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00:06We're outside Biscayne courthouse awaiting a bail hearing for Julio Renteria, a violent criminal who this morning beat and robbed
00:14a store of Luria in Hialeah.
00:16We'll cover the story after the hearing.
00:20Good morning. We're gonna stay.
00:21In the matter of the state of Florida versus Julio Renteria, Trevor Battle and Oscar Monaghan, one count each attempted
00:29murder.
00:30How did the defendants plea?
00:32Not guilty.
00:33Not guilty.
00:35Not guilty.
00:37Miss Nevins, do the people wish to be heard on bail?
00:40Your Honor, this morning defendants Renteria and Battle beat a store clerk within an inch of his life.
00:45Defendant Monaghan drove them away from the scene. They don't deserve bail.
00:49No bail. The defendants are remanded to custody, Miami-Dade Department of Detention.
00:55Next on the docket, State versus Kyle Harmon.
01:02Sergeant Tripp, the file indicates you're the case I owe.
01:06Mr. Harmon was arrested for kidnapping?
01:08Your Honor, the young man was not carrying a weapon during the commission of the crime.
01:11He has no violent history, therefore he's not a threat.
01:15Young man, are you Kyle Harmon?
01:19Yes, sir.
01:21You've been charged with unlawful detention, kidnapping, a serious offense. You understand the charge?
01:28Yes, sir, I do.
01:29Which is why even though you're only 16, you'll be tried as an adult. How do you plead?
01:36I plead not guilty, sir.
01:38Your next appearance will be in Department B. Until then, this court remands you to custody.
01:47We've been told Renteria's hearing is just adjourned.
01:50To put it lightly, there's a large crowd out here anticipating his exit from the courthouse.
01:54We've been told Kyle is your son.
02:18I haven't yet.
02:20Take a look at this crowd.
02:22Must be at least a hundred knuckleheads trying to get on television.
02:29I'm so big.
02:32I got two million dollars.
02:34Whoever can bust me out.
02:36Come on.
02:38This it gonna be, huh?
02:40You can be the lucky one.
02:42I got two million.
02:43Julio Renteria thinks he's the modern day Jesse James.
02:47Two million.
02:48Whoever can break me out.
02:49Hey, y'all, come on.
02:50I got two million.
02:52I got two million.
02:53I got two million.
02:54I got two million.
02:55I got two million.
02:56I got two million.
02:56Andy, that's my name.
02:57Andy.
02:57Look me out.
03:01Frank, you feel like taking a ride?
03:03On the bus?
03:04Yes, it looks like the driver could use some help.
03:08Come on.
03:09Thank you, Frank.
03:10It's over, Frank.
03:12If you take a time, smack.
03:15Come back now.
03:19It's over, Frank.
03:25Yeah.
03:32Let's go back, we're just going to get out of here.
03:42Counselor.
03:43Where is she okay?
03:45So you're back in court on this Carl Horman thing.
03:49Yeah, what about him?
03:50You are moving to try him as an adult.
03:53It was an adult crime, Horatio.
03:56He kidnapped a woman.
03:57He is a child who was blackmailed into the situation.
04:02Regardless, he made a bad choice.
04:04Children often do, don't they?
04:07Very clever, Lieutenant.
04:09But he's still going to be tried as an adult.
04:11And why do you care?
04:12I care...
04:17Because it's my job.
04:23Good to see you.
05:07We will be there!
05:10Great!
05:11We'll be there!
05:12We'll be there!
05:13We'll be there!
05:14No!
05:21We'll be there!
05:22I can't believe it!
05:22Oh, my God.
06:21Go, go, go!
06:24Come on, move it, man!
06:26Let's get out of here!
06:31Guys!
06:56India 2100, 315, two blocks east, two blocks, two blocks, Biscayne Courthouse.
07:03Biscayne Courthouse.
07:04Shots fired!
07:05Fire!
07:06Fire!
07:10Fire!
07:11Fire!
07:24Fire!
07:25Dr. Guy!
07:58You have additional information regarding escapees from the bus?
08:01Affirmative. Broadcast to follow.
08:03Frank.
08:04I'm fine.
08:05The prisoners.
08:06I got four escapees. We're blanking in the city.
08:09Julio got his freedom, didn't even have to pay for it.
08:11Where is Kyle, Frank?
08:14He's with them, Ratio. He's gone.
08:16What do you want to do?
08:18I want to find him.
08:42We don't get fooled again.
08:46Don't get fooled again.
08:50No, no.
09:13How you doing?
