- 2 hours ago
Shortly after the start of World War II, a ukulele player takes the wrong boat and finds himself in, still uninvaded, Norway.
George Formby - George Hepplewhite
Phyllis Calvert - Mary Wilson
Garry Marsh - Mark Mendez
Romney Brent - Slim Selwyn
Bernard Lee - Oscar
Coral Browne - Iris
Helena Pickard - Oscar's Wife
Percy Walsh - Schwartz - Spy Chieftain
Diana Beaumont - Greta - Hotel Receptionist
Torin Thatcher - U-Boat Commander
Donald Calthrop - Frederick Strickland
Hal Gordon - Alf Arbuckle - Dinky Doo
Johnnie Schofield - Solicitous Steward (as Johnny Schofield)
Daniel Brown - Baker
Alec Clunes - Officer
Walter Fitzgerald - Dockside Policeman
Ian Fleming - Colonel Harcourt
Jack Hobbs - Conway
James Knight - Passenger on SS Macaulay
Albert Lieven - German Radio Operator
Charles Paton - Simion
Lloyd Pearson - Hotel Manager
Bill Shine - Untipped Steward
Ronald Shiner - Musician
Ben Williams - Radio Operator on SS Macaulay
Ian Wilson - Parker - Dinky Doo
Director - Marcel Varnel
George Formby - George Hepplewhite
Phyllis Calvert - Mary Wilson
Garry Marsh - Mark Mendez
Romney Brent - Slim Selwyn
Bernard Lee - Oscar
Coral Browne - Iris
Helena Pickard - Oscar's Wife
Percy Walsh - Schwartz - Spy Chieftain
Diana Beaumont - Greta - Hotel Receptionist
Torin Thatcher - U-Boat Commander
Donald Calthrop - Frederick Strickland
Hal Gordon - Alf Arbuckle - Dinky Doo
Johnnie Schofield - Solicitous Steward (as Johnny Schofield)
Daniel Brown - Baker
Alec Clunes - Officer
Walter Fitzgerald - Dockside Policeman
Ian Fleming - Colonel Harcourt
Jack Hobbs - Conway
James Knight - Passenger on SS Macaulay
Albert Lieven - German Radio Operator
Charles Paton - Simion
Lloyd Pearson - Hotel Manager
Bill Shine - Untipped Steward
Ronald Shiner - Musician
Ben Williams - Radio Operator on SS Macaulay
Ian Wilson - Parker - Dinky Doo
Director - Marcel Varnel
Category
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Short filmTranscript
00:01:45Good evening, everybody.
00:01:46This is Mark Mendes and his music broadcasting from the majestic Hotel Bergen.
00:01:50Our next number will be, Oh, Don't the Wind Blow Cold.
00:02:51Oh, hello.
00:02:52Is that you, Mark?
00:02:53Strickland speaking.
00:02:54Good news for you.
00:02:56I got you a youth player.
00:02:57Yeah.
00:02:58He's a first-class man.
00:03:00His name's Bill Norman.
00:03:03Who?
00:03:04Norman?
00:03:05Norman?
00:03:06Oh, the fellows with Cortez.
00:03:08That's swell.
00:03:10Leon.
00:03:11Yeah, what a terrible business.
00:03:14No, no, no.
00:03:15The police are absolutely baffled.
00:03:17The gun must have been fitted with the silencer.
00:03:20How soon can Norman get here?
00:03:21He's selling on the Marmors lift tonight.
00:03:23Maybe you can send one of the boys down to meet him.
00:03:25Yes, yes.
00:03:26Slim will go and meet him at the docks.
00:03:28Okay, that's fine.
00:03:29Well, Colonel, let's settle.
00:03:32Winnie.
00:03:32Yes, sir.
00:03:33Ginger up that call to Bill Norman.
00:03:35You're sure he's an absolutely reliable man.
00:03:37Colonel, have I ever let you down?
00:03:38On the contrary.
00:03:39Intelligence is deeply indebted to him.
00:03:42Hello, hello.
00:03:43Strickland speaking.
00:03:45Is that you, Bill?
00:03:46All set to sail?
00:03:47Fine.
00:03:48Hold the line.
00:03:49Colonel Hargert wants to speak to you.
00:03:52How do you do, Mr. Norman?
00:03:53I understand Mr. Strickland has explained the importance of this job.
00:03:57Our agent in Bergen will contact you as soon as you arrive,
00:03:59and I'm sending my assistant, Conway, to see you on board tonight.
00:04:02Dover Harbor Station, 9 sharp, under the clock.
00:04:06Yes, sir, I'll be carrying my Uke case.
00:04:07Goodbye.
00:04:08Good luck.
00:04:10Better get going, Conway.
00:04:11Yes, sir.
00:04:13So long, Mr. Strickland.
00:04:14So long.
00:04:16Well, what's it all about this time, Colonel?
00:04:18Don't tell me you've got something on the great Mindy's.
00:04:20He's the chief Nazi agent in Bergen.
00:04:22A British subject spying for Hitler?
00:04:24Born in Hamburg.
00:04:25A very dangerous man.
00:04:27He's collecting information about merchant shipping and passing it on to U-boats.
00:04:30Yeah, but...
00:04:31How do you manage to tip them off?
00:04:32Well, that's what Leon was trying to find out when Mindy's killed him.
00:04:36Yes?
00:04:37Excuse me.
00:04:38Well, I must be going.
00:04:39Goodbye, and thanks very much.
00:04:40No, no, big Colonel.
00:04:41Anything, anytime.
00:04:43Yes?
00:04:43Central Pier Blackpool, sir.
00:04:45They want a concert party to open Monday night.
00:04:47Well, we've got one to send them, haven't we?
00:04:48I don't think so, sir.
00:04:49Yes, we must.
00:04:50Here.
00:04:51Here we have the dinky-doos.
00:04:52They arrive at Dover tonight.
00:04:54Go down and catch them before they split up and send them up to Blackpool.
00:04:56What, me?
00:04:57Go down to Dover tonight?
00:04:59In the blackout, sir?
00:05:00Yeah, better go at once.
00:05:01But, uh, I've made all arrangements.
00:05:03It's my night for ARP.
00:05:05Here's a quid.
00:05:06Take her with you.
00:05:07But I...
00:05:07Go on.
00:05:08Mind you back there, please.
00:05:12Mr. Stationmaster, I'm looking for the dinky-doos.
00:05:15Uh, first are on the left, sir.
00:05:16Uh, no, no.
00:05:17They're Mr. Strickland's concert party.
00:05:19Concert party.
00:05:19Oh, they came in a quarter of an hour ago, sir.
00:05:21That way.
00:05:22Uh, thanks so much.
00:05:23My wife and I go on the Bergen boat.
00:05:24What use is one berth in one cabin for me and another berth in another cabin for my wife?
00:05:28She gets sick, what do I do?
00:05:29I'm sorry, sir, but the boat's full.
00:05:30I will not permit my wife to be partied from me, sir.
00:05:33If we are sick, we must be sick together.
00:05:34I'm sorry, sir, but I cannot help you.
00:05:37Excuse me, are you a dinky-doos?
00:05:38She is not.
00:05:39She's a respectable married woman.
00:05:40Go away.
00:05:41Well, here we are, boys and girls.
00:05:42Home sweet home.
00:05:43There's no place like home.
00:05:45Oh, what be if we could say it?
00:05:46Oh, say you were the dinky-doos.
00:05:49Well, we were.
00:05:50Bless my soul, it's simmy.
00:05:51How are you?
00:05:52Oh, thank goodness.
00:05:54Mr. Strickland sent me down.
00:05:56He's got you a date up in Blackpool.
00:05:57Opening on Monday.
00:05:58Blackpool's Monday?
00:05:59Yes, you've got to go straight up there tonight.
00:06:02Now, are you all here?
00:06:03Yes, I think so.
00:06:04Well, let's see.
00:06:05Alf?
00:06:07Parker, Mabel, Gladys, Hepplewhite.
00:06:10Where's Hepplewhite?
00:06:11Where?
00:06:16Oh.
00:06:17Hey, turned out nice again, wasn't it?
00:06:20So, that's the lot, then.
00:06:21If you'll all come to the refreshment bar with me,
00:06:24I'll give you all your tickets.
00:06:25Hey, hey, hey, Alfie, we don't want to lose you.
00:06:27Give us your hand.
00:06:28Here, you take mine, Ted, you take Mabel's.
00:06:30Then we'll all keep together.
00:06:31Give me your hand, George, quick.
00:06:32Oh, it's cold.
00:06:33I've got my hand is for ukulele.
00:06:35Hey, hey, hey, wait a minute.
00:06:36I've left me back.
00:06:38Don't go.
00:06:38Wait a minute.
00:06:39Wait for me.
00:06:39I can't find it.
00:06:40Where's my bike?
00:06:41Oh!
00:06:42Be careful, darling.
