- 16 hours ago
Category
📺
TVTranscript
00:02Doobie, doobie.
00:06St. Louis!
00:09Whoa!
00:11Yeah!
00:13St. Louis, y'all are always hoping the good energy, y'all.
00:16Look at the energy every time.
00:19Thank y'all, man.
00:24We're glad the rapture didn't happen, y'all.
00:26We made it.
00:28We made it!
00:29Was y'all worried about the rapture?
00:31I wasn't. I wasn't.
00:33I didn't even know until you was posting stuff.
00:35You ain't know?
00:36Hell no, I didn't know, man.
00:38I don't know when the rapture's coming.
00:40That's the whole thing about the rapture.
00:41I gotta hear the trumpets, man.
00:43Wait, if I hear the trumpets,
00:45does that mean I'm getting picked?
00:46No, not necessarily.
00:48If I hear the trumpets, I'm staying, right?
00:49Hearing the trumpets just means it's happening.
00:52Okay, that's the kickoff.
00:53That's the kickoff.
00:54But that don't mean you going.
00:56Okay.
00:56People can start being like,
00:57and you're not going.
00:59So if I see people getting beamed down, I'm like, oh.
01:01You see me.
01:04You're not going.
01:05I'm gonna be like, Tom, Tom!
01:06I'll be like, oh, okay!
01:08Feed Monty!
01:12That's crazy.
01:13What if the trumpet for the rapture was like an HBCU band?
01:18That's what I'm saying.
01:19Like, they jamming all over the city, man!
01:22Where that band at?
01:23Hey, come on, Jesus!
01:27Rapture lit!
01:30Oh, they got the drums?
01:31Yeah!
01:32Yeah!
01:32Wow!
01:33The angels, they had them all white.
01:38And then you try to come up, they're like, no!
01:41You're like, come on, y'all!
01:42Come on, man!
01:43Let me get up in there!
01:44How do you know you're not going?
01:45I think I will make it.
01:46I might make it.
01:47You think so?
01:48I got a good heart.
01:48I'll be fucking up, but I got a good heart.
01:51Underneath.
01:52I don't even kill bugs.
01:54Okay, let's do the...
01:55I don't even kill bugs, man.
01:56Let's do your interview in the pearly gates.
01:59Oh, I'm at the gates?
02:00Yeah, I'm gonna be an angel.
02:01All right, man.
02:01Yeah.
02:02You gotta state your case.
02:03So I'm walking in, so I made it.
02:05You made it on the trial.
02:06Okay.
02:07You on the trial.
02:08So I got beamed up.
02:10But yeah, we could beam you up, but you ain't cute.
02:11We're not sure.
02:12Okay, all right.
02:13I'm beamed up.
02:14I'm like, oh.
02:22Welcome to heaven.
02:23Lobby.
02:27I made it?
02:28I made it here?
02:28Nah, we ain't.
02:29You know what I'm saying?
02:30You gotta state your case.
02:31Oh.
02:32All right.
02:33And I'm gonna decide if you go in.
02:34Okay, all right.
02:35So you're an angel?
02:36Yeah, big angel.
02:37You got wings?
02:38Yeah, I got the wings, but I don't like to bring them out, man.
02:40You know what I'm saying?
02:41I don't be flying like that.
02:42Was you playing the trumpet that I heard?
02:43No, I was on drums.
02:44Oh, okay.
02:45Okay.
02:47That was me.
02:48Yeah.
02:49Yeah.
02:50Yeah.
02:51That was me.
02:51I actually wrote that.
02:52You was doing your thing, man.
02:53Yeah, because they was just gonna go...
02:54Yeah.
02:55Come on, man.
02:55We got one time for the heavenly.
02:58Let's turn it up like an HBCU band.
03:00Yeah, man.
03:01It's nice in here, man.
03:02Yeah, it's nice, man.
03:03We got lights and stuff.
03:04Anyway, man...
03:04The lobby nice.
03:06Name?
03:07Anthony Baker.
03:08Mm-hmm.
03:09There you go.
03:09Anthony Charles.
03:10Why'd y'all use that picture?
03:13Oh, you was bigger then.
03:14Yeah, yeah.
03:15We felt like your heart was the purest at that time.
03:17Oh, because I was big.
03:17I got a good heart, man.
03:18Watch out, man.
03:20Because you've been frustrated about how people be eating and stuff and the whole grocery
03:24car thing.
03:24I had a heart condition then.
03:25Oh, yeah, man.
03:26We knew about it.
03:26All right.
03:28All right.
03:28Anyway, man, you got to state your case.
03:29You got three minutes.
03:30Okay.
03:31You know, I don't be killing bugs.
03:33I'll be feeling sorry for animals.
03:34I'm vegetarian.
03:35You know what I'm saying?
03:36Who cares about that?
03:37Animals, you know, they be having feelings and stuff.
03:39We got a grill going right now.
03:40I got some smoked lamb going, bro.
03:42Boy, I got this brine.
03:44Y'all don't even know, man.
03:45I got some Jamaican stuff.
03:46I got some oxtail.
03:47Y'all be killing creatures in heaven.
03:48Yeah, man.
03:48What you think the whole...
03:49They be having feelings, though.
03:51But bro, you read the Bible, man.
03:52We had the whole...
03:53The altar.
03:55Smoked meats.
03:56All right.
03:57Fatted calf, man.
03:58They weren't saying fatted celery.
04:00They weren't saying choice cucumbers, man.
04:02They did.
04:03They did.
04:03Fatted calf.
04:04Oh, who got the lamb going, y'all?
04:08Oh, all right.
04:08Yeah.
04:09So that don't really matter to us.
04:10All right.
04:10Well, you know, I don't really be reading the Bible, though.
04:13Well...
04:13Mm-hmm.
04:14It's gonna be kind of a big thing for us, man.
04:19I know about the...
04:20You know, some of the disciples, Matthew, Mark, Luke, and John.
04:23I know them cats.
04:23All right.
04:24How many more you know?
04:24Huh?
04:25How many more?
04:27Paul used to be Saul.
04:28Okay.
04:29Saul was on that bullshit.
04:30Wait, can I cuss at him?
04:31See, there you go.
04:31There you go.
04:32See, now we gotta...
04:33Now we gotta...
04:34Can I cuss at him?
04:35Nah, you ain't really supposed to do that.
04:36I know.
04:36You know what I'm saying?
04:37Yeah, you got negative six.
04:38He was on that BS at first.
04:39Yeah, there you go.
04:40You back up poor points.
04:41Then he crossed over to Paul.
04:43Yeah.
04:44But Paul, man, he was writing stuff in the Bible, man.
04:46And he was doing that under his own pretenses.
04:48Yeah, that's fine.
04:49I don't know if I like that, though, man.
04:50And that's not your point, man.
04:51Because he had ulterior motives, man.
04:53Just read the Bible, man.
04:54We don't need your thoughts on it.
04:55All right, man. Watch out, man.
04:56What about your sexual history?
04:58What you been doing on the sex?
04:59I'll be having it.
05:00All right.
05:06I'll be having it, man.
05:08Fornication?
05:08Are you married?
05:09No.
05:10Not at the moment.
05:11I had married sex before.
05:12Okay.
05:13Yeah.
05:13Yeah.
05:14Yeah.
