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Watch CSI Miami Stalkerazzi Season 2 Episode 15 online in HD on Dailymotion.
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00:29This is the end of the game.
00:55What's wrong with that dog?
00:58Lieutenant Kane, Sergeant Dennis Barron, Tropical PD.
01:02Sergeant, this is off the beaten path.
01:05Orchard's about 12 feet inside our jurisdiction.
01:07Don't do much crime out here.
01:09First on?
01:10Yeah.
01:10911 hang up.
01:12Got here, Good Samaritan's already in the wind.
01:14Antenna went up, not your typical TC,
01:16so I thought I'd call him the big guns.
01:18Good Samaritan.
01:20Do we have an ID on the victim yet?
01:22Uh, Jerry Dorfman, 39 Miami address.
01:25Okay.
01:27Alex, what do we have here?
01:29Won't know COD till I get him back for post.
01:32But a cursory take.
01:34He died of internal injuries.
01:36Blood in his ears, nose, mouth.
01:40Mouth?
01:41What do you make of that smudge right there on the chin?
01:45A smudge, like you said.
01:48Okay, could be a pattern, ridge detail.
01:51Eric, Amito black, please.
01:52And Eric, the wind is picking up.
01:54I'm on my way.
01:57Alex, you think we can lay him out flat?
01:59As a board.
02:10What is that?
02:11What's he doing?
02:12Hang on.
02:12It's a solution that reacts with the blood.
02:14It turns it dark blue.
02:16Almost black.
02:17All right.
02:18It's the kind of resources we need down here in Tropicali.
02:26Yeah.
02:28Got ridge detail.
02:29That is possibly a palm print, Alex.
02:31This is...
02:32That's petechiae.
02:34Sizer dotted with red.
02:35Definite petechiae.
02:37This man was asphyxiated.
02:45You got a call to now?
02:47Yep.
02:48Our good Samaritan...
02:50just became a murderer.
03:15We don't get fooled again.
03:19Don't get fooled again.
03:23No, no!
03:23The sky is so cold.
03:24It's about to be 50 days.
03:26That's not true.
03:27No, no!
03:29No!
03:32No!
03:36No, no!
03:37No, no!
03:39No, no!
03:40No!
03:40No, no, no!
03:42No, no, no!
03:42No, no, no!
03:44No, no!
03:45No!
03:50No, no!
03:51No!
03:52No, no!
03:53He's not doing us any favors.
04:00Any tire tracks or shoe prints he might have had are gone.
04:05Erasing any evidence our killer left.
04:10I think this guy must have lived in his car.
04:13The rear seat's been removed.
04:15Hey, I got a cell phone.
04:18I'll have Tyler run a reverse directory on him.
04:25Okay, I'm gonna give you two guesses what this is, and it's not Mountain Dew.
04:29I can smell it from here.
04:31I'm gonna let you take it back to the lab.
04:33That's very nice of you.
04:45The windows are spotless.
04:47Okay, so he lives in his car.
04:50He doesn't even leave to go to the bathroom, and his windows are sparkling clean.
04:54Maybe he's some kind of P.I. on the stakeout.
04:59What kind of P.I. doesn't have a pen and paper?
05:05Well, Jerry Doffman was no health nut.
05:08Got his stomach contents coconut, chocolate, and almonds.
05:11Candy bars.
05:13Also found some black fibers in his nostrils.
05:17Probably from whatever the assailant used to smother him.
05:23He also has an elongated abrasion on his arm.
05:27From the broken glass.
05:28Well, that's what I thought at first.
05:30But the wound was ragged, not smooth.
05:33And I found a splinter of wood in it.
05:39Okay, wood.
05:40Well, he did crash in an orchard, didn't he, Alex?
05:42Look at this.
05:45Inflammation.
05:46Early stages.
05:48Probably from something on the wood.
05:51Definitely anti-mortem.
05:52I'd say about 20 minutes before the crash.
05:54Okay.
05:55Any other injuries?
05:57Just trauma from the steering wheel.
06:01Alex, could he have survived the original impact?
06:04Good paramedics and a helicopter?
06:07Maybe.
06:09That ratio, it doesn't make sense, does it?
06:12Someone smothers him, then calls 911?
06:14It almost sounds like we have two parties with conflicting agendas, doesn't it?
06:19Hmm.
06:20Thank you, Alex.
