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00:01Jack Nelson's coming to London.
00:03There are some people in this country who I'd like to meet.
00:06Fascists.
00:07Not the ones in boots and black shirts, the ones in tuxios.
00:11Mr. Shelby.
00:12Lady Diana Midford.
00:13Oswald's most recent and last ever mistress.
00:16Officially, he's coming to buy liquor import licenses.
00:19And I'm officially, he's Roosevelt's envoy.
00:22By being among the fascists, by being among them, I can undermine them.
00:25Still looking for trouble big enough to kill you?
00:27If you don't want to help me carry the bucket, then I wouldn't blame you.
00:30You have to carry this bucket on your own.
00:32Do we have a deal, Mr. Nelson?
00:34You're a brave man.
00:37Every war hero I ever met, they're just someone who wanted to get themselves killed.
00:41If anyone's going to kill Tommy Shelby, it's gonna...
00:43It will be you. The devil will be dead.
00:45The future belongs to us.
00:47You need to see a doctor.
00:49We gotta keep going until this Boston business is done.
00:54Hello?
00:55Tommy, she has the temperature of 101 and nothing is working.
00:57Just get here now.
01:21Move away! Move away!
01:23No! No! Where's the doctor?
01:26I need to speak to a doctor!
01:27Can you get the doctor?
01:28Shelby, your daughter has consumption. Consumption is a very infectious disease.
01:33There are procedures that must be followed.
01:35Please, hand over the child.
01:36Okay.
01:37Is he?
01:38Let's go back.
01:39Now, you take her.
01:41Give me the gentleman.
01:42Look after her.
01:44That's my daughter.
01:45You hear me?
01:46I need to be with her.
01:48I need to be with my daughter!
01:50Come.
01:51Okay.
01:53Come on.
01:53They are ex-raying Ruby.
01:54They have to ex-ray us because we might have it as well.
01:57Fuck us, Lizzie.
01:57Fuck us!
01:58Fuck you and me!
02:00Who brought this on?
02:04We brought on this curse!
02:06Stop!
02:06Tommy!
02:08Fucking stop!
02:10Tommy!
02:11They wouldn't let me pass.
02:13They wouldn't let me pass.
02:16They didn't have a purpose to punish me.
02:21Tommy, stop it, please.
02:24All right.
02:26All right.
02:30My husband is very sorry.
02:33Okay.
02:34My husband is very sorry.
02:38And he's calm now.
02:41He's recovering from addiction.
02:46Sometimes...
02:49Sometimes...
02:51He's a horse in a crate, kicking the crate.
02:55It's just the crate I'm kicking.
02:59I'm sorry!
03:02You see?
03:03Yeah.
03:03Tell me what I have to do.
03:05This way, sir.
03:07Sorry.
03:20Mr. Sharpe, you all need to keep still for a moment.
03:36You see what's inside.
03:41I tell you see.
03:46God.
03:50God is what's inside.
03:51God that's what's inside.
03:55God er.
03:56I don't know.
04:30She has a tubercular infection in her left lung.
04:34They've caught her quite early.
04:37They'll do more tests.
04:41They do this thing, pulmonary something,
04:45where they collapse the lung, let it rest,
04:48and sometimes the lung cures itself.
04:52If that doesn't work, they use gall.
04:55What?
04:57Gold?
04:59Yeah, gall salts.
05:01The doctor said he explained their methods to you
05:03when you cut the ribbon to open the institution.
05:06Can't remember how it was, isn't it?
05:08Yeah, well, gall salts.
05:13Salt with 37% gall.
05:20They say it helps, but it will make her more sick at first.
05:34Do they say what the chances are?
05:39No.
05:40They don't say.
05:41Mm-hmm.
05:43But she's small.
05:44With TB, that's not good, because the disease is big and fast.
05:49Oh, God.
05:49Hannah!
05:56Oh, God!
06:01That's growing back down.
06:07What was he doing here?
