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00:02If you see Lady Mumby, we must make sure she got her invitations, and keep an eye out for anyone
00:07theatrical.
00:08Dare I ask why?
00:09I've hired actors for this evening's centrepiece. After speeches, two actors will perform scenes from Romeo and Juliet.
00:15How wonderful.
00:16Ah. Was they?
00:18Yes, and they were two hours ago, and the whole ball will be ruined if they don't appear.
00:22Thought it might be improved.
00:25What is this engaging post time?
00:27It's the quad for poker. It's all the rage in Bohemia.
00:30Yes, well, I'm not sure the gentleman caught victory across the latest Eastern European dance places.
00:34That's why I drew very clear instructions.
00:37Yes. Almost too clear.
00:39Belle, you've been truculent all morning. I know you'd rather be doing unspeakable horrors in a morgue, but could you
00:44please try and act like a normal lady?
00:46Just for me. Just for tonight.
00:50Bye.
00:52I will try.
00:54For you.
00:55And then you can go back to being, well, you.
01:00Lovely.
01:03Tell me about your special dance.
01:05It's a square dance, but twice as fast, so you have to hang on tight to your partner. Very, very
01:11tight.
01:11And who do you hope to dance with?
01:13Oh, just Phineas.
01:15In love again.
01:16Yes, but with Phineas it's different. I actually want to eat his cheeks. That's how fond I am of him.
01:20Oh, I need this night to be perfect for him, so can you please-
01:23I understand.
01:24Good.
01:25And I just need someone for you to dance.
01:26Oh, wait. Ladies.
01:28Inspector.
01:29My sister was just looking for a dance party.
01:31Oh, no, I really want you to-
01:32Because she's a very normal lady.
01:35Well, you are coming to the ball.
01:37I wouldn't miss it.
01:39But I'm afraid I don't dance.
01:41Oh.
01:42The stick.
01:44Well, that's a pity.
01:45Quite.
01:47Anyway, I must keep hunting for my lovely thespians. See you tonight, Inspector.
01:51No, wait.
01:51Fanny!
01:57Lady Bill, may I have a word?
01:58Certainly.
01:59Which one?
02:03Scalpel.
02:13I found this at the scene of a suspected criminal incident.
02:16And?
02:17May I ask if you recognize it?
02:19It's not mine.
02:21No, of course.
02:22You being forbidden from practicing surgery.
02:26But someone used it in your father's carriage.
02:29Someone with access to scalpels and a modus operandi that includes surgeries outside the hospital and the law.
02:37It seemed to be left in a hurry, next to a blood stain.
02:42Is the Governor aware that you're trespassing on his property?
02:46I investigated his carriage.
02:48A carriage bestowed upon him by the Queen herself.
02:52I take umbrage at your notion that my father uses sovereign gifts to engage in acts of mutilation.
02:58That is not my intention.
03:00What's that on your finger?
03:03The scalpel cut me.
03:05Quite the coincidence to find a blood stain at the same time you cut yourself.
03:09Are you questioning my investigative skills, Lady Bill?
03:11No.
03:12I'm quite certain of them.
03:17Hmm.
03:18Keep that wound clean or it'll get infected.
03:22Oops.
03:23I gave you medical advice.
03:26Do you wish to arrest me?
03:29Do you wish to arrest me?
03:49How often have these symptoms presented themselves, Lady Mumby?
03:52It varies, but more recently, four times a week.
03:56Has anything changed circumstantially?
03:58I lost my husband recently.
04:01My condolences, Mum.
04:03Cassandra found her father when he passed.
04:05She fainted and hit her head and since then the fits have been worse.
04:09May I?
04:10Miss?
04:11And how do the fits present?
04:13Does she fall?
04:14Muscles jerk?
04:16Foaming at the mouth, that sort of thing?
04:17No, no.
04:18She has visions.
04:20Visions?
04:21I can see a little sad boy.
04:23Say hello, sad boy.
04:26You see that?
04:28By the window.
04:30His tummy hurts, that's why he's always sad.
