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Lisa Kudrow has brought some of television’s most beloved characters to life, and in this episode of “Building Character,” the Emmy Award–winning actress reflects on the roles that shaped her career. From insisting on taking a small part on ‘Mad About You’ after being fired from ‘Frasier,’ to how that role led her to Phoebe Buffay on ‘Friends,’ Lisa revisits the instincts and risks behind her most defining performances. Here, she looks back on the iconic wardrobe and dance scene in ‘Romy and Michele’s High School Reunion,’ performing “Smelly Cat” with Taylor Swift, working alongside Emma Stone in ‘Easy A,’ and the evolution of Valerie Cherish in ‘The Comeback.’

Watch ‘The Comeback’ on HBO Max.

#LisaKudrow #TheComeback #PhoebeBuffay #Friends #Frasier #BuildingCharacter #BAZAAR

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Transcript
00:00Oh, I hope there'll be a sequel.
00:01There's a script.
00:02It's, I laughed out loud, a lot, which is rare.
00:06So we'll see.
00:07I mean, it's not up to me.
00:10Hey, Harper's Bazaar, I'm Lisa Kudrow,
00:12and this is Building Character.
00:15What's your name?
00:17I'm Ursula.
00:18Ursula?
00:20I like that name.
00:21I don't.
00:22I hate it.
00:24That is Ursula, the waitress, on Mad About You.
00:28I had been fired from Frasier, which was a big show.
00:33I was starting to run out of money,
00:35about to look for a day job,
00:37and my agent called in the morning and said,
00:40Mad About You is offering you a part.
00:43We think it's too small.
00:46The character doesn't have a name,
00:47it just says waitress,
00:49and it's only like two or three lines.
00:51We say pass, and I said, nope, I am not gonna pass.
00:55It's the best show on TV.
00:57Who am I to say no?
00:59By the end of that week,
01:01Danny Jacobson came over and said,
01:04so you're pretty funny.
01:06Would it be okay with you
01:07if you were in five more episodes,
01:11which would make a total of six
01:12and make me a recurring character?
01:14And I said, yes.
01:16I didn't have to look for a day job.
01:18Many hundreds of millions of years ago,
01:21the Earth was ruled by...
01:22Excuse me one second.
01:23Do you think you're ever gonna want to go out with my cousin?
01:25Many hundreds of millions of years ago...
01:27I thought Mad About You was a big deal
01:30because of Paul Reiser and Helen Hunt
01:32and the cast of actors.
01:36Richard Kind was on it, Lila Kenzel,
01:38they were great.
01:39Everyone was great.
01:40Stephen Wright, who's brilliant,
01:42who I worshipped,
01:45I got to, like, talk to him and hang out,
01:47and that made me feel great.
01:49What are you doing here?
01:50Yeah, I was over there,
01:52and then you said,
01:52excuse me, hello, miss,
01:53so now I'm here.
01:55No, no.
01:56How come you're working here?
01:57Because I was Ursula on Mad About You,
02:00one of the writers,
02:01his boyfriend at the time,
02:03David Crane,
02:04had a pilot called Friends Like Us.
02:06They were looking at
02:07who could play the role of Phoebe.
02:09Jeffrey suggested me.
02:12They had to address the fact
02:14that the same human is on Mad About You,
02:18and then a half hour later,
02:19there she is on this show.
02:20They're twin sisters.
02:27Jennifer and Monica!
02:28Jennifer and Monica!
02:29Oh, my God!
02:31Jennifer and Monica!
02:32Oh, my God!
02:33This character is Phoebe from Friends.
02:36That was a very simple audition
02:38in that it was just sort of a monologue.
02:42It's in the pilot
02:43when Rachel's cutting up the credit cards
02:45and Phoebe is saying,
02:47my mom had just killed herself,
02:48and I was, you know,
02:50my stepdad was in prison.
02:51To me, it's funny if she's sort of like,
02:54you know, like, as everyone knows,
02:56you know, when your mom kills herself
02:58and then your stepdad's in jail,
03:00you know, as it happens.
03:01I knew people like that,
03:02people who were like,
03:04you know, it's no big deal.
03:07Like, big things happen to them.
03:08I could do that person.
03:10I now pronounce you
03:13husband and wife.
03:20Phoebe ending up with Mike
03:22was this very...
