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00:00In New York City at 6 a.m.
00:03The Wall Street Stock Exchange crashed.
00:07That's how Michael on Friday this is going to happen.
00:09We were most definitely on pop.
00:13But you have to listen to the voices that you hear.
00:22My name's Mosley.
00:23Oswald Mosley.
00:25Yeah, I know who you are.
00:26You've come to my attention.
00:30Mr. Shelby, Mr. Levitt from the London Times.
00:33Ten years ago, I was a journalist on the Birmingham Evening Mail.
00:36Of course, working in that city, it was impossible not to know your name and your reputation.
00:43What is your Tory newspaper more afraid of?
00:46Is it evolution or revolution?
01:04My Sith is a one-American community and I think it's for a very different people.
01:14What is your understanding of the Whoever speculation?
01:14What does this mean?
01:14It's really interesting.
01:21It's good at that time.
06:23Oh, look, Charlie, you must have violin practice.
06:25It's Mrs. Milligan.
06:27Go on.
06:29And Charlie, Charlie, you play loudly, you might hear some bangs.
06:34Come on.
06:38Come on.
06:49Come on.
06:55Come on.
07:03Oh, my God.
07:31Oh, my God.
08:00Oh, my God.
08:25Oh, my God.
08:33Yeah, it's me.
08:34I just missed a call.
08:36Where was he from?
08:38Belfast.
08:39Belfast.
08:41Where in Belfast?
08:44Do you have the number?
08:46Yeah.
08:50Here, can you put me through?
08:51Oh, my God.
08:54Oh, my God.
09:01Don't believe...
09:06Mr. Shelby, my name is Captain Swing, calling from the occupied Sixth County.
09:13And there are some people from the other side of our neat little city that want you dead.
09:18You should also know that this boy, Miss Michael, your king,
09:24was in his cabin aboard the SS Monroe in Belfast dock,
09:28making deals with the very man who wants you dead.
09:31He told me they're lying.
09:32Now, if you want, we can put a bullet in his head here and now.
09:36Or we can send him home and you can deal with him.
09:45Send him home?
09:48Very well, Mr. Shelby.
09:50But be informed that this kin of yours was talking to representatives from the County Tyrone and Glasgow UVF
09:57about how they'd divide up the English racetracks after they'd blown away your legs.
10:01Tell me they're lying!
10:05And may I ask why you were doing me this favor?
10:12Because, Mr. Shelby, we've been informed by people at the very highest level
10:16that since your conversion to socialism,
10:19you're now on the side of the angels.
10:22And angels can be useful to us.
10:36Come.
10:37Come.
10:55Mr. Shelby, the violin teacher wants to know what all those bangs were.
11:06The fireworks.
11:07I was trying to move on for Saturday.
11:12You promised the doctor not until after dark?
11:16It went to pretty dark, Frances.
11:22Also, will Mrs. Shelby and Ruby be home for dinner tonight?
11:26I don't know.
11:37Dad?
11:39I've learned something this morning.
11:42Have you?
11:45So have I.
11:48And what have you learned, my boy?
12:13Let's get this over with.
12:14He's got a trying to catch.
12:15I'll get you trying so I can deal with this.
12:18Wait.
12:20No, she can't.
12:29Come on.
12:42Come on.
12:45Come here, you.
12:47Put this on.
12:49There you go.
12:50Look at that.
12:50Looks great on you.
12:52Wrap up warm.
13:06Wake up.
13:09Rise and shine.
13:11What are you doing here?
13:12Wasting our fucking time on you.
13:18Sit down, Finn.
13:21Sit down.
13:29What do I have to do
13:32to make you fucking listen to me?
13:35Took a bullish
13:37being run around the streets
13:38with a fucking gun in your hand.
13:42Somebody has to.
13:46Finn, we've got people
13:47for that kind of work.
13:49Soldiers.
13:50Captains and corporals.
13:52Well, then what am I?
13:55But I'm I, Jesus Christ.
13:56Yeah.
13:57What am I, Tom?
13:59I'm the brother
14:00you never got round to.
14:03You're a general, Finn.
14:06You understand?
14:06You're a fucking Shelby.
14:07So, you're a general.
14:09When did you last see a general
14:11anywhere near the blood and the puke?
14:12Eh?
14:15He's fucking right.
14:17That's what you are.
14:19So, on your feet, soldier.
