- 2 days ago
First broadcast 29th October 1979.
Arthur has a quick job for Terry to do - accompany his friend Alfie Cavallo when he collects the takings from a launderette he owns.
Dennis Waterman - Terry
George Cole - Arthur
Dave King - Alfie
Trevor Thomas - Stretch
Hilary Mason - Mrs. Mayhew
William Vanderpuye - Winston
Leroi Samuels - Cosmo
Linda Regan - Liz
Donald Burton - Chief Superintendent
Glynn Edwards - Dave
Tony Doyle - Irishman
Patrick Malahide - Chisholm
David Killick - D.C. Harney
Arnold Diamond - Bernie
Neville Barber - Photographer
Lynda Baron - Barmaid
Douglas Cameron - Radio Newsreader (voice)
Philip Ettington - Walt
Antony Gilding - Press
Pat Gorman - Policeman
Leslie Grantham - 2nd Policeman
Bill Hibbert - Man in Strip Club
Michael Josephs - Cameraman
Gerry Judge - Bystander at Laundrette Siege
Mike Mungarvan - Snooker Player
Tony O'Leary - Policeman
Henry Roberts - Detective
Barry Summerford - Policeman
Arthur has a quick job for Terry to do - accompany his friend Alfie Cavallo when he collects the takings from a launderette he owns.
Dennis Waterman - Terry
George Cole - Arthur
Dave King - Alfie
Trevor Thomas - Stretch
Hilary Mason - Mrs. Mayhew
William Vanderpuye - Winston
Leroi Samuels - Cosmo
Linda Regan - Liz
Donald Burton - Chief Superintendent
Glynn Edwards - Dave
Tony Doyle - Irishman
Patrick Malahide - Chisholm
David Killick - D.C. Harney
Arnold Diamond - Bernie
Neville Barber - Photographer
Lynda Baron - Barmaid
Douglas Cameron - Radio Newsreader (voice)
Philip Ettington - Walt
Antony Gilding - Press
Pat Gorman - Policeman
Leslie Grantham - 2nd Policeman
Bill Hibbert - Man in Strip Club
Michael Josephs - Cameraman
Gerry Judge - Bystander at Laundrette Siege
Mike Mungarvan - Snooker Player
Tony O'Leary - Policeman
Henry Roberts - Detective
Barry Summerford - Policeman
Category
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TVTranscript
00:00O Signore, santifica l'amore di questi sposi, l'anello che porterà come simbolo di fedeltà
00:27e richiami continuamente al vicendevole amore. Per Cristo nostro Signore. Amen.
00:41Maria, receive questo anello. Sono mio amore, della mia fideltà.
00:57E del mia fedeltà. Hardly speak his own blatant language.
01:03Nel nome un padre e del figlio e dello Spirito Santo.
01:09Franco, ricevi questo anello, segno del mio amore e della mia fedeltà,
01:15in nome del padre e del figlio e del Spirito Santo.
01:23Vi benedica, Dio omnipotente, padre, figlio e Spirito Santo. Amen.
01:31Amen.
01:32Amen.
01:33Hey.
01:34Hey.
01:35Come on.
01:36Come on.
01:37Fotografia.
01:38Come on.
01:41Fotografia.
01:42Yeah.
01:43Yeah.
01:44Yeah.
01:45Yeah.
01:46Yeah.
01:47Yeah.
01:48Okay.
01:49We'll slip out and have a quiet one on the way.
01:59He's gone.
02:00Come on.
02:01Come on.
02:02Come on.
02:03You see?
02:04Oh, oh.
02:05Come on.
02:06Come on.
02:07Come on.
02:08Come on.
02:09Come on.
02:10Come on.
02:11Come on.
02:12You stay there.
02:13Move away.
02:14You stay there.
02:17You stay there.
02:18Break my life.
02:19Break your life.
02:20It's all changed, innit?
02:21You've all done well, haven't you?
02:22The church is about the only bit of little Italy left.
02:24Italy left. Yeah, right, Arthur.
02:25They've all moved out.
02:27Finchley, Barney. You know, some have even
02:30got places in Stanmore. Stanmore?
02:32Nice. Yeah.
02:34Ciao, Maria.
02:36Better don't feel Italian,
02:37no more. Especially Franco.
02:40I mean, he won't have none of that now, will he?
02:42Not Franco. He's got to be Frank now.
02:45You know,
02:46I've still got
02:47the grandfather's old place in Tuscan.
02:50I thought they'd like it for the only one.
02:51I don't want to know.
02:55Tunisia.
02:56You're going to Tunisia.
02:57Little David Pollard had heart attack last week. Did you hear about that?
02:59No. Mind you, he's
03:01marching on a bit, Davy.
03:04Seven years older than me.
03:07That's what
03:07I mean, Alfie.
03:11You know, I'm sorry
03:11young Terry couldn't make it. Be a nice lunch.
03:14It's his mum. He's a boy that likes to
03:15look after his mum. Nice to hear.
03:18You'll be well sorry.
03:19He loves a church service and a luncheon, does young Terry.
03:21Oh.
03:28Yeah.
03:40Hey, me. Me.
03:41Come on.
03:42Come on.
03:48Come on.