06:26I'm working on the palm print.
06:28It's from the left hand.
06:30It appears to be from the hypothenar portion, right below the pinky.
06:36It's statewide.
06:38I figured I'd start with date first and then branch out.
06:45Hmm.
06:47Ralph Durst.
06:49Trespassing, parking violations, TROs.
06:52Okay, Eric, you go find Ralph and pick him up, all right?
07:05Come on, man.
07:06Let me in the lobby.
07:06It's a public place.
07:07The party's in the back.
07:09Room key.
07:10You know I'm not staying here.
07:11I just want to take his picture.
07:12I do more for his career than those folks who see his movies.
07:14Come on.
07:15Room key.
07:16Lighten up.
07:16Hey, Brad!
07:18Right here!
07:19Right here, Brad!
07:20Right here!
07:21Hey!
07:21Let's go!
07:22Hey, let's go!
07:24Come on, man!
07:29We've got here, Brad!
07:32Slow down.
07:33Hey, your name Ralph Durst?
07:35Yeah, I'm working, man.
07:37No, not anymore.
07:38Hey, man, what are you doing?
07:38I'm taking a ride with me.
07:40What are you talking about?
07:40Get your hands off my camera.
07:42Get in the car.
07:44If this is about Cameron, I've kept it 100 yards.
07:47Just like on the TRO, which, if you ask me, is BS.
07:51I just want a picture.
07:5330 seconds of their time.
07:54They're in public, they're public domain.
07:58What about this picture?
07:59Does he look familiar?
08:02Jerry Dorfman.
08:04I mean, stalkerazzi.
08:05Just like you, stalkerazzi.
08:07No, I'm a photojournalist.
08:09I work red carpets, legitimate events.
08:13Jerry's a bottom feeder.
08:16Sticks cameras under bathroom stalls.
08:18That kind of thing.
08:20So let me ask you something, Ralph.
08:22Did you suffocate, Jerry?
08:23No, I didn't.
08:24I hope we found your handprint across his face, in his blood.
08:29Okay.
08:31Okay.
08:35I was driving Celebrity Row.
08:38Prowling.
08:40And Jerry races by me.
08:42He's being followed by a black escalator.
08:53See who was in it?
08:54No.
08:55But, you know, rich neighborhood, limo tints on all the windows, had to be a celebrity.
08:59Right.
09:00So you followed them?
09:01Yeah.
09:02Naturally.
09:02A celebrity punching a photographer is big bucks.
09:05Especially if it's an A-lister.
09:07But I got stuck behind a truck I couldn't get around.
09:21But you managed to catch up, right?
09:23Yeah, but by the time I got there, though, he'd crashed.
09:30And what about this black escalator?
09:32What happened?
09:33Beats me.
09:35I mean, nobody was there when I got there.
09:38So I did what I do at every car wreck.
09:47I took his picture.
09:48I mean, why?
09:49I mean, he's not a celebrity.
09:50There's a big market for death photos.
09:53Mostly in Mexico.
09:54Well, the gory or the better.
09:58And you're sure you didn't suffocate him first?
10:00No.
10:01Then why was your hand on his mouth?
10:05I was moving his head to get a better shot.
10:26I dialed 911 before I left.
10:29I thought maybe those guys could jumpstart him, you know?
10:33Bring him back.
10:34I'm going to need your cameras and film.
10:36Are you kidding?
10:37I think that's how I make a living.
10:38You should have thought of that before.
10:41When do I get him back?
10:42You get him back when I say so.
10:54Anything from Ralph's camera?
10:57His own prints.
10:58Collection of salt there.
11:00He's definitely working the Collins Avenue area.
11:03You got his death photos?
11:04Yeah, the lab just developed.
11:07He makes them look almost beautiful.
11:10The photo tech said it was from composition and aperture stop for what it's worth.
11:14Old Ralph may just be an artist.
11:18Makes you wonder what he was doing being a stalkerazzi.
11:21Well, I can't remember the last time I bought a painting, but I never forget to pick up my dabs.
11:25I can't believe you actually buy those things.
11:27Well, that's because the Y chromosome does not have the gossip gene.
11:30I don't know.
11:30They're fine.
11:32All right.
11:33So we got our crime photos and Ralph's.
11:37Before and after shots.
11:40So I guess Ralph was telling the truth.
11:41These pictures proved he moved Jerry's head.