14:21Come on, on your feet.
14:23I thought you just said
14:24I was a general.
14:26Oh, did you say you were?
14:28So, get on your fucking feet.
14:30Arthur.
14:31Finn.
14:32Finn.
14:33Look at this.
14:35This is the bullet
14:36that I've got armor gold
14:37and cut from you.
14:39First
14:39and last.
14:43First and last.
14:50Don't lose it.
14:52Go and clean up.
14:54Put some clothes on.
14:56Nice suits.
14:57I've got some trouble
14:58that'll keep you out of trouble.
15:02Oh, and, uh, Tom.
15:03Yep?
15:04While you're here,
15:06um,
15:07I've met this girl
15:07and I'd like to get married.
15:09Hook off.
15:09Go.
15:09Get dressed.
15:10Go and move.
15:11Go!
15:13Finn, this girl,
15:13you're trying to impress.
15:15Tell me about her.
15:17She likes the life.
15:18She likes the life, aye?
15:21Well, find one that hates it.
15:22Look at him.
15:23That's what he did.
15:24Now he's chairman of the board.
15:26Oh.
15:28Go on.
15:29Hurry up.
15:31Arthur,
15:32Lizzie and Ruby,
15:34are they still at yours?
15:38Yes, Tom,
15:39they're still there.
15:40You're coming home today,
15:41she said.
15:43You'll be home
15:44later.
15:46She'll be talking about me.
15:48I mean,
15:49they talk a lot,
15:49you know,
15:50women alike.
15:51Kitchen and,
15:52you know,
15:53kids running around.
15:54I don't pay them no mind, Tom.
15:56I don't listen to them
15:57half the time.
15:58Yeah.
15:59Well,
16:00everything she says is true.
16:05Well,
16:09you like the life, Tom, aye?
16:10I don't like the fucking life.
16:12I don't like the fucking life.
16:14I don't like the Michael
16:15is coming back today.
16:20Try and arise from Liverpool
16:21at three.
16:22Polly will be there.
16:23Take a weapon.
16:25Tell Moss
16:26to clear the station
16:28to coppers.
16:28You hear me?
16:28Yes, sir.
16:33That's all I'm...
16:36I heard him say one thing.
16:39Just talking,
16:40you know,
16:40they were saying that,
16:43you don't sleep
16:44or something.
16:45You...
16:46You can't sleep.
16:50When I do sleep,
16:52I dream.
16:54And in my dream,
16:57someone wants my crown.
16:59Think it might be Michael.
17:01Call me at three.
17:11Arthur,
17:11I'm going to put that bullet
17:12on the necklace
17:13and wear it as a reminder.
17:15Arthur.
17:17Oh, yeah.
17:17You got trouble for me, then?
17:19Yeah.
17:20Huh?
17:36Mr. Shelton.
17:37Uh, uh,
17:37the police are here to see you.
17:39Police aren't allowed in here.
17:40Uh,
17:40he's not in uniform
17:41and said it's very unofficial.
17:49Afternoon.
17:49Tell me to get you some tea.
17:51No, I'm fine, Mr. Shelby.
17:52This won't take long.
17:53Good.
17:55You got five minutes.
17:58Mr. Shelby,
17:59there was a shooting two days ago.
18:02A man died.
18:03It was a murder.
18:07Been made a veil.
18:09Of all places.
18:13His name was Levitt.
18:15Uh-huh.
18:17He was a journalist.
18:30The night before he was shot,
18:32he came here to see you.
18:34We found a commons pass
18:36and your name in his diary.
18:38I was wondering
18:40what his business here was.
18:43And I'm wondering
18:46what your business here is.
18:49According to his diary,
18:51you knew him from Birmingham.
18:52What's your name?
18:55Stacker.
18:56Stacker.
18:57Okay.
19:00Mr. Shelby,
19:02Mr. Levitt was a queer.
19:04Some may think it was one of his queer friends.
19:06Mr. Stacker,
19:07I get the feeling
19:09that with
19:09a little provocation
19:11you could be very persistent.
19:14Only within my remit.
19:15With your Chief Constable Wyatt,
19:17he has very clear views
19:19about persistence,
19:20which he has shared with me.
19:22Mr. Shelby.
19:23He likes persistence,
19:24as do I,
19:25and thoroughness,
19:26but not frivolity.
