Skip to playerSkip to main content
  • 3 hours ago

Category

📺
TV
Transcript
00:01I don't want to die!
00:03I don't want to die!
00:04You are the most sweetest of me, Daoche.
00:06When I'm in a gripe,
00:08I'm going to take you and take you to take me
00:09and take you back.
00:11I don't want to drive you, I don't want to die!
00:13I don't want to die!
00:14I don't want to die!
00:16If you help you with the organization,
00:19we can soon buy something.
00:21Bravo, bravo!
00:22It's a lie, but it's a lie.
00:24I don't want to die!
00:25I don't want to die, Malle.
00:26I don't want to die!
00:29You can take me to the corner of the corner,
00:31and one of the ones you want to die!
00:32You don't want to die, Malle.
00:36Yes, Malle, you won't be able to die.
00:38If you don't take me to die,
00:40if you're in a morning you'll have to die,
00:41you'll have to die.
00:43I don't want to die!
00:45Tolleche!
00:48Tolleche!
00:51Tolleche!
00:52What are you doing?
00:54What are you doing?
00:55Tolleche!
01:26Tolleche,
01:28Tolleche,
01:28You don't want to die!
01:40Tolleche!
01:41Tolleche!
01:43What's the best?
01:46It's a lot!
01:50Tolleche!
01:51who has created a mom.
02:25I don't know if I'm going to kill you, but now I'm going to kill you.
02:33I'm going to kill you.
02:35Do you have to kill you?
02:37Yes, it is.
02:40What is it?
02:43It was from my mother.
02:45It was from my mother.
02:48What is it?
02:49What is it, Agata?
02:51Be'l, she said it for the people of Belial and...
02:57That's why they have to kill you.
03:01I'm going to kill you.
03:05I'm going to kill you.
03:07I'm going to keep asking you about it.
03:08She says, that my mother is being killed out of the blood.
03:14The
03:14is
03:14a
03:14a
03:15a
03:15a
03:15a
03:15a
03:15a
03:18a
03:18a
03:21a
03:26a
03:29a
03:30a
03:30a
03:30a
03:30a
03:30a
03:30a
03:30a
03:30a
03:30a
03:31a
03:31a
03:31a
03:31a
03:31and they just leave it alone, but they just leave it alone.
03:37Something like that.
03:39And they, when they die, they don't have anything to feed them.
03:45So that's why today I'm going to take care of them.
03:53And we? What about we?
04:08What about you?
04:08I'm going to take care of them.
04:09I'm going to take care of them.
04:18I'm going to take care of them.
04:19You wanted to save the life of my sister.
04:24I'm going to take care of my mother.
04:25I'm going to take care of them to Serbia.
04:30You don't have another choice.
04:34You don't have another choice.
04:53I'm sorry.
04:57I thought that my family was a problem.
05:00And that's what my father did.
05:03Now, for me,
05:06the child is dead.
05:09My brothers
05:12and all the others are dead.
05:14They are dead because of your mother.
05:17She has been raped.
05:18Lela,
05:19your mother is your death.
05:23According to me,
05:27you should come back here.
05:39My brother...
05:48My brother, I know you don't sleep.
05:54You are dead.
05:59I'm sorry, Dela, Dana.
06:03Maybe she knows what kind of life is.
06:07You are dead.
06:08I'm sorry, Dana,
06:09you think about me?
06:11You are dead.
06:14You must be dead.
06:29You are dead.
06:30You are dead.
06:31You are dead.
06:34because of the death of her mother's death.
06:38Oh my God,
06:40one mother should not be convicted.
06:44One mother should not be guilty.
06:47To protect her child.
06:51And that's why I told her the truth to my father.
06:56I know, mother.
07:05And I know,
07:06that now my mother is guilty of you because of me.
07:16Why are you?
07:17I know,
07:18I know,
07:18I know,
07:29I know,
07:31I know,
07:43I know.
07:44But I know,
07:46I know,
07:46I have to take the whole reserve.
07:48To be guilty of you.
07:56What do you mean?
