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00:04Anything interesting?
00:06Detective Watts.
00:07I'm happy to lend a hand.
00:09If so, my plants are at risk of getting too much attention.
00:12It's been so quiet lately.
00:14Uh, Mr. Ethan Marshall has been reported missing
00:18by the matron at his roaming house.
00:20When did this matron last see him?
00:23Five weeks ago, he was having an argument
00:26with a young nurse he'd been courting.
00:29Disappearing after a lover spat not particularly unusual?
00:32Are other of you free to join me at a potential crime scene?
00:35Potential?
00:35A body was found in a burnt-out truck
00:37on Bright Street near Queen.
00:39Oh, that is in the vicinity of Mr. Marshall's rooming house.
00:43You think it possible he was consumed by the fires of love?
00:46I think it possible you take far too poetic a notion
00:49of the situation.
00:50Poetry aside, I would appreciate one of you come with me.
00:53I can do it.
00:54Oh, I'll go, I'll go.
00:55Well, fires of love and all of that aside,
00:59the proximity to Mr. Marshall's home oughtn't be ignored.
01:02No.
01:12Did the fire department give any inclination
01:14of how the fire started?
01:15An accident, they think.
01:17Funny sort of accident.
01:19Where was the body originally found?
01:21In the driver's seat, sir.
01:23They figured the truck broke down
01:24and he was waiting for help
01:25when fire broke out in the engine.
01:27That would explain why the hood is up,
01:28but surely he would have fled once the truck caught fire.
01:32I believe the fire department's assessment is incorrect.
01:35The largest concentration of burn
01:37is right here behind the steering wheel.
01:39So, this is where the fire started.
01:41So, unless our victim spontaneously combusted...
01:44His death was not an accident.
01:47Uh, Henry, if you could...
02:15If I could...
02:19Sir, is everything all right?
02:21I could have sworn I just saw...
02:24I can't do that.
02:27Saw what?
02:32Nothing.
02:33Nothing, sir.
02:36Henry, if you could canvas the area
02:38and see if you can find anyone
02:40that saw the truck prior to the fire breaking out.
02:43We'll see.
02:59Five foot seven inches.
03:02How tall is your missing man?
03:07Detective Murdoch?
03:08Did I beg your pardon?
03:10Ethan Marshall.
03:11Did the missing persons report say how tall he is?
03:14Yes.
03:14Six foot one inch tall.
03:16And he's definitely not your victim.
03:18And lucky for Mr. Marshall,
03:20this poor fellow was tortured.
03:21You're saying he was alive when the fire started?
03:24Well, no.
03:25There's no evidence of smoke inhalation inside of his mouth.
03:27So the fire was an attempt to hide a murder?
03:29I believe so.
03:31And these slashes around his brow bone
03:34suggest severe facial trauma.
03:36I suppose the burns are too severe
03:38to hope for finger marks?
03:40Not necessarily,
03:41but it will take some time.
03:42His fingers are burnt too bad
03:44for me to use my usual method.
03:46Surely there's another avenue
03:47by which to identify the poor man.
03:49We could try tracing the truck's serial number.
03:51Good thinking.
03:52You two head back to the scene and collect it.
03:54Sir, with your permission,
03:55I'll let Detective Watts handle that.
03:57Is everything all right, Detective?
03:59Yes, of course.
04:01Why wouldn't it be?
04:02You do seem somewhat distracted.
04:05Not at all.
04:07I simply have a missing person I need to find.
04:14I'd like to speak with Nurse Emily Chouinard.
04:18I believe she's on shift today.
04:20And I believe I'd like to know who I'm speaking with
04:23before I divulge information about my staff.
04:26Ah, yes. Apologies.
04:27Detective Murdoch, Toronto Constabulary.
04:30William Murdoch?
04:32Yes?
04:33Do we know one another?
04:35No. No, no, no.
04:37Um, well, it's just I'm very happy
04:40to finally put a face to the name.
04:43Anna Smith, head nurse here on duty.
04:46It's a pleasure.
04:48But I'm afraid I don't understand.
04:51I probably shouldn't tell you this,
04:53but we have a patient here
04:55who believes himself to be you.
04:57Oh.
04:58That's nothing to concern yourself with delusions.
05:01Very common in a place like this.
05:03We have a woman who believes herself to be Cleopatra.
05:05I see.
05:07It was Nurse Chouinard you wanted to see?
05:09Yes, please.
05:11Hmm.
05:12I'll show you to her.
05:16I don't know what to tell you, Detective.
