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00:16Previously on American Classic
00:18The Millersburg Festival Theatre used to be a destination
00:21Everything I loved is gone
00:23You are such a pompous ass
00:27We're just trying to make sure this theatre survives
00:30What does the mayor have to say about this?
00:32I'm the mayor
00:33You take my money and you take it
00:35And you rebuild this town
00:37And now I'm told this theatre might close
00:44But I'm not going to let that happen
00:46We will restore the soul of this town
00:51By producing the greatest production this country has ever seen
00:55Of our town
01:15John?
01:16John?
01:18Listen to me
01:19Cover your ears
01:20No, you have to tell him
01:22You have to tell him
01:23That if he goes through with this
01:24That theatre
01:24It closes forever
01:28John?
01:28You don't want coffee?
01:29No, I am already
01:30I am seeing noises
01:31You have to talk to him
01:34Now, this morning
01:36Okay, it might work better
01:37If we do it together
01:38I have boil in half an hour
01:39And then I have the
01:40Concerned Parents book burning summit
01:43And besides, I might kill him
01:44So you have to do it
01:45Okay, okay, okay
01:46But just for the sake of discussion
01:47I mean, it is our town, right?
01:49There's no sets
01:50There's no props
01:51It's the mime, right?
01:53It's the cheapest show in the world
01:54It's the greatest our town
01:57That that's what he said
01:58This is going to be some crazy Richard Bean shit
02:01That's going to just bankrupt all of us
02:03Well, we don't know that
02:04Yes, we do
02:05Because I know him
02:07Sir, we do not have the money
02:08For original productions of any kind
02:11We don't have any money at all
02:13Look, you have to talk to him
02:14You have to just get him to go away
02:16I made bagels
02:18From scratch?
02:19Uh-huh
02:19Take him for lunch
02:21I'll talk to him
02:22I'll talk to him
02:23You know, he's probably forgotten about it already
02:26You know, he gets swept up in the moment
02:28I mean, does he ever follow through with anything?
02:40What, uh, what are you doing?
02:43Uh, I made a great deal on some new theories
02:46Seats?
02:49221 upholstered flip-up seats
02:51From an old movie house in New Jersey
02:54And he said if I bought the whole lot
02:56I could get them for like $95 per unit
02:59Per seat?
03:01And free delivery
03:02Hold on, wait, hold on
03:04That's more than $20,000
03:06You can't
03:07Jesus Christ
03:08Richard
03:09We gotta talk
03:10Listen, I made a vow
03:12Over our mother's cold, dead body
03:15Okay, stop saying that
03:16That I would restore this theater
03:18To its former glory
03:20Yes, okay
03:20But this is a working theater
03:22We have another week of nonsense
03:23You can't just come in here and tear it all apart
03:25I know, I'm not tearing anything apart
03:27Help me move these tables
03:28I'm just making a plan
03:29I'm helping you
03:30I'm keeping you company
03:30You're not helping me at all
03:31Yeah, I feel weak
03:32Oh, you feel weak
03:34I know what this is
03:35This is your low blood sugar thing, right?
03:38Low blood sugar
03:39Low blood sugar, yeah
03:40Okay, I'm gonna make you a sandwich
03:41Thank you
03:42Yeah
03:42I love you, brother
03:50Thank you
03:55The matinee special
03:57That's fantastic
03:58Might take on a Reuben with a spicy pickle put in there
04:02No, but there's something in the bread
04:04Juniper berries
04:05And I fold them in instead of caraway seeds
04:09You made the bread?
04:10Yes, I made the bread
04:11You could have gone to Subway
04:13On Main Street
04:14You're not gonna do that
04:15No, no, you're not
04:17And why?
04:18Because this sandwich
04:19Is a sandwich of a certain standard
04:22This is the Thornton Wilder sandwiches
04:27People who abide into this sandwich
04:28You're never gonna be satisfied with
04:30Subway
04:31Again, you see where I'm going with this?