03:22I thought that was the right choice
03:24because there was also talk about
03:25maybe she ends up with David,
03:28who was the science guy,
03:29who's very sweet,
03:31and Hank Azaria, come on,
03:32he's very talented.
03:33But Phoebe and Mike,
03:35that's who I think
03:36Marta and David liked.
03:38They did talk to me about it,
03:39but I could tell.
03:41I always imagined that
03:42Phoebe and Mike later on
03:44had kids,
03:46and Phoebe really got into
03:48being the mom
03:49who brought the art supplies
03:50and the big projects
03:52and music stuff.
03:54I thought she'd be great at that
03:56and a great cheerleader
03:57for her kids.
03:57Smelly cat, smelly cat,
04:01it's not your fault.
04:04I realized Smelly cat
04:06had taken a life of its own.
04:08Well, I wasn't sure
04:08which came first,
04:10whether they kept writing it in
04:13to make it something,
04:15or it was something
04:16and so they kept writing it in.
04:18I swear,
04:19I don't look at big picture,
04:21especially in that time
04:23and with friends.
04:24It's like, okay,
04:25so what am I doing?
04:26Okay, great.
04:27Because Phoebe was kind of far away
04:29from who I was as a person,
04:32and so to me,
04:33all I could do was,
04:36okay, evolution's wrong.
04:37Why?
04:38Okay, let me see.
04:39That was really all I could
04:41pay attention to
04:42in this pea brain of mine.
04:45Performing Smelly Cat
04:46with Taylor Swift
04:47in the biggest arena
04:49I would ever be in.
04:50That was a challenge
04:52that I was happy to take on,
04:54and Taylor just made it
04:57so easy,
04:58she said.
04:59I planned these surprises
05:00for the people
05:01who come to see me
05:02because they've saved their money,
05:04they've bought the tickets,
05:06they've waited,
05:07and it needs to be special.
05:08You know,
05:10the bigger they are,
05:11the nicer they are,
05:12is the truth.
05:12And so talented.
05:14Michelle,
05:15what are you up to?
05:17Oh, okay.
05:18Um, I invented post-its.
05:20You're kidding.
05:22You must have made a fortune.
05:24Well, yeah.
05:25There's Michelle Weinberger
05:27from Rome and Michelle.
05:29That was my very first audition
05:31ever on Earth.
05:33I was in the Groundlings.
05:35Robin Schiff,
05:36who had been a Groundling,
05:37wrote a play
05:38called Ladies' Room.
05:39They were doing
05:40backers' auditions,
05:41and I auditioned
05:43to be airhead number two.
05:45Airhead number one says,
05:47ugh,
05:47I hate throwing up in public.
05:49Airhead number two says,
05:51me too.
05:52And I thought,
05:53oh, how funny
05:54if she makes me too
05:55seem like,
05:56what?
05:57Wait a minute.
05:58It's too crazy
06:00that you hate
06:01throwing up in public
06:02because I hate
06:03throwing up in public.
06:04Me too!
06:05And they thought
06:06it was funny,
06:06so I got the backers' audition.
06:08Then we did the play,
06:09and they were named
06:10Romy and Michelle.
06:11I had been Michelle Weinberger
06:13since, like, 1987.
06:16Nice outfits.
06:17Post-its must be
06:18really lucrative.
06:22The clothes are another issue
06:24for that movie.
06:25That was Mona May,
06:26who was phenomenally great.
06:28That was so much fun
06:30working with her.
06:31I also don't know
06:32what color looks best on me
06:36and what silhouette shape
06:38is good.
06:38I don't know.
06:39Luckily, Mira loved blue,
06:41and she knew exactly
06:42what kind of silhouette
06:43she needed.
06:44Mona May, you know,
06:45came up with this,
06:46like, baby doll pink
06:48and this A-line silhouette
06:51that does look good on me.
06:52Yay!
06:52And all the suits and things,
06:55and my favorite look
06:56was the businesswoman's lunch.
06:59I loved that.
07:00Night in my bed,
07:02I hear the clock tick
07:05and think of you.
07:07The dancing was choreographed.
07:10Smith was the choreographer
07:12who was so adaptable.
07:15Because Mira had taken ballet
07:17and thought it was very funny
07:18if she's just, like,
07:19twirling around
07:20and doing too much,
07:21while I made it very clear
07:23I do not dance.
07:24But wouldn't it be funny
07:25if I just sort of posed
07:27and Smith put that in
07:29in a way that was
07:30really hilarious to me.