07:57We have to take the kids and see what happens.
08:00Yes.
08:02She...
08:03She's always heard how to say it.
08:08She's not exactly for me, but for her.
08:11Lazar.
08:14She...
08:15She was saying that she was a father in Bulgaria
08:19and was a hundred years old.
08:20What?
08:24She was a kid.
08:26It's a lot.
08:29I...
08:30I saw Gromov...
08:33... from who I was told.
08:38Lazar is out of Gromov.
08:39You want me to tell you that Lazar is...
08:44... a vampire.
08:45I'm not sure.
08:48That's how you say it.
08:52Hey, you don't need to be under.
08:55No figures, ma'am.
08:57No, no, no, no, no, no...
08:57No, no, no, no, no...
08:58No, no, no, no, no, no, no, no...
08:58No, no, no, no, no, no...
08:58No.
08:58No, no, no, no...
09:01It's a mess to me, brother!
09:04But it's up here and it doesn't happen!
09:21Lerudana...
09:21Is there a cure for my mother's ran?
09:25This is a magic magic. For her, there is a cure.
09:31And why didn't you see me?
09:35My mom doesn't want to tell you...
09:39...to me.
09:39...to me three.
09:59She was in the house of Lazarus.
10:01I told you to take care of Saturn, but I'm still in love with her.
10:07According to me, Lazarus was here to kill her mom.
10:13And to steal her from herself.
10:28She was with her magic.
10:30She was with her magic.
10:40She was in love with her.
10:43You can be in love with her.
10:45You were killed.
10:47You were killed the mom.
10:48You were dead as hell, you were dead.
10:52You were dead and, you were dead, you were dead.
10:54...
11:03...
11:04...
11:04...
11:04...
11:05...
11:34...
11:34...
11:34...
11:35...
11:35...
11:36...
11:37...
11:37...
11:37My father died.
11:39My mom...
11:40... can I be...
11:43... killed?
11:53So?
11:53I'm at the end.
11:55I'm with you.
11:59I'm with you.
12:07I know...
12:07... who is the creator of my mom.
12:10How so?
12:12Who?
12:13The Lazarus.
12:15He remembers everything.
12:20You only tell me that she is a Caracomjo.
12:28Yes.
12:30I told him everything.
12:32It's good to tell you, but...
12:37...
12:37...
12:38...
12:38...
12:39...
12:39...
12:40...
12:54...
12:56...
12:56...
12:59...
13:00...
13:01...
13:02...
13:03...
13:03...
13:04...
13:05...
13:05...
13:05...
13:05...
13:05...
13:05...
13:06...
13:06...
13:06...
13:06...
13:07...
13:08...
13:08...
13:09...
13:09...
13:09...
13:10...
13:11...
13:11...
13:12...
13:12...
13:12...
13:12...
13:13...
13:14...
13:14...
13:15...
13:15...
13:15...
13:16...
13:17I don't know why my mother is a man with a hand.
13:19Mom...
13:20I don't understand anything.
13:22I don't understand anything.
13:23I don't know what to do with my help.
13:25And what?
13:26To get on to Yordanov and tell him that we have a good protection
13:29for the big red bird, called Mamnik?
13:32I don't know what to do.
13:44Dark, just a second, Abel Aslan, do you want to tell me that you know all the things that you're
13:52doing?
13:54And now you've been told.
13:56I don't want you to believe it.
13:58I don't want to believe it.
14:00I don't want to believe it.
14:01But...
14:03Everything is wrong and it will be true.
14:06No, no.
14:07The question is...
14:09I'm going to believe it.
14:11Everything is so fast,
14:13that I don't have time to think about it.
14:16I'm going to move on to the other side.
14:19We need to do something then.
14:21I agree.
14:25I'm going to believe it.
14:28I'm going to believe it.
14:29I'm sure I'm sure he's going to believe it.
14:31I'm sure he's going to believe it.
14:32I'm sure he's going to believe it.
14:34I'm sure I'm going to believe it.
14:37I'm sure if we decide to do something,
14:39we are sure that everything you have said,
14:42is true.
