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00:02I want you to be alive after your entire family's dad died is what hurt you the most.
00:08Michael is badly wounded. John is dead.
00:11We sent a message to Abraham of gold.
00:14I need your back.
00:15I'll help you because Michael wants me to help you. Starting now.
00:19The bullet here has been written. He has the oldest brother who put this bullet to his head.
00:23You said you'd bring every man and woman out on strike.
00:26Do you have a whistle?
00:28It's almost as if you want trouble.
01:04Right. First come, first serve. Form an orderly line, are you?
01:10All right. All right.
01:14Right.
01:15Have your contracts of employment in your hand. Bring it in.
01:20All right. Get in there. Get moving.
01:23On you go. Go. Go. Go. Go. Go. Go. Go.
01:27Where you going? Bradley. Foreman.
01:29All right. You go and see that man over there. Go.
01:34What's your name? Bradley. I'm the foreman.
01:36When did you last work here? 1922.
01:39How many have done this type of work before?
01:40They're mostly foremans from down Worstoway.
01:42But I'll show them. Hungry men learn fast.
01:44Right. On you go.
01:53You're not.
01:55You're not.
01:57You're not.
02:01You're not.
02:04You're not.
02:06Hey.
02:06Enough.
02:07Enough.
02:07Get him out.
02:08Get him out.
02:09Get him out.
02:09Get out.
02:10Ten more.
02:15Two more.
02:16Attack!
02:17Close it off.
02:25Right.
02:26Tened, by the man.
02:27Two pound there for you.
02:29With our security.
02:30Yeah, well about that.
02:31By order of the city of Birmingham Police Department,
02:34you and your ugly workforce are now under the protection
02:39of the Peakey fucking blinders.
02:57Mr. Gray?
02:59Yes, send him in.
03:00It's your mother.
03:02Oh, fuck.
03:15I read about it in the paper.
03:19I have a right.
03:24I'm your mum as well.
03:31You want me to go away?
03:35Yes.
03:39I'll just leave these.
03:46They're from our orchard.
03:55You used to love these.
03:58I hope they're not worms in them.
04:07I hope they're from our orchard.
04:29I hope they're from home to get better at home.
04:33I know you got bored in the village, but we love you.
04:40And your little brother misses playing football with you.
04:45And your dad...
04:49...passed on.
04:52He passed on peacefully in our bed.
05:05Look, I'm...
05:07I'm expecting time.
05:10At least you're here now.
05:13And you're worth it.
05:13Oh, Gatace.
05:16And I'll not be in the same rooms as my mum.
05:27I don't know.
06:05Come on, Paul.
06:06Tommy's expecting us.
06:09Who's with us?
06:11His ire and two lee boys.
06:15Ada, how long since you've had a fuck?
06:19What?
06:20It's been nearly two years with me.
06:23Over Christmas I counted it up.
06:26So I made a New Year's resolution to change the situation.
06:30Oh, any one particular in mind?
06:33Not really.
06:35Just me and someone unsuitable.
06:53I'll sit in the front.
07:18So this is just to make business official.
07:20Your official return to the company payroll.
07:22It's no more talk of New Year's resolutions and Tommy might change his mind.
07:26What New Year's resolutions?
07:28Never mind.
07:31I think Ada's trying to tell me to behave myself.
07:34Yeah?
07:35Behave yourself.
07:37Behave myself or what?
07:40Behave myself or fucking what?
07:44OK, Polly, I'll tell you the truth.
07:47After your recent troubles, Tommy asked me to keep an eye on you.
07:50Troubles?
07:52Whilst working for this company, I have killed a man.
07:56I have lost a man.
07:57I have found a son.
07:58I have nearly lost a son.
08:00I have nearly lost my own life.
08:02Now, I will accept my job back if the terms on offer are favourable.
08:11But I will not behave myself.
08:27Sorry, I'm late.
08:38Where's Arthur?
