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00:01Ever since you began to build your empire, you've had a crutch to lean on.
00:07I swear in the name of all, why's he gone?
00:09I will take revenge on Tommy Shelby.
00:11That, my friend, is the finest opium in the world.
00:14Perhaps we can meet after you've spoken to your wife's uncle, Jack Nelson.
00:18Tommy Shelby wants to do business with Jack Nelson?
00:20So speak to your uncle and get me out of here.
00:22If he doesn't want to buy my opium, I will sell to the East Boston Jews.
00:26It's true of you, but she's not fair.
00:28How come enough?
00:35There will be a war in this family, and one of you will die.
00:41You've been too busy to punish the people who killed her.
00:44I was the family.
00:57Daddy!
00:57Daddy!
01:02Hello, Ruby.
01:05Come here.
01:07I can see you.
01:08I missed you.
01:10I missed you.
01:12There's a black Madonna.
01:14What present did you get us, Dad?
01:16My son.
01:18Which is all better, Tommy.
01:20Paying back for nothing.
01:25I'm glad you're back.
01:28Right.
01:29Before we do anything else, we're gonna go for a drive.
01:32Okay?
01:33What about me?
01:34Yeah, you come too.
01:35Come on.
01:36Drive where?
01:38That's the driver takes to see Dr. Robert.
01:41Let's have a look at Ruby.
01:42Fine.
01:43The appointment is in one hour.
01:44Stay here.
01:45You can call.
01:47Right.
01:50Let's go.
01:51Let's get up.
02:02Let's go.
02:03Go.
02:12Go.
02:16Go.
02:17Go.
02:18Go.
02:18Go.
02:40Tommy?
02:43Yeah.
02:46It was all good.
02:48Everything was clear.
02:50That is a relief.
02:53That's a relief.
02:54Yeah.
02:56Drivers, bring the car around.
02:58Dad!
03:00Hiya.
03:04Come here.
03:12When did you last sleep?
03:16Not much, since the last bug on the phone.
03:20Now you know Ruby is all clear, you can sleep.
03:22Yeah.
03:26Because I'm very happy that Ruby's results are clear.
03:29But still you won't sleep.
03:33I will speak to Johnny, and I will speak to Esmeralda.
03:41We could be on holiday.
03:44We could be up a mountain in America.
03:47That wouldn't have been possible.
03:50The man I'm dealing with is going to London.
03:53I need to be there.
03:55No escape.
03:57We will escape, Lizzie.
04:00One last deal to be done.
04:02It'll be difficult.
04:03Difficulties aren't to be expected.
04:04This is why I must move from item to item.
04:13Do you feel that?
04:15Do you feel anything?
04:18You know, you talk as if you're watching everything on a screen.
04:25When we go home, when we go home, we'll give the kids to Francis.
04:29And then you and me will go to bed.
04:32And I will be the next item.
04:35That's how it feels now to me.
04:37Everything on a list.
04:45Hey, baby.
04:46When are we going home?
04:47I'm going to miss you.
05:07Tommy!
05:08Tommy!
05:09Tommy!
05:22Tommy!
05:25Come here, come here!
05:33What's happening?
05:36Tommy!
05:38Tommy!
05:41Please!
05:42Come here, please!
05:43No!
05:44No!
05:46No!
05:46No!
05:47No!
05:49No!
05:49No!
06:01It is four years, one month and six days since I had a drink.
06:09My head is clear.
06:12I am myself.
06:15Is this the first time?
06:20Once they're shipped back, not as bad.
06:27Tommy, you need to see a doctor.
06:31I've worked to do.
06:35It's the work that's to blame.
06:37The people you meet, the lies that you tell.
06:42We gotta keep going until this Boston business is done.
06:46Then we rest.
06:50Then we bake you blinders for being rest.
06:57Comrades, before we end this planning meeting and send you out into the rain, we have a surprise.
07:04He just arrived back from a trade mission to America.
07:08He came back early and he has insisted on addressing you volunteers in person.
07:14Comrades, your Labour representative for South Birmingham, Mr Thomas Shelby MP.
07:45I bring with me, on the train from London.
07:49a message from Westminster.
07:54No. No, no, no. Not a message.
07:57Not a message.
08:00An instruction, in fact.
08:04You must be silent.
08:06You must be silent.
08:11You must say nothing.
08:14Say nothing about the present situation in this city.
08:19Say nothing about hunger.