05:15You be going to church?
05:17Sometimes.
05:20Yeah, man. Watch out, man.
05:21We ain't gonna take you, bro.
05:22I'm not, man.
05:23Trap door.
05:24Bam, bam.
05:25No.
05:26When the door opens like Willy Wonka.
05:28No!
05:30Yeah.
05:31All right.
05:32Y'all wanted us to talk about some random things,
05:33so we gonna jump in to a thing or two.
05:35Yeah.
05:36You wanted to talk about getting older.
05:38Turning 50.
05:40Tony Baker be 50 in two years.
05:43What you feeling like, Tone?
05:45You finna be 50 years old.
05:46What's getting older been like for you?
05:48I feel, I don't feel as old as I am,
05:50because I be like, no, this can't be right.
05:52You know, I be like, 48 is crazy.
05:54Yeah.
05:55I feel very, like, health conscious.
05:56Like, I be going to that doctor.
05:58Yeah, yeah, yeah.
05:58Like, I make appointments.
05:59I be like, anything out of the ordinary?
06:02I be like, hey, yo, I'm coming in.
06:03Yeah.
06:04Because my health insurance is expensive,
06:05so I'm getting my money's worth.
06:06Yeah, man.
06:07Check the prostate.
06:08All right, man.
06:08I go in there, pants off.
06:10Go in my booty hole.
06:11Go in my booty hole tonight.
06:16Come on, man.
06:17Hell yeah.
06:18I had my colonoscopy last year.
06:21First colonoscopy, man.
06:22I was excited.
06:23Go in my booty hole.
06:24Get the flashlight going.
06:28Go to the doctor, fellas.
06:30Get that booty hole looked in.
06:33I be giving me that extra masculine bullshit.
06:36Ain't nobody going in my booty hole.
06:38Not even cancer.
06:39Cancer gonna go right in that booty hole.
06:42Cancer don't give a damn about you no homoing it up, man.
06:46Cancer be like, yeah, man.
06:48Colon cancer.
06:49What you finna do?
06:50Pumps.
06:52Go in my booty hole.
06:54Make sure it's on the up and up.
06:56No!
06:56That is not how colon cancer works, Tom.
06:58It be in the booty hole, though.
06:59That's why they find the cancer be like, yeah, man.
07:04I'm in here.
07:05Cancer don't care.
07:07Oh, snap.
07:09Tome in their butt, too.
07:10Did they be like, Tome, this is the dentist, man, anyway.
07:13Pants off.
07:14Go in their butt first, man.
07:16Tough.
07:17Yeah, big-tone booty hole.
07:19I got cavities, man.
07:20Get in the butt.
07:21I want you to feel my cavities from the back.
07:26That's how I'm coming in.
07:27So I'm going in there butt first to the doctor.
07:30I ain't got mine yet.
07:31I called my doctor.
07:32I asked.
07:32It's smooth, though.
07:33Whoa.
07:34The hardest...
07:36It was smooth.
07:40The hardest part is the prep.
07:43The hardest part is the prep.
07:44Walk me through it, man.
07:45I ain't gone yet.
07:45All right, so I want the colonoscopy.
07:48You got to go in, and then they give you this solution.
07:50You got to drink.
07:51Yep.
07:52It's supposed to clean you out.
07:53You supposed to be peeing out your booty hole.
07:55You supposed to be a complete clean-out.
07:57Yeah.
07:58So I go back to the next phase.
08:00Yeah.
08:00They put me in the room, and then...
08:02I ain't like this part.
08:03When I went to the room where they gonna go in my booty hole...
08:06Yeah.
08:06They was playing Super Freak by Rick James.
08:08I was like, hey, man.
08:09What the fuck's going on in there, man?
08:11I don't like this track playing.
08:13Super Freak.
08:14Super Freak was in that jam.
08:16And I'm like, hey, man.
08:17And I'm sitting on the thing, booty-out gown.
08:19Doctor's oiling up.
08:20He's a very freaky girl.
08:23Pow.
08:23Like, hell no.
08:24Bet you don't take home to mother.
08:26They had glitter in there.
08:27I was like, hell no.
08:29Going into silicone.
08:30Man.
08:31Man.
08:31So they had me adjust, you know, how I was playing.
08:35You had the gown with the booty-out?
08:36Booty-out, man.
08:37Booty-out.
08:37Big booty-out.
08:38So they had me adjust a certain way, and then they did some stuff.
08:41And then they was like, if you know the song, sing it.
08:44And so Janet Jackson, I miss you much, came on next.
08:48And I was like, I'm rushing home just as soon as I get in.
08:52And then I woke up in another room.
08:55I don't remember shit.
08:57It was that quick.
08:58I was like, I'm rushing home.
09:04I woke up in the other room.
09:06I don't know what happened, man.
09:07My friend Lisa was like, what, Lisa?
09:09How did you get here?
09:11What happened, man?
09:12I don't know what they did in there, man.
09:14This was funny somebody said.
09:17Tony hates Sister Act 2.
09:18I don't hate it.
09:19I don't hate it.
09:20I don't hate it.
09:21Fair, fair.
09:22Tony says Sister Act 2 is not a classic.
09:25So, yeah.
09:27Y'all gassing it.
09:28Yeah, he said it's not a classic.
09:29Y'all gassing.
09:30Y'all didn't know this.
09:30This is new information?
09:31Yeah, he said it's not a classic.
09:33Y'all gassing it a little bit.
09:34So, somebody said, Tony, how would you fix Sister Act 2 and make it a classic?
09:39You got to raise the stakes.
09:42You got to raise the stakes.
09:43All right?
09:44Because I feel like the first Sister Act is a better movie overall
09:47because the stakes were higher.
09:49The mob is trying to kill Whoopi Goldberg.
09:52She got to hide with the nuns.
09:53Her life is literally on the line.
09:55They're trying to kill this woman.
09:56Yeah, yeah.
09:57She's a fish out of water in the nun community because she's a Vegas, you know, night performer.
10:02So, she just don't even fit in that world.
10:04So, we see her try to fit into this world, hide from the mob.
10:08That's just way more compelling than just some kids singing in class.
10:11Yeah.
10:11And they're like, Mom, I just want to sing.
10:14No, you ain't going to be singing in my house.
10:18See?
10:18He don't respect it.
10:20Cold Bees, hey, and Kyler Green.
10:23Hey, Cold Bees, hey, and Kyler Green.
10:28See?
10:28It don't mean nothing to him.
10:30Have the mob come back.
10:33Bring the mob back.
10:34Now, we know Whoopi Goldberg hiding in San Francisco.
10:38We need to take her out.
10:41And then have her go on the run with the kids and they performing to make ends meet on the
10:46road.
10:47Hiding from the mob.
10:49Because the competition didn't mean nothing.
10:51Nah, man, they had to take their robes off.
10:53Forget that, man.
10:54Take your robes off.
10:55They were like, what?
10:56What?
10:56Take your robes off.
10:57I don't know what your teacher just said.
10:58Nah, man.
10:59But they did this to them.
11:03You can't do that if the mob's trying to kill you.
11:05Imagine a mob trying to kill you dodging bullets like this.
11:08Like, they doing this to dodge bullets.
11:12The mob trying to kill you.
11:14You're like, don't kill me.
11:15Wait, wait, wait.
