- 11 hours ago
Izvor 9. epizoda
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NewsTranscript
00:00.
00:01.
00:28So, let's go.
00:33Oh, ladna. Izvor godinama posvećaju razni putnici, namirnici, ali i poznate popularne javne ličnosti privučene baš ovom godom jer kažu
00:46da donosi moćan glas.
00:48Kao kod, recimo, čuvenog Sime Paštrmca. On je bio Amidža, dvoroupravitelj kod knjaza Miloša. I on je iz sela Ramaće,
00:57po njemu izvor nosi naziv.
00:59Ali nismo mi sada zbog toga ovde, već zbog nečeg drugog. Ajde, Roki. O čemu će nam govoriti direktor Kancelarije
01:08za infrastrukturne projekte. Ajde, Roki. Pazi na kamen.
01:12Gospodin Milorad Milojević. Stani, Roki, tu. Zvonim.
01:16Sad, zvonim.
01:17Da.
01:18Pa evo, kao što vidite, Amidžin izvor raspolaže velikom količinom pijaće vode, ali nažalost, samovoljom jednog domaćina, ta voda nije
01:28dostupna ostalim sugradjima.
01:30Da, da, to sam htio da čujem. Da li možete da nam kažete o kome se tačno radi?
01:34Naravno. To je obren, bio rac, vlasnih preduzeća, bio drag deo.
01:41Ljubice! Ljubice! Šta je?
01:45Helovi rekio še obren.
01:49Ja, gurao se tamo i gde treba i gde ne treba. Eto ga, sad spominju i na televiziji.
01:55Kada se ovo snimili?
02:00Kad nisam pazio. Eto kada.
02:10Ko sad zoveš?
02:12Ovog novinara.
02:14Ovo doba.
02:15E.
02:18Alo.
02:20Halo.
02:22Dobroveče, sugrađanine.
02:23Dobroveče, dobroveče.
02:24Ovo, ja se izvinju vam, s kim pričam?
02:28Iz Ramaća je zovem obrem Biora sa telefonom.
02:31A, da, da, da, kako što je gospodine obrene ove.
02:34Da vam kažem nešto, ove, nemojte vi da se ljutite.
02:39Mislim, mi to samo, kako da kažem...
02:41Što bi se ja ljutio, ne ljuto je novinarstvo. Što bi to meni smetalo.
02:46Sao mislim da niste na pravi način predstavili Ramaću.
02:50E, zato vas ja pozivam da dođete. Ne zato što se ljutim, nego vas pozivam da vas dočekam, da vas
02:56ugoštim, kako dolikuje.
02:57Jer ja sam, pre svega, domaćin.
02:59Ne, pero vato, domaći, domaći, domaći, domaći.
03:57Ne, pero vato, domaćin.
03:59Ne, pero vato, domaći, domaći.
04:00No, domaći, domaći.
04:00Ne, pero vato, domaći.
04:01No, domaći, domaći.
04:03I, e, e, e, e, e, e, e, e, e.
04:03E, e, e, e, e, e, e, e, e, e, e, e, e, e, e, e, e, e, e, e.
04:19Tad će obruna ovolikih stolica? Zar nema dovoljnu zadruzi?
04:23Celo jutro je na telefonu priča sa svakim pon osobom.
04:27E, e, e, e?
04:28What's that?
04:31I don't know.
04:33I know, he's waiting for everyone to come.
04:38He's called Rudnik.
04:39Rudnik?
04:40Yes.
04:43Are you sure he doesn't need help?
04:45He's just going to call the manager
04:47and tell him that you don't sit here.
04:49And that the illustrations are phenomenal.
04:53I'll tell you when we finish.
04:55Let's go.
04:58Let's go.
05:00Wait.
05:00Let's go.
05:01Give it.
05:06They came out when they were ready to take care of them.
05:09They sent the bill.
05:12They will be stupid if they want to pay for them.
05:16Please, go to the house and tell them to give them the bill.
05:19Come on, you will listen to them.
05:21You know, I have to say everything I have to do with her.
05:23I pray for you.
05:26Let's go.
05:26Let's go.