08:41Do I look like his fucking mother?
08:58Oh, you know.
09:01Why are you here?
09:02You all right?
09:03Billy, you all right?
09:04Yes.
09:05Everything's fine.
09:06Well, look.
09:07Lovely to see you, but I'm late for a meet.
09:09They can wait.
09:18I've got something for you.
09:20Something for a loving husband who's been working very hard
09:24and is under a great deal of pressure.
09:31Something to relieve his stress.
09:42It's silk from Japan.
09:46Feel.
09:52My hands are dirty.
09:54Good.
09:56Feel all of it.
09:59Feel it properly.
10:09You, uh, you want to do this here?
10:13Why not?
10:14I thought you were the boss.
10:17I am the fucking boss.
10:19Don't tell me what to do, boss.
10:23Come here.
10:24Come here.
10:25Right.
10:26Before we start this extraordinary general meeting
10:29of the board of the Shelby Company Limited,
10:32I'd like to note the absence of the deputy vice president
10:36has not yet arrived.
10:37I'll continue without his presence.
10:40Ahem.
10:40Item number one.
10:42The reinstatement
10:45of the Shelby Company Limited,
10:46the company treasurer.
10:48The board welcomes back the former treasurer
10:50with generously improved terms and conditions.
10:53Due to the exceptionally difficult circumstances,
10:56the company now finds itself in.
10:58The proposed treasurer will now check the terms and conditions
11:01to see if they are in order.
11:04Item number two.
11:06During the absence of the company accountant
11:08due to ill health,
11:10all responsibility for the keeping of company accounts
11:12pass to the head of acquisitions.
11:17Item number three.
11:19Company treasurer,
11:20having read the terms and conditions,
11:22lodges a signed contract of employment
11:24agreeing to the terms and conditions
11:25of the temporary head of accounts.
11:27All those in favour of the reinstatement
11:29of Mrs Elizabeth Gray
11:31to the position of Shelby Company Limited,
11:33company treasurer,
11:34please raise your hands.
11:37Why, goodness, thank you.
11:38Any other business?
11:41Right, I declare
11:42this extraordinary general meeting
11:44over.
11:46Now we can talk about the real business.
11:49But for that we need Arthur.
11:52When the fuck is Arthur?
11:55Ah!
11:56Ah!
11:59Ah!
12:00Ah!
12:01Ah!
12:02Ah!
12:02Ah!
12:04Ah!
12:04Ah!
12:05Ah!
12:05Ah!
12:09Ah!
12:16Ah!
12:17Ah!
12:17Ah!
12:17Ah!
12:18Ah!
12:19Ah!
12:19Ah!
12:20Ah!
12:20Ah!
12:20Ah!
12:20Ah!
12:21Ah!
12:22Ah!
12:23Ah!
12:24Ah!
12:31Ah!
12:33Ah!
12:33Ah!
12:34Ah!
12:35Ah!
12:54What was all that about?
13:11In this sinful place, there will be temptations.
13:17It's my responsibility as your wife to help you resist those temptations by putting myself
13:24between you and the devil.
13:34In the words of my sinful Catholic mother, keep his balls empty and his belly full.
13:41God rest her soul.
13:46Mr Shelby, you have to come to the paint shop immediately, please.
13:55I have to go, it won't be late.
14:04Sorry ladies, there's no smoking in here.
14:06Yes, we know.
14:10All right, he's an hour late, fuck him.
14:14This business directly affects Arthur, but he's not here.
14:18So we'll take a vote without you.
14:20What business?
14:22Official business that wasn't on your agenda, Ada.
14:25An informant told us that six years ago, Lucas Changretta came from New York to Birmingham
14:31to be best man at his cousin's wedding.
14:33We found out that they used to read and done on Broadgate for the photographs.
14:37The photographer kept the negatives.
14:39I persuaded him to give us copies.
14:42And to enlarge this one.
