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00:10Can I get you something a drink? A hot tea or something like that? Yeah, sweet one.
00:36Hold on, one here.
00:37Hold on, one here.
01:11Susie Harris? Yeah?
01:14Detective Sergeant Tanika Malik, can I ask you a few questions?
01:17Um, yeah.
01:19Can you take me through what happened?
01:22Well, I came to drop Luna off. That's Iqbal's dog, Gemma Shepard. I'm a dog walker. Iqbal works nights. He's
01:34a taxi driver. I come most days. But today, his door was open, which is not like Iqbal. So I
01:44went inside and that's...
01:48I'm so sorry.
01:53Was there anything else you saw that seemed different or out of the ordinary?
01:56No.
02:00Nothing comes to mind?
02:03No.
02:08Poor Luna.
02:10This is so bad for her.
02:12Uh, can I take her home with me, please?
02:16Sorry. Um, Sarge Dee, so I want the word.
02:19Sure.
02:21That would actually be a great help.
02:30Hello.
02:32Sorry to interrupt.
02:35Judith Potts.
02:37Susie Harris.
02:38Would now be a good time to finish taking your witness statement?
02:41No, it would not.
02:42Miss Harris has been through quite enough for one day.
02:45I suggest you contact her again tomorrow, when she's had a chance to recover.
02:53Now, how can I help you get home?
03:05It's so lovely being back in the vicarage.
03:08It's lovely to have you here.
03:10We must do it more often.
03:12Next time, at my house.
03:14I insist.
03:19Colin's so grateful you can share what you know about Stefan Dunwoody's life.
03:23For his eulogy, of course.
03:25There's plenty to say.
03:27Not all of it good, I'm afraid.
03:31Sugar.
03:44Lots.
03:50Your daughter's beautiful.
03:54Does she live with you?
03:55Yeah, but she's spending the summer in Jamaica, visiting her dad.
03:59How lovely.
04:00He walked out on us while she was still in nappies.
04:03And now, after I've raised her, done everything for her, he rocks up with the fun bits.
04:09I see.
04:11Anyway, uh, thanks for your help.
04:15I'll be fine.
04:17Do you know who could have done this to your friend?
04:19No idea.
04:21He had a good soul.
04:23You know?
04:24You liked him?
04:26You see, Luna.
04:28She belonged to Iqbal's neighbour, Ezra.
04:31Really nice guy.
04:32When Ezra died, Iqbal took her in.
04:35No questions asked.
04:37That's the sort of look he was.
04:39Eh?
04:41Why are you asking?
04:43I'm trying to find out who killed my neighbour.
04:47Stefan Dunwoody.
04:48You think there's a link?
04:50Very possibly.
04:51Is that what the police think?
04:54If you will think of anything that might help in any way.
04:57I'm at the old manor house.
04:59On the way to Hurley Lock.
05:00No, no, no, don't get it.
05:08Cheers, see ya.
05:12Good evening, breaking news from Marlowe.
05:14We're now going over live to the Buckinghamshire Police press meeting.
05:17I can confirm a man in his late forties was shot dead this morning at his home.
05:22We're asking for the Publix Corporation.
05:25If you saw anything unusual or anyone suspicious near the Wickham Road in Marlowe between the hours of 5 and
05:316am, please contact the Buckinghamshire Constabulary.
05:36Are you linked to the murder of Stefan Dunwoody?
05:38I'm sorry, that's what I said.
05:54keyboardist Callers Roux.
06:13Couldn't remember it.
06:15I have the trouble.
06:20I know they may beкой in the mud and i can't really miss the long
06:36I don't know.
06:58I've got it.
07:00Hi.
07:01Oh, hello.
07:02I'm Bex Starling.
07:04The vicar's wife.
07:05Susie Harris.
07:07Yum, yum.
07:09Wow.
07:10Yeah.
07:13Oh.
07:14You came.
07:18Both of you.
07:22You'd better come in.
07:31I baked a cake.
07:32Oh, that's very kind of you.
07:33It's nothing, really.
07:34I had some spare lemons.
07:35Well, thank you.
07:36You're not vegan, are you?
07:38There's butter in it.
07:38No, the more butter the better.
07:40For a celiac.
07:41It's made with flour.
07:41No.
07:42This place is something else.