05:27Let's go.
05:28Let's go.
05:29Let's go.
05:30Let's go.
05:40Let's go.
06:10Let's go.
06:14Let's go.
06:15I want to see you.
06:17Here is the link.
06:18He's going.
06:19Who is the link?
06:20What the link?
06:40You have to wait for a while to see you.
06:51You said you need something to write.
06:54What to write?
06:55I don't know. He didn't say anything, but it's important to me.
07:09Pavle?
07:12What I told you about the truth.
07:15Is it between us two?
07:17No.
07:19Everything that was between us, remains between us.
07:24Don't care.
07:36When he comes, give him everything that is on the bill.
07:39It's not important that they haven't paid yet.
07:41They'll pay later.
07:44Is it Dragan coming to our magazine?
07:46The plastic that he needs?
07:48Don't move on to what you don't care about.
07:50Mom!
07:51It didn't happen to me if he could buy anywhere.
07:54It's because of me.
08:11Mašo.
08:12You're ready to run away.
08:14You're ready to run away with him.
08:16I'm not on him.
08:17I'm not on him.
08:18I know everything.
08:19But it's past.
08:20You know what it is.
08:22You're ready to run away with the truth.
08:23You're ready to run away with your way.
08:24And then, his family has to teach you from the past.
08:27You're ready to run away with your grace.
08:28To your grace.
08:30You're ready for yourself.
08:33And we won't regret what I am doing with my government.
09:00Gago!
09:02Eh?
09:03Eh?
09:05Baš dobro što si naišao.
09:07Baš smo tele da zovemo obrena.
09:10Jutro sam je stigla neka čudna faktura od Bašićke.
09:13Zato sam i došao. Faktura je za kace.
09:15Nove su kvalitetne, ekološki ispravi.
09:17Bašićka nam je dala super cenu i ne traže odmah krenemo da platimo.
09:20Radila sam za obrena godinam. Znam ga i u dušu i u račun.
09:23On, Bašićki, nikad nije ni ti će ikadi šta platiti.
09:27Tako da mislim da obrena to neće pristati.
09:30Kafa, rakija?
09:30Ništa, hvala.
09:31Ma, žurim. Svakako ću ja to srediti sa obrenom.
09:35Mislim, sve je onako već dogovoreno. Greota da posao trpi zbog nekih starih svađa.
09:40A što to nije došao Veljko da me moli?
09:43Malo pre mi baš reko da imate super odnos.
09:45E kad imamo super odnos, što je poslao tebe?
09:47Pa nije hteo to da kvari.
09:53Ne, ako ne želite to da radite, stvarno razume. Mislim, svakako, svakako vi vodite knjige.
10:06A možda možemo da učinimo Veljko, mislim Draganu. Pa tu re tek stigla, ne moramo odmah da javljamo.
10:16Ništa, idem ja onda po robu, a baš sam dužnik. Ajde, aj vidimo se.
10:21Ajde, da upoznamo onu.
10:23Bitče, bitče.
10:51Let's go.
11:00One.
11:06So.
11:07One, one.
11:13One, two.
11:13One, two.
11:14One, two, one.
11:16One, two.
11:17One, two.
11:22Do you want me to talk to you?
11:26Nothing, thank you.
11:30What are you doing here?
11:32I've been waiting for a while. I'm going to talk to you.
11:38Are you listening to me?
11:41I'm listening to you.
11:45You're listening to me. You're listening to me.
11:48You're listening to me.
11:50It's hard to go.
11:53I pray, go. The other people are not here.
11:57Great. Tell them they don't come.
12:02I won't be long.
12:04I'll be half an hour or so.
12:07If you don't see me, I'd like to call them.
12:10I'll call them.
12:12Okay.
12:18Hey, Branky, hi.
12:21I'm sure I got here, but some primitive was taken to our reservation.
12:26So we can't.
12:28Yes, yes.
12:29But it's all about. Let's go to the cafe at your house.
12:35Really, let's go.
12:37Bye.
12:38Bye.
12:40You've always had some quick reflexes.
12:42You're nice to go to the other place.
12:45If you come, you can tell us that we're talking.