04:33Maybe
04:34I see in our town
04:36It's completely new
04:39It'll have a real soda fountain
04:42It'll have a horse crossing the stage
04:45It'll have rain falling through the sky
04:48Like the sky is weeping
04:50Sounds very expensive
04:52It's my juniper berries
04:53See?
04:55Okay?
04:57Dad can play the stage manager
04:59He can't do it
05:00Yes, he can
05:00He did it for me this morning
05:01Richard, you haven't been here
05:02He can do it
05:03You know, two weeks ago
05:04We found Dad walking down Third Street
05:07In his slippers
05:08In one of Mom's hats
05:09He had no idea where he was
05:11Doesn't matter
05:11The play is locked in there
05:13Trust me
05:15It will be all of us
05:16As a family
05:17Telling great stories
05:20Yeah, that's what we do
05:24And the people who are lucky enough
05:25To be sitting in our new seats
05:28They're gonna remember it
05:29For a long time
05:36I'm so, so sorry
05:38I'm late
05:38I'm dealing with this small family thing
05:41And it's not really small
05:42It's suffocatingly large
05:45Actually, it's enormous
05:46But, you know, I'm getting a rash
05:48You wanted to talk about your payment
05:52Yes
05:54I know we're already behind
05:56But
05:58We had to cancel several shows
05:59Because of the funeral
06:00And there's this famous actor
06:02In the family
06:02And he has to make everything
06:03About a show
06:04So it's
06:04So you're defaulting on the loan
06:06No
06:07No, no, no
06:08No, no, no, no, no, no
06:11It's just about this month
06:17I'm only pulling your leg
06:20I know you're good for it
06:22Yeah, forget about this month
06:24We'll call it a payment holiday
06:26Oh, God
06:29Thank you
06:29Thank you
06:30I promise
06:31We'll make it up next month
06:34Can we keep this between us?
06:37Yeah, dead on
06:38Oh, and in return
06:39Connor
06:40I cannot give you a quid pro quo
06:43I've told you that
06:44I've made it quite clear
06:45No, no
06:45You're signed
06:46It's not about permits
06:47It's about dinner
06:53What?
06:55Yeah, would you mind inviting
06:57Nadia Mayer over for dinner?
07:01That's it?
07:02She's obsessed with the actor fella
07:04I mean, she said she used to watch him back in Russia
07:07You know, I don't know
07:08She said she wants to ask him some questions
07:09And, you know, her hearts all flutter
07:11With this theater shite
07:12So a dinner with him would make her happy
07:14I mean, if that's not a problem
07:17No, no
07:18Getting Richard Bean to talk about himself
07:20Is not a problem
07:21Just don't count on an early night
07:24What is your obsession with fog?
07:27Fog? What do you mean?
07:28You wanted it at the funeral, too?
07:30No, no
07:30This is going to be a heavy fog
07:32That will drift off of the stage
07:33Into the audience
07:34Nestle at their feet
07:36And kind of invite them
07:37To be part of the action
07:38Okay, but it's a small space
07:40You have to be careful, right?
07:42You're worried about the CO2, are you?
07:44Well, yes
07:44It is lethal
07:45But that's only if the audience
07:47Gets down on their hands and knees
07:48And tries to huff it
07:50Well, hi, boys
07:51Hello
07:52How's it going?
07:53Three quarters full
07:54Miranda's doing drinks
07:56Hello, Richard
07:57How are you?
07:59Well, uh, I'm
08:01I'm fine
08:02Good
08:03Well, what have you beans been up to?
08:05Well, Richard has been walking me through
08:07Production design
08:09It's, uh, ambitious
08:10But it's very cool
08:12And I was about to tell him
08:13Uh, what you'd said
08:14What-what did you say?
08:16Well, I-I-I was gonna say
08:18That I know whatever you come up with
08:20Will be, uh, ambitious
08:24But very cool
08:26Really?
08:27Yeah
08:27It's high praise coming from you
08:29I'll take that
08:30So, how ambitious?
08:32Just out of curiosity
08:34You want to know the cost?
08:35Hmm
08:35Well, um, I based my budget
08:38On a typical Broadway budget
08:40And-
08:41What-why would you start there?