09:17the fog of war i didn't see that young lady till you know
09:25we talked to iab no but they're circling i got two messages on my cell yeah well
09:32they can't do a shooter review until we've processed the scene
09:37i got a bad feeling about this callie
09:42i better get in there you call me if you need me i appreciate it
09:55that mob did such a number on this scene i can't even find trips expended casings and all this is
09:59either useless or it's compromised all right well let's start with what we know the vehicles we know
10:03that the pickup truck hit the bus and dispatch called and said that eyewitnesses saw a red
10:07suv flee the scene
10:11so maybe we can find some sort of evidence of that
10:19you know as a matter of fact i got some red subs that's on the bumper looks like paint
10:23okay maybe our red suv clipped this on its way out i'm gonna call a ratio he's gonna want to
10:29know
10:29the color of the getaway vehicle
10:30okay
10:53hey talia
10:58you know you can't be here right
11:01oh come on don't shoot i come in peace here all right so listen
11:07guy named rich capriotum
11:09oh that's the guy from the firing range that's right he's a real gunslinger and he's willing
11:13to meet with you uh this afternoon
11:18oh well i'm i'm really busy
11:24i'm telling you i really went out on a limb here i mean this guy's willing to do it for
11:28free
11:30okay well if i can i i will okay okay thanks you're welcome really okay
11:37good luck
11:45lieutenant kane
11:52you made the right decision kyle
11:54look i only ran to get away from those guys okay hulu and the other two
11:57did you see where they went
11:59well i saw them leaving a in a blue suv
12:01okay because the witnesses said red suv
12:04i'm just telling you what i saw okay
12:07okay i believe you
12:10look i know this might sound weird but
12:14if i go to jail i want you to walk me in
12:18we need to make a stop first
12:21what do you mean you didn't trust me
12:26okay
12:32okay
12:33okay
12:34okay
12:36I don't know.
13:03Inside, you keep your eyes to yourself and don't look for trouble.
13:06If it finds you, and it will, you don't back down, no matter what.
13:12You understand?
13:14Yeah.
13:14What did I just say?
13:15Don't back down, no matter what.
13:17Okay, there's one more thing.
13:19Come here.
13:33You ready?
13:36Yeah.
13:38Let's go.
13:46How we doing?
13:48This is as innocent as a victim gets.
13:51How so?
13:53Check this out.
13:56I don't understand.
13:57Her head is magnetized?
13:59Steel plate?
14:00It's a cochlear implant.
14:01Helps deaf people to receive and process speech and sounds.
14:07It's surgically implanted into the inner ear.
14:11Consists of a receiver that decodes and transmits to an electrode array, sending a signal to the brain.
14:21Wouldn't there be an external component?
14:23No.
14:23She must have lost it before she was shot.
14:32Well, that explains why she didn't get out of there.
14:34She had no idea what was going on.
14:36Doubt that'll help ease Tripp's conscience.
14:39No.
14:41Have you got any firearms evidence?
14:43Yeah.
14:44Recovered it from between the third and fourth vertebrae.
14:49You know what?
14:50This might ease his mind.
14:51It's a .45.
14:53Tripp only shoots a 9mm.
14:55So Tripp didn't shoot anyone?
14:57No.
14:58Hey, you want to call him since you were the one who found the round?
15:00Yeah.
15:02Hey.
15:03Where are you going with my projectile?
15:05To find out whose gun this really came from.
15:20What's all this for?
15:22Standard operating procedure.
15:24For what?
15:25For the murder of Veronica Eklund.
15:27Deaf girl was an innocent bystander at a jail bus breakout earlier today.
15:31A round from your .45 has ended up inside our victim.
15:35Wait, I was nowhere near that thing.
15:37Really?
15:39You have some fresh cuts on your hands.
15:41Are you sure you didn't get caught up in the riot?
15:43Because we have a couple of great witnesses we could put you in a lineup.
15:49Okay.
15:50I heard about it on the news.
15:52This guy Julio, who was leading the parade, was yelling something about paying $2 million whoever could bust him out.
15:57And you just happened to be in the area?
15:59For $2 million?
16:00You bet I was.
16:01When I rolled off to the place that was going off, they had the bus surrounded.
16:04I sneaked my bike up for a closer look.
16:06That's when I lost my gun.
16:20You see who picked your gun up?
16:21No.
16:22People were going crazy.
16:23I got out of there.
16:25Did you see Julio and the two other fugitives leaving an SUV?
16:29No, but I saw one of them leave on my bike.
16:32They stole your motorcycle.
