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00:01A daughter lost, a son found, he is yours.
00:05We've had no Barwell?
00:08Since you have proven your commitment,
00:11Boston is now officially open for the importation of your merchandise.
00:15Jax has a few more weeks and you'll be free.
00:18The story's about you come up the canal once you walk fine along.
00:22Now you need a stick.
00:24He's died clean for two weeks.
00:25I'll write Linda another letter.
00:27Have you recently suffered seizures?
00:29It is tuberculoma.
00:31I am afraid it is inoperable.
00:57.
00:58.
02:24It's taken me ten years to build this business.
02:27Business will be safe if you do what I say.
02:33How much opium do you have in your cellar?
02:37Five pounds.
02:39Bring it to me.
02:42Four minutes against the clock.
03:04Two minutes against the clock.
03:16As a member of Parliament, for this constituency, it is my duty to take responsibility for the welfare of my
03:27constituents.
03:28Mr Shelby, the clock is still ticking.
03:29The consumption of opium is very prejudicial to health.
03:33Women give it to their children so they can leave them untended while they work in the factories.
03:38Men lose their jobs when they become addicted.
03:42From now on, you will sell only cigarettes, cake and tea.
03:50If I hear that you're selling opium again, time will indeed run out very quickly for you, do you understand?
03:56Yes, I understand. I will stop. Mr Shelby, the clock is still ticking.
04:07Please tell your suppliers and your customers.
04:13From now on, there will be no more opium and small leaf.
04:20Only bored sleep. Thank you for the tea.
04:36Please take me back.
04:36To me, Archie Watcher Ko.
04:39Please take you on.
04:39It is Mr Shelby.
05:03You can let him through now?
05:05Yes, sir, Mr. Shelby.
05:08You tell the pub and cafe owners on Montague Street there's any further trade in powder.
05:14There will be no more Montague Street.
05:16I'll have it demolished and replaced by apartments.
05:18By order, the Birmingham Urban District Council.
05:35Sorry I'm late.
05:36They closed Montague Street.
05:38There was a gas explosion or...
05:45Right.
05:46Well, it would be nice if just one thing could happen in Birmingham that wasn't our fault.
05:54I've gathered you all here today because there is news.
05:58A bit of interest to the whole family.
06:01First of all, I'd like to welcome Finn's new wife, Mary, to the family.
06:10Right, well, I'm very glad that I dragged myself out of bed for this.
06:15There is one more out of my business, Johnny.
06:20Don't.
06:22Come on.
06:23Come on, will you?
06:31Everyone?
06:34This here is Erasmus.
06:37Nobody calls me that.
06:40I call him Duke.
06:4420 years ago, at Appleby Horse Fair, I met a girl.
06:50We showed the shade of a hazel tree.
06:53Nine months later, this lad was born.
06:59This is my son.
07:01His mother died on the road up until now.
07:05Never tried to find him.
07:06But I'm trying to look at life in a different way.
07:12A child is a precious thing.
07:16So I'm bringing him...
07:17To the fucking family with a snap of his fingers?
07:21No.
07:21Bringing him into the fold.
07:24You'll have to earn membership of the family.
07:27For the moment, welcome, son.
07:29You have a seat, Juan.
07:30Get down here.
07:37There are some mistakes I've made.
07:40I can never address.
07:43Some I can.
07:45Some wounds I can try to heal.
07:47New wounds you can open up.
07:51Anyway.
07:53That's the business of the day.
07:55Is it too early for whiskey?
08:04There you go.
08:06Shelby breakfast for you, sir.
08:09I don't drink.
08:11And I'm not Shelby.
08:13I'm a Duke.
08:16No fucking Shelby, all right?
08:18I'm worried about that.
08:22I think we need Curly and a strong rope to break this one in some.
08:26I'll open up the shop.
08:28Put the kid here on the blackboard writing up the odds.
08:31I can't write.
08:33Put the kid here on the blackboard.
08:35Wipe it off the chalk.
08:39Come on, son.
08:41Come on, then.