08:43I mean, this-
08:44That's what I know
08:44This is Millersburg
08:45No, I know that
08:46I know that
08:46Yeah?
08:47Polly's going to oversee
08:48The whole design for free
08:50And she told me that
08:51If we don't use the union crew
08:53For the load-in
08:54That's $400,000 right there
08:56I beg your pardon?
08:57The $400,000 that we save
08:59Okay
09:00They're all ship-faced
09:01We can start
09:02Good
09:04What's that?
09:06Oh, this is, uh, my-our tone
09:09There's drawings and, uh, sketches
09:11Just thoughts, you know
09:12Oh, I'm so excited
09:14You know, I'm casting it
09:16With local actors
09:17And, uh, I think I have something
09:20Very nice for you
09:22You don't mean
09:23I do
09:24Seriously?
09:26Yeah
09:30Okay, okay, enough
09:31Back to serving
09:32Thank you, I love you
09:33Is this good to go?
09:34Yes
09:34There we go
09:35Bye
09:37Don't you think she'll make
09:38A wonderful Emily?
09:40I mean, she could be as good as
09:41She could be better than you
09:42Cut to the chase
09:44How much?
09:46All in
09:47If we pay the actors
09:49Equity minimum
09:50Uh, ballpark figure
09:52Uh, it'd be $250,000 a week
09:55For our town?
09:56That's our operating budget
09:58For the entire year
09:59I-I've got some wiggle room
10:01I-I can give up
10:02My waterfall
10:03I can just get rid of the cornfield
10:06It's our town
10:07There-there is no waterfall
10:09Or cornfield
10:11Okay, up front
10:12It-it's-it's more like $200,000
10:14But-and once we cover the-the nut
10:17Then, uh, the-the production pays for itself
10:19Oh, speaking of which
10:20I bought 212 theater seats
10:25And I thought, uh, since they're a permanent addition to the theater
10:28That maybe you could expense it for me
10:31And get the tax right out
10:32You didn't buy the seats
10:33Yes
10:34The guy told me I'd be an idiot not to buy them
10:37Those were his exact words
10:38No, but you didn't buy them
10:40Yes, I did
10:40I told you I did
10:41No, you didn't tell me that
10:42You told me you found them online
10:43I told you not to buy them
10:44I told you to slow down
10:45I told-
10:46Oh, my God
10:46Oh, my God
10:47No, no, see this
10:48No, I-I understand
10:49I didn't-I didn't know he bought them
10:51He told me he found them online
10:53What do you think your seats are free?
10:54He didn't tell me he bought them
10:55I didn't know
10:56I had a great deal
10:57I don't know what you're talking about
10:58Just do me a favor
10:58Go-go give those nuns their 15-minute call, please
11:01Okay
11:02New scenes
11:03You lie
11:03Okay
11:04You have to sit somewhere
11:05So
11:05This is a problem
11:07So
11:07What a worrier
11:09Uh
11:09Yeah
11:10Why don't you keep this
11:11Just in case there's a problem
11:13And you might-you might have to return them
11:15Well, no, no, no
11:16This was a kind of final sale sort of deal
11:19Just in case
11:20You don't actually think I expect you to
11:22Pay for the whole thing yourself, do you?
11:25What?
11:26I mean, my vision of our town
11:28My rain and horse-
11:32Rain?
11:33Horse?
11:33Because, you know, I do have access to angels
11:36Super angels, friends
11:37That is, in fact
11:39Very good to hear
11:40Now
11:45I-I need you
11:46To do something for me
11:48Come to the house
11:50Thursday night
11:51I am-I'm having a dinner for a developer
11:54Who is literally the only person in the world
11:57Who is putting money back into this town
11:59And-and for his wife
12:01Or girlfriend
12:03Or God only knows what she is
12:06But she
12:08Is a big fan
12:09Oh
12:11Oh, a fan
12:12Yeah
12:13So, you'll come?