11:16Yeah.
11:16Put the gun down.
11:17Wait, wait, wait.
11:18Don't kill me yet.
11:20If you want to be somebody.
11:23If you want to go somewhere.
11:26Then you better wake up.
11:27Pow, pow, pow, pow.
11:28The kids is dead now.
11:30Yeah.
11:31They didn't get a chance to go to Paris.
11:32If they would have lost one of the kids, that would have made the movie epic, man.
11:36It would have hit different if they lost one of the kids.
11:40Since Act 2 for the record, though, it's cute, though.
11:42It's a cute movie.
11:43All right.
11:44We moving on.
11:45We would like to talk to someone that has an untraditional job or career.
11:50Somebody said they were a street walker, but they didn't want to come up.
11:54Yo.
11:55But I think it's just so funny.
11:57You think they were telling the truth?
11:58Yeah.
11:59I think people be selling butt.
12:00Okay.
12:01But a street walker is different.
12:03Street walker.
12:03No.
12:04In Seattle, I'm from Washington.
12:06They have legitimate street walkers.
12:08Yeah.
12:09Like, they literally walk up and down the street.
12:11They be walking.
12:12Doing the look at you.
12:13What they be looking like?
12:14You know?
12:15They be wearing the pretty woman boots.
12:16They be wearing the horror activity stuff.
12:19They got the high leather boots.
12:20Everything in the movies that you think of is what they wear.
12:24Do they be doing this in the car?
12:25Absolutely.
12:26With the cigarette.
12:29Like Grand Theft Auto.
12:29I'm picturing them moving like this.
12:32And then they walk around like GTA and shit.
12:35Exactly.
12:37That's how it be.
12:38And then they get in the car and you drive around the corner.
12:41And they go to work.
12:42That's crazy.
12:43My question is, Tone, you a father.
12:45Uh-huh.
12:45And all you got is your body and you got to sell it.
12:48How you gonna sell Tone?
12:50I got to provide for the kids.
12:51You got to provide for the kids.
12:53You got to grab customers and everything.
12:54So I'm selling dick.
12:57I'm selling dick.
12:58On the streets of Seattle.
12:59On the streets of Seattle.
13:00Yeah, you got to get a customer out there.
13:01You got to convince somebody.
13:03The car's pulling up.
13:04Yeah.
13:05No, you got to walk first.
13:06Oh, I got to walk.
13:06I'm walking.
13:07Yeah, you got to get their attention.
13:08Walk across the stage.
13:09All right, so I'm walking.
13:10I'm on the street.
13:11Tony's selling peen first.
13:12First of all, I'm going to jazz up the dick.
13:14All right, jazz it up.
13:15You got to jazz it up, man.
13:16Hold on.
13:24You're walking peen first, Tom.
13:27He walking dick first.
13:30He let the dick leave.
13:42You looking to get into something?
13:48The street walker changed her mind.
13:50Let's see your street walker walk.
13:52Give us the walk, man.
13:53We out here.
13:54Okay, that's some purpose.
13:55Oh, that's the walk?
13:56It's like a regular walk, man.
13:57I thought it was going to be more...
13:59There you go.
13:59Sit down and tell us how it works.
14:02It walks just like that.
14:03You walk just regular.
14:05As I do.
14:06You was just walking regular like that?
14:08Correct.
14:09So you was just like...
14:10This is how you walked up.
14:11You was just like...
14:13You want me to read something again?
14:15Demonstrate it again.
14:16But you got to sell it, man.
14:18Time's at heart.
14:18But the thing is, there's no sale.
14:20There's no sale?
14:21There's no sale?
14:22There's no sale.
14:22All right, I'm in the car.
14:24I'm in the car.
14:25Come on from over here.
14:26What was your first name?
14:27Vanessa.
14:27Vanessa.
14:28Okay, come in.
14:28Come from a distance, though.
14:29Let me see.
14:31I'm pulling up.
14:32I'm going to be the undercover cop.
14:34I'm recording the whole thing just to build my case,
14:37but I don't really like my job,
14:38so I'm just interested.
14:39And I'm in the zone, so I got that look.
14:40Yeah.
14:47You googly-eyed, Tone.
14:48All right, go ahead.
14:49Go to work, Vanessa.
14:50Show them how you used to do it back in 76.
14:53Or 88.
14:53I don't know.
14:54I'm not gonna...
14:5574.
14:5574.
14:56I'll hold the mic for you.
14:57I'll be the cop.
14:58How are you?
14:59No, I got the mic, Tone.
15:00Go ahead.
15:01Go ahead, Vanessa.
15:02Normally, street barkers don't actually conversate.
15:05Okay, well, do it how you do it.
15:06Oh, there's no work.
15:07I need Tony to pay for puss.
15:10Show...
15:11Yeah, show...
15:12Like, go to work on him.
15:13He's a...
15:13What do you call him?
15:14John's?
15:14The John.
15:15They're used to.
15:16This is a gentleman.
15:18I'm a gentleman.
15:19Because that changes the amount of money you...
15:21Oh.
15:22Yeah.
15:23It's a gentleman.
15:23Tony's a prime gentleman.
15:25Go to work.
15:26I mean, no, I'm not disrespecting you.
15:27I'm just saying, like, I want to see how it works.
15:30He's a gentleman.
15:31He's a gentleman.
15:31He's not a John.
15:34Hi.
15:35Hey, how you doing?
15:35How are you?
15:36I'm good.
15:36You know what I'm saying?
15:37A little stressed.
15:37Are you okay?
15:38Are you stressed?
15:39Yeah, I could...
15:40Long day?
15:40Long day?
15:41Yeah, it's been long.
15:42They've been killing me at work.
15:43Oh, my goodness.
15:44What do you do?
15:45You know, I work at the bank, man.
15:47Bank of America and accounts receivable.
15:50They're killing me over there.
15:52You know what I'm saying?
15:53They've been in the news quite quite often,
15:55see if you know those things.
15:57Yeah, yeah, that's good.
15:58You're doing good.
15:58I see how it works.
15:59You see how it works?
16:00I was like, dang, it's working on me.
16:01I'm like, hold on, man.
16:04Not working on me, but I'm like,
16:05oh, she ain't talking about peeing yet.
16:07She's just making you feel good.
16:08No, no, no.
16:08Your job sucks.
16:09It does suck.
16:11This is just me.
16:12Turn this way so the people can be impacted, too.
16:15Yeah.
16:15Yeah, work on the people, too, man.
16:17All the husbands look down.
16:20He pulled his phone out.
16:21He's like, let me check on the game.
16:22Georgia, Alabama, 21-0.
16:26So, how was your day today?
16:28I mean, I saw there was a news bulletin.
16:31Yeah, they're cracking down on all the guidelines and stuff.
16:35We got to follow that to a T.
16:36Oh, my word.
16:36So, our supervisor's been coming.
16:38It's been crazy.
16:39So, your next week is going to be horrible, right?
16:42Oh, man, it's going to be dreadful.
16:43I'm dreading it.
16:45I'm so stressed.
16:46Are you?
16:48The stress is just mounting.
16:50You know what I'm saying?
16:51It's just building.
16:52I just need to blow off some steam.
16:56So, are you staying here at this hotel?
16:59Yeah, yeah.