07:44Um, it belonged to my great aunt.
07:47I was lucky enough to inherit it.
07:49And it's just you here?
07:51Yes.
07:51Just me.
07:52Must get lonely.
07:53No, not at all.
07:55I've always liked my own company.
08:00I think it's wonderful.
08:01I crave peace and quiet.
08:03Most days, my house feels like Piccadilly Circus.
08:06Which is why you hide in cupboards.
08:07Guilty as charged.
08:08So, Susie, I take it you're here about Iqbal?
08:12Well, if you're still interested.
08:16Yes.
08:18You could say I'm interested.
08:23Okay.
08:27Someone's been busy.
08:34Where did you get this?
08:36This is ten years old.
08:38Hmm.
08:39So, what have you got for us?
08:41Well, it's something I remembered after your visit.
08:44A few months ago, Iqbal said he was coming to some money.
08:46He wouldn't say how or why.
08:48Oh, thank you again.
08:50What are you looking so happy about?
08:52Oh, I had the best news.
08:53The best.
08:55What?
08:56I just don't want to tell you just yet.
08:58Okay.
08:58Soon, though.
08:59Soon.
08:59All right.
09:00Bye.
09:00Come on, girl.
09:01Bye.
09:02But a few weeks later, I asked him about it.
09:04Shut me down.
09:05Iqbal, are you a millionaire yet?
09:08I really don't want to talk about this, Susie.
09:11Sorry.
09:13I got the impression that he'd been cheated or lied to or something.
09:18Also, the police asked me about some sort of medallion that they found on Iqbal's body.
09:23That's very interesting.
09:27And how about you, Mrs. Starling?
09:28Oh, please, it's Bex.
09:30Or Rebecca.
09:31No, not Rebecca.
09:32I knew my mother calls me that.
09:34Just Bex.
09:35You've got news?
09:36I had a chat with Mrs. Eddingham.
09:38The gossip?
09:38She couldn't wait to tell me that Stefan Dunwoody used to run a scam at the Marlow auction house
09:43with Elliot's father, a man called Alec.
09:46Elliot's father was a horrible man.
09:49If this Alec found someone who had a good painting that was worth something
09:52and the owner didn't know anything about art...
09:55It's worth almost...
09:56He would scam them by getting Stefan to give a really low valuation.
09:59Can you believe it?
10:00Sometimes, Stefan would buy it from them at a knock-down price.
10:03The greener they were, the better.
10:05And then sell it in London for a huge profit.
10:09But always giving Alec a cut of the money.
10:13Very profitable.
10:14Yes.
10:15Nice costume.
10:17Well, sometimes Stefan would keep the painting for himself.
10:25So, Elliot was right.
10:28Stefan was a croc.
10:30He seemed quite upstanding to me.
10:33Although Mrs. Eddingham said the scam was with Elliot's father, not with Elliot.
10:36Well, who's to say it didn't carry on after his death?
10:39Hmm?
10:40Like father, like son.
10:42What are you thinking?
10:43Me?
10:44Well, you know Elliot.
10:45Do you think he's capable of running a scam with Stefan?
10:48Oh, God, yes.
10:49I'll be honest, I don't trust him one bit.
10:51He's one of those types.
10:53You just know.
10:55So, we've got Iqbal, possibly cheated out of money.
10:59And Stefan, the sort of man who cheated people out of money.
11:02And Elliot Howard, who could be a crook.
11:05But that doesn't mean that Elliot's a killer.
11:07Oh, I suspect him.
11:09He's involved.
11:10The same day I met him, this brick came through my window with a note.
11:14And remember, Stefan was killed with an antique pistol.
11:19And where do antiques come from?
11:21If not from auction houses.
11:24But he has an alibi.
11:26Elliot and I were at choir practice together.
11:28Hold on.
11:29We can sort this out.
11:31We just need to get a sample of Elliot's handwriting.
11:33And see if it matches that handwriting.
11:36And Judith, you just need to stay out of sight.
12:17Okay.
12:18Ballistics say the bullet that killed Mr. Kassam was fired from the same gun that was used to kill Mr.
12:22Dunwoody.
12:23This isn't two cases.
12:25It's one case.
12:25One shooter.
12:26Two victims.
12:27Jason, sort out the document management.
12:29Yep.
