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00:28You
00:31You
00:32Thank you
00:32And welcome to the Great Indian Couple Show
00:38Thank you
00:39Thank you
00:41Arjun, people say that money is saying
00:43Yes, they are saying
00:45People say that money is saying
00:46And it is true, there is a film coming
00:49Its name is Gandhi Talks
00:51And in this film
00:53All artists are saying that money is saying
00:56So they call this film
00:57And the music director
00:59Please welcome
01:01Mr. Vijay Sethupati
01:03Aditi Rao
01:05Mr. Siddhar Kadav
01:07And the legendary music director
01:09Mr. A.R. Rehman
01:15Sir
01:17Vijay sir
01:21Welcome Aditi
01:24Zindu
01:24I'm your host
01:29You are very happy
01:31You are very happy
01:32It's very good
01:40Let's start with the man
01:41that we are all people.
01:43How was your Rahman Sahib?
01:48No, you didn't spill after, sir.
01:53How was your New Year evening, sir?
01:54Hi, Angraji.
02:00Rahman, sir, one question I have.
02:05You are coming, sir.
02:07Now, break.
02:08We are listening to Rahman Sahib's music.
02:10Are you listening to Rahman Sahib's music?
02:14Yes.
02:16No, this movie is about...
02:18No, dialogues, right?
02:19So I was trying my best not to talk.
02:22Forgive me.
02:40Rahman Sahib, this is a CD of Lata Ji's songs.
02:43Yes.
02:43For one more touch.
02:44I'm going to ask you,
02:45which question I will ask you in one line.
02:48You will answer in one line.
02:52Because Rahman Sahib,
02:53ask the question of four lines,
02:54and the answer is in one sentence.
02:56Of course.
02:57No.
02:57Very good.
02:59You will see.
03:02Rahman Sahib,
03:03one thing I asked you,
03:04don't do it.
03:04Don't do it.
03:05Sometimes it's bad.
03:06You go to the doctor.
03:07The doctor says,
03:08open your mouth, open your mouth.
03:09So you open it,
03:10or you say, give me the scale?
03:16What is the laughing?
03:18Who are the laughing?
03:19What do you say in English?
03:22What do you say in English?
03:24You can share something.
03:25Tell me to a person.
03:27I will say you.
03:27I will write a book in the book.
03:28Wow.
03:30Wow.
03:32Wow.
03:32You, you, you, you, you do not have to read somebody.
03:35Wow.
03:36Wow.
03:37That's the reason for me,
03:39I'm afraid that Trump,
03:40Mr. Trump, don't ask you to ask you from India, where are you from?
03:44Yes, yes.
03:46Look, sir.
03:50God bless you.
03:51God bless you.
03:52God bless you.
03:53God bless you.
03:53Mr. Vijay, do you watch cricket?
03:54No.
03:57But you know Sidhu, sir?
03:58Yes, Sidhu, sir.
04:00Then where did you see them?
04:01I've seen them in cricket.
04:03Cricket?
04:05No, okay, okay.
04:06Come here, sir.
04:07Please, please.
04:15Aditi, you married your wife.
04:17Why?
04:18Wow.
04:18Wow.
04:19Congratulations.
04:20Why?
04:24You know, guys, Vijay, sir, is everywhere.
04:27In Tamil movies, in Hindi movies, in OTT, in TV shows.
04:31And finally, you got your final destination.
04:33The great human commissioner.
04:34Yes, sir.
04:38So now you believe that hard work pays off, sir?
04:41Sometimes not in a good way.
04:44See, there I am in the middle.
04:45I think I should not speak English today.
04:48Because I don't know how to speak.
04:49I'm getting tired, sir.
04:51My English is in the last stage, sir.
04:56Before we speak today's evening,
04:58we've come back to the right.
04:59We've come back to our show before.
05:02We've come back to our show.
05:02We've come back to our aditi.
05:04Sidhu is my friend.
05:06I want to know you.
05:07Do you know what we do?
05:10No, I don't.
05:14No, I don't.
05:17So, sir, we are still trying to find out
05:22that we're doing what we're doing.
05:23We're sitting there.
05:25We're sitting there.
05:26He takes the sofa from our house.
05:28Sidhuji, we're sitting there.
