- 6 weeks ago
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TVTranscript
00:00Welcome.
00:03Yep, that seems to be good.
00:05There you go. Thank you so much.
00:07Hi, Lola. Have fun.
00:09Alright, welcome.
00:20Here we are.
00:26Ready, three, two, one.
00:30I'll just get Lola settled.
00:32Sure.
00:53Alright, chicken.
00:56I'll just go find you, Dad.
01:05922 York.
01:07933 Church Fenton.
01:09942 Garforth.
01:109.59 Leeds.
01:1310.08 New Pudsey.
01:1510.18 Bradford Interchange.
01:1710.29 Halifax.
01:1910.41 Hebden Bridge.
01:2011.02 Burnley-Manchester Road.
01:2311.12 Appleton.
01:2511.20 Blackburn.
01:2711.40 Preston.
01:2911.49 Kirkham-Russian.
01:3011.57 to 25.
01:33Welcome to this coming.
01:3411.60.
01:5011.21
01:5012.50 PM,
01:5112.50 PM,
01:5112.50 PM,
01:5412.50 PM,
01:5912.50 PM,
02:02Hey!
02:03Hey, Patience.
02:04Hi, Patience.
02:05Hi.
02:06We should do a gig here.
02:07Oh, we should.
02:08Absolutely.
02:09It's epic.
02:11So beautiful.
02:13So beautiful.
02:14If you'll follow me, I'll take you to the very spot
02:17where a local squire was accused of devilry
02:20and bricked into the abbey wall.
02:23You can still hear his muffled screams today.
02:26It's me. I'm the squire.
02:32You don't mind it if these guys join, do you?
02:36No.
02:40Sorry, everyone.
02:41Had to get that out on the system.
02:42You all right?
02:43Yeah, just about.
02:44All right, OK.
02:45This way now.
02:59No.
02:59No.
02:59No.
02:59No.
02:59No.
02:59No.
03:00No.
03:04No.
03:25No.
03:25No.
03:25No.
03:27No.
03:29No.
03:42No.
03:44No.
04:29I'm Philip Braxton. He's a specialist engineer.
04:33Hi. Can we help you?
04:36I'm Martin. I'm a colleague of Phil's.
04:39I hope the officer said you would want to speak with me.
04:42Yeah. DS Hunter.
04:43Bye. I'll see you in a minute.
04:47So tell me, how long have you worked?
04:48So what do we think?
04:51Well, looks like he sustained a traumatic brain injury from a blow to the head.
04:56He would have died within a minute.
04:59This is the murder weapon.
05:01Yeah, I say so, from its dimensions.
05:04Blood's a bit of a giveaway.
05:14He was a good bloke.
05:16He's great with his kids.
05:19Have you found her? The daughter.
05:22Daughter?
05:22The mother drops her off every Wednesday.
05:24She would have been here.
05:25She's, um, she's autistic.
05:31Right, well, here we are.
05:33Thanks very much.
05:34Hope you had fun.
05:35And either way, thanks for getting me out of the house.
05:38Oh, thank you very much.
05:43Oh, that's a really cool picture with the lights behind you.
05:46Can I have your phone?
05:46Yeah, yeah, yeah.
05:47Oh.
05:55Oh, nice of you.
05:57I look great.
05:59Nothing a filter won't be there.
06:00Right, come on.
06:02I'm freezing.
06:03This place is definitely haunted.
06:05Oh, yeah.
06:06Later as you do.
06:07See you.
06:07See you, losers.
06:09Thought you were a loser.
06:13I like your friends.
06:14Yeah, yeah.
06:16Idiots.
06:19Wish I had any of what you are sometime.
06:21My friends?
06:23Yeah.
06:24I want to meet them.
06:27Okay.
06:29Oh.
06:49Yeah, um, sorry to ruin the evening.
06:52Why don't you do then?
06:56Uh, give me a call later, yeah?
06:58Yeah.
07:00Bye.
07:01Bye.
07:04All right, headphones.
07:05Love a boy not staying.
07:06No.
07:07It's his night off.
07:08Come on.
07:09We need you.
07:17Hey, boss, we found this in the bin.
07:19It's the wife's phone, Claire Braxton.
07:21We put a call out, but her car's still parked in the street outside.
07:24So what are we thinking?
07:25What, she killed her husband and then fled on foot?