08:21Say nothing about jobs.
08:24Say nothing about pay.
08:26But those, in greener pastures, they may speak.
08:32They may raise their voices.
08:35But here in the smoke, you men and women.
08:38Irish.
08:39And Italian.
08:40And English.
08:41Who support the socialist cause.
08:43And your socialist cats and dogs and canaries.
08:48You must push.
08:50Because the king.
08:53And all the king's horses.
08:54And all the king's men.
08:56Want you to be silent.
08:59But it is you, my friends, who must suffer the cuts in wages.
09:03And in welfare.
09:05And in dignity.
09:06And you must not complain.
09:07Because that would be unpatriotic.
09:10You soldiers who have fought in France.
09:13You are traitors if you speak up.
09:15You veterans of their wars.
09:17And their boons.
09:19And their busts.
09:20It is you who must take the blows.
09:22And carry the burdens.
09:24For the sake of those in greener pastures.
09:26Who bellow at you.
09:30Silence.
09:33But watch this, comrades.
09:35I will not be silent.
09:36Never.
09:38Not this Englishman.
09:47No silence for me.
09:49No silence for me.
09:51No silence for me.
09:51Because I have heard your voices.
09:53When you come to me.
09:54And tell me about the cries of your hungry children.
09:58Yes.
09:58And I will gather up every single one of those cries.
10:02And I will take them with me.
10:04On the train.
10:05Back to Westminster.
10:07And I will let him out of the bag in the House of Commons.
10:10And let him try and silence that.
10:12Yes!
10:14Yes!
10:15And let him out of the bag in the House of Commons.
10:23Oh, that's the shouldn't you do it.
10:27Right?
10:29Doesn't that involve...
10:31...sharing on the burden?
10:32Yes!
10:33All of us taking the smallest slice of the cake, eh?
10:36Yes!
10:37After all, it's bloody us who bakes the cake...
10:40... ...and makes the cars and melts the metal...
10:44I'm the king. Remember him?
10:47The man who owned it all of this.
10:49Shouldn't he be taking some of the cuts?
10:52Aye, some of the blow?
10:54Aye, some of the pie?
10:56Come on, do this!
11:09Hush.
11:11Hush, you working men and women.
11:14Silence.
11:17Good.
11:19Save your voices.
11:22You're going to need them.
11:24On Saturday, when we rally together
11:26at the Bullring Market,
11:29and together we'll raise the room,
11:32break the damn silence,
11:36and bring down this broken government.
12:08Mr. Shelby. Thank you. Thank you.
12:10That act was enough.
12:14You both have reasons to hate me
12:17and to want to seek revenge
12:18for the killing. Shh!
12:22Gypsy tradition.
12:25We do not mention
12:26the nine of the dead
12:28in company.
12:34Laura McKay
12:35and the Shelby family.
12:38Business comes before issues of vengeance.
12:41Our beloved
12:42departed would understand
12:44and approve.
12:46Let's go, boys.
12:48Our agreement was we meet in a crowded place.
12:50No need for crowds.
12:52We need you alive.
12:56After you.
13:21You know, Mr. Shelby, even though we've been doing business for a while,
13:26we've never met in person.
13:27You spoke with passion.
13:31You spoke with passion.
13:31And compassion.
13:34You understand forgiveness.
13:37And you drink water.
13:39You drink water.
13:41Yet I heard from many reliable sources
13:44that you
13:44have a reputation for moral turpitude.
13:51Moral turpitude.
13:52Moral turpitude.
13:54It's a good name for a racehorse.
13:57You don't know what it means.
13:58I know what it means.
14:01It means you fuck people.
14:04Fuck people over.
14:05Don't give a fuck.
14:05It means you covet and steal
14:08and burn all principles
14:09for the sake of self-interest.
14:13Well, I'm changing.
14:15Lorna McKee.
14:16My organisation is also changing.
14:23So what happened in Boston?
14:26Jack Nelson said no.
14:28Are we accepting no
14:30as an answer?
14:33These are letters
14:35written to and by Jack Nelson
14:37over the last three months.
14:52This...
14:54This is a private letter
14:56from the President of the United States.
14:59Where the fuck did you get this?
15:02My racehorse, moral turpitude.
15:04It's just one of many in my stables.
15:07Sometimes, even now,
15:08I'll take it out for a run.
15:10If there is a good cause
15:11that requires our services.
15:18Jack Nelson's coming to London?