05:30We're sitting there, talking about it.
05:32Sir, the life is just happening.
05:34And we're spending quite a bit.
05:36We're spending quite a bit.
05:37We're spending quite a bit.
05:38We're spending quite a bit.
05:39We're spending quite a bit.
05:40Yes, absolutely.
05:43Aditi,
05:44today's evening.
05:45It's a hot weather.
05:46After 5-6 days,
05:47it's getting started.
05:49After the rain,
05:50the water is coming out,
05:50it's getting much energy.
05:53You're burning.
05:54You're burning.
05:59You're burning.
06:00You're burning.
06:00You're burning.
06:01You're burning.
06:01Sidhuji, I'm saying,
06:02I'm watching Aditi Rao on Instagram.
06:04If you don't see it,
06:05I'm losing my vitamin D.
06:06It's not going to end.
06:11Sidhar,
06:12is there any scene with Aditi
06:13or do you have to buy vitamin D?
06:16No,
06:19I have many scenes with vitamin S
06:20and vitamin A.
06:22Okay.
06:23Vitamin Vijay Siddhupati, sir.
06:25Wow.
06:26Vitamin Arvind, sir.
06:27With that,
06:28the combination of this
06:29is the combination of the Siddhu.
06:30And all I've worked with,
06:32I got vitamin D. It's very good.
06:34And his reason is vitamin K.
06:39What is vitamin K?
06:41Our director Kishore Belakar, sir,
06:44because of that, it's all done.
06:46Thank you very much.
06:48Sir, one thing I want to know about you.
06:50I watched a film for years, Pushpak.
06:54It's a very cult film, very beloved film.
06:56Kamala Sam, yes.
06:57Yes, yes.
06:59Sir, how do you think that I will write such a film,
07:03in which we don't have dialogue,
07:04and it will be so difficult and challenging?
07:06I will be happy to watch this film, genuinely.
07:09Yes, it was difficult.
07:11I started writing in 2000.
07:14So, why did I start writing in 2000?
07:15I didn't write before?
07:16No, basically...
07:17Okay, that's right.
07:19I started writing a film.
07:20Yes.
07:21Because what was it?
07:23When I started writing,
07:25I think the script was completed in 15-20 minutes,
07:29so without a dialogue,
07:30I would be able to write myself.
07:33Right.
07:34So, if I put a dialogue here,
07:36it doesn't mean anything.
07:37It doesn't mean anything.
07:38It doesn't mean anything.
07:38It doesn't mean anything.
07:38It doesn't mean anything.
07:39It doesn't mean anything.
07:39It doesn't mean anything.
07:39But with one device off,
07:41you have to write a story for 2 hours.
07:42I was having to write a story for 2 hours.
07:46And when I was writing,
07:48I got to know that
07:49there's a lot of noise in the power and money.
07:54Now, if anyone has enough money,
07:56who are honest,
07:57they don't have a voice to us.
07:59So, they become a leader in this way.
08:01And I said,
08:03okay, violence, power has a noise.
08:06Noise.
08:06So, honesty,
08:08and trust no people,
08:09they don't hear their voices.
08:11So, this is the reason for their voice,
08:12I don't have a voice in the film.
08:13What?
08:14So, this is why the film was silent.
08:19And then, this is all the responsibility to reach here.
08:24But these people are not.
08:25These are big people.
08:27So, if they are not, the film is not standing.
08:29First of all, Sir, a salute to you.
08:31We all know that we have a help from dialogue.
08:33For example, I have a dialogue that I will go to a dog.
08:36So, my words have told me that this guy is going to get angry.
08:40But if you are silent, how will we do it?
08:46It's just like that.
08:48How do we do it?
08:51How do we do it?
08:56It's just like that...
08:58So, it's just like that,
09:00I'm going to go to your dog.
09:02Where did it go?
09:04I'll see you later.
09:07But what is the power of the ma'am?
09:10She has made a dog a dog.
09:18This is power.
09:19This is power.
09:21Ma'am, we are in the Marathi theater.
09:25Mime and silent film are both different.
09:28Absolutely.
09:28Like Kapil bae said,
09:30If you want to eat a dog,
09:32we will do it in the Marathi theater.
09:34Yes.