00:06:43Here, let me go first.
00:06:44Give me your hand.
00:06:47Hey, look, Alf.
00:06:48Please, mind what you're doing.
00:06:49Well, I can't find my hand.
00:06:50Are you all right, dear?
00:06:51Come on.
00:06:52There we are.
00:06:52I've got it.
00:06:53Give me a hand.
00:06:54Oscar?
00:06:55Yes, dear?
00:06:56Someone's got to hold my hand.
00:06:57It's all right, darling.
00:06:58It's me.
00:06:59No, my other hand.
00:07:01Oh, it's a strange man.
00:07:02What?
00:07:03Please, let go of my wife's hand.
00:07:05Leave off, Ted.
00:07:06This is no time for kidding.
00:07:07Give over, Gladys.
00:07:08This is my wife.
00:07:09How can Gladys be your wife when you're already married?
00:07:12That'd be arson.
00:07:13It's not Gladys.
00:07:15Look for yourself.
00:07:18Hey, you're right.
00:07:20It isn't Gladys.
00:07:21I beg your pardon, Monsieur.
00:07:22I thought you were a dinky-do.
00:07:23For the second time, she's not a dinky-do.
00:07:26And leave go of her hand.
00:07:27Oh, oh, so you'd strike me, eh?
00:07:30No.
00:07:30Police.
00:07:31No, I'm, I'm, I'm...
00:07:32Police.
00:07:32I didn't know what's like...
00:07:34You're choking me.
00:07:35I don't laugh.
00:07:36Oh, oh, you kicked me out of the...
00:07:38Oh, oh, police.
00:07:40Police.
00:07:42Police.
00:07:43Excuse me.
00:07:44Excuse me.
00:07:45Excuse me.
00:07:47Ah, now, sir.
00:07:48You have never set eyes on me before, have you?
00:07:50No, I've never.
00:07:52You've never seen me before.
00:07:53No, I remember your face now.
00:07:55Allow me, sir.
00:07:56What do you be here?
00:07:56A musical instrument in case.
00:07:59I put it on the table so,
00:08:00I cover it up with the old school tie,
00:08:02and I've passed the fluence through it.
00:08:04Now, then, watch me closely, ladies and gentlemen.
00:08:06I have nothing up my sleeves.
00:08:07Not even a shirt.
00:08:10Voila.
00:08:11Now, sir.
00:08:12Open your case.
00:08:14What do you be here?
00:08:16And there I do, ladies and gents,
00:08:17from his grandpa who fell at Waterloo,
00:08:19or was it King's Cross?
00:08:20And here, sir,
00:08:22is your ukulele.
00:08:23If music be the food of love,
00:08:25play on, make tough, play on.
00:08:26But we haven't got time to do all that.
00:08:27We'll miss the train.
00:08:28Go on, George, you've got an audience.
00:08:30I'll go around with a tip,
00:08:30but then we'll eat tonight.
00:08:31Hey, hey, that'll be another tip.
00:08:33Come on.
00:08:37Now, in our family, we've got a hairlu.
00:08:41They handed it to me a year ago.
00:08:45It's been in our possession since Grandad was a lot.
00:08:49I'll tell you what it is, and then you'll know.
00:08:52It's been Grandad's flannelette night, sure.
00:08:57In it, I was christened one day.
00:09:00Down at the church, they were in the world.
00:09:04No one seemed to know if I were boy or girl.
00:09:08They'd add one or two, and he's wearing a mesh.
00:09:12But it's all right, said the preacher, rather curt.
00:09:16I've been in another quiz, and I've found out what it is
00:09:20by his Grandad's flannelette shirt.
00:09:22Holy lordy, his Grandad's flannelette shirt.
00:09:27In 1810, Grandfather joined the army
00:09:31to fight Napoleon across the sea.
00:09:35You've heard about the battle they had at Waterloo.
00:09:39But what was it that brought us victory?
00:09:42Why, my Grandad's flannelette night shirt
00:09:47It saved old England that day.
00:09:52Bonaparte said we are undone
00:09:54And even Josephine put her gas mask on
00:09:58She shot our colours down and captured our flag
00:10:02But we were not down-hearted, it's a search
00:10:05For flying in the gale
00:10:08Everyone could see the tale of my Grandad's flannelette shirt
00:10:13Lordy, lordy
00:10:14My Grandad's flannelette shirt
00:10:18The other day I got an invitation
00:10:21To go and join a nudist colony
00:10:26And as the life was healthy
00:10:28And in the open air
00:10:30I trotted off as happy as can be
00:10:33With my Grandad's flannelette night shirt
00:10:38I walked up to the door
00:10:42Someone said, now don't make a fuss
00:10:45Just take off your clothes and you'll be like us
00:10:49Well, I was bashful, so I stayed to myself
00:10:53For with the girls I didn't want to flirt
00:10:57But when I was asleep
00:10:59They all came and had to be
00:11:01At my Grandad's flannelette shirt
00:11:04Lordy, lordy
00:11:05They all came and had to be
00:11:38For with the girls I didn't want to flirt
00:11:39Lordy, lordy
00:11:40They all came and had to be
00:11:41At my Grandad's flannelette shirt
00:11:45Hello, George
00:11:4914 and 6, George
00:11:50Good work
00:11:51She's leaving in five minutes
00:11:52I'll see to the heavy luggage
00:11:53And meet you on board
00:11:56Who's that?
00:11:56Jack from Strickland's
00:11:57Oh, of course, you haven't heard the glad news
00:11:59Freddy Strickland's booked
00:12:00To Central Pier Blackpool
00:12:01We open Monday
00:12:01Go on
00:12:02That's right
00:12:03We've got to get up there straight away
00:12:04Here, but it'll take a long time to be trained
00:12:07Join my boat, old boy
00:12:09The railways have all been commandeered
00:12:10By the Ministry of Information
00:12:11Oh, fancy no trains
00:12:13In fact, didn't you hear that chap say
00:12:15He'd meet us aboard?
00:12:16Oh, yes, I did
00:12:17Come on, boys and girls
00:12:18We can't keep the Queen Mary waiting
00:12:19Five a tuppence, please
00:12:20Your turn to push the boat out, George
00:12:22What, the Queen Mary?
00:12:23No, you're round
00:12:24And, George, bring my bags along
00:12:25There's a pal
00:12:25Well, wait for me
00:12:26Five a tuppence, please
00:12:30Here, what's this?
00:12:32A trouser button?
00:12:34Trouser button?
00:12:35Well, I'll go to our house
00:12:36I've gone and given that port a sixpence by mistake
00:12:39Goodbye
00:12:46Just a minute
00:12:56Oh, what's to do?
00:12:58I thought you were never coming
00:12:58We must hurry
00:12:59She sails in a few minutes
00:13:00Are you the chap from Strickland?
00:13:02Sure, my name's Conway
00:13:03Afraid you won't have a very comfortable voyage
00:13:05She's packed out
00:13:06Oh, I don't mind
00:13:07It's the job of the other end
00:13:08I'm looking forward to it
00:13:09Sounds champion
00:13:10You'll have quite an exciting time
00:13:11I'll bet I will
00:13:12You'll find Mary Wilson
00:13:13A grand person to work with
00:13:15Have I got to work with a woman?
00:13:16Of course, didn't you know?
00:13:17She'll contact you
00:13:18A moment to arrive
00:13:19See, fancy that
00:13:21What do we do
00:13:22The usual croft dark act?
00:13:24Oh, sir
00:13:24She'll say to you
00:13:25Do you take early morning tea?
00:13:26Your reply is no thanks
00:13:27Just a glass of orange juice
00:13:29Hey, nobody will think anything funny about that
00:13:31No, no, it's perfectly safe
00:13:32Now, remember
00:13:33She'll say
00:13:33Do you take early morning tea?
00:13:35Then you give her the answer
00:13:36Oh
00:13:40Here's your ticket
00:13:41Have all the others done aboard?
00:13:42It looks like in here
00:13:43This is your expense
00:13:44A seventy-five
00:13:46Seventy quid?
00:14:16Goodbye, the best of luck to you
00:14:17Well, I'll bet that'll be okay with him
00:14:19If the missis don't object
00:14:20Idiot!
00:14:21My wife will come into number six with me
00:14:23But you can't shove the gent in here
00:14:25What about the lady in the upper berth?
00:14:27It's all right, Oscar
00:14:28I shall be quite safe
00:14:29Well, if you are disturbed
00:14:31I can call for me
00:14:32Good night
00:14:36Good night
00:14:39Good night, sir
00:14:40Eh?
00:14:42Oh
00:14:43Here you are
00:14:44Thank you, sir
00:14:44Good night
00:14:48Good night
00:14:49Now, Thompson
00:14:50Yes, sir?
