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Watch CSI Miami Chain Reaction Season 6 Episode 7 online in HD on Dailymotion.
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00:05Tis the season here in Miami, fashion season that is, designers, models, and
00:11celebrities have gathered from all over the world to be part of the launch of
00:15next year's spring and summer line.
00:33And the show that kicks off the week-long party, Miami's own Gavin Howard.
00:39Thank you, Kirsten.
00:41Now, who said the human body was perfection?
00:43If it were, it wouldn't break down.
00:44That's exactly why I chose Platinum as my muse.
00:48It's immortal.
00:50It's me improving on the original.
00:53Thank you, Kirsten.
01:05Ladies and gentlemen, introducing the new line from Gavin Howard.
01:19Is this part of the show?
01:25Are they canceling the show?
01:50Now, do I have your attention?
01:54What are you doing?
01:55How are you doing?
01:56I'm sensitive.
02:12Come on.
02:14Come on.
02:16I've got a world crowning class
02:18And you're the one type into my mind
02:22So I'm so excited to stay in the shape
02:25Oh, it's all that I can't find
02:29Oh, I can't do it, let me know, now
02:33Come on, I want you waiting for, oh
02:36I can't just let it go, it's slow, slow
02:40Slow me up, watch me down, down, down, down
02:43That's the way you wanna go, if you know what I mean
02:47Gotta rise, gotta fall, I live in my sleep
02:50We can't stand up, we can't see what I'm last
02:54You can't take me, boy, then we can go all night
02:58That's the serious thing, please
03:00We want to pass, but baby, you got the key
03:04Shut up and drive, drive, drive, drive
03:08Shut up and drive, drive, drive, drive
03:12I'm gonna pass, drive, drive
03:14No!
03:18Oh my God!
03:20Oh my God!
03:22Oh my God!
03:24No!
03:24No!
03:25No!
03:38what's her name alex alicia rylan she was only 21. she got family here in miami no frank spoke to
03:46them in louisiana she was their only daughter moved to miami to be famous guess you got your
03:53wish baby are those jewel marks yep only get these kinds of burns with a massive electrical shock
04:00this is where the current exited her body if you follow the burn marks they'll trace back to where
04:07the current entered her her right hand which is attached to the pole
04:20somebody killed this girl alex not a very private place to kill someone because the
04:25killer wanted it to be seen think someone was sending a message
04:32i do alex and i just got it
05:00we don't get fooled again
05:26it was an accident there's no way alicia was murdered
05:30a girl that nice doesn't have any enemies what about you i don't have any either now i'm sorry
05:37about what happened i'll even dedicate my next show to alicia but i've got to get that stage
05:42packed up and on a plane to paris you're gonna have to find another one mr howard your stage is
05:46our crime scene that stage is like the clothing i design i hand make it it's one of a kind
05:53so you
05:54rigged the pole to kill the girl i'm gonna let you in on a trade secret there's no money to
06:01be made
06:01fashion it's all about staying in the game long enough until your name goes platinum why would i sabotage my
06:07own show
06:08maybe you've got something to hide
06:21you got anything come here and take a look at this all these lights are tagged with the girl's name
06:29over here so this is juliana's light she's red here this is lindsay's line she's a brunette
06:37and here's alicia's so each model had their own lighting design
06:40that means alicia's would have only been on when she was on stage
06:44alicia's like a power she got power
06:57but why didn't she get electrocuted until she touched the pole
07:00well the killer had to connect the two right my guess is he ran something from the light
07:05to this pole here
07:16here's the wire it's what's left of the murder weapon
07:22the killer used uninsulated wire and showed it would melt
07:27and eliminating the evidence
07:31you know it certainly seems like whoever did this knew that the evidence would disappear
07:35if you asked me whoever did this knew exactly what they were doing
07:39like a lighting director
07:43you're the lighting director for the show is that correct mr kerr
07:46that's right
07:47why would there be a wire running from one of alicia riley's lights to a pole on the stage