05:19I haven't seen Ethan since he broke things off with me.
05:21And this was five weeks ago,
05:23outside of his rooming house?
05:25That's right.
05:26Uh, did he happen to give you a reason
05:29why he was breaking things up?
05:31He told me he was going back to school.
05:33Said I should let him focus on his studies.
05:36It sounds as though you didn't believe him.
05:39Of course I didn't believe him.
05:41He said he was going to study physics.
05:44Is that something that would have been
05:46out of character for him?
05:48Ethan knew as much about science
05:50as I know about philosophy.
05:52But, uh, did he tell you
05:54where he was planning to attend school?
05:57I didn't stay around long enough to ask.
06:00Uh, please.
06:02Is there anyone else who might be able
06:04to tell me where he's going?
06:06You could try speaking with somebody
06:08from the corporate company.
06:09Ethan works there as a driver.
06:11That is, unless he's quit his job, too.
06:17Detective, no one I talked to
06:19saw the fire break out
06:20or anything else unusual.
06:22How many people did you talk to?
06:24Five, five, four, three, two.
06:25A dozen, at least.
06:27And no one saw anything?
06:29It's all warehouses around here.
06:31After dark, it's like a ghost town.
06:33Making it a convenient place
06:35to torture trucks.
06:38What's this?
06:43It's a strange thing to find
06:45in the back of a truck.
06:46Maybe it belonged to the owner?
06:48Or the victim?
06:56Excuse me.
06:59Murdoch, what are you two?
07:01Scaven off early?
07:02No, no, sir.
07:04I was...
07:05What is it?
07:06I could have sworn I just saw.
07:11So what?
07:12What did you see?
07:13Sir, this is going to sound mad,
07:16but I just saw James Gillies.
07:19You're right.
07:20It does sound mad.
07:21Now, come on.
07:22Let's get back to work.
07:27I was prepared to explain it away
07:29the first time.
07:31The first time?
07:32How many times has it happened?
07:33Twice since this morning.
07:35Look, Murdoch,
07:36I know better than most
07:37how much that man terrorised you and Julia.
07:40But Gillies is dead.
07:41I know, sir.
07:42I know.
07:43Well, then,
07:44your eyes are obviously
07:45playing tricks on you.
07:46Sirs,
07:47there's a Mr. Corbett
07:48waiting to see you, sir.
07:49He says he doesn't have all day.
07:51Thank you, Henry.
07:53Look, Murdoch,
07:54whoever you saw,
07:55it wasn't James Gillies.
07:57It couldn't have been.
07:58You're right.
08:04The truck was built six months ago.
08:07I'm waiting to hear back
08:08from the automobile dealer
08:09as to who it was sold to.
08:10And the Burr body?
08:12We haven't yet been able
08:13to identify him.
08:14There's something at the booking desk
08:16you'd help with that.
08:16What is it?
08:17Miss Hart just dropped off
08:18a set of finger marks.
08:20I'll have Constable Higgins
08:21look for a match
08:22in the central database.
08:26T?
08:28Do you have anything
08:29to tap stronger?
08:30I'm afraid not.
08:33Is anything wrong?
08:34I don't know yet.
08:36I don't know why
08:37you brought me down here.
08:38I told your colleagues
08:39at Station House One
08:40all I know.
08:43You've spoken to the police
08:44about Mr. Marshall's disappearance?
08:47I suppose that means
08:48I'm not seeing my truck again.
08:52Mr. Marshall is in possession
08:54of one of your vehicles.
08:55Borrowed one five weeks ago
08:57and never returned it.
08:58What did this truck look like?
09:00It was one of my delivery fleet,
09:02a Model T with a wood deck.
09:04I believe I know its location.
09:06Um, did Mr. Marshall indicate
09:09what he intended to do
09:11with the truck?
09:12told me he was
09:14going to have an adventure
09:15with an old friend
09:16he hadn't seen in a decade.
09:18Did he happen to give you a name?
09:20No.
09:21All he said was
09:22they were going to have
09:24so much fun.
09:26Welcome to the Murdoch trap, detective.
09:29We are going to have
09:31so much fun.
09:38Did he use those exact words?
09:42I believe so.
09:44Why?
09:49Excuse me a moment.
09:54You have something?
09:56Our John Doe
09:57is Blaine Carpenter.
09:59He's got quite a record.
10:00What sort of charges?
10:01Public nuisance, mostly.
10:03He spent some time in an asylum
10:04after claiming to hear voices.
10:06Any next of kin?
10:07I'd like to confirm
10:07the rosary was his.