07:33I hope there'll be a sequel.
07:35There's a script.
07:36It's, I laughed out loud.
07:38A lot.
07:39Which is rare.
07:40So, we'll see.
07:41I mean, it's not up to me.
07:43And I need to know
07:44that I'm being heard.
07:47Am I being heard?
07:49Fine.
07:50I'll get you juicy.
07:51No, no.
07:52Just take this in
07:53and make it more flattering.
07:55This is Valerie Cherish
07:57from The Comeback.
07:58Around 2003, 2004,
08:01I couldn't get it out of my head
08:03that there's these reality shows now.
08:05Survivor had been on
08:07in the first season.
08:08It was the most despicable human
08:10that everyone decided should win.
08:12And Amazing Race,
08:14it's the most undignified view
08:17of humans I'd ever seen.
08:20And they're signing up for it.
08:21And then there was
08:23The Osbournes,
08:24which was funny and entertaining.
08:25They kind of seemed to know
08:26what they were doing.
08:27And Anna Nicole Smith,
08:29which didn't feel good, safe, fine.
08:33Just started thinking about all of that.
08:35And, oh my God,
08:36what if an actress
08:37who's so desperate
08:38to be back in the spotlight
08:40that she agrees to do
08:41a reality show called
08:43The Comeback,
08:44which to me also was,
08:46ugh, how pathetic.
08:48Gotta get me a gay, Mickey.
08:49Gotta get a gay.
08:50Why don't I just call Lou?
08:52When The Comeback first came out
08:54in 2004,
08:55we had no point of reference.
08:57You didn't have
08:57The Housewives yet.
08:59You had Orange County.
09:00It hadn't caught on yet.
09:02But it just all felt
09:04so punishing to her.
09:06It was before
09:07the acknowledgement
09:08of certain bad behavior.
09:11It's not as uncomfortable
09:13as it was when it first came out.
09:15Is there a third writer?
09:16That's the best part.
09:17You're not gonna have to deal
09:18with any asshole writers.
09:19It's being written by AI.
09:22Uh-huh.
09:24Wow.
09:24By season three,
09:26we have moved off
09:27of reality shows so much
09:29because now,
09:30we're all in our own reality show
09:33posting them,
09:34you know, on social media
09:35and like,
09:36I don't like that take.
09:37Let me do another one.
09:38Okay.
09:39To bookend
09:39the first,
09:40second,
09:41and now the third season,
09:44AI is what
09:46I think everyone's
09:47very concerned about.
09:49Oh.
09:51What?
09:52What do you want?
09:53What do you want?
09:53Just go!
09:57Oh!
09:58Oh!
09:59Perfect.
09:59Just perfect.
10:00This is
10:01Mrs. Griffith from EZA.
10:03This was the second movie
10:05I was in with Emma Stone.
10:07In 2008,
10:08we shot a movie called
10:09Paper Man
10:10and Emma Stone
10:11was in that
10:12with Jeff Daniels
10:13and I got to be in it.
10:14She's phenomenal
10:15and I knew it then
10:17and especially in EZA,
10:19forget it.
10:19I mean,
10:21remarkably talented
10:22and it's not just the talent,
10:24it's the person.
10:25Ego is,
10:26felt really kept at bay,
10:28you know,
10:29thinking about
10:30other people
10:31and what's going on
10:32with them.
10:32So smart.
10:33Because he didn't want
10:34me to lose my job
10:35and he doesn't want
10:35to get in trouble either,
10:37so he said it's you.
10:38I'm sorry.
10:39The scene where
10:40Mrs. Griffith unravels
10:42in front of Olive,
10:44Emma Stone's character,
10:45what I remember is
10:47that I could not
10:48shed tears
10:50and I was meant to.
10:52I'm having a nervous
10:54breakdown and crying
10:55and I was crying
10:57but no tears were coming out.
10:59It's as if there was
10:59no water in my body
11:01and it also,
11:02I was going through
11:03this period,
11:03it happened in Paper Man.
11:06So I don't know
11:06what all that was about
11:07but it's embarrassing
11:08because Emma Stone
11:09I think is really good
11:10and got to see me
11:11not able to
11:13accomplish something.
11:15Yeah,
11:15I still feel a little bad
11:16about that.
11:17Sorry, Emma.
11:17Thanks so much for watching
11:19and be sure to check out
11:20the comeback on HBO.
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