19:29A man
19:30who walks in the park
19:31with other men
19:33dies
19:33in main of hell.
19:35And you come to me.
19:37As well as his diary,
19:39we have his notebook.
19:43Your time's up,
19:45Mr. Stacker.
20:36Hello, Mum.
20:40This is Gina.
20:43Gina Gray.
20:46The Captain married us on board.
20:50She's my wife, Mum.
20:52At least look at her.
20:53Tommy said
20:53to ask you
20:54to tell me the truth.
20:57You've been travelling
20:58for 15 days, Mrs. Gray.
21:00Maybe we could talk about this
21:01at another time?
21:02Yes.
21:03Let's go home
21:03and we can talk.
21:04You have no home
21:05until you tell me
21:06the truth.
21:09Yeah.
21:10Yeah.
21:14Michael!
21:43Fuck you.
21:43Fuck you too, Arthur.
21:45This is my fucking wife.
21:47I bring her home
21:48to this.
21:52Come on, Gina.
21:57Well, where are you going now, right?
21:59Hmm?
22:00Introduce me, at least.
22:02Excuse me.
22:02Look at this.
22:04Look at this.
22:06Look at this.
22:06This is it, Gina.
22:08This is my fucking people.
22:11Do you want to know the truth, Arthur?
22:14Do you want to know the truth, Mum?
22:15I did not betray
22:19my fucking family!
22:23Now, Mum,
22:25I want to go home.
22:30I've booked you a suite
22:31at the Midland Hotel.
22:33Was that Tommy's orders, then,
22:35was it?
22:36See, the Midland Hotel
22:38is Tommy's little kingdom
22:40where all the porters
22:42keep an eye,
22:44where all the telephone exchange girls
22:46are reporting on my calls.
22:48Yeah, well,
22:48why don't you think of it
22:49like, uh,
22:51quarantine, Michael, eh?
22:54We treat you like
22:55a fucking dog.
22:59Smelly one.
23:01Stinking one.
23:03Until we know
23:04you're clean.
23:07Hmm?
23:08Fuck you, Arthur.
23:10Stand aside, Arthur.
23:12No, I'll pull.
23:21Come on, baby.
23:22Forget about it.
23:24Go and find Tommy.
23:26Tell him.
23:27Polly says.
23:29Michael's telling the truth.
23:31Sorry.
23:32You're out of bed.
23:33All right, Paul.
23:37Nice coat.
23:39What do you like?
23:40Cam, all right?
23:44Oh.
23:46Welcome to the family,
23:48Gina Gray.
23:53I applaud the attempt
23:55in the Travolian Education Bill
23:57to raise the school
23:58leaving age
23:59to 15.
24:01I also applaud...
24:02All these folk,
24:04they think that I'm evil
24:06like I am the living devil
24:09in South.
24:11All these folk,
24:13they think that I'm evil
24:15like I am the living devil.
24:18It's about a peace-testing
24:19of any kind.
24:20We are the people.
24:21Yeah!
24:23We've had enough.
24:24Yeah!
24:25We are the people
24:27and we've had enough.
24:28I move in favor
24:29of the amendments.
24:46Mr. Shelby.
24:48I must say,
24:49you seem like a songbird
24:51in the house.
24:54And who is this pretty finch?
24:56My sister.
24:57Who's pregnant?
24:59Dangerous.
25:00Oh, we adore dangerous.
25:02Who's we?
25:04It's a collective noun.
25:06In this case,
25:07describing a group of people
25:08who are impatient
25:09and young
25:09and, as I have said,
25:11adore dangerous.
25:14Mr. Shelby.
25:16You had a horse of that name.
25:20Whiskey.
25:21Irish.
25:22Give him one for my bottle
25:23and one for myself.
25:25In fact, bring the bottle.
25:28And the lady?
25:29Isn't thirsty.
25:30How do you know
25:31about the horse?
25:33We have a mutual acquaintance.
25:37May Carlton.
25:38When I asked about you,
25:40she said,
25:40oh my goodness,
25:41where do I begin?
25:43And why were you
25:44asking after me?
25:46Because,
25:47as I have said,
25:48I adore dangerous.
25:51And where did she begin?
25:53You know,
25:54I was rather hoping
25:55we might have this meeting alone.
25:57My sister is my political advisor.
25:59And my advice just now
26:00was don't meet Mr. Moseley.
26:02Because I am dangerous.