14:47That is Luca Changretta.
14:49I've seen his face, so I could pick him out.
14:52Half of the men at the photograph are Changretta's, which means chances are they're the men who come
14:57to kill us.
14:58We need to get both these photographs into pubs and on street corners and put it about
15:03that there's a reward for information.
15:08We also propose that we give a copy of this photograph to Mr Aberammergold.
15:13We need to forget the idea that it has to be Arthur that pulls the trigger.
15:18Tradition will just fuck us up.
15:20We should wait for Arthur.
15:22Arthur's not here, Ada.
15:24We need Luca Changretta dead.
15:27That's it.
15:28Dropping the law of the bullet is part of the process of modernisation that I was working on before I...
15:34before I was executed.
15:36You were executed, Paul.
15:39What did you call me?
15:40Right, let's take a vote.
15:42I'll deal with Arthur.
15:43All those in favour of giving the photographs to Mr Gold, raise your hand.
15:59Then it will be done.
16:02Mum.
16:03Mum now, is it?
16:05I smelled perfume when I came in here.
16:07Yeah, it was the flowers.
16:10All right, that's it.
16:12Who came in here, Michael?
16:13The truth is, Polly, the woman that raised him came in here.
16:17She has every right to come in here.
16:19She bought him fucking apples and she left.
16:21We're in the middle of a vendetta and Arthur is missing.
16:24We need to find him.
16:26Concentrate on what unites us.
16:28This is all temporary.
16:29Yeah, temporary.
16:30Temporary.
16:30Right.
16:42There's a devil inside of me.
16:44He's holding on and I don't know if he's staying for how long.
17:09Parties, you know, is that what it is?
17:12What's this, a party, eh?
17:14Who got me out of it?
17:16Grouch!
17:22So, I wasn't gonna hit you.
17:25That wasn't fucking nice.
17:27Oh, God.
17:41Don't fucking move.
17:43Don't fucking move.
17:45Don't fucking move.
17:45Please, please, please, please.
17:45Don't fucking move.
17:45Then get your fucking ground.
17:49Fuck your fucking revolution.
18:01I'll fucking miss.
18:48I'll kill you.
19:09I'll kill you.
19:42I'll kill you.
20:11Oh, God.
20:13Oh, God.
20:15Oh, God.
20:17Ah.
20:19Ah.
20:21Ah.
20:23Ah.
20:23Ah.
20:24Ah.
20:25Ah.
20:31Oh, my God.
21:03You send my guests in.
21:22Don Sarico Gero.
21:48You let him tell the family.
21:55Here's four kids.
22:06Don't you two have any other clothes to wear?
22:14You look at me.
22:22I'm here as a lover of theater.
22:50I killed all of our men.
22:55Don't you complain about your fucking belly?
23:02Luca.
23:04Luca.
23:06Con tutto rispetto.
23:07With respect.
23:09With respect.
23:10You raised him.
23:17You open your mouth.
23:20Open your fucking mouth.
23:23You fucking dress like them.
23:26You eat like them.
23:27You don't fucking talk to me about it with respect.
23:51Sit down.
24:01What do you have?
24:13What do you have?
24:32She would do that for us.
24:35She would do that for us.
24:45Okay.
24:48Okay.
24:52Okay.
25:03Well...
25:15Anyone seen Arthur?
25:19Anyone seen Arthur?
25:21In your office, Tom.
25:30If you're not going to show up for a family meeting,
25:32you let someone know.
25:33I thought you were dead.
25:34There's 15 fucking Italians out there.
25:37No, he's not.
25:38There's 13.
25:40I just killed two of them.
25:43Ripped out their hearts
25:45and burnt their bones to ash.
25:50No, I did it.
25:52Me.
25:54Your brother.
25:56Not fucking Abrahamma Gold
25:58or his punch-drunk son,
25:59but me!
26:03Even if you don't trust me no more.
