- 7 hours ago
The Marlow Murder Club S02E03 (2025)
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00:00I'm sorry, I'm sorry.
00:44I'd have done that for you, Bec.
00:45Well, it should have been brought in last night and me pre-washing now.
00:49It's only a few towels.
00:50Oh, that racket.
00:52She's not supposed to start before nine.
00:55Okay, don't stress. We all know what she's up to.
00:57Well, it's not going to work.
01:01Maybe it's time to listen to Gracie's offer.
01:04Look at what he's doing to you.
01:06I don't care.
01:07Yeah, well, I do.
01:08You mean more to me than bricks and mortar.
01:11This is our home, Dean.
01:12A living would solve all of our problems.
01:15No.
01:16You might solve everything for us.
01:17We can't let Caroline and Phil down like that.
01:20I don't trust Phil anymore, Carrie.
01:22You shouldn't either.
01:23Oh, you're being completely and utterly ridiculous.
01:28Just leave it.
01:44Thanks, Mum, but I don't feel it.
01:46There's trouble at the mill, I'm telling you.
01:49And I keep thinking I'm about to go into labour.
01:51It sounds like the Braxton Hicks, darling.
01:53Braxton Hicks? Who does he play for?
01:55Oh, it wasn't funny the first time, Dad.
01:57You've got a few weeks to go yet.
01:59The first ones tend to be late anyway.
02:01According to this baby podcast I've been following.
02:04You subscribe to a baby podcast?
02:06Oh, Dad.
02:07Anything for my Evie.
02:08Look who I found hiding in the loft.
02:11Oh, it's free.
02:12No way.
02:13A stitcher's eye back on.
02:15It's perfect.
02:17Thanks, Mum.
02:18What do you think?
02:19Cease and desist.
02:21What's this for?
02:22Next door's wheelie bins.
02:24They can consider themselves served.
02:26You're going legal.
02:27I'm sick of them dumping their rubbish in our bins.
02:29Are you sure that's what they're doing?
02:31And the rest.
02:58Next door's wheelie bins.
03:04Oh, thank you so much for the invitation.
03:07I'd be delighted to join you on your yacht for cocktails.
03:11Shall we say eight o'clock?
03:13I prefer a gin and fizz.
03:15No, I'm going to be busy at the opera.
03:19Well, that's another one sorted.
03:21Don't you want to hang on to a few pieces?
03:23Do not give her the option.
03:25A clear out's a clear out.
03:26Susie's right.
03:27And while we're here, we could shift your great-aunt's newspapers.
03:30Just say the word.
03:31Might have to hire a lorry.
03:32A fleet of lorries, more like.
03:34Oh, stop it.
03:34The pair of you.
03:35The mink can go.
03:36The newspapers stay.
03:37Oh, has your great-aunt always been so glamorous?
03:42Well, she used to be.
03:43And then she changed.
03:44But I never knew why.
03:47Oh.
03:50Come on, Jess.
03:52I'm so sorry.
03:56How clumsy of me.
03:58Here.
03:59Oh, nice.
04:00Oops.
04:05How's these are getting on?
04:06You're loving it.
04:08Things have calmed down a bit since fresh as week.
04:10What does she get up to?
04:12I don't ask.
04:14Look at this.
04:18Who's that?
04:19I have no idea.
04:20Aunt Jess never married, never had a boyfriend.
04:23She told me she was proudly single her whole life.
04:40Dean?
04:43You go first.
04:44No, no.
04:45After you.
04:48For heaven's sake.
04:50Honestly.
04:51Two of you are just behaving.
04:55Caroline?
05:04He was with her all these years.
05:06Not years.
05:08Decades.
05:09You dark horse.
05:11Great aunt, Jess.
05:13Judith, you have to find out who he is.
05:15Huh?
05:34Oh, God.
05:35Look at whatever.
05:36Look at all.
05:37Get out there.
05:38Look at that.
05:52What have we got?
05:53Stabbing.
05:54Male.
05:55Appears to be in his thirties.