03:49Baby.
03:50Second duty.
03:51Come on, get it out!
04:09That's enough, don't disturb all the other things, can't we?
04:17Oh, bloody man, hang on me, man!
04:19Listen, I can either knock you out or get your neck, what do you want?
04:22What are you talking about?
04:24The bloody tarts, mate!
04:25Tarts?
04:26Listen, son, some of these girls have got children, they're mums.
04:31Now, how would you feel if someone behaved like you did in front of your, mate?
04:35Mate?
04:38You're not suggesting, are you, that you'd find my mother in a place like this?
04:43Well, I totally know.
04:45But she wouldn't be too pleased to see you here either, would she?
04:48Come on, come on.
04:49Come on, come on.
04:50Come on, come on, come on.
04:55Come on, on your bike.
04:59Get back to the building site.
05:01I'm with a few bags of cement about, eh?
05:03Sorry, mate.
05:04Don't worry.
05:05But don't come back.
05:06You should have given him a whack, Terry.
05:09Teach him a lesson.
05:10Nah.
05:11If they don't get steamed up, they want the money back, don't they?
05:13Some of these characters, they just don't know how to behave in the West End.
05:16Still, thanks very much, Terry.
05:18I'll have a word with Arthur later.
05:19Okay.
05:20Terry!
05:21Hello.
05:22Just to say thanks and be asked for the other girls.
05:25Anytime.
05:26I mean, obviously some of the guys get carried away, but that bloke has been a right nuisance.
05:36Ah, sure act, isn't it Liz?
05:37Turn them on, you can't turn them off.
05:38You've been watching me then?
05:39Not many.
05:40Like what you saw?
05:41As it happens, yeah.
05:42I'm on round the corner in ten minutes.
05:43Oh, no, you might excite me beyond my control.
05:44It's too dangerous.
05:45What time do you finish?
05:46About eight o'clock.
05:47You asking me for a drink then?
05:48Yeah, sounds like it, doesn't it?
05:49I'm packing it in next week.
05:50I'm going to be an hostess.
05:51Pan Am?
05:52No, a sauna club in Notting Hill.
05:53Yeah, all right, then I'll see you at Dave's about 8.15, right?
05:54Yeah.
05:55I'm packing it in next week.
05:56I'm going to be an hostess.
05:57Pan Am?
05:58No, a sauna club in Notting Hill.
05:59Yeah, all right then.
06:00I'll see you at Dave's about 8.15, right?
06:01Yeah.
06:09Oh, I won't have time to go home and change, so I'll just come in me working gear.
06:17You don't wear anything when you work.
06:20Ain't you the lucky one then, eh?
06:23Yeah.
06:26I don't know why it's caught on the way it has.
06:32I mean, it's not like snooker, is it?
06:34No.
06:35Same skill.
06:36When you're snooker, you have to use your brain.
06:39Quite right, Arthur.
06:44That's five on the trot.
06:45Do you want another one?
06:46Nah.
06:47It's a kid's game.
06:48Fiver.
06:49He's joking.
06:51We weren't playing for money.
06:53I'll get you a drink.
06:54I don't mind getting you a drink.
06:55Anyway, you've got to be moving.
06:56I promised Alfred.
06:57You can't let him down.
06:58Arthur, I've got to meet with some.
07:00You'll be through by 7 o'clock.
07:01All he wants you to do is be with him while he empties the machines in the lawn.
07:03You could've asked me.
07:04There's a nice few bob in it for you.
07:06He usually has his boy Franco do it.
07:08But you can't expect him to work on his wedding day.
07:10Come on then.
07:12Where's this drink?
07:13What you having, Arthur?
07:17Oh, it's very nice, Charlie.
07:19I'll just say to Terry, it's a long time since Charlie got a drink in.
07:22Large vodka and slimline for me.
07:23Certainly.
07:24What do you reckon in the big one?
07:26I really appreciate this, Terry.
07:27No, I think nothing of it.
07:28I've been keeping out of trouble these days.
07:29Reform character.
07:30That's the way it should be.
07:31That Arthur.
07:32He's not chased, is he?
07:33No.
07:34That's the way it should be.
07:35That Arthur.
07:36He's not chased, is he?
07:37No.
07:38I don't know what he needs a minder for these days.
07:39He don't care.
07:40That's the way it should be.
07:41That Arthur.
07:42He's a well-respected man, always has a brother, he's a good man.
07:43He's a good man.
07:44No, you don't know what he needs a mind for these days.
07:46He doesn't care.
07:47You don't care.
07:48It's the way that Arthur lives in his life.
07:49No, I think nothing of it.
07:50You're not a good man, I think nothing of it.
07:51I don't care.
07:52You've been keeping out of trouble these days.
07:54With all my character.
07:55That's the way it should be.
07:56That Arthur.
07:57He doesn't chase, does he?
07:59No.
08:00I don't know what he needs a minder for these days.
08:03He doesn't get up to any skullduggery, does he?
08:07No, no.
08:08Just makes him feel good, I think.
08:10He's a well-respected man, always has been.
08:12Well, it did me a favour anyway.
08:14Huh? What was that?
08:18I don't remember now.