07:54no there'd be no reason for that
07:56unless someone wanted to murder her
07:58don't look at me i didn't have any problem with that girl
08:01what about your crew any of them have a problem with it
08:03what crew i was too cheap to hire one had to do the whole job by myself
08:07that's why i know
08:09there's no way this could happen
08:10was there anybody else who had access underneath the stage
08:12i'm the only one with any reason to be down there if that's what you mean
08:17makes your own number one suspect
08:19don't go anywhere
08:31well
08:32terence kerr was successful only in creating more suspicion for himself he claims he was the only person down here
08:38well does he have red hair
08:40no why
08:42because
08:44somebody down here did
08:46well that's an easy mystery to solve
08:48which model have red hair
08:52juliana
08:55why are you trying to blame me
08:57well actually it's because we found your hair under the stage
08:59we're wondering why a model would need to even be down there
09:05well if i tell you
09:07do you promise not to say anything
09:09well in all honesty it depends on what you tell me
09:14well before each show
09:15i always try to make nice with the lighting guy
09:19i mean you know how it is
09:21good lighting covers a multitude of sins
09:24so you were
09:27you were making nice with terence kerr
09:29under the stage
09:30yeah
09:31yeah i was kind of cramped
09:37shh
09:37i'm a little curious
09:42did alicia ever get uh
09:45involved in mr kerr
09:47oh no she didn't mess around
09:50alicia was
09:51was kind of
09:51boring
09:53did she have many friends outside of work
09:55it's hard to say
09:57she kept her personal life to herself
09:59did she uh
10:00do anything different lately
10:02did she do anything out of character
10:04well she was late for rehearsal last night
10:07didn't show for over an hour
10:10and when she did
10:10it looked like she'd been crying
10:13you know what i mean
10:16i do
10:17miss ravos
10:19thank you
10:20you're free to go
10:28yeah
10:29i think i'll get in the house
10:29didn't get us anywhere
10:30well we know that alicia was upset
10:33yeah but why would a twenty one year old girl get so upset that she'd show up late for work
10:37That's easy. Boyfriend.
10:40Hey, Alex, do me a favor, would you?
10:43Rush a sex kit on Alicia Riley.
10:52Can I have some space, please, so I can finish this?
10:55Sorry, okay? We're just short on good leads with this one.
10:59I'm not. Looks like our victim was married.
11:03How can you tell that from a sex kit?
11:04Because it comes back to a guy currently serving time,
11:07and the only way you can have a conjugal visit with a prisoner
11:09is if you're married to them.
11:10So who's she married to?
11:13Joe LeBrock.
11:15LeBrock? That's the guy who kidnapped and raised your son.
11:17Yeah, and I wonder why Alicia was keeping her personal life a secret.
11:20Yeah, well, I would, too, if I was married to one of the most dangerous men in Miami.
11:25H, it's Eric.
11:34You never told me you were married, Joe.
11:37Hmm.
11:38Alicia and I hooked up just before I became a guest to the county.
11:41You know she's a model.
11:43Guys in here go crazy when she comes strutting in.
11:46It sounds like it.
11:47Well, Joe, that part of the journey is over.
11:50Alicia was killed this morning.
11:53And you came all the way out here to tell me yourself?
11:56I'm so touched.
11:57I don't get the connection, Joe.
11:59To be crude, a conjugal's a conjugal.
12:02Right, but what's in it for her?
12:04I set her up as a model.
12:06Okay, so that's how she met Gavin Hauer.
12:09I know a lot of people.
12:10Yes, from your heroin dealing.
12:12When I first met Alicia, she was straight off the bus.
12:15She needed my help.
12:17I made her dreams come true.
12:18But she left here the other day in tears.
12:22Oh, I see.
12:23So you think I killed my wife?
12:26A bit difficult for a man in my situation.
12:29Well, you have people on the outside.
12:31Like you do in here.
12:33By the way, Oscar's a great choice as a bodyguard for your son.
12:38Loyal.
12:39Not too smart.
12:40I'm glad you approve.
12:43What happens now?
12:44Go keep it moving.
12:46Walking.
12:49Don't know.
12:50I get the sense the balance of power is about to shift.
13:20I want you to go do some warm stuff about a chin-up bar.
13:31You staying out of trouble?
13:33It hasn't been too easy.