07:29We...
07:29Was that her with her daughter?
07:31Yeah, Lola Braxton.
07:32She's 11 years old, autistic, predominantly non-verbal.
07:36We're sweeping the area, but there's no sign of either of them.
07:38We can't assume we're together.
07:40What do you think?
07:42Sorry, what do I, what, what do I think of what?
07:46Well, I thought you might have a hunch where the daughter is, because you're both, you know.
07:50We're both.
07:50Well, you, you know, you're, you're autistic.
07:56Well, no.
07:58I mean, we're not all the same.
08:00I don't know what she's thinking.
08:02Yeah, I don't have time for you to get all offended.
08:03I'm just asking for your input, please.
08:10Okay, um, I guess, I guess when I was younger, I liked to find small spaces to hide in,
08:19so I could feel the walls around me, but always near my dad, because it felt safer.
08:32So we're looking for an 11-year-old girl, Lola Braxton.
08:35And we think she might be hiding in a small space, so spread out and be thorough.
08:42Lola!
08:43You're in trouble.
08:44Lola?
08:46Are you in here?
08:54Lola?
08:54Lola?
08:55Lola?
08:56Can you hear me?
08:58Lola?
09:01Lola?
09:02Lola?
09:08Lola, are you in here, Lola?
09:17Lola, are you in here, Lola?
09:35Lola, are you in here, Lola?
09:35Lola, are you okay?
09:42Lola, 11-20 Blackburn, 11-40 Preston, 11-49 Kirkland-Washam.
09:51She, uh, may have just witnessed her father's murder.
09:54Poor thing.
09:57She seems to be chanting.
10:00It's echolalia.
10:02It's a way of self-soothing.
10:04Yeah, communication is a bit of an issue.
10:07There are no other witnesses.
10:09No.
10:09Right now, everyone who's passed through this museum in the last few hours is a suspect.
10:17The mum's phone's not given us much and nothing from the house search, given the level of
10:21risk I've contacted MPU.
10:23There is an older sister as well.
10:25Um, she works near the station, in a kebab shop, Diablos.
10:28They're ringing her over now.
10:29Hey, good.
10:30Get on to local hospitals, stations.
10:32Well, I spoke to a couple of her friends.
10:34Doesn't look like a domestic.
10:35Apparently things were pretty good between them.
10:37Yeah, but, you know, you don't know what goes on behind closed doors, though.
10:41Go on.
10:49Jesus.
10:50Both parents gone in one afternoon.
11:02Evie, I'm Detective Inspector Monroe.
11:04Yeah, where's Lola?
11:05Where's my sister?
11:06That'd be found my mum.
11:07We're doing everything we can, I promise.
11:09We've got a social worker who's going to come and look after you and Lola at your house
11:12until we find your mum.
11:13Wait, no, I can look after Lola.
11:15I'm 19.
11:16Okay, but with Lola's needs, you still have to be assessed.
11:19Please.
11:21Sit.
11:30Okay, listen.
11:31We need to move fast, so I'm going to have to ask you some difficult questions, all right?
11:36What do you mean?
11:37How did your mum and dad get on?
11:39Did they argue?
11:40Were there tensions from the house?
11:42What?
11:43I just want you to be totally honest with us, Evie,
11:45because I wouldn't be doing my job properly if I didn't consider all the possibilities.
11:49Oh, so you're saying that my mum killed my dad?
11:51You're joking.
11:53Okay.
11:54You're just ruining things out, Evie.
11:56Can you think of any reason why your mum would disappear?
12:00Well, if you're saying that she ran off,
12:01it's probably because she couldn't handle the stress of Lola anymore.
12:04Did she say that?
12:05No.
12:07No.
12:10But you don't understand.
12:11It's so full on.
12:13She saps mum's time, energy, money, everything she takes.
12:17Everything.
12:27Yeah.
12:28Just wait here, girl.
12:29Are we okay?
12:32Hi, I'm Kirsty.
12:33I'm the social worker.
12:34Hi, Kirsty.
12:34I'm Dio Munro.
12:35Um, their father was killed today.
12:38And the mother's gone missing.
12:39And the younger one's autistic and the older one really,
12:41really doesn't want you to be here.
12:43So that's a tough one.
12:43Okay.
12:44Do you want to get them out of the car?