04:34What's he look like?
04:37He's small.
04:39Sailor suit.
04:41She's been so looking forward to the Governor's Ball tonight,
04:44but do you think she can still go?
04:48Pubescent hysteria.
04:49Nothing more.
04:50No, I disagree.
04:51I suspect epilepsy.
04:52Epilepsy?
04:53She isn't having anything I'd describe as fits.
04:56I think her visions are fits.
04:58She's just lost her father.
04:59She wants attention and you're playing into her hands.
05:01I suspect the blood of the head has made her underlying epilepsy worse
05:05and the visions are a symptom.
05:06It's fanciful, Dawkins.
05:08It's cerebral, Snead.
05:10Or perhaps it was indeed a visitation.
05:14That's Codswallop, Prof.
05:17Bell would know how to fix this.
05:19Lady Bell is neither here nor a doctor.
05:22But I am.
05:24And in my view, there's no need for further treatment.
05:27Cassandra can go to the ball.
05:29It'll probably do her and the mother good.
05:31No, you're wrong, Snead.
05:32And you're on parole.
05:34So go and disimpact Mr. Gouger.
05:37His bowels have been stopped up for a week.
05:42Are you all right, Prof?
05:44Yes, I'm on the line.
05:46Thank you, Dawkins.
06:06Oh, hello.
06:08I know I did not receive my morning beetroot and pilchard sandwich today.
06:12It's not your sandwich, Rick.
06:13Oh, ho ho.
06:14That's hurtful.
06:17What's fish and beetroot ever done to you?
06:19Nothing.
06:20I have just evacuated a man's bow.
06:22You'll be doing that for me one day.
06:24Highly unlikely.
06:26Oi, slow down.
06:28Where you walked?
06:28I need to get a message to Bell, somehow.
06:30Oh, no, you bloody don't.
06:31Why not?
06:32Because you are poking the reaper in the eye with her.
06:34I need her advice on an underlying cerebral disorder.
06:37I'll give you an overlying cerebral disorder if you don't blink him.
06:39Stop it.
06:40We've got more pressing matters to deal with.
06:42What?
06:43I've got a prime toff who is practically weeping at the thought of our land,
06:47but he can't get his bank to release a very sizeable down payment
06:50without citing a land grant.
06:52How sizeable?
06:53£500.
06:57Bloody hell.
06:58Well, how do we get a land grant?
07:00I've got flashy fencing up a forgery, but I don't think it's up to snuff.
07:03Come and have a look.
07:06Alright, but quickly.
07:07Yes, yes, quickly.
07:15What's that supposed to be?
07:17A land grant.
07:19Yeah.
07:19Land?
07:20I've only got one L.
07:22Bloody Wales.
07:23We're not in bloody Wales, are we?
07:25What's that, Flashbath?
07:28It's a carrot tree.
07:29Christ, I know.
07:30Biscuit.
07:31Well, this will never get past the toffs.
07:33I mean, look at it.
07:33Looks like a bloody child's drawn in.
07:34Big words for someone who can't write.
07:36Why?
07:36I can write better than you can draw, mate.
07:38Go on, then.
07:39Alright, Fleshy, keep your kicks on.
07:40You're a man of many talents, but this clearly ain't one of them.
07:43This whole thing stinks.
07:45Not you too, Tim.
07:46No, Fagin's plan.
07:48What's wrong with it?
07:49Haven't you lot stolen enough from us?
07:51Now you're nicking fake land.
07:53We're not nicking, we're bluffing.
07:55Not yours to bluff with.
08:00Timmy!
08:01We need to get a real land grant for him to copy.
08:04Yeah.
08:05Well, unless you've got one stashed in your cranny,
08:07I don't know where we're going to get in.
08:08Government house.
08:09Oh, stop thinking with your trails or heels.
08:11I'm not.
08:11Yes, you bloody are.
08:12Well, you ain't getting in there tonight, Dodge.
08:14Well, there's a ball on.
08:15Ooh.
08:18Which means it'll be ripe with marks for our endeavours.