26:04No.
26:06What is it you are impatient for,
26:08Mr. Moseley?
26:09I am impatient
26:11for my fucking whiskey.
26:15Billet!
26:19May Carlton spoke about you
26:21the way I imagine one might
26:22about a party
26:23they barely remember.
26:24Where you crash the car
26:26into the dovecote
26:27and live on champagne
26:29and cocaine
26:29for three whole days.
26:31You know that kind of party.
26:33Only three days.
26:41My sister
26:43advised against meeting you
26:44because it appears
26:46you are moving away
26:48from the party
26:50in a different direction.
26:52And which direction is that?
26:55Towards fascism.
26:58We are the people
26:59and we have had enough.
27:03I thought that was excellent.
27:06Which direction are you heading,
27:08Mr. Shelby?
27:10I am my own revolution.
27:13And you prefer Irish to Scotch.
27:17As do I.
27:19Like all things regarding Ireland,
27:20it is complex.
27:22Yes?
27:33What do you stand
27:34on the Irish question,
27:36Mr. Shelby?
27:38Never been asked this.
27:40And perhaps it's time you were.
27:43Tommy,
27:43I am the people
27:44and I have had enough.
27:47We are looking for someone
27:48to begin a dialogue
27:49with certain elements
27:51in Belfast
27:52with whom we don't
27:52officially have any dealings.
27:56I'll be too busy
27:57singing in the house.
27:59It would involve a promotion.
28:02Junior minister
28:03to the Duchy of Lancaster.
28:07Birmingham is my concern.
28:09Ireland bores me.
28:10Thanks for the whiskey,
28:12Mr. Marsley.
28:22What the fuck was that about?
28:25Ireland.
28:25It's been Ireland's day
28:26all fucking day long.
28:28What do you mean?
28:29Hey, go on.
28:30Start calling.
28:31Anyone who had dealings
28:32with Shelby Company limited
28:34while you were in Boston,
28:35ask them about Michael.
28:38Ask them what about him?
28:40Who he's been seeing,
28:41who he's been meeting,
28:43what deals he's made.
28:44Why?
28:45Ask them especially
28:46about people he's met
28:48from Glasgow or Belfast.
28:50Tommy,
28:51why don't you come back with me?
28:53You can play chess with Carl,
28:55I'll make some calls,
28:56you can listen in.
28:57Drive home tomorrow.
28:58Bastard.
29:00Starts talking about Irish whiskey.
29:01The fuck does he know, eh?
29:03More than me, Tommy.
29:04What are you talking about?
29:06I'm talking about an empty chair.
29:08Ida.
29:09My chair.
29:10My throne.
29:11People think that I'm going to fall.
29:13They start behaving
29:13in a different way around you.
29:15Who thinks that?
29:17They start to circle.
29:19Who's going to take the throne, eh?
29:22Linda.
29:22She wants them for Arthur.
29:24How about I'm a goal?
29:24People in the north.
29:25Michael.
29:31Just go home.
29:32Make some calls.
29:34Protestants are coming, I think.
29:36I need to get back to Birmingham.
29:51Pauline.
29:53You armed?
29:55Yeah.
29:58Yeah.
29:59Will you please consider
30:00putting your weapons behind the bar
30:01in case feelings begin to run high?
30:04Behind the bar, Pauline.
30:06You're on me own bar, yeah?
30:15I prefer it there.
30:19Thomas.
30:29I had a dream
30:31about a black cat
30:32last night, Paul.
30:36A black cat dream
30:38means there is a traitor
30:39close by.
30:40It was you who told me that.
30:42Black cat can mean
30:43lots of things.
30:45It can mean you're hurting yourself,
30:47betraying yourself.
30:49Are you seeing things, Thomas?
30:54Yes, I am.
30:56Yes, I am.
30:57Very clearly.
31:01Common from every
31:02fucking direction.
31:17Tommy.
31:19I'd like to introduce you
31:21to my wife.
31:23I would also like to, uh,
31:25say something.
31:26Sit down, Michael.
31:28I betrayed you.
31:29Michael.
31:29But only in my heart.
31:32There was a time
31:33in America
31:35when there was a lot
31:36of money in that bank
31:37and I wondered
31:38I could,
31:38I could leave,
31:40move to California.
31:41Someone said
31:42I should invest
31:43in pictures.
31:45Hollywood.