00:14:51There'll only be one lady, number nine
00:14:52Upper berths councillor passage
00:14:53Very good, sir
00:14:54We'd better tell the lower berths husband
00:14:56I think you'll want to move in with her
00:14:58Yes, sir
00:14:58I'll tell him
00:15:01In the morning
00:15:11Nothing hot in picture, sir?
00:15:14Not feeling well, sir?
00:15:15No
00:15:16Ah, that's what they call a groundswell
00:15:19Had your supper, sir?
00:15:20I had it, but I haven't got it now
00:15:22Bob, are you sure I still have a light in your cabin?
00:15:24Shall I help it out of it, sir?
00:15:25Oh, must you?
00:15:27Well, I can't bring the cabin up, sir
00:15:28Can't you?
00:15:30I could
00:15:30Ha!
00:15:31You'll be all right when the moon comes up
00:15:33Oh, what's that going to come up to?
00:15:36What's your number, sir?
00:15:41Nine
00:15:42Ah, that's half, sir
00:15:44Where's it after?
00:15:45I'm a stranger on this ship
00:15:46This way, sir
00:16:01Excuse me, sir
00:16:02Are you the gentleman who ordered a Welsh rabbit?
00:16:04No
00:16:08Oh, my God
00:16:17Let's go
00:16:18Ah, that's half
00:16:27Oh, my God
00:16:28Oh, my God
00:16:30Oh, my God
00:16:30Oh, my God
00:16:40Oh, my God.
00:17:27Oh, my God.
00:17:40Oh, my God.
00:17:40Oh, my God.
00:17:41Oh, my God.
00:17:41Oh, my God.
00:17:43Oh, my God.
00:17:44Oh, my God.
00:18:05Oh, my God.
00:18:19Oh, my God.
00:18:24Oh, my God.
00:18:25Oh, my God.
00:18:26Oh, my God.
00:18:29Oh, my God.
00:18:33Oh, my God.
00:18:36Oh, my God.
00:18:52Excuse me!
00:18:58Excuse me, come by down the way.
00:19:05Excuse me!
00:19:06Excuse me!
00:19:07Excuse me!
00:19:07Excuse me!
00:19:10Let me take your back, sir.
00:19:12Thanks. I won't run faster without him.
00:19:13Which is the way out? I'm going to be into the customs, sir.
00:19:16Customs? What fancy customs?
00:19:18I like me.
00:19:20Amazing, sir.
00:19:26Excuse me!
00:19:29Is there a lot of foreigners about?
00:19:30Yes, sir. You've got all kinds in Bergen.
00:19:33What?
00:19:35Bergen? This is Blackpool.
00:19:37No, sir. Bergen.
00:19:38Yes, sir. Bergen.
00:19:39Oh, mother, I've got to get back.
00:19:41Tell the captain he's got to take me back to Blackpool.
00:19:43I'm a dinky-do.
00:19:44Mister, look.
00:19:46I've got the wrong boat, I've got the wrong luggage,
00:19:47and I'm in the wrong place.
00:19:48Right.
00:19:50Oh, please, ask the captain if he'll take me back, will you?
00:19:52He'll take you back, sir, but you've got to go to Iceland first.
00:19:55Iceland? Oh!
00:19:56I'll get my death a cold.
00:19:58You are undone?
00:20:00Yes?
00:20:00No, but I will be undone if I don't get back to Blackpool.
00:20:03The key?
00:20:04It doesn't belong to me. It's Mr. Arbuckles.
00:20:07Yes, that is nice.
00:20:08Have you anything to declare?
00:20:10No, nothing.
00:20:11Nothing, eh?
00:20:12Look! See a class!
00:20:16Ah, joke, eh?
00:20:18Eh?
00:20:18Yes.
00:20:19Have I...
00:20:21No.
00:20:23Explain, please.
00:20:25Eh, look!
00:20:26It's empty.
00:20:32What is this?
00:20:33Open, please.
00:20:34Me, open?
00:20:35Please.
00:20:36I was afraid of that.
00:20:40See? Look, nothing in it.
00:20:44You have a look.
00:20:47Bonjour, eh?
00:20:48You give me the bird, eh?
00:20:50No.
00:20:51I didn't know it was there, mister.
00:20:52Also, you did not know this was there.
00:20:55On this.
00:20:56On this.
00:20:57A lot of nothings, eh?
00:20:59Well, it isn't mine.
00:21:00It belongs to Mr. Arbuckle.
00:21:02And where's Mr. Arbuckle?
00:21:03I don't know.
00:21:04Perhaps it's in here, too.
00:21:06And what's this?
00:21:07And this?
00:21:09Tobacco, eh?
00:21:10No, I don't know.
00:21:11I don't know what it is.
00:21:11Then I've read this to fancy.
00:21:13No!
00:21:13You must know it belongs to Mr. Arbuckle.
00:21:15Give it to me.
00:21:19He assaulted my wife.
00:21:20Most disgraceful behavior.
00:21:22And I want him arrest him.
00:21:29There he is!
00:21:31Officer, arrest that man!
00:21:33You hurt me!
00:21:34Arrest him!
00:21:36Arrest him!
00:21:38Arrest him!
00:21:41Arrest him!
00:21:43Arrest!
00:21:44Arrest him!
00:21:46Arrest him!
00:21:48Arrest him!
00:21:49Arrest him!
00:21:50Arrest him!
00:21:54Arrest him!
00:21:54Oh, there you are.
00:21:55In here.
00:21:56Oh, thanks!
00:22:01Arrest him!
00:22:01Stop that, Jackie!
00:22:02Well, first of a hurry!
00:22:03Whoah, you don't know what a pal you've been to me.
00:22:06Oh, not at all.
00:22:06I'm Slim Selwyn.
00:22:07Mark Mendez sent me to meet you.
00:22:10Who? Mendez?
00:22:12You're Bill Norman, aren't you?
00:22:13No, I'm George Applewhite.
00:22:14You see, what happened was I got in the wrong cabin...
00:22:16Well, if you're not Bill Norman, what are you doing with that uke?
00:22:18I play it. I'm a dinky-do.
00:22:20A dinky-what?
00:22:21A dinky-do. You know, the dinky-do's concert party when I went to Blackpool for the season.
00:22:24Well, what are you doing here in Bergen?
00:22:26One of Strickland's chaps put me on the boat.
00:22:28Well, he did, did he?
00:22:29Yes, well, I didn't know...
00:22:30Oh, I see what happened.
00:22:32Strickland was sending Mendes a new uke player.
00:22:34Unless he couldn't get Bill Norman, he sent you instead.
00:22:37Well, me?
00:22:38Well, I'm not that good, but I've never played with anybody as good as Mark Mendes before.
00:22:42Well, if you've got anything, your fortune's made.
00:22:45Here we are.
00:22:45You go in and register, and I'll explain to Mr. Mendes.
00:22:54Ah! Oh!
00:22:56I'm sorry, I beg your pardon.
00:22:58I'm sorry, let me walk.
00:22:59Oh!
00:23:00Oh!
00:23:01I'm sorry, I beg your pardon.
00:23:02Here we go.
00:23:04Oh, sir.
00:23:05How do you do?
00:23:05Good morning, sir.
00:23:06We've a room reserved for you on the first floor.
00:23:09Oh, did you know I was coming?
00:23:10You're Mr. Mendes, isn't you a ukulele player, aren't you?
00:23:12Yes, that's right.
00:23:13That one may probably help me.
00:23:15Mr. Strickland sent you, didn't he?
00:23:16Yes.
00:23:17Fancy you knowing all that.
00:23:19Do you take early morning tea?
00:23:23If you want me to.
00:23:25I said, do you take early morning tea?
00:23:29Yes, sweet.
00:23:30I mean, for lumps.
00:23:32I've just seen Mendes.
00:23:33Oh, yes, what did he say?
00:23:34He wants to hear what you can do.
00:23:35What now?
00:23:36Yes, the boys are rehearsing.
00:23:37I'll take you along.
00:23:37Oh, please.
00:23:39Let me go first.
00:23:42Oh!
00:23:43Good morning, Mrs.
00:23:46One bedroom for myself and my wife.
00:23:48One, you understand?
00:23:50One!
00:23:51Yes, sir.
00:23:52Will you register?
00:23:54Rita, will you take over for a minute?
00:23:55I just want to write a note.
00:24:11Here he is, Mark.
00:24:12George Hepplewhite.
00:24:13Mr. Mendez.
00:24:14Pleased to meet you.
00:24:14Well, I don't know your name, but maybe you'll fill the gap.
00:24:16Thank you, Mr. Mendez.
00:24:17Mrs. Aris.
00:24:18Oh, now, whether what I'm in.
00:24:20Well, better see what you can do, Mr. Hepplewit.
00:24:22Eh, Hepplewhite.
00:24:23Pardon?
00:24:24Granted.
00:24:25Excuse me.
00:24:27Here.
00:24:27Here.
00:24:28Do you know Mr. Wu's a window cleaner now?
00:24:30I don't care if he's a vacuum cleaner.