08:21No, there ain't no point, Fagin.
08:23I usually seek my girls in for the toffs,
08:26but this is invitation only.
08:28There'll be guards everywhere.
08:29Only silver snuffers allowed.
08:31Yeah, well, sod that.
08:32We're going.
08:33No, you're not going anywhere near Cheekybone's house.
08:36You might as well whistle for the hangman
08:37and ask him to do you a favour.
08:39Fagin, come on.
08:39Dodge now!
08:42We're drawn thin tonight, gentlemen.
08:45As a vice regal function,
08:46no one enters the governor's ball
08:47without one of these invitations.
08:50With a killer afoot in the elbow,
08:52Government House mustn't revel at the people's expense.
08:56So divide your forces.
08:58And Brahma,
09:00I do not wish to see the elbow underserved.
09:03Understood, sir.
09:04You'll be at the ball right soon.
09:07Yes.
09:08Pursued with the protocol.
09:10That sounds delightful for you, Inspector.
09:13Hope you enjoy the champagne
09:14while the boys and I are out in the mud.
09:26There are two pathways for you, Sergeant.
09:29You can withdraw your previous comment,
09:32or I can demote you and have you reassigned to Bandima's land tonight.
09:37I hear the prisoners there eat each other when the supplies are thin.
09:42But perhaps you'd prefer that,
09:44rather than doing your bloody duty here!
09:50Withdrawn.
09:51Withdrawn.
09:52Withdrawn what?!
09:55Withdrawn, sir.
09:57Carry on, Bramwell.
10:02Another body with the blue stitching, Inspector.
10:06Add more men to your detail.
10:09Sir.
10:10All right.
10:28Well, you're very close.
10:38You don't want to see San Confucian.
10:40A place to sleep.
10:42Noble work helping the dead to rest.
10:46May I see the body?
11:17Thank you, sir.
11:24There we go.
11:26That all right?
11:28Now that should make it feel better.
11:31Here.
11:32Take this, and then put it on again tonight.
11:35All right? Here.
11:37Try to keep the dirt out if you can.
11:39Off you go.
11:43Hello again.
11:46Lady Belle, your visits to Devil's Elbow concern me greatly.
11:49I fear for your safety.
11:51Yes, well, the benefit of standing out like a peacock
11:53is that I display the protection of Government House.
11:56The young woman was killed here last night.
12:01I'm very sorry to hear it.
12:05There's something else.
12:07I lost someone I cared for in a slum.
12:10And I propose to do it again.
12:16That's why you wear the mourning blacks.
12:21You remind me of her.
12:23She, too, had a heart for charity and a disregard for danger.
12:28So I hope you'll forgive me if I seek to protect you.
12:32You have my sympathy, Inspector.
12:35I don't need to be protected.
12:53I don't need to be protected.
13:03Yes, it's a goodly notion of poody, but I think there might be enough stiffs there already.
13:07Also, no!
13:09Putting me in a box.
13:10I can't think of anything worse.
13:11Say, come on, how are we getting inside?
13:13We're not getting inside, you and me.
13:15We ain't going anywhere.
13:17Wench!
13:19Vectuals for two weary travelling actors.
13:23Don't call me wench again.
13:26And I'll wear your suitemates for earrings.
13:36Let's run the balcony scene, Miltie.
13:40This soire is miserably parochial, but it is!
13:44Miltie's for a governor.
13:45Yes, yes.
13:46Romeo and Juliet.
13:49Act two.
13:50Scene.
13:51Me, me, me.
13:51Two.
13:52One light, three on the window breaks.
13:55And I, and I, and I shall do it thusly.
13:58A pair of pilchards.
14:01No, no.
14:03Our solution has just presented itself.
14:06Tonight, the parts of Romeo and Juliet will be played by...
14:12Flashy and a poody.
14:14What?
14:14Now, listen.
14:15We nicked their costumes, Flashy and a poody put them on,
14:19get inside, let me in, then when you're snatching the land grant,
14:22I'll be flogging more turf to the boozed-up Toffs, it's simple.