05:56Name?
05:57Hasn't got any ID on him.
05:58No phone, no wallet, no keys.
06:00Not even a receipt from a coffee shop.
06:02Pockets are clean.
06:03Murder weapon?
06:04There's nothing found at the body, but the pathologist believes the victim suffered a penetrating wound to the right kidney.
06:09The blade would have been about an inch wide, death would have been fast, possibly even within seconds with the
06:16internal bleeding.
06:17Do we have a time of death?
06:19She thinks within the last three hours.
06:21Any signs of a struggle?
06:23Not that she could see, no.
06:25Anything else?
06:26Oh yeah, just one thing.
06:27There's pollen on his trousers.
06:30Could be something, could be nothing.
06:33I want the whole close search, storm drains, gutters, bins, and tell the team to look out for the victim's
06:38ID.
06:38The killer might have dumped it.
06:39Got it.
06:40Where are we up to?
06:41Only two houses in the close are occupied.
06:44We've been talking to the four witnesses who found the victim just after 8am.
06:47Blames?
06:48So at 22 Linick Close, there's Kerry and Dean Butler, both in bed until 8am.
06:54Didn't hear or see anything of all that.
06:56It's the same story with Caroline and Phil Wingrove at number 24.
06:59The first time they knew something was wrong was when they saw the body.
07:02Oh, come on.
07:03They all say they've never seen him before.
07:05Well, maybe it's an act for our benefit.
07:07It's a bit risky, isn't it?
07:10Killing someone and then leaving them on your own doorstep.
07:12Well, despite what some people might think, criminals aren't very smart.
07:15That's why they end up in jail.
07:17I'll tell you this much.
07:18You have money.
07:19Suit's worth at least a grand.
07:21A grand?
07:22If I had spare cash to flash, I wouldn't waste it on clobber.
07:25Yeah, we can tell.
07:27A peaceful weekend away.
07:29Nobody getting on my nerves.
07:31Now that's worth a grand.
07:35Any more updates?
07:36Three more posts.
07:37We're saying the same thing.
07:38Police have locked down Lynn in close.
07:40God bless Facebook community groups.
07:42Oh, hold on.
07:42There's a new post.
07:43What does it say?
07:44Oh, someone called Graham says he's got some pallets for sale.
07:47What is it with people who are always trying to sell pallets?
07:53Okay, I've seen Tanika.
07:55We need to get inside the courtroom.
07:56There's a little path through the woods around the back.
07:59All the dog walkers know all the best shortcuts.
08:05I'm with you.
08:06I don't buy it.
08:07How do you mean?
08:09A man with no identity is stabbed first thing in the morning in a suburban close.
08:14The only four witnesses to the crime are right next door to the murder.
08:18And yet they all heard and saw nothing.
08:20And they all claim they've never seen the victim before.
08:22Exactly.
08:23One of them's lying.
08:24Or all of them.
08:26And why have these two houses stuck it out when the whole estate is up for development?
08:30Maybe they're holding out for a better deal.
08:33Hello, Tanika.
08:34I don't believe it.
08:35Are you three telepathic or something?
08:37And a good morning to you, Brent.
08:39Yeah, I remember when these houses were bought up.
08:40About five years ago now.
08:42It's all over the papers.
08:44Now, what was the name of that developer?
08:45Grace.
08:46Grace.
08:47Oh, somebody.
08:48Okay, thanks.
08:48But you can't be here.
08:50This is a live crime scene.
08:51We've not even identified the victim yet.
08:53Really?
08:53You didn't have any ID on him.
08:55Interesting.
08:57Oh, here we go.
08:58I suppose you can tell us who he is.
09:00As a matter of fact, I think I can.
09:12I couldn't help noticing that our friend here is wearing a rather inexpensive suit.
09:18Yeah, that's what Jason said.
09:20Oh, and the stitching on his shoes suggests they're handmade.
09:25Oh, how very gratifying.
09:30I suggest you call George Withers and ask for the details of client 1479.