26:06I don't know what the fuck you're talking about.
26:08Arthur!
26:09I got cleaned up at Ada's.
26:12If you told me,
26:14you took a vote in my absence.
26:16All right.
26:17Calm down.
26:18I'm telling you about the meeting.
26:19You put my job
26:21out of a contract.
26:22Arthur.
26:24Well, I'm going to make it
26:25my fucking job anyway
26:26because this was all my fault.
26:29It was me that shot the old man.
26:31Yeah, on a mercy.
26:33No.
26:34No, John's dead.
26:36He's dead because of me.
26:38And I'm going to make it right.
26:41Arthur, wait.
26:43How do the men get in the factory?
26:45I need to know.
26:50Through the back fucking door
26:53that was supposed to be
26:54locked and vaulted.
26:56Some bastard gave me up.
26:59Somebody with keys.
27:02Here.
27:03Why don't you sit down?
27:04Work it out for yourself.
27:08Take her fucking votes.
27:11Yes.
27:13Yes.
27:13Yes.
27:27Who's this little bear?
27:29Yes.
27:30No.
27:34You all right?
27:40Daddy's home.
27:41I know.
27:43Yeah, I'm all right.
27:44Look, Daddy's home.
27:49How's Polly?
27:52She all right?
27:57Oh, go on, Linda.
28:00I mean, it was her idea, wasn't it?
28:03Hmm?
28:04The Japanese silk.
28:07Hmm?
28:08I'll put him to bed.
28:19You kept me away from that fucking meeting
28:23trying to stop me from voting.
28:25There we go.
28:26Polly's on you, wasn't it?
28:28Eh?
28:30You know what I am, don't you?
28:32I'm a working man.
28:35Yeah.
28:38Fucking working man.
28:41Fucking.
28:43Who's lost his job?
28:49Is that what I am, Linda?
28:51Is that what I am, I?
28:55I don't want you dead.
28:57Polly doesn't want you dead.
29:00Let Mr. Golds do the killing for money.
29:03It's the modern way, Arthur.
29:08Watch.
29:21What are you doing?
29:25Now fire it into the fireplace.
29:29Please.
29:33Fire it.
29:35Fire it.
29:44Then we'll go to bed.
29:47We'll do anything you like.
29:50Just fire the gun, Arthur.
29:53Fire it.
29:56We'll go tell Polly.
30:01There are rules.
30:03Between a man and a woman.
30:06Fucking rules.
30:14But I have to do this.
30:19I have to do it.
30:23John wants me to do it, Linda.
30:29My brother.
30:33I have to do it.
30:36I have to do it.
30:47I have to do it.
30:57I don't know.
31:23Was it fear or was it hatred?
31:27Was what fear or hatred?
31:30Zaya.
31:38You had a one-way ticket to Glasgow in your pocket.
31:45Your wife and kids left three days ago.
31:49No. I could ask you again.
31:54Was it fear of the Italians or hatred of us that made you unlock the door?
32:01Give up my brother.
32:03I didn't unlock any door.
32:09You can have a drink.
32:12You're going to need it.
32:1835 Drumcree Street, Park here in Glasgow.
32:22Please. Please. Please.
32:25We have allegiances with Catholic gangs in that city.
32:28Your family are safe only at my discretion.
32:34Now, explain to me why you were catching a midnight train to Glasgow.
32:40You mean you don't know?
32:44I run a factory full of black-legged non-union labour.
32:47I live in a street full of men laid off or on strike.
32:53I'm going to photograph Mr. Devlin and tell me who were the men that contacted you.
32:57No. You listen to me.
32:59I get spat at.
33:01Windows smashed.
33:02Petrol on the curtains.
33:04But for fear of you, I clock in every fucking morning.
33:07And today, two men are shot and burnt on my shift.
33:11And you ask me why I'm getting on the midnight train to Glasgow.
33:23Who else has keys to that door?