11:44Back to the drawing board.
11:45Well, maybe not.
11:48Now, these are our crime photos and these are Ralph's shots.
11:51Look at that.
11:54The glass has been moved to the back of the seat cushion.
11:57Yeah.
12:00And the fast food bag has been moved.
12:04Well, paramedics, cops, us.
12:06I mean, anyone could have moved it.
12:09Yeah, but it's not just moved.
12:10It's stuck between the cushion.
12:15Well, then we should go and see what's entering.
12:41Ice packs to keep the film cold.
12:44Yeah, between the heat and humidity around here, good film will melt in a couple of hours.
12:48So there's a paparazzi with no film and no camera.
12:52Well, that was a good Samaritan discount.
13:00You want somebody who didn't like those pictures that were in Jerry's camera.
13:03You want somebody who didn't like those pictures that were in Jerry's camera?
13:53Hey, you wanted to see us?
13:54Yeah.
13:55Take a look at this.
13:59This was recovered from Jerry Dorfman.
14:01Looks like plant material.
14:02Yeah, and not indigenous to Miami.
14:06Looks like fibers from a South American K-pop tree.
14:10It's the warmest jacket lining that you can buy that's not down.
14:15Allergies.
14:16On the screen, we have potassium acephate.
14:19Yeah, insecticide otherwise known as orthene.
14:22Weren't they spraying tropicola with orthene?
14:25I thought I read something in the paper about a weevil infestation.
14:28That's right.
14:28Residents said they didn't get enough warning.
14:31They left their Bentleys out and the acephate ate their paint jobs.
14:34Very impressive.
14:35Speed, two words.
14:36Road trip.
14:56Well, got a K-pop tree.
15:03Check this out.
15:05Check this out.
15:11Handle fire wrap.
15:22Chocolate, almonds, coconuts, ring a bell?
15:26It's like Jerry's stomach contents.
15:42Give me a boost.
16:00You see anything?
16:02Yep.
16:13That big yard, nice pool.
16:17Beautiful house.
16:18Well, his stomach contents put him here sometime before that crash.
16:27Yeah, so the question is, who lives here?
16:33There's your radio transmission.
16:35What are you boys doing here?
16:36We are finding out what could be the last place Jerry Dorfman worked before he got killed.
16:41You're trespassing on private property.
16:44You want to continue, you need a warrant.
16:46Then we go in the front door.
16:47This is a murder investigation.
16:49We go through windows if we have to.
16:55Look, boys, rich folks live here for one reason.
16:59Tropicala PD's dedication to their privacy.
17:01They like their anonymity.
17:03That's why they drive around in half-million-dollar convertibles.
17:06I mean, Tropicala is the new Beverly Hills, man.
17:09Who lives here?
17:10I can't tell you that.
17:12Okay, I'll ask the pool, man.
17:14I can always arrest you.
17:17Okay, we're gone.
17:18We're leaving.
17:19It's a good idea.
17:25Okay, what was that address again?
17:27When are you going to learn how to type?
17:29That's Garden Street.
17:29I can type.
17:30Okay, I just forget things sometimes.
17:39Nah, I don't believe it.
17:41What?
17:41It's Brad Tustin's house.
17:43You mean Death Grip 2000 Brad Tustin?
17:46Body count and double tap, even those movies suck.
17:49Yeah, but you saw every one of them, didn't you?
17:50Oh, right now he's the prime suspect, and I'm sure H is going to want us to bring him in,
17:55so.
17:58Hi, I'm Jenny Moylan, Brad's publicist.
18:00We spoke on the phone.
18:01Yes, I had a call.
18:03I'll just go around the room.
18:04This is Peter Goldfarb.
18:06He's Brad's entertainment lawyer.
18:08Leonard Samuelson.
18:08He's his manager.
18:10Kayla Electronic PR.
18:11And Melissa, Brad's personal assistant.
18:14Someone, Jenny, is missing.
18:16Yes, well, Brad doesn't speak with anyone.
18:18If he wants to stay out of jail, he better learn.
18:21Now, I thought this was concerning my phone records.
18:23It's actually about murder.
18:25Well, Brad's not involved in any murder.
18:28Who's dead?
18:33Ah, Jerry Dorfman, celebrity photographer.
18:36Is he a friend?
18:38He's more like an unfortunate business expense.