17:00I'm, like, right over here at the Doubletree.
17:04They got the cookies, man.
17:06They got the two free cookies.
17:06They got the cookies.
17:07You know what I'm saying?
17:07They got the soft cookies.
17:09I don't know how hard life is.
17:09I got a sweet tooth.
17:10They got the cookies.
17:11So, how long do you anticipate being here?
17:14Are you going to be here, like, maybe next week?
17:15Just a couple days.
17:16Just, you know, just a couple days, then I head back.
17:18Okay.
17:18Yeah.
17:19Mm-hmm.
17:20And that's going to be your duration?
17:22Do you?
17:23Yeah.
17:23Yeah, pretty much.
17:24See, hold on.
17:24Let's pause real quick.
17:25She's working with the arms.
17:26She's seetone.
17:27She's slowly getting to the back of the helmet.
17:29I'm feeling it.
17:30Yeah, she's on the shoulder first.
17:32Now she's rubbing.
17:33Tony and I forgot the game plan.
17:36She's smooth with it.
17:38I'm just like, you know, I'm at the Doubletree.
17:39Cool.
17:44I'm just saying.
17:45Close the deal.
17:46Close the deal.
17:47Is there anything you want to do before you go?
17:49Because maybe I can help you navigate the city.
17:52Oh, I would love that.
17:54Are we really talking about St. Louis,
17:55or are we talking about a different city that you want to navigate?
17:58Because I got lost early.
18:00I went up to King's Highway Boulevard,
18:01and then became Martin Luther King.
18:03And first, I was at a Whole Foods,
18:05and then the niggas was playing dice.
18:06So I actually had trouble navigating the city.
18:09So are you really talking about, like, MapQuest, or, like...
18:12Okay.
18:13And that's the thing.
18:14I can help you navigate the city while you're here.
18:17Oh, that'd be fantastic.
18:18What is the city?
18:20All of it.
18:21Oh, man.
18:21I thought you were talking about the titty, actually.
18:24Navigate the titty.
18:25Well, how been?
18:26Yeah.
18:26I can ride shotgun with you.
18:28Oh, yeah.
18:28And help you find some things.
18:29Get in.
18:30Go ride shotgun.
18:31That'd be fantastic.
18:31Absolutely.
18:31Join me.
18:32But close the deal, because he's scared.
18:35So if you don't have time, I can actually give you my number right now,
18:40and we can move forward.
18:42Okay.
18:42That'd be great.
18:43Absolutely.
18:44When do you say coochier and stuff?
18:47You don't never say, like...
18:49And that's when my arm would go on.
18:51Oh, it's more of the arm.
18:53Yes.
18:53Oh, it's the arm player.
18:55Now we are a couple.
18:57Oh.
18:58Now we are a couple.
18:59Okay.
19:00And you have to actually pay for services.
19:03Do I pay now?
19:03I pay in advance.
19:05You can pay in advance.
19:06Do you take cash out of Zelle, or is it only cash?
19:10No, it's Zelle, Venmo.
19:12Oh, y'all are up with technology?
19:13Yeah, all right.
19:14Oh.
19:14Okay.
19:15I thought crime would take cash.
19:17This is not a tip drill where you just put...
19:19Oh, okay.
19:21You can't swipe the card through the button.
19:23You can't swipe the card through the button.
19:23Because it's not electronic.
19:25You cannot slide the card through the button.
19:27No balled up cash.
19:27Okay.
19:28Well, let me give you something for the tour guide.
19:30And I appreciate your tip.
19:32Of course.
19:32And if you need anything else.
19:34Absolutely.
19:35Here's my number.
19:35Give me a call.
19:36Okay.
19:36I will.
19:37Did it work on you, Tom?
19:38Yeah, man.
19:40Absolutely, man.
19:41Y'all show some love for our street walker.
19:43Absolutely, man.
19:43Hell yeah.
19:45Hell yeah, man.
19:50He was halfway home.
19:52He was all in, man.
19:53He didn't close the show out, y'all, anywhere.
19:55Cause you know we leave tomorrow.
19:56You know what I'm saying?
19:59Come on up, Alicia.
20:01Y'all show some love.
20:02Hey, how are you?
20:04What's happening?
20:05Show some love.
20:06Alicia, you got a cool little fit.
20:08Hey, it's what I do.
20:09You know, a little thrift store, a little piece, a little something.
20:12A little something.
20:12You look like you be into poems.
20:14What?
20:15Like you got, like, artistic looking.
20:17Oh, yeah, yeah, yeah, yeah.
20:17The poetry vibe?
20:18Yeah, you be at the slam poetry.
20:20No, I don't do that.
20:21Don't you look like a poet, like an artist?
20:24One day we were walking, no.
20:26You see?
20:28Y'all was finna start snapping.
20:29One day we were walking.
20:31Green beanie, I ain't no meanie, y'all.
20:36St. Louis is the truest.
20:38Ain't no Nelly, this my belly.
20:42I'm going down, down, baby.
20:44Your street in a Range Rover.
20:46Grover was on Sesame Street.
20:51Tone was getting sold that meat.
20:55Anyway, what is your non-traditional job?
20:58Oh, gosh.
20:59Okay, so I'm a singer-songwriter,
21:01and I'm an opera librettist.
21:02Okay.
21:03Whoa.
21:04What's that?
21:05I didn't even know how to pronounce that word.
21:07I was like...
21:08Say it one more time.
21:09Opera librettist.
21:10What is an opera librettist?
21:12So it's just a fancy way to say,
21:14I write the lyrics to operas.
21:15Oh, wow.
21:16Really?
21:18So you writing in...
21:19Yeah, shout out.
21:20You ain't never seen no black opera librettist.
21:22I never even thought about the lyrics
21:23being written for opera.
21:24That's crazy.
21:25Do you sing opera as well?
21:27I did go to college, and I did sing opera.
21:29I don't sing opera as much anymore.
21:32Okay, so thank you for the one person
21:34who believes in her still.
21:37She was like, I still think you got it in you, sister.
21:40How do you go about writing an opera?
21:42Like, if you were to write an opera for me and Tone,
21:44based on what you know about us,
21:45how would you go and look at you getting ready?
21:47You was like, hold on, man.
21:48I'm finna get active.
21:49How would you go about it?
21:50Because me and Tone gonna perform it in opera.
21:54Okay, so first it would be in English,
21:56and then I need a story.
21:57So because you all are like best friends,
21:59that would be the story.
22:00And yes, we need a steak.
22:01Okay, okay.
22:03What's our steak?
22:04So somebody probably gotta die,
22:05since Tony doesn't appreciate anything
22:07that doesn't have a dead person.
22:09Somebody in our life gotta die,
22:10or one of us gotta die?
22:12No, no, no, no.
22:13Anybody can die.
22:14Somebody can get shot on the street,
22:15and then Tony would be like,
22:16oh, it's enough steaks for me to...
22:18Because the school closing ain't enough for Tone.
22:20That's not enough, man.
22:21Fuck that school.
22:23Fuck that school, man.
22:24They got other schools in San Francisco.
22:26All right, so Josh, Josh gotta die.
22:27Josh, come out here and die real quick.
22:30Josh, because Josh means a lot to us, man.
22:32That's Josh's big steak.
22:34We got no camera.
22:35We got no Spanish guy.