31:47But Gina stopped me.
31:50Gina said that I...
31:51I told you to sit down, Michael.
32:01now tell me
32:04what happened
32:05on that ship
32:07in Belfast Harbor.
32:11On the journey
32:12back from New York
32:13we got married.
32:14But we needed
32:15to find a witness.
32:16A person.
32:18It was from Belfast.
32:20We got friendly.
32:20What happened
32:21when the ship docked?
32:24This purser
32:25had friends
32:26who ran a whiskey distillery
32:27in County Tyrone.
32:29They wanted a way
32:30of getting their stuff
32:31into America.
32:31So I said,
32:32okay, invite them aboard.
32:34When they came in
32:35I realised
32:36that they didn't make whiskey.
32:37They were Scottish
32:38from Glasgow.
32:40Couldn't understand
32:40a fucking word
32:41they were saying.
32:43They started swearing
32:44so I asked Gina
32:46to leave.
32:47That was when
32:48they started talking
32:49about you, Tom.
32:51They said that
32:52Tommy Shelby
32:52was a spent force.
32:55The politics
32:56had got to him.
32:58That he was spent
32:58in the head.
33:00That now was
33:01a good time
33:02to move in
33:02and did I want
33:03to be a part of it.
33:05They knew about
33:06the money we lost
33:06in America.
33:07They said that you
33:08were going to blame me.
33:09That you had a bullet
33:10with my name on it.
33:14What did you say, Michael?
33:15I didn't have time
33:16to say anything.
33:18Coppers came on board.
33:20Well, I thought
33:21they were coppers.
33:22They, uh...
33:24They were IRA.
33:26Exactly.
33:32And the first men
33:34from Glasgow?
33:37The IRA commander
33:38said the men
33:40from Glasgow
33:40were called Billy Boys.
33:43Fucking Billy Boys.
33:45I don't know
33:46who the fuck
33:46Billy Boys are.
33:47They run every man
33:48and every coal line
33:50on every shipyard
33:52east of Glasgow.
33:53Ties with Belfast,
33:55UVF,
33:57Protestant Razor Gang.
33:59They also dabble
34:00in politics.
34:02You know,
34:03muscle
34:04for fascist rallies.
34:06But you did no deal, Michael.
34:09You didn't even know
34:10who they were.
34:11I was too busy
34:12looking forward
34:12to giving you
34:13the good news.
34:15The reason Gina
34:16and I got married
34:17on the ship
34:18was because
34:18Gina is pregnant.
34:21You're going
34:21to be a grandmother.
34:31Okay, Michael.
34:34I believe you.
34:36Welcome home.
34:38Congratulations.
34:40Just remember
34:42your unborn child
34:44has witnessed
34:46what you said.
34:47Thomas.
34:48And it will be born
34:49according to...
34:50You fuck!
34:51Where the fuck
34:52are you going?
34:53Hmm?
34:54You fucking mad.
34:56Hmm?
34:58You are free
35:00to fucking leave,
35:01Michael.
35:02You fucking bastard.
35:04Be a not free,
35:05Michael,
35:05are you?
35:07You lost this company
35:09a lot of money.
35:10I told you to sell.
35:13But you held on.
35:14And now,
35:15I want you
35:16to pay me back
35:17what you owe me.
35:19There is work
35:20you can do,
35:21there are risks
35:22you can take.
35:23We were close before.
35:25Now,
35:26I want you closer still.
35:30Michael.
35:31Honey.
35:33Look at your cousin.
35:36He's in trouble,
35:37huh?
35:39He needs you.
35:42Come on, baby.
35:44Let's go.
36:10Fucking cheek of her, eh?
36:13All right, talk to Jimmy, go in south.
36:22Not so mad anymore.
36:24He's got friends in high places these days.
36:29Black cat dream is never wrong, brother.
36:36Black cat dream is never wrong, brother.
36:44Black cat dream is never wrong, brother.
36:54Black cat dream is never wrong.
36:56Black cat dream is never wrong.
37:07Black cat dream is never wrong.
37:23Hello, hello, we are the Billy Boys.
37:28Hello, hello, we are the Billy Boys.
37:32We're up to an easy thing and once said that or you'll die,
37:37we are the Brickton Derry Billy Boys.
37:43Please, throw up a pea-shooter, son.
37:51A broken prune stops all gypsy curses, Mr. Gold.