08:20But he's always telling me he did me a favour, so I suppose he must have done.
08:40I don't know.
08:42We're here.
08:44Alright, let's get out.
08:46Let's get out of here.
08:48Do you have a miau?
08:50Eine Raza?
08:52Nice to meet you.
08:54I can't breathe.
08:56I can't breathe.
09:00Oh, good.
09:02I have to see you in the next sector.
09:04I can't breathe.
09:06He's awake.
09:08Hey!
09:38Can't say we don't wash much around here, then, eh?
09:50No, no. Very clean neighbourhood.
10:08OK, ma'am. Let's get baby some new shoes, huh?
10:25OK, don't nobody move.
10:30Jesus, ma'am, let me tell you, hurry!
10:32Now, hold on, look.
10:36You're going to be a dead man.
10:59Whiskey 315.
11:01Through that door.
11:03Where's Alito?
11:04What the hell do I know?
11:10Come on, move it, move it!
11:11Listen, the man wants us to go through to the back room, all right?
11:13Come on, move it, move it!
11:18Come on, move it, move it!
11:19All right, you two.
11:21Come on, get him now!
11:23Duck back, he's a nutter, he'll use it!
11:27Now!
11:34Here we go!
11:38Okay, move it now!
11:39Get in now!
11:41What the hell's the matter with you, man?
11:42Wake up!
11:45Okay, Winston, get that door.
11:51Oh, it's only locked, isn't it?
11:53Hey, you, keys.
11:54I ain't got them.
11:55Come on, give me the keys.
11:56What the hell you're messing about for?
11:57Look, empty his pockets.
11:59Come on!
12:00Come on!
12:01Round the back!
12:02Round the locus, yes.
12:03One round the back, one down here.
12:05One round the back, one down here.
12:06Two, two, five, over.
12:07He ain't got any keys.
12:08Move away from him!
12:09Winston, you look!
12:10Woman!
12:11Don't take me!
12:12Shut up, woman!
12:14Round the back! Round the locus, yes.
12:16Round round the back, one down here.
12:24He ain't got any keys. Move away from him!
12:26Winston, you look.
12:28Woman, don't take me!
12:30Look, shut up, woman!
12:36It's too late now anyway.
12:38Okay, mister.
12:40You make a move and I shoot anybody.
12:42I don't care who.
12:44I'm coming for it.
12:46You make a move and I shoot anybody.
12:48I don't care who.
12:50Come on!
12:56Come on!
13:00Like that!
13:02Come on, buddy, cover the pack!
13:04Come on!
13:06Make stretch.
13:08Hey, Stretch. We've got to give ourselves up.
13:14What are you talking about, give up? Give up what?
13:17Can't you see we've got three, um...
13:18Hostages.
13:20Yeah, that's right, lady. Hostages.
13:26Get back to her.
13:32What are you doing?
13:34I want to have a look, all right?
13:35Okay. The rest of you...
13:38Sit down!
13:40Just do what it's supposed to do. Sit down.
13:43Yeah, Terry.
13:49Yeah.
13:50Nearly all blood, innit?
13:54What do you use it? Seven shot?
13:56What the hell does it matter?
13:58I'm just interested.
13:59Seven shot makes a bigger mess, two shot makes a bigger hole.
14:03I've got good news for you, son.
14:06I'm going to live.
14:08Are you the man that owns it?
14:11Yeah, love.
14:13Sorry about all this. It don't usually happen.
14:15No, you're right.
14:16It's quite unusual for this place.
14:23You.
14:24Answer him.
14:26Answer him? I couldn't even understand him.
14:28You heard me. Answer him!
14:29No, all right, all right.
14:31Okay.
14:38Oi!
14:38Look, it's only an ordinary door.
14:41Just talk normal.
14:42This is Chief Superintendent Gibson.
14:47Can you hear me?
14:48Yeah, terrific.
14:49Yeah.
14:51Now, listen very carefully.
14:53The building is entirely surrounded.
14:56No possibility of escape.
14:57Many of the officers on duty here are trained marksmen.
15:04I suggest that you open this door, throw out all weapons, and come out of that room one by one.
15:09No one will be harmed.
15:11Tell him bullshit.
15:12Can you understand me, clearly?
15:16Yeah?
15:18Bullshit.
15:19No, tell him this ain't no ordinary robbery.
15:21Tell him this is political.
15:22That's a great idea, Stretch, but you've left it a bit late in the day, don't you?
15:27All right.
15:27Uh, this is not an ordinary robbery.
15:32This is a political act.
15:34What's that supposed to mean?
15:38Uh, this is a demonstration for equality and freedom.
15:43And if you don't move away from the door, you might get your head blown off.
15:49Exactly what political group do you represent?
15:52Uh, we more or less represent a broad spectrum.
15:55Oh, yes.
15:57Irish?
16:00Um.
16:02Not so as you notice, no.
16:04Well, if we knew exactly what political group we were dealing with, maybe we could get somewhere.
16:10Over to you, pal.
16:11Uh-huh.
16:13Tell him the independent Rastafarian army.
16:15Hey, turn it in, Stretch, that's not right.
16:17Shut up, Winston.
16:18Let me do the brain work, okay?