13:35It's about to get more complicated.
13:37What do you mean?
13:39Trust no one.
13:41What about Oscar?
13:42Oscar has a problem.
13:46Take care, son.
13:55You got a pair of eyes on you.
13:58What do you think?
13:58I don't know that.
14:00Watch your back.
14:09Hey there, Frank.
14:10Please tell me there's a good reason you dragged me into this charming little establishment.
14:14Besides the amazing joy I get from knowing you've been inconvenienced, I need you to do something for me.
14:18Okay, what is that?
14:19We need to find out who LeBrock's giving orders to on the outside.
14:22Maybe he had one of his goons kill his wife for him.
14:24I've been checking the jail's visitation logs.
14:26Okay, so you need help reading.
14:28That's cute.
14:30Aside from Alicia, he's had only one visitor, which is a guy named Scott Garnett.
14:34Okay, so why exactly do you need me to be here?
14:37Scott Garnett doesn't exist.
14:39The address and phone he left were fake.
14:41Now, he met LeBrock here shortly after Alicia left, so I need you, my favorite dust monkey, to lift prints
14:46off visitor stall number four.
14:49Yeah, but there's got to be dozens of prints over there.
14:52Yeah, means you better get busy.
15:32Yeah, means you better get busy.
15:41Take a look at this one.
15:46Scott LeBrock.
15:48Joe has a son?
15:50It looks like we found our Scott Garnett.
16:07My father is not an easy man to get along with.
16:13I don't see him anymore.
16:15Yes, but Scott, you just visited him in jail the other day under a false name, didn't you?
16:20You try carrying around LeBrock as a last name.
16:23That's the only reason you dragged me in here.
16:25Because of my father.
16:26I dragged you in here because your stepmother Alicia is dead.
16:31I didn't know the chick.
16:32My father never talked about her to me.
16:35What did you guys talk about then?
16:49It's between me and him.
16:52Not anymore.
16:59Keep an eye on him.
17:06Is that Scott LeBrock?
17:07As a matter of fact, it is.
17:09I just received a call from the FBI.
17:12They have their own ongoing investigation into him.
17:16He's under surveillance.
17:17For what?
17:18Justice Department thinks he's wrapped up in something big.
17:21They don't want him to get spooked.
17:22They're asking us to back off.
17:24Okay, what if he's my connection between LeBrock and the victim, Rick?
17:27I'm sorry, Ratio.
17:29Feds are coming down hard on this.
17:31Brass feels we should comply.
17:34I understand.
17:41I'm serious about this.
17:42Don't mess with him.
17:44I agree, Rick.
17:46Anything else?
17:49No.
17:52Natalia, your connection's at the FBI.
17:54I need them.
18:05Special Agent Fairlawn.
18:07B.V., you look good?
18:09Thanks.
18:10Thanks for coming.
18:11I really appreciate it, Mike.
18:14Are you kidding?
18:15You saved my career three years ago.
18:17Well, that Sonora case.
18:19You know, that was some of the worst preserved blood I think I'd ever seen.
18:22And you were able to replicate it.
18:23Or whatever it is that you do.
18:27So what do you need?
18:29Does the name Scott LeBrock sound familiar?
18:32What, have you been keeping tabs on me?
18:35On the record, we're not surveilling him.
18:37He's not part of an ongoing investigation.
18:40I'll tell that to the young woman that's in the morgue
18:41because we think that Scott might be linked to her murder.
18:45Don't know anything about that.
18:46Come on.
18:48Sorry, B.V., it's strictly need to know.
18:50What about the surveillance tapes?
18:52I can't do it.
18:56Look, Mike, does what you know trump what I know about you?
19:02I need those tapes.
19:07Would this make us even?
19:15Any of the tapes today,
19:17and I'll get them back to you before you ever need an excuse.
19:33How's it coming?
19:35Good.
19:35The XRF confirms that the wire used to electrocute Alicia Riley
19:39was a platinum alloy.
19:43Wow, that's a rare metal.
19:44Not to mention if there's a low nickel content,
19:46it's very expensive.
19:47That's why I'm testing it against the wire used in Alicia's dress.
