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Watch CSI Miami Crowned Season 10 Episode 11 online in HD on Dailymotion.
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00:03Welcome, everyone, to the Royal Azalea Pageant two-day extravaganza!
00:09Tomorrow night, one of these lucky beauties will be named the overall winner!
00:20Kiera, you're up next.
00:23Oof, there's one down.
00:26No, I don't wanna wear the flipper!
00:30Melrose. Without it, you get the runner-up of it.
00:33With it, you get the big crown.
00:37I will give you one of your special treats.
00:43Two.
00:47Okay?
00:51I feel like a bunny rabbit.
00:56Well, you look like a winner.
00:58Gotta keep your energy up.
01:00Okay?
01:01Oh, hey, Suze.
01:04Today might be our day.
01:06Good luck, sweetie.
01:08All right, thank you, Sapphire.
01:10Next, we welcome to the stage, Kiera!
01:15Mr. Chambers, why is my age group not moved up till 3 o'clock?
01:19Blakely is at her prime between 8 and 11 a.m.
01:22Well, my wife handles those aspects of the pageant.
01:25Oh, I see.
01:27Ow! Stop, Mommy! You're hurting me!
01:29Beauty is pain, baby.
01:31If you wanna beat Melrose, your hair has to be perfect.
01:36And now, welcome, Tori!
01:39Hello, honey!
01:41Hello, honey!
01:42I hit the floor cause that's my plans, plans, plans, plans.
01:45I'm wearing all my favorite brands, plans, plans, plans.
01:49In this station, all my hands, hands, hands, hands.
01:53You, you, girl, it goes on and on and on
01:57Come here, honey
02:06Giant Royal Azalea Champion, Melrose
02:12Hi, I'm Melrose and I'm six
02:15My favorite color is magenta
02:17And I want to be a ballerina when I grow up
02:21Get it, girl, get those lenses
02:24You are a star
02:27So get it, work it
02:29Good job, honey
02:33Okay, smile
02:38Say, come on, Melrose
02:52Melrose?
02:55You in here?
02:58Mrs. Gramercy, we're ready for Melrose and the beachwear lineup
03:04Mrs. Gramercy
03:08If you don't get downstairs in five minutes, you're going to lose points
03:17Mommy says I have to learn how to do my own makeup
03:20Where is your mommy?
03:22She's sleeping
03:24Of course she is
03:41Come on, let's get you out of here
03:48This woman was murdered while her six-year-old daughter was hiding in the bathroom, Tom
03:53Did she see the killer?
03:55That's yet to be determined
04:05Aha
04:07Well, there's my cause of death
04:09The spike penetrated the ocular cavity and passed into the frontal lobe, caused intracranial bleeding
04:16Seems to me like someone in the pageant wanted to send a message
04:21There are no winners today, Tom
04:23Not today
04:27Yeah
04:50We don't get fooled again
04:54Don't get fooled again
04:57No, no
04:59No, no
05:30You know, even without the murder, this is so kind of creepy.
05:34You know, as a former pageant princess, I'd completely agree.
05:37What?
05:38Oh, I see it.
05:40Well, it's just like a rite of passage, you know, for Southern girls, sort of like football is for boys.
05:45I spent thousands of dollars getting Tori ready for this, and you're canceling?
05:50Thousands?
05:51The top prize was a $200 college savings won.
05:54Excuse me, we're looking for the pageant director.
05:56Yours truly, Darla Chambers.
05:58Great, I'm Callie Duquesne, this is Ryan Wolfer with Miami-Dade Police Department.
06:02Excuse me, what about crowning?
06:04My daughter was on track to win.
06:07Officers, you have to understand that our contestants, they spend months preparing for Royal Azalea, and their moms spend a
06:14lot of money.
06:15I understand what you're saying, it's just that one of your mothers was murdered.
06:19What?
06:19Oh my God.
06:21Yeah, I hadn't made that announcement.
06:23Okay, ladies, I'm going to need you all to back up.
06:26Please, just back up.
06:28Thanks.
06:28Edwin.
06:30You want me on mom patrol?
06:32Yeah.
06:33Ladies, I can try and get answers for all your questions.
06:35There are complimentary refreshments in the banquet room.
06:38Follow me?