12:48I'd like to talk a little bit.
12:50I'd like to end the story about Seji.
12:57Hello, Pope.
12:58Excuse me, I'm sorry to call you Očar.
13:02Listen, this is not just me, but all the way.
13:06You've heard what the whole town wants.
13:08If you've heard, you'll come.
13:22Good news.
13:24Good news.
13:42You're so sweet.
13:44I'm not proud to hide our past.
13:47Because of a little money you threw me like a dog
13:52against a dog.
13:54You want to do it again?
13:55I don't really have a problem to give it again.
13:58I really want to do it.
13:59Do you want?
14:00Don't be like that.
14:01It's not all about money.
14:03I don't care about you.
14:04I don't care about you,
14:05but I've invested a lot in you.
14:11You should be my new version
14:15and a perfect version of Fakneta Jakic.
14:20But Seja never left a new version.
14:24As far as I see,
14:26it's good for you to be in life.
14:28It would be good for you to help me.
14:29And I have something to remember.
14:33New,
14:35amazing songs.
14:37Amazing.
14:39If Lola had been released,
14:41it would have been the hits
14:42like Seja never had.
14:44Never.
14:45Seja had seen with you only darkness.
14:50It only hurts,
14:52increase and poverty.
14:57Listen to me good.
15:00I've said to my husband,
15:03so neither you,
15:05nor the same like you,
15:07no one can't value me
15:08and give me my past.
15:13But you're good, man.
15:15Every time.
15:17I mean, you didn't accept the agreement,
15:19but you even gave me money.
15:21Excuse me,
15:22I'm sorry for you wrong.
15:25And I've said to him,
15:26What's your fault?
15:29I mean,
15:29it's not a fault.
15:31I can't do it.
15:31It's not a fault.
15:41It's not a fault.
15:45It's not a fault.
15:46It's not a fault.
15:48But you're not a fault.
15:52It's not a fault.
15:52I want to sell Obradović, so that the two of us were going to sell it.
15:56I got one and two.
15:59Great, you'll have to do it quickly.
16:02This is the third one.
16:04And Baruđa will fly on the road,
16:06and when they hear that Milic and Obradović have sold to me,
16:09not to you, that's the most important thing.
16:16I have to tell you something else.
16:17Let me tell you.
16:21I will pay the bills that are on my name,
16:25to write Dragan.
16:29Will you buy the bills for me or for Dragan?
16:31I have to pay for you.
16:33I have to pay for you.
16:35I will pay all the land to write Dragan.
16:40Chica, don't let you stand outside of me and my son.
16:44The land will come to Dragan as my land,
16:46and not because you want that.
16:51The rest, the land is bought for my money.
16:54I will pay for it.
16:55Yes.
16:57All according to your will.
16:59And I,
17:00at the end, I will always cry.
17:03Listen to me.
17:05I will pay for this land to write Dragan.
17:08I will pay for it right away.
17:10I will pay for it right away.
17:11And Milic and Obradović.
17:13And I will pay for it right away.
17:15I will pay for it right away.
17:16You have to win, Obradović.
17:18And all of you have to win all of your will
17:21until the last time.
17:23Okay.
17:24Okay.
17:24Let's go.
17:25I will pay for it.
17:26Dragan is my.
17:27It is not a problem.
17:28But let's finish with Baružov.
17:30Okay.
17:32And get to the office.
17:34Right because I will sign the house to help дом.
17:37Yes.
17:37You don't know what to do to stay there.
17:40I will buy you.
17:42To the star to mine school.
17:45To it.
17:46To my はいension.
17:47To it.
17:49And I willThere never say anything.
17:51A…"
18:01látima.
18:03The land is over here.
18:14Do you think it's a crime or...?
18:16No, it's not a crime.
18:19What is a crime?
18:21Except for something you didn't deserve.
18:24Good morning.
18:25Good morning, I'm sorry.
18:26Good morning.
18:28I thought we were coming for the time.
18:30Good morning.
18:30Come on when you need.
18:43These are the results of the test from Ramacin.
18:46Are they negative?
18:47No, no.