18:40How compassionate of you.
18:43You know, I don't think I should say anything else without calling Brad's criminal attorney.
18:46If I get a warrant, this will become public record.
18:48You know that.
18:50So, that's up to you.
19:00It's...
19:00I think you should make an appearance.
19:02Yeah.
19:03Yeah.
19:05All right.
19:08You guys want to give us a moment, please?
19:10All right.
19:16When was the last time you were at Brad's house?
19:20I have devoted my entire career to Brad Tustin.
19:23I would do anything to protect him.
19:24Including kill someone.
19:29Jenny, you okay?
19:31I'm fine.
19:32Lieutenant Kane, Brad Tustin.
19:34Yes.
19:37Well, that was fast.
19:39I was outside in the car.
19:41Of course, I'm fully prepared to cooperate with your investigation.
19:45I find that so comforting.
19:47Did you know, um, Jerry Dorfman, Brad?
19:51Well, usually he's shoving a camera in my face.
19:54You look pretty angry in that photograph.
19:57He shoved a camera up my girlfriend's dress.
19:59Freaked the hell out of her.
20:01Called it his thong shot.
20:04Fair enough.
20:04Where were you yesterday?
20:06On set.
20:07With about a hundred witnesses.
20:10I got nothing to hide.
20:16Hey.
20:19Horatio's with Brad and his publicist.
20:23Hollywood scandal, huh?
20:24Well, I'm glad this case hasn't stopped you from reading the tabloids.
20:28Is this for research?
20:29Although, I would like to say, Hollywood's plastic surgery secrets, I knew these were fake.
20:34Amazing they pay somebody to sit in front of a plastic surgeon's office and snap off after photos.
20:40Hey, wait a minute.
20:41This is Brad Tustin.
20:47Oh, that's sweet.
20:48Looks like he really cares for her.
20:53Wait a second.
21:00Look at that.
21:02Look at the shot in the magazine.
21:04Look at Delco's pictures.
21:06The same exact angle.
21:08Are these the pictures from Jerry's missing film?
21:13Yeah.
21:14They must be.
21:17Now, why would somebody steal pictures of action hero Brad and a girl?
21:24Maybe the girl was married?
21:25I think it's something else.
21:28Look at the legs.
21:29They're long, muscled.
21:32So she's a swimmer.
21:34Not for the girls' team, she isn't.
21:38Hey, I think we may have just found a motive.
21:40Hollywood Scandal magazine has naked pictures of Brad Tustin with a naked man.
21:46With a naked man.
21:47That is going to do wonders for an action star's image, isn't it?
21:51Hmm.
21:54And here is Jerry's missing picture, right?
21:57Stolen from his car.
21:59So how'd the magazine get it?
22:00Because Jerry's dead and Brad Tustin, I'm certain, didn't want those pictures in the tabloid.
22:04And we know one picture is worth a thousand words.
22:23We're going to need the rest of the pictures.
22:24You'll have to wait for our next issue, just like our readers.
22:27Oh, we have a warrant, Mr. K., for all of the original negatives.
22:33What for?
22:34I can't discuss that with you, but your cooperation would be much appreciated.
22:38No problem.
22:39How about I give you the photos and you give us first crack at the story?
22:43I can't do that.
22:44It's part of an ongoing murder investigation.
22:46Murder sells magazines, officer.
22:48Celebrity murder sells millions of magazines.
22:51O.J., Robert Blake, you can dine out on those guys for months.
22:56We didn't need to know who sold you those photos.
22:58That I can't tell you.
22:59It was an anonymous tip.
23:00The guy was a total amateur.
23:01Well, how do you know that?
23:02Because he sold the photos for ten grand.
23:04He could have got twenty times out on the open market.
23:06Maybe he was afraid of getting caught.
23:08Did you ever meet with him?
23:09No, no.
23:10I talked to him on the phone.
23:11We paid cash.
23:12He dropped the film off in our mailbox.
23:14Do you remember anything from your phone conversation with him?
23:17I don't need to remember.
23:18I got it all on tape.
23:19Do you record all of your phone conversations?
23:21Yeah, we shelled out over twenty million in settlements last year,
23:23your legal's got us covering our asses.
23:25All right, good.
23:26Well, we're going to need that tape.
23:27First Amendment says no way.
23:29Well, the Fourth Amendment says I can get a telephonic warrant in the next hour.