15:21Officially,
15:22he's coming to buy liquor import licences.
15:25Unofficially,
15:26he's on a fact-finding mission.
15:28He's coming to measure the strength
15:30of support for fascism in Britain.
15:32He'll report back to the President.
15:37And how does that help us?
15:41In this letter to his son,
15:44Jack Nelson,
15:45expresses strong support for fascism.
15:47In this letter,
15:49to a friend in Berlin,
15:51he says some, uh,
15:54interesting things about Jews.
15:57He's not coming to Europe to find facts.
16:00He's coming to find proof
16:02that fascism will prevail.
16:04And you and I,
16:07we're going to help him in that task.
16:13I thought you were a socialist.
16:18Well,
16:20since I've entered politics,
16:21I've learned
16:22that the line doesn't go out
16:24from the middle
16:24to the left and the right.
16:26It goes in a circle.
16:29I'll show you.
16:33You go far enough left,
16:36eventually you'll meet someone
16:37who's gone far enough right
16:38to get to the same place.
16:43Working-class socialists like me,
16:45working-class nationalists like you.
16:47The result?
16:49National socialism.
16:52And that's me.
16:55In the middle.
16:58Well,
16:58just a man trying to make an honest living.
17:01In a very dark world.
17:07You were friends in Dublin,
17:08Laura McKay,
17:10who were actively fighting
17:11for a fascist island.
17:13And you were acting on their behalf.
17:16Ain't you?
17:18When Jack Nelson
17:20comes to London,
17:21I can give him access
17:23to Oswald Mosley
17:25and to fascist sympathisers
17:27and the House of Commons
17:28and the House of Lords
17:29on both sides of the divide.
17:32Fascism is quite the thing
17:36among the very best people.
17:39And with your help,
17:41I can also offer him Dublin.
17:47And you think this will allow us
17:49to ship our merchandise
17:50to Boston?
17:51Perhaps.
17:53There may be other benefits
17:54for your cause.
17:58All you have to do
17:59is sit
18:01with Jack Nelson
18:02and talk to him about
18:03a new golden age
18:05and let him put a pin
18:06in the map of Ireland
18:07for the President
18:08of the United States.
18:20I came to collect Arthur
18:21and put him to bed.
18:23Found him in Garrison Lane
18:25with a syringe in his hand.
18:32A friend loves it all time.
18:35A brother is born for adversity.
18:39Proverbs 1717.
18:44Well, I have two brothers in need.
18:46Yours is the more urgent, Tommy.
18:48Will you come with me?
18:52So, Laura McKee,
18:54are you gonna help me change the world?
18:59Mr. Shelby, this meeting is not what I expected.
19:03It never is.
19:05Is that a yes or a no?
19:09My answer's yes.
19:12The answer's always yes.
19:17Back door's unlocked.
19:18You can let yourself out.
19:20And tell your friends back home.
19:23Tommy Shelby has changed.
19:31Where is he?
19:33I found him the syringe was empty.
19:35He's sleeping it off on the cobbles.
19:36Shit, Tommy.
19:37Shit.
19:39It's all under control, are you?
19:40Well, I am not under fucking control!
19:43I'm not you, Tommy.
19:45And I'm not Polly, either.
19:47Even though I'm trying to be.
19:49She would've stopped this.
19:51We will pull Arthur through this.
19:52I'm not talking about Arthur.
19:53I'm talking about you.
19:55I heard everything you were saying in there.
19:58Ida, this will be the end of it.
20:00Hear me?
20:00This is the way out for all of us.
20:02And along the way, I will be doing good.
20:04No, along the way,
20:04you're gonna make yourself a lot of fucking money.
20:06Alright, fair enough.
20:08Any incidental rewards for my good work
20:10will be welcome,
20:11but you will get your fair share, sister.
20:13And by being among the fascists,
20:15by being among them,
20:15I can undermine them.
20:18Polly would approve.
20:21Beneath all the gold and diamonds
20:22and fucking, fucking mink and lace,
20:24she was a solid socialist.
20:32Look, I know it's too late for this, Tom, but...
20:37This doorway.
20:38This same fucking doorway.
20:42We used to call Mia for Dad's beer.
20:44And we were so little,
20:45it took two of us to carry one bucket.
20:51Yeah, I remember.
20:56Look at us now, eh?
20:58Yeah.
20:59Fucking look at us.
21:01Take a good look, Tom,
21:03cause one of us isn't gonna be here for long.