22:37Say muerto.
22:39He muerto.
22:39We gonna lose Josh now, man.
22:40All right, Josh,
22:41you gotta die for Tony said steaks.
22:44Steaks is high.
22:44Somebody shot Josh.
22:46Oh, Josh, no, no.
22:48Take your last picture before you die, though, Josh.
22:50Take one last picture.
22:52Let me get in, Josh.
22:53Let me get in for the picture before you die.
22:54Yeah, get the last.
22:57Okay, now Tony's sad.
22:59Okay, okay.
23:00Go ahead.
23:01So then you can walk in,
23:03and we need to have a big reaction.
23:05To Josh dying?
23:05To Josh dying.
23:06You found him dead.
23:08And I'm singing.
23:09And I'm singing?
23:10Yes.
23:10Okay.
23:12Pull him up while he's dead.
23:13I want him up here.
23:14I want him dead up here, Tone.
23:15Wait, can I talk?
23:16Yeah, but you gotta sing.
23:18Oh, yeah, come over here?
23:18Or you can rap, because that's Arrested Sativ.
23:21Oh, Arrested Sativ?
23:23Arrested Sativ.
23:24Arrested Sativ.
23:24All right, so Arrested Sativ is literally...
23:26Just hang out for a second, Josh.
23:27You'll be learning.
23:28Yeah, he's...
23:29Oh, he's alive a little bit.
23:30He's still alive.
23:31He kicked him.
23:31Okay, so Arrested Sativ is when you say the words in rhythm.
23:36Okay.
23:36So think Hamilton.
23:37Hamilton, okay.
23:38I've never seen Hamilton.
23:39I am not throwing away my...
23:41Josh.
23:44Just...
23:45I wanna be in the room where they shot him.
23:48The room where they shot him.
23:49The room where they shot him.
23:50Is that where Hamilton is?
23:51Yeah, Hamilton, yeah.
23:52Okay.
23:52I've never seen it.
23:53I've never seen it.
23:54Tony don't do nothing but walk around the neighborhood
23:56and eat vegetables, man.
23:57He don't see none of this stuff.
23:58But we wanna sing, though.
23:59Okay, okay, okay.
24:00Okay, pull him up, Tone.
24:01We need Josh.
24:02Josh, come on.
24:03He died over here, but he's still alive, but then died closer to her.
24:07Ugh.
24:07Ugh.
24:08Oh, yeah.
24:08Oh, God, he's dead.
24:09Oh, my gosh.
24:10Okay, now Josh is dead.
24:12Take one more picture, though, Josh.
24:13Josh's dead, Josh.
24:16He dead, Joe.
24:18Okay, now Josh is dead.
24:20Now what's my motivation?
24:21All right, your motivation is you just walked in the room.
24:23You thought he was gonna be in there.
24:24Okay.
24:25You didn't know he was gonna be dead.
24:26Okay.
24:26You're shocked.
24:28Okay.
24:28So we coming in like we talking to Josh.
24:30Like, Josh, man, this shit was crazy last...
24:32No.
24:35No.
24:38No.
24:41The Spanish guy, they took his live.
24:45They shot him and his camera fell.
24:49No, no.
24:50Joshy.
24:51Joshy's gone.
24:54Joshy.
24:57Joshy.
24:58Joshy.
25:02Take him home.
25:03Take him home.
25:11That's good, Tom.
25:13He was to be married in the fall.
25:18Married.
25:19But they dropped him like a ball.
25:21He's our friend.
25:23And he is gone.
25:24Okay, what's next?
25:25OK.
25:27So that would be a good big finish.
25:30People would clap for you.
25:30Yes, clap for us.
25:32I'll make my wicket, nigga.
25:32I'll make my wicket, nigga.
25:34This the nigga opera now.
25:35Throw some roses up here.
25:37OK, now y'all start planning about what to do with the body.
25:40OK.
25:41Oh, snap.
25:42We got to dispose of this.
25:43What shall we do?
25:45He doesn't have any money.
25:48He's got the new iPhone.
25:51We must cherish it and sell it for the few.
25:55The funeral.
25:57The funeral.
25:59The funeral.
26:00The funeral.
26:01The funeral.
26:03The funeral.
26:03The funeral.
26:03Hold on.
26:04No, Tony.
26:05No.
26:06Hold on.
26:07Tony.
26:09Tony, you're doing the Tyler Perry play now.
26:12You're doing black stuff.
26:13It's the black opera now.
26:15The opera in the door.
26:16Oh, Josh.
26:17Ha, ha, ha, ha, ha.
26:19Oh.
26:20The opera, they go off to the side and look at nothing.
26:25His poor fiancee.
26:28How will we tell Imara?
26:30I don't know.
26:31I don't know.
26:34I don't know.
26:36I don't know.
26:37He was born.
26:39He was to be married.
26:43And now he's gone.
26:46We must get rid of the body before they think it was us.
26:49We are black.
26:51They will blame us for the crime.
26:54That's true.
26:56What shall we do?
26:57What shall we do?
26:58They will blame us for the crime.
27:00What shall we do?
27:01We must hide him.
27:03We can put his body in the park where the street walkers lie.
27:11And bury him there.
27:14We gon' bury Josh right here.
27:16Dirt, dirt, dirt, boom.
27:18And then and only then, dirt, will his death be a secret.
27:23Dirt, flooom.
27:25Dirt, flooom.
27:27Dirt, flooom.
27:28Dirt, flooom.
27:28Dirt, flooom.
27:28Then and only then, will we survive.
27:38Dirt, flooom.
27:40Dirt, flooom.
27:41dirt food we buried him in the soil you know it was inside the living room oh shoot carpet carpet
27:49but it doesn't matter okay dirt food because we're playing it by ear
27:57okay how do we finish our opera this is going really well but y'all should back probably hurt
28:01y'all doing fantastic okay our final number they about to let the curtain down what we got to do
28:05You all have a duel.
28:07A duel?
28:08Me versus Tom?
28:09Me and Cam.
28:10Oh, okay.
28:10Oh, the stinks.
28:11Because you couldn't figure out what to do with the dead bodies,
28:14so you're just like, you know what, one of us has to go.
28:16Die?
28:17God, dog, man.
28:19We was just friends in Act Two.
28:21Opera's about the drama.
28:23Opera's always about the drama.
28:24Okay.
28:25It was you, Tony.
28:28It's always been you.
28:31What do you mean?
28:32Jealous of Josh.
28:33What are you insinuating?
28:35You are the shooter, or you probably planned it.
28:38How dare you?
28:41I would never kill Josh.
28:48You just think if you sing long,
28:51then I won't know what you've done wrong, but I...
28:55Well, sing this.
28:57Sing this.
28:59Why?
29:00I thought we had knives, but you have a gun,
29:03so I have a knife.
29:05What have I done?
29:07You never bring a knife to a gunfight.
29:24It's close to midnight.
29:26Something evil's lurking.
29:28I don't think I'm a zombie now.
29:29Come on, Josh.
29:30We're zombies.
29:31Under the moonlight.
29:33You see a shirt.
29:35Show some love for our opera singer.
29:37Alicia, that was great.
29:40We're taking it on the road.
29:42Come on out, Kevin Williams.
29:43Show some love for Kevin Williams.
29:45That's a nice yellow shirt, Kev.