16:20Uh, apparently, they're the independent Rastafarian army.
16:26And what exactly are your demands?
16:28Well, look, there's an old lady in here who needs a cup of tea.
16:30We need a doctor.
16:31All right, all right.
16:36Uh, when we're ready to talk again, we're banged three times on the door.
16:41Okay, get back over there.
16:45Move!
16:46Move, all right, all right.
16:54Hey, Stretch, you never told me nothing about the independent Rastafarian, Watson.
16:57Look, you're wearing a Rastafarian hat, aren't you?
16:59Yeah, why, so?
16:59Well, he could highlight the colours.
17:01Yeah, he could be wearing his Fulham supporters' woolly, couldn't he?
17:04Yeah.
17:04You think it's a big joke, huh?
17:06Well, let me tell you something, Mr Hardman.
17:08Your body's going to be the first one to fling out of here.
17:11How about that for a joke, huh?
17:12Well, you've got the shooter.
17:15Makes you top man, doesn't it?
17:16Right on.
17:18Except you ain't done too well so far, have you?
17:20It's 500 quids worth of silver all over the pavement.
17:24It's hardly the great train robbery, is it?
17:26And you're the man who screwed it up.
17:30How are we going to get out of here, Stretch?
17:33I'm thinking about it.
17:34What are you crying for?
17:35You ain't a baby.
17:38Here, Stretch.
17:39I just thought of something.
17:42What?
17:43That independent Rastafarian army.
17:46You know how the initials come out, don't you?
17:50IRA.
18:08Central 1-8-3-3-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0.
18:12Remember, all cars may have been here.
18:32Whoa.
18:33Whoa.
18:34Whoa.
18:34Whoa.
18:34Whoa.
18:35Whoa.
18:36Whoa.
18:36Whoa.
18:37Whoa.
18:38Whoa.
18:39Whoa.
18:40Das Genius.
18:40News on the hour, every hour, from LBC.
19:06Independent Radio News at 9, Douglas Cameron.
19:09Police have now sealed off an area in West London where three people are known to be
19:14held as hostages by gunmen attempting to rob the O.K. Laundrette in Dalton Street.
19:19The gunmen were interrupted by a passing police patrol.
19:22A police spokesman said that the gunmen claimed to be members of a political group,
19:26but so far have not clearly identified the aims of the group.
19:34The O.K. Laundrette? That's one of Alpha Cavallo's places, isn't it?
19:37Howdy and Coke. Yeah, probably done the job himself.
19:42Hello, sweetheart.
19:45Vodka and a slimline, please, Dave.
19:46Coming up.
19:47Hello.
19:48Why, though?
19:49Great. Just been to a wedding reception.
19:50Alfie Cavallo's boy.
19:52Joke.
19:53Just been on a wireless.
19:54I thought that, did you?
19:55No, no, no.
19:56Some firm turned over to Laundrette in Dalton Street.
19:58They got hostages and all that.
19:59I don't believe that.
20:00Oh, well, by the way, is Terry coming here?
20:03There's a bird over there being asking for him.
20:05Oh, dear.
20:06Are you waiting for Terry, sweetheart?
20:08Yeah.
20:09Do you say they got hostages?
20:11Oh, that's what I said.
20:12I'll see you in a minute.
20:13Are you Terry's mate?
20:15Yeah.
20:16Did you bring one with you?
20:17Well, I could have, but Terry said you'd be a bit old for my mates.
20:2052?
20:21He's young these days, sweetheart.
20:22Me and Paul Newman, same age.
20:24You don't look the same.
20:26Come on, I'll take you and eat that.
20:28He should have been here about an hour ago.
20:30I do.
20:31You all right, love?
20:35Oh, yeah.
20:38I mean, I was just wondering about the washing.
20:43I mean, the programme should be finished now.
20:46They should be in a tumble dryer.
20:48Know what I mean?
20:51I don't like to think of them just lying there.
20:57I'm all soggy.
21:01I think that goes for all of us.
21:03Look, no talking.
21:05I've got to think.
21:19Excuse me, sir.
21:20Yes, sir.
21:21I just had a report from the CRO computer at the yard.
21:23Alfred Cavallo is apparently the owner of the launderette.
21:26No convictions for 30 years.
21:29McCann.
21:30Tenants McCann.
21:32Bit of previous there, sir.
21:33Oh, yes.
21:34Two years for GBH and a three for attempted robbery.
21:38And he's supposed to be the hostage.
21:39Thank you, Sergeant.
21:40Thank you, Sergeant.
21:47Where are you?
21:48Where are you going?
21:49Excuse me, sir.
21:50Serious crime squad.
21:52Evening, Super.
21:53What's the score?
21:54Who the devil are you?
21:55Arthur Daly.
21:56You've got my boy, Terry McCann, in there.
21:57Your boy?
21:58All right, then.
21:59My associate.
22:00And I think I'm entitled...
22:01I am conducting this investigation.
22:02Now, is there an incident ban over there?
22:05I want you to go and stand there.
22:06And in a moment, one of my officers will come and interview you about any information you might have.
22:11Look, I don't normally have a lot to do with the police.
22:13I said, over there.
22:30Got any 2p, sweetheart?