06:41We're going to need a list of all the contestants in the pageant.
06:44Can I say that you have video cameras taping me that?
06:47Yes, it's for our sizzle reel.
06:49Okay, we're going to need all of the footage.
06:51Hey, I can get that for you.
06:53It's going to take a little while.
06:54As soon as possible.
06:56Do you know where the victim's family is?
06:59They're right through that door.
07:01Okay.
07:05So the two of you were staying in a separate room from Melrose and your mother.
07:10Yeah, my mom likes to keep everything calm for her the night before the pageant.
07:15Is there anyone else who had a key?
07:17Absolutely not.
07:19No.
07:20Okay, Mr. Gramercy, I'd like to ask Melrose some questions,
07:23and it is our protocol to talk to a child separately in a neutral location away from the family.
07:28Keep her out of it.
07:29She's six years old.
07:31I understand your concern.
07:32However, your wife was murdered, and we don't know what happened in that room.
07:37It's best if Melrose spoke to a doctor.
07:42Okay.
07:43Hey.
07:46This nice lady is going to ask you some questions, okay?
07:50But Hoppa, I want to be here when Mommy wakes up.
07:59We're going to see about that, okay?
08:07Mommy, check out.
08:12Please look out for my daughter.
08:14I will.
08:16Let's come, sweetie.
08:20I know.
08:21I know.
08:33You see this?
08:36She doesn't even look real.
08:37She looks like a doll.
08:39I don't understand why parents put kindergartners through this.
08:41I mean, just let kids be kids.
08:43It's disgusting.
08:46It's disgusting.
08:48It's disgusting.
09:00Check this out.
09:03Looks like a pink bead.
09:05Yeah, maybe it's from one of those dresses.
09:07You see anything?
09:09That rack there.
09:12Um.
09:13Um.
09:16No, I don't think it came from any of these.
09:18Well, it didn't come from one of her dresses, and maybe the killer tracked it in.
09:24You said that this crown was already in the room, right?
09:26Yeah.
09:27Melrose won it in her last pageant.
09:30Mommy brought it for motivation.
09:33And this was used to stab her?
09:35Maybe someone thought Melrose didn't deserve the title, and they decided to take it out on her mom.
10:05Sam-O, I got something.
10:07Oh, way to go, Simmons.
10:09Is that supposed to be funny?
10:12Well, seeing that you're holding biological evidence in the trace lab, I figured you came in here for an ego
10:17boost.
10:18Oh, no.
10:19Always appreciated, but I'm good.
10:20You see, this hair has no follicle.
10:23Ah, so no DNA.
10:24Yes, this is why I came to you.
10:27What, are you thinking a drug test?
10:28I'm hoping if we can find any prescriptions, then we can cross-check it against the other registrants at the
10:32pageant.
10:33Yeah, but for that kind of analysis, I usually have several strands to work with.
10:37I know.
10:38Isn't that funny?
10:39But you can do it.
10:50Ah.
10:54It worked.
10:55Your hair shows me that the only drug this person ingested is isotretinoin.
11:00And what's that?
11:02Prescription acne medication.
11:04It's almost likely from a teenager.
11:10Jan, we found a strand of your hair on the murder weapon.
11:14You told the police earlier you were never in that room?
11:16Well, I wasn't.
11:18Oh, my hair was.
11:21Your what?
11:23Yeah, my mom, she makes me grow up my hair so she can cut it off and use it to
11:27make Melrose's wiglet.
11:28A wiglet?
11:29Oh, it's a little hair piece that makes her hair look fuller.
11:34Are you always that generous with your sister?
11:38I had my chance, winning crowns and stuff.
11:42I hit puberty and it was Melrose's turn.
11:48Well, you're angry about that.
11:50No.
11:51My mom liked the pageants more than I did anyway.
11:54You still go every weekend to cheer on Melrose.
12:00Look, we're a close family.
12:03You know, if you want to find her killer, you really should look at the other kids' moms.
12:08They're competitive.
12:09They're crazy.
12:12Especially this one woman, Alicia Haverford.
12:16Melrose beat her daughter in the last four pageants.
12:20She was beyond pissed.
12:25So Haverford's here in 107?
12:27Yeah, you're supposed to be crazy competitive.