00:24:31All I want to know is, can you play the uke?
00:24:33Yes, yes.
00:24:34You listen.
00:24:37Mr. Wu no longer has a laundry.
00:24:42Sad to say, the business was a flop.
00:24:45He shouted, what a hope, as he chewed a bar of soap.
00:24:50And then put up the shutters of the shop.
00:24:53Said, Mr. Wu, what shall I do?
00:24:58And Mr. Wu's a window cleaner now.
00:25:02The laundry, it didn't pay.
00:25:06Now there's no clean collars down Limehouse Way.
00:25:11When he goes out working, interest he arouses.
00:25:15Polishing the windows with worn out ladies' blouses.
00:25:19He wears a pair of gummy nicks to save his Sunday trousers.
00:25:23Cause Mr. Wu's a window cleaner now.
00:25:27Now little Chinese wifey, each day is getting madder.
00:25:32Tearing her silk stockings, her husband makes her sadder.
00:25:36All day long he wants to keep on running up the ladder.
00:25:40Cause Mr. Wu's a window cleaner now.
00:25:51A cha, a cha, a cha, a cha, a cha, cha.
00:26:00With a high day high and a one long two.
00:26:02He had his eyesight tested, a most important matter.
00:26:07Through a bathroom window, a lady he keeps hatter.
00:26:11His eyesight's getting better, but his nose is getting flatter.
00:26:15Cause Mr. Wu's a window cleaner now.
00:26:19Said Mr. Wu, what shall I do?
00:26:23And Mr. Wu's a window cleaner now.
00:26:28The laundry, it didn't pay.
00:26:32Now there's no clean collars down Limehouse Way.
00:26:37Customers he's watched for now are in bad humours.
00:26:41They feel quite neglected, and I've heard the rumours.
00:26:46Lots of girls on winter nights go out without their garchers.
00:26:50Cause Mr. Wu's a window cleaner now.
00:26:53No, no, no, no.
00:27:12Halle.
00:27:15Do I get the job?
00:27:17Well, you're not bad.
00:27:18I want somebody at once.
00:27:20I'll give you 20 quid a week.
00:27:22How much?
00:27:22Well, make it twenty-five.
00:27:24Twenty-five?
00:27:25Well, I can't pay any more. Take it or leave it.
00:27:27I'll take it.
00:27:28Mark, you want it on the phone?
00:27:29Carry on, Scruffy.
00:27:30Come on, boys. Just slow it over again.
00:27:33Just a minute. I'll bust a string.
00:27:35Okay.
00:27:35Right.
00:27:45Let's take the last bit of bars again.
00:27:50Well, didn't I tell you?
00:27:51Oh, look what I've found in my suitcase.
00:27:53Meet me tonight after the showroom 64, M.
00:27:56Well, I don't know anybody in Bergen.
00:27:58You don't, eh?
00:27:59For who?
00:28:00M.
00:28:02Well, it's from Mendez, of course.
00:28:03Mr. Mendez?
00:28:04Sure. Room 64. That's where he signs his contract.
00:28:06Is he really?
00:28:07Oh, fancy. Twenty-five quid.
00:28:08Well, why should Mendez come and see me?
00:28:10Come on. Come on.
00:28:11We need you. Hurry up.
00:28:11All right. I'm coming.
00:28:15I have them orchestrated and put them on my next broadcast.
00:28:18Now, goodbye.
00:28:20Three merchant ships and the Newcastle Bergen boat.
00:28:23Tomorrow night's broadcast.
00:28:25Look at this one.
00:28:28Well, what about it?
00:28:29Hepplewhite found it in his Uke case.
00:28:31He doesn't know a soul in Bergen.
00:28:33Hey, someone's tried to contact him. Undercover.
00:28:36Maybe this was meant for Norman, and they didn't know this boob had turned up instead.
00:28:42If he is a boob, he might be another British agent.
00:28:46His passport will tell us that. How?
00:28:48Microscopic sign on the photograph.
00:28:50A British agent's used for mutual identification. Get hold of it.
00:28:53By force?
00:28:54Oh, dear. Fascination.
00:28:56Park yourself in room 64.
00:28:58If anyone comes in but Hepplewhite, it's our friend M.
00:29:00A British agent.
00:29:00What makes me feel about the British agent in the streets with my country.
00:29:01He'll kill the British man.
00:29:04Call me back, he'll kill him for anything.
00:29:18His wife, a British agent.
00:29:19The British agent.
00:29:20Woah.
00:29:20Oh, dear.
00:29:22A British agent.
00:29:24I'm at the British.
00:29:25I'm at the British.
00:29:25A British.
00:29:25A British.
00:29:25A British.
00:29:29A British.
00:29:40Oh, beg your pardon, I thought this was room 64.
00:29:43So it is. Come and sit down, won't you?
00:29:47Thanks very much. I've come here to meet Mr. Mendez.
00:29:53Oh, well, I think I'd better wait outside.
00:29:57And I'm frightened I might break my contract.
00:30:00You're not scared of me, are you?
00:30:01No, I'm scared of me.
00:30:03Nonsense. Then sit down.
00:30:06Well?
00:30:13Do you care for one night of love?
00:30:15Mother!
00:30:16What's the name of my perfume?
00:30:18Nice indeed.
00:30:20I'd better not sniff anymore. There won't be enough left to go round.
00:30:22We'll put some behind your ears.
00:30:24No, I can't sniff behind me unless I jerk my head round quick.
00:30:26No, you tickle it, don't.
00:30:29Oh, there. Now you've made me spill some on your coat.
00:30:32Let me rub it off.
00:30:36No, stop it. It tickles.
00:30:39How strong you are.
00:30:40Do you think so?
00:30:41Do you know what they say about me back home?
00:30:43I've got the eyes of an ox, the strength of a fox,
00:30:45the speed of a hair, and the brains of an ox.
00:30:48Hey.
00:30:49I've got that wrong somewhere.
00:30:51You must be strong.
00:30:52I've never seen a man with such broad shoulders.
00:30:55No, I don't suppose you have, but most men have the shoulders up here.
00:30:58Oh, yes, but the muscle will go right down here.
00:31:01Then with me bicycle and muscle.
00:31:03Now go where you're tickling me, you cheeky bastard.
00:31:07Come where you're tickling me.
00:31:08Well, there. Well, then, I'm going to fall.
00:31:11Whoa, whoa, whoa, whoa.
00:31:12Come back here.
00:31:12I'm going to get here.
00:31:14No, I'm going to go.
00:31:15Hey.
00:31:20I'm going to fall.
00:31:21I'm out of here.
00:31:23I'm going to fall.
00:31:23What?
00:31:24What's the matter?
00:31:25The, uh...
00:31:31Ah!
00:31:31Come on!
00:31:36You're dropping your head off the little bar!
00:31:40Oh!
00:31:43You again!
00:31:44So you'll throw sheilings at me now!
00:31:47I'll get away.
00:31:48Oh, Becky Parkle.
00:31:50Oh, it's a mannequin!
00:31:52Oh!
00:32:00What? Another one? What sort of a hotel is this?
00:32:04You picked a fine time to play around with your girlfriend.
00:32:07Me? No, you're wrong. I don't want the hotel to think that I was...
00:32:11I never met her before this morning.
00:32:13Fast worker, eh?
00:32:14No, it was her. She wouldn't let me alone. She's had her eye on me ever since I came here.
00:32:18I wonder if she's working for Mendy's.
00:32:21Of course she is, didn't you know?
00:32:23I see. You are a fast worker.
00:32:27Now, listen. I've discovered the secret of Mendy's success. You see...
00:32:31There's nothing clever about that. It's his music, of course.
00:32:34So you've tumbled to it, too.
00:32:38And I thought I'd been smart.
00:32:40It's as plain as the nose on your face.
00:32:42Oh.
00:32:43No, I didn't mean that. Yours is a nice nose. And I like your face, too.
00:32:47Yours would be a nice face even without a nose.
00:32:50Never mind that, now. It was Leon who first got on the track.
00:32:54He noticed that fresh U-boat sinkings followed each of the Mendy's broadcasts.
00:32:57U-boats? Mendy's?
00:32:58Poor old Leon was killed the day after that.
00:33:00Killed? But...
00:33:01Now, look here. Will you let me finish?
00:33:03I realized, then, that Mendy's must be using a musical code to send his shipping information to the U-boats.
00:33:08And that's where you come in.
00:33:10You've got to get the key to that code.
00:33:12Me?
00:33:13Well, the British Intelligence Service didn't send you out here to twiddle your thumbs.
00:33:16British Intelligent? But I'm not intelligent.
00:33:19I'm a dinky-doo.
00:33:21A what?
00:33:22But you're Bill Norman, aren't you?
00:33:25No.
00:33:26I'm George Applewhite.
00:33:27There's been a mistake.
00:33:28But if you thought that I was, then you must be a...
