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00:00:28Captions by Red Bee Media
00:00:30Good evening and welcome to the Great Indian and Kappali show.
00:00:35Good evening, Supriya. Please, Narajwaan, come on.
00:00:41Arshana Ji, Siddhupa Ji, today is the final episode of our fourth season.
00:00:48Yes.
00:00:48Today's episode, we have dedicated this to the relationship of the father and father.
00:00:53Wow, wow, wow.
00:00:54It's a very beautiful relationship, because this relationship is so great
00:00:57that, in the childhood, the father's signature,
00:01:02all the things come from the father's signature in the childhood.
00:01:05Now, see, the first father's definition is that
00:01:10father is the one who is sitting in the middle of a child
00:01:12and shows the world's love in the world.
00:01:15But today's father is the one who is sitting in the middle of a child
00:01:17and goes to the iPad and takes it to the iPad.
00:01:21He says, look at the internet, all the love in the internet.
00:01:23Let's take a look at it.
00:01:26Before, if the child came back and fought, the father would give it to him.
00:01:30Will he teach his father?
00:01:32But today, technology is so high that he had to say himself.
00:01:36He didn't teach his father. How do they do it?
00:01:43Then the son teaches his father,
00:01:45that, Papa,
00:01:46what you follow him on Instagram for 2 months,
00:01:48he is not the real person.
00:01:51Of course, he is.
00:01:54When you take attention andствеns,
00:01:56we started hearing our own age,
00:01:59that was repeated
00:02:00that is for Tumblr.
00:02:02His father is his father,
00:02:02Hamayyiho.
00:02:02Hamayyeo's son is Akbar.
00:02:03What he taught that sister as a grandfather,
00:02:09their mother's mother?
00:02:12Well, Dave doesn't have ourite?
00:02:13Well, once I Qναt once a day,
00:02:16he Ela who said that,
00:02:18That was it for him to be Malinca,
00:02:19I also think that's the wrong person.
00:02:22I can tell you what to do.
00:02:23I can tell you where to go.
00:02:24I can tell you.
00:02:24I can tell you that Sri Lanka is also gone.
00:02:27People are talking about the teacher.
00:02:30One of the two kids is very simple and they have two kids.
00:02:33And the father says,
00:02:35Sharma Ji's son, see her.
00:02:36I can learn something.
00:02:37No one can't speak.
00:02:39The kid is going to be bigger.
00:02:40You saw Sharma Ji.
00:02:42According to his income,
00:02:44the one kid was born at home.
00:02:46You've got five-runs.
00:02:48The children have been born.
00:02:51And the child is still after retirement.
00:02:55When the father is growing, I think I'll kill them.
00:02:59After retirement, I have done this so that the government will know
00:03:03that the man should retire in the age of 55.
00:03:09The way the father's thinking is different.
00:03:12If he thinks about his own, he gives a lot of money.
00:03:14He gives a cold drink.
00:03:16The way the parents are different.
00:03:17The parents are different.
00:03:18The parents are different.
00:03:18The parents are different.
00:03:20If you drink a cold drink and you are good,
00:03:22I will do your own warm-up.
00:03:26The way the parents are different.
00:03:29And we are just not the same with the iPhone.
00:03:32They are different versions of the parents.
00:03:34We have seen the most older model.
00:03:35You all know, the parents.
00:03:36They are the parents.
00:03:39They are also giving the parents to the parents.
00:03:42They give someone a smile.
00:03:42Finally, he gave a smile just by mother and he's in a mirror.
00:03:51Then, that's what he upgraded to father-in-law.
00:03:54He had to love his hand.
00:03:55He had to leave his head on his head.
00:03:57Then, after his father-in-law, he became a father.
00:04:01Then, they were giving him his hand.
00:04:03Yes, that's right.
00:04:04He also kept his head in his head and his hands on his hands.
00:04:07But now the generation is still here.
00:04:09He also added a more word with father-in-law.
00:04:11Oh, my God, what is this?
00:04:16I mean, the father is scared of his daughter,
00:04:19the children are scared of his daughter.
00:04:22This is the one generation.
00:04:23Either their hand goes towards their father's hand,
00:04:26or either the father's hand in his head.
00:04:28They can get it somewhere in the middle.
00:04:30And they are taking it together.
00:04:33Cheers.
00:04:34Let's see, it's a good thing.
00:04:35The way changed, but if the son has a dream,
00:04:38the father sees it.
00:04:39So, he sees it,
00:04:40that I will make my father so big.
00:04:42And the father is the only person,
00:04:43who wants my child to me.
00:04:46Today, on this day,
00:04:48there is also a father-in-law.
00:04:49I want to call them.
00:04:52Please welcome Mr. David Dhawan and Mr. Varun Dhawan.
00:04:58Where is your hero?
00:05:01Where is your hero?
00:05:02Where is your hero?
00:05:04Where is your hero?
00:05:04Where is your hero?
00:05:06Where is your hero?
00:05:08Where is your hero?