12:31Hey, Miami Dade!
12:32Miami Dade, please, open the door!
12:36What's going on?
12:37What are you doing here?
12:38What are you doing?
12:39What's going on in here?
12:40What is happening?
12:41Are you okay, honey?
12:42I was just bleaching Tori's teeth.
12:44You're just bleaching her teeth.
12:45She's six years old.
12:47Mommy says beauty is pain.
12:49They're just baby teeth.
12:50We're going to get her some real great caps when she's ready.
12:54This says 16 and up.
12:56You know, what you're doing, lady, is borderline child abuse.
13:00Everybody here does it.
13:01Great.
13:02Well, then I'll have Child Protective Services start with you.
13:05Is she doing anything else that's hurting you or that you don't like?
13:12These pins, she pokes into my hair.
13:15They hurt my head.
13:16I'll bet they do.
13:17Well, you know what?
13:17I'll just take them, okay?
13:19And what about this?
13:21What about this?
13:22No.
13:23That one's my favorite.
13:25I hope you plan to reimburse me for those.
13:27Yeah, I don't because they're part of a crime scene.
13:30Every single thing in this room is evidence in a murder investigation.
13:35Uh, sweetie, why don't you go brush your teeth?
13:39Okay.
13:40Okay.
13:43Why?
13:44Am I a suspect?
13:46Hotel's computer key lock system has you leaving your room at 2.43 a.m.
13:50And Suzanne Gramercy's door opening at 2.45.
13:52Must have been around the time I went to get some ice.
13:55Really?
13:56Because I found a bead just like this one at the murder scene.
14:02Well, I didn't want to speak ill of the dead.
14:04I want to try the truth.
14:08Suzanne tried to sabotage Tori.
14:13Hey, hey, what are you doing?
14:16Melrose is sleeping.
14:17You ripped Tori's dress.
14:19I did not touch your cheap costume.
14:22Cheap?
14:22This dress cost five grand.
14:24It's custom.
14:25Look, Melrose is taking that crown.
14:28Oh, don't go counting your chickens yet.
14:30We've got a backup outfit.
14:33Oh, would you just get out?
14:34Get out before I call security.
14:36Go.
14:36Go.
14:40And?
14:41And then I went back to bed.
14:44You're sure?
14:45Because the door never fully closed.
14:47Oh, please.
14:49I would never kill someone over a regional.
15:03Sweetie, I need to leave the room for a minute, okay?
15:07Please don't leave.
15:10How about this?
15:13Do you see that mirror right there?
15:16It's actually a window.
15:18And I'm just going to be on the other side of it, and I can see you the whole time.
15:23But I won't be able to see you.
15:26That's a good point.
15:28I tell you what.
15:30Why don't you hold my necklace for me, okay?
15:35It's very delicate.
15:40This way, you'll know I'll be right back.
15:44Matches your shirt?
15:50Medically, Melrose appears to be unharmed.
15:53Thank goodness.
15:55But I think she knows more than she understands.
15:59Do you think she witnessed the murder?
16:01I can't say for sure.
16:03I'd like to revisit this morning's events with her.
16:21Melrose, my job is to listen to kids.
16:25And today, my job is to listen to you.
16:31Okay.
16:33Now, I have some rules.
16:35If I ask you a question and you don't know, just say, I don't know.
16:40Think you can do that?
16:42Mm-hmm.
16:44Okay.
16:46Now, what's my favorite color?
16:52I don't know.
16:54That's exactly right.
16:56You don't know my favorite color.
16:58So, I don't know is the right thing to say.
17:07What do you remember about the last time you saw your mommy today?
17:15She fell down.
17:23And then what happened?
17:26I got scared and I closed the door.
17:31To the bathroom?
17:48And then, it's in my makeup.
17:52Did someone say angry words to your mommy before she fell?
18:01I don't know.
18:02I don't know.
18:03Did anyone hurt your mommy?
18:15Do you know who that was?
18:18It was Papa.
18:24Yeah?
18:25Tripp.
18:26Hey, it's Kelly.
18:27I need you to bring in Melrose Gramercy's father.
18:29All right.
18:42Have a seat, Mr. Gramercy.
18:44Sit.
18:47What's going on?