12:45Yeah.
12:50Hi, Lola.
12:51I'm Kirsty.
12:51I'm the social worker.
12:52Come on, let's get you inside.
12:56Hi.
12:57What's going on?
12:57I'm Dio Munro.
12:58And you are?
12:59Well, a family friend.
13:01Is everything all right?
13:03Uh, the girl's father was killed earlier today.
13:06Oh, my God.
13:07Come on, Evie.
13:08How you get.
13:11Oh, Evie.
13:12I am so sorry, love.
13:14Oh.
13:16Oh.
13:17That's a thing.
13:17I've got to go check on Lola.
13:19Yeah.
13:19Do you live nearby?
13:22Yeah, I'm a neighbour.
13:24Oh, right.
13:24When was the last time you saw the girl's mother?
13:26Claire.
13:28Not for a few days, I think.
13:29Right.
13:29Well, if you hear anything, let me know, yeah?
13:31Yeah.
13:32Oh, my God.
13:44So this should be around the time they arrived.
13:49You still don't know where the mum is?
13:53No.
13:55And I'm not sure she's coming back.
14:00You think she's dead?
14:04Just doesn't want to be found.
14:09Oh, look.
14:11There.
14:11It's them.
14:13Well done.
14:21Billy, can you go back, please?
14:25Yeah.
14:26Just two seconds.
14:32There.
14:33She's wearing a rucksack.
14:36What?
14:37Lola.
14:38The girl, she's wearing a backpack.
14:41But when we found her, there wasn't one.
14:44So where's it gone?
14:57So you think the rucksack is still in the museum?
14:59Uh, yes.
15:00The CCTV footage showed Lola entering with it, but when we found her, it wasn't there.
15:04Okay.
15:05So what's it look like?
15:06Uh, well, it's orange with black straps, two side pockets, both empty, front pocket also
15:11empty, and it's got a black hat on the front of it.
15:13Okay.
15:14Good work.
15:15Right.
15:16We're looking for an orange rucksack with black straps.
15:19Spread out, everybody.
15:21Now, boys, check down there and it's in the carriage left.
15:23Let's see.
15:29Any luck?
15:30No.
15:31De'Angelo and Rose still checking the workshop, though.
15:33Okay.
15:34Uh, let's head down there.
15:36Walk the grid, so to speak.
15:37Yeah.
15:38Um, sorry.
15:39Actually, DS Winter.
15:42Uh, if you have a date someone,
15:45properly, would you introduce them to your friends?
15:49No, I think so.
15:50Yeah, why?
15:51Well, it's just that Elliot wants to meet them.
15:55Well, that's a good thing, isn't it?
15:58I don't know.
16:00I mean, why would he, why would he need to meet my friends?
16:03Well, maybe he just wants to get to know you a bit better.
16:10Yeah.
16:11Yeah.
16:12Yeah, I guess so.
16:15Thanks.
16:19Wait a minute.
16:19What do you mean if I ever was to date someone properly?
16:22All right.
16:23Oh, my God.
16:29Oh, my God.
17:03There you are.
17:08There's about 300 in there.
17:11And they found traces of marijuana in the ruckset.
17:14The little girl has been used as a drug mule.
17:17Seems like it, yeah.
17:19And have we identified where the bank's from?
17:24Well, as you can see, there's not much to go on.
17:32So what are you thinking?
17:33Father runs into debt, trying to care for his daughter.
17:36So he starts selling drugs and then runs into trouble with a rival dealer.
17:42And how's the mother involved?
17:44We just don't know, sir.
17:45And at this point, you know, she could be a victim or a suspect.
17:51All right.
17:58Yeah.
17:58I should be with you now.
18:00Let me know if you hear anything.
18:02All right.
18:03All right.
18:04Hi.
18:05Um, I double-checked the archive.
18:07There's nothing on Philip or Claire Braxton.
18:11All right.
18:12Well, it was a long shot.
18:13Yeah.
18:15What if, um, what if Clyde didn't want to be found?
18:20Well, what do you mean?
18:24Um, well, Evie said that she couldn't handle the stress of raising Lola.
18:31And so maybe, maybe that made her want to disappear.
18:38Well, I think it's much more likely that her disappearance is connected to her husband's murder.
18:46Yeah, it feels like the only one with any answers is Lola.
19:10Hi.