10:09His father works
10:10at a shoeshine stand
10:11at the train station.
10:12Perhaps I could speak with him.
10:15I've just learned
10:16the owner of the truck
10:17is a Mr. Oren Corbett.
10:20Yes.
10:20How did you know?
10:22Mr. Corbett
10:23is in my office.
10:25Apparently,
10:25Ethan Marshall
10:26stole one of his
10:27Model T trucks.
10:29Given what we know
10:30about the body
10:31in the truck,
10:31that means Marshall
10:32is likely a killer.
10:34But there's more.
10:35This is the ride
10:36for you, sir.
10:37The delivery boy
10:38was told
10:38he should open this immediately.
10:51Oh.
10:52Present for Susanna?
10:55Something far more sinister.
11:06I'm not done
11:07with you yet.
11:14I'm not done
11:15with you yet.
11:16Bloody hell.
11:17That's James Gillies' voice.
11:19It sounds like
11:20James Gillies,
11:20but I don't believe it is.
11:22Then whose voice is it?
11:24Ethan Marshall.
11:26He's been masquerading
11:28as James Gillies.
11:29Isn't Marshall
11:30the man that you think
11:31killed your burn victim?
11:32He is.
11:32Why would he draw
11:33attention to himself
11:34this way?
11:35My attention
11:36is precisely
11:37what he's after.
11:38He may have even
11:39committed the murder
11:40in order to obtain it.
11:42How can you be so sure
11:43that Marshall's
11:44behind all this?
11:46He's been leaving me clues.
11:48Such as?
11:50He left the woman
11:51that he had been seeing.
11:53He told her
11:53he was going off
11:54to study physics,
11:55a subject he'd previously
11:57shown absolutely
11:57no interest in.
11:59Physics being the subject
12:00that Gillies was studying
12:01when you first met him?
12:02Precisely.
12:03And when Marshall
12:04borrowed the truck,
12:06he said,
12:07we are going to have
12:07so much fun.
12:09The exact phrase
12:10that Gillies used
12:11to taunt me
12:12when I was locked
12:13in the cage.
12:14You and this Gillies
12:15certainly have been
12:16through a lot.
12:16Well, you don't know
12:17that half of it...
12:19Apart from the hair,
12:21Marshall doesn't look
12:22a bit like Gillies.
12:23How did he manage
12:23to transform himself?
12:25Gillies was a master
12:26of disguises.
12:27Perhaps this man
12:28is using some
12:29of his old tricks?
12:30It's his crackers.
12:31I still don't understand
12:33why Marshall
12:34would go to such lengths.
12:35Perhaps he's
12:36a friend of Gillies
12:37or a relative?
12:40See what you can find out,
12:41Murdoch.
12:42Sir.
12:43But be careful.
13:03Come in.
13:18Mrs. Konstantina Gillies?
13:22I'm...
13:22I know who you are.
13:24You took my son from me.
13:29I don't wish to disturb you.
13:32I just need a moment
13:34of your time.
13:35Oh, you want to do it again,
13:37do you?
13:38Well,
13:40you won't find
13:41what you're looking for here.
13:44What do you mean,
13:46do it again?
13:47Have you been working
13:49with Ethan Marshall?
13:51Never heard of him.
13:53Now leave my home.
13:56Not until I get the truth.
13:59What is it you're after?
14:01Revenge?
14:06Oh, detective.
14:08I don't need revenge.
14:10I have experienced
14:13something better.
14:17What's that?
14:19The miracle of resurrection.
14:24Mrs. Gillies,
14:27your son has not
14:28been raised from the dead.
14:30What makes you so sure?
14:33Science.
14:35Resurrection is an impossibility.
14:37And that's why
14:38they call it
14:40a miracle.
14:44You're telling me
14:45that you've
14:46actually seen
14:47your son?
14:48James came home
14:49just the other day.
14:52Oh, I thought my heart
14:53would burst open
14:54at the sight of him.
14:58You have no doubt
14:59that it was
15:00actually him.
15:01None at all.
15:02Why has he
15:03come back then?
15:05What does he want?
15:07To see his mother,
15:08of course.
15:10That
15:12and a fresh set of clothes.
15:14You've kept
15:15all of his things
15:17all this time.
15:18What kind of mother
15:19would I be
15:20if I hadn't?
15:23Show me.
15:25Even as a boy.
15:28My James
15:29was a genius.
15:31He was a murderer.
15:33He won
15:35every science fair.
15:37Top of his class
15:38at the university.
15:41Until you
15:42ruined his life.