18:50Why would they be negative?
18:53No, I thought...
18:54This is a statement about the trust and protection of personal documents.
18:58Nothing special.
18:59When the big projects are in the question,
19:01these are the rules.
19:04And...
19:04You sign it the first time.
19:08You're a bad guy.
19:09I've got money and hard to put it in,
19:12so someone, not you,
19:14but someone,
19:16gave the business secrets.
19:18We already have problems with the insurance company.
19:22No.
19:24I work with you in the company more than 10 years.
19:27Do you think you would have given me that someone?
19:30The insurance company knew that I'm looking for the insurance company.
19:41No.
19:43No.
19:46No.
19:47No.
19:49No.
19:50No.
19:50No.
19:59No.
20:03No.
20:04No.
20:05No.
20:11No.
20:12No.
20:18No.
20:22No.
20:25No.
20:25No.
20:28No.
20:30No.
20:38No.
20:41No.
20:42No.
20:44No.
20:44No.
20:45No.
20:45No, no, no, no.
20:46What happened?
20:48You have to hear from now.
20:51And if you want this job, you have to write it.
21:02I'll write, of course.
21:05But this job isn't just a job.
21:09Amazing, amazing.
21:16Hey, where are you?
21:18Where is Gaga? I was expecting you to go here.
21:20I went to Mila to ask him to give him the money.
21:27Why did you go?
21:29My brother, when something is important,
21:33everyone would be better than me.
21:36Really, when you're in the house, you don't ask anything.
21:39No, no, Mila, I'm very good.
21:41I don't want to move privately.
21:42I don't want to go in the house.
21:45Yes, yes.
21:46Where is Dragan?
21:48Dragan is going to play a hit in Kragujevac.
21:51What is it? This is a hit.
21:52Let's open it.
21:53Let's open it.
21:59You're crazy, you're crazy.
22:01Welcome, my guests.
22:03Good, good.
22:05Just to know that we are ready to start with this.
22:09Let's go.
22:09Come on, Roma.
22:11We'll go and go.
22:13Let's go.
22:15Let's go.
22:16.
22:16You're right, you're right.
22:19All right, all right.
22:21You're right, all right.
22:32Anyhow you have the place for me calling you a life.
22:37You're right.
22:38All right.
22:38All right.
22:39It's fantastic.
22:40Take a little bit of meat.
22:42I understand that you like meat.
22:43Take a little bit of meat.
22:45Sit there.
22:49It's just a cameraman.
22:50It's just a camera man.
22:53If you have any flasher,
22:57I wouldn't have tried it.
22:59It's okay.
23:03Let me tell you something.
23:05I didn't expect this.
23:07Thank you very much.
23:09But we could also go to a cafe.
23:12Mali Raj, Zvezda, whatever.
23:13No, no, no.
23:14We're all here.
23:14We're all here.
23:16We're all here.
23:16There's nothing left.
23:18That's right.
23:18That's right.
23:19Let me tell you something.
23:24You talked to Milojevic about the American election.
23:29You didn't ask me anything.
23:32Yes, yes.
23:35You know how?
23:36We've already tried to make a report about the Ramać.
23:39And Milojevic...
23:41I mean, he just found it.
23:42It was available.
23:43Nothing else.
23:44I was waiting for you first to come to us, Ramać.
23:47And you're on the Kragovec.
23:49I'm surprised.
23:49Milojevic is with the public Djukiela.
23:51Yes, Djukiela.
23:52Not Djukiela, but he's a man.
23:54What do we do?
23:55We just have to report the Ramać.
23:59You're here because of the Ramać.
24:01And the Ramać exists in journalism.
24:03Or the Ramać is for journalism.
24:04Yes, it exists.
24:05Let me tell you something.
24:07This is 19.
24:09Let me tell you.
24:11We'll be right back with the internet.
24:13There's no Ramać.
24:24We don't have to worry about it.
24:26Then you'll be right back.
24:27Thank you very much.
24:29How many of you have 17 kilograms?
24:31Is there anything else?
24:33Yes.
24:34In addition to Ramać, you have a little bit of syrup and kajvaka.