16:33Did you report it?
16:35If I did that, it'd be the joke of South Beach.
16:38We're talking about two dangerous felons.
16:40Do you see me laughing?
16:42Attention Miami-Dade units to a stolen motorcycle broadcast.
16:46The vehicle of 2007 Harley-Davidson, black and color, Florida plate, 455140, left in the area of Biscayne Boulevard.
16:58Oscar Monahan, hold it right there.
17:01Oh my God, thank God, man.
17:02You know how long I've been waiting on y'all?
17:03Y'all ain't never ran when a brother needs you, man.
17:05Right, and you just happened to walk away from a motorcycle that was stolen from the side of a bus
17:09breakout.
17:09What you talking about the bike?
17:11Man, I don't know nothing about that bike.
17:12Look, why don't you just tell us where your partners Julio and Trevor are hiding out, and we might be
17:15able to help you.
17:16Look, I ain't got no partners.
17:18And like I said, I don't know nothing about no bike.
17:23Look at that.
17:25Didn't we luck out that you didn't throw those far enough?
17:34You better get a call, Oscar.
17:36You're going to get a whole new set of mug shots.
17:41Oh, hey, Frank.
17:42Look, I've got to get some time in at the range, because I've got to prep for my firearm qualities.
17:46All right.
17:46I'll put Oscar in the radio car and wait for the tow.
17:48Go do what you have to do.
17:49All right, thanks.
17:49Yeah.
18:04Hey, Natalia.
18:05Hi.
18:06Rich Capriotto.
18:06Nice to meet you.
18:07Ryan says that you are the best, so I'm hoping you can help me.
18:11Well, I haven't failed a client yet.
18:15All right.
18:15Okay.
18:16Someone across the bow.
18:17Okay.
18:19Any pointers before I do this?
18:21Yeah.
18:21Be on time.
18:22Especially when someone's doing you a favor.
18:29Yeah, I'm sorry about that.
18:30I'm right in the middle of a case.
18:31Actually, I have to get some evidence to the lab right after this.
18:34You left it in your ride?
18:35Yeah.
18:35It's a county vehicle, so it's secure.
18:40Well, let's waste what's left in the magazine, and we'll reschedule.
18:42Copy that.
18:44One quick hint.
18:46Squeeze the trigger.
18:47Don't jerk it.
18:59Stealing the motorcycle, Oscar, is grand theft.
19:03Look, man, I know the charge, all right?
19:05I've had it before.
19:06Yes, but this is a third strike for you, isn't it?
19:12So what you getting at?
19:13I want to know where Julio and Trevor are.
19:16Look, man, you've got to understand something.
19:18That bid we was up for?
19:20Look, I might have been with them, but I was not with them.
19:24I went the other way when the bus crashed.
19:26My point is that the theft charge could be reduced to a misdemeanor.
19:34Listener.
19:35You say nothing.
19:37Nothing.
19:39Counselor for the defense.
19:41Counselor, this is an opportunity for your client.
19:44Hear me out, and you may disagree.
19:46I've got an expert witness who will dispute the legitimacy of any evidence found in or near the motorcycle you're
19:51accused of stealing.
19:53He's a former CSI.
20:01So, this conversation's over.
20:05To be continued, Oscar.
20:08Let's talk in lockup.
20:09Let's talk in lockup.
20:12Let's talk in lockup.
20:23Pick up any lock.
20:27Pick up any lock.
20:32I'm sick of the sound
20:47Hey!
20:48Hi.
20:54So listen, I got a court order for the evidence in the Oscar Monahan case.
20:59Yeah. Yeah, Horatio told me that you're working for the defense.
21:03Yep.
21:04What is that? How do you think that's going to get you back in the lab?
21:07Well, being an expert witness pays $300 an hour.
21:12And I'm broke.
21:14And I know you hate it, so just let me do my job.
21:16All right.
21:18I found Oscar's epi's on the keychain.
21:21So he stole the motorcycle from the jailbus breakout.
21:25You know, how...
21:27How are you going to challenge my analysis?
21:29I'm not going to challenge your analysis.
21:33I'm going to challenge your protocol.
21:37What do you mean?
21:39You didn't take the evidence straight back to the lab and tell you.
21:43No, because I was running to the range appointment that you set up for me.
21:48Oh.
21:50But you set me up for...
21:52What?
21:54You set me up.
21:55Wait, no.
21:56Wait a second.
21:57You think I actually do that?
21:59Are you kidding?
22:04Just get me the evidence so I can vet it, please.
