte vladaju i u svetu kinematografije
18:49koje smo mi sa našim novim društvenim sistemom
18:53na neki način blokirali, zaustavili i stvorili, primorali stranog partnera
18:58da se ponaša onako kako je to nama odgovaralo.
19:01Da, je. A vreme je negiralo šta, naime, osporilo tu situaciju.
19:07Mi smo bili monopolisti odnosno i mi smo diktirali i cenu i sve to.
19:11Međutim, razni mediji i druge okolnosti učinile su da smo zbog toga,
19:15u smislu svežine programa, u smislu pa ako hoćete i unutrašnje konkurencije i svega toga,
19:21postali potpuno atrofirani, potpuno nesposobni da reagujemo na bilo šta.
19:27I, kao što i inače u našoj društvenoj zajednici,
19:30pucaju nekakve stege koje nisu bile, nisu privredno najopravdanije,
19:35tako i na ovom planu dolazi do, ako možemo kažemo,
19:39vraćanja prirodnim odnosima i uslovima.
19:59I don't believe this.
20:01What?
20:01It's a cop, man.
20:03Prossing on strike, stupid.
20:04Can't you hear that?
20:20Did you see that?
20:22Beautiful.
20:23He he he.
20:53Peace, officer.
20:54How?
20:55Give me what we doing.
20:58What are we doing, sergeant?
21:06You've incarcerated a BC suspect, is that what you're talking about?
21:12No.
21:14She's a BC whore, and we're gonna have a little fun with her.
21:19Yeah, but she's just a farm girl.
21:21Erickson, look.
21:23You're the chair of your rights for right now.
21:25Just let me carry it away.
21:28What's the problem, sergeant?
21:30Erickson, don't think our BC whores are a BC whore.
21:33He don't?
21:35Wow, man.
21:36He'll be the talent, Erickson.
21:37They'll sell you the children.
21:38Fuck, these people are sleeping in your cage.
21:42You got the whole wrong outlook on this thing, man.
21:44He's all discombobulated.
21:46You got the whole wrong outlook on this thing, Erickson.
21:51What are you talking about?
21:52He's talking about she's a BC.
21:55She ain't.
21:56I'm telling you, Erickson.
22:02This ain't a BC.
22:05Joaquin.
22:08Actually, he ain't a BC.
22:16Diaz ain't a BC.
22:23I ain't, I ain't a BC.
22:26Now this?
22:34This is a BC.
22:36It began in Berlin.
22:39A routine assignment for Sergeant John Gallagher.
22:44There you go, Sergeant.
22:45He's all yours.
22:46Yeah.
22:47You go to that court-martial, you better get those ribbons on your chest.
22:51Be all you can make.
22:52I think you're going to prison, Walter.
22:54You don't know where I'm going.
22:57But something went wrong.
22:59I need your help, Ellie.
23:00I know, they caught you climbing out the window of some lady's boudoir.
23:03No, I lost my package.
23:05A prisoner I was bringing back from Germany.
23:07Dead wrong.
23:11Something weird has come up on this guy.
23:13Why would someone want to take the place of a guy going to prison?
23:16He gets another country without a passport.
23:18Now he's in over his head.
23:20From all indications, we have an agreement.
23:23Damn it, Bob.
23:24We've exhausted the option.
23:25Thomas is insane.
23:28Gallagher knows too much already.
23:30He has to be eliminated.
23:31Ralph Burns, Arlington Police.
23:33Somebody wants you real bad, Johnny.
23:37What, are you working for the Russians?
23:39If he doesn't get some answers.
23:40Let's just set up.
23:41Let's get out of here.
23:44These people can be anybody they want to be.
23:46It may be too late.
23:48What are you working for?
23:49I'm a public servant.
23:50For everyone.
23:51They'll pay you.
23:52Everybody pays me.
23:56There hasn't been a world war in 50 years, Sergeant.
23:59You ever wonder why?
24:00Time is no words.
24:02Once no words.
24:26Time is no words.
24:29talking with everyone, and they decided to decide for a company inex, and they started to prepare for a meeting.
24:37What do you think is that a company has decided to go to a pre-government with Inex?
24:44I think that we have to do some kind of skills and skills,
24:54and I think that we have to do some kind of companies.
24:58There are three, or four companies,
25:02who have been talking about the first relationship
25:06and that they will continue to do.
25:08And when you look at the company, the company, the company, the company, the company, and the company, you see
25:15that the company is not the case.
25:18There are three companies. One is the most powerful firm organization in the world, which is Jadran Films.
25:29One is one of the most powerful companies, which is Warner.
25:34It is not the case.
25:36We have a powerful firm organization in the world, which is called FOX,
25:45which is the most powerful firm organization in the world, who are distributed, and they are also called the company.
25:55And we have one, the most powerful firm organization, which is called UAP,
26:00which is a company that is called UAP, which is called UAP, which is called UAP.
26:10We have a lot of people, who know us, and they know very well, and they know very well.
26:38It is a good understanding of the film's exploitation.
26:40They know how to fix it if the transfer is not going to fix it.
26:45They know how to get the guarantees that INEX has as a consortium.