09:41Thank you, Judith.
09:42How are you?
09:44Well, apart from standing next to a dead body, I'm good, thanks.
09:46And Shami?
09:47Oh, God, he's so excited.
09:48It's the parents' assembly this week, and Shanti's opening it with a poem on Shanti.
09:53Did she write it herself?
09:54She did.
09:54This particular masterpiece is called The Hedgehog.
09:57Wait, what actually rhymes with hedgehog?
09:59So, the company says the shoes belong to a man named Louis Oldham from Maidenhead.
10:05Just getting up his details now.
10:08Well done, Mrs. Potts.
10:10Oh, come on, Brendan.
10:11It's Judith.
10:13Well done, Judith.
10:17No, no, that doesn't work.
10:18Hello?
10:19Yes.
10:19Yes, I'm sorry.
10:20Okay.
10:21I can hire you as civilian advisors.
10:23When I get back to the station, I can sort you out with accreditation, lanyards.
10:28You came prepared.
10:30And by the way, the pollen on his trousers...
10:34We're on it.
10:34Samples are going to the lab.
10:35It's ragweed.
10:36It gets everywhere when I'm out walking the dogs.
10:39There's loads of it in the woods out there.
10:41I'll tell Alice and Jason to search your words soon.
10:43Thanks.
10:46Well, as Tanika's so busy, I suggest we make ourselves useful.
10:52Come on.
10:56Is he?
11:01I've already told the cops everything we know.
11:03We're in bed till eight o'clock and we've nothing more to add.
11:05If you don't mind.
11:08Oh.
11:10Shall we try next door?
11:12No.
11:13I don't think any of them are going to want to chat to the barn just a civilian advisors.
11:16Then how about they don't talk to them?
11:19I'm still the vicar's wife.
11:28I can't stay there.
11:33I can't stay there.
11:34I can't stay there.
11:36I can't stay there.
11:37Do you want to come through?
11:42It's so lovely to put a name to the face, Smithers Wingrove.
11:45I recognised you from church.
11:46Oh, yes.
11:48Our Evie got married at All Saints.
11:50The vicar did a perfect sermon.
11:51Not too long or boring.
11:52Not too many bad jokes.
11:54They had to leave something for the father of the bride to do.
11:57Walked into that one, didn't I?
11:59What a beautiful home.
12:01Yeah, nice lady with the wings.
12:04When we bought the house, we got a local carpenter to make the staircase
12:07and a few other pieces out of reclaimed boatwood.
12:10Like our coffee table.
12:12Why didn't you take a look?
12:14Oh, excuse me.
12:14Could I use your loo?
12:16Uh, yes.
12:16It's by the front door.
12:18It's Arnold Caroline and I met through the Bourne End Sailing Club.
12:20Please.
12:22Wow.
12:23It's a boat.
12:24And a coffee table.
12:25The house felt so impersonal when we moved in.
12:28We wanted to make it feel like a proper home.
12:30Oh, all the love you poured into this place.
12:32The memories.
12:34It's no wonder you don't want to leave.
12:35It's been a tough few years.
12:37Our home's not just bricks and money.
12:39Something Grace Wellenbrink doesn't understand.
12:41She talks about community, then destroys perfectly good homes.
12:45I bet she's used every trick in the book to force you out.
12:47If she tried, the woman is desperate.
12:50You don't think she would stoop to murder?
12:52No, of course not.
12:55I don't think so.
12:57And how are your neighbours feeling about all this?
12:59Something's going on, judging by the way they were sniping this morning.
13:03Phil, you sound like an old gossip.
13:05They weren't exactly keeping their voices down.
13:08What time was that?
13:09About half seven, quarter to eight.
13:12A development like this puts everyone under a lot of strain.
13:17Will Carrie and I still get on?
13:18We always have.
13:20We're holding out against Grace together.
13:24How about I'll make us all a nice pot of tea?
13:31What are you doing in here?
13:33Oh, sorry.
13:34I got drawn in.
13:36Your daughter's so beautiful.