06:08I was going home!
06:08S AGAIN, back up!
06:09What am I doing here?
06:09That's so awesome!
06:31I'm so sorry, my darling.
06:37I will deal with it.
06:41I will make it go away.
06:45I will strike a bargain.
06:56You should be wearing a mask.
06:59I am.
07:22You can try gold.
07:24I will try something else.
07:35Mayfair, 244.
07:38Ada, listen to me.
07:40I need you to be me in London.
07:43Now, it's important.
07:44I know you want nothing to do with my business, but Ruby is very sick.
07:49I need five days of your time.
08:03I need you.
08:06So she dresses well.
08:11Go to the door and take her coat.
08:13Yes, ma'am.
08:16Make a note of the label.
08:17Of course, ma'am.
08:22Okay.
08:35Yes, ma'am.
08:36Hello?
08:37Hello?
08:38Excuse me.
08:41Yes, ma'am.
08:44Hi.
08:46Yes, ma'am.
08:48You're Thomas, where the devil are you?
09:46You're Thomas, where the devil is.
10:14You're Thomas, where the devil is.
10:18You're Thomas, I believe. They do a lot of good work on behalf of the poor.
10:21The poor who are only poor because they spent so much of their income on Guinness.
10:25Please.
10:26I think the causes of poverty are a little more complex than that.
10:30Yes. I believe it is to do with genetics.
10:34Huh. Beautiful vase.
10:35My grandfather stole it from a brothel in Cairo.
10:38Egyptian. The 18th dynasty, I think.
10:41How do you know so much about Egyptian vases?
10:44I collect antiques.
10:47A tribe of gypsies settles on a clearing in a factory town.
10:51Children, of course, ensue in their hundreds, but one of them becomes a gangster and a politician.
10:57The other, a collector of antiques. It is quite extraordinary.
11:00A result of genetics, I think.
11:03My dear, you researched me and I researched you.
11:05If this was 1919, you would have come through my front door carrying a revolver and a Molotov cocktail and
11:11would happily have blown off my head.
11:13Hmm. Isn't it wonderful how time changes everything?
11:16Where is the American?
11:17He'll be here later.
11:18Where's Moseley?
11:18He heard Thomas wasn't coming, so he decided to sulk. You know how men are.
11:22Where is Thomas?
11:24His daughter is sick.
11:26Does he not employ a governess?
11:28It's a class thing. A genetic thing.
11:31He puts his daughter's welfare before business.
11:34Even the business of changing the world.
11:36I thought today was purely social.
11:38Now that it's just you, I suppose it will be.
11:40Hmm.
11:45You should know your brother has altered my life.
11:49The men here just bounce up and down in their saddles in a rising trot, never even galloping.
11:56Thomas is the man on the horse on the vase.
11:58That's why I put it out for you to look at.
12:02According to recent interpretations, the black rider on 18th dynasty vases is meant to signify approaching death.
12:09So, yes, I suppose it resembles Thomas.
12:15Tell me, why is he so emotionally mutilated?
12:17Oh, because he's a character in a novel, of course.
12:21One of those novels ladies like you like to read, all about wild men.
12:25Oh.
12:26Well, I don't read novels.
12:27I read only pornography and politics.
12:31In the absence of the men, shouldn't we ladies be engaging in small talk?
12:36Very well.
12:38Small talk.
12:51You know I like to fuck women as well as men.
12:57Tommy was right.
12:59He says that everything is a circle.
13:01A lady in Eaton Square, as coarse and honest as an Aston whore.
13:05I just realised I haven't even offered you a drink.
13:16Ada.
13:18Before the dreary business of changing the world begins, I want you to know something.
13:23When the time comes for the great cleansing, I myself will personally argue the case that the Jews must be
13:30dealt with, but that the gypsies should be spared.
13:35Let's drink whiskey and wait for the American.
13:37Huh.
13:40Mmm.
13:43Hmm.