22:09Wow.
22:27You may put a fugitive back out on the street.
22:29Are you proud of yourself?
22:47Back door of the wall.
22:49Matt walking.
22:50Listen up.
22:51With the last pretences of your booking number, call step forward.
22:55Jump.
22:56787.
22:57887.
22:59787.
22:59787.
23:00Step up.
23:01Don't worry about your clothes.
23:03The trustees will thank them.
23:05No talking in the print line.
23:10Did you stop by the civilian range before returning with the evidence?
23:13Yes, but show me where that's not allowed.
23:15With Ryan on the stand and the minds of the jury?
23:18Yeah, but this is Oscar Monaghan's third strike.
23:20He stole a motorcycle to evade capture.
23:23That's incontrovertible.
23:25You screwed up, Natalia.
23:26No, I didn't.
23:27I...
23:30I had a friend turn on me.
23:34So return the favor.
23:35However, we discredit Ryan, I may still have a case against Oscar.
23:45I can't do it.
23:47Just give me one negative on Wolf.
23:56I'm sorry.
23:58You should be.
24:00It's your career.
24:09Well, I hear we may not be able to put Oscar on that motorcycle.
24:13Compromised evidence.
24:14So all we have left are Trevor and Julio, and they escaped in the red SUV.
24:19That's correct.
24:20Except for Kyle said that it was Blake.
24:22Correct, too.
24:23So one of them is lying.
24:25No.
24:25You're lying?
24:27No.
24:28It's a special paint.
24:30It changes colors.
24:31Like a chameleon?
24:32To the naked eye, yes.
24:34Most paint jobs, they have a clear coat that goes over the color layer.
24:43Oh, I see.
24:44To give it depth, right?
24:45This paint's second coat is filled with reflective synthetic flakes.
24:48They're about one micrometer thick.
24:50It creates a prism effect on the car.
24:52So it refracts a different color at a different angle.
25:08Product's so new, there's only one place in South Beach that does this kind of work.
25:13Blumis detailing.
25:14I think we ought to take a ride and ask them what cars they painted blue and red in the
25:18last week.
25:20Let's go.
25:28Check it out.
25:51Ah, Mr. Bedford.
25:53You've a pretty unique paint job, and Blumis detailing tells us you're a very satisfied customer.
25:58Yeah, well, hard to stay ahead of the trends in this town.
26:01Got to do something to stand out.
26:03Like break people out of jail for an easy payday?
26:07What, that, uh, two million dollar thing I heard about on TV?
26:10I had nothing to do with that.
26:12Paint transfer on the front of your car says otherwise.
26:15Yeah, and so do these.
26:18Looks like you cut the cuffs off of Julio and Trevor.
26:29Look, you have to understand, this is not like me.
26:35We got a nice house, a nice car.
26:38Doesn't seem like you need the money.
26:39Yes, I do.
26:42My brother is sick.
26:43He needs dialysis.
26:45I heard about that two million and I had to go for it.
26:47That's a life-saving amount of money.
26:53Nice!
26:53Over here!
26:54Over here!
26:54That's two!
26:55Two million, right?
26:56Man, oh my word, man, come on!
27:06Where's the two million now?
27:30This looks like heroin.
27:33What is this?
27:34That's two million.
27:35Maybe more if you sell it right.
27:38You don't want it?
27:39You don't have to take it.
27:40Get out of here, man.
27:43That's the last I ever saw of them.
27:46Lowlifes.
27:47What am I supposed to do with a bag of pure heroin?
27:49Go to jail.
27:51Eight to twelve.
27:53That's good.
28:06Well, if it's not Benedict Arnold.
28:09Hi, Frank.
28:10You look well.
28:11What do you want?
28:11Well, as an expert witness in the Oscar Monahan theft case,
28:16I have the right to investigate the alleged crime scene.
28:19Alleged?
28:20Yeah.
28:21Guy stole a motorcycle and dumped it here.
28:23Stay outside the perimeter and tell him to get you an escort.
28:50Oh, uh, Frank.
28:54Yeah.
28:56Well, that's a .45.
28:59Same caliber as the bullet they pulled out of the, uh, deaf girl.
29:03Yeah?
29:03Looks like the joke's on you.
29:05Oscar tossed the murder weapon.
29:17Yeah, listen, I have to follow this through to the processing.
29:20You do that, and you're doing a bang-up job for the defense, Wolf.
29:25It's a nice haircut.
29:26Have a good day.
29:27All right.
29:33Got something.
29:34Did you already test fire the weapon?