23:33So, you want to dial?
23:39I have some confiscated property in my possession.
23:42Photos of a male superstar in a compromising position.
23:46I'd be willing to discuss a transaction.
23:49I've listened to this tape three times and the caller never gives a name or a contact number.
23:54Anything from the voice.
23:56Nothing distinguishing.
23:57I mean, the accent could be mid-Atlantic, but the speech is very formal.
24:02You know what?
24:03Play it again.
24:06I have some confiscated property in my possession.
24:09Photos of a male superstar in a compromising position.
24:13I'd be willing to discuss a transaction.
24:17Confiscated property, possession, transaction.
24:20It sounds like someone with a legal background.
24:22I know who this is.
24:27Lieutenant Kane.
24:28I don't recall seeing you in my appointment book.
24:32That's because I didn't have an appointment, Sergeant.
24:36I see that you're a Brad Tustin fan.
24:41Dealing with celebrities is part of the job.
24:43The difference is between being a patrol cop and a glorified trash collector.
24:50Is part of your job tampering with a crime scene?
24:53I don't know what you're talking about.
24:55You stole a roll of film from Jerry Dorfman's car, and you sold it to a tabloid.
25:01That's what I'm talking about.
25:03I'd like to see you prove that.
25:05Be careful what you wish for.
25:11I have some confiscated property in my possession.
25:13Photos of a male superstar in a compromising position.
25:17I'd be willing to discuss a transaction.
25:19We do negotiate those items, and we do purchase them.
25:26All right, so I sold a roll of film.
25:28What's the big deal?
25:29Tampering with a crime scene, Sergeant, is punishable by jail time.
25:33Don't quote the book to me, Lieutenant.
25:34I secured the scene and called for backup.
25:36Everything I did was by the book.
25:49By the book.
25:50What else did you take?
25:53What else did you take, Sergeant?
25:56I took a hat, but that's it.
25:58I need the hat.
26:13It's just a hat.
26:14And that's why you are just a patrol cub.
26:20I've been a man.
26:23Cause I've got a hat, but I won.
26:31I really care.
26:33I love to do it.
26:39I tried to beat that.
26:59Okay, please tell me we got DNA from that hat.
27:02I'll do you one better.
27:03That hat was your murder weapon.
27:06Okay, saliva.
27:07Yep.
27:08Good, okay, so that's how Jerry was smothered.
27:20That hat was worn a lot.
27:22Perspiration on the band.
27:24The victim was smothered with his own hat.
27:26No, different owner on the band.
27:29Amalogenin says it's male.
27:31There's nothing yet on CODIS.
27:33All right, let me know if you get a hit, okay?
27:34This might be the only way we can crack this case.
27:37Sure.
27:43Those are the photos the tabloids handed over to us?
27:46Yeah.
27:48It's kind of hard to believe someone would kill over a photograph.
27:51Are you kidding me?
27:52Come on, these pictures are about to kill Brad Tustin's career.
27:55Really?
27:56He's one of the most popular movie stars on the planet.
28:00Besides, I thought it was kind of cool to be gay these days.
28:02It's cool to be whoever you are, but gay action hero, that's kind of tough.
28:06And you really think the audience cares?
28:09I mean, if he's redecorating your apartment, maybe not so much, but saving the world.
28:14What does that look like to you?
28:16What?
28:17There, through the window.
28:23A little reflection.
28:25I know, I thought so too at first, but take a look at the picture taken right after.
28:32I don't know, it could have been a ghost from the processing of the film.
28:35But then look at this one of Brandon's friend.
28:42You said these pictures were done with an auto-winder?
28:44Yeah, four frames per second.
28:54Okay.
28:55What are you doing?
28:57Making a kinescope.
28:58A what?
29:00It's a little experiment, okay?
29:02You'll just have to wait and see.
29:05Oh, it's a flip book.
29:09Check out their heads.
29:11They're definitely looking at something.
29:14See the birds?
29:15Something startled them.
29:17A noise or something.
29:19The ghost image is probably a gunshot.
29:27A blow-up.
29:30Blow-up.
29:30Why don't I zoom in?
29:31It's a movie from the 60s.
29:33Never heard of it.
29:34Kelly, can we zoom in on this?
29:45Oh, my goodness.
29:47Okay.
29:48I want to see the rest of the pictures.
29:50Same magnification, please.