08:56Come on.
08:59Is that busy?
09:02Come on.
09:09My father was the Duke of Saxonshore.
09:12My mother was a Romany queen.
09:14Who told you that's your mum?
09:16I don't allow people to talk about my mother.
09:21Good for you.
09:23So let's get this right, then.
09:25You can't read.
09:26You can't fucking write.
09:27Nothing wrong with that.
09:28What can you do, eh?
09:30I can tell the time.
09:32Tell the time.
09:34Here.
09:34You can tell the time.
09:36Ain't that clever?
09:39It's a lot more than what you can fucking do.
09:44What did you just say to me?
09:47What time is it, Mr Shelby?
09:53That's what I can do.
09:55You little bastard.
09:59Here.
10:00Keep it.
10:01Stop you from being light in the future.
10:31Is there forgiveness in your heart?
10:33Not for Arthur Shelby.
10:36No.
10:40But there may be forgiveness from God.
10:45And you will do God's work.
10:48God is interested in you as well, Tommy.
10:51God will be with you on your journey every step of the way.
10:58You may not need to take many steps.
11:14So tell me this, Linda.
11:17Is God interested in me or in my money?
11:27I believe you run a foundation, and that your foundation has many missions across the world.
11:33But in these times of financial crisis, funding is hard to come by.
11:37So perhaps your God's plan is a practical one.
11:41Perhaps he would like me to make a donation to your foundation.
11:45And in return, he would like you to help my brother on his road to redemption.
11:53Now I know that in a place of worship such as this, you would never ask how much.
11:57So I will tell you plainly.
12:00I will write you a foundation, a cheque for £10,000.
12:04Praise the Lord.
12:06If you agree to look kindly on Arthur and to help him.
12:11I need to look after everyone in the family.
12:16Do we have a deal?
12:21Your money will be spent to do good around the world.
12:25And a mission will be named after you.
12:30But I'm only agreeing to help him.
12:33Not to sleep with him.
12:35No.
12:37No, I imagine the negotiation for that particular favour would take a considerable amount of time.
12:44And I have an appointment.
12:47God bless.
13:12Apologies for your initial misunderstanding.
13:16My brother dealt with it.
13:25For the care you took.
13:28Even though I succumb to temptation.
13:31Part of the reason my brother is back dealing with it is down to you.
13:36You spoke to him.
13:37As a comrade.
13:38The beating is still out to you.
13:40Do you still do that kind of work yourself, Tommy Shelby and Pete?
13:45Mr Stag.
13:46You see, I can use men like you.
13:51I have friends that are in need of guns.
13:55Soon there will be a shipment of Thompson submachine guns coming here from Boston.
14:02I need you to unload and store those weapons.
14:07There will also be ammunition.
14:10Like this.
14:13You have a good look.
14:15And I need you to take better care of the guns and ammunition than you do to the powder.
14:22You understand?
14:26Previously, all of my import and export went through Belfast docks.
14:31Now we're dealing with Boston.
14:35I'm considering shifting my supply line to Liverpool.
14:40You'd be a very rich man.
14:46Don't you ever say thank you.
15:12Is that why you do it, Mr Shelby?
15:14Like, the way you keep all this going, it's why people say thank you.
15:21You could close all this down.
15:24You could leave the sport behind.
15:26You know, you could live like an ordinary mortal man.
15:30On your gravestone.
15:32An ordinary mortal man.
15:35But instead, you still go around and collect them please, and thank you, and sorry, and forgive me, Mr Shelby.
15:45Is that what it's all for?
15:50I don't know.
15:52I don't know why I've carried on.
15:56All these years.
15:58It's so I can do this.
16:05And then, do this.
16:14Feel it.
16:16I feel it.
16:20Chunk doesn't even come close.
16:26Soon, Mr Stagg.
16:30When my last bit of business is done,
16:34I will indeed
16:37be an ordinary mortal man.
16:42Have a good day.
16:51Arthur.
16:52We've got a problem with the referee.
16:54He's not taking the money.
16:56He's fucking religious or something.