22:31Oh, um...
22:33Um...
22:35Tempe?
22:36Oh, yeah.
22:37Fine.
22:38Okay.
22:39Hey.
22:40Just leave it to stretch, all right?
22:42You know what we're gonna do?
22:44We're gonna ask for a helicopter.
22:50Hey.
22:51Winston.
22:52Answer it.
22:58Hello?
23:00Yeah, that's right.
23:01Okay, Laundrette.
23:04It's for you.
23:05I told her never to ring me at the office.
23:10Just see to it.
23:12Hello?
23:16Hello, Arthur.
23:18It's Arthur Daly.
23:20What?
23:22I'm very well, thank you.
23:23How are you?
23:26You heard it on the radio.
23:27Apparently, they've got TV cameras out there.
23:30Well...
23:32Well, it's a bit hard to say, really.
23:34Apparently, they want an helicopter.
23:37Where to?
23:38London Airport.
23:39Then a jumper jet to Ethiopia.
23:41I don't wanna go there.
23:42That's Africa.
23:44It's in Africa?
23:46Well, spiritually, there's a late Haile Selassie.
23:49That used to be Abyssinia.
23:51Look, don't tell me about Haile Selassie.
23:54I know all about Haile Selassie.
23:55He was to do with Mussolini before the war.
23:58What are they in there? All spades?
24:00Yeah, three of them.
24:02What?
24:03You heard three dopey spades turn you over in the Laundrette?
24:05What was you, boozed or something?
24:07Hey, they got shooters?
24:09Yeah.
24:10They've got a sort of shotgun, the three dopey spades.
24:12And they're gonna shoot somebody's head off unless you come up with a helicopter.
24:15Got that?
24:16Got the message writing?
24:17Look.
24:18Just get back down there on the floor.
24:19Right.
24:20Ain't got much of a telephone manner, has it, young Arthur?
24:23Just shut up.
24:24Get down!
24:25All right.
24:26Straight.
24:27I don't wanna go to Ethiopia.
24:29Oh, me neither.
24:30Well, that's where we're going.
24:32That's where everybody's going!
24:34How the hell are they gonna get helicoptered to land out there?
24:37There's hardly room for my roller.
24:43And that one, me.
24:44Shows the sort of people he's dealing with, doesn't it?
24:46Turn up on me.
24:47Terry always doing this sort of thing.
24:48No, of course not.
24:49I look after Terry.
24:51Don't worry about that.
24:52He'll make a few bob out of this.
24:55You and all, sweetheart.
24:56Hang about.
25:01Anyone interested in the latest developments?
25:04Police?
25:05Yeah.
25:06No, just say I am connected with the whole affair.
25:07Yeah, and?
25:08Well, basically what we have here is a hostage situation.
25:10We know that.
25:11Did you know three men had hijacked the laundry and want to fly it to Ethiopia?
25:17What's it worth to get a picture of a girl who's gonna marry one of the hostages?
25:21What do you?
25:22Yeah.
25:23Keep quiet, it's worth quite a bit.
25:24One, three, two, one, three, two.
25:25Evening.
25:26Be over.
25:27Fifty.
25:28Hundred.
25:29Just for us, though?
25:30Of course.
25:31Just for you.
25:32Come on.
25:34Who's hostage?
25:35Terry McCann.
25:36Boxing man, eh?
25:37Oh, who is he?
25:38Very good middleweight in his day.
25:39One of the best.
25:40Never to get the title shot.
25:41Come on.
25:42Stick out your boobs and look tragic.
25:43You're on the score, are you?
25:45Yeah, let's see.
25:52Good go, a drink.
25:57Cool, you look rough, mate.
25:58How do you feel?
25:59About how I look.
26:03Here, Stretch.
26:04How about letting Alfie go to hospital?
26:09How about it?
26:10Come on.
26:11He's a tough old bird, but he's lost a lot of blood.
26:13What are they going to give me in return?
26:16They said no deals.
26:17Well, it's tough on Alfie, eh?
26:19But he could die, Stretch.
26:22If we don't get some fresh air, we could all die.
26:24Uh-huh.
26:26Here, you never told me you was going to use that gun.
26:28Think he was just for decoration, huh?
26:30I thought it was just to put the frighteners on someone.
26:34You two wanted to be gangsters, eh?
26:36Yes, I didn't want to kill nobody.
26:37What's the matter with you?
26:38You going on their side?
26:40I need some painkillers.
26:41I think my jaw's broken.
26:44Hey, maybe we could get him a drink.
26:47And some food.
26:48And some painkillers.
26:50You two kids are really stupid.
26:52Look.
26:53You ask the pig for something, they want something in return.
26:56They ain't going to do us no favours.
26:58At least we could ask.
26:59At least it shows them.
27:00Show them what?
27:01It shows them that we care about the other people.
27:03That we don't really want to harm no one.
27:06He's right, Stretch.
27:08Look, you're doing it the hard way, son.
27:11Murder.
27:12You go in for life.
27:14Attempted armed robbery for seven.
27:17Come out in under five.
27:19How come you know so much about it?
27:21I used to keep bad company.
27:23Didn't I have?
27:26Yeah.
27:28It's nothing these days.