38:00Who the fuck are you?
38:02Did you not hear my song?
38:04These gentlemen are the Billy Boys.
38:10And me, I'm Jimmy.
38:20Good.
38:21His mouth broke so you can't talk.
38:24But you don't need to.
38:26Your body will be the lesson.
38:30You work in a particular capacity for Mr. Thomas Shelby, OBE.
38:35Am I right?
38:36Am I right?
38:43I heard you're a fighter.
38:46The best.
38:50But your fighting days are over.
38:54Because I need Mr. Shelby to understand.
38:59And this is not good enough.
39:17I'm not going to be the best.
39:20I'm not going to be the best.
39:23I'm not going to be the best.
39:23I'm not going to be the best.
39:24I'm not going to be the best.
39:26I'm not going to be the best.
39:26I'm not going to be the best.
39:26I'm not going to be the best.
39:26I'm not going to be the best.
39:27I'm not going to be the best.
39:27I'm not going to be the best.
39:30I'm not going to be the best.
39:33I'm not going to be the best.
39:59Farewell, fighter boy.
40:01You're dead whale.
40:12Buddy.
40:15Buddy.
40:29Tell Thomas Shelby it's time to fucking share.
40:35We'll take all the tracks out as far as Nottingham.
40:38We'll take Cheltenham as well.
40:42Otherwise, it will be Thomas Shelby who's crucified, and there will be no resurrection.
40:52Come on, boys.
40:53Come on.
40:59Come on.
41:00Come on.
41:17Come on.
41:18Come on.
41:23Come on.
41:40Come on.
41:43Come on.
41:44Come on.
41:45Come on.
42:14Come on.
42:21Come on.
42:25Come on.
42:25Come on.
42:26Come on.
42:26Come on.
42:27Come on.
42:28Come on.
42:39Come on.
42:40Come on.
42:41Come on.
43:04Come on.
43:08Come on.
43:12Come on.
43:43Come on.
43:45Come on.
43:48Come on.
44:01Come on.
44:03Come on.
44:04Come on.
44:05Come on.
44:06Come on.
44:07Come on.
44:09Come on.
44:10Come on.
44:11Come on.
44:13Come on.
44:16Come on.
44:47What position?
44:50Right, what I want from you, Billy, is for you to write down the name and the number
44:57next to every one of those football teams, yeah?
45:00Why?
45:00Why?
45:01People like to bet on those kind of things these days.
45:04You're a gambling enterprise.
45:05I know who you are.
45:06To fix a horse race, you give the outside a bit of cocaine.
45:10Jesus.
45:10To fix a football match, you give the goalkeeper 20 pounds.
45:25You're a peaky-blinder now, Billy.
45:28Hmm?
45:38What have you got there?
45:41I've written a letter.
45:55Oh.
45:58Can I read it?
46:00It's not finished yet.
46:02And getting rid of the parts I wrote when I was drunk.
46:06By the way, I stopped drinking.
46:08And your bottles of snow poured down the lavatory.
46:12When I was drunk, I was too hard on you.
46:14It's not your fault.
46:27It's not your fault.
46:44Lizzie says Tommy won't live two more years if he carries on like this.
46:47He's gone too far.
46:48So what Lizzie says?
46:50Yeah, Linda?
46:51Well, how far has he gone?
46:53Hmm, Linda?
46:53How far?
46:54He's lost all the legitimate money in America.
46:56No.
46:57No, that was Michael.
46:58He's fixing races.
47:00He's fixing football.
47:01Following the financial crisis, the Shelby Company Limited has to find other sources
47:06of cash income.
47:08Tommy went into Chinatown.
47:10He's selling out the communists to the British intelligence.
47:13And all the time, every day, he gets more and more famous.
47:16But that's okay.
47:17Because if anyone puts two and two together...
47:19That wasn't us.
47:22It's not fucking us!
47:23He's going to blow up, Arthur!
47:25It can't sustain!
47:26You know it!
47:26Oh, yeah?
47:27And what do you know, eh?
47:28You've worked it all out, you and fucking Lizzie.
47:32Got it all plumbed out.
47:34Is that right?
47:36And I tell you, all you're gonna do is you're gonna be the good fucking wife.
47:42Yeah, like the perfect couple.
47:44We'll go upstairs.
47:46Hmm?
47:47We'll go upstairs.