16:57Jesus Christ.
17:01With Tommy away, you're in charge of gambling, Arthur.
17:04What should we do?
17:06And this, they said to him, that they may have some charge to bring against him.
17:12Arthur.
17:13This referee is threatening to go to the police.
17:16Jesus!
17:17He's just bent down.
17:20And with one finger, he wrote on the ground.
17:23Arthur.
17:25Brother.
17:27People are laughing at you.
17:32So, I just phoned our holy referee again.
17:35He basically told me to fuck off.
17:38Not even, basically, actually, he literally just told me to fuck off.
17:43Is that right?
17:45So, do you know?
17:47For fuck's sake.
17:48Do you know what he wrote on the ground?
17:51No.
17:51Do you know?
17:52You don't know, do you?
17:53No, I don't.
17:54Billy, do you know what he wrote on the ground?
17:56I...
17:56Do you know what Jesus wrote on the ground?
18:00He bent down and with one finger, wrote on the fucking ground.
18:04You know, do you know what he wrote?
18:07God.
18:08Anthony Lee.
18:09No, Arthur.
18:10What should we do?
18:12Go and give me the referee.
18:14Bring me the fucking referee.
18:38He knows what he wrote on the ground.
18:39No, they don't.
18:42He...
18:43No.
18:44No!
18:45No, no!
18:47No!
18:49No!
18:49No!
18:51No!
18:51No.
19:11Oh, my God.
19:26Oh, now she's here with us.
19:31Always.
19:38And still, it's just you and me.
19:48I thought it'd be good if we went in a different place.
19:53I hate that house now.
19:56We should blow it up.
20:08There was a time when we'd say nothing afterwards because we didn't have to say anything.
20:18No, we've got nothing left to say.
20:25It's business.
20:31What business?
20:36The American.
20:39He's coming to Birmingham.
20:42He's stopping over on his way to Liverpool.
20:45He's staying with us tomorrow night.
20:48Francis knows she's making up a menu.
20:55And then...
20:57We have to make a move.
21:03Do you want to know what that move is, Lizzie?
21:07No.
21:11I know enough.
21:15Your book of regrets.
21:2223, 24, 52, 55.
21:29Combination to the safe.
21:35Regrets.
21:37And I'm on there.
21:39I'm on the list.
21:41On the very top of the list.
21:51Yeah.
21:53Miss, you are.
21:55Well...
21:58I regret marrying you, Lizzie.
22:03Because I put you through so much.
22:06I put you through all of this.
22:09Ruby.
22:12Everything that is to come.
22:17When you married me, you married a man, and you married a curse.
22:22You have shared my fate.
22:27That is my regret.
22:33But know this, Lizzie.
22:36In this moment.
22:38In this room.
22:42I love you.
22:51You sound like you're ticking a fucking box,
22:54and I don't know what's inside the box.
23:00Never have you let me in.
23:05Even though I know the combination to the safe.
23:25I don't know what's inside the box.
23:26I don't know what's inside the box.
23:26I don't know what's inside the box.
23:27I don't know what's inside the box.
23:27I don't know what's inside the box.
23:28I don't know what's inside the box.
23:28I don't know what's inside the box.
23:29I don't know what's inside the box.
23:29I don't know what's inside the box.
23:29I don't know what's inside the box.
23:30I don't know what's inside the box.
23:32I don't know what's inside the box.
23:34I don't know what's inside the box.
23:47Oh, this is him, is it?
23:49You're the one who likes to be fucking difficult, eh?
23:53When I leave this place, I'm going straight to the police.
23:56You are?
23:56This man pointed a gun at me.
23:58Oh, him there?
23:59Yeah.
24:02Well, let's find the place, eh?
24:05Go, eh?
24:08Hello?
24:09Yes?
24:11Give me the police.
24:12Reports of a man with a revolver on Watery Lane.
24:16Here you go.
24:17And you ask for Inspector Moss.
24:20Chief.
24:22Superintendent Moss.
24:25He's in charge of Watery Lane.