12:29Got it.
12:30Thanks.
12:30So, what links have we found between our two victims?
12:33Did Mr. Dunwoody ever use Mr. Kassam's taxi service?
12:36Not as far as we can tell from his logbooks.
12:38What about communication?
12:39Well, I've looked into both victims' emails, phone records, messages, everything I could find, but I can't find any links
12:45between the two of them.
12:46Then what about the Nazi pistol?
12:48Is it possible Mr. Kassam had any far-right links?
12:50No, no, not even close.
12:51No, Mr. Kassam donated 10% of his salary to a refugee charity in Wickham every year.
12:56What do we get from door-to-door inquiries?
12:59Nothing.
13:00He only has neighbours on one side and the house was empty.
13:02He only died earlier this year.
13:03What about causing the public?
13:05Weeding out the cranks.
13:06We've not found anyone who heard or saw anything between 5 and 6 a.m. when Mr. Kassam was murdered.
13:12Okay, how about the medallion?
13:14Tell me we may progress on that.
13:17As far as we can tell, Mr. Kassam doesn't know anyone called Hope.
13:20What else could it signify?
13:22I was thinking, what if it's a ship? Like the SS Hope?
13:26Okay, see if Mr. Kassam had any links to the Navy or any other boats.
13:30Brendan, how are you getting on with the auction houses?
13:32Oh, yes.
13:34I contacted everyone within your 20-mile radius, but so far no-one's sold any kind of German gun in
13:42the last 10 years.
13:43But, as I was saying to Jason, personally I think we need to be looking in London.
13:47What about the Marlowe auction house?
13:50Well, they haven't got back to me yet.
13:52Alice, go to the Marlowe auction house.
13:54Speak to the owner, Elliot Howard. I want to know why he's dragging his heels.
13:57Yes, boss.
13:58And ask him about his alibi for the time of Mr. Kassam's murder.
14:00Yes, boss.
14:09Okay, team. Our first special ops group chat.
14:13What's he up to now?
14:15He's still writing in his cat's log.
14:17Maybe one of you should lure him away.
14:19Oh, that should be easy.
14:21Just need to create a diversion.
14:24Oh, that's a good idea.
14:25Judith?
14:26Oh, God, what have you done?
14:27You're a giraffe.
14:28How are you going to do that?
14:29Judith?
14:31What are you doing?
14:32What?
14:32What have you...
14:33Why am I a giraffe?
14:34Why am I to prison?
14:36Oh, this is ridiculous. How do I change it?
14:38Go to the bottom of your screen.
14:40Change the setting.
14:40You should see a giraffe or some other anemoji.
14:43What's an anemoji?
14:46I've done it again.
14:47This is preposterous.
14:49How do I change it?
14:50Stop it, Judith.
14:50No.
14:51Try swiping up.
14:52He's looking, he's looking, he's looking at us.
14:53No.
14:54No, this is hopeless. I'll call you back.
14:56Quick, Judith.
15:00I think I've sorted it.
15:04The police are here.
15:06They are.
15:09Hey, um...
15:15Find out why.
15:19Let's go.
15:20I'm not sure.
15:21Can I help?
15:21Oh, the detective constable is asking if we've ever sold a Second World War German Luger.
15:27Oh, of course, yes.
15:29I'm sorry.
15:30I was, uh, should have got back to you sooner.
15:32Uh, because, uh, we did, actually.
15:35Uh, last year, to a local collector, have the receipt right here.
15:39Oh!
15:39Ow!
15:40Ow!
15:40What on earth are you doing?
15:43Ellie, are you okay?
15:44It's not my fault.
15:45It's not...
15:45Oh, I'm a police officer.
15:47Are you okay?
15:48Oh.
15:48Yeah.
15:49Oh, I don't know what.
15:50You haven't helped me out.
15:52Oh, I think it might be...
15:54Yeah, I think I'm all right.
15:55Can you say there's an ambulance?
15:55You need to be more careful where you put those things.
15:58Excuse me.
16:02Wait, where were we?
16:04That gun receipt.
16:05Yes.
16:08Well, what happened?
16:09Turns out the auction house sold to German Luger last year, and guess what?
16:13The receipt for it is written in Elliot's handwriting.
16:16Well, how can you know that?