24:37It's not necessary.
24:38Do you have a little bit of syrup?
24:40Yes, I have a little bit of syrup.
24:41Yes.
24:42That's the worst.
24:42One of them is 4-5 kilograms.
24:44You don't need more.
24:44And a little syrup and a little kajvaka.
24:48Okay.
24:49Let's go to Prudamnice.
24:50Let's get some syrup syrup and a little bit of syrup.
24:53Yes, yes.
24:54Yes, yes.
24:55It's not a bit of syrup.
24:56Yes, yes.
24:57Sorry, sorry.
24:58I'm sorry.
24:59I'm sorry.
25:00Since it's from the old syrup, the old syrup and the kajvaka.
25:04I'm sorry.
25:08I'm sorry.
25:10I'm sorry.
25:10Good morning.
25:10Yes.
25:14Hello, Veljko.
25:16Please, I'm sorry.
25:19I'm sorry.
25:23I'm sorry.
25:24No, no, no.
25:24It's wrongful.
25:25I'm sorry.
25:25Well, for now, a little bit.
25:26It's not going to be cold.
25:27You know it over.
25:29You have to see the information.
25:31Not going to be cold.
25:32And telling people.
25:33I'm not telling you anymore.
25:36So listen to me.
25:38I'm not telling you.
25:39I know it's not my use.
25:40Not that I'm doing well.
25:40I'm listening to Abrojo by the way.
25:41Veljko, you know what I'm doing. You know what I'm doing here, but I've never talked to anyone.
25:46Let's go!
25:47I've talked to him only because I believe that he can help you.
25:51No, I don't need any help, especially yours!
25:54Let's finish it!
25:56I'm going to kill him with his wife.
25:58I'm going to kill him like a house.
26:01How much is it?
26:05Here, hold it.
26:07I'm going to kill him.
26:09I'm going to kill him.
26:10You don't know what the real life is and what the real problems are.
26:15I think we've showed you how much the prince is in Ramac.
26:20I've enjoyed it.
26:21Maybe I've used a knife after a hand, but it's not important.
26:25One thing I'm strange.
26:27We're here because of Ramac, right?
26:30Yes.
26:31And all in the community talk about a wooden stone and a half-draged stone.
26:36I don't know.
26:38It's been a long day and it's been a long time.
26:40I'm a bad man.
26:41Yes, yes.
26:42Sorry.
26:43Everything is bought and packed.
26:45Wait.
26:47Let's go.
26:49Let's go.
26:50Let's go.
26:51Let's go.
26:52Let's go.
26:52Let's go.
26:53Let's go.
26:53Let's go.
26:54Let's go.
26:54Let's go.
26:55Let's go.
26:55Let's go.
26:56Let's go.
27:06Let's go.
27:07Hello, novinar.
27:08Here you go.
27:10Here you go.
27:11Here you go.
27:12Here you go.
27:14Here you go.
27:15What a bloody wooden stone.
27:16You leave us our water and our stones.
27:20In the way you have a nice house.
27:22Here you go.
27:23Here you go.
27:24Here you go.
27:25Let's go.
27:26We are a people.
27:28We are a people who are a man.
27:29And we will not be an old man to stay.
27:34Let's go.
27:39Let's go.
27:40Here you go.
27:43Let's go.
27:45Yes, I am from those villages of Ramadja, but I am an advocate with more decennial practice.
27:55And that's why I know that in the legal regulations, if the community wants to decide something,
28:06you have to open a public conversation with people who are here, who live here and work.
28:15In all these things, a public conversation is absolutely necessary!
28:22That's it!
28:23Bravo, Ratkovic!
28:27Who thinks it's wrong? Let's first throw the door.
28:31But here we don't need wood, we need water for life.
28:35And this Rakija!
28:39Come on, come on!
28:42Come on, come on, come on!
28:44Here we go!
28:44Just a second, let's see him!
28:46I don't know what to say! You've heard everything!
28:50Thank you, thank you!
28:52Here we go!
28:53As you can see, it looks like there is not only one of these villages in Ramadja,
28:58but we can freely say all of these villages.
29:01I didn't really need it!