13:39Inside and out.
13:40I got very lucky.
13:42And where is she now?
13:43In the Dordogne.
13:44She met a lovely Frenchman called Jean-Claude.
13:47And they're expecting their first baby in a few weeks.
13:49Congratulations.
13:51I couldn't help noticing your packing up.
13:54Not really.
13:55More of a root and branch clear out.
13:57So we're ready for a visit from our new grandson.
14:00It's amazing how much rubbish you accumulate in over 30 years.
14:03He's going to spoil that baby, Ron.
14:05He's already planning a nursery and a playroom.
14:08I'm surprised you're not going over to France.
14:10Spend a few weeks with Evie.
14:12We hope to.
14:14Eventually.
14:17Well, it's been an eventful morning.
14:19We could really do with some space.
14:21Of course.
14:30I get the distinct impression they're moving out.
14:33Yeah.
14:33Despite all that flannel about nurseries and flavor.
14:37There must be a way of finding out for certain.
14:39How about the developer, Grace Wellenborough?
14:40She'll know.
14:52What now?
14:53Well, there's no time like the present.
14:54I know exactly where our office is.
14:56It's behind the woods, the other side of the close.
14:58Actually, I've got to run.
14:59I've got an appointment.
15:00It's too late to cancel.
15:01What?
15:02What appointment?
15:03It's parish stuff.
15:04Duties.
15:05It's a task.
15:06It's important.
15:08Don't worry.
15:09We'll fill you in if we discover anything interesting.
15:14How curious.
15:16Very.
15:17Come on.
15:46You'll press.
15:47My thoughts and prayers are with the victims' families.
15:50Other than that, no comment.
15:52No, we're working with the police.
15:55We're looking for the owner of this site.
15:57You're looking at her.
15:58Grace Wellenborough.
16:00You've had a tough few years.
16:02It must be a pain.
16:03Not being able to get your hands on those last two houses.
16:06All good things come to those who wait.
16:08A maxim to live by.
16:10Although it's only one house now, isn't it?
16:13Phil and Caroline Wingrove have sold.
16:16Who told you that?
16:16Well, they did.
16:18You know, roundabout way.
16:20Finally.
16:21They asked me to keep quiet because of Kerry and Dean.
16:23Find the right time to tell them that they're moving to France.
16:25But now, now they'll sell her.
16:27And what if they don't?
16:28I'll make sure of it.
16:29There's nothing like a dirty great digger in the back of your garden to concentrate the
16:32mind.
16:33Doesn't it bother you?
16:34Driving people out of their homes?
16:36Driving people out of their homes, please.
16:39They get above market rates.
16:40Most of the other houses, they couldn't take the money fast enough.
16:43When you put it like that.
16:44This whole development's going to be carbon neutral.
16:47The apex of future Marlow.
16:50There'll be solar panels.
16:51Proper, proper insulation.
16:53Heat pumps.
16:54I'm not just throwing houses out.
16:56I'm building a vision.
16:57Very impressive.
16:59Have you got, like, one of them fancy models of how it's going to look?
17:02Actually, I do.
17:03It's in my office.
17:04I'd love to see it.
17:07After you?
17:09Oh, I have a question, too.
17:12The digger.
17:13Do you really control it from that box?
17:15Yeah.
17:17Could you show me how it works?
17:20I'll be one minute.
17:23You want to think of this box as the centre of the whole operation?
17:27So, this lever here.
17:29On, roll, raise, roll, and then this one, dig, and release.
17:35Oh, cute.
17:40Oh, cute.
17:46She's left, this one.
17:52Okay.
17:53Yeah.
17:55Yeah.
17:55Yeah, can you spell that?
17:57Yeah.
18:18It's good.
18:21Oh, extraordinary.
18:23And what does this one do?
18:25Just wait, wait there, will ya?
18:43Grace!
18:46It seems to have a mighty visual!
18:48Help!
18:50I want...
18:51What are you asking?
18:52No, I'm...
18:53Grace!