14:25Right, where's that leave me?
14:26He leaves you at home.
14:28No, but I can't talk Shakespeare.
14:30You don't need to, it's just a disguise.
14:32You'll be in and out before you can say to me or not.
14:34Two.
14:36V, any questions?
14:38I thought that was the question.
14:39What?
14:40Bloody well coming.
14:41No, no, no, no chance, Prince Chalmers.
14:44No, come on.
14:44Think about it, Fagin.
14:45You can't just steal the clothes off these actors' backs, can you?
14:48They'll need sedation and that requires...
14:51Doctor.
14:52Yeah.
14:52I don't want to knock them out.
14:54Doesn't seem right.
14:55All right.
14:56You drug the actors outside, then you scarper quicksmart.
15:00You do not go anywhere near fancy-skirt when half the constabulary
15:04are going to be there with a noose when the twig you're lurking.
15:06All right.
15:08Pine understood.
15:09What, really understood?
15:10Yes.
15:11I'm not a fool, Fagin.
15:12I know, it's far too dangerous for me to be there, really.
15:34This miserable whining coward sneaking about on the wind sucking the blood of every poor
15:38Coby just trying to do a bit of honest criminality.
15:41Makes you want to spit.
15:44I'm quite amazed mosquitoes don't just burst into flames when they first try your blood, Fagin.
15:47They don't have cork wine and vinegar you swill.
15:50But you two shut your winch holes.
15:52There they are.
15:55Here you go, sir.
15:58Bogey.
15:59Come on.
16:01Wherefore are those?
16:02Rabia.
16:03Yes, marvellous.
16:03Good.
16:04And then I'll seize you by the pussy.
16:05Oh, well then.
16:06Are you, are you the, are you the actors?
16:09Actors.
16:10We are the truth tellers, the dream weavers, the lyricists of legend.
16:17Yes, yes, we are the actors.
16:20Could you tell us where to find our green room?
16:23Green room?
16:24We must warm our voices, limber our loins ere we tread the boards.
16:27Ah, the green room.
16:29Yes, yes, it's this way.
16:34Come on, come on.
16:36Turn the radio on.
16:37It's bright and high.
16:39And I won't be long.
16:40Gotta do my hair.
16:41Put my makeup on.
16:43It's bright and high.
16:44And I won't be long.
16:45Till I hit the guns flow.
16:47Hit the guns flow.
16:48I got all I need.
16:50No, I ain't got cash.
16:52I ain't got cash.
16:54I ain't got cash.
16:54But I got you, baby.
16:56Baby, I don't need dollar bills to have fun tonight.
17:00I got you, Belle.
17:04Good evening.
17:07Good evening.
17:09Good evening.
17:10Good evening.
17:10Good evening.
17:11Good evening.
17:11Good evening.
17:11Good evening.
17:18in a row to say good evening good evening for being a normal lady right sorry i am trying
17:26fanny who else have you invited all the landed gentry of the region and the nearly landed
17:32and inspector boxer although i'm not sure if he's landed or not landed no well he will be when he
17:38inherits his uncle's title where's phineas do you think he's forgotten bill i just want everything
17:43to be perfect for funny uncle dicky it's tremendously kind of you all they're nonsense lifts the spirits
17:55yeah just the way old billy wobblestick pictured it feel a bit bad leaving them like that do you
18:01think they'll be comfortable i wouldn't have thought so given that they're half naked and tied to each
18:06other no the amount of ether i've given them they'll have the best night's sleep of their life
18:11yeah i suppose maybe we can get them a pillow or something yes yes and i'll build them a four
18:16posted bed if you like stop mithering about the actors and do what you came here to do which is
18:20get me a land grant and you scuttle off home go on right yes good luck break a leg
18:39funny that family's still in mourning it's a terrible faux pas to invite them to a party oh
18:44no i hate faux pas ada lovely to see do you think my faux pas is why phineas hasn't come
18:49my actors are missing too my dearest they'll all be here meow
18:55meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow
18:59meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow
18:59meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow
18:59meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow
19:00meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow
19:02meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow
19:05meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow
19:08meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow
19:10meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow
19:11meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow
19:12meow meow meow meow meow meow meow
19:38Yes, you took me your time.