29:02Thank you!
29:04Thank you!
29:05I don't need it!
29:06I don't know what to say!
29:06Because this is your village!
29:08Yes!
29:10Yes!
29:29Thank you!
29:30Love you!
29:32You know what I've been doing here, right?
29:37Yeah, I was very scared.
29:40I've been really scared if I've just passed away.
29:41Come on, man!
29:55What are you doing? What are you doing?
29:57I'm going to let me leave Goran.
29:59I pray?
30:00I'm going to write a letter about righteousness.
30:06He's going to kill him.
30:07I'm going to kill him.
30:08Who kill him? You kill him.
30:11All the evil villain.
30:13And his mega-lomans plans.
30:15Do you think he wants to...
30:17I can't say anything about you.
30:19I wrote that letter about righteousness.
30:26The death will be June if necessary, not me.
30:47What are you thinking?
30:48What are you thinking about?
30:48What are you thinking about?
30:49I can't get out of your life, just like that.
30:52Don't let me get you nervous.
30:55You can't do anything.
30:56Just listen to me.
30:58Let's go to the cafe. I'll see you in the room.
31:10The secretary is doing something.
31:14I don't want to sign up.
31:15I don't want to sign up.
31:23Lola?
31:29What happened?
31:32What happened?
31:33What happened?
31:37What happened?
31:41It happened.
31:41I was earlier...
31:43It happened.
31:47It happened.
31:48What do you say?
31:49I don't understand.
31:58I have to tell you something.
32:00We haven't talked about it.
32:01It happened.
32:16It happened.
32:17I don't want to sign up.
32:18You're already going.
32:20I'm waiting for the hand.
32:21If you have a pause, I just said Tošić.
32:24Where was he?
32:26I don't know.
32:27In Ramac.
32:29He met with the local servants.
32:32Everyone already knew about Rudnik.
32:34After all you tried,
32:36everyone went on the other side of the police.
32:38Now more than ever.
32:40You tried to convince him to work?
32:43Nothing.
32:43You tried to destroy his job?
32:45Nothing.
32:46You tried to convince Rudnik?
32:48Nothing.
32:48You told me to convince him.
32:51Tošić will come to the police.
32:54I will send a letter to the police that you did.
32:59It would be better to look at how to achieve this job.
33:04To give you to that task.
33:31That's to me.
33:32And be the last thing I am told,
33:32to give in a call.
33:34That's all.
33:35That's all.
33:36That's all.
33:50You didn't want to go to the star.
33:55You didn't want to go to the star.
33:56You didn't want to go to the star.
34:11But I didn't want to go to the star.
34:20But I didn't want to go to the star.
34:21And I have to admit that I would like to see
34:31how the star looks.
34:40It was before the internet, so you can only think about it.
34:50It's important that we don't have more than that.
35:13What are you doing?
35:16Hello, come on.
35:17What do you have to do with the star?
35:19Something special.
35:20I don't know what you have to do today.
35:23Yes.
35:24I left my assistant.
35:25I like the stars.
35:27Good.
35:28Good.
35:29I knew you will be the best.
35:33Good.
35:37Good.
35:38Good.
35:42What are you doing?
35:45Nothing.
35:47I think you should have thought about that.
35:50And about your future.
35:54What are you talking about, Lidia?
35:55I think that Goran is ready for everything and you for your business plans.
36:02Where are you talking about?
36:04I understand.
36:05He is your father.
36:06He is probably fine and good.
36:08But it doesn't mean that he doesn't sell you.
36:12Where are you this, Lidia?
36:13What did my father do when you hate him so much?
36:18Sorry for me later.
36:22Did I forgive you something?
36:23Look at that.
36:24I found my place beside Dragan.
36:27And Goran doesn't do that.
36:29I don't understand why he would do that.
36:31Come on.
36:31You're lying.
36:32This village is not for you.
36:34And Dragan is just a character in his combination with his chalet.
36:39What do you call him?
36:41Don't be afraid of your crystals.
36:43You're stupid.
36:45You're going to throw something in your head.
36:46I don't want time.
36:47Come on.