19:11Hi.
19:12Um, sorry.
19:14We're looking for Lola.
19:16We've got something for her.
19:18Yeah.
19:20Good.
19:25Look at that.
19:28Look at the gold.
19:30That's good.
19:32That's one for the collection, yeah?
19:35Yeah.
19:40Thanks.
19:42That was nice of you.
19:43Yeah, my brother loves chains too.
19:45That's actually one from his collection.
19:48Oh, don't worry.
19:50She can keep it.
19:51Billy also collects loyalty cards.
19:53Yeah.
19:53Why?
19:56I guess it's a way of finding bother in the chaos sometimes.
20:00You know, it's just my head is...
20:05922 York, 933 Church Fenton, 942 Garforth, 947 Newton Market, 959 Leeds, 1080 Pudsey, 1080 Red Pansons, 1029 Haricots, 1041
20:20Hapton Bridge, Lola, thank you.
20:23Oh, Lola, it's okay.
20:26Just try and breathe.
20:27Try and breathe.
20:33There's nothing there.
20:43Every Wednesday at four, they come.
20:45My clockwork.
20:46Less seven.
20:48Same outfit, same rucksack.
20:51A load of routine, if they were called it.
20:53And then where did they go?
20:54Um, the maintenance yard.
20:57She'd get on one of the trains and look out the window like it was a real journey.
21:02Very sweet.
21:03And your door security, are you?
21:05What does that entail?
21:06Bag checks, mostly.
21:08Staff?
21:09Visitors?
21:09Everyone.
21:10So you'd have checked inside Lola's work, sir?
21:14Well, no.
21:16She was a little one and she didn't like to be touched, so...
21:23Okay, right.
21:25God, where are you bloody ear defenders?
21:27God.
21:29Mum would know what to do.
21:31Um, Evie, can I just try something?
21:33No, it's fine, it's fine.
21:35Can I just try?
21:36Evie.
21:36No, no, I'm okay.
21:37I've got it.
21:38It's fine.
21:38Evie.
21:39It's best if we step outside, yeah?
21:46It's okay, I promise.
21:49Okay.
21:51Okay.
21:58Do you want to join me in here, Lola?
22:04Lola.
22:05Well, Lola.
22:05Florent Otero, Falkers.
22:05Florent Otero.
22:06I'll do it.
22:08Florent Otero, Falkers, Falkers, Falkers, Falkers.
22:47I like it in here.
22:52You know, when I was younger, I used to hide under my bed.
23:00I still do sometimes.
23:37What are you doing with the foil box?
23:40Um, Lola gave it to me.
23:45She's never given it to anyone before.
23:50Um, it's like a security blanket.
23:54It was, um, it was her mum's idea.
24:01Well, my mum gave me a special box, too.
24:24Thank you, Lola.
24:32We know Lola brought the backpack every Wednesday.
24:35Saw her dad for two hours.
24:37Just enough time for him, we assume, to swap the cash for cannabis.
24:41So, Philip uses Lola as a drug mule.
24:45Only this time something goes wrong.
24:48And they kill him.
24:49Yeah, but why leave a bag of money behind?
24:52Yeah, and how does a missing mum tie into all of this?
24:56Chuck us a kebab.
25:01What do you get?
25:04Christ.
25:05Look.
25:10It's the same.
25:11So, the bag used to hold the money came from the adverts.
25:14And who do we know who works there?
25:22So, we found the rucksack, Evie.
25:24How long have you been dealing?
25:26No comment.
25:29Did your parents know that you were using your sister to transport drugs?
25:34No comment.
25:38Evie, your father has been killed and your mother is missing.
25:41I think the time for no comment has passed.
25:44Yeah, but this is a total joke.
25:46Why are you wasting your time talking to me when you should be out there looking for my mum?
25:49Yeah, we are.
25:51And we need you to help us.
25:54This is a murder investigation.
25:56I'm not with a drug squad.
25:59Talk to me.
26:01How did it work?
26:02So, you put the money in the rucksack.
26:04Someone at the museum exchanged it for drugs.
26:06Who was it?
26:11Just a guy I know from school.
26:14Why did you do it?
26:15Diablo is not paying you enough.
26:18I didn't even need that money.
26:19I gave it to my dad.
26:25Okay, so...
26:26You and your dad did this together?