18:57Don't worry about me!
18:59Look!
19:02No!
19:03No!
19:08She was here!
19:11Press the red button!
19:12Leave her on the left!
19:14Oh no!
19:16No!
19:20I couldn't stop it!
19:21I couldn't stop it!
19:24Too close for comfort!
19:26Oh God!
19:28Give!
19:28I'm so terribly sorry!
19:30Must arrest the wrong button!
19:32That's why I do all the driving!
19:33Come on!
19:49Have you found some ragweed?
19:50Yeah, looks like it.
19:51Yeah, let's start here.
19:53Just be careful!
19:53To be careful!
20:00Cool!
20:00In alive!
20:03Yeah!
20:04All in the family.
20:05There's a lot of couples in the middle.
20:07Yeah.
20:08Okay.
20:10Alright.
20:24Alice, I found his wallet.
20:25Yeah?
20:27Looks like the killer dumped Louis' stuff.
20:28Really?
20:29And we've got ragweed.
20:31And you see those branches, the way they've been snapped off?
20:35And how the ground's all flattened?
20:42Louis Oldham was killed here, and then his body was moved to the close.
20:47I'll call it in.
20:56Any more thoughts on your great aunt's mystery boyfriend?
20:59We don't really know he was her boyfriend.
21:02Who was her boyfriend?
21:03All her old letters are in that bureau.
21:05I'll have a dig around when I get a moment, see what I can find.
21:19Hi ladies.
21:20There you are.
21:21Yes, here I am.
21:22Did you get your, what was it, thing done?
21:25I did.
21:25How did you get on with the property developer?
21:27We got everything we needed.
21:29Susie was so clever.
21:31Grace Wellenborough is behind in all sorts of payments to the bank.
21:35Oh, she's in debt.
21:36Hanging by a thread.
21:38These kind of developments have huge upfront costs.
21:41And she's had years of delays, so money must be tight.
21:44Where did you get that?
21:45Oh, that's his work website.
21:47Louis Oldham's head of accounts for a loans company.
21:50So someone who fixes loans has been killed, and we have a property developer who's drowning in debt.
21:54Got it in one.
21:54What do you think?
21:56Why did no one see anything or hear anything?
22:01Okay.
22:02Looks like we've discovered why no one in the only two occupied houses in the close heard or saw the
22:07murder this morning.
22:08Our victim was killed in the woods.
22:10And then what?
22:11His body was moved to the close.
22:13How fascinating.
22:15No.
22:16Yes, Malik has hired us as civilian advisors.
22:18Again.
22:20Oh, don't worry, you carry on.
22:22You won't notice us.
22:24Yes, if you could just stay near the back.
22:25We'll be as quiet as mice.
22:27You won't hear so much as a peep from us.
22:29So, if our victim was killed in the woods, why was his body then moved and dumped in the close?
22:34Well, it's a message, isn't it?
22:35To the last four residents on the close.
22:37Or a warning.
22:38Well, it could just as easily be a warning.
22:39Thank you, ladies.
22:41What else do we know about the residents?
22:42Well, we've got Caroline and Phil Wingrove.
22:46She's a retired magistrate.
22:48He's the clerk of Marlow Town Council.
22:51Next door, we have Kerry and Dean Butler.
22:54He runs a carpentry company, sole trader, and she's a nurse in a care home.
22:58I've run all their names and there's no flags on any of them.
23:01I've been going through Dean Butler's financials.
23:03He's taken out three personal loans in the last six months.
23:06He's up to date with payments, but it looks like his business is struggling.
23:10Um, it also looks like Dean and Kerry lied about their movements this morning.
23:15Dean said they didn't wake up until 8am, but Phil heard them having a stand-up row in their garden
23:19at 7.45.
23:21Did he say what it was about?
23:22He just said they were sniping at each other.
23:24What do we have on the developer, Grace Wellingborough?
23:28When I spoke to her, she said she was in her office, on the phone to a supplier at the
23:32time of death.
23:33Now, I double-checked that, Jason.