24:27And boards the green.
24:29That's right.
24:31And you see this?
24:34That's his betting credit with us.
24:37He makes a lot of money from football matches.
24:42Because we give him the results before the match.
24:56On Saturday afternoon, you take this whistle and you blow him.
25:01You give a penalty to Baringham City in the final minute.
25:04The goalkeeper will let the penalty go by him.
25:06And Baringham City will win 1-0.
25:09All you've got to do is...
25:13PHONE RINGS
25:19No.
25:22I won't do it.
25:23If the police won't listen, I'll go to the newspapers.
25:26Shh.
25:26I'm not afraid.
25:30I was in France.
25:32Phone Tommy Arthur.
25:35You shut up.
25:36We're not phoning fucking Tommy.
25:39Oh, I'm doing this, okay?
25:41I'm leaving.
25:42You're not going fucking nowhere.
25:44It's time one of us stood up to you people.
25:46It's not right what's been happening.
25:48I will not take money to cheat.
25:52Fucking hell.
25:53In France, I ran at the wire.
25:56And I was not afraid.
26:00I am not afraid.
26:02I won't do a bad thing.
26:05I've seen too many bad things.
26:09I'm eating will make no difference.
26:12I know that.
26:14Because I can see it in your fucking eyes.
26:17Oh, fuck.
26:19In the bleak midwinter.
26:22Holy Mary, my dear God.
26:25What, Billy, what?
26:27You've been in the family long enough.
26:29Yeah.
26:31It's time for you to get blooded.
26:32Arthur, you can't.
26:34You've been with us for the widow.
26:35Fuck off.
26:36Jesus, go.
26:37I can't be that man, Arthur, please.
26:40Even two men die today, Billy.
26:43Or what?
26:43You fucking decide.
26:46It's him, Billy.
26:47It's him.
26:48You don't know him, Billy.
26:50He's fucking laughing at you.
26:51Come on.
26:52Arthur, you.
26:54Look, come in your eyes, Billy.
26:55In your eyes.
26:56Yeah, yeah, yeah.
26:57In your eyes.
26:58Arthur.
26:59I'm sorry.
27:01Sorry.
27:03I'm sorry.
27:15I'm sorry.
27:16Enough.
27:16Enough, enough, enough.
27:17No.
27:18All right.
27:19Billy, Billy, come on.
27:20Come on.
27:23Shh.
27:24Shh.
27:25It's all right.
27:25It's all right.
27:26It's all right.
27:27It's all right.
27:27It's all right.
27:29Look at you.
27:30Look.
27:31Look at you.
27:32Look.
27:33Huh?
27:34Look.
27:36You're blooded now, Billy.
27:40You're blooded now.
27:42Yeah.
27:43You're not going to heaven no more.
27:46I won't let you in.
27:52Zoya, you take him to the foundry. You ask for Mr Patches, all right?
27:56He said that we got some fuel for the face.
28:15Who you are.
28:43You take him to the ground, and I'm not sure how to use it.
29:27Who the fuck are you?
29:36I hear you're the informant inside the Shelby organisation.
29:43And who the fuck are you?
29:45He's the man you now work for.
29:50I have something I need you to do and I want to impress upon you.
29:53To impress upon you the seriousness of my intent.
29:59Because you see, I used to do this kind of thing for a living.
30:03And sometimes I kind of miss, just like Mr. Shelby.
30:08I miss the wave of electricity you get under your scalp.
30:12I miss the taste like metal on the tip of your tongue.
30:16I'm about to give you an instruction.
30:19You do as I say, you stay a man.
30:23Fail, and I will send people to serve your balls to you on a china plate.
30:30What did you say?
30:33Our decision's been taken.
30:36My associates are going to take care of Thomas Shelby.
30:39And you are going to give us up his brother, Arthur.
30:44Do you understand?
30:46Yes!
30:47Yes!
30:47Fucking yes!
30:48Please!
30:53Only information leading to the murder of Arthur Shelby will save you from an Italian death.