09:35You can do it.
09:38Sorry, sorry.
09:40Yes.
09:40You can do it.
09:43But this is the thing.
09:45Kishore sir,
09:45we were able to explain the scenes.
09:48We were able to explain it.
09:49We were able to explain it.
09:51How will it happen?
09:54But Kishore sir,
09:56we used to play music.
09:57Oh.
09:57A proxy music.
09:59This is a thought.
10:01Like Vijay sir,
10:02I have seen a scene in the film.
10:04He is sitting in the next seat.
10:07And I am doing something in the bus.
10:09So, he sees me.
10:10And I tell him,
10:11Yes.
10:13If I have done it,
10:14if I don't do it,
10:15then I will do it.
10:16This is a dialogue.
10:18But I said,
10:21Vijay sir has done so much.
10:23Yes.
10:23Yes.
10:23So,
10:25you know,
10:25these people are the intensity of the character.
10:27So, it is so difficult to do a silent film.
10:30Actually.
10:31One person is crying.
10:32And his voice is listening.
10:34But if you can hear it,
10:35then what happens?
10:36This is a silent film.
10:37This is Gandhi Dox.
10:38Wow.
11:09Wow.
11:09Wow.
11:09Because those characters are so good.
11:11They are so good.
11:12They are so good.
11:14They have become a salon.
11:16The director has shaved themselves one day.
11:18I don't know.
11:20Have you ever gone to film school or formal training?
11:23No, sir.
11:24I was in a theater group.
11:27I was an accountant there for one of years.
11:30Accountant?
11:30Yes, I heard that you were an accountant.
11:32Have you seen a film star?
11:35I thought that I was also a film star.
11:39I don't have money.
11:42Wow!
11:47Because it's been so many years in middle class,
11:49so I want to bring my family up.
11:52My friends, my family, my elder brother,
11:54he keeps telling me that I look good in camera.
11:57Better than in real, I look good in camera.
11:59So I thought, okay.
12:01So I have a ticket.
12:05But how did you get the first break?
12:07I don't know how to say that which is my first break.
12:10But my first film as a hero is 2010,
12:13which has won three national awards.
12:15Wow!
12:17So proud of you, sir.
12:22Rahman, sir.
12:23When you met Kishore ji the first time,
12:26he said,
12:26sir, there's a film in which there's no dialogue.
12:29So you're not confused
12:30if you want to sign me as a music director
12:33or as an actor?
12:35Because movies are silent.
12:38If there's no dialogue,
12:39it's such a great celebration for music
12:40because you'll have all the real estate to do music.
12:44But I'm also terrified
12:45because people will be judging.
12:47Every note will be exposed.
12:48Yeah.
12:48The first director who never came
12:50and told me anything negative about
12:52I don't like this.
12:53Whatever I would give, he'll take.
12:55Whatever I give,
12:56even apply tongue, he says yes.
12:57Very good.
12:59I would like to thanks to Lata ji.
13:01Today,
13:02how much I've been talking to Rahman,
13:06Sir, thank you.
13:10Now, you know,
13:11girls who are especially fit
13:13they do great dieting.
13:16They are our habits.
13:17They are the first girls.
13:19You'll see them always fit.
13:20But this is also a great shocker.
13:23This is a great shocker.
13:24You eat from the stomach
13:25or eat from the stomach
13:26or eat from the stomach.
13:28You eat from the stomach.
13:29You eat from the stomach.
13:30What are you talking about?
13:31But Aditi,
13:32very few people know
13:33and believe
13:34that actually
13:36the real wheat wheat
13:37is not the best.
13:39It is the best.
13:42The wheat wheat
13:42has been named as well.
13:44Absolutely.
13:45The wheat wheat
13:46is the concept
13:47of wheat wheat.
13:47When you start the morning
13:49with wheat wheat,
13:50your body gets fat.
13:53It's what you eat
13:54early in the morning.
13:54If you eat turmeric
13:55and wheat wheat
13:56and break it
13:58for half an hour,
13:59then your body
13:59gets fat.
14:01If you drink three sugar
14:02and sugar,
14:04then they say
14:05come and eat,
14:05come and eat,
14:06come and eat,
14:07come and eat,
14:07come and eat,
14:07come and eat.