21:06Fuck!
21:07Opium and presidents.
21:15I know.
21:17If you don't wanna help me,
21:18carry the bucket.
21:21And I wouldn't blame you.
21:25But this is my mission.
21:28And I will have no limitations.
21:34Where are you, Tom?
21:38My big brother?
21:41You know, you used to stop sometimes and laugh.
21:46Do you even remember this place?
21:49You walk into the garrison like a stranger
21:52and you sip fucking water.
21:58I'm alive, Adam.
22:02Yeah.
22:04And you're still looking for trouble big enough to kill you?
22:11Well...
22:12I think you might have found it.
22:18I have children, Tommy.
22:21You have to carry this bucket on your own.
22:27One brother half dead in the rain in Garrison Alley,
22:30and the other has no limitations.
23:05I'm expected.
23:19I have children...
23:25I have children...
23:26I have children...
23:27And Mr. Solomon's no longer tolerates a smoking of tobacco in his presence.
23:32One brother half dead in the rain...
23:40One brother half dead in the rain...
23:49One brother half dead in the rain...
23:57One brother half dead in the rain...
23:59One brother half dead in the rain...
24:03One brother half dead in the rain...
24:03One brother half dead in the rain...
24:03One brother half dead in the rain...
24:04One brother half dead in the rain...
24:04One brother half dead in the rain...
24:04One brother half dead in the rain...
24:05One brother half dead in the rain...
24:06One brother half dead in the rain...
24:07One brother half dead in the rain...
24:10One brother half dead in the rain...
24:13One brother half dead in the rain...
24:16One brother half dead in the rain...
24:17One brother half dead in the rain...
24:19fucking shouting. Yeah? What do you think now?
24:27I think the sound of a tenor in full passion reminds me of crying out with Italian soldiers
24:33when they had my bayonet inside them. Ever since my own death, I have been somewhat
24:40haunted by it. Yeah, they...
24:48Instead of fighting these voices, I decided to write their songs down, you know, and turn
24:52them into an opera of my own. I do not like that. No, no. Were you not told that I
24:58have
24:58a condition? What I was told, Alfie, is that you have withdrawn and that you spend your
25:09days alone obsessing about opera singers? Opera is not fucking singing, is it? It is
25:21not singing. It is the sound that people make before word. And I do not allow smoking because
25:28I do need to see fucking clearly. All right? What, do you sense weakness in Israelite?
25:42Not a sense of weakness, no, Alfie. What? A certain knowledge of it. Since you've been
25:48sat here writing an opera, a member of your family has died. Charles Solomons, your uncle,
26:01he ran all the narcotics, bootlegging, prostitution, gambling syndicate out of East Boston. But
26:07last January, poor old Charlie, well, he was shot in the cotton club, in the lavatory by men that
26:17you know. And yet you did nothing, Alfie. Now my opera is called America. America is my
26:32fucking masterpiece. The truth is, your uncle is dead. Boston is gone. And you, once the big
26:43man who ran Camden Town. Now, can't even extinguish another man's cigarettes. Let alone his fucking life.
26:56You need favours, Alfie? I need a fucking final act, right? Just a final fucking act. For my opera. Yeah.
27:08Alfie. I think I may have written your final act. Why don't you sit down and have a listen, eh?
27:41I have five tons of pure, refined opium.
27:48I'm sitting in one of my warehouses in Liverpool. I have safe storage off the coast of Canada. I have
27:57men
27:58willing to distribute it in Toronto, Quebec, New York and Boston. The income would be immediate
28:07and would shift the balance of power in Boston back in favour of the Solomons family.
28:20In the final act that I'm giving you, Alfie, it is you who takes the revenge.
28:29What would you sell? The Irish. They're being difficult. The Italians are not an option. All's well for you are,
28:37my friend.
28:39Give me credit. No. I will take property. You own half the warehouses in Camden. I'll take you and knock
28:48them down. Build houses for the needy, the deserving.
28:51Ooh. Yeah, well, the Irish have always been difficult, Tommy, ain't they? About fucking 700 years.
29:09You know, I once saw an Irishman arguing with the statue of Oliver Cromwell in Parliament Square.
29:17The argument went on for quite a while, actually, well into the night as his little voice echoed all around
29:22the Houses of Parliament as he got more and more angered.
29:26Oliver Cromwell was reluctant somewhat to answer his legitimate questions. So angered, in fact, that eventually he punched the statue
29:37on the nose and broke his fucking hand.