27:30You keep bad company too?
27:33I was bad company, son.
27:38Did all my bird 20 years ago.
27:42It's when it was hard.
27:46Look at him now.
27:48All in the open university.
27:50Big Bob Whitney.
27:57You know he's got a bleeding degree.
28:00I never knew that.
28:02Yeah.
28:04Sociology.
28:08Still at the thieving, but now he knows why he's doing it.
28:21It is funny, isn't it?
28:25It's a thing in the fucking head.
28:27I've got two villains.
28:29But that's how come you're a hard man, eh, Terry?
28:32Well, let me tell you something.
28:33It ain't so easy for a black man to go straight.
28:36It ain't so easy for a black man to make it the way you did.
28:40Make it?
28:41Me?
28:43Well, yeah, I've really made it, ain't I?
28:45Minding for a bloke who's collecting money out of washing machines.
28:47Yeah, I've really cracked it.
28:50Still, you never know.
28:52I might get a job at a post office at Christmas.
28:55You lucky me, ready for Christmas?
29:06Bravo, two, two, one.
29:08Four, for par four, Mrs. SC, driver.
29:10Bravo, two, two.
29:11Right, smudging.
29:12Margie, go.
29:14CPA, GA, GA, GA.
29:17Delta, two, two.
29:20Receive all class in the P нат.
29:21Manager one...
29:22I've got to talk to the chief super. He might have brought your helicopter and forgotten to tell us.
29:39Oi! You haven't forgotten all about us, have you?
29:42Don't worry, Mr McCann. We're still here.
29:45Yeah, well, we've got a few problems in here.
29:47Mr Cavallo's none the better.
29:49There's a geezer in here who thinks his jaw's broken and I think we're suffocating.
29:55Why, can you hear me?
29:56Yes, I hear you. And the solution is quite simple. Just open this door.
30:00Yeah, we know all about that. Throw out the gun, come out with your hands up in the air.
30:06The only problem is, the man holding the gun doesn't want to do that.
30:10Well, why don't you just let me have another word with the man who's holding the gun?
30:15Oh, he wants to know where his helicopter is.
30:19I thought I'd explain that quite clearly. You people are not going to fly anywhere.
30:22Now look, we've got medical attention standing by. Mr Cavallo will be treated the moment he is released.
30:27Yeah, all right. Well, what about some tea and food then?
30:30I think it's all to eat in there.
30:32Yeah, of course we have. We've got 500 packets of biological washing powder.
30:37Well, perhaps if Mr Cavallo is released, we can arrange to have some tea sent in.
30:42How about it then?
30:43No chance, man.
30:45Well, what about letting the doctor in, if they agree?
30:49Listen!
30:51Listen, the shooting, it was an accident really.
30:54The gun just went off.
30:56They didn't mean to kill anybody or anything.
30:58It was a sort of scuffle and the gun just went off.
31:02Quite possible, but that's something that has to be decided at the proper time and at the proper place.
31:06Now look, why don't I just have a word with a man who's got the gun?
31:11Sit down.
31:16Okay, mister. You're talking to the main man now.
31:21Hey, tell me something. You're married?
31:25Well, as a matter of fact, I am.
31:27Hey, missus, come over here.
31:30Yes, come on.
31:36Now, we've got a lady in here.
31:42Say hello to the policeman, Mrs Mayhew.
31:45Hello, sir.
31:47Good evening, Mrs Mayhew.
31:50Now, you think I'm fooling around, huh?
31:52Now, you tell him, missus.
31:55You tell him I've got a gun pointing right at your head.
32:01You tell him to do a deal, because you don't want to die.
32:05Now go on, tell him!
32:07Did you hear that, sir?
32:09I think he means it.
32:11Now come along, just put that gun down.
32:16You know very well we're not talking any deals.
32:20You don't seriously want to hurt that lady.
32:23So just put the gun down.
32:26We can continue talking.
32:27I've got my finger on the trigger!
32:33Hey, Stretch.
32:35Take it easy, mate.
32:38Look, I know you're fighting a war.
32:40But she's not one of the enemy.
32:44Look, it's just a lady who came in to do her washing.
32:48Take it easy, man.
32:51Look, I know you're hard, man.
32:52You don't want to shoot a woman, do you?
33:22Look, these are the Walls all over here.
33:23I'm going to do it.
33:25It's a little bit awkward.
33:27I'm going to do it.
33:28I'm going to do it.
33:30The Walls are moving on to the Walls,
33:33the Walls, and the Walls, and the Walls.
33:35It's a problem of a young man,
33:36which is fascinating.
33:38Nothing is going to happen to the Walls.
33:40That's just not a supporter of the Walls.
33:43The Walls.
33:45That's just going to get back to a couple of years.
33:46But we are back to a couple of years.
33:48Well, you had to go somewhere else.
33:49Clop me, sweetheart. Never mind page three, you're on page one.
33:52On the front, the lonely woman who waits in hope.
33:55Not very nice of me, is it?
33:56Well, you're distraught, aren't you?
33:58Terry's gonna be well distraught too when he reads a bit about you two getting married.
34:01Yeah, I've only ever spoke to him twice.
34:06All the women and kids are asleep, eh, Terry?