15:45Did the man
15:46pretending to be James
15:47say anything
15:48that would help
15:48me find him?
15:49No.
15:51And I wouldn't
15:52tell you
15:52if he had.
15:54Mrs. Gillies,
15:55I'm investigating
15:56a murder.
15:57If you are
15:58withholding any...
16:06This is from
16:07two weeks ago.
16:09James brought
16:10that with him.
16:12Said if you
16:13believed in
16:13killer coyotes,
16:15maybe you'd
16:16believe in him
16:17too.
16:18You knew I'd come.
16:22You better not
16:23try hanging
16:24my boy
16:24a second time.
16:26Do you hear me?
16:34Uh,
16:36you've spoken
16:36with Blaine Carpenter's
16:37father.
16:40How do you know that?
16:41Shoes have been
16:42shined.
16:44I had to work my way up
16:45to breaking the news
16:46to him.
16:47So my shoes were
16:48looking a bit worse
16:49for wear.
16:49What did Mr. Carpenter
16:51have to say?
16:51He wasn't aware
16:52of any connection
16:53between Blaine
16:53and Ethan Marshall.
16:54And the rosary?
16:56Not Blaine's.
17:00Then it must belong
17:01to Marshall.
17:01Wrong.
17:02I tracked them
17:02to the church
17:03it was made.
17:04Of your own volition?
17:06St. Basil's is close
17:07to my favorite lunch.
17:09Archers?
17:09No.
17:10The caster house.
17:11Oh, is that the one
17:12with the painting
17:12of doves
17:13above the fireplace?
17:14That's the one.
17:15Oh, their beef
17:16wellington is
17:16absolutely decadent.
17:18Boysenberry pie.
17:19I'm more of a
17:20peach cobbler man.
17:25What were we talking
17:26about?
17:28The rosary.
17:29Right.
17:29You see that medal
17:30at the center?
17:32St. Ignatius of Loyola.
17:34The patron saint
17:35of wounded soldiers.
17:37The priest recognized
17:38it as belonging
17:39to a British army
17:39veteran named
17:41Harper Vortman.
17:43Miss Vortman
17:43is a parishioner
17:44at St. Basil's?
17:45Apparently he used
17:46to be in church
17:46every Sunday
17:47like clockwork.
17:48Used to be?
17:49No one has seen him
17:50in six weeks.
17:52Are you saying...
17:53Marshall may have
17:53killed more than once.
17:54Is there an address
17:55for this, Mr. Vortman?
17:56Yes.
17:57923 Oak Street.
18:00All right.
18:32I don't think so, Murdoch.
18:34You'll have to come find me.
18:44Harper Vortman?
18:46Harper Vortman?
18:48Who's asking?
18:50I'm Detective
18:51Llewellyn Watts.
18:53I can't speak right now.
18:57No, no.
18:58There's nothing to be afraid of.
19:00I just have a few questions.
19:02No, I won't go back there.
19:04I can't!
19:04I don't understand.
19:06Back where?
19:07The place where they did this.
19:13What is your aim,
19:15Mr. Marshall?
19:17Why do you call me Marshall?
19:20Because that's who you are.
19:24Are you sure of that?
19:28Let me see your face.
19:38Who did this to you?
19:42I...
19:44Hello, Detective.
19:47So nice to see you again.
19:54I'm sorry about before.
19:56I, uh...
19:57I thought you were trying
19:58to take me back to the asylum.
20:00No.
20:01No, no.
20:02I'm...
20:03here to return this.
20:07I found it in a truck
20:08stolen by a Mr. Ethan Marshall.
20:13You know how it could
20:13have gotten there?
20:17Hey.
20:18He must have fallen
20:19out of my jacket
20:20when I jumped.
20:21What were the circumstances
20:22of you being in the truck
20:23with Marshall?
20:25I don't know any Marshall.
20:27I don't remember
20:28how I got in the truck.
20:29I just...
20:30The last thing I remember
20:31was being strapped
20:32to a table at the asylum.
20:36Let's start at the beginning.
20:38Why were you sent
20:39to this asylum?
20:40Well, I got tossed
20:41in the drunk tank
20:42one too many times.
20:44Judge said
20:45I needed treatment.
20:46You suffer from addiction.
20:49I suffer from the things
20:51I saw fighting
20:51for the Empire.
20:54One prayer doesn't allay
20:55that suffering.
20:55The booze helps me forget.
21:01And the...
21:02surgery was done
21:03as some form of treatment?
21:06Just to stop me
21:07from drinking.