29:43And there it is, you know, the Irish question. How come you can remember so much about what happened 200
29:51years ago that you just can't remember what fucking happened last night?
30:03How much is it time?
30:07Johnny?
30:11Only me today.
30:16Jack says a few more weeks.
30:18Jack says a few more weeks.
30:22And you'll be free.
30:23When do you travel to London?
30:32Tomorrow.
30:34I came to say goodbye.
30:36Bye.
30:49When you go to London, stay away from the devil.
30:53Block your fucking ears if you have to.
30:56I'll be with you, Michael.
31:00I've been thinking about you.
31:06Only you.
31:11And don't worry about Tommy Shelby.
31:17I have no interest in a dead man.
31:23Jack says he has to die.
31:25Well, you tell Jack to wait.
31:28If anyone's going to kill Tommy Shelby...
31:30It will be you.
31:32I know.
31:34I told Jack.
31:36And Jack said, okay.
31:39Let the kid do it.
31:42And in return, he can collect the cash that Tommy won't.
31:50Five million dollars.
31:54The devil will be dead.
31:57The future belongs to us.
32:01Oh, and, uh, Michael.
32:06Every night, midnight in Boston, 5 a.m. in London,
32:13I'll be wide awake in my big, wide bed.
32:17And you'll be wide awake in this prison cell.
32:22And our souls will come together.
32:24And we'll fuck.
32:28I won't need an alarm clock.
32:32And you won't sleep until I'm done.
32:35Midnight, folks.
32:365 a.m.
32:41Every day.
32:47Because we trust each other.
32:50Hmm.
33:03I won't get out.
33:05We won't catch you.
33:06They won't catch you.
33:06Get out of now.
33:07I'm free.
33:08We won't catch you.
33:10We won't catch you.
33:10Get out of now.
33:115 a.m.
33:125 a.m.
33:125 a.m.
33:13We won't catch you.
33:15Get out of now.
33:15Let us fight.
33:17Suspect.
33:17No.
33:18No.
33:27You're the fucking traitor, Shelby!
33:29You're the fucking fucker, man!
33:31You're the fucking fucker!
33:46Doc up.
33:48Fluor.
33:51Sharper.
33:53What do you say from below?
33:56Darling, how's that?
33:58You look absolutely terrifying, my love.
34:13Fuck lipstick.
34:18Fun?
34:22To launch the ship.
34:33Long and terrible journey, Diana.
34:38Don't fucking let me down.
34:39Woo!
34:43Woo!
34:47Woo!
34:47Mr Shelby!
34:49Mr Shelby!
34:50Mr Shelby!
34:50Thank you, Mayor!
34:52Sir, may I ask why a socialist MP would attend a fascist rally, sir?
34:57Let him in.
34:57Let me answer the question.
35:00Mr Moseley's constituency borders my own.
35:03Mr Moseley's constituency borders my own.
35:03We've worked together in the past.
35:04He was once a socialist himself.
35:05My role here tonight is to act as a bridge between ideologies.
35:12I'm in the middle.
35:13Mr Shelby!
35:15You want to share the platform with Mr Moseley?
35:17Will you be sharing the stage with him tonight?
35:20No.
35:20I'm simply here to remind my friend Mr Moseley that the way the British people is compromise.
35:26You didn't print that, pal.
35:29You're a fucking rag.
35:38Mr Moseley, you should know that Moseley's wife died six months ago.
35:42So give him your condolences, will you?
35:45Tonight, he'll be here with his mistress, who is apparently a lady in some standing.
35:52He's given him great comfort in his time of grief.
35:57Fuck off, you dozing bastard!
36:00Move out, my fucking mind!
36:02What is Arthur doing here?
36:04How's he invited him? I agreed.
36:07Arthur made me a promise that you appears to have broken.
36:12Tom!
36:16I've tried my best!
36:18He's hit some junk in the sock.
36:24Oi! Oi!
36:25Send him in!
36:26Come on, Tommy!
36:27You're in!
36:27You're in!
36:28Come on, you're in!
36:29My brother!
36:30Tommy!
36:31Johnny Dogs!
36:33Moseley invited me!
36:34He said, wear a black fucking shirt!
36:37He, huh?
36:37I said, I look like every other bastard!
36:41Lizzie!
36:41Come on!
36:42You're an angel!
36:43Come on!