34:11Don't you trust the other two with a gun?
34:14Not if you're awake.
34:16Man, it was gonna be so easy, eh?
34:20What the hell you had to mess it up for? Wasn't your money?
34:24No, it wasn't yours either.
34:26So what? He rips it off from the people, I rip it off from him.
34:32Listen, they put 50p in a machine and they sit there and watch their pillowcases go round and round.
34:38They got a choice.
34:39You come storming in with a shotgun, nobody's got a choice at all.
34:43They really got to you, eh?
34:46Well, you know what they really did?
34:48They just kidded you into going straight.
34:50Wrong.
34:52They bored me into it.
34:55Got fed up with people saying three years, wormwood scrubs.
34:59Someone loses a dog, I'm in the local nick for two days.
35:02So now, I'll just throw a few drunks out of clubs, ask people to repay their gambling debts. Rent a muscle. Easy hours. But not a lot of what you might call job satisfaction.
35:19You let them beat your man.
35:23And what are you gonna be? Al Capone?
35:26Yeah.
35:27Bigger.
35:28Bigger!
35:29Bigger!
35:32You got more chance than winning a pool, son.
35:39It's got to be for me, innit?
35:46Hello?
35:48Yeah, I thought it might be you.
35:51Oh, terrific.
35:53It's like an Egyptian brothel down here.
35:57Now, Arthur, I know I've never been to Egypt. What I mean is, it's a bit close.
36:01But we're suffocating.
36:04They haven't even sent any tea in. They always send tea in, don't they?
36:07What paper?
36:10Now, this reporter, his paper's prepared to pay a very handsome sum if he can do an interview over the phone.
36:16Hold it, Arthur.
36:18I know all that, but look, just listen to me for a minute.
36:20We're talking about real dough.
36:22Be enough to pay for their defence.
36:24A nice bit in it for you.
36:26Terry, listen to what I'm telling you.
36:28Oh, be fair.
36:30I put a lot of time in on this.
36:32Don't be so selfish, Terry. I know your lives are in danger.
36:35That's the whole point of the interview, isn't it?
36:37It's a big story, see?
36:39Liz has got her photo on the front page this morning.
36:41Liz who?
36:43The bird you had a meet with last night.
36:45What's she gonna do with her?
36:48She was upset, think how I felt.
36:50Look, we ain't interested in your girlfriends, alright?
36:52Now, what newspapers? What's he talking about?
36:55Well, you talk to him.
36:57You're the one who's running things.
37:00Okay, mister.
37:02You got a deal to make with me, alright?
37:03Look, I'm trying to explain to Terry
37:07that as long as you don't talk to nobody else,
37:11this paper will pay you a...
37:14Hello?
37:16Hello, can you hear me?
37:18Hello?
37:22Cut us off. Sit down.
37:23Do you think I wasn't gonna be bigger?
37:29Well, that was the newspapers.
37:31Good morning. This is Chief Superanemic Gibson again.
37:34How are we this morning, friends? How is Mr. Caballo?
37:37He's okay.
37:39He's in a bad way, Stretch, and you know it.
37:42What about our helicopter?
37:43Now, look, my friend, I've explained to you already,
37:45you people are not travelling anywhere.
37:47However, we are prepared to let you have some tea.
37:50Well, stuff your tea, man.
37:51Stretch, a cup of tea?
37:52Yeah.
37:53Look, the meeting's over.
37:55We have nothing more to say to you.
37:57Very well, sir. We've got all the time in the world.
37:59Look, Stretch, I don't see why I can't have a cup of tea.
38:01You're really stupid, Winston.
38:03They put a drug in.
38:04Then what happens?
38:06Or I open the door.
38:07And you know what they do, like they did to the German aeroplane?
38:09They're throwing a grenade, stuns everybody.
38:12Truth is, Stretch don't care.
38:15What are you talking about?
38:17You don't care what happens to anybody.
38:20And them out there, they don't care either, do they?
38:22Because whatever happens in here, they're all right.
38:25And all because you want to make a name for yourself.
38:27Big time gangster, that.
38:31Big time gangster.
38:33Listen, son.
38:34You couldn't even break into a gas meter.
38:36Shut up!
38:37Look, he's working for the pigs.
38:39Well, that crap's just for you two.
38:41He's trying to make you go against me.
38:43But he's right, isn't he?
38:44We've got no chance now.
38:46You're as always a coward, Cosmo.
38:48Yeah, but it's like Terry said, Stretch,
38:49the Lord don't care, they ain't wait forever.
38:51Well, I'm going to not prison,
38:52going to have a senior either.
38:57Hey, Winston, get the gun!
38:58Get the gun!
38:59Get the gun!
39:00Get your bags on that gun, son, and you're in alive!
39:02Hey, Winston, get the gun!
39:03Get the gun!
39:04Get your bags on that gun, son, and you're in alive!
39:05Get the gun!
39:06Get the gun!
39:07Get your bags on that gun, son, and you're in alive!
39:23I have no right barney in there, son.
39:25I'm sorry, I'm sorry.
39:55Winston, knock on that door.
40:09Give me the gun, Terry.
40:11If he so much as blinks, I'll blow the bastard in half.