12:15No
12:15I'm kidding
12:16Of course I'll come
12:20And you'll
12:22You'll act normal
12:23I'll give it a shot
12:24I'll give it a shot
12:25For you
12:27For the town
12:29Thank you
12:31Anything to help
12:33I'm gonna make a phone call or two
12:35Yeah
12:37It's Richard Bean calling with a proposal I'd like to make to James Davis
12:43I'd say it's business and pleasure
12:46Yeah
12:47It's about
12:48It's about a show
12:50Bean
12:51B-E-A-N
12:52Like the legume
12:55Oh, she's not there
12:57Okay
12:58Uh
13:00If you let me speak to him
13:02I think I can
13:02Plead my case a little more
13:05Directly
13:06You know what I'm saying
13:06He just went to lunch
13:08It's extraordinary
13:09What time is it where you are?
13:11Tell her it's the Bean-O
13:12That was her nickname for me, you see
13:14Yeah
13:15Oh, she
13:16Oh, she did
13:16I see
13:18Yeah, I wouldn't really call it a rampage
13:21I think that's a bit severe
13:23Yeah
13:23No, my name is Bean
13:26Yeah
13:26As in has been
13:30As a thought experiment
13:32What would it take for me to finance this whole endeavour myself?
13:38Uh, a miracle
13:40Why?
13:41Can you explain?
13:43Well, there's a lack of incoming funds
13:44But you've still got your expenses
13:46Your mortgage
13:47Your maintenance fees
13:48The alimony
13:49Yeah, I get all that
13:50What can I put my hands on right now?
13:52What's liquid?
13:53I mean, I could mortgage the apartment?
13:55Couldn't I?
13:56Are you familiar with the term upside down?
14:00Upside down
14:01Of course I am
14:01Yeah
14:01But I suspect you're using it in some arcane financial context
14:10I can't do it
14:11I can't make
14:12I can't make the show happen
14:13No
14:15I've let everyone down
14:17Yeah
14:21You saw their faces
14:23At the funeral
14:24They were all aglow
14:25Their eyes filled with tears
14:27You know, some of those tears were for Mom
14:31Well, yeah
14:33Even the standing ovation
14:34Partially for Mom, I'm sure
14:37What?
14:37Well, are you going to say something?
14:39It was a good idea
14:40Maybe this is just not the right time
14:43You know, maybe we plan this
14:45Yeah
14:45For some time in the future
14:46The distant future
14:48When you're back at work
14:49Or it must be someplace I can crawl to
14:52Hey
14:52What are you doing tonight?
14:55Well, I'll probably be here drinking myself into a stupor
14:57No
14:58We're going to a show
15:00Oh, please, John
15:02Not tonight
15:03I'm not in the mood for nonsense
15:04No, it's Monday night
15:06No nonsense
15:08You're going to love this
15:10Trust me
15:11Just can I have one more of these
15:13Just to get me through the afternoon?
15:16As long as it's with you
15:21You can take the light away
15:26You can turn the sky away
15:31Give us time to look and find
15:37A place where we can feel the light
16:04Even in the cold
16:10There's a miracle
16:22Thank you
16:24That was one of the new ones
16:28I'd just like to say a quick word
16:30about my favorite uncle, Richard Bean
16:34He made a crazy promise
16:36which some of you might have heard about
16:38And it inspired all of us
16:40And, well, it's not a big surprise
16:43Because he's been inspiring me for most of my life
16:47He's here
16:48Sitting there in the back
16:51I swear this wasn't planned
16:53But maybe we could get him to sing something
16:56Oh, he's going all shy
16:58No, I couldn't
16:59I couldn't
17:00I haven't prepared any
17:01I'm not in voice
17:03He's actually sung on Broadway
17:05Come on, you're never here
17:07Uncle, uncle, uncle
17:09Come on, man
17:10He does it every time
17:11He does it every time
17:11He does it every time
17:12He does it every time
17:12No, uncle, uncle, uncle
17:15Very well
17:22I haven't warmed up
17:24I wasn't expecting this
17:26You know, I think it would be fine
17:27Brother
17:33I am I, Don Quixote, the Lord of La Mancha.
17:38My destiny calls and I go onward to glory.
17:46Oh, come on.
17:49Don't stop.