29:35I did.
29:37Striations confirmed the gun Oscar tossed was the one that killed Veronica Eklund.
29:40I also found soft tissue.
29:42So this is the skin from the .45?
29:44Yeah.
29:45The hammer pinch trapped the skin.
29:51This will tell us who the shooter is.
29:57And then, maybe I can testify for the defense.
30:01It'll be fun.
30:02Listen, Natalia, at least consider the fact that I brought the gun to trips
30:05to the sheriff's attention, will ya?
30:07Hmm.
30:08You want points for doing the right thing?
30:11Hey.
30:12Hey!
30:14I follow the evidence no matter who pays me.
30:18Okay?
30:19I'm doing my job.
30:21I haven't sold my soul.
30:23Oscar's guilty.
30:25Then he's guilty.
30:26All right?
30:27He isn't.
30:28What?
30:29He isn't.
30:30It's not his DNA.
30:31He ended up with a gun, but he never used it.
30:35Who's DNA is it?
30:40Barry, you claim that you cut your hands on the pavement,
30:45when in reality, you cut your hands shooting Veronica Eklund,
30:50didn't you?
30:53I knew this, Barry, because you recovered your skin
30:58from the hammer of the .45 that killed her.
31:13All I could think about was all that money.
31:15Two million dollars?
31:17I was trying to get closer to Julio.
31:19I saw him on the news.
31:20I cleared a path, and she motioned for him to get into her car.
31:38I'm sorry, dog.
31:39I need that tape.
31:44Couldn't let her get the two million and not me,
31:46so I shot her.
31:49You said she motioned to Julio.
31:51Tattered-up guy, goatee.
31:54Yeah.
31:56Thank you, Barry.
31:57Take him, please.
32:00Yeah.
32:01Frank, our victim.
32:02The deaf girl?
32:03Yes, look into Julio's background,
32:05see if there's a connection.
32:06You think she was in on the bus breakout?
32:08I do now.
32:19Just about to fume these drug packets for prints,
32:22but I heard you wanted to see them first.
32:24Chameleon car guy said that Julio gave him the packets, right?
32:27Yeah, his payment for helping him flee the bus breakout.
32:29If Julio was small-time, where'd he get this amount?
32:32He had to get the heroin from a third party.
32:34I swabbed the packets for epithelios.
32:36There aren't any.
32:38Not where you're looking.
32:41You see this edge?
32:43It's amorphic, which means it was sealed by hand,
32:45not by machine.
32:48Julio's drug connection is old school.
32:50It's an amateur process.
32:52Heat it, squeeze it,
32:53but as air sucks into the packet,
32:56so does skin.
33:16Joe LeBrock, been in dead detention for the last six months.
33:19He may be locked up,
33:20but he still owns property on the waterfront.
33:22Take a look at his two known associates,
33:24Julio Renteria and Trevor Battle.
33:27Our two bandits on the run.
33:28That's right.
33:29I'll let her race you on up.
33:31Thanks.
33:40This is the Brock's warehouse.
33:42The fugitives may be in the vicinity.
33:44Do we have any movement inside yet?
33:46Not yet, sir.
33:47What's the plan, Lieutenant?
33:48The plan is to keep our eyes up, gentlemen.
33:51Somebody's coming out.
33:53He's got a weapon.
33:55It's one of our escapees.
33:56It's Trevor Battle.
33:58Hey, Trevor.
33:59Where's Julio?
34:01Don't worry about where Julio's at.
34:02Why is that?
34:03Man, we got something you really want.
34:05What are you talking about, Trevor?
34:07The kid.
34:08What kid?
34:09Kyle.
34:10From the bus.
34:11Man, we found out he's your son.
34:13That kid is back in custody, Trevor.
34:15Yeah, and that's exactly what we're going to kill him.
34:18Trevor.
34:18Take care, Lieutenant Kane.
34:29Yes, this is Lieutenant Horatio Kane.
34:31I am looking for inmate Kyle Harmon.
34:34Kyle Harmon?
34:38I've got eyeballs on him now.
34:40Do not let him out of your sight.
34:42Horatio, you were right.
34:43Publicide found out the deaf girl was engaged to Julio.
34:46No wonder she tried to break him out.
34:47Frank, she read our lips.
34:48You, uh, you told Kyle he's your son?
34:51I haven't yet.
35:00Outside the courtroom is where they found out about Kyle.
35:09I need a third, fourth prowler at main control.
35:12Excuse me.
35:12One second, Lieutenant.
35:14Excuse me.