13:52Let's go.
14:27Who the fuck are you?
14:34I'm the owner of this cold pistol and the bullets within it and I'm in a hurry.
14:41I follow the patron signs with the Lee family.
14:44I'm looking for Esme Shelby Lee.
14:48Never heard of her.
14:51Yours is my mother pals, Romney.
14:55Mandy comes to Pukatilaki Karnasig.
14:58Esme's husband was a fucking dirty diddakoy.
15:01He was a peaky blinder.
15:03Yeah?
15:04Well, I'm the elder and more terrible.
15:07And as I said, I'm in a hurry.
15:10Where is she?
15:31Put your gun away, Thomas.
15:34There's children around.
15:42You only found me because I let you find me.
15:44I heard you were looking and I'm curious.
15:50Any of these men is your man.
15:54Please tell them I want no trouble.
15:56I don't have a man.
15:58What's use as a man?
16:01Horse pulls the wagon.
16:03Dog keeps me safe.
16:05Cat keeps me warm at night.
16:08But if anyone's going to give you trouble, Tommy Shelby,
16:12it could be me.
16:13What do you want?
16:17Tell them to leave.
16:20What, do you think I'm in charge here?
16:21Oh, I'm sure of it, Esme.
16:25Gelabri!
16:28Chavie's trashed.
16:52Did Koy's too grand for his arse on the grass these days.
17:01I have a daughter.
17:03Esme.
17:04Her name is Ruby.
17:05She's fallen ill suddenly.
17:07She's very sick.
17:11And I can tell,
17:13by saying her name and looking in your eyes,
17:16that I've wasted petrol time and hope.
17:20Wasted petrol on what?
17:26Tommy Shelby, OBE, MP.
17:30Running around the mountains in pursuit of a gypsy curse, is that it?
17:35Thought you had Polly deal with the spirits.
17:37Polly is dead.
17:42Bullet or blade?
17:44Still speaks to me in my dreams.
17:47It was her who told me to come find you.
17:52Polly.
17:57That name like the ringing of a school bell.
18:00Come and do as you're told.
18:03Fuck.
18:05So glad I'm not in your camp anymore.
18:08Made of bricks and bars.
18:11My daughter is dying, Esme.
18:14Some people go to France.
18:16To Lourdes.
18:17I hear they sell trinkets.
18:18I need more than fucking trinkets.
18:22I can tell from your reaction this is not your doing.
18:26Sorry for troubling you.
18:46The butler says our American friend is parking the car.
18:50He also says in answer to your inquiry, Diana,
18:52that the coat our exotic friend is wearing is made by Chanel.
18:58That's a very expensive label.
19:00Yes, it is.
19:02But the perfume I can smell on you is very cheap.
19:11I'm deeply, deeply annoyed that Thomas isn't here.
19:14It is a family emergency, apparently.
19:17We only have Ada, the sister.
19:21Now, would the sister like some more champagne?
19:25Oh, the sister is allowed to speak.
19:27She thinks this lunch is purely social.
19:30The sister is here because there's sickness in the family.
19:33Thomas wanted someone from the Shelby organisation
19:35to introduce Mr Nelson to you
19:37and to offer all three of you an invitation.
19:40Oh.
19:42What invitation?
19:44The invitation can wait.
19:45And please remember that in this moment, in this room,
19:48it is the Shelby family that holds the power
19:51because we have the information and the incentives
19:54that will make Mr Nelson do what you require him to do.
19:57So when I speak, please keep your fucking mouths closed
20:00because although I'm reluctant, I am actually quite good at this.
20:03And yes, I will have champagne.
20:05Mm-hmm.
20:09Mm-hmm.
20:10Mm-hmm.
20:11Ah.
20:12Take care of this.
20:14Okay, so before these dull introductions begin,
20:17I just have to tell you something that my niece, Gina, just told me.
20:20Oh, Jack.
20:21She said the Shelby family are all witches and sorcerers who speak freely with the dead.