00:05:14Where is your hero?
00:05:34I think this is what we live for.
00:05:50Love you sir, love you.
00:05:52Siddhupa ji, something is going to happen, something is going to happen.
00:05:56David Dronacharya and Arjun Varun Dhawan are.
00:06:01What has shown you, sir, is a dream of millions of millions.
00:06:06Your work is not a dream, it is a dream of years.
00:06:11You have so much happiness, that you have my love.
00:06:17What the truth?
00:06:20What the truth?
00:06:25David sir, last week there was a female.
00:06:27The sheep, the sheep, the sheep, the sheep, the sheep, the sheep, the sheep, the sheep.
00:06:31Today, you have to come to heaven and heaven.
00:06:36You all know, David sir has worked with all the actors.
00:06:40But this is not going to happen, that he has been acting from Siddhupa ji.
00:06:43Oh, absolutely.
00:06:45And who was the picture?
00:06:46Who was the picture?
00:06:47He will marry.
00:06:49Sir, when you were going to the parliament, you were going to go to the parliament.
00:06:53Absolutely.
00:06:54Today, we will come to Siddhupa for shooting.
00:06:56Today, we will not come to the shooting.
00:06:58Today, we will not come.
00:06:59For two days, we are not coming.
00:07:01Then, we needed a stadium.
00:07:03We have to take a seat.
00:07:03That's what we needed.
00:07:04And that's what we needed.
00:07:05It was our commentator's box.
00:07:07He was not in Delhi.
00:07:08Then, we took it from Gaziabad.
00:07:10We took it from Gaziabad.
00:07:10Correct.
00:07:11Correct.
00:07:12Correct.
00:07:12Yes.
00:07:12There was Sajid Khan with the other commenter with him.
00:07:16He gave this scene.
00:07:17Sir, he gave a dialogue to him.
00:07:19He was also talking about the dialogue.
00:07:25Come on, David, sir.
00:07:27Thank you very much.
00:07:32He also worked with me.
00:07:34Yes, David. How can I forget?
00:07:36What was the film with Sunny Dool?
00:07:39Aagka Gola.
00:07:40Give me a film. Which one did you get to?
00:07:43What was the song with Sunny?
00:07:46Oh, the ball is not my fault.
00:07:47Come on.
00:07:52David, where did you see Arsuna?
00:07:54How did you see the ball for your mind?
00:07:56Pelaji was the producer.
00:07:58He said that it was the role of Wham.
00:08:02Okay.
00:08:07There was another film.
00:08:09Shola or Shabnam you did with me.
00:08:10Yes, Shola or Shabnam.
00:08:12Outstanding role.
00:08:17Okay, so you know the story of the father-in-law and the father-in-law and the actor-in
00:08:21-law and the director-in-law and the director-in-law.
00:08:34I have to satisfy him also.
00:08:38Of course.
00:08:39It's not so fast.
00:08:39I don't have a question.
00:08:41Why do I do this?
00:08:43Because I'm talking about this.
00:08:44That's why I'm talking about it.
00:09:03And there are two police officers.
00:09:04One of them and one of them and one of them and one of them.
00:09:06This is the film.
00:09:06You're going to come.
00:09:08People told me that if they're doing something with David Duffin, they're going to do good.
00:09:12So, Varun, do you tell them so much about the film that they're going to reach Pornedas?
00:09:16Pornedas is very late.
00:09:17They're playing at the set at 7 o'clock.
00:09:19Okay.
00:09:20But do I ask too many questions?
00:09:23You don't get convinced.
00:09:25How can this happen?
00:09:26Because, sir, I'm just saying for example.
00:09:29I'm doing a picture like border.
00:09:30A lot of serious films.
00:09:32Kamal, Kamal has worked on it.
00:09:34In a short shot, you've worked on it.
00:09:36Thank you, sir.
00:09:38But I'm doing that cinema now.
00:09:40I'm on the set of them.
00:09:41Suddenly, they're saying, let's break the fourth wall.
00:09:43Oh.
00:09:44Talk to the audience.
00:09:45I'm talking about heroines.
00:09:47This is the tail.
00:09:48Either the audience, let's talk to the audience.
00:09:51Lala, lala, lori, doodh ki katoori.
00:09:53Abhi kaise samaluga mein doodho love story.
00:09:55Abhi mein...
00:09:57Yeh...
00:09:58I'm bhol kaise jau ki yeh.
00:10:00To, yeh, yeh, yeh, yeh, joo cinema hoota hai,
00:10:02inka actually, both cutthin hoota hai.
00:10:04I'm sure, Kapil will agree with me.
00:10:05Because, kisi ko hasana, bohuht difficult hoota.
00:10:08Sir, aur meere gurus hothe,
00:10:11wo Manmohan Desai thai.
00:10:12King of entertainment.
00:10:16Aur, inho ne mujhe sikhha ya hiya.
00:10:20You feel this, it's convincing,
00:10:22audience will get convinced.
00:10:24You feel it is okay, it's okay.