14:44You see...
14:46It's not a bit late for you to get out of here.
14:48Mom, it's not going to be a step.
14:53You see...
14:55...Dark...
14:56I don't know what you think about me.
14:58What do you want to think about it?
15:00It's my village.
15:03It's my village.
15:05So I don't have a step.
15:13How do you know?
15:14How do you know?
15:15How do you know?
15:17It's for me.
15:19That's what I don't know.
15:28It's yours.
15:40It's my village.
15:43I don't know how to expect me,
15:44I think it will grow oldوا표 somehow.
15:45...
15:46...
15:46...
15:46...
15:46How so?
15:49Maybe...
15:50Bywency, as a young man,
15:52has become a victim of the creation of Mannyka.
15:56And the death of the brother of Lazarus.
16:00That's a shame.
16:07But the situation of Bywency,
16:09it was very close to him.
16:11It was very close to him.
16:15And it was very painful.
16:23Do you know where they found him?
16:26He told me,
16:28that they found him...
16:32with a...
16:34with a...
16:35with a...
16:36with a crown.
16:39And they found him...
16:41with a golden crown.
16:43with a great family...
16:45Something like that too...
16:49I have a good life...
17:24What was that?
17:36Do you want to see?
17:43What do we do here?
17:58Yes. I was here.
18:17What have you done?
18:19What have you done?
18:20What have you done?
18:24They were all wrong.
18:28What did you do?
18:30And the brothers.
18:45So, Bai Venzi can be here to be a witness of the creation of Mother's mother?
18:53Why did he get rid of it?
18:56Even then.
18:58Why did it happen right now?
19:01According to me, because he started to remember it.
19:06And that's how he got to get rid of Mother's mother.
19:09Maybe Mother's mother let him get here.
19:13How did he get rid of it?
19:15Maybe.
19:24Let's go.
19:25I'm not going to get out here.
19:42I'm not going to get rid of it.
19:47I'm not going to get rid of it.
19:53I'm not going to get rid of it.
19:58And how could he get rid of it?
20:01And why do I get rid of it?
20:06Or if...
20:07If we die.
20:08Do you think that's right now?
20:11No.
20:13The queen and the queen,
20:15they find a way to free them from this evil.
20:19Do you see?
20:21No.
20:23No, no, no.
20:48Do you see the queen?
20:52Do you see the queen?
20:55Yeah.
21:05The queen...
21:07You see, she's not going to die.
21:08Sasha.
21:23Gladen son.
21:28I want you to ask,
21:31if you want to help me.
21:35черната царица.
21:37I understand,
21:38that you always want to tell us the truth.
21:44I'm sorry,
21:45that you will suffer from this.
22:02Yes,
22:03there is Lazar.
22:06And he was there.
22:09I'm sorry,
22:10I'm sorry,
22:11черната птица.
22:32I'm sorry,
22:33I'm sorry.
22:49I'm sorry,
22:51I'm sorry,
22:52I'm sorry.
22:53I'm sorry,
22:56I'm sorry,
22:57I'm sorry.
23:01Черната царица.
23:02My father can't die.
23:11I'm hungry.
23:21I'm going to go back.
23:24I'm going to go home.
23:32I'm going to go home.
23:53Venci.
23:54Venci, sine.
23:57I'll never tell you what I've seen before.
24:05What are you doing?
24:07The painting is added to the painting and the mother of Lazar.
24:12With a knife in her hand.
24:14And she says, oh, that's what I've seen.
24:16Oh, that's what I've seen.
24:19Oh, that's what I've seen.
24:20Oh, that's what I've seen.
24:24And how do you say it?
24:27He says, oh, that's what I've seen before.
24:31If Bai Vensi is associated with the mother of Lazar,
24:34maybe the mother of Lazar as well can learn things through her?
24:45It's over.
24:47It's over.
24:48It's over.
24:49Literally enough.
24:51It's over.
24:52It's over.
24:53I'll tell you very much.
24:56I'll tell you to go.
24:58You'll tell me.