19:41You try running in heels.
19:46Come on, Flashy.
19:48Yeah, yeah.
19:57Thanks, Flashy.
19:58I owe you one.
19:59Just don't get killed or Fagin will tell me the soup.
20:03Lovely to meet you.
20:05Good evening.
20:06Well.
20:07Hello.
20:08Yes, welcome.
20:10Good evening.
20:12Yes.
20:12Yes, I am.
20:14Good evening.
20:16Good evening.
20:17Welcome.
20:18Yes.
20:19Good evening.
20:22Good evening.
20:23Lady Belle, I think.
20:26Hello, Inspector.
20:29Are you enjoying yourself?
20:30Not really.
20:32I'd rather be upstairs with a good book.
20:34Which?
20:35Aeschylus.
20:36Theorostai.
20:37Yes.
20:38In Greek.
20:39Obviously.
20:41May I escort you inside?
20:43Yes, all right.
20:48I enjoy a party.
20:50It warms my heart to see people in the throes of shared sorority.
20:54That's why I do my job.
20:56To keep the darkness out.
20:58Your attention, please.
21:00It's time for tonight's affair.
21:02A demonstration of the quadril poker.
21:07Shall we?
21:09But you don't dance.
21:10Except you have a prayer about regulum and Cassavus non-exceptors.
21:12Exception proves the rule.
21:14Yes, her friend says the rule.
21:15Bill, it won't work without four couples.
21:21If it's too fast, we can stop.
21:23That's all right.
21:24Although I feel I'm out of practice.
21:29But perhaps we skip the limit.
21:31Excellent.
21:32Oh, it's an oasis.
21:34There's lush meadows, rainforests, sparkling lakes.
21:38I wouldn't be surprised if the very trees didn't grow money.
21:41And it is arable.
21:42It is devilishly arable.
21:44I've tasted the grass meself.
21:46And it's got this sweetness to it that'll keep your sheep all nice and plump.
21:50And your pockets prosperous.
21:52Oh, gentlemen, what's it to be?
21:54Well, as soon as we've seen the land grants, Mr. Ferrigan, I suspect you'll have a group of very well
22:00-connected buyers, yes?
22:02Well, chin chin.
22:03Cheers.
22:04Cheers.
22:05Very good.
22:22I get to dance, governess?
22:24Absolutely not.
22:25Come now, Chane, I recall the time when you adored a Venetian ball.
23:15When did you last dance?
23:17Seven years ago.
23:18Oh, you dance very well.
23:41Hold me as tight as you like, Linnaeus.
23:43I shan't let you go, Lady Fanny.
23:45I shan't let you go.
24:15I shan't let you go.
24:17I shan't let you go.
24:43I shan't let you go.
24:46I shan't let you go.
24:53I shan't let you go.
25:25Oh, there we go, there we go, there we go.
25:32That was marvellous, Lady Fanny.
25:36Inspector Brock, sir?
25:37Well, I believe that Colonel Branson here has a question about pastoral irrigation.
25:43Oh, don't you worry about the waters.
25:45It's got a lot of lakes, rivers, streams, ponds.
25:48Plenty of your pigs and your goats to guzzle and splash around in.
25:52They'll have a lovely old time.
25:53And all as pure and fresh as a rain-washed pigeon.
26:03Look, I'll be very happy to matter more about it, but I've got to deal with a client who's just
26:08purchased 10,000 prime acres.
26:10So, excuse items.
26:13I told you, we really need to get in on this.
26:17We'll be fine. Just breathe and let the words flow.
26:20What are you two doing here? You're supposed to be nicking me a land grant.
26:24We can't, our buddy's got stage fright.
26:25I just feel more comfortable with Juliet's lights.
26:27For the last time, you're not going on the stage.
26:30Now, get me the paperwork. I've got Toffs chomping at the beat.