33:26They hang on a hook inside my office.
33:30Today, I left the office unlocked.
33:32Why?
33:32Because I forgot.
33:34Because I left in a hurry.
33:36Because there were men trying to set fire to the factory.
33:40Mr. Shelby.
33:41May I tell you something?
33:45You have a lot of enemies.
33:48Communists.
33:50Italians.
33:55Before the factory came out on strike,
33:58I heard word that two Italians attended a Communist Party meeting in Stetchford.
34:04They hardly spoke English.
34:07Now, if they got a party man into the factory,
34:10it might have been him that unlocked the door for them.
34:17Mr. Shelby.
34:19My train leaves at 12.
34:21It's just gone 11.
34:23I could still make it.
34:27Please.
34:29For my kids.
34:37I need you here.
34:39As I am.
34:40Get three of our men with police badges to watch Mr. Devlin's house.
34:44Mr. Shelby, please.
34:48Our friends in Glasgow will take care of your family.
34:53For the curtains.
34:57Before you, I was an ordinary working man.
35:01Yeah.
35:01And now you're one of us.
35:03Don't pray.
35:05Oh.
35:18Yeah.
35:20Google Zurich.
35:22Yeah.
35:24Feel free.
35:26Bye.
35:35Blackbird, blackbird, singing the blues all day, right outside of my door.
35:45Blackbird, blackbird, come to my face, there's no time to shine in the door.
36:00Now I began to feel...
36:07Who is it?
36:08It's called me Shelby.
36:14Is this union business?
36:16Yes.
36:17So conducted in the proper place at the proper time?
36:20I've come to make an improved offer.
36:34I heard music.
36:37What's your improved offer?
36:39Do I not get a drink?
36:41No.
36:49Have you ever seen any of the men in this photograph before?
36:53What?
36:59You're a member of the Sedgeford Communist Party.
37:02I'm told two Italian men attended a meeting recently.
37:06Can you see either of the men in this picture?
37:13As the Small Heath Coordinator for the Organisation of the Maintenance of Suppliers, I have also
37:19been sworn in as a special...
37:22We have reason to believe that outside agitators from overseas are attempting to ferment trouble
37:28in our factories in advance of a general strike which could take place at any moment.
37:33It's a matter of national security.
37:37May I look at your badge?
37:40Yes.
37:52What would you like to drink, Constable?
37:54Whiskey.
37:55I'm actually a sergeant.
37:57I only have beer.
37:58Times are hard.
38:00How long has it been since you've had a bottle of M&B bitter?
38:03Up yourself.
38:08Have a seat.
38:17You know, when this business began, I did some research on you.
38:22Turns out I know someone who used to know you very well.
38:25Kitty De Rossi.
38:31You were in love with Kitty's sister, Gretta De Rossi, before the war.
38:35Do you remember Gretta De Rossi?
38:38The parents were Italian.
38:40They didn't approve of a water-laying gypsy, but you won them over.
38:44With your charm.
38:47Sweetness.
38:52Very, very thorough research.
38:54Gretta died at the age of 19.
38:57Of consumption.
39:00And Kitty said you were at her bedside.
39:03For three months, every day, holding a hand.
39:07And after she died, you went away to war.
39:11Kitty said that the sweet boy who left never came back.
39:14No one came back.
39:18Here's the funniest thing.
39:20She said in those days you believed in things.
39:24In justice, fairness.
39:27Once you saw a man beating his horse and you fought him,
39:29it was twice your size, but you beat him.
39:31And then you beat him with his own whip.
39:35Kitty always liked to tell tall tales.
39:38She's a party member now.
39:41She swears before you enlisted in the army
39:43you joined the Communist Party yourself.
39:49Is that true?
40:01You know, when I was at the door,
40:04I saw you through the curtains.
40:07You were dancing alone.
40:12I've also done my research.
40:20Your sweetheart was at Passchendaele.