29:57That's the last exposed frame.
29:58It's the last of Jerry's pictures, and we still can't see the shooter's face.
30:03Well, he thought he was taking a picture of Brad Tustin and Fran.
30:10He caught the murder by mistake, didn't he?
30:14I'm going to get Tyler in here to clean this up.
30:16Okay, you do that.
30:17I'm going to pay Brad's next-door neighbor a visit.
30:19I think our victim may have witnessed a murder.
30:31Look at him.
30:32They'll never leave Brad Tustin alone.
30:34They smell blood.
30:36Yeah, well, so do I.
30:37So who is Brad's next-door neighbor?
30:40Danny Cato.
30:43Danny Cato?
30:45The actor?
30:47Danny Cato, the movie star.
30:49A shooting in my house.
30:51Yeah, I think I know something about that.
30:53Do you want a gun, Mr. Cato?
30:54No, guns scare me.
30:56You certainly know how to handle one.
30:59I've seen your movies.
31:01A lot of people have seen my movies, but movies aren't real, are they?
31:05How'd you get that cut on your hand?
31:08A sword fight yesterday and a clumsy stuntman.
31:10Looks like it hurt.
31:12Well, you know what they say.
31:13Pain is temporary, but film is forever, right?
31:17You know, while we're on the subject,
31:20let's take a look
31:23at my film.
31:30Oh, yeah.
31:31We were working in here the other day.
31:36Hey.
31:39It's a prop.
31:40Yeah.
31:41It's a prop.
31:42This one isn't.
31:45We're rehearsing a scene.
31:47I mean, it's...
31:49It's clear.
31:51For a movie?
31:52Yeah.
31:54Yeah, production sent over a stuntwoman.
31:57They do it all the time.
31:58Which movie?
32:01It's a sequel.
32:02Miami Shield 2.
32:06MS2?
32:07Yeah.
32:08Gonna shoot right here in town.
32:10You want a hat?
32:11I've got about 20.
32:12I would rather have a sample of your DNA.
32:18I've got nothing to hide.
32:20Everyone has something to hide.
32:24We need to find this stuntwoman.
32:26Does that include underwater rescue?
32:27The birds in the air, the works.
32:29We need to find her.
32:58Hey.
33:03What's the deal with the camera?
33:05It's just a little experiment.
33:07You're gonna have to wait and see.
33:09There's no starburst.
33:11What's the translation for that?
33:13Okay, the photo on the left is from the prop gun
33:16that Danny Cato gave Horatio.
33:18The photo on the right is from a real 9mm
33:20that belongs to us.
33:22Okay.
33:22The muzzle flashes are different.
33:24Exactly.
33:25A muzzle flash is basically just a combination
33:27of hot dust and carbon monoxide
33:29followed by a projectile.
33:39Now, prop pistols don't use a projectile.
33:41Right, but they're still dangerous.
33:43I mean...
33:43Yes, potentially.
33:45What prop pistols use is a blank firing device,
33:48and it creates a slide,
33:49and that causes a star-shaped burst.
33:52The muzzle flash from Danny Cato's house
33:55has no starburst pattern,
33:57so it was a real gun.
33:58And he also lied about owning a gun.
34:01You ready to start firing?
34:03Line mail.
34:12Danny?
34:13Danny Cato.
34:14We have a warrant to search the premises.
34:17Who are you?
34:19Gabe.
34:20Ronner.
34:21What are you doing at Danny Cato's house?
34:23I live here.
34:25You care to explain that, Gabe?
34:27I'm Danny's personal assistant.
34:29Very personal.
34:30You live at his house?
34:31Oh, I'm also a stand-in,
34:32and I mean, I'm really an actor,
34:34but I double for Danny on set.
34:36Gabe?
34:37Look, you want to talk to Danny, not me.
34:39I mean, I can give him a message.
34:40Tell Danny that you're going to be busy
34:42for quite a while, all right?
34:44You're coming with us.
34:45Hey, I told you, I'm just a stand-in.
34:48In more ways than one, I'm guessing.
34:50Ready?
34:52Ready?
34:54Ready?
34:54Ready?
34:56Ready?
35:33Look, we found your DNA on the hat
35:35that you suffocated Jerry Dorfman with.
35:38So we know you did it.
35:41I just want to know why.
35:44I'm 32 years old,
35:46and my career hasn't even started yet.