18:49This year, you and your wife spent $60,000 on the pageants.
18:53That's more than half the annual income from your garage.
18:57You checked out tax returns?
18:58You wasted your hard-earned paycheck on tiaras and ball gowns for a six-year-old?
19:03I mean, that has to be a little aggravating.
19:05I wasn't happy about it.
19:07Never fight about it.
19:10Occasionally.
19:10Did it ever get ugly?
19:13You think I killed Suzanne.
19:15You told us the last time you saw her was about 8.30 last night?
19:18That's right.
19:19That's a lie.
19:20Your daughter put you in your wife's room several hours later.
19:23She also said that you hurt Suzanne.
19:28I thought Melrose was asleep.
19:31Can you please tell me why my credit card was denied today?
19:34I canceled it.
19:36What?
19:36How is Melrose going to win this pageant without the deluxe confetti avalanche at the end of her runway stride?
19:42$250 for a bunch of cut-up paper?
19:45They are flower petals.
19:47I can buy 20 of these for $250.
19:50You obviously don't care about making your daughter happy.
19:57I had no idea she heard all that.
20:01How far did you take it?
20:04I raised my voice.
20:07That's it.
20:15Are these the tapes from the sizzle reel?
20:17All 263 of them.
20:20Hmm.
20:21Okay, let's pull up all the images of Suzanne Gramercy.
20:24If this was, in fact, a premeditated murder, maybe we could catch someone on tape stopping her.
20:28Okay.
20:31And there's Suzanne in the lobby.
20:33Okay.
20:39Hey, Ryan, why do all these images have snow around them?
20:42Do you see that?
20:42Well, when the videotape is, uh, paused or it's freeze-framed, the tape gets damaged.
20:47So are you telling me that people have reviewed these tapes and paused where these images are?
20:51Yeah.
20:52Can you find other artifacts?
20:54Yeah, sure.
21:01It's every image of Suzanne Gramercy.
21:03It's as if the person was studying her.
21:06Wait, so you're thinking that the killer had access to these tapes?
21:09Maybe.
21:11Well, here's Suzanne right here.
21:13No artifact.
21:16Ryan, see if you can find an image of Melrose without Suzanne in it.
21:20Okay.
21:23Here's one of her, Lynn.
21:24Look at how blurry it becomes.
21:27I'm starting to think the focus wasn't on Suzanne.
21:30No.
21:30I think our killer was after Melrose.
21:33Maybe Suzanne died protecting her daughter.
21:35Yeah.
21:36Hey, it's me.
21:37Listen, do you know where Melrose Gramercy is?
21:39She's here in MDPD with her father.
21:41Keep an eye on her for me, would you?
21:43You know what I say when it comes to kids.
21:46Yeah, trust no one.
21:47No.
21:48Kelly.
21:49Hang on here.
21:50What?
21:50Take a look at this.
21:51Found another artifact.
21:53Melrose wasn't the only little girl being watched.
21:55This one, too.
21:57Oh, my God.
21:58Eric, get to Tori Hafferford's room right away.
22:01I think she's our killer's next target.
22:03All right.
22:03Hey.
22:04Sir?
22:05Watch her.
22:06Don't take your eyes off her.
22:07Yes, sir.
22:17Tori!
22:18Tori, Mrs. Hafferford!
22:19What is it? What's going on?
22:21Where's Tori?
22:22Where's the door?
22:22She's in the room, Nappy.
22:23Open the door.
22:24Open the door now.
22:27Tori!
22:27Tori?
22:28Stay back.
22:29Stay back.
22:30Tori!
22:31Where's my daughter?
22:32Tori!
22:32Tori!
22:34Tori!
22:35She was sleeping in that bed ten minutes ago.
22:37She's not here right now.
22:38Please, where is she?
22:40Tori!
22:41Tori!
22:41We're gonna find her.
22:44Tori!
22:45CSI, Eric Delco.
22:47I have a critical missing.
22:48Tori Hafferford, six years old.
22:51Brown hair, green eyes.
22:53She's last seen at the Casa Benham Hotel, room 107.
22:56Send search and rescue dogs here.
22:59I need an Amber Alert put out right away.
23:05I don't understand.
23:06Just because I organized the pageant?