14:08They are the best.
14:12They are the best.
14:13They are the best.
14:14Yes.
14:15Look, foreigners
14:15follow our yoga.
14:18I will tell you
14:19once.
14:19One of my friends
14:20on the American
14:20country of America,
14:21when you start the
14:23those stray dogs
14:24for parks.
14:25They are also
14:26different types of
14:26different genres.
14:36These dogs are so
14:38flexible.
14:39I said, you are different for dogs and this is different.
14:43I said, what we eat with dogs is the same as dogs.
14:46Exactly.
14:47And if we eat so much, our dogs will never give up.
14:59I'll tell you, Mr. Sir, you did the first film with Siddharth, right?
15:02Yes.
15:02Our brother is so versatile.
15:04You can see in Marathi, Hindi, Tamil films.
15:07He's doing all the films.
15:08He's getting fit in the language.
15:10He's getting fit in the industry.
15:11It's a ginger of actors.
15:13Put it in the tea.
15:15Put it in the vegetables.
15:17He's doing so many things.
15:19What are the rest of the banks?
15:23Look, I didn't have to become an actor.
15:26I will become a police.
15:27He started football and NCC.
15:31Intercollegiate, one-act-place competition,
15:33I got the courage from the theatre.
15:37Because, first of all, we had to struggle in the television.
15:39First of all, we watched Rook.
15:41In the audition, we were standing.
15:42So, you stay, you stay, you stay.
15:45You?
15:46Yes, you go.
15:51I got time, KhiBaraii .
15:52Tohna, twona ma'am.
15:54I'm good, Surely I say,
15:56that it cannot go.
15:57This wasn't before.
15:58I expect to have marathi theatre.
16:01I just report the defence of Marathi.
16:02I think the theatre named the theatre.
16:04As it wasìš”,
16:06I was not going to take a look.
16:09Yes, everybody's been in theglii.
16:15The theatre named the theatre,
16:17So, I have confidence in that.
16:20Today is my special day.
16:22I am enjoying my career in 2026.
16:27Congratulations.
16:30Siddhu said that I didn't become an actor,
16:33but he was an actor in the beginning.
16:35Tell me about that.
16:36When he was a salesman,
16:39he was selling a cheese,
16:41he was selling door-to-door.
16:42Tell me, Siddhu.
16:43We were doing a small job,
16:45but we were doing a small job.
16:46There was a scheme,
16:49that he was selling energy drinks.
16:52So, now I am directly
16:53with Archana Ji,
16:53and I will say,
16:54if you have energy drinks,
16:55then we will do this.
16:57So, they had a strategy.
16:59So, we had a health card.
17:02So, we came to Kapil Sharma Health Care Center.
17:07So, you have a special day.
17:10See, a special day,
17:12so, one of them did not play music...
17:13It is the first time.
17:15Reason me is the same.
17:16The other one...
17:17But...
17:17So, okay, okay.
17:20So, this is 15 secrets of entendures that would work right now.
17:23So, challenge to take all of your food,
17:24that is easy for you.
17:26The second time in your campaign,
17:27and the Перла親 intend to collect messages,
17:35the other aestheticities.
17:36So...
17:37So they all heard, and the first time, someone took me to my house.
17:42They said, come, come, yeah, yeah, yeah, just, just.
17:46I said, I need money for my own operation.
17:56I said, give me money for my own money.
18:01I said, sir, I don't have money here, I don't have money here, I don't have money here.
18:05And Kapil, there are two little children in Daadar, they watch this show every day.
18:13They are my daughter.
18:15And I didn't tell them that I'm going to go.
18:18Why?
18:18They have surprised and they look good and they look good.
18:21So, come here, come here.
18:22I love you.
18:24God bless you.
18:27Rehman, sir, tell me one thing.
18:41What do you do for your fitness and what is your diet, sir, generally?
18:45The past 10 years I've been awarding sugar and less rice and all this stuff.
18:50But no sugar means, not even once, some gulab jamun, some...
18:54Rehman, sir, has music in his life that's the greatest sweetness that you can ever get.
18:59Oh!
19:01If you say five lines more, it's very good.
19:04Very generally.
19:05They're sweet, Rehman, sir.