24:59I'll tell you too.
25:00You'll tell us.
25:01And why sparks you me!?
25:03I'll tell you not in service.
25:06I'll tell you enough.
25:19Wait, something happens with Bajvenci.
25:27Buzhanci? What's going on?
25:29There's nothing to do with Bajvenci in the house.
25:33Let's go there.
25:37No!
25:38No!
25:40I'm not a enemy!
25:41Bajvenci!
25:51Where is Bajvenci?
25:54Where is Bajvenci?
25:55Where is Bajvenci?
26:11Where have this information legal?
26:14They are down to Cairns!
26:16Let's do it.
26:46I don't know what to say.
26:47She was always paralyzed.
26:50But no one has seen her move.
26:52You want to tell me that it's impossible to get her and get her somewhere.
26:56Is that right?
27:02How many years ago?
27:04Over 90 years.
27:06No one knows.
27:08Is she having relatives?
27:11Is there anyone to see her?
27:12No, no one.
27:16Where is she here?
27:18From the end of the 90-year-old.
27:20Before I started working here.
27:23It's a trap in the house under the fire.
27:27From the house under the fire?
27:30Do you have to have any information about her?
27:32No.
27:33From the house under the fire?
27:35No.
27:50From the house under the fire.
27:57How is it?
27:58Are you sure?
27:59No.
28:02From the house under the fire?
28:09No.
28:20No.
28:23No.
28:27No.
28:29No.
28:33No.
28:41No.
28:42No.
28:43No.
28:45No.
28:51No.
28:53But...
28:54Everything is possible.
28:56As it is clear that your death is dead,
29:00it is not a cure for anyone.
29:03Hey!
29:05Hey!
29:12Do you think that his mother has been in the same time?
29:16I don't know what to say.
29:18By Vencey, he said to Emil,
29:21that the black woman could not die.
29:23What does that mean?
29:30According to me, Mamdika and Veneta are connected.
29:34And another thing.
29:36Plamen, from the house house,
29:38says that the doctors never found the physical cause of the disease.
29:44It's nice.
29:46If she's a mother and a mother,
29:50why don't you have to do it with her?
29:53It's not like that.
29:55It's not like that.
29:56I'm the one that needs to be done before her.
30:08I have to buy a wine.
30:10Ha ha!
30:11Did you see?
30:12Logical.
30:21Lazare!
30:27What is known for, that's her mother's father?
30:30No, it's not that Lazare is a man.
30:33What is he saying?
30:38Come on!
30:39What did you do?
30:41Nothing.
30:43The man is right.
30:45You've already been in front of her.
30:48In the house, in the house.
30:51You don't want to go back to the house,
30:54but you want to take care of yourself.
30:56That's why she punished you!
31:26Let's go!
31:28If you're a liar-
31:29I don't want to talk too much.
31:30I know. But you should.
31:31Why?
31:32You were the one who was told me
31:34to not have a promise to their friends,
31:36That's why my eyes are my eyes.
31:37Yes, he is.
31:38And that's not the case of death.
31:41You are not the case.
31:44And you are not the case of my mother,
31:46which is created by people who kill people.
31:49I don't know how to do it.
31:55I don't know how to do it.
31:59Then you took the right decision.
32:05I don't know how to do it.
32:07I don't know how to do it.
32:08I don't know how to do it.
32:08I love it.
32:10I love it.
32:13The difference is,
32:16that...
32:19...
32:19...
32:20...
32:20...
32:21...
32:21...
32:22...
32:22...
32:23...
32:23...
32:24...
32:27...
32:29...
32:30...
32:30...
32:30...
32:30...
32:30...
32:32...
32:32...
32:32...
32:33...
32:33...
32:38...
32:39...
32:39...
32:45...
32:55...
32:55...
32:55...
32:55...
32:58...
33:04...
33:08...
33:09...
33:12...
33:16...
33:17...
33:20...
33:20...
33:32...
33:34...
33:34...
33:34...
33:34...
33:34...
33:36...
33:36...
33:37...
33:37...