23:09You think I know where Tori is?
23:10They are your promotional tapes.
23:13Whoever watched them was targeting Tori, so who had access?
23:18You think that I'm somehow responsible?
23:20Did you give someone the tapes?
23:22Oh, so ridiculous.
23:24You know what I'm doing?
23:25I'm calling my lawyer.
23:26Great.
23:27In fact, I will scroll through your contacts myself, because I'm sure whoever you let watch the tape is in
23:31here.
23:32You know you have no right.
23:33I have probable cause.
23:44I am focused.
23:46Are you sure?
23:47Oh, I'm sure.
23:48I'm sure you're gonna like this.
23:51I can't wait to see you.
23:54Who's a pretty girl?
23:57Head and shoulders, knees and toes.
24:02Oh, my God.
24:05It's your husband.
24:07You're helping him.
24:10Where's your husband, Darla?
24:13Where did he take Tori?
24:15Sweetie, this is where I insist on a lawyer.
24:20Right now.
24:33Let's go.
24:35Let's go.
24:36All set.
24:37Ready?
24:43Edward Chambers.
24:44M.D.P.D.
25:00Clear, it's empty.
25:01Paige.
25:02Listen, I found something in the backyard.
25:05You need to see it.
25:10The yard.
25:11It looks like it ends here, but it doesn't.
25:31What is this?
25:46This is set up for a little girl.
25:49It's a jail cell.
25:59This is Tori's.
26:02She was here.
26:05So where is she now?
26:22Okay, how about if I take the house and you take the tin?
26:25Yeah, there should be something in there that'll lead us to where he took Tori.
26:29Oh, no.
26:30Tori's mom's here.
26:31I'll go take care of it.
26:36Sorry, ma'am.
26:37Excuse me.
26:38What are you doing here?
26:39I had to come here.
26:40I need to know.
26:41My baby's...
26:42No, no, no, no, Tori is not here.
26:44That is just evidence.
26:45She's not here.
26:46We're still looking for her.
26:46You don't understand.
26:48She's never spent the night without me.
26:50I need to do something.
26:52Well, what you can do is you can give me the pictures that we asked you for earlier.
26:55That would be very helpful.
27:07This is not what Tori looks like right now.
27:14Do you have a picture of your little girl that your little girl actually looks like?
27:22Is this okay?
27:26This is perfect.
27:28I just...
27:29This is my fault, isn't it?
27:32I put her on display.
27:35I'll be honest.
27:36It made it easier.
27:39But you're not the criminal here.
27:41The person who took her is.
27:43And I promise you we are doing everything that we can.
27:46I promise you.
27:49I promise you.
29:17Please, I just don't want to talk about it.
29:20What is it, Jan? Did Edwin Chambers kidnap you when you were little?
29:26It's vague and it's mixed up. I just don't know what happened.
29:36Jan, anything you can remember might help lead us to Tori.
29:45I can't remember.
29:50I'm so sorry. I just can't.
29:53So you and your husband used the pageants as a hunting ground?
29:57Save the accusations, Lieutenant. My client was a victim of Edwin Chambers as well.
30:01He would have killed me. I am a survivor.
30:06Yes. Have the state attorney grant her immunity and she'll cooperate.
30:10A six-year-old girl is missing and you're working for a deal.
30:14Darla, I've seen the video of the girls on your phone.
30:18Do you know what they do to a pedophile in prison?
30:20Don't listen to him, Darla.
30:22They're going to tear you into little pieces.
30:25Where is your husband?
30:31There's a place that he likes to go on Tuesday afternoon.
30:36Tuesday afternoon? Where would that be?
30:39You know, I don't know. I don't know. It's his private place.
30:46I think Edwin Chambers left these smudges on the murder weapon.
30:50I'll run an analysis. Maybe it'll lead us to where he's keeping Tori.
30:53Hold on a second.
30:58These marks weren't there before.
31:01Is it makeup?
31:05Hmm.
31:07Well, we found this tanning gun at the crime scene.
31:09My guess is that it's bronzer.
31:11Bronzer darkens over time, which is why we haven't seen it till now.
31:14Yeah, but how is that even possible?
31:17DHA darkens skin cells by reacting with its amino acids and proteins.