29:47You clean, man.
29:48Crisp.
29:49You pulled out there.
29:50Yeah, yeah.
29:50Sit down, Kev.
29:51The shoes.
29:51I don't want nobody towering over me, man.
29:53Hell yeah, Kev.
29:54How you feel, Kev?
29:55I'm all right.
29:56How you doing?
29:56Can I call you, Kev?
29:57Yes, sir.
29:58Kev on Kev crime.
29:59Kev on Kev.
30:00Kev on Kev.
30:01Big white Kev.
30:03Big white.
30:04See, I do this like that.
30:05That's black.
30:06Yeah.
30:06You came internal.
30:09He came internal.
30:09He brought it in.
30:10All right, Kev, what's something wild about your life
30:13that no one would believe just from looking at you?
30:16Mm.
30:18Well, I said I'm six foot seven.
30:22Okay.
30:23And you are six seven.
30:23You up there, Kev?
30:24I'm six seven.
30:24I'm up there.
30:26I'm married to a beautiful black woman.
30:29Oh.
30:30Oh.
30:33Big Kev.
30:35Oh.
30:37Kevin's wife is black.
30:44Yeah.
30:45Cocoa butter fills the room.
30:52I must say that my ass is white.
30:56I do not put lotion on.
30:57Oh, Kev.
30:58Come on, man.
30:59The blacks hate that.
31:01God damn it, Kev.
31:02Because I don't put lotion on my knees either.
31:03But you're white, but you're white, so it might not.
31:05We can't tell.
31:05But I get all my moisture from cuddling my wife.
31:08Oh, big Kev.
31:09Oh, hot buttery.
31:11Big moisture said I ain't got to put it on myself.
31:14I'll be rubbing it.
31:17How did you, um, how did it happen, Kev?
31:20Oh, well, well, um, see, I was down in this little bitty town in the boot hill of Missouri
31:25in New Madrid, right?
31:27I was drunk off my butt.
31:28Oh, wow.
31:29I must say, but I looked over, and I saw this woman coming out of the club, right?
31:35Oh, hell yeah.
31:35There she go.
31:36Stepping down the stairs.
31:37Yeah.
31:37She had these red pants on.
31:39Put on them red pants.
31:42Some of them high heels.
31:45And some of that sweet perfume.
31:48That's what you was thinking?
31:49I want a little load on you.
31:52Yes, sir.
31:53So, I was so, like, usually I wouldn't approach a woman.
31:57God was kind of embarrassed.
31:58I'm the same way.
31:59I feel you.
32:00But I'm like, yo, Kev, man, look at the girl in the red pants.
32:03But I was so drunk off my ass.
32:05Yeah.
32:05I was like, I ain't care.
32:07So, like, she was across the street.
32:08I saw her coming.
32:09I was like, I'm about to go over here so I can intercept her, you know?
32:13Okay.
32:13Oh, you was going to run the annexation of Puerto Rico.
32:15So, I came through.
32:16I was drunk, but I was trying to be suave, you know?
32:19Like, trying to walk.
32:20Show us how you was walking, Kev.
32:21Show us how you was walking, Kev.
32:23Hey, boy!
32:24Show us how you walk, Kev!
32:27Show us how you pulled up in the car.
32:28Come on, Missouri, with the 6-7.
32:32Let them know.
32:34Okay, you okay?
32:34That's a good little hand rub.
32:36Gave her to Abraham Lincoln.
32:39Gave her to Abraham Lincoln, you know what I mean?
32:43Four score and seven years ago.
32:45Yeah, four score and seven years ago.
32:48Four score and two weeks ago, I saw you all across the street.
32:53Emancipation Proclamation, you feel me?
32:55Wait, wait, never mind.
32:56That was...
32:57Nah, yeah, I mean, you know what I'm saying.
32:59I mean, yeah, it was kind of weird.
33:00That's what you know for.
33:01Forget the Abraham Lincoln stuff.
33:02But you do look meek and me, but we're going to go...
33:04We back, man.
33:04Tell us the rest of the story.
33:05So, you rolled over.
33:06So, I walked up, and somehow, something suave came out of my mouth.
33:10I don't know how I did.
33:11You remember what you said?
33:13Not really, to be honest.
33:14What does she remember?
33:15Something about, like, hey, how you doing?
33:17What's your name?
33:18Okay, all right, girl.
33:19Kept it simple.
33:20How you doing?
33:21Kept it simple.
33:21Big Kev, you feel me?
33:23The funniest thing was, she was actually currently dating the owner of that club.
33:28Oh!
33:29Oh, the plot thickens.
33:31And you didn't care.
33:33You was...
33:33What was you drinking, Kev?
33:35Because you was feeling yourself.
33:36You don't know what you was drinking?
33:37I don't know.
33:37I don't...
33:38He was on that moonshine, Kev.
33:40He was on that hard liquor that night.
33:41He was on that Hennessy.
33:43He was on that...
33:43He was on the street.
33:44That Hennessy.
33:45That brown...
33:46So, you knew she was dating the club owner?
33:49Uh, after I talked to her, I did.
33:50Okay, okay.
33:51That ain't mean nothing to me.
33:53Let him know, Big Kev.
33:54Holy shit, though.
33:55What did you do in your job that you felt like it don't matter what he do?
33:58What was you doing at the time?
34:03Because I got to know how much you was feeling yourself.
34:05Well, you see, it was the alcohol that was making me feel myself.
34:09You see, currently, I don't even remember really what I was doing.
34:13How much alcohol had you had, Kev?
34:15Because you...
34:15I don't remember.
34:16I don't remember.
34:17It was a rough.
34:18It was a blurry night.
34:19Yeah, yeah.
34:20Okay.
34:20Yeah.
34:21I almost pushed past what I should have and almost lost her.
34:25Oh, you did too much.
34:26I'm kind of feeling myself too much.
34:27Okay.
34:28You know what I mean?
34:28But it worked out.
34:30We've been married for 20 years.
34:3120 years!
34:34Oh, Mrs. Williams!
34:37Y'all show some love for Mrs. Williams!
34:40Mrs. Williams!
34:43Have a seat!
34:44She got on green pants tonight.
34:46Yeah!
34:47Y'all look like prime colors.
34:49Y'all look like a box of crayons out here.
34:52Full...
34:52That got full green.
34:53You in with the yellow?
34:5420 years!
34:56Do you remember more of that night than he does?
34:58Tell us what he said.
34:59He came out of nowhere.
35:01Okay, first tell us your name.
35:02Monica.
35:03Monica.
35:04Just one of them days when a white bike walks on you.
35:08Something inside.
35:10Okay, Monica, you tell us your version of Cav's walk-up.
35:14Yeah.
35:14Do you remember what he said?
35:15I don't.
35:16I was walking to my...
35:17Was you drunk?
35:18I was...
35:18Well, y'all was drinking.
35:20They was sipping that night.
35:21I don't remember what he said.
35:22You ain't from around here, are you?
35:24Okay, and that worked on you?
35:26Well, I wasn't from there.
35:29That's kind of scary coming from a white dude, though.
35:32Let's talk about what's real.
35:34You ain't from around here.
35:36Hold on.
35:38You got to make sure you on the up and up when you ask black folks.
35:42You not from around here.
35:43You ain't from around here.