33:37...
33:38...
33:39...
33:39...
33:39...
33:40...
33:42...
33:52...
33:53...
33:53...
33:53...
33:53...
33:54...
33:54...
33:56But she is not in a way for anything.
34:00Mr. Cherenke, look at me.
34:08My mother is always ready to do everything.
34:12Only for you to be happy.
34:17She was very happy.
34:22I'm sorry, Mr. Cherenke.
34:28I'm sorry, Mr. Cherenke.
34:31I'm sorry for you.
34:35But you're here because of that story.
34:38I'm sorry.
34:41You don't think you'll come back to me,
34:44but if everything is said in the old song,
34:47I'm sorry for you.
34:50I'm sorry for you.
34:52I'm sorry for you.
35:17I'm sorry for you.
35:32I'm sorry for you.
35:34I'm sorry for you.
35:44There, where she is, there is no place.
36:00Lelia Dana said,
36:03that if he is created by his mother,
36:07he will be killed.
36:15I'm going to take my own hell.
36:20It's time to do it for her mother and mother.
36:35It's time to do it before your mother and mother.
36:43What is it?
36:47It's funny.
36:50If you're able to take the hell out of it,
36:55what will happen with you?
37:05It's time to take the hell out of it.
37:06Wait, I don't know what to do.
37:07She's just going to take the hell out of it.
37:10It's like that.
37:11There's no way to go.
37:13I'm sure that if someone else finds it,
37:16he will find it again.
37:17But she, how in general,
37:19I can't explain it.
37:20It's a miracle.
37:22We are not doctors.
37:23I can't explain it.
37:24Maybe when we find it,
37:26they will tell you what it is.
37:28But the doctors don't have to stop.
37:31Look at what happens with Bay Vence.
37:33That's his pain.
37:35It doesn't take care of any treatment.
37:37I'm just looking for that.
37:42I don't want people to get hurt.
37:45What do they get hurt?
37:48What do they get hurt?
37:48That he was a 100-year-old baby-shkier,
37:51who was able to escape from home.
37:53They had many strange jobs in the past.
37:55That's right.
37:57But you don't want to tell them,
37:59that you can't find any young people,
38:02who are constantly dying from them.
38:06What do they get hurt?
38:07Yes.
38:16Well, I'll get hurt.
38:16How are you, Dad?
38:17Oh, but I'm the cat.
38:19Wait!
38:20Wait a minute.
38:21Wait a minute.
38:22To be the cat out.
38:23And he sees that I'm late Entonces but he's going to die harder.
38:28Then you take the exam again.
38:35It doesn't matter.
38:38Yes, I am.
38:39Yes, yes.
38:41Yes, yes.
38:42Your dad already said that you can't get so fast.
38:45What did you do?
38:47You are...
38:48You are...
38:48You are...
38:49You are...
38:51You are...
38:52Oh, how are you doing so much?
39:01Yes, I am.
39:04Yes, I am.
39:04I am a snag.
39:04I am a snag.
39:05I am a snag.
39:08But we are not in the house.
39:10Where are you?
39:11Yes.
39:13Yes.
39:15Yes.
39:16Yes.
39:29Yes.
39:29I don't know what to say.
39:31It's nothing.
39:32Just take a bagage and...
39:35Go and go.
39:37Everything is in order for you.
39:39Yes, yes.
39:40Everything is in order.
39:43Soon I will come to you.
39:45Bye, daddy!
39:47Bye, my little girl.
39:49Bye, bye.
39:51Bye, bye.
40:15You think my dad will go there?
40:17I don't know.
40:18It's not like that. It's better to check it out.
40:29Nothing.
40:38I have a idea where I was going.
40:41I was looking for every move from the GPS on the car.
40:45I thought I was going to move on to the car.
40:47I thought I was going to move on to the car.
40:52I didn't feel like I was going to go to the car.
40:55I heard some noise from the car.
40:57I said that many people were talking about the car.
41:04And that's why it's so strange, huh?
41:09No, I didn't.
41:13If he is hiding in the village, then the village will be there.