20:01They both have the same nickel percentage.
20:04So that means that wire came from the same batch of platinum
20:06that Gavin used in his clothing line.
20:08He said he made every piece of my hand.
20:10I would say he had a hand in more than just designing the clothes.
20:34Mr. Howard, can I ask you a few more questions, please?
20:38I've already told you everything I know.
20:40Well, you neglected to mention that Alicia was killed with a platinum wire
20:44that matches the platinum you use in your clothing line.
20:46That's because I don't know what you're talking about.
20:48Every piece in this line has platinum in it.
20:51Then I'm going to need to take all the clothes.
20:54You already got my stage.
20:55You can't have the clothes.
20:57The clothes go to Paris for a show in two days.
20:59Mr. Howard, the evidence is in our favor.
21:01It's not going to be hard for me to get a warrant.
21:03Well, then I'll give my lawyer the heads up.
21:13Howard's lawyers are throwing up roadblocks,
21:14so it's going to be a while before we get a warrant.
21:16At least we have Alicia's outfit.
21:18Mm-hmm.
21:18I got it from Wolf.
21:20Getting a strange smell from this.
21:22There.
21:24Mm.
21:24It smells like vinegar.
21:26Yeah, but only in the burnt areas.
21:28It must have been released during the electrocution.
21:37Why are you testing for drugs?
21:39I helped out on this bust a few months ago, Key West.
21:43And the dealers, they torched the place.
21:46By the time the fire was put out,
21:48we went back and there was this distinct smell.
21:59There it is.
22:02It's heroin.
22:05That's weird, because I checked before
22:07and I didn't find any drug residue on the fabric.
22:10That's because it's not on the fabric.
22:12It is the fabric.
22:17FDPD.
22:18Everyone in here, out front and against the wall.
22:21Mr. Howard.
22:22You better have a warrant.
22:23Merry Christmas.
22:39Well, this is quite a lab you have set up here.
22:41I dye my own fabric.
22:43Oh, let me ask you.
22:45Is heroin the new black?
22:47Because Alicia Riley's clothes are made of it.
22:50That's insane.
22:50Let me tell you what I know.
22:52Heroin in its purest form is a liquid.
22:55It's smuggled here, I'm guessing, from Mexico.
22:58You soak your clothing in a concentrated solution,
23:01infusing it with heroin.
23:06When the clothes reach their destination,
23:08they go on show.
23:09No one's the wiser.
23:12After the show, they're put in a separating bat.
23:15The heroin's extracted using a chemical process.
23:21Then you put the extracted heroin into an oven,
23:24cook the liquid into a solid,
23:26which is then sold on the street.
23:29It's called heroin starching.
23:32You're smuggling drugs with your clothes.
23:34In every country we've been to.
23:37No one ever checked the clothes.
23:39Except Alicia Riley.
23:41She was going to stop you from going to Paris.
23:43That's why you killed her.
23:44I told you it had nothing to do with that.
23:46Yeah, well, did Joe LeBrock?
23:48That's precisely why I didn't kill her.
23:50You have to be crazy or stupid to kill LeBrock's girl.
23:53So you know, Joe.
23:55That's who you were smuggling the heroin for.
23:58You guys think I'm going to roll on LeBrock?
24:01Like I said, stupid and crazy.
24:10I bet Horatio's going to want to have a conversation with LeBrock.
24:14I'm sure.
24:29Oscar, eyes on the work.
24:32LeBrock.
24:34Someone wants to see you.
24:41Lieutenant,
24:43shouldn't you be out?
24:44Catching my wife's killer?
24:46That's exactly what I'm doing here, Joe.
24:49We busted Gavin Howard's heroin operation.
24:52Now why would that matter to me?
24:54Because Gavin was smuggling for you, wasn't he?
24:58Good luck getting anyone to testify to that.
25:02I guess somebody should have mentioned that to Alicia, huh?
25:05Why is that?
25:06Because Alicia found out about the smuggling, didn't she?
25:09Let's just say she didn't understand the world of business.
25:12So I straightened her out.
25:22That wasn't necessary, Joe.
25:24Get me rescued down here immediately, right now.