40:24When I came back,
40:26he was listed among the shell sharks.
40:29Blew his own fucking brains out.
40:32Now I began to be your own words, love.
40:40I don't know any men in the photo.
40:47Robin looked.
40:49This afternoon, two men came into my factory
40:52and tried to kill my brother.
40:54I believe a Stetchford Communist Party member let him in.
40:57I was wondering if he might be able to help me
40:59in my investigations.
41:07Kitty said next time I'll see you before we start fighting.
41:11I shall send you her love from the good old eyes
41:14and give you this.
41:19Greta Dorossi and Tommy Shelby
41:21in Blackbow.
41:32Do you recognise the boy in the photograph?
41:41Do you recognise the boy in the photograph?
41:58I'll leave that here.
42:04Apologies for interrupting your dance.
42:17I'll leave that night.
42:19I'll leave that night.
42:20I'll leave that night.
42:47I wish, I wish, but it's all in vain.
43:04I wish I was a maid again, but a maid again.
43:14And I never can be till apples grow on an orange dream.
43:31I need you to listen to me.
43:34I need you to listen to me, you're up.
43:40The world is changing.
43:45Listen to me, Arthur.
43:49Listen to the sweet voice of Jesus.
43:59Jesus.
44:46I wish...
44:49I wish...
44:53I wish...
44:53I wish...
44:57Arthur!
44:57Arthur!
45:01Arthur!
45:03Where is he?
45:06Arthur?
45:08He fired the bullets.
45:13Linda.
45:16She says, but...
45:18Morten White's all...
45:22It's the bottom wire.
45:24Yeah.
45:25Yeah.
45:26Oh?
45:27Yeah, it's all right.
45:30It's all right, brother.
45:38You did well?
45:39God spoke to him, not me.
45:52Oh.
45:53God spoke to him, not me.
46:08On Mondays I do the infantry.
46:10Make sure nobody's dipping their hand.
46:14Well, it's my job now.
46:17I'm back.
46:18And there's gonna be nobody dipping their hand with me here.
46:21Not unless they want it cut off.
46:35I said to Arthur while I'm in this fucking place I want something to keep my mind busy.
46:39What?
46:40You're gonna take bets?
46:40Yes.
46:41I've always been able to do addition and subtraction without pen and paper.
46:44But I'll need a telephone.
46:47Apparently we have special clients who take bets by telephone.
46:50Linda.
46:53This is a betting shop.
46:56Look!
46:57Arthur said yes.
46:59Tommy said yes.
47:00But did God say yes?
47:01Gambling is a sin, Linda.
47:02It's not me that's doing the gambling.
47:05I'm just taking the bets.
47:16The rule is that door should always remain locked until 9am.
47:22Right, boy.
47:24Boy, where are you going?
47:26Arthur's not coming in today.
47:28He's taking the day off, sir.
47:29So what?
47:30So, today Tommy said that I'm in charge.
47:34Sorry, you're in charge?
47:37Yeah, that's what he said.
47:43All right, sweetheart.
47:49Ladies, let's give our boss a first day that he'll never forget.
48:06Sending Finn to the shop was a mistake.
48:08We've already found out he's a virgin and arranging a girl's room this afternoon.
48:13Thought Linda was there.
48:14She is.
48:15She is.
48:16She loved the idea.
48:17I know.
48:18She even swears now.
48:20Fuck.
48:21Sounds funny coming from her.
48:23Holly says in the end we all turn into our mother.
48:25All right, well.
48:27Keep an eye on her.
48:28Hmm.
48:30The whore watching the Madonna.
48:33As for now, have they ever planned?
48:35No.
48:36May they have someone?
48:37Yes.
48:39The girl I used to work with.
48:43Is she nice?
48:45No.
48:46She's from Aston.
48:47They're paying her out of petty cash.
48:49Right, well.
48:50Call them.
48:51Tell them to pay extra.
48:54Get someone nice.