35:45Yeah, to make sure you...
35:46But you ain't saying, like, police.
35:47You was...
35:48Right, right, right.
35:49Yeah, he was like, you ain't from around.
35:50He was more John B.
35:51Friend or foe.
35:52He was more John B.
35:53Definitely John B.
35:54Definitely John B.
35:55Okay, he...
35:56John B, he wasn't sheriff.
35:57No.
35:59He didn't walk up like, hmm.
36:03Where are you from?
36:04I'm drunk.
36:06You're not from around here, are you?
36:08No, sir, officer.
36:09It was cool.
36:10It's like, you're not from around here, John.
36:11John B, cool, relax.
36:13It was real suave.
36:14And he walked me to my car.
36:15Okay.
36:16Okay.
36:17So how did you know, like, I'm gonna give you something, Kev?
36:21It wasn't that night.
36:22Girl, you a lady.
36:23You a lady.
36:24No, no, because she was dating the club on it at that time.
36:26So she was just like, hey, hey, hey.
36:27How did he pull you from the club on her?
36:30He was just real sweet, you know?
36:32And I'm kind of weird.
36:33I'm kind of quirky.
36:34And, you know, he let me be weird.
36:36Oh, you was awkward.
36:37You was an awkward black girl.
36:38You was Issa Rae.
36:40The club owner was putting that pressure on her.
36:43They're like, well, why don't you change your hair?
36:44Why don't you wear this?
36:45Why you got no red pants?
36:47But he liked you as you was.
36:49He was like, I like anime, too.
36:51That's the key.
36:52I don't know about the anime.
36:54What's your weird thing that he was okay with?
36:56Well, I'm just a nerd.
36:57I love to read, you know.
36:59So you put your glasses up and he was like, you be reading, huh?
37:03He bought me an Alicia Keys poetry book.
37:05Okay.
37:06Oh, well, okay, Kev.
37:07It's the thought that counts.
37:08Hell yeah.
37:09How did you find out he liked chocolate milk?
37:12Well, you know, he already had a little chocolate milk.
37:16Oh, you wasn't new to this.
37:17I wasn't new to it.
37:18I wasn't new to it.
37:19He Paul Wall over here, man.
37:21He Paul Wall, baby.
37:22He Paul Wall, baby.
37:23What y'all know about me?
37:24He tipping on faux-faux over here, Big Cass.
37:27Where's Joe Bubenette?
37:29What's up, Joe Bubenette?
37:31Yeah, man.
37:31You pretty popular.
37:32This is big white, man.
37:33Joe, this is a white male.
37:35That's what I'm talking about.
37:36That man said, I'm going to the show in the jeans short cutoff.
37:40Toes out.
37:41Toes out.
37:43I ain't got it.
37:44This is my dress up.
37:46I'm going to see Tony and Kev the way out.
37:47He was watching the game.
37:49He was just like, I'm going to go.
37:51And just left it out.
37:52I love it.
37:53Man, been dressed since 8 a.m.
37:55I've been happy, man.
37:56That's what I'm talking about, Joe.
37:58White people just, he be like this.
38:00When it be a blizzard in St. Louis, Joe, still be just like this.
38:03It ain't cold to me.
38:04Tough.
38:05Toes out in the blizzard.
38:06That's right.
38:07That's right.
38:07All right.
38:08Is that true?
38:09That's true.
38:10How long have you been dressed today?
38:12Since 8 a.m.
38:15Yeah.
38:15You checked your watch.
38:16You was like, it's 6.30.
38:18Time to head over.
38:19That's right.
38:19I had a meeting at church.
38:21I went to my kid's soccer game.
38:23I took a nap.
38:23I went to another kid's soccer.
38:25You could use a nap in the jean shorts, too.
38:27Oh, no.
38:27All right.
38:28All right.
38:28I took them off for the nap.
38:29I was like, these are my nighttime shorts.
38:32I got to take them off for the nap.
38:35My special occasion shorts.
38:36Excuse us.
38:39As soon as I get up, they coming right back on.
38:42All right, Joe.
38:46Now, what is something wild about your life that no one will believe just from looking at you?
38:55Black people always got to say something in the movie.
38:58He a pastor.
39:02I know Joe.
39:04I sold him those jean shorts.
39:06I got a place called Jean Shorts for Joe.
39:09So that's the thing that people would know?
39:11That is true.
39:13And I have preached in these shorts.
39:14He a pastor.
39:16That's why y'all know him.
39:18Apply to it.
39:19You peached in jeans shorts?
39:21Yeah.
39:22I love that.
39:22Got to keep it real.
39:23This is the kind of church I want to go to.
39:26Come as you are for real.
39:28That's what I'm trying to let people know.
39:29Yes.
39:30I don't want to wear hard bottoms and slacks every time I go to church.
39:34No, that's...
39:34Pastor Carlos can do that.
39:36I'm going to come like this.
39:38Yes.
39:39So you're a pastor.
39:40I wouldn't guess, pastor.
39:42That's exactly right.
39:43I might say Duck Dynasty first.
39:46I do get that a lot.
39:48Yeah.
39:48Guitar.
39:49You look like you'd be a rock band.
39:50Carpentry.
39:51Gunsmith.
39:52That's fair.
39:53That's fair.
39:54Tattoo artist.
39:55Well, I've got some, but no, I wouldn't trust me with a tattoo gun.
39:59You be coming in Bible first, y'all.
40:00That's right.
40:01You be like, what's up, y'all?
40:02Pastor Joe.
40:04What's up with tonight?
40:06Y'all ready?
40:07Did you think the rapture was coming this week?
40:09No, sir.
40:09I didn't.
40:10It's not my eschatology.
40:13You know, only the Father knows.
40:16That's what we was trying to tell y'all, man.
40:18That's what we saying.
40:19Pastor Joe was like, man, nah.
40:22Is there a specific tattoo you have that people wouldn't believe that even for tattoos,
40:27a pastor wouldn't have?
40:28Oh, that's for sure.
40:29You want to see it?
40:31I want to see it.
40:31I want to see it.
40:32Okay.
40:32Oh, you want to show it to us?
40:33That's right.
40:35The shorts stay on, though.
40:37Shorts stay on.
40:37Shorts stay on, praise God.
40:39But I do have, I do have, and this took a lot of convincing for my wife to allow me
40:45to get, but I do have the words party animal inscribed across my stomach.
40:50Oh, we got to see this, Joe.
40:52Wow!
40:56Wow!
40:59Praise God.
41:00Praise God, Joe.
41:02Praise God, Joe.
41:03Party animal.
41:04Party animal, Josh.
41:05That's what I'm talking about, man.
41:07Watch out, Josh is alive.
41:08Party animal, zoom in on that, man.
41:09Josh is alive.
41:10Zoom in on that.
41:11Take a picture with both of us, Josh.
41:13Put it up, Joe.
41:18I got my mic pack on.
41:20Oh, it feels good.
41:21It was sweaty under here.
41:22Yeah.
41:23How do you...
41:24What?
41:25Party animal.
41:26So you was a party animal, huh?
41:28Well, as much as a pastor can be, yeah.
41:30Wait, was you a pastor when you got the tattoo?
41:33Oh, yeah.
41:33This was two years ago.
41:36Wow!