16:16Because Beck's managed to get a photo of it.
16:18Only because you created the most brilliant diversion.
16:21Yeah, I did, didn't I?
16:22Up top.
16:23Yes.
16:24Oh, this is very interesting.
16:26Is the handwriting the same?
16:27No.
16:28No, it isn't.
16:30The A and Y in Appleby don't match the A and Y from the brick.
16:33And the W in working is nothing like the W in away.
16:37But if it wasn't Elliot who threw the brick, who was it?
16:42Well, maybe it was the person who bought the Luger.
16:44It says here the man's name is Chris Bott.
16:48Chris Bott.
16:49You know him?
16:50I sing in the choir with him.
16:51Does everyone sing in the choir?
16:52Sometimes it feels like it.
16:54Should I give him a ring?
16:55And say what?
16:56Are you the murderer?
16:57Stop it.
16:57I think we can do better than that.
17:25Mr. Starling, what are you doing here?
17:27Sorry about calling unannounced.
17:29Do you mind if we ask you a few questions?
17:30Of course.
17:31How can I help?
17:33Judith?
17:34It's a matter of some importance.
17:36We would be most grateful.
17:38Well, why don't you come in?
17:42Thanks.
17:48Do take a seat.
17:54Oh, I thought you collected World War II memorabilia.
18:00Who told you that?
18:01I've a collection myself.
18:04I don't keep my collection out in the open.
18:06It's more for the discerning viewer.
18:08Mine's Greek.
18:09From the 5th century BCE.
18:12Oh.
18:12Ancient history.
18:14From Maxos.
18:15Following Pericles' invasion.
18:17You collect weaponry?
18:18Well, of course.
18:20You can learn so much about a people by how they fight.
18:23I've always thought so.
18:24The Greeks were fine warriors.
18:26Still are.
18:27The Greek soldier, above all, fought with the most courage.
18:32Adolf Hitler.
18:33His address to the Reichstag, 1941.
18:37As an archaeologist, I've always thought it a travesty that society says some artifacts can be displayed and others can't.
18:43To my mind, all history is equally valid.
18:47Hard agree.
18:49May I see your collection?
18:53May I see your collection?
18:53May I see your collection?
19:12May I see your collection?
19:15May I see your collection?
19:15May I see your collection?
19:15May I see your collection?
19:15May I see your collection?
19:15May I see your collection?
19:16May I see your collection?
19:16May I see your collection?
19:20May I see your collection?
19:21May I see your collection?
19:23What a fascinating collection.
19:25You are quite the connoisseur.
19:27Even the grenades?
19:28No one's ever matched the Germans for engineering.
19:36Is this legal?
19:39Depends what jurisdiction you're in.
19:42Well, I think it's...
19:46...fascinating.
19:48With a collection this extensive, you must have a Luger pistol.
19:54Let me show it to you.
19:57It's in excellent condition and really quite rare.
20:07No.
20:08No.
20:09Someone stole it.
20:11The police!
20:12Open your hands!
20:14Open your hands!
20:14Open your hands!
20:16Open your hands!
20:16Open your hands!
20:18Open your hands!
20:18Open your hands!
20:26It's not as bad as it looks.
20:28This is really unnecessary.
20:30I do not need to be handcuffed.
20:32There's been a complete misunderstanding.
20:34Look, someone must have broken in and stolen my...
20:36What are you doing here, Mrs. Potts?
20:38And you, Miss Harris?
20:39We met at Iqbal's house.
20:41Oh, you did, did you?
20:43We want Stefan's killer caught.
20:44And Iqbal's.
20:46So do I.
20:48I'm sorry, who are you?
20:50Oh, sorry, no, of course.
20:51I'm Bex, darling.
20:52And you're Shanti's mum, aren't you?
20:54Our children do children music academy together.
20:57Look, I need you to listen to me because every time I see you, there are more of you.
21:01And we're even more successful.
21:02Well, we're dealing with a double murder here.
21:04I was right.
21:05Stefan and Iqbal were killed by the same person.
21:07I didn't say that.
21:08And the same gun must have been used.
21:09Mrs. Potts, this is police business.
21:11If I find any of you anywhere near either case again, I'll arrest you for obstruction.
21:16Okay?
21:17Okay.
21:20Oh God, the Bishop of Worcester!