20:26So, who here is a Shelby?
20:32Is it true?
20:34Hm. Gina?
20:35Hello, Ada.
20:38Michael sends his regards.
20:41You're the sister.
20:42Yes, it seems I am indeed the sister.
20:45I did some research.
20:47You're communist once, but diamonds and lipstick now.
20:49No.
20:50Actually, I'm a socialist.
20:52She's Mr Shelby's political advisor.
20:55And you, you're the future Prime Minister of Great Britain and its Dominions.
20:59Indeed I am.
21:00And you, Lady Diana Mitford.
21:03Talk of London with her amphetamines and emeralds.
21:07It's her sharp mind that I'm in love with.
21:10Men bore me.
21:12Ada, do you have a man?
21:14My husband died, but of course we speak often.
21:19Between this sparkling conversation, could I get a drink of some kind?
21:25So, this little kid, Gina, she runs out.
21:27She marries a gangster.
21:29And now here we all are.
21:31Oh, Jack, please. You're so blunt.
21:33Yes, it's wonderful.
21:34A man who is not careful with his words.
21:37I'm not careful.
21:39Just say it first and then clear up the broken glass with my bare hands.
21:43Here you go.
21:45I don't seem to have a drink either.
21:48Well, I have scotch.
21:50Oh, Irish.
21:51Thomas drinks Irish.
21:53Where the hell is he?
21:54Irish.
21:55He's been unavoidably detained.
21:57Nothing's unavoidable.
21:58His daughter is unwell.
22:00He doesn't have a wife?
22:06You know, I did some research on you too, Mr Nelson.
22:09Ada here is the smart one of the family.
22:12I learned that when you were young, you lost a brother and a sister to consumption.
22:24No ice?
22:26Well, that same awful illness has entered our family.
22:29And you see, Thomas has very little faith in current medical practices regarding tuberculosis.
22:34Man, he has that right.
22:36He's gone off in search of alternative approaches to curing the disease.
22:40Experimental work that he hopes will save the life of his daughter.
22:43In his shoes I would do the same thing.
22:45Your brother intrigues me.
22:47Yes.
22:49He often has that effect on people.
22:52Yes, and my future husband has that effect on 20 million people in this country who attend his rallies and
22:58listen to his broadcasts.
23:00It's amazing what English upper-class women can do with just skin, bone and arrogance.
23:10My brother sends his apologies for not being here and would like to invite all of you to his home
23:15for a meeting.
23:16A meeting where the real business will be done.
23:19And where you can meet like-minds from Ireland who would also like to discuss the future of Europe.
23:25But as you say, this lunch is purely social.
23:28And looking at my glass, I see I still don't have champagne.
23:33Michael told me the sister had gone straight.
23:35Yes, but her brother is the son.
23:37The rest just orbit around him.
23:42Gina tells me lots of things, but I want to hear it from you, Ada.
23:48What exactly does the Shelby Company Limited do?
23:54That's my brother.
23:57That's my brother.
24:14I don't know where I will.
24:18Let's go.
24:33You used to have eyes on the back of your head.
24:37How can you change so much, not change at all?
24:40I have other lines of inquiry.
24:42Give me the spark plug.
24:43Give me this...
24:44Give me the fucking spark plug.
24:46Give you the spark, give you hope.
24:47Is that what you want?
24:53I don't know.
24:54Mandy Jyn's pupal are the cover.
24:56Something you should see.
24:59Someone dead.
25:01Someone grieving.
25:03Lot of hate against you.
25:10You were wise to come to me, Thomas.
25:14Open the bonnet, would you?
25:17What hate?
25:19Well, hate.
25:20What grieving?
25:45I can't explain where it is you have to go, so I'll take you there.
25:50I hope the suspension's good.
25:53I'm going to a wilder place.
26:09Mrs. Thorne.
26:10Mr. Shelby isn't here.
26:12I know, I am.