21:07The surgery was no treatment.
21:09It was torture.
21:15Was this the person
21:16who hurt you?
21:19No.
21:22You're certain?
21:24Positive.
21:25It was a woman.
21:27And before you ask,
21:28no, I didn't see her face.
21:30She was wearing a mask.
21:39It arrived at the station house
21:40by courier
21:41first thing this morning.
21:42Murdoch set sail for England.
21:43He thinks his family's in danger.
21:46If you believe indeed
21:47it was Murdoch
21:48that wrote the note.
21:49Well, this is his handwriting.
21:51There's no doubt about that.
21:52But don't you think
21:53it's out of character
21:54for him to leave
21:54in the midst of a case?
21:56You don't know Murdoch
21:57like I know him.
21:58The man would stop at nothing
21:59to protect his family.
22:02Very well.
22:17It really is
22:18quite a remarkable resemblance,
22:20isn't it, Detective Murdoch?
22:23How did you do it?
22:25And why would you let him,
22:26Mr. Marshall?
22:29You are Ethan Marshall,
22:31are you not?
22:32I am.
22:36Do you have any idea
22:37who James Gillies was?
22:39Or what he did to my family?
22:41Oh, and the horror of it
22:42still haunts you,
22:44doesn't it?
22:45So much so
22:46that you followed
22:47my little Franken-Gillies
22:48into the trap I set.
22:54I don't know what you're after
22:56this time, fellows,
22:57but you won't get away
22:58with this.
22:59Why?
23:00Because I was once
23:01a lowly hotel detective?
23:03Because these schemes
23:05of yours
23:05never work.
23:08Each time you try
23:09to outwit me...
23:11People come and rescue you.
23:14That won't happen
23:15this time.
23:15You ensured that
23:17when you wrote
23:18to your colleagues
23:18explaining your
23:19extended absence.
23:22One note
23:23isn't going to prevent
23:25people from growing
23:25suspicious.
23:27Well,
23:28I'll just have to make sure
23:30they hear from you again,
23:32won't I?
23:38It is time to begin.
23:40Begin what?
23:42Oh, you'll just have
23:43to wait and see.
23:46So both Bortman
23:47and Carpenter
23:48were institutionalized?
23:49And Ms. Hart believes
23:50these slashes on Carpenter's brow
23:52could have been
23:52from a surgical procedure.
23:54But if the surgeon
23:55is a woman,
23:56how does Marshall
23:57fit into this?
23:58Is he connected
23:59to the asylum in some way?
24:00Not that I know of.
24:04Although...
24:04Although what?
24:06Detective Murdoch
24:06mentioned Marshall
24:07was seeing a young nurse.
24:14Yes?
24:14Yes, that's it.
24:16Emily Chouinard works
24:16as a nurse
24:17at the Walsh Asylum.
24:19But according
24:20to the detective's notes,
24:22Marshall ended things
24:22with her
24:23just before he disappeared.
24:25Could be a ruse.
24:26Could be a ruse.
24:33What's the point of this?
24:34A reference.
24:36Like those photographs
24:37you take of the men
24:38you incarcerate?
24:41I'm not the criminal here,
24:43Mr. Fellows.
24:44Are you certain of that?
24:46As certain as I am
24:47that you'll be behind bars
24:48by the end of the day.
24:50Be still!
24:51I need to examine you.
24:54Just what are you planning?
24:56Oh, don't worry
24:56your pretty little head
24:57about that.
24:59His jawline is not
25:00as strong as you suggested.
25:03His jaw is fine.
25:05Oh, yes.
25:06But I was expecting
25:07Kiselt.
25:08This is average at best.
25:10Average?
25:14I need to change
25:15my whole plan now.
25:20Get your hands off of me.
25:22As you wish.
25:24For the moment.
25:29I will admit
25:31his facial proportions
25:33are quite good.
25:34Quite good?
25:36Are you serious?
25:37The man is an Adonis,
25:39a god to women.
25:40the envy of every man.
25:43Not for very much longer.
25:47What's that supposed to mean?
25:51Are you planning
25:52to turn me into
25:52another one of your
25:53James Gillies?
25:55Of course not.
25:57I would never do
25:59anything so pedestrian
26:00as to repeat myself.
26:03Out of here!
26:06Murdoch's in trouble.
26:07What's convinced you
26:08of that since this morning?
26:09I received this telegram
26:10from Dr. Ogden.
26:12She didn't know a thing
26:13about this supposed
26:13trip to London.
26:14So,
26:15I took another look
26:16at this.