21:32Sir, what have you ladies been up to today?
21:45Oh!
21:46Piano Ni-
21:46Oh, the Bishop of Worcester!
21:48Hello.
21:49Welcome.
21:49Come in.
21:51Look at her, eh?
21:53She's like an angelic rottweiler.
21:56She's good.
21:57She is.
21:59She is in her element.
22:01Everyone loves her. What a natural.
22:06There we are. All done.
22:08How on earth do you do it?
22:10Do what?
22:11Put people you don't know so at ease.
22:13It's not that hard. You just have to be friendly.
22:16No, it's more than that.
22:17You care about every person you speak to.
22:20I've never thought about it like that.
22:25We're not going to stop investigating, are we?
22:27No way!
22:28Not on your Nelly.
22:29Not on your Nelly.
22:31What?
22:47Let's gather round.
22:48Let's get all your life jackets on.
22:50We are going to find the water stay.
22:53Okay?
22:54Right.
22:55That's where it is.
22:56Great.
22:56You look okay?
22:58All right.
22:58Let's have a look.
23:00Let's just do this a bit tighter.
23:02Yep.
23:03Angus, you all set?
23:05Good now.
23:06See you in a minute.
23:09Last kids club ready.
23:12Liz?
23:14You okay?
23:15Yeah.
23:16Of course I'm okay.
23:17I don't want to get away.
23:22I started...
23:27Oh, no.
23:36Yes you are indeed.
23:37Go on.
23:37Let's go.
23:38Am I on?
23:38You okay?
23:38I think he's really...
23:38I can..
23:39That's myquel.
23:45I think your guy looks better.
23:46You guys want me.
23:46You okay?
23:48Why didn't you give the police that receipt?
23:51What's that?
23:52The officer said they asked for it days ago.
23:57Well, it wasn't a priority.
23:59I do have a business to run.
24:03Why are they even asking?
24:06I suppose they're trying to work out where Stefan's killer got his gun from.
24:11He was killed with the Luca.
24:13Would appear so.
24:20She also wanted to know where I was when that taxi driver was killed.
24:23Yeah, she asked me the same thing.
24:25It was 6am. I told her that we were in bed together.
24:29Asleep.
24:31So did I.
24:32Well, that's you in the clear.
24:34And me.
24:36I suppose that's the last we'll hear from the police then.
24:49Oh no.
25:15The police is trying that they had to take care of.
25:18Oh, hey. You're up?
25:20Can't sleep. How was your gig?
25:23Yeah, yeah, it was good.
25:26You know, good for midweek. How about you?
25:30I can't find anyone or anything that links the two murders, except the murder weapon.
25:34You will. You always get your man, huh?
25:39Oh, she could be a woman.
25:43Oh, there's a wife's watch that he's putting on, and Shanti's got to take in two pounds for a charity
25:47cake sale.
25:47Yeah, got it. Good morning.
25:53Morning.
25:58I'll catch your killer.
26:07We remember the mighty deeds of the Covenant.
26:10Blessed is the Lord our God, almighty and ever-living God.
26:15Remember the mercy with which you graced your servant Stephan in this life.
26:21Receive him, we pray, into the mansions of the saints.
26:26As we make ready our brother's resting place,
26:29look also with favour on those who mourn and comfort them in their loss.
26:37Grant this through Christ our Lord.
26:40Amen.
26:41Amen.
26:44Amen.
27:02Amen.
27:03Well, he meant a lot to you.
27:13What's it feel like, having all this?
27:20When I first met Colin, he was the executive of a big music company.
27:24He was an A&R, I was HR, and we had the kids,
27:28and then he got his calling to the priesthood.
27:31I wanted to support him.
27:34So how old are you, kids?
27:36Oh, Sam is 15, and Chloe is 17.
27:39Oh, so she knows absolutely everything about everything.
27:43You have a teenage daughter.
27:44Yep, I see, sir.
27:46She left school this summer.
27:48Congratulations.
27:49What are her plans?
27:52I don't know anymore.
27:58It's like being crushed by 800 years of stone.
28:03That's what it's like.
28:05You've got to see the book of condolence for Steppen.
28:08Come, look at this entry here written by Daisy Howard.
28:12The roundness of the A's, the slant of the Y's.