00:33:32You're not a young lady at all.
00:33:33You're a British spy.
00:33:35Oh, fancy. I didn't know they had spies like you.
00:33:39Oh, what a colossal fool I've made of myself.
00:33:42Aye, what a muck-up I've landed myself in.
00:33:45But now that you know, you've got to keep quiet about this. Promise?
00:33:49Cross my heart.
00:33:52I'll go further than that for you, miss.
00:33:54How far would you go?
00:33:55As far as you like.
00:33:57You would?
00:33:57Yes.
00:33:58Splendid.
00:33:59You realize, of course, this is dangerous work.
00:34:01Yes.
00:34:02What?
00:34:02Mendes is a killer.
00:34:03But once you've got the key to his code, we've settled his hash for good.
00:34:07Oh.
00:34:07Well, perhaps I'm not the right chap for the job after all.
00:34:11Scared?
00:34:12No, not scared.
00:34:13But my mother wouldn't like me to get mixed up in anything underhanded.
00:34:17I thought so.
00:34:20I don't suppose you would see anything underhand at all in Mendes sinking a lot of unarmed merchant ships?
00:34:26Oh, yes, I do.
00:34:27But you must understand that...
00:34:28Well, you can blame yourself if your mother has to go without her breakfast bacon for the rest of the
00:34:32war.
00:34:32Well, the way that...
00:34:33Goodbye, Mr. Hebelwhite.
00:34:34Just go on playing your ukulele while other people's ships go down.
00:34:38Yes, but I...
00:34:40For let me...
00:34:41I'll tell her.
00:34:46Soz.
00:34:47Coming in here as cool as you like.
00:34:50Treating me like a piece of dirt.
00:34:52Who does she think she is?
00:34:54Secret agent.
00:34:57Mendes, a German spy.
00:34:59Tell it to me, Aunt Fanny.
00:35:02Don't you think it does seem a bit funny?
00:35:03That fellow sending me upstairs.
00:35:05I'm not going to get myself bumped off like the other fellow did.
00:35:08She can get bumped off as she wants to.
00:35:10Fat lot I care.
00:35:15Hmm.
00:35:15Nice girl, too.
00:35:17I bet she can't keep a silver tongue in her head.
00:35:23I feel sorry for her.
00:35:26And no bacon for my mother's breakfast.
00:35:29It's a shame.
00:35:35It's a downright crying shame, that's what it is.
00:35:38More than flesh and blood can stand.
00:35:42What was it, she said?
00:35:45If I got the key of the code, I'd settle his ash.
00:35:50She couldn't call me a coward if I got that for her.
00:35:54I'd be a hero.
00:35:56There'd be medals and things.
00:35:58Arise, Sir George Epplewhite, B.C.
00:36:01Who's afraid of that snake, Mendes?
00:36:04Me, no, sir.
00:36:06I'll say, come on, Mendes, you rat.
00:36:08Hand over the key of the code, if you don't want me to blow the brains out of you.
00:36:12Me, afraid of him.
00:36:15I'll show him whether I'm afraid or not.
00:36:18Look out, Mr. Mendes, here I come.
00:36:23What the devil do you mean, breaking into my room without knocking?
00:36:26Well, I was thinking I might, if I were...
00:36:29I'm sorry, Mr. Mendes.
00:36:31Well, now you're here, what do you want?
00:36:32I want the key.
00:36:33Key?
00:36:34Well, the broadcast tomorrow night, I want to know what key it's in.
00:36:38Is that all you've come here for?
00:36:39Well, it's Mr. Mendes.
00:36:42As it happens, you can have it.
00:36:43It's finished.
00:36:45Thank you, Mr. Mendes.
00:36:46No, that's not it.
00:36:47I thought I could do a bit of practicing.
00:36:50Here it is.
00:36:51It's straightforward stuff, and I want it played note for note.
00:36:53Do you understand?
00:36:54Yes, Mr. Mendes.
00:36:55No twiddly bits of your own?
00:36:56Yes, sir.
00:36:56No, Mr. Mendes.
00:36:57Hop it.
00:36:58I'm busy.
00:36:58Thank you, Mr. Mendes.
00:37:02What are you waiting for?
00:37:04It's...
00:37:05This music, it's a bit difficult.
00:37:06Now, don't give me that stuff.
00:37:07I've handed over.
00:37:08Well, I haven't got it.
00:37:10I haven't got the hang of it.
00:37:12Well, what's difficult about it?
00:37:13That.
00:37:14That's four bars rest.
00:37:16That means you're tacit.
00:37:17By myself.
00:37:18Oh, get out, will you?
00:37:19Get out!
00:37:20Yes.
00:37:24That was it.
00:37:25That was it.
00:37:26I'll bet me bottom dollar that was it.
00:37:29That was it.
00:42:45Hey, water in this bin.
00:43:55Thanks, Bill.
00:44:00Thanks, Bill.
00:46:43Fantastic.
00:46:43Here's a bit for three trombones.
00:46:45Play it.
00:46:45Play it?
00:46:46Do I look like three trombones?
00:46:48Play it, please.
00:46:50All right.
00:46:54Now play the trumpet bit again.
00:46:58Wait a minute.
00:47:02H.
00:47:03Play the last bit again.
00:47:09Six.
00:47:10H-six?
00:47:10What does that mean?
00:47:11Believe it or not, it's Commodore Garden Morse.
00:47:13See for yourself what H-six means.
00:47:15Hold up.
00:47:17H is a square halfway between Norway and Aberdeen.
00:47:20That's right on the course of the Newcastle-Bergen line.
00:47:22And six is 3.30 a.m.
00:47:24George, we've got it.
00:47:25Have we?
00:47:25When the trumpets and trombones play that break in tonight's broadcast,
00:47:28it's Mendy's message to the German new boats,
00:47:31telling them that in square H, at 3.30 a.m.,
00:47:34there'll be merchant shipping to be sent to the bottom.
00:47:36Oh, I'd like to get my foot on Mendy's square H.
00:47:39Clear the first bit of all again.
00:47:42Wait a minute.
00:47:47Ack-ack.
00:47:48That's the call signal, meaning standby.
00:47:50Well, what does this bit mean that I play?
00:47:53Ta-ta-ta-ta-ta.
00:47:55Ta-ta-ta-ta-ta.
00:47:55Ack-ah.
00:47:55That means end of message.
00:47:58You know you are a clever young lady.
00:48:00Let's look again.
00:48:02Well, let me help you.
00:48:03I'll hold it still.
00:48:04I can manage.
00:48:05Well, I won't bother, then.
00:48:07How are we going to stop Mendy's broadcasting?
00:48:09We're not going to...
00:48:11Stop him broadcasting.
00:48:12What?
00:48:13We're going to let him go on.
00:48:14Oh, but you...
00:48:15Mendy's tells the U-boats where to go by means of this musical code.
00:48:18Yes?
00:48:18Suppose the Admiralty get a copy of that code.
00:48:21Oh.
00:48:22Oh!
00:48:23Oh!
00:48:24And then how are these tries can go where Mendy says and wait for the U-boats?
00:48:27And then?
00:48:28Well, at Mrs. Duckett.
00:48:29Your mother's won a bucket.
00:48:29Oh.
00:48:34Oh.
00:48:54Though plans may often go wrong.
00:48:57Let them hear your voice
00:48:59You'll find that rhythm and song
00:49:03Make the world rejoice
00:49:06Make life go with the swing
00:49:08Love, hurt trouble and sing
00:49:11Tra-la-la-la-la-la-la-la
00:49:13Count your blessings and smile
00:49:16While you're playing your part
00:49:19Keep a song in your heart
00:49:21Tra-la-la-la-la-la-la-la
00:49:24Count your blessings and smile
00:49:26Sing low, sing high
00:49:29Isn't it grand, head beat in the band
00:49:32Who wants to die?
00:49:35What a happy land
00:49:37Show them what you can do
00:49:40Make a holla balloon
00:49:42Ho-ho-ho-ho-ha-ha-ha-ha
00:49:45Count your blessings and smile
00:49:47You gotta swing that music, swing it around
00:49:51Da-la-la-la-la-la-la-la-la-la
00:49:53Get together, swing it around
00:49:56Make life go with the swing and the smile
00:49:59Grab a trunk and sing all the while
00:50:02Da-la-la-la-la-la-la-la-la-la-la-la-la-la-la
00:50:04Count your blessings and smile
00:50:07While you're playing your own little fun
00:50:10You've got to keep a song in your heart
00:50:13Da-ra-da-da-da-da-da-da-da
00:50:16Come to blessings and smile
00:50:18Say hello, sing hi
00:50:21Isn't it grand?
00:50:23Beat my band
00:50:24Oh, who wants to die?