26:45Thank you all for welcoming my dear brother, Dickie, to Port Victor.
27:03What are you doing here?
27:10He taught me many lessons growing up. Lessons that still impact the decisions that I take today.
27:17Well, although we haven't seen each other for quite some time, I'll never forget the time that Dickie took me
27:23as a young boy to the Shropshire Agricultural Show and introduced me to the great passion of my life, the
27:30Marrow.
27:31Bunched over Eddys for Christ's sake.
27:34My lords and ladies, what an unmitigated joy it is to join your fellowship.
27:40Now, I trust you're surviving my younger brother's administration, for better or for worse.
27:45Probably for worse.
27:48But know that I am here, with the experience of a former Viceroy, to assist him with humility and grace.
27:57And so, a toast.
28:00To me.
28:02Yes?
28:03Come on.
28:04We've got to get away.
28:05Here you are.
28:05Yes.
28:06Well, my lords and ladies...
28:07We've been looking for you everywhere.
28:08Come along.
28:09It's your onstage call.
28:11Oh.
28:12Actually, madam, we are...
28:13Mr. Fagin, the land grants...
28:15Momentarily.
28:16...and friend...
28:17...a death...
28:18...to Dickie!
28:19Bloody hell!
28:20And he's a jolly good fellow, for he's a jolly good fellow, for he's a jolly good fellow.
28:28He's a jolly good fellow, for he's a jolly good fellow, for he's a jolly good fellow, for he's a
28:32jolly good fellow.
28:33Where are you going?
28:35You shouldn't be laying up here.
28:39It's not safe.
28:41Cassandra?
28:45Cassandra!
28:49What on earth?
29:01She's having visual hallucinations.
29:04Sad boy's crying.
29:08Why are you here?
29:09I had to see you.
29:11Jack, that's precisely the kind of foolish wrist that we've talked about.
29:14To ask you a medical question.
29:17Oh.
29:19I don't give a toss about masked balls.
29:21Neither do I.
29:22You could have fooled me.
29:23What do you mean?
29:24What do you know about epilepsy?
29:26As much as anyone.
29:28No one really understands it.
29:29Just, I don't understand why you're being so tetchy.
29:31I suspect that there is pressure on her brain from when she had a fall and hit her head.
29:34And I think that that pressure is exacerbating her underlying epilepsy.
29:38What pressure, specifically?
29:39A subdural bleed.
29:40Which, if I'm right, needs to be drained before it crushes her brain.
29:43Spread from where?
29:46I don't know exactly.
29:47If it's in the back of her cranium, it needs a lumbar butcher.
29:49It's in the front.
29:50Where are you going?
29:51And this is a masquerade ball.
29:53Well, that hasn't stopped us before.
29:55And what did you plan to do?
29:57Pick one and cross your fingers?
29:58No.
29:59That's not true.
30:00The lumbar puncture first, obviously it's a smaller wound.
30:02And then if that fails, just to panic.
30:04You are completely reckless.
30:06You are rushing to conclusions without enough evidence.
30:10You haven't proven there's a trauma yet.
30:12First, we need to try medicine to address her underlying symptoms.
30:15You cannot cut her skull on a hunch.
30:18I saved you on a hunch.
30:20No, you saved me with my meticulously planned surgery.
30:23Fine.
30:24Well, then she needs your wits.
30:26But if it doesn't work, then we have to operate.
30:28No, I'm sure I've seen a report of medication that can reduce symptoms.
30:33Belle, please.
30:34There's no time for books.
30:36The delay could kill her.
30:37So will Impatience.
30:50But soft, what light through yonder window cometh?
30:57But she is my lady, she is my lover.
31:00Well, she kneweth she were.
31:01Inspector, my daughter's missing.
31:04I saw a man follow her.
31:06I will find her, my lady.
31:09Oh, Romeo.
31:11Romeo.
31:13Wherefore art thou Romeo?
31:15Deny thy father, and refuseth thy nameeth.
31:19Or if thou wilt not be, but sworneth my loveth,
31:22and I'll no longer be a Capulet.