23:34She's another one up to her eyeballs in debt.
23:36Which is interesting, isn't it? Grace has money problems, as does Dean, and Louis worked for a loans company.
23:45What do we know about the victim?
23:46Judith, do you mind?
23:52What do we know about the victim?
23:54Very little. He was single, luxury apartment in Maidenhead, but no close family, no record, and no links to Marlow.
24:02So, what was he doing here?
24:04Look, we've been able to pull some CCTV, with a bit of a timeline. Hold on.
24:14There he is.
24:15He arrived in Marlow at 6.55am, on the train from Maidenhead.
24:19He's travelling alone.
24:20Mmm, and no luggage either.
24:22He wasn't expecting to stay long.
24:23We pick him up again, on the doorbell camera.
24:2812 minutes later, heading towards the close.
24:31Yep, he knows where he's going.
24:34And that's it.
24:35What time was he killed?
24:37Uh, somewhere between 7.30 and 8am.
24:41So, Louis Oldham, a man with zero connection to Marlow, arrives on the train, goes straight to the woods behind
24:46Lynnette Close, and then within minutes of arriving, he's brutally murdered, and his body is dumped in front of two
24:52houses that he also doesn't have any connection to.
24:55Yeah, but he could have just been killed by some random psycho.
24:59He wasn't. There is a connection between our victim and those four people. His body wasn't just left to be
25:06found in the woods, it wasn't dumped somewhere else.
25:09It was placed, deliberately and with purpose, in front of their houses. Why?
25:15Okay, let's start with Louis Oldham. Who was he, why was he in Marlow this morning, and what links does
25:20he have to the four people in the close?
25:22And us?
25:24You've given us some great leads. Lay low until I have something for you.
25:31Morning, Mum.
25:33I've never really thought of us as the laying low types. Have you?
25:37Yes, we're looking into all the potential suspects now.
26:22What do you want now? My husband's at work, and he's already said…
26:26We know you lied to the police.
26:32This used to be a great place to live when people started selling up.
26:36But you weren't tempted?
26:38This is my home. Why should I sell it? Because someone wants to make a fortune.
26:43You told officers that you woke at eight o'clock. But you were, in fact, in the garden arguing with
26:49your husband at a quarter to eight.
26:51Phil.
26:53Well, what difference does it make anyway?
26:55Well, it means you might have heard or witnessed the murder of Louis Oldham. Or maybe one of you carried
27:00it out.
27:01But we didn't.
27:02Then why lie?
27:04Dean said it would just be easier.
27:06What was the argument about?
27:08Nothing.
27:12Dean's starting to think we should sell up, but he knows I won't.
27:16Caroline said you'd both get on.
27:19Yeah.
27:20Yeah, we're close in our own way.
27:23We tell each other stuff.
27:25We've known each other for 16 years or so.
27:28And Phil?
27:29Well, him and Dean used to be close, but it's all gone a bit downhill.
27:37What?
27:39Caroline and Phil are leaving.
27:42No, that's impossible.
27:43We had a pact.
27:45Grace Swellingborough confirmed it.
27:46Well, then she's lying.
27:48Because that's what she does to try and get us to fall out.
27:50I'm so sorry.
27:51But they're moving to France to be with their daughter.
27:54No.
27:56No, she can't.
27:59Can you go now?
28:04Just one last question.
28:07Do you or your husband ever go into the woods behind the clothes?
28:11Why?
28:11The police think that's where Mr. Oldham was killed.
28:14And then was moved here.
28:15How?
28:16What do you mean?
28:18I'm a nurse.
28:19Have you any idea how much a body weighs?
28:24Your husband must be very strong.
28:26You know, all that joinery work.
28:28Dean.
28:31He wouldn't hurt a fly.
28:32No way.
28:33He doesn't have it in him.
28:36You have to believe me.
28:38Does anyone else feel the Lady Duff protests too much?
28:41She's got a point about moving the body.
28:43Look, you don't think it can be done?
28:45Whenever someone faints during service, they're impossible to move.