25:27Oscar!
25:32The rescue's coming.
25:33I'm sorry.
25:34I'm sorry, man.
25:35I want you to hang on, okay?
25:36I did it all right.
25:37I did what you said.
25:40You did exactly what I asked.
25:43Everything.
25:44And I won't forget it.
25:47You're LeBrock out of here.
26:04According to the CO, the inmates were assigned to this area for a week.
26:08Oscar had been working the stump the past few days.
26:10So whoever planted the bomb would have known that.
26:13I mean, LeBrock is part of the crew.
26:14It's not hard to imagine that he did it.
26:16Except there were too many guards around.
26:23What have you got?
26:26I've got a SIM card.
26:29From a cell phone?
26:30Yeah.
26:31Cell phones make great trigger devices for bombs.
26:33All one has to do is make a simple phone call.
26:48SIM card's a cell phone's memory,
26:50which means that if this is intact,
26:52the bomber's phone number's in here.
26:59Well, you know, it doesn't look too damaged.
27:02This will tell us for sure.
27:08Okay.
27:09That's the number of the caller that detonated the bomb.
27:12Can you try a reverse phone directory?
27:14Sure.
27:18You picked up the surface computing quickly.
27:21Wasn't that hard?
27:22Samantha got me up to speed.
27:24So you were just using it as an excuse to hit on the new girl?
27:28Yeah.
27:29She, she, uh, saw through it, too.
27:32Okay.
27:33There's no name attached to the cell phone.
27:36This is a, uh, prepaid cell.
27:38What about a service provider?
27:43Service provider is...
27:46Florcom Mobile.
27:47Can you use that to get me a location on the call?
27:49I can't get you a location, but I can get you the nearest cell tower.
27:57The call originated from a cell tower at Tamiami Trail in Kenwood.
28:01Not a lot of civilization out there.
28:03That's the Everglades.
28:04That's where the Miami-Dade Department of Detention is located.
28:09Call came from inside the building.
28:14Evacuate cell block D.
28:15Prepare to be searched.
28:39Next cell.
28:43Next cell.
28:53Next cell.
28:55Next cell.
29:06Next cell.
29:09Next cell.
29:09Next cell.
29:10Next cell.
29:10Next cell.
29:10Next cell.
29:10Next cell.
29:13Where did you get the phone?
29:15I've never seen it before.
29:17They found it under your bunk, Kyle.
29:19But it's not mine.
29:20Kyle, they're going to charge you for murder.
29:25It's not my cell phone, okay?
29:27Who had access to your bunk?
29:32I don't know.
29:33Did LeBronk have access?
29:44You know what, I'm not your snitch.
29:45Okay, do this yourself.
29:49God, I'm done with this guy.
29:59Callie says that you are the A.V. whiz.
30:01Is that right?
30:02Well, my reputation precedes me.
30:04In fact, one time...
30:05Awesome.
30:05Because I need you to go through all these surveillance videos
30:08of Scott LeBronk.
30:10And see if you can find anything that would connect his father
30:12to the bombing or to the murder of Alicia Riley.
30:16Where'd you get these?
30:17FBI.
30:18They suspect him of a federal crime.
30:20I don't know what it is, but here's the DVDs.
30:23How many hours of video you got here?
30:25Well, like five weeks' worth.
30:27Hey.
30:30Where are you going?
30:30I got it. You watch it.
30:40You know, I still haven't found a dress missing the platinum string
30:43that was used to kill Alicia Riley.
30:45But we know that the killer could have only taken the wire
30:47from one of these dresses, so it has to be here.
30:53Take a look at this.
30:56The string's not missing, but it doesn't look like platinum.
31:00Pass me the XRF, please.
31:03Yeah.
31:12Nothing platinum about this.
31:14Those are alloys found in aluminum foil.
31:16I think foil's a little low rent for Gavin, don't you?
31:19Not if you're looking to replace a platinum string in a hurry.
31:22Whose dress is it?
31:26It's the red-haired model, Juliana Ravez.
31:29I think we just found our killer.
31:33You've been on a pretty good act this morning, didn't you, Juliana?