36:45I'll fucking let you down!
36:46I'll fucking let you down!
36:48I know I have, all right?
36:49And I fucking said sorry a million times I'll say it again.
36:52I'm sorry, all right?
36:53Yep.
36:53Fucking sorry.
36:55Look at Johnny Dogs and the fuck!
36:57He looks like a fucking waiter!
37:01Oh, shut up!
37:01Get me a fucking drink!
37:03Johnny!
37:04Take your shirt off, give it a break!
37:05Oh, for fuck's sake!
37:07Take your fucking shirt off and give it me now!
37:09Get it off!
37:11Arthur, this is my fault!
37:14What?
37:15It's my fault!
37:16Yeah.
37:16Remember?
37:17We voted on getting involved in the opening trade.
37:20Yeah.
37:20You voted no!
37:21I said no!
37:22Remember?
37:23I haven't ruled you.
37:25I've not been here.
37:26I've been away.
37:26Where have you been?
37:27An idea tells me you've been hanging out with Moseley.
37:29Yeah, in Smithwick.
37:30Yeah?
37:31In his big beautiful fucking house.
37:33And they've parties here in Belgravia.
37:36And they give me fucking respect.
37:38Yeah, what do you give them?
37:39Snow and junk from the company we're having?
37:41Look at your brother.
37:43Half of you's gone.
37:45Half of you's gone.
37:46Half of you's gone.
37:47What the fuck?
37:48Rag and bone.
37:51You fucking slapped me.
37:55Slapped me.
37:57I have to remain unresolved.
37:59Do you understand?
38:00Unresolved.
38:01Unresolved!
38:01In everything!
38:03I have to move between left and right.
38:05Light and shade.
38:06And maintain the trust of both.
38:07And I cannot have me brother wearing a fucking black shirt.
38:10And the cover of the Daily Mirror.
38:12If anyone takes my picture of this.
38:14They'll find the fucking camera under my heel, Tom.
38:17They're throwing petrol bombs out there, Tommy.
38:19I thought Ida was taking care of him.
38:21Ida's got decisions to make about working with us.
38:24She doesn't know what she wants.
38:26I'll speak to Ida.
38:28Listen.
38:28I'm going home.
38:29All right.
38:30I have something for you.
38:33Lizzie, you go with Johnny.
38:35Johnny, take Lizzie to a seat.
38:36But I don't have an invitation, Tommy.
38:38You're wearing a fucking black shirt.
38:39You can do what you like.
38:39Go on.
38:40I'll follow you.
38:41Go on.
38:43Go on, dogs.
38:45And get me a fucking drink while you're there.
38:49Oh.
38:52I know Tom, look at me.
38:54Arthur.
38:56Before I went to America, I wrote a letter.
38:59Yeah, which one?
39:01To Linda.
39:05And in that letter I wrote,
39:07Linda.
39:09As a Christian woman,
39:11do you believe in forgiveness?
39:16This is when I got back.
39:18A few days ago.
39:20Have a look.
39:31As a Christian woman, I do believe in forgiveness.
39:34You heard the word do.
39:36It was underlined.
39:41Arthur, I'm not Christian.
39:43But I also believe in forgiveness.
39:48You get yourself clean.
39:50You stay clean for two weeks.
39:52I'll write Linda another letter.
39:57Because I know where she is.
40:02First, I need your back.
40:06I need my brother.
40:09There's a lot to do.
40:11I need someone to do the real work.
40:13Yeah.
40:14Yeah, look at your smile, Tom.
40:17Look at your smile, brother.
40:18It's been so long.
40:20Come on.
40:20Let's see what this bastard has to say.
40:22Come on.
40:23All right.
40:25Come on.
40:25Come on.
40:26Yeah, come on.
40:27Here's a bastard at all, Tom.
40:29Watch.
40:30Here we go.
40:31All the fucking life.
40:35Stand in the middle and do nothing, Tom.
40:38But not fucking me.
40:39Come here, yo, you Nazi.
40:58Come here, man, I'll take your fucking eye.
41:01Not here.
41:01Not here.
41:06Come here.
41:06You've had your fun.
41:07Now let's go home.
41:08We have business.
41:09Yeah.
41:14Tommy, you get him, Mom.
41:16This time, check his fucking socks.
41:24For fuck's sake.
41:31Tommy, we should get out now.
41:33Forget this American business.
41:35We've got enough.
41:36Not here enough.