26:15Do you know where he's gone?
26:16He's gone up a mountain, looking for a miracle.
26:20No one is allowed to go in if he's not here.
26:22Just bring me the keys.
26:24All of the keys.
26:40All of the keys.
26:48Do you want tea, Mrs. Thorne?
26:51Whiskey.
26:52Mr. Shelby doesn't allow whiskey in the building anymore.
26:55Then have someone go and fetch some.
27:00Until Mr. Shelby comes down off his mountain, I'm in charge.
27:04Yes, Mrs. Thorne.
27:05Mrs. Thorne.
27:05There is a little bit of...
27:05...
27:06...
27:06...
27:09...
27:20...
27:21...
27:21...
27:23...
27:39Fuck.
28:03What?
28:05Mickey, I've got to go. I'm the boss's sister, isn't it?
28:07For the next five days, I'm not the boss's sister. I'm the boss.
28:12Where is Arthur?
28:13We locked him in the cash safe.
28:16When he gets the yumps really bad, he tells us to lock him in the safe.
28:19Stop him from slipping down to Chinatown.
28:22What are the yumps?
28:24When you lose your head, when you can't control yourself, young people say it.
28:32Arthur gets the yumps a lot.
28:35A lot is twice a day. Arthur gets them three times a day.
28:40Smells in here.
28:42Arthur sleeps on the floor. We lock him in at night.
28:46On your feet.
28:51Sit down.
28:57Nice perfume.
29:03Tommy likes you as I am.
29:06Believe I'm suited to this life.
29:09I'm not so sure about you.
29:13I was given to understand that you're in a longer part of the company.
29:19You speak well.
29:21I was going to be an accountant.
29:23But everybody said I'll be wasted, accountant money.
29:26Instead of stealing it.
29:31What's the name of that perfume I've got a girlfriend with her birthday?
29:36I want you to go to Liverpool.
29:39Well, then I will go to Liverpool.
29:41We have opium in storage at the Salthouse docks.
29:44Word got out among the dock workers.
29:46They started stealing cupfuls.
29:48Now it's by the bucket.
29:50By the bucket.
29:51The audacity of it.
29:56The sale of the stolen opium is being organised by a union convener called Hayden Stagg.
30:02In the envelope, you'll find details of where to find him and what to do to him when you do.
30:10Is there a black star in the envelope?
30:13I decided not.
30:16You decided.
30:19The name of the perfume is know your fucking place, soldier.
30:24I decided he'll just take a beating.
30:27And also, that you're going to take Arthur with you.
30:32Arthur.
30:33Ten days clean.
30:34I'm going to take him into a warehouse full of fucking opium.
30:37It can be your job to look after him.
30:39Why take him at all?
30:40It's his reputation you're taking.
30:43The beating can be conducted in a civilised way.
30:46No one would dare fuck with Arthur Shelby.
30:49But they would fuck with me.
30:52Yes.
30:53He is Arthur Shelby.
30:55You're Isaiah...
30:57Who?
31:00I'm just Isaiah.
31:02Who is keen to learn.
31:05Ada.
31:07Keep him clean.
31:09Deal with Hayden Stagg.
31:12Bring Arthur back in one piece.
31:13And in return, I won't tell Tommy that you're laying private bets on races that we've fixed.
31:21Just trying to make a few extra pennies.
31:24Buy that birthday present for my girlfriend.
31:27Mmm.
31:28Lucky girl.
31:43Are you okay?
31:55I don't know.
32:16Lock the door, Lizzie.
32:18There are people around here who start drinking this early in the morning.
32:28No.
32:30I need to stay myself.
32:33Be strong.
32:34No, not with me. You can let it go with me.
32:37I can't cry, Ada.
32:39I start, I'll fall apart.
32:41I need to stay strong, Ruby.
32:47I need to stay strong.
32:47Tommy says it's just in one lung.
32:49No.
32:51They now think it's in both.