31:36I'm sorry?
31:37The dress you wore in the show, it's missing a platinum string
31:40that you replaced with an aluminum one.
31:43So?
31:44That platinum string from your dress?
31:47It was used to wreak the light that electrocuted Alicia.
31:49Well, how would I even know how to do that?
31:52Oh, come on. You said it yourself.
31:53You have a habit of making nice with the lighting guys.
31:56I'm sure you've picked up a few tricks.
32:16That string's just as good as a smoking gun.
32:27She had such a good thing going.
32:29You knew why Alicia was upset last night.
32:31She told you about the heroin.
32:34Like I didn't know.
32:37Well, who did you think you were marrying?
32:39I can't be involved in this, Juliana.
32:41I have to go to the police.
32:43But just calm down.
32:44We'll do the show, and then we'll talk to someone, okay?
32:49So did Joe have you kill him?
32:52Joe had nothing to do with it.
32:54So you're saying Joe doesn't know?
32:57She wasn't worthy of him.
33:00But I've proven that I am.
33:03So you want LeBrock for yourself?
33:05He treated her like a queen.
33:06I mean, I would have killed to have that.
33:12And you did.
33:25Well, what do you think?
33:26Can we charge LeBrock for inspiring a murder?
33:29No.
33:30But we can still get him on the bombing.
33:32Yeah, well, we better hurry up,
33:33because Kyle's time's running out.
33:54You lied to me, Kyle.
33:56I don't know what you're talking about.
33:57The phone belongs to you.
34:00All of the calls were made to a number in Pensacola.
34:03I know that number.
34:04It used to belong to your mother.
34:05I want to find her.
34:07Did you make the call that detonated the bomb?
34:12I need you to believe me.
34:14I didn't do it.
34:15Who gave you the phone?
34:19Joe LeBrock.
34:21He said it was a peace offering.
34:28Hey, kid.
34:31Now, I don't know what you heard about me,
34:33but you know I'd be a fool to try to hurt you now.
34:37I know how hard it can be for a family to find time to visit.
34:41At least, you can tell them how you're doing.
34:52Then, kid, just keep it hidden.
34:57I'm sorry.
35:00There is a way out of this, but you can't lie to me.
35:04Never lie to me again.
35:20The only viable print I can pull off the phone belongs to Kyle.
35:23It's not looking very good for him.
35:25Yeah, but it doesn't mean that he did it.
35:26Because Horatio thinks somebody may have stolen the phone and made that call.
35:30Let's hope the court sees it that way.
35:32Well, I found trace all over the phone,
35:33so I'm hoping that that's going to help us out.
35:40Equal parts, carbon black pigment, mineral oil, and dispersant.
35:43Some kind of ink.
35:45Yeah, but there's no quick-dry agent present.
35:47So it's not from a pen.
35:48But you know what doesn't use the quick-dry agent?
35:50Fingerprint ink.
35:51So it would have to be from somebody who was recently processed into detention.
35:55No talking in the print line.
35:58Kyle's been in there for weeks.
36:00Check the detention center database.
36:02See who was processed just before the time of the bombing.
36:12Okay, we've got it narrowed down to three.
36:14It's about as close as we're going to get for right now.
36:16And then Horatio's going to have to talk to all of them.
36:23These bruises?
36:24Got them from a bunch of guys who jumped me right after I processed in.
36:27Happens to everyone on their first day.
36:29I played the game.
36:30Didn't look anybody in the eye, you know?
36:32A cell phone?
36:33I didn't even think you could have a cell phone in prison.
36:36I don't even know where the bathrooms are.
36:37You think I could find some kid's cell?
36:39LeBrock?
36:40Yeah.
36:41The CO told me to stay away from him.
36:43Who doesn't know LeBrock?
36:46Don't know a guy named LeBrock.
36:47Come on, Corey.
36:49Everybody in your world knows Joe.
36:51He got to you right after you were processed in.
36:53He's just offered you protection, hasn't he?
36:55And that's why you don't have any bruises.
36:57I don't need anyone's protection.
36:59Then why did you do him a favor?
37:01I didn't steal some Brad's cell phone.