26:31Not at first.
26:34He caught me and I said I'd stop.
26:39We were just in so much debt at the time and I...
26:43I just said I could help.
26:49Exactly how was he involved?
26:56He arranged for us to use the museum as a drop-off point.
27:00Said it was safer that way.
27:03It was only going to be for a bit, just till we got back on our feet.
27:07And where were you selling the drugs?
27:13Evie, your father's been murdered.
27:15I think you need to cooperate.
27:18Just like...
27:20Kids at college, kids at class.
27:22It wasn't a big deal.
27:25OK.
27:28I'm going to hold you for further questioning and then you'll be allowed home pending a court hearing.
27:33Not a court hearing.
27:35The law's the law, Evie.
27:38You'll be all right.
27:39You're a survivor.
27:41I don't know, because you don't understand.
27:43I didn't have a choice.
27:44My mum had to give up a job.
27:45I had to give up my uni, please, because we couldn't afford it.
27:47This isn't my fault.
27:49It's because of the law, lad.
27:51You can't just walk away.
27:52Where are you going?
27:53You don't understand.
27:54It's not my fault.
27:56Oh!
28:00Oh!
28:01Oh!
28:02Oh!
28:03Oh!
28:05Oh!
28:08Oh!
28:09Oh!
28:10Oh!
28:12Oh!
28:21Patience, right?
28:23Yep.
28:24Zinzi.
28:25I work with DCI Baxter.
28:26Yes, I know.
28:28I was hoping to catch you for a chat, actually.
28:30Really?
28:31I would love to include you in some of the work we're doing on the rebrand.
28:34Oh, no.
28:36Well, that's not really my thing.
28:38Don't be silly.
28:39DCI Baxter told me about your autism, which I think is fantastic.
28:44And I think your truth is really valid, and will resonate with so many people who think
28:48that maybe the police isn't bored with it.
28:50Okay.
28:50Well, I'm not actually part of the police.
28:52They work in criminal records.
28:54And I love that.
28:55That is exactly what we're looking for.
28:57Your authenticity.
28:58Your diversity.
28:59And I hope I'm not making you feel uncomfortable here.
29:02But you have fantastic hair.
29:05Oh!
29:07You see our Baxter.
29:08Hi.
29:08Sorry, Amelie.
29:09I got stuck in a meeting.
29:10And the train was delayed.
29:12I sat at Garforth Station for 20 minutes.
29:14Couldn't even find a snack.
29:16Garforth?
29:17Sorry.
29:18Where did you say the train started from?
29:32Er...
29:32We've pulled in Evie's school friend, we're doing a background on him, but so far it's
29:36looking like our story's checking out.
29:38And all our punters are a bunch of college stoners, all pretty small time.
29:40And the money wasn't taken.
29:42You know, I think we can forget the link between the dealer and the murder.
29:46Hi.
29:46Er, Lola's been trying to tell us something, and that's what this is.
29:50Just give me a sec.
29:56Here we go, York to Blackpool North.
29:59I mean, if there's an answer, it's got to be in this route.
30:07What?
30:08No, no, no, there's a station missing.
30:11Ola always says, York, Church Fenton, Garforth, New Temple Gate.
30:17York, Church Fenton.
30:20New Temple Gate needs what?
30:22Well, there's no New Temple Gate.
30:24Well, maybe it's a disused station.
30:27Yeah, New Temple Gate.
30:32No, there's no station there.
30:34But if it's a school...
30:40Right.
30:42It's a specialist school.
30:45Go to the gallery?
30:46Mm-hmm.
30:49That's Lola.
30:54Scroll back.
30:56Hmm?
30:56Yeah, scroll, scroll back.
30:59I know that woman.
31:00She's their neighbour.
31:06Lola was at our school until a couple of years ago.
31:09I remember Claire found it pretty tricky at first.
31:13She hoped Lola could be cured.
31:15Um, autism can't be cured.
31:18It's not an illness.
31:19Yeah.
31:20Claire came to recognise this.
31:23And finally understood.
31:25And then loved how Lola saw the world.
31:28It's not easy for parents.
31:30Or the children.
31:32And sometimes things break down, but...
31:34It's rarely a lack of love.
31:37Do you really believe that?
31:41Absolutely.
31:46Tell me about Nadia Ward.