17:49You sound brave.
17:51You're very kind.
17:52You're not being kind.
17:53Come on, please.
17:54Keep going.
17:55You sound great.
17:56To dream the impossible dream, to fight the unbeatable foe, to bear with unbearable sorrow,
18:16to run where the brave dare not go, to ride the unrightable wrong.
18:26To love your own chase from afar, to try when your arms are too weary, to reach the unreachable star.
18:42Sing it, brother!
18:42This is my quest to follow that star, no matter how hopeless, no matter how far.
18:55And I know if I'll only be true to this glorious quest, that my heart will lie peaceful and calm
19:12when I'm laid to my rest.
19:18And the world will be true to this, that one man, scorned and covered with scars, still strove with his
19:35last ounce of courage,
19:37to reach the unreachable star.
20:04To reach the unreachable star.
20:10I wasn't sure about this hour-time thing, but last night, Miranda was so happy.
20:17I've seen those kids.
20:19They were excited.
20:21I haven't seen so much happiness in years.
20:24Yes, the fat faces all aglow.
20:26None of these kids were fat.
20:27What does this fat think?
20:29I don't know, it's just how I picture them.
20:32The beauty is that by investing in the show, we increase the value of the property.
20:37So, you see, Jeff, the loan pays for itself.
20:42It's just not possible.
20:43The MFT sits on two and a half acres of the most beautiful land in Millersburg.
20:48It has to be worth a fortune.
20:49It's not about the value of the property.
20:50I know what it's about.
20:51It's about the value that we bring to it.
20:53It's about what the theater can provide to the town.
20:56You simply have to embrace the power of the art form itself.
21:02Show him.
21:04Show him.
21:06All right.
21:07I'll give you an excerpt.
21:10I have of late, but wherefore I know not lost all my mirth,
21:22forgotten all custom of exercises,
21:26Indeed, it goes so heavily with my disposition that this goodly frame,
21:30the earth, seems to me a sterile promontory.
21:37This most excellent canopy, the air.
21:41Look, you, this brave o'erhanging firmament,
21:45This majestical roof, fretted with golden fire.
21:51Why, it appears nothing to me but a foul and pestilent congregation of vapors.
22:01What a piece of work is a man.
22:06How noble in reason.
22:10How infinite in faculties.
22:13In form and moving.
22:15How express and admirable.
22:18In action, how like an angel.
22:21In apprehension, how like a god.
22:25The beauty of the world.
22:27The paragon of animals.
22:32And yet...
22:36To me.
22:38What is this...
22:42Quintessence of dust?
22:48Man delights not me.
22:54Anyway, that's...
22:55That's the gist of it.
23:03That's the sort of thing that the theater can provide.
23:05What do you think?
23:08I want to help.
23:09I do.
23:10But we don't control the mortgage on the theater anymore.
23:12Kristen refinanced a few years ago.
23:14You must know this, John.
23:16You do the books.
23:16Well, I write the checks every month.
23:19But, you know, sometimes the names on the checks don't always match the payee.
23:24No.
23:25I don't know that.
23:26Well, but you know what I'm talking about.
23:28I mean, sometimes it's a numbered corporation.
23:30Or Bernie who sells us our meat.
23:32He likes the checks made out to cash.
23:34Wow.
23:35That is just terrible accounting.
23:36Not knowing who you're paying is just...
23:38So tell me, who owns the mortgage now?
23:40I don't know.
23:42Yeah, well, um...
23:44We're artists.
23:45We know nothing.
23:47We're idiots.
23:48It must be Chase.
23:49It must be Chase.
23:50No, I do remember.
23:51Kristen, she was looking for a better rate.
23:54And she's very smart about that stuff.
23:56I'm sorry.
23:57Fine.
23:57It's just the way it is.
23:58You can't compete with the megabanks.
24:00No.
24:00No.
24:01We understand.
24:02Thank you for your time.
24:04Thank you for the show.
24:06I don't really know Shakespeare.
24:07That was Shakespeare, right?
24:08It was, yes.
24:10It was very moving.
24:13Aw.