00:50:27Oh, what a happy land
00:50:29Hi, show them what you can do
00:50:32Make a hullabaloo
00:50:35Ha-ha-ha-ha-ha-ha
00:50:38Da-da-da-da-da-da-da-da
00:50:41Count your blessings
00:50:42One, two, three
00:50:43Count your blessings
00:50:45Four, five, six
00:50:46Count your blessings and smile
00:50:58Stand by
00:51:01Here it is, stand by
00:51:24Edge
00:51:25Eight.
00:51:37Six.
00:51:38Three thirty.
00:51:40Three thirty.
00:52:01End of message.
00:52:03Station!
00:52:05That's all.
00:52:11Make life go with the swing.
00:52:14Laugh at trouble and sing.
00:52:19Oh, beg your pardon.
00:52:21Count your blessings and smile
00:52:24While you're playing your part
00:52:27Keep a song in your heart
00:52:32Oh!
00:52:33That's it!
00:52:35Count your blessings and smile
00:52:38Sing low, sing high
00:52:43Who wants to die?
00:52:49Show them what you can do
00:52:52Make a hullabaloo
00:52:55Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
00:52:58Count your blessings and smile, smile, come on!
00:53:02Smile!
00:53:08What?
00:53:09The new number you played last night was not a success.
00:53:13I regret to tell you we have lost three of our best customers.
00:53:17Three? What's impossible?
00:53:19Our competitors have learned the trick of writing numbers such as this.
00:53:23It is your fault. I will visit you later.
00:53:27That was Schwartz. He said three U-boats were sunk last night.
00:53:30He thinks the British have got hold of the code, and he's right.
00:53:33If Little George is the wolf in sheep's clothing after all, then I'm surely tempted.
00:53:36It's as plain as a pike staff.
00:53:38What is?
00:53:39They're using Hepplewhite and he doesn't know it.
00:53:42A toucan played that game.
00:53:44Scapellamine.
00:53:45Scapellamine? What?
00:53:47You remember the trials in Moscow and their confessions?
00:53:50Scapellamine? Is that the drug they used beforehand to make them talk?
00:53:53Right. Go and find Hepplewhite Slim.
00:53:55Sure.
00:53:56Oh, wait up. Four coffees and send them up to my room.
00:53:58Well, certainly, sir.
00:53:59Naked three.
00:54:00Little Georgie panics at the sight of me.
00:54:05I've been in the papers. Three U-boats over.
00:54:08Oh, very good, sir. I'll have them sent straight up to your room.
00:54:11Eh?
00:54:12Oh, beg your pardon. Sorry, Mary, I didn't...
00:54:14Now, listen. This is urgent. You've got to...
00:54:17As I said, sir, I'll have them sent straight up to your room.
00:54:20Yes, and about time, too. Any more source from you and I'll report you to the manager.
00:54:23I am the manager, sir.
00:54:24Yes. Eh?
00:54:26How dare you be pertinent to a guest?
00:54:28I'm very sorry, sir, but...
00:54:29Don't answer back. Take a week's notice.
00:54:30Oh, you can't do that. You'll muck up everything.
00:54:32I beg your pardon, sir.
00:54:33Well, I mean, it's her old mother. She has to support her.
00:54:36Eh?
00:54:37And besides her mother, she has a lot of little children, all of her own. It's all my fault.
00:54:41I mean, if she gets married, she'll have a lot of little...
00:54:44Don't sack her, Mr. Manager.
00:54:46Very well. But more careful, Miss Wilson. Good afternoon, sir.
00:54:50Good afternoon.
00:54:51Listen, you've got to get away from here now.
00:54:53Away where?
00:54:54Back to England. If Mindy's finds out about us, he'll stop at nothing.
00:54:58Here's your ticket. It's the SS McCauley. Sales at nine tonight.
00:55:01Your key, madam?
00:55:03But I can't leave you on the job by yourself.
00:55:06Thank you, sir. Thank you.
00:55:08My job's nearly finished. I'm expecting orders to leave.
00:55:10Well, I'm not leaving without you.
00:55:12There you are, George. The boss wants you.
00:55:13Me?
00:55:14Yes.
00:55:14Mendish?
00:55:15Yes. He must have a talk with you.
00:55:16Come on.
00:55:18Don't tell me you've fallen for that boob.
00:55:20Course not. Besides, he's not a boob.
00:55:22Hey, hey, hey. No need to bite my head off.
00:55:25Sorry.
00:55:45Come in, Applewhite.
00:55:47Shut the door, Slim.
00:55:50It's about last night's broadcast.
00:55:52I thought it might be.
00:55:53I understand it was surprisingly effective.
00:55:56Go on.
00:55:57And I put that down entirely to you.
00:56:00Do you?
00:56:01So you're going to get what's coming to you right now.
00:56:06I'm going to raise your salary.
00:56:09I'm going to give you another 20 quid a week.
00:56:11Oh, thank you, Mr. Mendez. Thank you.
00:56:15I'll go and put it in the savings bank.
00:56:17Oh, now stay and have a cup of coffee.
00:56:18Well, well, no, I don't mind if I don't.
00:56:21You don't think I want to boast you because I'm jealous of your success, do you?
00:56:36It makes you feel full of beans, doesn't it?
00:56:38Yes, coffee beans.
00:56:39If there'd you like it, have some more, Slim.
00:56:41Yes.
00:56:46Do you know, when I came in here, I was shivering in my shoes.
00:56:50Oh, really? Why?
00:56:52Well, a couple of ugly customers like you.
00:56:54Why?
00:56:55Don't you like me, Hubblewhite?
00:56:57Not much.
00:56:58And I hate the sight of him.
00:57:00Do you do anything besides playing the ukulele?
00:57:02Oh, yes, I'm a spy.
00:57:04Who's Luke?
00:57:05Now, tell us about it.
00:57:06It must be a very fascinating occupation.
00:57:09Go on, Mr. Mendez.
00:57:11Oh, you go on, George.
00:57:16I can't teach my grandmother to suck eggs.
00:57:18I'm a spy.
00:57:19You're a spy.
00:57:20He's a spy.
00:57:22We're all spies.
00:57:23How long have you been at it?
00:57:24Oh, a couple of days.
00:57:26But last night's shawl put me top of the bill.
00:57:29Really?
00:57:30Why?
00:57:31Why?
00:57:32Because I sank three U-boats.
00:57:34You amaze me.
00:57:36Go on, Mr. Mendez.
00:57:37Kidding again.
00:57:38The way you were U-boats, I sank.
00:57:40Oh, yes, of course.
00:57:41I've forgotten that.
00:57:42You are now.
00:57:43I've given yourself away.
00:57:45You know, when I tell my mother how I diddled them,
00:57:46she'd not start laughing for a week.
00:57:48How did you diddle me?
00:57:53How?
00:57:54Well, I pinched you a cord while you were singing in your bath.
00:58:01You've got a rotten voice.
00:58:02What did you do with it?
00:58:04I give it to Mary.
00:58:05Mary?
00:58:06Mary who?
00:58:07Mary.
00:58:08Mary.
00:58:09Quite contrary.
00:58:10Will you marry me and become Lady George Applewhite?
00:58:15We he shee.
00:58:17Mary who?
00:58:20Mary Wilson.
00:58:22Mary Wilson?
00:58:23Who's she?
00:58:24The girl at the reception desk.
00:58:30Hello?
00:58:32Yes?
00:58:32You're speaking?
00:58:34Oh, is that you, Schwartz?
00:58:35Hold the line a minute, will you?
00:58:36I'll get him back to his room.
00:58:37We'll fix him later.
00:58:38Sure.
00:58:41Sorry to keep you waiting.
00:58:43Yes, I have found out who it is.
00:58:45I can't tell you on the telephone.
00:58:47Now, you know my room number.
00:58:49Yeah, I'll be waiting for you.
00:59:07Oh.
00:59:08How did you diddle me?
00:59:09How did you diddle me?
00:59:11How did you diddle me?
00:59:13How did you diddle me?
00:59:13Don't you like me, Applewhite?
00:59:16Don't you like me, Applewhite?
00:59:17Don't you like me, Applewhite?
00:59:18Don't you like me, Applewhite?
00:59:18Don't you like me, Applewhite?
00:59:18Don't you like me, Applewhite?
00:59:18Don't you like me, Applewhite?
00:59:19What did you do with it?
00:59:20What did you do with it?
00:59:21What did you do with it?
00:59:22What did you do with it?
00:59:23What did you do with it?
00:59:23What did you do with it?
00:59:24Good evening, Herr Hitler. This is Mark Mendes speaking.
00:59:27The first item on our program this evening is the execution of Mary Wilson and George Heppelwhite.
00:59:33Sting them up, you guys.
00:59:40Come on. Come on.
00:59:42What have you done with Mary Wilson?
00:59:43She's in a hot spot where you'll never find her.
00:59:46That's you.
00:59:56Mary, Mary, where are you?
00:59:58George, I'm half big. Save me, George.
01:00:01Don't worry, look. I'm on my way.