41:38Here she comes.
41:38And that was a smile.
41:40Come on.
41:40Shit.
41:51Ladies and gentlemen.
41:53Tonight, he has truly earned your adulation.
41:56The future prime minister of this great country,
41:59Sir Oswald Moseley.
42:01Thank you, Moseley.
42:07Thank you, Moseley.
42:22Thank you, Moseley.
42:49Oh, you are beautiful, Lizzie.
42:52It's Tony Shelby. M-P-O-B-E. Mr. Shelby, baby Diana Midford.
42:58Oswald's most recent and last ever mistress.
43:01This is my wife, Leslie Shelby.
43:03Beautiful earrings.
43:04Oh, I stole them from Tiffany's.
43:06Actually, he bought the earrings in Paris. We were in Paris on our honeymoon.
43:10God, I hate Paris.
43:11Hmm. I hear you prefer Berlin.
43:14Oswald and I are going to marry there, aren't we, Oswald?
43:16Oh.
43:18Honestly, I have business to discuss. Perhaps you and I could find someone a bit quieter, eh?
43:24Darling, Mr. Shelby just made the astonishing suggestion that we men go off and discuss business while you women wait
43:31around looking glamorous.
43:34Goodness. What year do you think this is, Mr. Shelby? 1807?
43:37Oh, in Birmingham, the centuries grind by quite slowly.
43:41But, Mr. Shelby, if it's business, Diana is the engine of my enterprise.
43:46It's the modern way, Mr. Shelby.
43:48Yes, we know. I am company director. I will join the meeting as well.
43:53But, of course, you must come as well, Elizabeth.
43:55By the way, I really don't like Lizzie. I prefer liberated Elizabeth.
44:00She must be part of this.
44:01She's been all the way to Paris, so she is a woman of the world. Bravo.
44:05Do you know, Oswald's told me everything about it.
44:20Only three.
44:23Because I know these days, Mr. Shelby doesn't.
44:25Our friend in Berlin doesn't either.
44:27Well, they have that in common, at least.
44:29Oh, I imagine they have lots in common.
44:32Hmm.
44:35Report to me, Shelby.
44:37Officially, Jack Nelson is in London to buy import licenses.
44:44And I'm officially, he's Roosevelt's envoy?
44:48Well, as you can see from this private letter,
44:51he is far from a neutral point of view.
44:58Look at the bottom of the second paragraph.
45:01Individually, Jews are fine, but as a race, they stink.
45:04Hmm.
45:07Elizabeth, do you even know why the bridge to President Roosevelt is so important?
45:15Actually, no. I don't really know much about this business at all.
45:24But I have fucked your future husband, so I know lots of things about him.
45:31Tommy, I'll be outside.
45:34Well done, Elizabeth.
45:40Do you people want to meet Nelson, I know?
45:43Mr. Shelby, from now on can I call you Thomas?
45:47If you like.
45:49Of course we would.
45:50And we are very grateful for your efforts.
45:53But Mr. Shelby, before this enterprise goes any further,
45:58you really must do something about your wife.
46:11You really must do something about your wife.
46:28Mr. Shelby.
46:31Yes, Mr. Nelson.
46:34I came early.
46:36I wanted to come and take a look around this beautiful church.
46:42You're Catholic, Mr. Shelby.
46:45I hoped that by suggesting we meet in church,
46:47it might make us both more cautious with lies and truth.
46:53Well, your hope would be forlorn.
46:57There ain't no one listening here.
46:59You don't believe in God?
47:01No.
47:05It was the way the Catholics are treated in my country that made me angry.
47:10Made me what I became.
47:16What made you angry?
47:21Slowness.
47:22Ain't anything.
47:25I wanted to have everything already.
47:31It's a working class Catholic boys.
47:37Did they mess with you when you were small?
47:40Some man in the shadows.
47:44I carried a screwdriver and a blade.
47:47And everyone believed I had the power to lay curses.
47:50And do you?
47:52Yes, I do.
47:56The first man I killed was a priest.
48:01You?
48:03A Prussian boy with green eyes.
48:06He was already underground.
48:08When did you last kill a man, Mr. Shelby?
48:15Four years ago, his name was Thomas Shelby.
48:22He drank whiskey.
48:26You want me to allow you to enter my city and deal narcotics that'll kill people?
48:36You're dealing whiskey, Mr. Nelson.