24:13Well, thank you.
24:14Yes.
24:15I'm so glad.
24:16Good luck.
24:18You just need a theater.
24:21Uh, listen, I'm gonna ask Kristen.
24:26Uh, there's more where that came from, folks.
24:28Just come to the theater.
24:29The Millersburg Festival Theater.
24:31Eight times a week.
24:32I hope we'll be there.
24:33Oh, for a muse of fire.
24:36I know, I know.
24:38I'm late.
24:39Well, as long as you have time to work your magic.
24:42Alakazam.
24:44Hey, so, uh, I saw Jeff today.
24:47Jeff?
24:48Yeah, Jeff at the bank.
24:50Bank Jeff.
24:51Oh, Jeff.
24:52Yeah.
24:53Yeah, I haven't seen him in forever.
24:55You know, that's what he said.
24:57He said they're not servicing the mortgage anymore.
25:00You know, they're here in an hour, and I have to shower, so can we just talk about this later?
25:04Well, I was talking to Richard and Jeff, and, uh...
25:06Why were you at the bank with Richard?
25:10You know, you're right.
25:11Let's talk after dinner.
25:13I gotta get...
25:14I love you.
25:14Yeah, love you, too.
25:22Oh.
25:25Cucumber and crab vichyssoise with roasted chili oil and radish.
25:30That's just the start.
25:31Tell them what's coming.
25:32Oh, it's just my take on flounder mounier.
25:35I dusted an almond flour, and I finished it off with a brown butter thyme reduction, and
25:39some boiled new potatoes with parsley and chive butter, and then some asparagus with a lemon
25:44parmesan sauce, and a simple little endive and, uh, tomato salade.
25:49Bon appétit.
25:51Oh, my God.
25:53Oh, my God.
25:53That is what they must eat in heaven.
25:59What's it like kissing a man?
26:01Mm.
26:03I'm sorry.
26:04What's it like kissing a man in a play when you are not gay?
26:08Because I see you in the normal heart, and I know you are not a gay man, because I read
26:13everything.
26:14I read everything, but then I see him kissing Richard Thomas.
26:17Because I think he is being gay so well.
26:21How is he doing that?
26:23How do you do that?
26:25It's not that hard, really.
26:26You know, kissing a man, it's like kissing a woman, only she's a man.
26:32Isn't to our honor, Chef, enough of you slaving away in the vials of that jerk joint.
26:39A man of your gifts deserves his own restaurant and a chance at his Michelin star.
26:45Sláinte.
26:46Cheers.
26:47Excuse me.
26:49A jerk joint?
26:51The MFT.
26:52Look, your brother is a wonderful cook.
26:55Look, he is.
26:56And the food at the theater is wonderful.
26:58We can't afford to do this every night, obviously.
27:01Do you do your own wigs?
27:05No, no.
27:06Someone else does my wigs.
27:08They have a mold of my head.
27:11So, Mr. Boyle.
27:12Connor.
27:13Connor.
27:14Kristen tells me that you're the savior of the town.
27:18No savior, Richard.
27:20Just a businessman.
27:21Well, honestly, there's an opportunity here for redevelopment.
27:25I can make a wee bit of money as we go along, and, you know, the town gets jobs in
27:29return.
27:29You know, capitalism.
27:31Have you heard of capitalism?
27:33Rings a bell.
27:34Of course, Richard, being no skepticism.
27:36Did you once not on Broadway do Willy Loman?
27:39I did?
27:40Yes.
27:41You see, I am doing the homework.
27:44In Russia, we love this Willy play because we see the truth of this country, great America,
27:51to throw out worker, like old show.
27:53Yeah.
27:54You know?
27:55My Nadia.
27:56She has a heart like an artist.
27:59She's a dreamer.
28:00You must be a dreamer, too.
28:01I mean, you must have a plan, a vision for this whole town.
28:05Let's just all enjoy this wonderful soup, shall we?
28:08He is wanting to build a casino.
28:13A casino?
28:14I wasn't ready to talk about it.
28:15Yes, but you are these days.
28:16You are talking of nothing else.