36:48Come on.
36:50Did you say what you wanted to say?
36:53No.
36:56I couldn't.
37:00Okay.
37:00Let me turn the camera.
37:02Here we go.
37:03I'm telling you about the water supply chain.
37:06As well as the RUDNIK OPALA,
37:08his project,
37:10we came back to the owner of the city manager Svetlani Arsic.
37:15I have to stop talking to your viewers about false news.
37:20The RUDNIK OPALA is a project that has been older than half a century.
37:25Beautiful woman.
37:27Did you help her?
37:29The RUDNIK OPALA is and then his campaign?
37:31Yeah.
37:34Yes.
37:34When it was about three or four years ago,
37:38didn't you see you there.
37:43Yes.
37:44Yes.
37:44The RUDNIK OPALA is a project.
37:49Even though usually you have to buy a land and find the land.
37:57And what did you say?
38:00What did I say?
38:01I said that the community could grow up in our village,
38:03and not in our village.
38:06After all the promises,
38:07what did we get?
38:08We got an asphalt and an asphalt.
38:11We thought that our friend is a big fish from Beograd,
38:15and we are nothing.
38:17Why do we want to buy our land?
38:21Because we have something that they don't have.
38:23We have a clean land and a clean forest.
38:30What do you ask for this?
38:32What do you care about at home?
38:37You know what, Brane?
38:38I'm neither a blind nor a blind.
38:41Oh, Zorka.
38:42I've never been married with a blind and blind.
38:46I wouldn't.
38:47You wouldn't, Brane.
38:49You're looking for more.
38:50could you imagine?
38:51You're thinking about it for us all,
38:53and I seek this.
38:55I worry,
38:56that we don't 1200 people up us,
38:58and especially to Dragan.
39:01I'm doing all this because of all of us.
39:05I've been friends.
39:05And not because of myself.
39:08What is home without family?
39:15Yes.
39:17It's a good job.
39:18See, we know that we've heard from now.
39:22Maybe these young people can, but I don't.
39:28It's a good job.
39:30I don't want to be ashamed of them.
39:33I'm just curious.
39:34And how did it go?
39:35They were out of their hands.
39:37And the newspaper from Kragujevca.
39:38And the pop.
39:39And the rest.
39:57I saw this hill.
39:59I'm so melan 살ica.
40:04I love my daughter.
40:14So, there's a glass box.
40:17So, if I could take this for the español.
40:20And what the Dead is, it's a bad cried.
40:22And the scarcity
40:23there's people where there's people who carry on to,
40:23and visit their Polsce.
40:25And if we fall in the city,
40:25And from there is a fortune ofoirettli,
40:32I'm sorry.
40:32Get out of this.
40:34Is this your home to host me?
40:36Do not have a house.
40:39Go, Cvetko, we'll talk about the job.
40:48I checked the product, and I said to me,
40:53So you have your Djukjela?
40:55It's not that Djukjela.
40:57He won't have a job with you.
40:58Like many others.
41:00I don't know.
41:01I don't know what you're talking about.
41:03Talk to my son first.
41:05He told me the job.
41:06I know that you want to take care of me.
41:10You want to be important.
41:15You can't.
41:16You're a woman.
41:17You can't be a woman.
41:19You can't be a woman.
41:22You can't be a woman.
41:24I've found a woman.
41:26Only you didn't have a choice.
41:27Who?
41:29Milena.
41:30He threw his eyes on his face.
41:31Because he was my brother.
41:34I'm now with him.
41:36You don't have to remember him.
41:38You don't exist anymore.
41:42You're the best.
41:43You're the best.
41:44You're the best.
41:48You have a nice house.
41:52You're the best.
41:53You're the best.
41:54When the asphalt falls to the house
41:58you won't come to this flower
42:01nor any of these properties.
42:03Listen up.
42:04Listen up.
42:05Look at me, look at my wife, my friend, Goran Ostanković.
42:13He will find his life, but what else from me?
42:36I'll get you to a new house.
42:37You'll break it!
42:40That's it!
42:42You won't leave it in the past.
42:47You'll hear it.
43:16You're from Beograd.