28:48Is that a thing?
28:49How often do people faint?
28:50It's a lot standing up.
28:54Good afternoon, Mr. Wingrove.
28:58Good afternoon, ladies.
29:00You've been playing cricket?
29:02Didn't exactly trouble the scorers, but nice to get some fresh air.
29:05Do you often cut through there?
29:08Of course.
29:10It's the quickest way to mull a cricket club.
29:12We were talking with Kerry before.
29:15I am so sorry to hear that you and Dean have fallen out.
29:18You think you know someone, but you never do, do you?
29:21And what changed?
29:23A few months ago, Dean started causing problems with the bins.
29:27No.
29:28Find me two neighbours who are not in the middle of bin wars.
29:31Because I know I am.
29:32What are you dealing with?
29:33My neighbour puts my bins back into my gardens before they've been emptied.
29:39Mood!
29:40I can beat that.
29:41Dean started dumping his rubbish in our bins.
29:43No, that's out of order.
29:45It's worse.
29:46Lately, he's even shoved rotting chicken carcasses in our drains.
29:51Bins.
29:52Drains.
29:54Where will it end?
29:56Surely you're not saying, Dean?
29:58Killer?
29:59Why not?
30:00He's certainly capable.
30:01Did you say that you found rotting chickens in your drains?
30:05Yes.
30:06Why?
30:08Excuse me.
30:15Why aren't you picking up?
30:16No, I mean you're going to tell me you're off.
30:19Ah, so the news is out.
30:21It's by the best.
30:22Couldn't keep it a secret forever.
30:23You were buggering off.
30:26Please.
30:27Terry, I was waiting for the right time.
30:29So whereabouts in France are you moving to?
30:31The dead dying.
30:33Mom pays out.
30:33Oh, lovely.
30:36I think I'd better go and see if I can restore until cordial.
30:41Ladies, always a pleasure, always a pleasure.
30:43Au revoir.
30:47If we're saying the killer was strong, then I reckon you get a fair few muscles from hitting a cricket
30:54ball.
30:55You think that Phil could have carried the body?
30:57But don't forget what Carrie said, it's hard to move a body.
30:59Well, someone did.
31:01I've got an idea.
31:04Why don't we find out for ourselves?
31:14You just have to pretend to be a corpse.
31:17Susie, see if you can pick him up.
31:19You'd rather you didn't call me a corpse?
31:20Sorry, Colin.
31:21The Reverend Corpse.
31:23That's more like it.
31:24All right.
31:25Let's do this.
31:28Hold on.
31:29Let's get this over here.
31:30I lift you.
31:34Oh, sorry.
31:35I'm not that heavy, am I?
31:37Oh, don't worry.
31:38It's because you're a dead weight.
31:39Dead weight is not much better than corpse.
31:41Right.
31:42I have got this.
31:43We are going.
31:44Oh, wait, no.
31:45That's cheating.
31:46There'd have been signs on the victim's body if you've been dragged through the woods.
31:49Wait, so if I can get some...
31:50Oh, yeah, yeah.
31:52Purchase in this.
31:52Let's go.
31:53No.
31:53No, no.
32:08Weirdo.
32:09Well, then I give up.
32:10It can't be done.
32:11But that's the point.
32:11It was done.
32:12Do you mind if we leave it there?
32:14There's somewhere I've got to be at 7.30.
32:15Of course.
32:16Can you show yourselves out?
32:22Oh.
32:22Who are you off to?
32:23Er, it's nothing.
32:25It's just an art class.
32:26Oh, the one in the old auction house.
32:27Yeah, I've got that leaflet.
32:28Chilton Arts.
32:29I've been doing Zumba there.
32:30Have you?
32:31Yeah, and Brazilian drumming.
32:32I love it.
32:33Oh, marvellous.
32:34But you've got more time now that Zita's away.
32:36Yep.
32:36Yeah, every day's an adventure.
32:38Seize the day and all that.
32:39You know, try something new.
32:40Like an art class.