28:18This is casino, this is casino.
28:19Well, that is pretty much the truth.
28:21Yes.
28:21Well, will Connor tell us about it?
28:23Well, it's more of an entertainment complex, you know, with a shopping center and a four-star hotel and three
28:33swimming pools.
28:34Oh, I hope it's going to have one of those spouting fountains where the lights and the music are all
28:41synchronized to the spurts.
28:43Why not?
28:43And a five-star restaurant for John to do his cooker.
28:47Really?
28:47Right here in Millersburg.
28:48You know, that came to me when I tasted this fucking soup.
28:51So we're going to become a casino town.
28:52For the restaurant, for me.
28:54It's the perfect location.
28:55It will have a theater.
28:57It will have a big theater for you.
28:59Also, celebrity acts, right?
29:01Big draws, you know, like, uh, Barry Manilow.
29:06You know, someone people will actually pay money to see.
29:09Did you know about this dream of Connors?
29:12I did not.
29:13But it's still, it's intriguing.
29:16Why not make Millersburg a destination for thousands of tourists to spend money and have a good time?
29:21I mean, everyone wins.
29:23Except most people.
29:24Most people lose.
29:25Miranda.
29:26What?
29:26She's right.
29:27I mean, that is how we make money.
29:29I'm not going to lie to you.
29:30I fucking love craps.
29:31Hey, who wants more wine?
29:34Where are you thinking about building this?
29:35Where are you building it?
29:36Well, I've looked at several, you know, possible locations.
29:39Oh, yeah.
29:39And I just bought that old hotel up in, uh, Berry Hill.
29:43The Morrison.
29:44That has a big enough footprint for the main building.
29:47The Morrison is a heritage building.
29:49It's a landmark.
29:50Mom.
29:52Do you have a name for this in mind?
29:54No.
29:55Not yet.
29:55Might I suggest the Golden Boyle?
30:00Okay.
30:01That's, that is very funny.
30:03You know, I could build it right in the heart of things.
30:06I mean, the MFT site might just be big enough.
30:09I got some surveying done when I took over the loan.
30:11Oh!
30:12Wait, what?
30:13What the fuck, Miranda?
30:15What?
30:16You control the loan?
30:18We refinanced around two, two years ago.
30:21And Mr. Boyle was, was kind enough to give us a...
30:24This theater is our family's legacy and you sold it to a developer.
30:28I did not sell it.
30:30I renegotiated for a very good rate.
30:34I mean, we, we have to make payments, but...
30:37Forget about the payments.
30:38Just forget about them.
30:40Let them go.
30:41Listen, why, why are you all killing yourselves?
30:44You know?
30:44I mean, why don't you let me build us a complex for the, a theater for you and a restaurant
30:50for John?
30:51Let me make this as clear as I possibly can.
30:54We're not letting anything go.
30:56The theater is not for sale.
31:00It is not Kristen's theater to sell.
31:03It's our family's theater.
31:07We own it.
31:09Okay?
31:09Kristen is an employee.
31:11I am not an employee.
31:12Richard, you can't say that.
31:14How dare you?
31:14You didn't mean that, but why didn't you tell me this?
31:17Why did that...
31:20It was when we were putting in the kitchen.
31:22Did you not think I could handle this?
31:23No, it weren't.
31:23Is that what you thought?
31:23No, it was when we needed, we were putting in the kitchen.
31:26Our family's in here.
31:26Our family's in here.
31:27And we, oh my God!
31:28What?
31:29I have been killing myself.
31:30I know you have.
31:31That's not what I'm saying.
31:32I'm sorry.
31:33I'm really sorry.
31:34Listen to me.
31:34Can you talk to me for a second?
31:35No, I'm not going to talk.
31:36You talk, listen.
31:37No, you cannot talk to me for a second.
31:39I'm very sorry.
31:40I don't want to talk.
31:41Serve the fucking flowers.
31:42Tell me, Richard, how are you remembering all those lines?
31:50Great question.
31:51Great question.
31:53Where's the flounder?
32:13Bye-bye.
32:15Bye-bye.
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