43:19Sorry, we know you.
43:22Maša.
43:23Yes, Maša, sorry.
43:26Do you want me to go?
43:27I'm sorry, I got hurt.
43:30Let's go.
43:36Here's the key.
43:55I'm sorry that I wasn't at the meeting.
43:57I felt it was good.
43:58I've finished everything for me.
44:01I want to go back to Bašićke.
44:04What else do you plan for?
44:06First, I'll ask you to ask me.
44:07That's right.
44:07We're going to have a better offer.
44:09We'll never find a better offer.
44:10Come on, KC.
44:11And don't forget that.
44:26Hello, friend.
44:29I'm calling you to Preslav.
44:31We'll have some news, so we'll go together.
44:34Aha.
44:35You won't tell me how it is.
44:37Good.
44:39Good.
44:41There's no matter, we'll talk about it.
44:43We'll see you then.
44:45We'll see you in the room.
44:46Good.
44:49Good.
44:54Good.
44:55And how are you feeling here with us?
44:57Varohunski.
44:59The nature is beautiful.
45:01I'm going to play a drawing.
45:03I think I'm preparing a drawing, illustration, and all that.
45:05So it's really inspiring to me here.
45:11I'll finish my job earlier and then I'm scared myself.
45:15I mean, since Gaga also works.
45:19What are you doing here?
45:22I'm going to work around a company.
45:25Ah, those are the warmers. Yes, I'm talking to you.
45:28Yes, warmers.
45:31Do you want to go to me to be scared?
45:35Right now?
45:37No, I don't think right now.
45:39I don't know.
45:42I have a chair, I have a chair.
45:46I don't know where you can train.
45:48You can be cool.
45:54Cool, thank you.
45:58You know what?
46:00It would be good for training.
46:02Yes.
46:03We had a couple of days in Gagini.
46:07We had a bottle.
46:08You think we had a bottle?
46:09Yes, we had a bottle.
46:13I got a bottle.
46:15I got a bottle.
46:16I got a bottle.
46:17Literally, it was great.
46:18I know.
46:18I don't know.
46:19I don't go away because I'm enjoying it.
46:21I'm tired.
46:22I don't know what to do with me.
46:25I thought we'd be together.
46:27Cool.
46:32Maybe we don't have to be together at the end of the day.
46:35Maybe it's a crazy idea.
46:37Right?
46:38I think so.
46:39Why?
46:40Why would we really have to be in a serious relationship with Gag?
46:44It's not just so.
46:49Excuse me.
46:52What do you think?
46:55I'm sorry. I don't understand what you're telling me.
46:58I'll show you later.
46:59I'll show you later.
47:12Here you see what he asked me.
47:15And I'll answer him.
47:19I don't know why.
47:22I thought it was too late.
47:26Or...
47:27He will never be able to forgive himself.
47:31And I think he will not be able to.
47:34You know how Gaga loves me?
47:37He will never be able to forget me.
47:42He will always love me.
47:44And you?
47:46You just love me.
47:51And out of the way you love me.
47:57You just love me.
47:59You just love me.
48:00You just love you.
48:01I love you.
48:18You and I are white.
48:22And you love you.
48:25So I will be washing you soon.
48:26And I will go all the way to the station.
48:26I will be washing you.
48:26The fate of our family will always throw me around my company.
48:29My fate will always throw me around your company.
48:32Ok, ok, ok.
48:33You get him out of the door, you get him out of there.
48:36You get him out of there.
48:37What do you do with your relationship with me?
48:39I'm just a problem.
48:41What do you do, Pavle, do you do?
48:42To you, because you're listening.
48:44Where are your friends?
48:46Come on, now.
48:47What do you think of Una?
48:49I don't think so.
48:50Tell him to go and let him not return.
48:52People come to church not to be with me, but with God.
48:57Pivo mi je samo zbog un.
48:59Ono je mnogo vrednije od svega toga.
49:01Jel' ima nešto što mi nisi rekao,
49:03a trebalo je da mi kažeš?
49:04No gre, nema nekje probleme.
49:06Na jagore.
49:07Kaka problem?
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