28:16It's the handwriting on the brink.
28:24Colin will need me for the wake, like his wife.
28:26Of course.
28:28Knock him dead, girl.
28:29Oh, well, maybe not that.
28:31Mrs. Howard, might I have a word?
28:36Why?
28:37No.
28:38I believe it was you who threw that brick through my window.
28:43You shouldn't have signed the book of condolence.
28:47Not here.
28:49No.
28:56I don't know what to say.
28:58How about the truth?
28:59It's us or the police.
29:01And we're much nicer.
29:06My husband has affairs.
29:09He thinks I don't know.
29:10Of course I do.
29:13When you visited that first time, I asked him what you've been talking about.
29:18He lied.
29:19You thought he and I were...
29:21I was so angry with you for daring to come to my place at work.
29:25I wrote that message and threw it through your window.
29:29I was lashing out.
29:30I'm so sorry.
29:33You're trying to find out what happened to Steppen Dunwoody on you.
29:36Did you know him?
29:38Not really.
29:39But Elliot did.
29:39He hated him.
29:41He did?
29:43Elliot's dad had a painting by Stanley Spencer, worth a small fortune.
29:48Elliot always loved it when he was growing up.
29:50It's what made him go to art school.
29:52He went to art school?
29:53He's a good painter.
29:56But when his dad died, he didn't leave the painting to Elliot.
30:00He left it to Steppen.
30:03Harsh.
30:05My husband is a proud man.
30:07And he's got issues.
30:08God knows he's got issues.
30:10But whoever shot your friend...
30:12you need to look elsewhere.
30:17husband...
30:29My great aunt always said that I should take up knitting.
30:32You said this was her house?
30:34I was an archaeologist for many years.
30:37Lived abroad.
30:38I didn't think anything would make me come back to the UK.
30:41So you've got left a house on the Thames worth millions.
30:45So, where's this squeak collection you told Chris Bott about?
30:48Oh, that was just a story to try to get him to open up.
30:54Well, you fooled me.
30:55Can I ask?
30:56Can I ask?
30:56Your wedding ring?
30:57Yes.
30:59Vicar's wife.
31:00I noticed rings.
31:01I used to be married.
31:03Wow.
31:03What happened?
31:05Goodness, this really is a night for questions.
31:11What's that?
31:12Where's it coming from?
31:21There's someone in Stefan's house.
31:22Are you sure?
31:23I can see torchlight in the windows.
31:25What the hell?
31:26No.
31:27Call the police.
31:29Tell them there's been a break-in.
31:31And meet me there.
31:32Judith?
31:33Wait!
31:34Look, I'm not sure you should...
31:56Where do we go?
31:58I don't know you want to play it.
32:23Where is his phone number?
32:31Who's there?
32:33I'm making a citizen's arrest.
32:45Police!
32:46No, Judith!
32:48What?
32:49Judith!
32:50Judith!
32:51Oh my God.
32:52Where's the police?
32:53She's in here.
32:53She's in here.
32:54Judith!
32:55Are you okay?
32:55No.
32:56Jesus Christ!
32:58And it's Judith.
32:59You could have been killed!
33:00What on earth were you thinking?
33:02Did you see who it was?
33:03No, it was too loud.
33:04Then did you see what they were doing?
33:05No, they were.
33:05Just bleeding.
33:06Up there.
33:06That's all I know.
33:07Come here.
33:08Ow!
33:08Oh!
33:09Oh my God!
33:11All right, come on, let's get you up.
33:12Easy.
33:13Yeah.
33:14Easy.
33:15Take your time.
33:16It's steady now.
33:18Let's sit you down over here.
33:19Come on.
33:21Come on.
33:22Okay.
33:22Ow.
33:24This frame is very orderly.
33:26Every painting under its own light, positioned to the inch.
33:30And not a spot of dust.
33:32So?
33:33So how come there's dust on that wall?
33:35Well.
33:36I noticed dust.
33:37Don't ever come to my house.
33:38What are you suggesting?
33:39There was a bigger painting here, until recently.
33:42So where has this picture come from?
33:46There has to be...
33:51Somewhere.
33:54There it is.
33:55Look.
33:57Yes.
33:58The dust on the wall fits it perfectly.
34:00So what was here?
34:02A painting by Stanley Spencer.