32:52It's moving quickly.
32:56They collapse the left lung, but it made no difference.
33:00Starting on the gold swords tomorrow.
33:06You know somebody who died on the gold treatment, yes?
33:10Half the people I tell look like you just did because they know somebody who died on the gold treatment.
33:17The person I knew was old.
33:20Old and you're the same.
33:25Have you given up, Lizzie?
33:30No.
33:33I'm being strong.
33:36At her bedside on my own.
33:40Oh, Tommy is up in the mountains to be among the gypsies.
33:45Then in truth, it's a blessing he's not around at the hospital.
33:49Because all he wants to do is fight people and blame himself.
33:53And I've never felt so ashamed of him crying.
33:55Because right now, I need a normal man.
34:01It's me sitting there, taking away the bloody rags and watching her disappear.
34:27Do you know when he's back, Ada?
34:31He gave me instructions, not information.
34:38Can you get a message to him?
34:41He'll be out of reach.
34:43Ada, I thought you might know things.
34:47I've been away from all this.
34:50Still gypsy?
34:52Yeah, well, the mystery leaves you.
34:57What mystery?
34:58Is there anything practical that I can do?
35:05Before he left, he was looking for a number for Esme.
35:10What's Esme got to do with this?
35:12I thought you might know.
35:15Esme's a Lee.
35:18What does that mean?
35:19The Lees and the Barwells.
35:21They're wild tribes.
35:24Where do they live?
35:26Oh, the gypsies.
35:27They live where they like.
35:28Fuck.
35:30Oh, Cater.
35:35Tribes in the mountains.
35:40It's 1934, and the doctors know what it is.
35:43They know what causes it.
35:44But, oh, no, my husband, he knows better.
35:47Not a normal man, your brother.
35:50Except for the mountains with booking horse thieves and sorcerers while I'm here on my own.
35:56Not a normal man.
36:02Not a normal man.
36:10Or, oh, no, no, my husband.
36:11Why?
36:17Oh, no, no, no, no, no, no, no, no, no, no, no, no, no.
36:32Oh!
36:48It's okay, Arthur. I'll look after you.
36:52Yeah.
36:54And Ada said it'd be okay if I recruited my cousins
36:58off the streets of Adam Rock and looking for the big time.
37:04What do you say, Arthur?
37:20I'll say big time boys don't ask for permission.
37:25I think he means you're in.
37:28Let's go.
37:34I think he means you're in.
37:50Can you throw our beer back?
37:52I'll be back.
38:50I'll be back.
38:57I'm not a long way from anywhere, Esme.
39:00I find out you've been wasting my time.
39:02I use that rope to fucking hang you.
39:22Right, hold on. Hold on, hold on.
39:25Listen, no got to do, right?
39:28What's your orders?
39:29I'm depending on you.
39:31You hear me?
39:32Let me tell you something.
39:34Any man, any fucking man,
39:38looked like this before.
39:41A Peaky Blinder.
39:43A Peaky Blinder still looks like this.
39:45After.
39:48A Peaky Blinder.
40:17We are here to meet a gentleman called Hayden Stagg.
40:22A gentleman?
40:25Mr. Stagg?
40:29That scoundrel.
40:32Never there when you need him.
40:38Who needs him?
40:40We do.
40:42Where is he?
40:46The last I saw he was up to his balls and a lady called Maria.
40:55No time for tradition
40:56or the rules of the sporting life
40:58because among the Peaky Blinders,
41:02any man who comes home from a mission
41:04with all his bullets,
41:06he pays a fine.
41:09My name's Hayden Stagg.
41:11I hear there's some men here from Birmingham looking for me.
41:15I was in the banana warehouse playing football with the boys.
41:27I'm guessing you gentlemen aren't here to kick footballs.
41:32Now,
41:34we're here about other business.
41:37We'd like to call it Black Star business.
41:40Black Star a pub, is you?
41:42Black Star.