31:22This is cotton.
31:23It's the sweat in the lining.
31:25It contains a protein, which reacts with DHA.
31:30Oh, no.
31:37Loman.
31:38Hey, Doc. It's Walter.
31:40Are you close to Suzanne Gramercy's body?
31:42Yes.
31:42Could you check it out for me?
31:44Anything specific?
31:45Uh-huh. Her hands.
31:46Okay.
31:47Does it look like she's been using bronzer?
31:52Her right hand does have some dark markings on it.
31:56Honestly, I don't know how I could have missed this earlier.
31:58Not even your fault.
31:59Don't worry about it.
32:00They're just starting to show now.
32:07Do you need me?
32:08Hey, hey, are you with Melrose right now?
32:11What do you need?
32:12Does it look like there was bronzer applied to her?
32:15It does on half her neck, her arms, and her hands.
32:20Mm-hmm.
32:21Back of her hands?
32:22Yes.
32:23Is this important?
32:25Maybe.
32:26Uh, I'm working a theory here.
32:27I'll get back with you.
32:28Thanks.
32:29So, uh, what's up?
32:33Suzanne had to be murdered while she was applying bronzer to Melrose.
32:37Okay, so you're saying that her attacker would also have bronzer residue.
32:41No, no.
32:42You're totally missing the point.
32:43Look at the crown's lining.
32:46There's voids in the bronzer?
32:50I, uh...
32:51I'll let you swallow me fingers.
32:54Unless...
32:55We're not talking about adult fingers.
33:06Sweetie, will you just hold this for me?
33:28Do you want to talk about it?
33:32Come on.
33:34It's okay.
33:35It wasn't your fault.
33:39What's going on?
33:40Daddy.
33:44There's a reason why Melrose saw your wife fall.
33:48What's that mean?
33:50It made Mommy fall down.
33:54Oh.
33:58Melrose, stop jumping around!
34:01No!
34:02You are not behaving like a winner.
34:04Don't you want to win?
34:05No!
34:06It's stinky!
34:08Melrose, don't you want to win another one of these?
34:12No.
34:13Now let me make you pretty.
34:17No!
34:18Oh!
34:19I don't want to be pretty!
34:23Melrose, Princess Gramercy!
34:26Melrose, Princess Gramercy!
34:41I didn't mean to hurt her.
34:45Oh, hey, I know that.
34:48Hey.
34:49I know that.
34:51It's okay.
34:55What happens now?
34:58It was an accident, Larry.
35:00It was a tragic accident.
35:03We'll close the case.
35:15So you're sure Melrose isn't in trouble?
35:17No, she's not.
35:18But there's another little girl who's still out there.
35:23Look, I'm sorry.
35:25I wish I could help you.
35:26But I have no memory of who took me or where.
35:29It's blank.
35:30I have a specialist here who may be able to work with you.
35:34God, what makes you think it would even work?
35:36I'm not sure it's going to work.
35:38But if it does, we can save this child.
35:46Look, you can ask me what he did to me a thousand times.
35:49I just can't remember.
35:51Your father says he remembers you went missing for a few hours.
35:55During one of your pageants.
35:58You remember that?
36:03That time I got lost.
36:06It's like shock therapy.
36:07Good.
36:08The doctor's trick is to not dwell on the perpetrator.
36:11When did you know you were going to be okay?
36:15When I saw my mom and dad.
36:19When you were lost?
36:21What did you see?
36:24It was dark.
36:28There was this little light.
36:30Well, have fun.
36:31It was like a flicker.
36:34Please.
36:35And...
36:37I kept trying to move my hands.
36:39My special friend?
36:40But I couldn't because they were tied.
36:45And he had these gloves.
36:48Well, have fun.
36:50White fuzzy gloves.
36:53Well, it doesn't sound like latex gloves.
36:56Gardening, maybe?
36:58Romeo, we're in.
36:59Was it a house?
37:01It wasn't a house.
37:03It was cold.
37:06And it smelled.
37:07Like what?
37:09Like butter or oil.
37:13Butter or oil?
37:15You think that's...
37:16Popcorn.
37:17That would explain the butter smell.
37:19And Eric found popcorn stuck to candy wrappers at the Chamber's house.
37:23And what about the man that was with you?