35:50Danny was going to give me my first break.
35:52What is he going to do,
35:53offer you a part in his next movie?
35:55Yeah.
35:56How did you know that?
35:57The oldest routine out there.
35:59I mean, the guy just wanted you
36:00to do his dirty work for him.
36:02No, Danny said to go get the camera from the guy.
36:06I didn't know he would crash.
36:10No.
36:12No.
36:16Danny.
36:17Hey, Danny Kato.
36:18I couldn't let him ruin Danny.
36:20What?
36:28Just like that.
36:30I protect Danny.
36:31Second nature.
36:33Well, that was a dumb move.
36:35Because now, what could have been a tragic accident
36:37is now homicide.
36:40Can I call someone to get bail?
36:42We're not done yet.
36:44Now, is that you, or is that him?
36:47It's not me.
36:48It's Danny.
36:49Looks like you.
36:50Yeah, well, that's the point.
36:52I miss Stan Dale.
36:54All right, who's the girl?
36:56As we check with the production,
36:57they didn't send any stunt woman over to Danny's.
36:59I don't know who she is.
37:02Danny goes through a lot of girls.
37:04I mean, I live there.
37:04I can't keep track.
37:05How about a little time sitting in a jail cell?
37:08Might jog your memory.
37:20Well, Chloe Jackson, female, white, 26.
37:24Fits the description.
37:25Looks like the girl in the picture.
37:27Yeah, it does.
37:28Where'd you guys find her?
37:29Kennell, two miles downstream from Danny Kato's house.
37:32We're going to pick him up?
37:33Well, Horatio thinks we've got only one more bite at the apple.
37:38He wants to wait until he gets somewhere with that tabloid picture.
37:42All right.
37:43Thanks.
37:44You got it.
37:46We still can't positively ID the shooter.
37:48Sorry, this is as good as it gets with analog.
37:52What about digital?
37:54Anti-aliasing software.
37:56That was my next plan of attack.
37:59Changing image from analog to digital
38:02gives us 256 shades on a grayscale.
38:06The human eye can only see 30 to 50.
38:08This program tricks the eye.
38:10It looks worse.
38:12Yeah, up close it does, but when you zoom out...
38:16It looks like Danny Kato.
38:17What do you think?
38:18Yeah.
38:19Okay, it's still grainy, but here's what we want to do.
38:22Zoom in on that hand.
38:24His hand?
38:24Mm-hmm.
38:30There's something on the back of it.
38:32Yes, there is.
38:33Could I have a copy of this, please?
38:37Pull me out of a camera test for this.
38:38Better be good.
38:41This is a photograph of you shooting Chloe Jackson.
38:48Really?
38:49Mm-hmm.
38:53No, that's my stand-in, Gabe.
38:57You see, in my business, stand-ins are visually interchangeable.
39:03I guess the difference, though, with Gabe and you is that Gabe doesn't have a cut on the
39:10back of his hand, does he?
39:12Well, neither do I.
39:13No.
39:15You told me that recently you sustained a cut on your hand during sword play with a stuntman.
39:21Wasn't that it?
39:22Superficial wound.
39:23Really?
39:23Yeah.
39:24See any cut on my hands?
39:27Huh?
39:28May I?
39:28May you relax.
39:45Gee, what do you call that?
39:50Sit down.
39:56No!
39:58What?
39:59I'm not going to take you!
40:00Who you want me, I'm going to let you stay!
40:01Let's go.
40:31No!
40:37Brad Tustin heard it, Jerry Dorfman photographed it, and now you are going to go away for it.
40:47Lieutenant.
40:48Yeah?
40:49There's still one big hurdle ahead of you.
40:52What would that be?
40:53A jury.
40:54A star, Kimo Sabe.
40:56I can convince 12 people of anything.
40:59You haven't convinced me, my friend, and that is not a good start.
41:34I can convince you, my friend, and that is not a good start.
41:47Excuse me.
41:47Let's go.
41:49Let's go.
41:52Let's go.
42:03Excuse me, Lieutenant, uh, you cracked the Danny Cato case.
42:08Actually, it was my team.
42:10Uh, can I get a couple of pictures of you for the Herald?
42:12Uh, a few headshots, maybe a wide.
42:15And could you show your badge? People love that.
42:21Um, no.
42:24Oh, hey, hey, hey, hey.
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