32:41Why don't we join you?
32:43Er, what?
32:43Well, the art class.
32:44Sounds fun.
32:45Don't you think it sounds fun?
32:46I think it sounds like lots of fun.
32:48I think you have to book it in advance.
32:50What a shame.
32:51No, no.
32:51The leaflet said that all the sessions are drop-ins.
32:54Are they?
32:56Well, great.
33:06Can I get up now?
33:09Knock, knock.
33:10So we've spoken to his boss.
33:13Louis was conscientious and reliable.
33:16That's hardly what we're looking for.
33:19And there's nothing in his phone records, emails, socials
33:21that indicate any contact with the Wingroves, Butlers,
33:25or Grace Wellenborough.
33:26Okay.
33:27Tell the team I need a few more hours from them tonight.
33:29Okay.
33:32Hello.
33:33Hey, how you doing?
33:35Good, good, good.
33:35Can I speak to Shanti?
33:36Yeah, she's here.
33:37Mummy!
33:38Hey, Peanut.
33:39How you doing?
33:41Aww, I'm great.
33:43I told Judith and Susie all about your poem.
33:45They're very excited to find out what rhymes with hedgehog.
33:48You'll see at my assembly.
33:50A witness called.
33:51Saw someone matching Phil Wingroves description
33:53chucking something in the river today.
33:54Mummy?
33:55Sorry, sweetie, I'm listening.
33:56Just...
33:56Hang on.
33:58Contact the underwater search and rescue unit.
33:59Tell them to comb the area.
34:01That could be our murder weapon.
34:01Got it.
34:04Peanut, I'm so sorry, I'm gonna have to go.
34:07Okay.
34:07Bye, Mummy.
34:08I love you.
34:16Bye.
34:17I can't remember the last time you had the type of paper brush.
34:21Yes, don't bring it away.
34:21It's really good.
34:22To get back to it.
34:23I'm so pleased that you didn't come out of the way.
34:29Whoa!
34:45welcome everyone to still life deep waters i'm your tutor daniel good evening
34:55this week think less about memorializing the flower's presence instead explore the layers
35:03of symbolism and emotion let each stroke of your brush whisper profound truths
35:12sorry travel sweet went down the wrong way i'll be fine shall we begin
35:25any more thoughts after this morning no i'm happy no pressure
35:44will you show me yours you promise you won't laugh of course
35:50oh well you very definitely captured what daniel would call the soul of the flowers the soul of
35:56the flowers i like it well come on then i showed you mine oh no that's clever you didn't even
36:04paint
36:04the flowers well what are you talking about my work whispers the profound truths of the universe
36:13so bex and daniel what's that all about you think it was him she went to see this morning yeah
36:20it was
36:20it was him she wouldn't no of course not not bex
36:25so
36:32so
36:37so
36:41Come on, come on, come on, come on.
36:46Come on, come on, come on.
36:48Come on, come on.
36:48I'm gonna plug your father.
36:50I'm gonna plug your father.
36:51What?
36:53What?
37:28No.
37:31Aunt Jess.
37:45Oh, Jasper, she kept them all.
37:50Oh, my God.
37:57Oh, my God.
38:19Oh, my.
38:22Oh, my.
38:24Oh, my God.
38:40You okay, love?
38:42Yeah, fine.
38:44What about you?
38:45Yeah.
38:47Don't stay up too late.
38:48Oh, my God.
39:18Oh, my God.
39:20Oh, my God.
39:35Oh, my God.
39:49Well, Carrie and I still get on.
39:50Tell each other stuff.
39:53Oh, my God.
39:58Oh, my God.
39:59I'm so proud of you.
40:02I'm so proud of you.
40:06Janika, it's Judith.
40:09There's something we're missing about those two families.
40:11There's something else going on in that close beyond the murder of Louis Oldham.
40:15I'm convinced of it.
40:52There's something else going on in that close beyond the murder of Louis Oldham.
40:52There's something else going on in that close beyond the murder of Louis Oldham.