41:37I thought you was a previous party animal, then you found the Lord, but you was like,
41:40nah, y'all, I used to be out here.
41:42No, no.
41:43I mean, I drink a lot of Christmas parties, but I can handle a lot.
41:46I'm real big into Christmas.
41:48Hold on.
41:48What are you drinking during Christmas, Joe?
41:50Oh, the beers?
41:52Beer?
41:54Pastor Joe be getting turned for Christmas?
41:56He was like, you're tired, y'all.
41:59Hark the herald angel, see, party animal, Jesus.
42:03Happy birthday, bro.
42:05Yeah.
42:05I love you, man.
42:07You was born.
42:08I like this, Pastor, man.
42:10You're really not that far from...
42:12We have a huge Christmas party every year, and that's the time where I let a little steam
42:17off, and I dress as Santa Claus, and the top always comes off because it's too hot, and
42:25then you get to see the party animal tattoo.
42:28I'm loving this past.
42:29This is fantastic.
42:29This is my kind of past.
42:33He'd be drinking beer at the Christmas parties with his shirt off.
42:36He got a tattoo that says party animal.
42:38Yeah.
42:38What does the flock be saying?
42:40Well, I mean, I have, you know, I got my wife.
42:43She's got the cutoff.
42:44Okay, this is where you got to stop.
42:45I'm like, okay, I need somebody who's, you know, who's in a, you know, a good frame of
42:50mind to let me know.
42:51So there's limits, but I break out, but I break out the ukulele, and yeah, we're singing.
42:55So you be going crazy for Christmas, man.
42:58He got the ukulele going, the shirt off.
43:00Exactly right.
43:01Jesus' birthday, y'all.
43:03Yeah, I got a Christmas band, too, where I dress as Santa Claus, and I've got a big band
43:08horns, and...
43:09You have a Christmas band?
43:10Yeah, yeah.
43:11So are you the lead singer of the Christmas band?
43:13Yeah, that's right.
43:13I'm Kris Kringle, and the band is the Jolly Jingles.
43:16Listen, I'm Kris Kringle, and these are the Jolly Jingles.
43:21So you're the lead singer for Christmas.
43:23That's exactly right, yeah.
43:25What's your favorite Christmas song to sing?
43:27We're going to be the Jingles.
43:29You're going to be Kris Kringle.
43:30That's right.
43:31Can we get another mic, Josh?
43:32We're going to back you up, Pastor Joe.
43:33I know you're going to go crazy.
43:35We're going to let you leave.
43:38Pastor Joe, we are the Kringle?
43:39We are the Jingles?
43:41The Jolly Jingles.
43:42Jolly Jingles.
43:42Okay, what Christmas song do you know?
43:44Because Tony don't know about a lot of stuff, so we'll make sure Tony knows.
43:47Hey, I know a Christmas song.
43:48Okay.
43:48Yeah, I do sing in a different voice, because it's a character.
43:52I'm singing.
43:53Yeah, let's do the whole thing.
43:54I want the full Yuletide.
43:55Oh, my God.
43:56All right.
43:56But do you know any Christmas songs?
43:57I know all the Christmas songs.
43:59I know usually the black versions, though.
44:01Okay, of course.
44:02Like, do you know Silent Night?
44:03They'd be like, in my mind.
44:05In my mind.
44:06That's our Silent Night.
44:07That's right.
44:07We don't even know that Silent Night.
44:08That's In My Mind.
44:09Play In My Mind, Temptation.
44:11I mean, I'll do my best.
44:13No, no.
44:13Do your...
44:14This is your show.
44:15My show?
44:16Okay.
44:16Yeah, you do your favorite hits for Christmas.
44:18Well, I try to pick out songs that most people don't know.
44:20Okay.
44:21So, Ding Dong, Merrily on High.
44:23I'm sure you're very familiar with it.
44:25Oh, no.
44:25You deep in the Christmas book, y'all.
44:27That's right.
44:27I don't know this one.
44:28Everybody's hearing the same old songs all the time, you know?
44:31Joe said, nah, man.
44:32We got to do the...
44:34Deep cut.
44:35We do a deep cut.
44:36Deep cut.
44:36Okay.
44:36We're going to just join in.
44:37We're trying to fit in what we fit in.
44:39You're going to know at least a little bit of it.
44:41Let's see if I remember all the lyrics.
44:42You know, we got to just start our rehearsals.
44:44That's just here.
44:44Okay.
44:45So, it's...
44:46Ding Dong, Merrily on High.
44:48Yeah.
44:49In heaven, the bells are ringing.
44:51Yeah.
44:52Ding Dong, Merrily the sky.
44:54Sky.
44:55It's rhythm with angels singing.
44:58Oh, oh, oh, oh, oh, oh, oh, oh, we are...
45:04Oh, shoot.
45:05Oh, oh, chi, oh, we are set up inечно please.
45:10Then you got the horns.
45:12Yeah.
45:12And I'm just kind of dancing.
45:13Oh, get it, Joe.
45:14Get it, Joe.
45:15Yeah, yeah.
45:16Get it, Joe.
45:17The coat's off.
45:18Take the coat.
45:19I got the suspenders, you know?
45:19Get the suspenders off.
45:21Oh, you got the whitewister.
45:23That's right.
45:24You know they go in here next.
45:25And I want...
45:26You know, I'm going to get...
45:27getting a little older. You were talking about getting older. I'm not doing
45:29that. Okay, okay. You don't go sprinkler?
45:31My feet are staying on the ground. Okay,
45:33okay. Yeah, but, you know, I gotta stay.
45:35Okay, take us out. We need one more to close the show.
45:37This is the end of the Christmas night. You're a little
45:39drunk, but you love the Lord still. Of course. Your wife
45:41is like, all right, Joe, one more. You're like, one more.
45:43Here's the thing. It's not drunk.
45:45It's my heart was glad. Your heart
45:47was glad. From the Psalms. That's how you
45:49get, that's how they get on the reach around
45:51on the Bible of it all. Reach around?
45:53My heart was glad, y'all.
45:56Okay, we're going. Reach around.
45:57My heart was glad. Officer pulls
45:59him over. My heart was glad, officer. My heart
46:01was glad last night, y'all. You're a god.
46:03All right. Okay, so
46:05I have a
46:07I got a song called Ho, Ho, Ho.
46:09Okay. And so I go, ho,
46:11ho, ho. Light the tree
46:13and join your family. Ho, ho,
46:15ho. It's the season of the
46:17year. Ho, ho, ho.
46:19Eat some food and
46:21join the singing. Ho, ho, ho.
46:23Christmas time is here.
46:26Yeah!
46:26That voice.
46:28That voice, man.
46:29Party animal, Jesus.
46:31Yeah.
46:31We love you, Jesus.
46:33Happy birthday, man.
46:34Y'all show some love for Big Joe Boobinette.
46:37Yeah.
46:37Party animal, baby.
46:39Fantastic, man.
46:41Hey, St. Louis, y'all been great.
46:42Thank y'all for being an amazing audience.
46:44Y'all brought the energy.
46:45Y'all killed it.
46:47We appreciate y'all.
46:48We love y'all.
46:49Thank y'all so much.
46:49We'll see y'all next time.
46:50God bless you.
47:11Say what?
47:14Yeah.
47:16Yeah.
Comments