26:19What is it you saw
26:20that you didn't see before?
26:21Ink splotches.
26:23Murdoch's handwriting
26:24is usually neat as a pen,
26:26but here...
26:27It's as though
26:27his pen was malfunctioning.
26:29I think he's done it
26:30on purpose.
26:31Look at each letter
26:32beneath the splotches.
26:33H-E-L.
26:36He's asking for help.
26:38But where?
26:38And how?
26:39I have no idea.
26:41But what we need...
26:42Oh, no.
26:44What?
26:46I bet he's using a code.
26:51I beg your pardon?
26:53I...
26:53No, this is a lot
26:54to take in, Nurse Smith.
26:56A lot to take in.
26:58You have just informed me
27:00that one of my staff members,
27:01which I am responsible for,
27:03has been operating
27:04on patients' faces
27:06for sport.
27:08Now,
27:10which patients
27:11have been disfigured?
27:13I'd like to find their files.
27:14Major Harper Vortman
27:15and Blaine Carpenter.
27:16Carpenter?
27:17No, I was told
27:18that he was discharged.
27:20Major Vortman as well,
27:21several weeks ago.
27:23That was likely
27:24a cover story
27:25to hide
27:25Ms. Schwenard's crimes.
27:27How has this happened,
27:29Detective?
27:30Emily is a nurse.
27:32She's not trained
27:33for such things.
27:34Be that as it may...
27:35This is outrageous.
27:37Absolutely outrageous.
27:39Absolutely outrageous.
27:47I will go fetch her.
27:48I'll come with you.
27:49It's best you don't, Detective.
27:51Nurse Schwenard
27:52is in the women's ward today.
27:54A male presence
27:55would be very upsetting
27:56to our patients.
27:57Right, but she could be
27:58very dangerous.
27:59Don't worry, Detective.
28:01Our orderlies
28:02are more than equipped
28:03to handle any trouble.
28:16If there's a secret message there,
28:18Murdoch hasn't used
28:18any code I've ever seen.
28:20We must be missing something.
28:22How can you be sure of that?
28:24Well, it's no good
28:25asking us for our help
28:26if he's not trying
28:26to tell us how to help him.
28:29How many letters
28:30in the alphabet
28:30did we shift by?
28:32A through H,
28:33so seven.
28:35Try a nine.
28:36Why?
28:38Look at the four
28:39on the address.
28:40It looks like a nine.
28:41Let's try shifting
28:43the letters
28:43in Murdoch's note
28:44by nine.
28:50Still gibberish.
28:52Sometimes a smudge
28:53is just a smudge,
28:54I suppose.
28:55I'll dispatch some constables
28:56and retrace
28:57Detective Murdoch's steps.
28:58He was planning
28:59on tracking down...
29:00Lydia, look.
29:02R-A-L-P-H.
29:07Ralph.
29:08As in Ralph Fellows.
29:10The man who killed
29:10Murdoch's neighbor.
29:12And amongst other things.
29:14But he can't be involved
29:15in this.
29:16He's locked up
29:16in the loony bin.
29:17Not the Walsh Asylum.
29:19Yes, why?
29:21Detective Watts
29:22believes that a nurse
29:22working there
29:23is involved
29:24with the murder
29:24he's investigating.
29:27This must all
29:28be connected.
29:29And, Albert,
29:30I'm going to find out how.
29:32fuech
29:33costs
29:33of the
29:33help
29:33have
29:33been
29:33on the
29:33quest
29:33of the
29:33muerte they love
30:00the
30:00is
30:19Alone at last, Detective Murdoch.
30:22Would you care to have a chit chat?
30:25I have nothing to say to you.
30:27I have nothing to say to you.
30:32Say to you.
30:33Nothing.
30:38Well, I'm sure you're itching to find out what your fate is.
30:42You just have to ask.
30:46Actually, I'm more curious in finding out why it is that you remain fixated on me.
30:55Fixated?
30:57Fixated.
30:57Fixated.
30:58Do you deny it?
31:00Do you deny it?
31:01Do you deny it?
31:04Mr. Fellows.
31:05Mr. Fellows.
31:10All right.
31:11Why do you keep repeating everything I say?
31:14Why do you keep repeating it?
31:16I'm sorry.
31:17Can you repeat the question?
31:18No, I can't re-
31:21What are you after, Fellows?
31:23What are you after, Fellows?
31:27So this is Mr. Fellows' room, but I should warn you, he's been confused lately.
31:31Confused how?
31:32Well, the doctor hasn't diagnosed him officially, but-
31:35It's Ralph Fellows.