37:04The ink on your fingers isn't even dry yet.
37:35Corey, I understand that you're looking at a year.
37:39If you sign this confession, I'll make sure it doesn't get kicked up to life.
37:49If I sign one, it becomes my death sentence.
37:54You decide.
38:06Mrs. Nevins.
38:08I'm assuming you know Kyle's hearing is later today.
38:11I do.
38:13The evidence that Kyle's responsible for the bombing was overwhelming.
38:19Rebecca, what if I were to tell you I have an inmate who claims to have detonated the bomb?
38:24Is he willing to testify?
38:27I'm working on it.
38:28You're going to have to do better than that.
38:29Because a witness just came forward who's willing to testify under oath that he sold Kyle that cell phone.
38:34And by witness, you mean Joe LeBrock?
38:36It doesn't matter who it is.
38:37It matters if he's behind the bomb.
38:42Horatio, I have to present the strongest case.
38:48You know, I've been through every hour of this surveillance video,
38:50and I haven't found anything that suggests that Scott LeBrock is working for his father.
38:55There's got to be something.
38:57Well, there is, but it's not what you think.
39:01It's Scott LeBrock from two weeks ago.
39:03He doesn't know he's being surveilled.
39:05Well, they're in a park.
39:06That's a good place for a clandestine meeting.
39:09A clandestine meeting with a little boy?
39:14Hey, buddy.
39:15Hey!
39:16Want to go for another ride?
39:17What are we watching?
39:18Yeah!
39:20Scott LeBrock is a pedophile.
39:22Now, your fed buddies rushed in and pulled the kid out.
39:25Hey!
39:26Hey!
39:26But they never arrested him.
39:28No, check it out.
39:29They did.
39:29That's the agent I got the video from.
39:32So they just let him go.
39:34They didn't prosecute him.
39:35No, believe me, they will get him for that,
39:37but they were surveilling him on a different case.
39:40Horatia needs to see this.
39:50Looking for a little alone time with me before I testify, Sergeant?
39:54After you, from Brock...
39:59Why am I not surprised?
40:02Here to stop me from testifying against your kid?
40:05You killed Oscar Monaghan, Jill.
40:07That's why you're not surprised.
40:09But the smoking cell phone was in your kid's hands.
40:12After you put it there.
40:16You like reality television, Jill?
40:20Take a look at that.
40:22Hey, buddy.
40:23Recognize your son behind the wheel.
40:26Yeah.
40:27Find me another video game.
40:28See you.
40:33Boy, you're really scraping the bottom of the barrel this time, Cain.
40:37How long did it take you to rig that up?
40:39Joe, I don't think I have to spell out to you what this means inside.
40:45You're gonna pay for his sins, Joe.
40:48Don't worry about me.
40:50I can take care of myself.
40:55Now I'm late for court.
41:02Your Honor, this cell phone was used to detonate an explosive device which resulted in Oscar Monaghan's death.
41:09Did you sell this cell phone to Kyle Harmon?
41:17It certainly looks familiar.
41:19Mr. LeBrock, can you identify Kyle Harmon for the court?
41:36Mr. LeBrock, can you identify Kyle Harmon for the court?
41:50I would.
41:53But I don't see him here.
41:56You said you sold this phone to him.
41:59Yes, but I don't see Kyle Harmon in this room.
42:02Is that not, in fact, Kyle Harmon?
42:06If that's Kyle Harmon, who did I sell my phone to?
42:13Mr. LeBrock, you stated you sold this phone to Kyle Harmon.
42:20You know, I'm not even sure I recognize that phone.
42:25That's enough, Miss Nevins.
42:26Your Honor.
42:27We're done here.
42:29The court finds that there's insufficient evidence to hold Mr. Harmon to answer.
42:34Case dismissed.
42:35Case dismissed.
42:42Horatio.
42:45Look at me.
42:47What did you do in there?
42:49I was sparing Joe some embarrassment.
42:52Oh, but it's okay to embarrass me.
42:53I look like a fool in there.
42:54Rebecca, the boy is my son.
42:58Okay.
43:00Okay.
43:01Okay.
43:03Okay.
43:05Okay.
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