31:00Because it was the Italians that taught me it above God, above children, above his wife, and above his mother.
31:08Most of all, a man loves his balls.
31:10Yes!
31:29Have you seen him?
31:43Leave him alone.
31:44Sin.
31:45Sin.
31:53Not incompetence.
32:22I don't know about that.
32:35I think we should pray.
32:39That's how we begin this.
32:40I need what to pray.
32:43The prayer I've chosen is the act of contrition version two.
32:48Are you Catholic now, Linda?
32:50You're Catholic.
32:52Quakers don't pray.
32:56Bow your head, Arthur, and close your eyes.
33:01And recite the prayer.
33:02You know it well from when you were a boy.
33:03Oh, my mind's all dried up with junk, though.
33:06It's shot full of f...
33:08Shot full of hours.
33:13Linda, please.
33:15It's in there somewhere, Arthur.
33:17It's like a song.
33:19Yeah.
33:21Somewhere.
33:22Together we'll find it.
33:24Digging for the words will help clean your soul.
33:28I'll begin it.
33:32Forgive me my sins, O Lord.
33:34Forgive me my sins.
33:35The sins of my youth.
33:37The sins of my age.
33:41The sins of my soul.
33:44The sins of my body.
33:47The sins I know.
33:48The sins I know not.
33:51The sins I have concealed for so long.
33:54For so...
33:56For so long.
34:17Call him stealing a car.
34:19And he's got a stack of cash from the betting shop.
34:27O Lord.
34:27Hmm.
34:35Steal from who you want.
34:37Don't steal from me.
34:41Here you are.
34:44Get a train
34:45To wherever the fuck you wanna go.
34:47Get out.
34:48I don't ride trains.
34:49Matter of fact...
34:53A two-wheeled wagon.
34:56what am i a tinker i need four wheels right and a horse for the hills
35:05which hills all of them all the hills of england
35:15why do you want to leave
35:21i didn't take to that work in the betting shop
35:27well you heard him shortly get me dad's old four-wheeled wagon and two strong ponies
35:35curly get here
35:42before you go you want to know the truth about yourself
35:49no he doesn't
35:52well i'm gonna tell you that spring and apple be fair
35:56your mother stole my watch and chain
35:58you're from a long line of thieves
36:01the watch had the words saxon shore carved in it
36:05it started myself when i was drunk when i was a kid
36:09i imagine she told you your dad was the duke of the saxon shore well
36:15i'm the duke that was my watch i'm your father
36:22that's the truth
36:24when her dad found out he shot me in the chest with a squiddle gun
36:29a scar
36:31a stolen watch
36:33a story she made up
36:36it's all you need to know about yourself before you get on the road
36:52esme tells me the spirits favour you
36:56that the spirit is in you
36:58she tried to sell me like one of those horses didn't she
37:01how much did she pay for me
37:05i've no use for gold anymore
37:07but if you are a horse
37:09you're in the right place
37:13curly
37:16curly
37:16hurry up
37:18this boy has hills to climb
37:23i remember that watch
37:27oh yeah
37:30she used to wear it over her heart
37:35we buried it with her
37:40tom
37:40the old wagon right front wheel is fucked tom
37:43i can stand it in the wet
37:46put a new wheel on girly
37:55fix wagons here
37:57good families come from the new forest
38:00get their wagons fixed
38:02and fresh horses before the fairs
38:08yeah
38:09yeah i like it here
38:11i like it better than that betting shop
38:16why
38:18people
38:20people piss me off
38:24there are a lot of people in that betting shop
38:27so far here what i've only counted two
38:29mhm
38:32charlie and curly
38:33the rest is dogs and horses
38:35curly is half horse himself
38:38dogs are okay
38:40horses are better than people maude
38:46there's work here for the man who knows horses
38:52unknown
38:52unknown
38:54i want to remain completely unknown
38:57well you'd be in the right place for that as well
38:58no one knows anyone here
39:02hey mister save that wheel a minute
39:06where would i stay
39:09no one knows
39:09stables
39:10with the other stallions