31:49It's quite a sad story, actually.
31:52Her daughter Kelly was in Lola's class.
31:56She had a seizure and died last year.
32:00Nadia had a breakdown.
32:01She blamed the school.
32:03She hustled staff.
32:04What do you mean?
32:06Nadia stalked Kelly's key worker.
32:08She really needed help.
32:10Wait.
32:12Uh...
32:13Sorry, I recognise that jacket.
32:26She was at the museum.
32:28The day of the murder.
32:30Jesus.
32:32And I think she was outside the girl's house the other day.
32:35I think that's what Lola saw.
32:37What?
32:38That's what Lola has been trying to tell us.
32:40She's afraid of Nadia Ward.
32:42Crap.
32:43Sorry.
32:45Jay, we need to get hold of the girl's social worker.
32:48Nadia, their neighbour.
32:50She could be dangerous.
32:51Okay, we're going to leave in five, yeah?
32:53All right.
33:00Uncle.
33:06Bye.
33:24You look so lovely, Kelly.
33:27That's a gorgeous picture of you.
33:30Are you excited for a holiday, Kelly?
33:33Exciting.
33:35What are you doing?
33:37Where are we?
33:38Oh, I love sleepy. I'd take a seat.
33:40What have you done to me?
33:42I said, sit down.
33:47Would you like some tea?
33:50Get some tea.
34:08Oh, that's okay.
34:10Do you want to check around the back?
34:12Yep.
34:21Can I see?
34:23Can I see?
34:28Evie?
34:31Lola?
34:34Kitchen's clear.
34:35Okay.
34:36What have you got on Nadia?
34:37Check.
34:41There's nothing out back.
34:42Okay, go and check upstairs.
34:43All right.
34:47What have you got on Nadia?
34:49What have you got on Nadia?
34:51What have you got on Nadia?
34:58What have you got on Nadia?
35:02What have you got on Nadia?
35:02What have you got on Nadia?
35:02What have you got on Nadia?
35:04What have you got on Nadia?
35:05What have you got on Nadia?
35:07What have you got on Nadia?
35:08What have you got on Nadia?
35:10What have you got on Nadia?
35:25Jake!
35:27Jake!
35:28Oh, shit!
35:29I'm here.
35:30Hey, it's alright, it's alright.
35:31I'm here now.
35:32Come here.
35:33Come here.
35:41Come here.
35:50Well, this'll make you feel better.
36:06Kelly!
36:08Stop being silly!
36:13Hey, boss, we've got a problem.
36:15There's no sign of the kids, and no sign of Nadia,
36:18because apparently she's never lived on this street.
36:20Alright, so, we've got a mentally unstable woman
36:22who has a breakdown when her daughter dies, unable to grieve.
36:25She transfers her affection to another child and starts stalking her.
36:29You've got to know her fix her dress, Mum,
36:30but she did inherit her mum's country house three years ago.
36:33Here's the location.
36:35Alright, let's go.
36:36I don't get it. What's Nadia's plan?
36:37I thought she just wanted Lola.
36:38Yeah, what's she gonna do to Evie?
36:41Will, call for backup.
36:42Alright.
37:02Mom?
37:03Mom!
37:05Mom!
37:06Mom!
37:07Mom!
37:07Mom!
37:08My God!
37:08Oh, thank God! Oh, thank God! Are you OK? Oh, are you OK? Are you OK?
37:16Oh, thank God! Oh, Kelly!
37:22There you go.
37:29Kelly!
37:33Come on, we've got to go now!
37:44I don't know.
38:14I don't just leave.
38:16Let us go.
38:18Come on, Kelly.
38:20No.
38:21It's Lola.
38:23What?
38:25No, it's not.
38:26It's Kelly.
38:27Come on, Kelly.
38:27Let us go.
38:30Stay back.
38:32I said I didn't want to.
38:32Stay back.
38:33Kelly, out of here.
38:35Run!
38:36Get out of here!
38:38Kelly!
38:39Kelly!
39:02Get out.
39:04Get out.
39:06Okay, Nadia.
39:07I'm Detective Frankie Monroe.
39:11Stay away!
39:12Okay.
39:13Okay, I need you to calm down, okay?
39:15I need you to calm right down.
39:17Okay, I'm stepping back.
39:18I'm stepping back, okay?
39:19I'm taking Kelly away.