48:41I recently read a report by the Vatican, actually, which said that whiskey disproportionately kills more of our Catholic brothers
48:49and sisters.
48:50Whereas opium is the sedative more often chosen by Protestants and atheists.
49:00In return, there are people in England who you think I should meet?
49:03Yes.
49:05Yes, like mine's.
49:08I'm here to buy import licenses.
49:11For booze.
49:14The booze of the blue blood elite.
49:17In America, we like labels.
49:21An aspiration.
49:23Well, I have a brand of my own vodka and gin.
49:28You can add that to your portfolio.
49:30I hear Shelby labels are favored by the working class.
49:34Indeed, a fact of which I'm very proud.
49:37They say you're a poet, too?
49:40No.
49:42Let me read it.
49:44There are some people in this country who I'd like to meet.
49:53Fascists.
49:53Not the ones in boots and black shirts.
49:56The ones in tuxillos.
50:00I know men who are friends of the cause.
50:02I also know men who are enemies of the cause.
50:06For many years now, I've been working closely with Winston Churchill in many different capacities.
50:11I have his trust.
50:13He's opposed to the rise of fascism.
50:16You, I believe.
50:18See it as inevitable.
50:21Well, I can give you men of influence who support your cause.
50:25I can also offer you a full report on Churchill's strategies.
50:32All this in return for access to South Boston?
50:37Alternatively, you can take on Churchill on your own, without my intelligence.
50:43And I can sell me opium to the Jews.
50:50You're a brave man, Mr. Shalman.
50:54A war hero, I hear.
50:58Every war hero I ever met, they're just someone who wanted to get themselves killed.
51:06Do we have a deal, Mr. Nelson?
51:13I'll think a great deal about what you've said.
51:29Ruby, have you finished your spelling, love?
51:47Ruby?
51:50Ruby?
51:57Ruby?
52:05What are you doing, love?
52:07I can hear voices.
52:10Coming from up the chimney.
52:15What voices?
52:17The grey man.
52:23Gentlemen, Mr. Thomas Shelby, Birmingham South.
52:30Mr. Speaker, I was raised in a family that endured living conditions that would test the morality of even the
52:38most virtuous.
52:40Indeed, indeed, even the best of us would have our virtues trounced and thwarted by life in the meanness and
52:47the bitterness of an overcrowded British slump.
52:50What would you know about virtue?
52:59Quickly, please.
53:02Therefore, Mr. Speaker, I intend to put before this house a bill which will offer radical reform in housing policy
53:10in this country, in which slums are cleared, new houses are built with new standards in health and hygiene.
53:23Westminster 245, House of Commons.
53:30The time has come for change. The people have had enough. Let's open the windows. Let in new lights.
53:37Build a new Jerusalem. Brick by government owned bricks.
53:48Into that.
53:48Do you?
53:51Do you?
53:53Do you?
53:54Do you?
53:55Do you?
53:59Doctor.
54:04Yeah, Westminster 245.
54:10Mr. Shelby.
54:31Dignore.
54:32I'll bang and go bang over and over again.
54:35I was the following.
54:36I don't want any evil, dad.
54:37He's staring at me, daddy.
54:39A man with green eyes?
54:41Can you stop the voices?
54:44There are no voices, my love.
54:47It's the grey man who says he's coming for me, and he's coming for Daddy as well.
55:43He's coming for me.
55:48He's coming for me.
56:16Mr Shelby?
56:18Everything's fine.
56:21Everything's fine.
56:34Hello?
56:35Tommy.
56:36Tommy, she has the temperature of 101 and nothing is working.
56:39Just get here now.
56:41Izzy?
56:41Please.
56:42Izzy?
56:50Izzy?
57:02Izzy?
57:07Izzy?
57:07Izzy?
57:09Izzy?
57:09Izzy?
57:10Izzy?
57:12Izzy?
57:13Izzy?
57:13Izzy?
57:14Izzy?
57:15Izzy?
57:15Izzy?
57:16Izzy?
57:17Izzy?
57:19When she coughs, there's blood.
57:40Matilda, roll me through to the number I gave you.
57:43For Esme shall be Lee.
58:05On a gather in the storm comes a tall handsome man in a dusty black coat with a red right
58:13hand.
58:22His shadow is cast wherever he stands.
58:27Stacks of green paper in his red right hand.
58:32Stacks of green paper in his red right hand.
58:37Stacks of green paper in his red right hand.
58:39Stacks of green paper in his red right hand.
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