39:13now the finn is married off
39:15plenty of girls around here
39:17fathers are mostly unarmed
39:24i have a future for you
39:26juke
39:29you already have a son
39:32my business is two sides
39:35light and dark
39:37i'll need someone for each
39:40and i'm dark
39:41am i
39:44i've realised
39:44we don't get to choose which one we are
39:48dark knows dark
39:51and my affairs both light and dark
39:54we'll need settling soon
39:58carly
40:00find a shovel
40:01with the duke of the saxon shore here
40:03get him shoveling shit
40:06and put some petrol in the boat
40:08we'll have to meet a lady in solihull
40:12one silver dollar
40:16bright silver dollar
40:20changing hands
40:22changing hands
40:25spent for a baby's trinket
40:29won by a gambler's lust
40:33pierced by an outlaw's bull
40:36and lost in the blood red dust
40:44one silver dollar
40:47one silver dollar
40:50changing hands
40:52changing hands
40:54now imagine ten people living on site
40:58step on have a look inside
41:05i've had a response
41:07from the guinness trust
41:08about building charitable housing
41:11and two sites
41:13along the canal network
41:14between london
41:16birmingham and liverpool
41:19This lock here would be one of the sites.
41:23I have the permission, just need the finance.
41:29I know that you and your husband at Brian Guinness are estranged,
41:32but I understand you still have influence in the Guinness family.
41:37Your support might help them make their decision.
41:40Will you help me?
41:51I've booked a suite in a hotel a mile from here.
41:55My chauffeur will take us there.
41:58You look quite the thing dressed like that, dressed like a working man.
42:02They'll probably show you to the coal house to make your delivery.
42:06Yeah, I probably will.
42:12Oswald has fucked your wife, so my suggestion is about balance and proportion.
42:17It would be only fair.
42:22Can I assume I have your support?
42:30This isn't about charitable housing.
42:32This is about changing the world.
42:34It's about a different kind of trust.
42:38Absolute trust.
42:40We have important work ahead of us.
42:45It's much harder to lie with your body than with your words.
42:49Yes, I have learnt.
42:58Mostly I do whatever I want to do.
43:01Sometimes I do things for the cause.
43:03In this case, it's both.
43:09Come.
43:10No.
43:12No.
43:17No.
43:21No.
43:23No.
43:30No.
43:31No.
43:36In the interests of absolute clarity, that is simply the English aristocracy's way of shaking hands.
43:48So, welcome.
48:01It's...
48:02It's...
48:03Doctor gave me.
48:04Thank you, Liz.
48:05Yep.
48:07What pain?
48:08Any pain that comes, Lizzie.
48:36Bye.
48:37What's going on.
48:41It's like the clock stopped ticking and I'm waiting for the bomb to explode.
48:49We're in that quiet.
48:50We're in that quiet minute.
48:57We're in that quiet minute.
48:57Tommy.
49:07That's where we live now.
49:11When I know everything, I will tell you everything.
49:33Oh no, Gina's running wild, you see.
49:35Harrods, dope, amphetamines and lords and ladies, you know, the whole English aristocracy thing.
49:40Fuck wine.
49:41Whiskey.
49:42Shelby, you having whiskey?
49:43I'll stay on wine.
49:45Fuck wine.
49:45More whiskey.
49:46I'm celebrating.
49:48Celebration, you know?
49:50Getting off this fucking island.
49:52You see, the thing with England, the currency here, it's not money.
49:55Nah, you got bored of money a long time ago.
49:59Cause you know, anyone can have money.
50:01You can fucking, you can fucking find money in the mud.
50:08You can forge money.
50:10Mr. Shelby, you can steal money, am I right?
50:14The currency here, it's blood.
50:19And Mr. Shelby knows that better than all of them.
50:22Bloodier is like wine, like vintage wine in that bottle.
50:25It's the label, it's the terroir, it's the grape that makes the wine who fucking cares about the glass around
50:32it.
50:32And you, my friend, you're an American.
50:35You fucking smash the glass.