31:37What's there to diagnose?
31:38The man's as nutty as a fruitcake.
31:39Now, please, open the door.
31:47Fellows?
31:49What are you reading?
31:52Who gave you Murdoch's book?
31:54Patients are permitted reading material.
31:56Not this patient, not this particular book.
32:00Now, what have you done with Murdoch?
32:01I am William Murdoch.
32:03Of course you are.
32:04And I'm General Custer.
32:05What are you doing?
32:06I'm taking the bandages off.
32:08You can't do that.
32:13Mr. Arbuckle?
32:14Please don't hurt me again.
32:15Oh, come on.
32:17What the hell's going on?
32:18Where is the real Ralph Fellows?
32:21Remind me, Detective, are you right-handed or left?
32:25Nurse Schmidt.
32:27It's Schmidt.
32:28And I don't have an inflammatory nurse.
32:31I beg your pardon.
32:32I am no nurse.
32:34But we have a problem.
32:36What?
32:36The police are here. We have to leave.
32:39No, no. We have to finish.
32:40But...
32:40But nothing! Prepare to operate!
32:44As you wish.
32:47This is over. Give yourself up and you may avoid the news.
32:52Well, I'm certain I will. But I'm not gonna surrender.
32:56History has shown how this is going to end. You are going to lose.
33:02Moments away from facing the knife,
33:05and you still belittle me instead of begging for freedom.
33:09That's hubris!
33:10You are a fool, Murdoch!
33:16Dr. Schmidt is ready to begin.
33:18And you?
33:20The police would not be on to us
33:22if you hadn't left the body where they could find it.
33:24The truck had broken down.
33:26And?
33:27I couldn't very well carry the body to the dump site.
33:31I did what I thought was best.
33:33If we do not get to finish this procedure,
33:36that little nurse friend of yours will be dead.
33:38D-E-A-D.
33:40Do you understand?
33:42Stop wasting time with arguing.
33:44If we begin now, we have half a chance of finishing.
33:47That's the spirit!
33:49When the police find us, I will have the face of the man
33:54that they are so desperate to save.
33:56That's what you're going to do?
33:58You're going to take my face off and wear it as your own?
34:02Finally, the great detective understands.
34:06But that's just half of the fun.
34:08I'm enjoying living the life I've deserved
34:11with my keen intellect
34:13and my handsome visage to the envy of all.
34:18You will still be here.
34:20You're never going to fool anyone, fellows.
34:23The constabulary are on their way.
34:25And when they get here, they'll find you in this asylum
34:28with my face.
34:31And who is going to believe anything
34:33that famed criminal madman Ralph Fellows says?
34:47This won't work.
34:49A surgery like this will kill us both.
34:51You must know that, Dr. Schmidt.
34:53The test case worked with flying colors.
34:56There is no reason to believe
34:58the full swab won't be equally successful.
35:07If we work together, we can...
35:10We need some music.
35:13Frankengillies.
35:15Mr. Marshall, please.
35:17I'm sorry.
35:19Please.
35:22What? What exactly am I looking at?
35:24I believe it's a surgical plan of sorts.
35:27I found it hidden on Nurse Smith's desk.
35:30You're saying that she was working with fellows
35:32to create a James Gillies look-alike?
35:35Yes, and that look-alike may be your former beau.
35:38So Ethan isn't missing?
35:39He's been surgically altered.
35:42Using the features of our patients?
35:44I know. It sounds strange.
35:46Well, that's the understatement of the year. That is what's.
35:48I don't understand why Ethan would agree to something like this.
35:51There will be time to figure that out later.
35:52Right now, we have to find Smith.
35:54We have to find Murdoch.
35:55If Smith is working with Ralph Fellows,
35:57they're likely together.
35:59Surely they're not planning to operate on him.
36:01We can't rule it out.
36:03Bloody hell.
36:05Is there an operating theatre in this place?
36:07Uh, one.
36:08But Dr. Chen has it booked all day.
36:09I can't think of where else they...
36:11When is it?
36:13It could be in the old morgue.
36:14It hasn't been used for years, but...
36:16Well, where is it?
36:17That way, in the basement.
36:28A very small cut.
36:30Here.
36:32And here.
36:36And here.
36:37And here.
36:39You're meant to be a caregiver.
36:41Whatever.
36:41Why would you agree to help Ralph Fellows with this plan?
36:44For such a renowned detective, you make many assumptions, don't you?
36:49So the plan to swap faces was yours.
36:51Why?
36:52I do not misunderstand.