01:00:03George. George, you're wonderful.
01:00:12I know I am.
01:00:15Aha, so it's you again.
01:00:17Where is Mary Wilson?
01:00:19Hand the roof.
01:00:20All right. Here she comes.
01:00:24Fine heroes.
01:00:25Mary, will you marry me?
01:00:26True marriage is a made in heaven.
01:00:28Search me.
01:00:29All aboard.
01:00:30Here we go.
01:00:42Have you anything to declare?
01:00:44Yes. All no trumps.
01:00:45You can't come in. You haven't got the S of Knaves.
01:00:49S of Knaves? Who is he?
01:00:50Adolf Hitler.
01:00:51Now, I'll not be long, love.
01:00:53You pick out a nice, soft cloud for us both, and I'll be back in time for dinner.
01:00:57Goodbye, dear. So long.
01:00:58I'll do.
01:00:58I'll do a nice, rude little.
01:01:08All a little bit.
01:01:09All prison and tricks for George.
01:01:15My lord, the barrage awaits.
01:01:17Very good.
01:01:18Hooray! Hooray! Hooray! Hooray!
01:01:23Goodbye!
01:01:25Goodbye, dear-lil.
01:01:26I'll send you some Berlin Rock.
01:01:59I'll send you some Berlin Rock.
01:02:01Well, you've asked for it.
01:02:03Hang on.
01:02:04And I'm out of here.
01:02:07Look out!
01:02:08I'm coming up here.
01:02:10I'm determined on self-determination.
01:02:12I wipe the British Empire from the face of the earth.
01:02:15I want you.
01:02:17Why?
01:02:18You're my last territorial demand in Europe.
01:02:22I'll knock your head off on the block.
01:02:24Not if I knock you off first.
01:02:25No!
01:02:44Who's that?
01:02:48And so, Herr Mendez, if those instructions are carried out,
01:02:51our failure of last night will be partly redeemed.
01:02:54Yes. Now, let's check the arrangements.
01:02:56U-36 surfaces at 2 o'clock out in the fjord,
01:02:59four miles due west of here.
01:03:00I board her and radio instructions to U-58 and U-93,
01:03:04giving them the positions of the British troopships
01:03:06Hurricane and Magnificent.
01:03:07Right. And you remain aboard U-36 when she attacked the Macaulay,
01:03:11which sailed from here at 9.30.
01:03:13I promise you there'll be no interference this time.
01:03:15Oh, um, what about Heppelwhite and the Wilson girl, Herr Schwarz?
01:03:19You will use your discretion, Herr Selwyn.
01:03:24Steamship Macaulay speaking.
01:03:26Majestic Attell, hold the line, please.
01:03:28You'll call, Miss.
01:03:29Is that you, Greeter?
01:03:30Did you give him my note?
01:03:32The door's locked and there's no answer to the phone.
01:03:34But you must find him. It's urgent.
01:03:36He's in danger.
01:03:37Now, try once more.
01:03:41She's not there.
01:03:44Is Miss Wilson off due, dear?
01:03:46No, Mr. Mendez, but her mother is dangerously ill
01:03:48and she's sailing tonight for England.
01:03:49On the Macaulay?
01:03:50I believe so.
01:03:51Well, she's an excellent ship.
01:03:53I'm sure she'll have a pleasant journey.
01:03:57Oh, the key!
01:03:59Oh!
01:04:02Oh!
01:04:09So there you are. What's wrong?
01:04:10Can we use the balance?
01:04:11Hi, wait a minute.
01:04:12Message for you. It's important.
01:04:16What?
01:04:16Billy!
01:04:19Can we?
01:04:20Can we?
01:04:21Can we?
01:04:25You take over from me after the first number.
01:04:27What number are we starting with?
01:04:28What the devil?
01:04:29Excuse me!
01:04:31Excuse me!
01:04:33We start with, oh, don't the wind blow cold.
01:04:35I get you.
01:04:36Pity, it was a good youth player.
01:04:41Good evening, everybody.
01:04:42This is Mark Mendez and his music broadcasting to you
01:04:45from the majestic Hotel Bergen.
01:04:47We start our program tonight with your new favorite,
01:04:50oh, don't the wind blow cold.
01:04:51Oh, I've fast ate.
01:05:04Oh, don't the wind blow cold.
01:05:06Eh?
01:05:06We haven't played this number since poor old Ian got his.
01:05:09Got his what?
01:05:10Since he was shot.
01:05:11Where?
01:05:11That's right.
01:05:12He was sitting exactly where you are now.
01:05:13Oh.
01:05:38Quick, slim the lights.
01:05:43Hit the boys around the exits and jump, let him get away.
01:05:46Oh!
01:05:47Oh!
01:05:48Is that man again?
01:05:52Some folk like the weather cold,
01:05:55it's healthy, they tell you.
01:05:57It may be dense, but where's the sense
01:06:00if your nose keeps turning blue?
01:06:01On the day that I was born and just ten minutes old,
01:06:06I popped my head neath the glows and said,
01:06:09oh, don't the wind blow cold.
01:06:12Sailor Joe got shipwrecked on a raft that pitched and rolled.
01:06:16He yelled and raved as a shirt he waved,
01:06:19oh, don't the wind blow cold.
01:06:24There's no sense in shivering until you start to freeze.
01:06:30What's the use of quivering and shaking at the knees?
01:06:34He stood there in his little vest just like a two-year-old.
01:06:38Then a mermaid's head popped up and said,
01:06:42oh, don't the wind blow cold.
01:06:44While Miss Jones was in her bath,
01:06:46now a curate called, I'm told.
01:06:48Saw the door ajar, giggled, there you are.
01:06:51Oh, don't the wind blow cold.
01:06:54There's no sense in shivering until you start to freeze.
01:07:00What's the use of quivering and shaking at the knees?
01:07:04Six fan dancers did their dance, six fan dancers bowled.
01:07:09They only had five fans.
01:07:11So what?
01:07:12Oh, don't the wind blow cold.
01:07:14I saw some lovely bathing bells upon the beach they rolled.
01:07:18They jumped to the feet when I said, tweet, tweet.
01:07:22Oh, don't the wind blow cold.
01:07:24When Godiva rode her horse round Coventry, I'm told.
01:07:28She cried and shoved me hair, I've bobbed.
01:07:31Oh, don't the wind blow cold.
01:07:36There's no sense in shivering until you start to freeze.
01:07:41What's the use of quivering and shaking at the knees?
01:07:45Oh, don't the wind blow cold.
01:07:48A girl I cuddled in the park said, please let go of your hold.
01:07:52Something's ripped and I think it slipped.
01:07:55Hold on the wind blow cold.
01:07:59Come on, there we catch me.
01:08:01Oh, get out of here.
01:08:03Get out of here.
01:08:06Oh, get out of here.
01:08:10Oh, come on.
01:08:12Somebody get me down.
01:08:34Hey, Mr.
01:08:36The Macaulay.
01:08:37Have you seen the Macaulay?
01:08:38Macaulay?
01:08:38Yes.
01:08:40Thanks.
01:08:41I can't see you. Where is she?
01:08:43She's out of sight.
01:08:44What? Gone? Sales?
01:08:46Half an hour ago.
01:08:47Oh, Mother, I must catch it.
01:09:07Right. We're just about beyond time.
01:09:20I can't see you.
01:09:21The U-bird service is at 2 o'clock,
01:09:233 miles due south of Snaroy.
01:09:25You get that, Olaf?
01:09:26Is that all?
01:09:27I'll get it going.
01:09:41How are you, Olaf?
01:09:42Yeah, Olaf.
01:10:00There she is, just coming up.
01:10:09There she is, sir.
01:10:13Ah, good.
01:10:14Here.
01:10:14Here.
01:10:20Let's go.
01:10:22Armenders?
01:10:24Nice timing, Commander.
01:10:26Do you have the information?
01:10:28the movement of three troop ships and the macaulay excellent you come with me
01:10:36now if you radio the other two birds we ought to be able to beg the lot
01:10:39your man he better come aboard he might talk olaf you needn't worry about him all the same
01:10:43we take no chances just as you say commander olaf come aboard and set the boat adrift
01:10:57robino i'll teach these british to play tricks with me i've got a little debt to pay on board
01:11:02the macaulay so we should submerge where is this fellow olaf yabon
01:11:20come down now please go ahead olaf yabon
01:11:39close all it driving stations slow ahead both slow ahead both
01:11:45take her to 15 meters about number one two seven eight blood one two seven eight
01:12:0515 meters sir
01:12:0815 meters about 30 at 15 meters full ahead both full ahead both two or three degrees
01:12:14two or three degrees here sir keep her at 15 meters you have the details of the ships yes
01:12:20they're all here three troop ships and the macaulay good i will wireless them to our sister craft
01:12:26here take this to the wireless operator come ahead to my quarter thanks
01:12:31hold up you remain here aye what yabon
01:12:40from the commander to you 58 93 urgent wait a minute
01:12:52it's all right
01:13:01hello hello hello you 36 calling you 58 calling you 58 hello hello you 36 calling you 93 calling
01:13:11you 93 you 58 you 58 you 58 stand by ready you 58 you 58 commander's orders
01:13:19stand by to attack british troop ship magnificent british troop ship magnificent latitude
01:13:36stand by ready you
01:13:40Latitude
01:13:41U-36, repeat latitude
01:13:44Hello, U-58, U-58
01:13:45Can you hear me?