41:20And now? How do we do? We're going to go to the village?
41:26You don't have to go. I'm going to talk with my mother.
41:31I don't think I'm going to talk about it.
41:33I'm going to talk with my mother.
41:36I'm going to play with my mother.
41:39I'm the cause of the destruction and I need to pray for my love.
41:44I'm going to go to the world to me one another.
41:48You're going to go after everything you've done?
41:53Yes.
41:55And when that happens, you need to stay away from her.
42:00If it's not for me, it's not for me.
42:03If it's not for me, it's for me.
42:05I'm sure.
42:06I'm sure.
42:07I'm going to care for myself.
42:08I don't have to look at my eyes.
42:12Except for me, I'm going to go to Myron.
42:15If you're with me, I'm constantly thinking about you.
42:20My mother will take care of my mother.
42:23I'm going to go to my house.
42:27And you, Dirk, go to my house and look for you to make a weird thing.
42:34Go, go!
42:36Go, go!
42:42Aaron!
42:49What's going on?
43:04What's going on?
43:11See you…
43:12It's good for me.
43:14The eyes were bigger.
43:17The night was getting bigger.
43:18The night was more severe.
43:20I don't know.
43:21We can't even help a lot more of this.
43:23I've given them to see if he's asleep.
43:27Did you find my mother?
43:31The Black and the Lager that came home,
43:33where I think it's my mother.
43:34and my mother of Lázaro.
43:39You're right for the old song and for him.
43:45The old song, you said?
43:49How did you feel the song about Lázaro?
43:59My daughter, my daughter,
44:00my daughter,
44:02she told me that everything will be like a song.
44:08She sang the song
44:12about the curse of Lázaro's soul
44:15and he can break it
44:19only when she comes back to her mother.
44:40I'm here.
44:42I'm here.
44:44I'm here.
44:45I can't see you there.
44:49It's my daughter.
44:53I'm helping.
44:56I'm calling you for your love to be a time,
44:59I'm helping you face.
45:15How does the song end?
45:19Lazar finds her sister and leads her mother.
45:26She said to her mother, she said to her mother, she said to her mother, she closed the door,
45:37and the dead are closed, and the dead are closed.
45:42If in the song her sister is alive, then...
45:47Then she can live now.
45:52If Lazar is dead from the grave.
45:56Lazar is not able to kill her mother and want to be forgiven,
46:01but to bring Natalia to her mother.
46:05So she will die her heart of her soul.
46:12I don't know.
46:20I don't know.
46:21I don't know.
46:29But I don't know her mother is dead.
46:30I don't know.
46:33I don't know.
46:34It's like the wedding of the village is dead.
46:37You have to ask her for 2 hours to save her.
46:52And I'll just leave the extras in your place too.
47:04Why, Myko?
47:12Why?
47:17Zare, заради теб изгубих талчето.
47:27Ти ми я отне.
47:31Открадна я зад гърба ми.
47:33Исках само да я предвардя.
47:36Историх всичко по силите си да я върна обратно.
47:39Аз станах и Граничар, и Вартопец, само и само да си върнем талчето.
47:45Борих се с все сили.
47:48Борил се той.
47:52Твоите ненаситни вартопци ме правеха наглупачка.
47:58А децата на тези хора?
48:00Те с нищо не са виновни. Пожели поне тях.
48:04Същата кръв носят в жилите си.
48:08Същата вина.
48:09За той.
48:12И ти ще усетиш тази мъка.
48:17Да загубиш най-милото си.
48:22Остави божана на мира. Всичко е само между нас.
48:26Стига на меса други.
48:37Да не беше ставал от гроба.
48:41Защото сега като си станал, ще се мъчиш.
48:52Бълг.
48:57Бълг.
49:09Бълг.
49:17Oh
49:49Oimita Tepe, Di McGee Ancient
49:55Oimita Tepe Di Zernobbile
50:04Stagni Pile Stagni
50:36The
50:38I can't see you, I can't see you.
50:44I can't see you.
51:08You
Comments

Recommended