36:56Ralph, of course, wanted to best you.
36:58That's all he ever talks about.
37:00Because for some reason, he's obsessed with me!
37:03Obsessed?
37:04Please.
37:05Don't exaggerate, Dr. Schmidt.
37:07I've talked about other things.
37:09But I was always interested in augmenting facial features.
37:14Simple procedures such as rhinoplasty no longer held my interest.
37:21I wanted something more.
37:24She is a visionary, Murdoch.
37:29I spoke with Emily.
37:31She would never want you to be involved in this.
37:36Emily, you've...
37:37So she's safe?
37:39Untie me and we can be sure of it.
37:43How?
37:44By overpowering them and escaping.
37:55I can do the other one.
37:57Untie my feet.
37:59What are you two whispering about?
38:01Oh, I'm... nothing.
38:04Good.
38:04Because we're about to get started.
38:07And as your second greatest foe, James Gillies, would say...
38:13This is going to be so much fun.
38:18I couldn't agree more.
38:26You're wrong, Mr. Marshall.
38:29You should have better not be leading us on a wild goose chase.
38:32Your shock seems sincere.
38:35Bloody hell.
38:36That's uncanny.
38:37I don't think so, Sunshine.
38:38You're under arrest.
38:40No, I didn't do any of this by choice.
38:42Of course you didn't.
38:43I swear.
38:44They said they would kill Emily if I didn't do what they told me to.
38:47Is Detective Murdoch in the moor?
38:48Yes.
38:49They're about to operate.
38:52I have to go.
38:53Don't go anywhere.
39:02You think you're so clever.
39:03When do you say it is, now?
39:05Not too much.
39:06I want him to be awake and aware of the fate that's about to befall you.
39:14I'm sorry, but they won't go to prison for you.
39:17Coward!
39:18I have to do everything myself!
39:20Get back!
39:21Get back!
39:22Drop the knife, fellas!
39:25Where is he?
39:26Looking for me?
39:36Until we meet again, detective.
39:39I'll go after him.
39:40Find Dr. Schmidt.
39:41I'll go after Schmidt.
39:50It's over.
39:51There's nowhere to go.
39:54You don't have me beat.
39:57Put that down.
39:59Not until it does what it's supposed to.
40:04You shouldn't leave things like this lying around.
40:23This isn't over.
40:25Oh, it very much is.
40:34So, was he really planning to take your face?
40:37And replace it with his own?
40:39Sounds like one of Crabtree's pulp novels.
40:41What about the hair?
40:43They didn't say.
40:45Even if he had managed to swap the hair, fellows would never have fooled anyone.
40:49Well, I'm not so sure about that.
40:50You can't be serious.
40:52When you shaved your mustache, I didn't recognize you at first.
40:56What's my mustache got to do with anything?
40:58It was your identifying feature.
41:01If it had appeared exactly as it was on someone else, I might easily have mistaken that person for you.
41:07Bollocks.
41:08I don't think it's bollocks.
41:10And that's just a mustache.
41:11Imagine a whole face.
41:13I bet most people wouldn't see anything out of the ordinary if Ralph fellows walked in wearing the detective's face.
41:23Luckily, we'll never have to find out.
41:25Any word on Dr. Schmidt's whereabouts?
41:28I've put out a citywide alert.
41:30We'll find out.
41:30As long as she keeps her own face.
41:35Detective, I owe you an apology.
41:40Forgive me, but those words coming from the mouth of James Gillies.
41:45Was he really as awful as I've heard?
41:50I feel terrible for the part I played in that mess.
41:54Will you ever be able to forgive me?
41:56Any debt you may have owed was repaid the moment you freed me from those restraints.
42:22You didn't really believe that you'd get away with this, did you?
42:27Come to gloat, have you?
42:29No, I'm genuinely curious.
42:34Did you truly expect that you'd be able to take over my life and no one would notice?
42:40I am certain of it.
42:44And you accuse me of being hubristic.
42:48Mr. Fellows, a person is more than a face, than a voice.
42:54I'm sure you thought my inferior mind would let me down.
42:59It's not just the mind that makes the man, Mr. Fellows.
43:03It's the soul.
43:05It's the soul.
43:08Please, that's just a pretty idea to keep idiots in line.
43:14I shouldn't be surprised you feel that way.
43:17Goodbye, Mr. Fellows.
43:22Goodbye, Mr. Fellows.
43:26I am William Murdoch.
43:30I am William Murdoch.
43:34I am silly.
44:03Remember any resources you like today for this year?
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