01:13:46Hello, U-58
01:13:47U-58
01:13:49U-58, calling U-36
01:14:06U-58
01:14:07Hello?
01:14:08Hello?
01:14:09I don't know your telephone number, it's urgent
01:14:11Hello, SS Macaulay
01:14:13Hello, hello, hello
01:14:14Hello?
01:14:15Sir, you've been troubled
01:14:18Hello?
01:14:19Hello, SS Macaulay
01:14:20Hello, hello
01:14:26Hello, SS Macaulay
01:14:28Hello, SS Macaulay
01:14:29Good evening
01:14:30You're about to hear our news in English
01:14:32The entire British fleet was sunk last night off Wigan Pier
01:14:36by order of Mr. Winston Churchill
01:14:39I will now tell you
01:14:41Oh, oh, I'll tell you a few things I've had time
01:14:43Hello, hello
01:14:44SS Macaulay
01:14:45Answer
01:14:45Hello
01:14:46Hello
01:14:47Team ship Macaulay answering
01:14:49Oh, don't go away
01:14:50Hello, SS Macaulay, can you hear me?
01:14:52Yes, who are you?
01:14:53I'm a dink you do
01:14:54I don't know her
01:14:55Is she a British ship?
01:14:56No, no, I'm a British secret service
01:14:58I want to speak to Mary
01:14:59You want the Queen Mary?
01:15:00Oh, no, not the Queen Mary
01:15:02The Macaulay
01:15:02I want to speak to Mary Wilson
01:15:03Mary Wilson, one of your passengers
01:15:05She's a pretty girl
01:15:06You'll soon
01:15:06I mean, you can't
01:15:07It's a matter of life and death
01:15:09I'll try and get her
01:15:10Keep on the air
01:15:10But they're struggling with the radio, sir
01:15:12I can't make contact
01:15:13You've got to
01:15:13Keep on trying
01:15:14It is vital
01:15:15Yes, sir
01:15:16Will you up?
01:15:16I can't hold her much longer
01:15:17Hold on, she's coming
01:15:19Hello
01:15:20Hello
01:15:21Is that you, Mary?
01:15:22Oh, Mary
01:15:23George, what's happened to you?
01:15:25I fell off the boat
01:15:25To Mr. Chandelier
01:15:26I mean, I fell off the chandelier
01:15:27To Mr. Board
01:15:28Listen, I'll tell you about that later
01:15:30Mendez is in a submarine
01:15:31And he's going to sink the Macaulay
01:15:32The Macaulay?
01:15:33Yes, and three troop ships
01:15:34We've got to stop him
01:15:36They're going to radio
01:15:36To their other submarines
01:15:40Wait a minute
01:15:41George
01:15:42George, what is it?
01:15:43What's happened?
01:15:45George, George
01:15:45Shut up
01:15:54Sorry
01:15:56It's all right now, Mary
01:15:57What happened?
01:15:59What was the hell now?
01:15:59Nothing
01:16:00Just interference
01:16:01We've got to stop Mendez somehow
01:16:03You say he's in a submarine?
01:16:05Yes, that's right, yes
01:16:06And where are you?
01:16:07I'm in the same submarine
01:16:08With Mendez?
01:16:09Yes
01:16:10But he doesn't know it
01:16:12Yet
01:16:13What are we going to do?
01:16:14We might contact the destroyer
01:16:15Ask him his position
01:16:16Oh, what's your position?
01:16:18I'm sitting down now
01:16:19Oh, no, where's the submarine?
01:16:21It's under the sea
01:16:23Whereabouts?
01:16:24How do I know I can't see out?
01:16:27What time do you say the Macaulay left?
01:16:289.30
01:16:29And if we can't while this soon
01:16:30We shall miss the lot
01:16:31We'll go and see
01:16:32Ask me if you've got a chart
01:16:34Have you got a chart?
01:16:35It's no good
01:16:36I couldn't read a chart if I had one
01:16:37Haven't you any idea where you are?
01:16:39Don't you know where you started from?
01:16:41Started?
01:16:42Oh, yes, that's right
01:16:43We started three miles too, south of
01:16:45Yes?
01:16:47I don't know
01:16:49Please do everything you can
01:16:50Hang on, George
01:16:52And try to stop them
01:16:53Please stop them by myself
01:16:54Excuse me
01:16:55They're all big men
01:16:56They've got plenty of guns
01:16:58Mary, tell me what to do
01:16:59Oh, Mary, tell me what to do
01:17:02Mary?
01:17:03Mary?
01:17:04Hey, there
01:17:04Mary
01:17:04Mary
01:17:06Oh, what did you do?
01:17:19What's that been doing?
01:17:20I don't know
01:17:21It must be a shock from the transmitter
01:17:22Then no messages have been sent
01:17:24But all our biggest chance
01:17:25We are too late for the troop ships
01:17:27But we can get to Macaulay
01:17:29You can?
01:17:29We ourselves
01:17:30We are on her course now
01:17:32Now get her
01:17:32There's a girl on board that boat
01:17:33That's worth half a dozen troop ships to me
01:17:35I take it
01:17:42220 degrees, starboard 15
01:17:43220 degrees, starboard 15
01:17:45Keep her steady
01:17:46Steady
01:17:47Full ahead, both
01:17:49Full ahead, both
01:17:50Hello
01:17:50Ferocious calling Macaulay
01:17:52Ferocious now searching for enemy submarine
01:17:54Stand by
01:17:55Okay, Ferocious
01:17:56Message received
01:17:57Standing by
01:17:58That's all we can do, miss
01:18:14Ah, there is a ship now
01:18:16Is it the Macaulay?
01:18:17I don't know
01:18:17We got closer
01:18:18Starboard 1-0
01:18:19Starboard 1-0
01:18:20Bring it up to 10 meters
01:18:22Float threesome force
01:18:23Float threesome force
01:18:2720 meters, sir
01:18:2920 meters, sir
01:18:30Keep her steady
01:18:34Yes, it is the Macaulay
01:18:36Can you get her?
01:18:36Naturally
01:18:38Group it on
01:18:38Port 1-5
01:18:40Port 1-5
01:18:42Action stations
01:18:43Number 2-2, stand by
01:18:45Number 2-2, stand by
01:18:46Number 2-2, load
01:18:53Number 2-2, ready
01:18:54Number 2-2, ready
01:18:56Number 3 and 4-2, stand by
01:18:583 and 4-2, stand by
01:18:59Number 3 and 4, ready
01:19:01Port 3
01:19:02Port 3
01:19:03I'm in chips
01:19:05Now we'll let her have one
01:19:09Turned out nice again, hasn't it?
01:19:11You, you, not here
01:19:13Ah, never do it, man
01:19:16either
01:19:18Up
01:19:18Up
01:19:23Up
01:19:26Du
01:19:28Up
01:19:28Up
01:19:51On deck, Miss. You've won the ferocious.
01:19:56Fire!
01:20:03It nearly got us that time.
01:20:05Look!
01:20:07It's a destroyer.
01:20:09It's your leader, Frank.
01:20:12Stand by, Jeff Dodgers.
01:20:14Fire!
01:20:21It's precious.
01:20:25Put the light.
01:20:42Let's go!
01:20:42Get out of here!
01:20:58Let me out! Let me out!
01:21:00Stand by the surface!
01:21:01Take a chance, sir!
01:21:02Help the main ballast!
01:21:07She's coming out, sir!
01:21:09We must have got her. She's got a heavy lift.
01:21:10Prepare to board her.
01:21:12I'm not sure what you're doing.
01:21:25Let me out! Let me out!
01:21:35Commander, I'm afraid I must ask you to come aboard.
01:21:41Let me out!
01:21:42Mr. Mendez, let me out!
01:21:43I can't stop in here.
01:21:44I'd rather be shot!
01:21:48Ah, Mr. Mendez.
01:21:49Your passage is booked to London.
01:21:51I bet you didn't get the McCauley.
01:21:53Perhaps I will.
01:21:56Where am I?
01:21:58Oh, oh, I'm for you!
01:21:59There we go!
01:22:06George!
01:22:07George!
01:22:09George!
01:22:11Uh-huh, never touch me.
01:22:13George, are you hurt?
01:22:14George, say something.
01:22:18Turned out nice again, hasn't it?
01:22:30I'll be right back, eh!
01:22:32See you soon!
01:22:32Bye!
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