41:44Yeah, Black Star's a pub.
41:48Last pub you ever fucking drink in.
41:51Peaky Blinders take you to the Black Star and all your troubles are done.
41:57But the pub you drinking, Mr Stanker, it's called the Dolphin, right?
42:04Every night, every night.
42:09Night's a drink.
42:11You're there divvying up today's take, isn't you?
42:17And there's a woman there.
42:20She sings out,
42:22I'll be overshadow!
42:28Sit down, boys.
42:34The rules say the king puts his head on the block and the game's up.
42:40You're stealing from the Shelby Company Limited.
42:43You're stealing from the Peaky Blinders, man.
42:50Therefore,
42:56accomplishment is a visitor to the Black Star pub.
43:05But, out of kindness,
43:10in my heart,
43:12your sentence has been commuted.
43:15All right?
43:16Praise the fucking Lord!
43:20And our lovely eyes, all right?
43:26Instead...
43:29Instead, Mr Ridingstack, it's just a beating for you.
43:35Well, before I take this beat...
43:39I have to Shelby, is it, yeah?
43:43Look, comrade, beneath your sleeves lies the truth.
43:47The marks on your arm.
43:50Yeah.
43:51The story's about you come up the canal.
43:54You know, where once you walked fine along,
43:57now you need a stick.
43:59Let's just fucking do it, Arthur.
44:02Well, for me, it was the morphine they gave us in France.
44:06I got a taste for it, Arthur.
44:09It was 1924 before I realised the fucking war was over.
44:14There's a warehouse full of it, just across the yard there,
44:19where the boys play football.
44:21And they steal it,
44:22just roll around laughing,
44:24and it floats in the air.
44:28I'm strong, comrade.
44:30Arthur, let's just fucking do it.
44:36Liar.
44:36It's me nice to you to be.
44:38But it's me who feels sorry for you, Mr Shelby,
44:41because you take your beating every hour of every day.
44:47Your own blood betrays you because it demands dilution.
44:52Sometimes you want to cut a doorway in your arms
44:55so your blood can escape and leave you in blessed peace.
45:03I was once where you are now, Arthur.
45:09Now, if you're gonna do it, do it.
45:11But look at me as a man you can be.
45:17You've tried Jesus, yeah?
45:19Yeah, he looked you up and down and he shook his head.
45:23Your loved ones.
45:25Your wife.
45:27Your kids.
45:33Jesus and your wife and your kids can't help you.
45:38Only you.
45:41Arthur Shelby.
45:43Only you.
45:45Don't count the days.
45:47It's futile.
45:48You get to a hundred and then you wake up and it's fucking one again.
45:56Don't build mountains.
45:59Walk like it's a flat plain.
46:02Easy step.
46:04By easy step.
46:08Arthur, just give me the fucking word.
46:10I'll fucking do it.
46:17Arthur, I'm not gonna ask you fucking twice.
46:26It's all right.
46:28Leave him alone.
46:29No, no you fucking one.
46:30I'll keep you.
46:31I'll keep you.
46:32I'll keep you.
46:34I'll keep you.
46:36You're all right.
46:37We'll keep you.
46:38You're all right.
46:38You're all right.
46:40You're all right.
46:41You're all right.
46:50I don't want to go away.
46:52No, no, no!
46:53No, no!
46:54No!
47:11.
47:32Gypsy Graveyard.
47:34You can still read the signs.
47:37No horse to go beyond here, we'll have to walk.
47:48Tell me whose grave it is.
47:50You'll see.
47:51Who knows what you'll see.
47:56Did you ever go to John's grave?
47:58Things are really bad.
47:59But what's really bad?
48:02I've done bad things, Esme.
48:05Do you think now you've been punished for them?
48:07I would like to make amends.
48:09You want to lift every curse anyone's ever put on you.
48:12That's a lot of lifting.
48:14My own curse is in there somewhere.
48:16I should have done more to protect John.