39:20You can't stop me.
39:22Okay.
39:30Are you all right, Claire?
39:33Okay.
39:34I know you're suffering, Nadia.
39:36Hurting Claire is not going to bring your daughter back.
39:38You don't know anything about me!
39:40No, I don't know anything about you, Nadia.
39:44I don't, and I want to know.
39:45I want to talk to you nice and calmly, okay?
39:48But first, I need you to let Claire go, okay?
39:56No, that's not your daughter.
39:58She doesn't deserve her.
40:01I can look after her.
40:04I can move her.
40:11No, I don't!
40:44No, I don't.
40:47In time with Lola.
40:49And why didn't you report her?
40:53We felt sorry for her.
40:58And we thought we could handle it.
41:01But then she turned up at the museum.
41:06No!
41:08Eugene, where is she?
41:11Lola, stop!
41:17What have you done?
41:19Oh, Claire, no.
41:21What have you done?
41:22No, no, no, no.
41:22Phil!
41:24No!
41:25Phil!
41:26Phil!
41:27No, no, no.
41:29They're calling an ambulance.
41:32Oh, shit.
41:34Phil!
41:35No, no, no.
41:39Phil!
41:40I'm sorry!
41:43I'm sorry!
41:46I'm sorry!
41:49I'm sorry!
41:51Whoa!
41:51Okay!
41:56Come on!
41:57Come on!
41:59Come on!
42:13I'm sorry for everything I put you through.
42:15You must hate me.
42:16No, sweetheart.
42:18No!
42:20The two are you.
42:24There's nothing you could ever do
42:28that would stop me loving you.
42:36Namaste, Dad.
42:38Oh, no, Dad.
42:40Meeting.
43:03Anyone fancy some crisps?
43:05Or nuts?
43:07Oh, yeah.
43:09Oh.
43:12Patience likes nuts,
43:13but you're allergic to the sesame.
43:15Yes.
43:16Oh.
43:18Yeah, she found out when she was seven.
43:19Eight.
43:20Eight.
43:21Eight.
43:22Yeah, she found out when she was eight.
43:24She found it out at a trampolining party.
43:26Oh, yeah.
43:28Which is when she also found out
43:29she doesn't like trampolining.
43:33Right, well, um,
43:35let's not do that, then.
43:39So, uh, Billy,
43:40Patience says you run her group.
43:42Yeah, yeah.
43:43Uh, she joined in, uh,
43:46January 2022.
43:49Which is actually her favourite month.
43:52Partially because
43:53snowdrops are her favourite flower.
44:00You know a lot about her, don't you?
44:02Yeah.
44:04Yeah.
44:05I suppose I do.
44:12I'll just get you to the toilet.
44:13Yeah.
44:14Okay.
44:16Great.
44:31It's been going well.
44:43Oh, it's gone.
44:53Is this weird?
44:54This is weird, isn't it?
44:55Yeah.
44:56I think, uh,
44:57it is a little bit weird.
44:59Yeah.
45:00I think she wants us to,
45:03you know,
45:03bummed.
45:04Yeah.
45:05Oh.
45:06Which is fair enough.
45:07Yeah.
45:07You are her best friend.
45:10And I'm,
45:11you're a boyfriend,
45:13aren't you?
45:15Am I?
45:16I've not exactly done that yet.
45:18Hmm.
45:19Do I do really like her?
45:21Hmm.
45:22And she really likes you.
45:26Yeah?
45:27Yeah.
45:32Okie dokie, folks.
45:33Start assembling your teams for the quiz.
45:36Oh, I love a quiz night.
45:38Although I can basically only do music and birds.
45:41Ooh, I can do history,
45:43art,
45:43and like,
45:44like a little bit of sports.
45:46Although to be honest,
45:46if you've got patience,
45:47we basically...
45:47We do not need to be here at all.
45:50Ha ha ha ha.
45:54Hey.
45:55Hi.
45:55Um,
45:56I've just signed ourselves up
45:58for the quiz.
45:59Oh.
46:00Oh, that's okay.
46:01Yeah.
46:02Yeah.
46:04Look, I, um...
46:07I really like your necklace.
46:11I like it too.
46:15Question one.
46:16Where is the scarlet granite
46:19said to Rome not?
46:48Oh, that's okay.
47:01Hello.
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