34:04How do you know that?
34:05Because Daisy Howard told us that Stefan inherited a prized Stanley Spencer from Elliot's father.
34:12I see no Stanley Spencer painting in this room.
34:15It was Elliot, wasn't it?
34:17We don't know that.
34:17I think we need to check his alibi.
34:19It's a matter of some urgency.
34:20No.
34:21When are the three of you going to get it?
34:22You're in danger.
34:24The killer's already struck twice.
34:25If you get in the way, do you think this person's going to stop at killing any of you?
34:31I'm staying at yours tonight.
34:32Yeah, me too.
34:33No, I'll be alright.
34:36You asked about my ring.
34:37My husband was not a good man.
34:40But I survived him.
34:42And I'll survive this.
37:01Also, the police asked me about some sort of medallion.
37:13Good morning, Mrs. Plotts.
37:14Hello, Hogan.
37:15Good morning, old Tom.
37:17Damn Tom.
37:22There she goes.
37:24I think there is clockwork.
37:25Oh, yeah.
37:29I haven't seen her, mate.
37:30I can't wait to.
37:31All right, take care.
37:32Good morning.
37:34Good morning.
37:34I'd like to see Detective Sergeant Zika Malik.
37:36The name's Potts.
37:37Judith Potts.
37:38Let me see if she's free.
37:45Dear S. Malik, there's a Judith Potts in reception to see you.
37:50She says...
37:52She says...
37:52I don't want to say what.
37:54Okay.
37:56You're to go home.
37:58I beg your pardon?
38:00You're to go home.
38:09Nope, she's still here.
38:12Well, if she's going to be like that, let her I'll go.
38:17Yep, she's going.
38:18Okay, thanks.
38:42Good morning, Mrs. Potts.
38:44Good morning, Jason.
38:52Mr. Dunwoody had a list of paintings for insurance, and you're right, only one was missing, a Stanley Spencer.
39:00Who spoke to Mr. Howard last night?
39:02That was me.
39:03He was at home the whole evening.
39:05Was anyone with him?
39:06His wife was at the cinema when the break-in happened, and he was on his own.
39:10So no one can confirm his alibi.
39:11Ah, what about Chris Potts?
39:14Oh, after we released him, he got straight on a train to Amsterdam, visiting friends.
39:18What about forensics?
39:20What do we get from the scene?
39:23Brendan?
39:23Oh, not much.
39:25Although we were able to lift a fresh set of prints from the door handle to the house,
39:28and we found new prints smudged on the window.
39:31And do they belong to him?
39:31They're not a match for Elliot Howard, or Daisy Howard, or anyone else involved in either investigation.
39:36Then what about the Hope Medallium?
39:39Mr. Kassam had no links to the Navy, and never took a trip on the SS Hope, either.
39:44Then why did the killer leave this at the second crime scene, but nothing at the first?
39:48I know.
39:50Oh, how did she get in here?
39:51Come on, guys, we are literally the police, and we've just been broken into.
39:54Well, not a bit of it.
39:55That nice young man led me in.
39:57Oh, when Jason gets back here, I want a word.
39:59And I know why that medallion has Hope written on it.
40:03That's not possible, love.
40:04I think you'll find it is.
40:06And I've had a thought.
40:07What metal is it made from?
40:16In the 1920s, a man called Leonard Woolley uncovered a series of royal tombs in Iraq,
40:22even though there was no known city nearby to support them.
40:25And you can't have royalty without a city.
40:28The one implies another.
40:28That's how he discovered the ancient city of Ur.
40:33I don't understand.
40:34Yeah, what she said.
40:38Everything about these two murders is identical.
40:42The same gun, the same bullets, the same shot to the forehead, except in one detail.
40:50A medallion at one scene implies a medallion at the other.
40:54Oh.
40:56Hello.
40:56Hello.
40:57What have we here?
41:04It says faith on it, doesn't it?
41:06Yeah.
41:07And here abideth faith, hope, and charity.
41:10All three.
41:11But the greatest of these is charity.
41:14One Corinthians.
41:15Oh, my God.
41:17Faith, hope, and charity.
41:20Indeed.
41:22There's going to be a third murder.
41:24We're dealing with a serial killer.
41:27Temooch.
41:27There.
41:27There is.
41:28Here.