31:25Words are all wrong.
31:26What addition are they using?
31:29I still think it's wonderfully romantic.
31:32I'm feeling too sorry, Phineas.
31:34I can't watch anymore.
31:35Can I show you my pottering look?
31:37You could show me the world, Lady Fanny.
31:40What is Montague?
31:42Hand, foot, arm, face?
31:44No other... part of man?
31:54Too dangerous.
31:57I'm not a fool.
32:00And of course you're not dodger.
32:02Bloody idiot.
32:05Puppet-faced little fibber.
32:12Yes.
32:14Yes.
32:18Miss Cassandra.
32:20Miss Cassandra.
32:24Miss Cassandra.
32:25Miss Cassandra.
32:25Miss Cassandra, you here?
32:31Miss Cassandra, is that you?
32:32Miss Saturn.
32:32Yes, Dad!
32:34Miss Cassandra.
32:57Lady Fanny, I feel this darm inside your very soul.
33:03I'm not sure it would be a very exciting place to be.
33:07I couldn't imagine a world more radiant.
33:15Come.
33:26I want to teach you about my passion.
33:32Now.
33:34Now, sit close to the wheel and plough forward.
33:39Okay, I'll show you.
33:43So, gently now.
33:48So, squeeze.
33:50And pump.
33:53Gently now.
33:55Squeeze.
33:57You're very good at this, Phineas.
34:00Make everything seem so effortless, Lady Fanny.
34:14May I...
34:17He's so bold as to kiss you.
34:21You may be so bold.
34:25Loving every minute cause you make me feel so alive.
34:31Alive.
34:33Alive.
34:35Alive.
34:36Alive.
34:42Alive.
34:45Alive.
34:47Are you alright?
34:52Phineas?
35:00Phineas?
35:07Caught.
35:08Man-handed.
35:10No, we were just pottering.
35:13It helps me relax.
35:14Yeah.
35:16Well, you can't get more relaxed than dead.
35:20What came over you to commit such a heinous murder?
35:24What?
35:25No.
35:26His hair got caught in the wheel.
35:27Oh, yeah, of course it did.
35:29Got you angry, did he?
35:31No, quite the opposite.
35:32Oh, I understand.
35:33Lovers quarrels, they can turn violent.
35:35But I didn't hurt him.
35:37Oh, so his neck snapped all by itself.
35:39Yes.
35:41That won't stand up in accord of law.
35:44If anyone was to find out, your neck would be the next to snap.
35:51Seems to me that you're quite the scrivener, Lady Fanny.
35:56I do have excellent penmanship.
36:01Right.
36:04Here's the idea.
36:06You copy this land, Grant, all nice and toppy,
36:10and I'll get rid of this pretty lump of clay for you.
36:13Lump of clay?
36:15He's my sweet kitten paws.
36:17Not anymore.
36:22You want me to forge a government document?
36:25Isn't that illegal?
36:27You've got a dead man here with his head on backwards.
36:29That's illegal.
36:32Look.
36:33I promise I won't peach on you.
36:37No-one would find out about...
36:39Or Phineas.
36:40Never.
36:41I'll cross my heart.
36:44What choice do I have?
36:49Farewell, my prince.
36:50Marvellous.
36:51Now we can all get back to your wonderful shindig.
36:54Except for Goldilocks here.
37:05Search the south wing.
37:06Yes, sir.
37:09This should relieve the symptoms.
37:11Give us time to investigate more thoroughly.
37:33What is it?
37:34Open this door now!
37:36It's a boxer.
37:42Have you found her?
37:43Belle?
37:44Yeah, yeah.
37:45Cassandra!
37:47Calamone, soda, chalk, and mercury.
37:49I heard it.
37:50Count to three, and then I shall break down this door!
37:53Belle, hurry up.
37:55One!
37:56Spoon, my spoon.
38:00Two!
38:01Cassandra, drink this, please.
38:02Here.
38:03Three!
38:09Whatever is the fuss, Inspector?
38:14Are you both all right?