19:08Give me so many compliments, Rehman, sir.
19:10If you get to the house, I'll go to the house.
19:13What do you do for them?
19:15Thank you for the compliment.
19:16No, no, I need to give her another song.
19:18She sang one song.
19:21This is being recorded, right?
19:24But one song, probably, you have also made a life with Rehman, right?
19:27Yes.
19:29How did that happen?
19:30I don't want to know.
19:30Who was scared?
19:32Your Rehman, sir?
19:33I was scared, I was scared.
19:34They will also be scared.
19:35Oh, my God.
19:37Give me two lines.
19:38Give me two lines.
19:44You will continue, you will continue, come and return.
19:51With your name, it'sтащa, you will continue.
19:56You love me.
19:58Are you just playing sorry for my cross-cutting?
20:01I was so
20:04cycle.
20:05It goes retreat.
20:06It goes in not muito.
20:08I wish I wish you cared for your cross-cutting.
20:37Wow!
20:38Wow, Aditi.
20:39Wow!
20:43Wow!
20:45Except for the one note, but excuse.
20:47Excuse.
20:48One note.
20:49Superb it was.
20:50My...
20:51Like I said, I cried in nervousness.
20:53So, who did you say this?
20:55Who is Pandit Bhimsaan Joshi Ji?
20:58No, no.
20:59Arshana Ji, I don't have attention.
21:00Rehman Ji, it's very good.
21:22What happened?
21:23Arshana Ji, Alpha, Beta, Gava, Govita is his mama.
21:29Alpha, Beta, Gava, Govita is his mama.
21:31Alpha, Beta, Gava, Govita is his mama.
21:31Over and out.
21:32Our last day, Arshana Ji.
21:34Why?
21:34What happened?
21:35I said, Arshana Ji, I will miss you a lot.
21:37Huh?
21:38Now, who will call us a kilogram that I have a hundred thousand percent?
21:41It's my dollar bill, and that my eight thousand percent is paid to $800.
21:43Who will call me $800?
21:45Oh!
21:46Siddhu Bhai Ji, I'm gonna miss you a lot.
21:49You'll miss me?
21:50Would I miss you my gospel?
21:50No, Siddhu Bhai Ji.
21:52You never be allowed to.
21:54Today's yes.
21:55I will be the help of someone.
21:55Help us.
21:56Help us.
21:57Help us.
22:00Help us.
22:01Help us.
22:01Help us.
22:03Ah!
22:06Ah!
22:07Ah!
22:08Ah!
22:09Ah!
22:09Ah!
22:10Ah!
22:10Ah!
22:11Ah!
22:12Ah!
22:13Ah!
22:15Ah!
22:20Oh!
22:20Oh my god, man, man!
22:22Oh my god, Vijay Setupati Ji!
22:25Oh my god, Aditi!
22:31Oh my god, Sidat Jado!
22:35Oh my god, Sidat Jado!
22:37But what picture has been made?
22:39You're the director, sir. Hello?
22:40Congrats!
22:42I was listening to you from behind.
22:43You told me that you started writing your picture in 2000.
22:47Look, sir, this is our director.
22:51This picture is written in 2000.
22:53Why do you think you're a million?
23:01I'm sorry we should have left.
23:03We're leaving today, sir.
23:03Then check out the rules is very necessary.
23:05I'm not sure what you're going to check already.
23:06When did you check?
23:08I will enjoy the rules, sir.
23:11When did you check?
23:11I'll do it like that.
23:12I'll do it like that.
23:14Do you understand this?
23:14T-T-T-T-T-T?
23:16She's two hours.
23:17One minute.
23:18What are you doing now?
23:19You're doing?
23:19A minute.
23:19What's the music for behold?
23:20He'll be checking His You go.
23:22Yeah.
23:23The whole world knows
23:25I know that without music, without music, without music, without music, without music.
23:32Fantastic.
23:33Sit, sit, please.
23:36I can compose two Oscars.
23:38Think, compose, and I will post more than ever.
23:42I will take Hollywood and take it to Hollywood.
23:48Vijayas Seppu, Pati Ji.
23:49Hi, Vijayas Seppu, Pati Ji.
23:50Hi, sir.
23:51Hi.
23:51How are you?
23:52Good, how are you?