40:15That's all we need, isn't it?
40:18Yes, what is it?
40:20We want to come out.
40:22Just a minute.
40:22There will be a count of ten.
40:26After which you may open the door and throw out all weapons.
40:29There will be a further count of ten.
40:32Then the hostages will emerge one by one.
40:36Everyone leaving the room will have their hands above their heads.
40:40You will obey to the letter all instructions as you leave the room.
40:43Remember, there are trained marksmen watching your every move.
40:46Do you understand?
40:48Right.
40:49You get stretch on his feet.
40:52Can you count to ten?
40:53Yeah.
40:54Start counting.
40:56Ten.
41:01Ten.
41:02I'm opening the door.
41:03Alfie, this is Mayhew.
41:15You're all right, love.
41:19Listen, love.
41:20Don't stop and collect your washing on the way, are they?
41:24Sorry, mate.
41:25Cosmo.
41:39That jaw will be all right.
41:41Just give you custard and ice cream for a couple of days.
41:44Go on.
41:45Keep your hands well up.
41:46Right, come on.
41:53Out you come.
41:54Get your hands up.
41:55Right up.
41:56Come on.
41:58Walk towards the railings.
42:00Come on, speed it up.
42:02We've all been up all right.
42:03Come on.
42:06Across the pavement.
42:06Come on.
42:07Hurry up.
42:09Step off the curb.
42:10Walk to the middle of the road.
42:11All essential.
42:18Right up in the middle.
42:19Now, lie down.
42:20Lie down.
42:21Face first.
42:23That's it.
42:25Legs apart.
42:27Stretch your arms out.
42:28Okay, Jack.
42:29Come on, you.
42:30Keep your hands up.
42:31Off the curb.
42:34Lie down.
42:35Side hip.
42:36Face first.
42:39That's it.
42:40Come on, champ.
42:40On your toes.
42:41I'll tell you what, zombie.
42:53Just as well, you can't do a runner.
42:55Lots of blokes out there.
42:56I wouldn't mind some target pros.
42:59Tyler, get by the press.
43:01Six of blokes out there.
43:01Six of blokes.
43:15Right.
43:16Come on, next.
43:20Get your hands up.
43:21Up to the railings, across the papers, hurry up, will you?
43:33And you!
43:34Yes, you too, McCann.
43:36Get down!
43:39Right.
43:42Search him, Jack.
43:45What are they doing?
43:47He's the one that got us out!
43:51Ha! Ha! Ha!
44:07Morning.
44:15Well, that's a turn-up, isn't it?
44:17Sorry?
44:18You're going to be a prosecution witness.
44:21Yippee. Who told you?
44:24Mrs. What's-her-name.
44:25And Alfie Cavallo.
44:27Quite the hero, they reckon.
44:29So we're going to need a nice, long statement.
44:32Some other time.
44:34You'll probably end up at a judge's commendation.
44:38I wouldn't know what to do with it.
44:40Oh, look, Terry, do yourself a few favours, eh?
44:43I mean, you could do with a bit of credit rating round here.
44:46Yeah, yeah.
44:47But right now, all I want is a wash and a shave
44:50and a nice big breakfast.
44:55And then, I'm going to do what you do every day.
44:59And what's that?
45:01Sleep.
45:15Hello.
45:16Oh, my darling, take on, mister.
45:19Oh, don't worry about it. What's going on?
45:22That's it, love.
45:23Right, now, closer.
45:24Yeah.
45:26And again.
45:27Turn this way a bit.
45:28This way to the road.
45:29Arthur!
45:29What's all this about?
45:31It's the joyful reunion, isn't it?
45:33Lovely.
45:34Ha, ha, ha, ha, ha.
45:35We don't have yet.
45:37Lovely.
45:38And again.
45:44You know the mistake you made, Terry, don't you?
45:47No, tell me.
45:47What was the mistake I made?
45:49Should have stayed in the laundrette another couple of days.
45:51Got more press coverage.
45:54Arthur, we were dying in there.
45:55Well, if I'd stayed any longer, you would have got me married, divorced and done for alimony.
46:00Poor old Arthur's on his last legs.
46:02What are you talking about?
46:03Flesh wounds.
46:05He was well pleased with you, though.
46:06I should be able to get a bit more dough out of him for us.
46:10Us?
46:11Us?
46:12Now, why would you be entitled to more dough?
46:14The aggravation I had.
46:16The worry.
46:18I was up all night.
46:21Oh, yeah.
46:22Of course you were, Arthur.
46:23I'm sorry I forgot about that.
46:24Besides, you've got all the publicity.
46:33I'm sorry.
46:34I've got all the publicity.
46:34I must be able to do that.
46:35I'm sorry.
46:35I've got all the publicity.
46:36I'm sorry.
46:37I'm sorry.
46:37I'm sorry.
46:38I'm sorry.
46:39I'm sorry.
46:39I'm sorry.
46:40I'm sorry.
46:41But already, I'm sorry.
46:42I canсти to you now.
46:45I've been nervous.
46:49I can't sit for fun.
46:53I can sit for fun.
46:55Well, I treat you naturally now.
46:57I can sit for fun.
46:58I can sit for fun.
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