35:17Inmate Kyle Harmon.
35:18He's a miss out, Lieutenant.
35:19He can't be a miss out.
35:20I just spoke to you on the phone.
35:22Where is he?
35:22The fight broke out.
35:23I had to break it up.
35:24A fight was staged.
35:25Do you monitor the phones?
35:26Absolutely.
35:27System logs each call from the phone bench.
35:28Get me the logs and lock this place down.
35:31You understand?
35:31Lock it down.
35:38So someone knew that Kyle was inside.
35:40It had to be Julio Renteria that tipped him off, Eric.
35:44We are looking for security cameras and phone logs.
35:47Outbound phone numbers.
35:49You want me to write a warrant and get the addresses?
35:51We don't have time.
35:53Hang on.
35:54Here you go.
35:55They're all clearing out for this guy.
35:56Wow.
35:57That's what I call respect or fear.
36:00Guy looks pretty hardcore.
36:02Look at the wristband.
36:08Joe LeBrock.
36:09Wait a minute.
36:10That's the same guy whose place we hit today at the waterfall.
36:12His DNA was on the drugs.
36:13Okay.
36:14So he's our connection to Renteria, isn't he?
36:17Well, we almost have an untraceable phone.
36:19Until now.
36:21Track it, Eric.
36:23What do you want me to do?
36:24I'm going to go talk to Joe.
36:36Where's the boy?
36:38You mean your little boy?
36:42I ain't telling you, Jack.
36:46It looks like somebody marked you up pretty good, Joe.
36:50Did they?
36:54Joe, I am attempting to give you a chance, so work with me on this.
37:00I don't want it.
37:04Okay.
37:06Then we have a big problem.
37:09Yeah?
37:11Well, what would that be?
37:13Because I'm not leaving this room without an answer.
37:27Yeah.
37:29Okay.
37:30Thanks.
37:31Kelly said that Julio's cell phone GPS is within a hundred yard radius.
37:36I'll take the left flank.
38:00Julio, let's see some hands.
38:06Oh, hey.
38:07Take your best shot.
38:09It doesn't work like that.
38:11They'll make you a promise.
38:12Yeah, Fiber?
38:13What's that?
38:14You're not going to get away twice.
38:16Whoa, whoa, whoa, whoa.
38:18Wait.
38:19I got time to deal.
38:21Kyle.
38:22Too late.
38:24Lieutenant Kane's got his own methods.
38:28Let's go.
38:33Paige.
38:35Yeah.
38:36I'm on my way.
38:38Okay.
38:52What's this?
38:54You know, we rounded up all your friends, Joe.
38:58Where's the boy?
39:14Never been to Brazil, Joe?
39:18What?
39:21Not long ago, someone that we both cared for greatly was killed by an animal like you.
39:31We went down to Brazil to hunt him.
39:37He never left the country, Joe.
39:42So what's that going to do with me?
39:46If those scratches are from my son and anything has happened to him, I'm going to come back to this
39:55room and you will leave it in a bag.
40:00So, I'm going to ask you one more time.
40:04Where is he?
40:12He's in the pipe chase.
40:15Maintenance hallway between the cells.
40:19Block C.
40:41Kyle!
40:43Kyle!
40:48Kyle!
40:49Kyle!
41:02I did what you said.
41:03I fought back.
41:04I know you did, son.
41:06I know you did.
41:07Why are you doing this?
41:08I'm doing this, Kyle.
41:10Because I'm your father, okay?
41:15What?
41:15I know you don't believe me, and we can't talk about it now.
41:18But we will, come on.
41:20We've got to get you back and away from the general population.
41:31Could I have a minute, please, gentlemen?
41:35I heard you got my third strike kicked back.
41:37As a matter of fact, I did, Oscar.
41:40We all know there's no such thing as a free lunch, so what do I got to do?
41:43There's a kid on the bus.
41:44I don't want anything to happen to him inside.
41:47I'll protect him.
41:4824-7, that's your mission now.
41:51Hey, feel me, man.
41:51I can't be with you all the time.
41:53Pass the word, Oscar.
41:54That kid is untouchable from here on in.
41:57You understand?
42:01All right, you got a deal.
42:02Your boy is safe.
42:03And Oscar, if anything happens to him...
42:06I'm on my third strike.
42:07There you go.
42:08You're a smart man.
42:09Take him.
42:09You're a smart man.
42:49You're a smart man.
43:09You're a smart man.
43:48You are smart man.
43:54I'm on my third strike.
44:00I'm on my third strike.
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