38:15Out of my room!
38:17Don't allow men in here.
38:18I thought the...
38:19There's no killer here, Inspector.
38:22Just women's business.
38:24Please!
38:26Forgive me, I...
38:28I apologise.
38:32Maybe that was to help with your sad boy, Mama.
38:35So was...
38:38Is your head still hurt, Cassandra?
38:40No, I feel very well.
38:42Where is the sad boy now?
38:45He's gone.
38:50Thank you, Lady Belle.
38:51Here.
38:52Yes.
38:53Take her to the hospital for observation, Lady Mumby.
38:56Ask for nurse package.
38:57Thank you, I will.
39:14You all right?
39:16And you were rash.
39:20Thank you, thank you.
39:26But we were good.
39:28We were really good.
39:29I would bet you'll say goodnight, so let me more away.
39:31And your faithful vow cleft my heart in twain.
39:34Stop blowing smoke up each other's inexpressibles
39:38and get thee to the pottery room.
39:40A dead body needs taken care of.
39:42Come on.
39:43Come on.
39:45Come on.
40:00It's not my best.
40:01My hands are still shaking with grief.
40:04But I think it will suffice.
40:06Well, go on then.
40:06Read it, Beth.
40:08This hereby warrants name to take ownership the quantity of 200 acres of prime land in the heart of Central
40:17Australia.
40:18Given under my hand and seal, Governor Edmund Fox.
40:27Bravo, Lady Fanny.
40:30Bravo.
40:37You're a right roller, aren't you?
40:40A what?
40:41A roller.
40:42A ganuff.
40:44A blagger, a dipper, a hornswoggler, a flimp.
40:48You're a master criminal, m'lady.
40:51Am I?
40:52Yes.
40:53A dead body.
40:54A stolen land grant, a forgery and all whilst hostess and a splendiferous knees up.
40:59You are a veritable scofflaw ingenious, ma'am.
41:02Am I?
41:06Perhaps could this be my true calling?
41:09Yes.
41:11Yes, I've got...
41:13I've got plenty of work on offer for the likes of you.
41:17My band of merry men could do with a merry lady.
41:24If you don't mind,
41:26we'll get these land grants back to their rightful owners.
41:48Don't mind that bunny.
41:50He's disgraced himself with champagne.
42:02Keep coming.
42:09You feeling better?
42:11I'm fine.
42:13Thank you, Professor.
42:21Cassandra.
42:25Your little sad friend.
42:27Did he ever tell you his name?
42:34You're very good with children.
42:37I had a boy once myself.
42:40For a little while.
42:43Oh, I'm so sorry.
42:44I had no idea.
42:47He told me his tummy was sore when I was too busy with the hospital.
42:54The next morning my wife...
42:56found her son dead in bed,
42:59sent a appendicitis.
43:03What was his name?
43:06Alfie.
43:09Alfie.
43:12I'll pray for his soul.
43:21I'll pray for mine too.
43:33Belle.
43:36Where are you?
43:37Are you out here?
43:39There are some guests who wish to say farewell.
43:45Jack.
43:46Let's go.
43:47If they catch you, they'll hang you.
43:48No, no, hold on.
43:49Jack.
43:50Jack.
43:51Jack.
43:53Jack, words.
43:55Use your words.
43:56Just talk to me.
43:59I can't speak Latin.
44:02What's that got to do with anything?
44:03Or Greek.
44:04And I can't ever dance like a toff.
44:07Nor do I want to.
44:08I'm talking to you.
44:09I'm jealous.
44:12Yes.
44:14Of course I'm bloody jealous.
44:19Go!
44:20Go!
44:22Go!
44:22Go!
44:23Go!
44:25Go!
44:35Go!
44:37Go!
44:37Go!
44:40Go!
44:40Go!
44:41Go!
44:43Go!
44:43Go!
44:43Go!
44:44Go!
44:44Go!
44:44Go!
44:45Go!
44:46Go!
44:46Go!
44:47Go!
44:48Go!
44:49Go!
44:50Go!
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