27:08And plenty of hired help.
27:10I bet she makes you earn every penny, huh?
27:12But could it be that something is missing from this romantic storybook world?
27:17Oh, the little families, mummies and daddies and dear little children.
27:22How lucky they all are.
27:24To see how the other half lives, meet Ruth Patchett, a domestic demon.
27:30Your father loves mushroom soup.
27:32Queen of a suburban paradise.
27:35I'm in a bar.
27:36The woman is a walking disaster area.
27:38What could these two women possibly have in common?
27:43You look like an angel.
27:45Look like an angel.
27:47Walk like an angel.
27:50Walk like an angel.
27:52Talk like an angel.
27:54But I got one.
27:57Someone get this deranged woman out of here.
28:00You're the devil in the sky.
28:02Oh, yes you are.
28:05You're the devil in the sky.
28:07Oh, yes you are.
28:08Justice serves those who serve themselves.
28:14I love you the whole night through.
28:17You told me over and over again you'd leave Miriam.
28:20We made plans.
28:20I didn't.
28:21You did.
28:22With the dawn, they'll go on dreaming of you.
28:25I know I told you this before, but if you play your cards right, you could have my body.
28:29Wouldn't you rather leave it to science?
28:31You're every song.
28:32You're everything.
28:33You're every song I ever sing.
28:34If a woman won't listen to reason, then you go on to the next step.
28:38What?
28:39Threats?
28:40Violence?
28:40What are we talking about here?
28:41She can be gotten rid of.
28:43I mean, I know a lot of people.
28:45Money will buy whatever's necessary.
28:46I'm not even going to comment on that.
28:47That's mind boggling.
28:48And were there more than 24 hours a day?
28:53Baby's been asleep, content, dreaming away.
28:56Hey, listen, marry me.
28:57I'm serious.
28:58That's the only thing that will satisfy me.
28:59Marry me.
29:00I'm crazy about you.
29:01You're single.
29:02You know, my marriage is not going to last.
29:03I've got to talk to you.
29:04The sky is green, the sky is blue, morning, noon and night, night.
29:08All I do, all I do.
29:10All I do.
29:10All I do.
29:11Taj korak je izuzetno bitan i u prezentiranju kompanije i uopće čitao pitanje ulaska na tržište po prvi put sa
29:21legalnim proizvodima.
29:23Tako da smo mi procijenjujući raspoloživi fundus koji negde red veličina oko 1600 firma u ovom momentu kad smo bili
29:32sklopili ugovor sa Warner Home videom filmskih naslova za jugoslavensko tržište.
29:39Inače katalog oko 2500 filmova s koje Warner Home video raspolaže.
29:44Puno trošili vremena da donesemo tu odluku.
29:49Negde u tom izdavarskom i programskom smislu preovladalo je mišljenje da treba izaći sa izdanjem odnosno filmskim programom.
30:01Ja upodrbljam jedan termin trajnije vrijednosti.
30:06Imali smo u tom smislu dva osnovna izbora.
30:11To je kolekcija filmova James Bonda i kolekcija filmova Clint Eastwood.
30:19Moj.
30:47Oh, my God.
31:10Oh, my God.
31:21Oh, my God.
32:18Oh, my God.
32:41Oh, my God.
32:44Oh, my God.
32:46Oh, my God.
33:16Oh, my God.
33:37Oh, my God.
34:08There's the solar mirror, Robin.
34:10And that piece of glass is what all this fuss is about?
34:13That piece of glass can radiate a laser beam a mile wide that will melt everything in its path.
34:18Gee whiz, let's break it up.
34:20Get set for a swing-in, chum, get set for a swing-in, chum.
34:22Now, the detonator is fully charged.
34:25In a few minutes, I'll pull that lever and we'll make the Chicago fire look like a backyard cookout.
34:39Move!
34:40Get out of the way!
34:41Get out of the way!
34:53Get out of the way!
35:31THE END
36:02THE REPORT WOULD BE ROUTINE RETIREMENT OF A REPLICANT WHICH DIDN'T MAKE ME FEEL ANY BETTER ABOUT SHOOTING A WOMAN
36:09IN THE BACK. THERE IT WAS AGAIN. FEELING. IN MYSELF. FOR HER. FOR RACHEL.
36:22DECKER. B26354.
36:54DECKER.
36:55DECKER.
37:02DECKER.
37:13DECKER.
37:15DECKER.
37:31DECKER.
37:43DECKER.
37:44DECKER.
37:46DECKER.
37:46DECKER.
37:54DECKER.
38:00DECKER.
38:02DECKER.
38:03DECKER.
38:05DECKER.
38:06DECKER.
38:06Where are you?
38:08In the field.
38:09In the式.
38:11Where is my lifelong life?
38:13Where do you go?
38:13In the sand.
38:24Hey, drink.
38:27Just settles.
38:29Tell me in, Hazard.
38:31There's three blocks.
38:32A new life?
38:34No, we don't want to hunt.
38:35Bela pei
38:45Oh, Giulio Baurat
38:47Doberdan
38:48Doberda esta persona
38:49Premo remont
38:51Mata documenta sago?
38:53Ya, izvolda
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