23:53How are you?
23:53Tell me very much.
23:54Sir, the first time I came, I was telling you,
23:57you are watching me from the eyes of my eyes,
24:01I am not watching you from the eyes of my eyes.
24:04Actually, she is he.
24:10Very good.
24:11Your style is very good.
24:13But, sir, you are looking for your eyes.
24:16You are looking good.
24:17You are looking good.
24:19Sir, the first time I came,
24:20you are looking good.
24:24What are you doing?
24:24What are you doing?
24:26No, they are acting with your eyes, right?
24:26So, I am also acting with your eyes.
24:28I am asking,
24:29I am asking,
24:30I am going to drink tea,
24:31or coffee,
24:33or then...
24:34Oh!
24:36I am talking juice.
24:37Juice.
24:37You have not seen my straw.
24:39Oh!
24:40Juice.
24:40Juice.
24:41I am asking, sir,
24:43I am asking for you.
24:43No, nothing. Thank you.
24:44No, nothing.
24:45You will drink juice, right?
24:46Yes, we will drink three,
24:47and we will drink two.
24:51Vijay ji.
24:52Yes, yes.
24:52You are shocked to drink food, right?
24:54Yes, very much.
24:55I have got a special gift for you.
24:57Can I give it to you?
24:58Yes, yes.
25:00Sir, here it is, sir.
25:02Sir, here is a new restaurant, sir.
25:04Yes, yes.
25:04So, whenever you go there, sir,
25:06take me with you.
25:09Okay.
25:09I also love to eat food, sir.
25:11I really like it.
25:12Okay.
25:12Sir, but the generation of today,
25:14is very bad.
25:15Why?
25:16They should eat gluten-free,
25:18oil-free,
25:19fat-free,
25:20sugar-free.
25:22But people like us,
25:23like me,
25:24and sir,
25:25we should eat a little place in our stomach.
25:31Hey, let's eat it.
25:33I won't say anything now.
25:36I won't.
25:36I won't even say anything.
25:37I won't say anything.
25:39When I won't get a samosa,
25:39sir,
25:40I won't do this.
25:43I won't go to my house.
25:45They won't give a samosa.
25:47So, I thought I ate a samosa.
25:48I won't eat his mousa.
25:49I won't stop it.
25:52I won't stop it.
25:53She's lying.
25:55And, Aditi Ji,
25:57you married your husband.
26:00Why are you laughing now?
26:02No, I'm laughing now.
26:06my husband's name is Siddharth, so he is thinking that I am Siddharth and I am
26:11thinking about it, but I am thinking about it.
26:14Do you think everything you think about it?
26:17My sister is like a beautiful girl, and she is like a beautiful girl.
26:25And she is like a beautiful girl, and she is like a beautiful girl.
26:41I am a very big fan of yours.
26:43I have seen you in the Heera Mandi yesterday.
26:46And I have seen your husband in the Heera Mandi.
26:49One minute.
26:50What series of the Sabzi Mandi?
26:51No, it is not a series.
26:53I have seen the Sabzi Mandi in the Heera Mandi.
26:54I have seen him in the Heera Mandi.
26:57She is in New York now.
26:59I have seen the Sabzi Mandi in the Heera Mandi.
27:03My husband goes after marriage.
27:04He is like this.
27:05No, no.
27:06No, no.
27:06Vijay Ji is a man who used to take a baby from his childhood.
27:09Why?
27:09Because he is a husband from his childhood.
27:11Vijay.
27:12You see the connection?
27:16Sir, there is an order of Netflix.
27:18If you don't understand the guest,
27:19then you can understand it.
27:23I have to understand it.
27:24I have to understand it.
27:24Yes, you are.
27:34No, no, no, no.
27:36I should have to understand it.
27:37Yes, I should have to understand.
27:43Yes, sir.
27:44That is what I know.
27:46She always is teary of mama.
27:49Sometimes mama is teary of mama,
27:53sometimes mama is teary of mama.
27:54How do you speak about it?
27:55Is it your mouth wrong?
27:56Let's get my hand.
28:01Actually, sir,
28:02the farewell of us is Rehman.
28:04So please, if you cut our cake in our farewell,
28:07we will be very happy.
28:16I'm
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