48:56Nice women don't do that sort of thing.
48:58Yes, they do.
48:59What about you?
49:03I'm into the past.
49:05Come on.
49:06Where are we going?
49:08Somewhere I've not been in a long time.
49:29Are we expecting somebody?
49:34Tommy, I'm fucking freezing here.
49:39I used to come here.
49:43She went for hours for me.
49:46And I couldn't make it.
49:49And I'd wait for her.
49:52And her family kept her in.
49:56Who?
49:59Some girl.
50:01Some girl before France.
50:09I've been back here since.
50:17I wanted to come here with you.
50:31Are you kissing her or me?
50:36No.
50:38How many times?
50:45School is schooling before France.
51:00Not for both.
51:04I've been honest to you.
51:04But this is 14 weeks.
51:05Did you ever kiss?
51:23I want Shelby Company Limited to increase non-taxable charitable contributions to local
51:29charities but 25% as of now I'm going to build two new institutes for destitute children one in Saltley
51:39one in Digbeth I've already identified the buildings two former workhouses
51:46I want you to be in charge of the project
51:51all right come on let's go why
52:02because I promised someone I'd change the world
52:09you do realize Tom you're all going fucking mad here
52:13yeah I know come on
52:30Finn come here
52:36how was your day
52:37yeah it was okay
52:40good man well done
52:42no trouble
52:44no no trouble
52:48and she looked after you
52:54I don't want it like that ever again Tom
52:58not when they don't even want to do it
53:00except for the money
53:02everything is for the money Finn
53:04yeah I know
53:04but
53:08she said be a man
53:12why are you a man
53:14yeah
53:17but
53:18and I apologize to her because she just looks so tired
53:25that's enough Finn
53:30right listen to me Finn
53:33she was right
53:35you need to be a fucking man
53:37people get tired
53:39working in a fucking factory gets you tired
53:42I don't go around apologizing
53:44do I
53:46there's an empty space here
53:47to be filled
53:48do you understand
53:52so
53:53be a fucking man
53:56okay Tom
53:58okay Tom
54:42champagne please
54:44of course
54:46madam
54:47madam
54:48women alone
54:50are not allowed at the bar
54:51will someone be joining you
54:54what do you think
54:55because
54:56I
54:56I
54:56I
54:57I
54:57I
54:57I
54:58I
55:25I
55:41This is public enough, no?
55:44Yes.
55:49So?
55:52The boy in the hospital's out of bounds.
55:54And I'll ask you to spare Finn and Arthur.
56:00And we're done for what?
56:07Tommy Shelby.
56:14And why should I trust you?
56:19Because you know our history.
56:23Tommy, you know what happened between us.
56:28You are an unlikely Cassius.
56:32Hmm.
56:38Yeah.
56:39Hmm.
56:40My mother.
56:42My mother knew your mother.
56:47She thought how to read.
56:51Did she tell you that John and Arthur spared her life when Tommy wanted her dead?
56:56Yeah.
56:57Yeah.
56:58And now she's given me the information about you people.
57:03So Tommy Shelby was right.
57:08His, uh, ruthlessness was justified.
57:16You should have killed her when you had the chance.
57:21John was a good boy.
57:27Arthur tries.
57:30Tommy's different.
57:33You take Tommy.
57:35Spare the rest.
57:42Um.
57:44My mother used to say this about you.
57:48She said that Polly Gray, that child would never let go of the grievance.
57:59And she loves to dance.
58:02And she loves to dance.
58:06What do you say, hmm?
58:09Wanna dance?
58:17I don't dance anymore.
58:18I don't dance anymore.
58:21Yeah, that's a shame.
58:30Cause you're dancing with me.
58:55On a gathering storm comes a tall handsome man in a dusty black coat with a red right hand.
59:10And she's dancing with me.
59:12And she's dancing with me.
59:14I'm dead.
59:15We need to dance.
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