47:49Yeah.
47:51Like lover.
48:02I spend my day writing two letters and deciding which one to give.
48:08Looks like I'll have to give the other one.
48:13All of a one.
48:15What fucking other one?!
48:20What did you do with my letter?
48:34I burnt it.
48:37So did Arthur.
48:39Yeah.
48:41Did you read it first?
48:42Yes.
48:44It's more than Arthur did.
48:51Didn't help that you can't fucking spell.
48:55I left school too early.
48:58Did you read the bit about the lawyers?
49:00Do you wanna fuck?
49:03Didn't think so.
49:06You don't want to eat?
49:08No.
49:09You've got calls?
49:10Yeah.
49:19It's Ruby's birthday today, Tommy.
49:25Do you know why I took her to Arthur's?
49:28Because she said she's scared of you.
49:31When she knows you're not coming home, she's a different kid.
49:36But I've bought a cake and I want you there.
49:40You're in the drawing room.
49:46Lizzie.
49:52I'm in a room and they're coming at me.
49:59But it's okay.
50:01I want them to.
50:03The last thing I want is silence.
50:07Standing up there in silence and someone says,
50:13Sorry about all that noise.
50:15Sorry about all that dust.
50:20Sorry about all that mud.
50:22And all that fucking blood.
50:26And you say, don't be sorry.
50:28Don't be sorry.
50:29It's all I can do now.
50:35You want me to write this down?
50:40Do you want me to write you a fucking letter?
50:44Me and Arthur can't write it down.
50:48Because they haven't invented the fucking words.
50:54We don't have the fucking words.
50:59And the worst thing is,
51:03we could have stayed at school.
51:05But we volunteered.
51:10Still don't have the fucking words.
51:21Should you choose to depart, Tommy, either by your own hand or someone else's,
51:26the person who would take your place is me.
51:30Legally.
51:31Financially.
51:33Everything.
51:35I need to know there'll be something left.
51:38Well, you know, Lizzie, in my head I still pay you for it.
51:42So...
51:42Good luck with me.
51:52I have business.
52:18Good luck with you.
52:23Good luck with you.
52:26Good luck with you.
52:26Good luck with you.
52:26Good luck with you.
52:26Yeah, I want to ask you some questions.
52:29About the night you met Michael Gray.
52:30Good luck with you.
52:39Good luck with you.
52:43Good luck with you.
52:48Good luck with you.
52:52Yeah.
53:07Okay, kids, come on, let's go to bed quickly.
53:10Who's coming?
53:11That's the thing, Charles.
53:12We don't know.
53:13We never know.
53:39Get out of the fucking car.
53:41Get out of the fucking car now, or it'll open fire.
53:53You're looking for traitors?
53:56There's one with his ribs messed up.
54:00The man's gone fucking messed up.
54:04You did this?
54:05With one arm and a hammer, and a mighty pain, and a mighty fury, they killed him.
54:19My son, they shot him and they put him up at a fucking cross, and he's fucking dead.
54:27Who did?
54:42Only Johnny Doggs and this kid knew where we were camped.
54:45Don't talk.
54:46No, I swear to God, I never told him so.
54:49I never told him.
54:50I'll fucking kill him!
54:51I don't even fucking shot!
54:53I'll fucking kill him!
54:56I already fucking took him from me!
54:59I only shot him!
55:02I only shot him!
55:13I'll fucking kill him!
55:15Listen to me!
55:17How can a one-armed man avenge the death of his son, eh?
55:26He crucified my son.
55:30For you.
55:40Get away from my house!
55:43All of you!
55:45Get away from my child!
55:48This is my house!
55:51And I don't want you back.
55:53I don't want you back!
56:13I don't want you to take on the Billy Boys.
56:14You need me alive.
56:19Everyone fucking needs me.
56:25Call an ambulance.
56:27What a man will lose his arm.
56:48Come on, Johnny!
56:51Come on!
56:55Come on!
56:58I'm no black cat, Tom.
57:00I know, Tom.
57:01I know.
57:04In all the world, of all of the people,
57:07you alone I know I can trust.
57:21it's not easy to have met me.
57:25OHS!
57:31Let me know, Tom!
57:32On a gathering storm comes a tall handsome man
57:36In a dusty black coat with a red right hand
57:48His shadow is cast wherever he stands
57:52Stacks of green paper in his red right hand
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