37:28Wire.
37:29The man had this pet mouse.
37:33Wire.
37:36But it wasn't like a normal mouse.
37:38Wire.
37:39Will you be my friend?
37:40It was big.
37:44Do you recall anything else about that day?
37:48Man.
37:51He was looking through this little window.
37:54Wire.
37:55There was this clicking noise.
37:59And I was trying to undo my ties.
38:02But I was scared.
38:04I was so scared that he was going to come back.
38:07Clicking could be a film projector.
38:10And maybe he was looking through a window in a projection booth.
38:13And projectionists wear gloves to protect the film.
38:16A movie theater.
38:19You did really good, honey.
38:37You're really going to like this movie.
38:45I went over Chamber's work history.
38:47There's no record of him being a projectionist, ticket taker, usher, candy vendor, nothing.
38:52Really?
38:53So then why a theater?
38:56These are the theaters in the area?
38:58Mm-hmm.
38:58In a 20-mile radius of the Chamber's house.
39:05There were two movies with cartoon mice out ten years ago.
39:08These are the screens they played on.
39:10I don't get it.
39:11How are you hiding child during work hours?
39:13It would be hard, right?
39:14Yeah.
39:15Wait, wait, wait, wait.
39:16What?
39:17Chamber's wife told the ratio we went to a special place on Tuesdays.
39:22Okay.
39:25That one.
39:26It's closed on Tuesdays.
39:27Yeah, that's it.
39:27That's where he's got Tori.
39:28Thanks.
39:30Horatio.
39:31Yeah, I got an address.
39:47So how's my sweet little friend?
39:50This is playtime.
39:52Okay.
39:53I'm going to undo your chains now, and we're going to play, okay?
39:57All my friends like to play.
39:59No.
40:00We'll have fun.
40:01No.
40:02It's time to play.
40:02No, no, let me go.
40:04You're so pretty when you cry.
40:06You're so pretty when you cry.
40:29That's enough.
40:30I'm having everything stuck right here, right now.
40:34No, hurry, go, no.
40:37No, no, no, no.
40:38No, no, no.
40:38Fine, just sit.
40:39I won't let Bob.
40:40I'll be right back.
40:41I'm doing it.
40:44I don't mean to.
40:46It's just that bad luck follows me around, wherever I go.
41:21Bad luck.
41:22No, no, no, no.
41:24No.
41:25Edwin.
41:26You let me out of here right now, or she gets it.
41:31Right now, I mean it.
41:33I will kill her.
41:36Edwin, that's not necessary.
41:40You know what, Edwin, go ahead.
41:43Go.
41:44Go.
41:49Stay with the girl.
41:51I got her.
41:52Are you okay, sweetheart?
41:53He didn't hurt you, did he?
41:57What's going on here?
41:59Edwin.
42:05Oh, my God, I get shot.
42:07You know I'm going to get shot.
42:08You're going to be fine, okay?
42:09I promise I'm going to make sure that you're safe.
42:12Did you see where he put the key?
42:14No.
42:15Oh, my God, I got it, I got it.
42:16This is a little trick that I learned.
42:19Time to call.
42:20All right.
42:22That's fine enough, Edwin.
42:33Here we go, we got it, we got it.
42:35You're all right, sweetie.
42:37Okay, sweetie.
42:39Come here with me.
42:40I got you, baby.
42:42I got you.
42:48I'm sorry, okay?
42:50I can change.
42:51I know I can't.
42:52None of us changes that much.
42:56I think you're going to fall.
42:58Then you've got to help me.
43:01Do I?
43:03Come on!
43:09Oh, my God, you're going to fall.
43:12Oh, my God, you're going to fall.
43:13Oh, my God, you're going to fall.
43:15Oh, my God, you're going to fall.
43:21Oh, my God, you're going to fall.
43:21Oh, my God, you're going to fall.
43:22Oh, my God, you're going to fall.
43:22Oh, my God, you're going to fall.
43:22Oh, my God, you're going to fall.
43:24Oh, my God, you're going to fall.
43:26Oh, my God, you're going to fall.
43:28Oh, my God, you're going to fall.
43:29Oh, my God, you're going to fall.
43:30Oh, my God, you're going to fall.
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