48:18You think in this holy place, the spirits are listening to you being kind?
48:21Believe it or not, Esme, I'm discovering kindness.
48:24I'm learning from my children.
48:28Do you ever think you've lost your mind, Thomas?
48:30I lost it long ago.
48:31Only used the crate he came in.
48:33I know why you're here.
48:36I'm in a hurry, Esme.
48:37You think you can make a deal even with death?
48:40Well, soon you'll be in the right place to do it.
48:42The village disappeared.
48:43Church fell down.
48:45Only will still use the graveyard.
48:48Do you recall a sapphire?
48:52You gave a sapphire to a woman called Bethany Barwell.
48:55Ten years ago?
48:56She took the stone back to her camp.
48:59I warned her about her butchery.
49:00She took it anyway.
49:01She gave the sapphire to her sister.
49:04Evadne Barwell.
49:05Evadne put the stone around the neck of her daughter.
49:09Little girl.
49:12Straight away, the little girl began to cough.
49:16She died that night.
49:18Seven years old.
49:27I heard they threw the sapphire in the river.
49:30No one's ever gone to look for it.
49:34I'm guessing it'll be the girl's mother who laid the curse.
49:38Only women can lay curses.
49:42But how she waited till your little girl was seven.
49:45So you'd know how it feels.
49:58Do you have whiskey?
49:59No.
50:18Tommy, perhaps the treatment will work and your daughter will live.
50:24Science.
50:26Science is winning everything these days.
50:29Even against the angels.
50:35I can leave you if you want.
50:38Your horse knows its way back.
50:41But I think there should be some reward for what I've shown you.
50:45Some consideration.
50:46You can afford it, Mr Shelby OBE.
50:50I will find her.
50:51I will find this fucking Evadne Barwell.
50:54I will fucking find her.
50:55And I will give her money to take back this curse.
50:57You only found me because I wanted to be found.
50:59And the Barwell's rowed from the border to the sea.
51:02I will give her £10,000 more.
51:03Anything.
51:04You will put out word, Esme.
51:05You will put out word.
51:06I will put out word.
51:07And I will find her.
51:08And instead of this poor wooden cross.
51:10Tommy!
51:11I will build a monument to this little girl.
51:14And mother can decide how big.
51:15It can be as big as fucking Nelson's column.
51:18That and £10,000.
51:20I will buy her off.
51:21I will start looking today.
51:24Ruby will be well.
51:26She will be well.
51:28And I will undo the many wrongs that I have done.
51:31Now that I'm without whiskey, I can hear the spirits clearly.
51:34And that's saying that Ruby will be well if I make amends.
51:36That is the conversation.
51:37If you want my help, I will help you, Thomas.
51:39If you also pay me.
51:40Pay me, I know I'll help you to find her.
51:42I will pay you.
51:43But I don't want money.
51:45I don't read the papers.
51:46But I know there's a crash.
51:48Nothing is certain and money loses value.
51:50Instead of money, give me gold.
51:52Gold, yes, I will give you gold.
51:55In certain times, gold is always certain.
51:58I will give you gold.
51:59And you will help me find this woman.
52:01And she will spare my daughter.
52:24Where the fuck were you?
52:26Where were you?
52:28Where the fuck were you?
52:35She just can't tell me.
52:40She just can't.
52:44Just now, 570.
52:50You weren't fucking near here.
52:53Where are you?
52:55Where are you?
53:08It was before then that she was here and then she was gone.
53:11Now she's gone to where they've put the dead.
53:17They've put her with the dead people.
53:29She was asking just now for you.
53:32But went.
53:355.17.
53:47I told her that she looked.
53:51I gave her your kiss goodbye.
53:53I know.
53:55I gave her a kiss goodbye.ются情AST
54:13but Chester who is wrong. I told her
54:14I told her that she was wrong. You were wrong.
54:15you know, you were wrong.
54:23For you.
54:32For you.
54:35For you.
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