50:37You spill the blood and you spend their currency to get what you want.
50:42Am I right?
50:46When you come to America, I will show you things.
50:50You're going to America?
50:54To Canada, Lizzie.
50:56To collect payment for the shipment.
50:58I need to do it myself.
51:01And who will be going with you?
51:02Michael will be there to watch us back.
51:05Another journey, Tommy.
51:08Five million dollars, Mrs. Shelby.
51:10It's worth the little cruise, don't you think?
51:16You know, whiskey does talk.
51:19Mr. Nelson and sometimes whiskey is very eloquent.
51:25But five million dollars, Mr. Nelson.
51:31And that is a legacy.
51:34And when I come back, I will know everything.
51:40I see myself so clearly in you, Thomas Shelby.
51:47You are a man with a bright and glittering future.
51:53Mr. Shelby, there's a car coming up the drive.
51:56A Rolls Royce.
51:58Were you expecting more guests?
52:01No.
52:10Excuse me.
52:19We were on our way to my constituency in Smethwick.
52:22And I heard our American friend was in Birmingham
52:24and that he was coming here.
52:27So, we came to say one last farewell.
52:33Champagne.
52:34We have much to celebrate.
52:43It isn't that I wasn't sure Mr. Shelby would give you an excellent send-off.
52:47I just felt, since telegrams and wires and letters can so easily be intercepted,
52:54we might confirm all that we've achieved during your visit over Champagne.
53:00It is remarkable how quickly our relationships have developed.
53:03So many triangles in this room.
53:07Everyone, except for Mr. Nelson, is the point of a triangle.
53:11Am I part of a triangle?
53:13Mr. Nelson, you have all that you came for.
53:17I have confirmation that the future of Europe is in the hands of men like yourselves.
53:23And that urgent conversations between Washington, Rome and, of course, Berlin can now begin.
53:31A two-week visit that may have changed the course of history.
53:35We all got what we wanted.
53:37Yes.
53:39And I got what I have wanted from the moment I set eyes on it.
53:49Elizabeth, you are a very lucky woman.
53:52To have each day what I have only sampled once.
54:19Forgive us, Mr. Nelson. That was a necessary bit of housekeeping.
54:30Thomas, we do so hate to be indiscreet, but we have told you many times, if you were to seek
54:36power in these days of shiny magazines and society photographs,
54:43Sooner or later you will have to find a spouse who is more suitable.
54:47A woman with Lizzie's past and personal history really isn't suitable.
54:55She doesn't deserve you, Mr. Shelby.
55:21You know, the thing is, Moseley...
55:24You're right, you're right. She doesn't deserve me. She doesn't deserve what I am.
55:40She doesn't deserve what I will become.
55:42What will you become?
55:45Truth is, I belong here at this table with fuckers like you.
55:52She doesn't, but all I try to hide is, I'm just one of you.
56:07Could there be a sadder ending, aye?
56:09Take a little walk to the edge of town and go across the tracks.
56:20Where the viaduct looms like a bird of doom as it shifts and cracks.
56:32Where secrets lie in the border fires, in the humming wires.
56:42Hey man.
56:46You know you're never coming back.
56:50Past the square, the bridge, past the mills and the stacks.
56:57On a gathering storm, comes a tall, handsome man.
57:04A dusty black coop, with a red right hand.
57:10I'm here on behalf of your wife Gina and Jack Nelson.
57:14Mr. Nelson's prepared to get you out of here.
57:17But first he needs an answer to a question.
57:21If the answer is yes, he'll be released.
57:27If the answer is no, he'll stay.
57:34I have consulted my mother.
57:37Your mother's dead.
57:46And yes, when I'm released it is my intention to kill Tommy Shelby.
57:57He's a god, he's a man.
58:00He's a ghost, a guru.
58:03And they're whispering his name.
58:06Through the disappearing land.
58:10But hidden in his coat.
58:15Is a red right hand.
58:27You don't have no money.
58:31Well, he gets you some.
58:36You don't have no car.
58:39He gets you one.
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