00:10:26Hmm.
00:10:26Pehle oor.
00:10:27Unho nho nho bholla,
00:10:28job mein Amar Akbar Anthony bana raha tha,
00:10:30to maa bistre mein thi, hospital mein,
00:10:33teen beethe unko dhe raha tha.
00:10:34Aur, udar se, woh chintu bhol raha tha,
00:10:37ke Manmohan, yeh, kya kar raha yaar,
00:10:39kaise hooga yaar.
00:10:40Amish ji bhi kuch bhol raha.
00:10:41Bola yaar, tumhye shot karo.
00:10:43Aur, unho ne bola, yeh scene,
00:10:45job screen mein aay gana,
00:10:46sab se yada tali yeh padegi dekha.
00:10:48Ah.
00:10:49Ya baat.
00:10:50Patalipadhi bhi usko hai.
00:10:52Toh muzhe yeh hamesha aise references dhe depe.
00:10:54But who wins then?
00:10:55Koon convinced hota hai Varun?
00:10:57Do you get convinced by Devin?
00:10:58No, no, no.
00:10:59See, he performs, gives me a rehearsal.
00:11:01If I like it, it's fine, I said.
00:11:02I see, kuhi baat nahi hai.
00:11:03Always, I have to satisfy him.
00:11:05Yeh director hai, mujhe inko satisfy karna.
00:11:06And he's a legend.
00:11:07I mean, forget ki mein inka beeta ho.
00:11:09Absolut.
00:11:09Set pe tum actor hi ho.
00:11:10Sab se yada gali, mein hik hata ho.
00:11:12Yeh sag baat hai.
00:11:13Aap kisi se bhi pooch lo.
00:11:15Yeah.
00:11:15But, but mujhe, artistically,
00:11:18mera bhi ek, ek tariqa hai,
00:11:20ek scene karne ka.
00:11:21Mujhe, unho ne abhi kithne film ki hai Govinda sir ke saath?
00:11:25Kithne film ki hai?
00:11:26Oh, 17 films.
00:11:27Wow.
00:11:28Unbelievable.
00:11:29And they're all amazing.
00:11:3117 films, and I think one of the best actors
00:11:34I've worked with is Govinda.
00:11:36Outside.
00:11:36Yes, sir.
00:11:40Abhi, jo bhi scene likha jata hai,
00:11:42har scene mein unko yaad ati hai,
00:11:43chichi bhaiya ki.
00:11:44Achha.
00:11:45Ki chichi hota to kaise karta.
00:11:46To, mein bolstah ho ki,
00:11:48but mujhe to,
00:11:50apne audience ke lihe karta hai na,
00:11:51wo bhi chunnu munnu chote hai.
00:11:53To, I have a very tall order to live up to.
00:11:55To, muhje hemesha, yeh,
00:11:57merlab, yeh bholta rata hai,
00:11:59Salman aise karta,
00:12:00chichi aise karta,
00:12:01Anil aise karta.
00:12:02To, muhje apna dhundna padhta hai ki,
00:12:04mein kis tarikayse varun kaise karayaga.
00:12:06See, but I'll tell you one thing.
00:12:08Ek actor in kese saath,
00:12:09meinne bhot kaam kiya hai,
00:12:10brilliant actor,
00:12:12aur sikha bhi bhot hai unse,
00:12:13jiska naam ta hai Rishi Kapoor.
00:12:15Aray waa, aray waa sir, waa.
00:12:17Unka et ki sawaal hata da, kuch nahin.
00:12:20Wo bholte tha hai, achcha yeh.
00:12:21Bulee, yeh, kyun karun mein?
00:12:23Aba unko konvins karna badha,
00:12:24Sir, yeh haise, aise, aise,
00:12:25isnehe karna padhta hai.
00:12:27Acha.
00:12:28May to, waha hain atka dhegha aapko.
00:12:31Ar unka bhaesta saath baj gaya na,
00:12:34ho gaya.
00:12:35Acha.
00:12:36Unja, meeri ghanti baj gaya.
00:12:38No, no, I want to listen to a little story.
00:12:43A director came to listen to a story.
00:12:45So he said, go to the shooting.
00:12:47Then sit in my van and go to the house and listen to the story.
00:12:51He sat in the car and started the story.
00:12:55The first shot he said, this is the time of the night.
00:12:58This is the time of the night.
00:12:58He said, stop it, stop it.
00:13:01He said, stop it, stop it.
00:13:03He said, I don't do a film in the night.
00:13:04He said, stop it, stop it.
00:13:05He gave it.
00:13:08That's right.
00:13:10But today's generation actors,
00:13:12they ask a lot of questions.
00:13:15They ask a script.
00:13:16Give a script.
00:13:17I want to go through the script.
00:13:20He gave me a script.
00:13:22You understand?
00:13:23The old ones are on the phone.
00:13:26I'm doing it.
00:13:28The phone will be okay.
00:13:29Sanjana said, what do you want to do?
00:13:31I want to go through the script.
00:13:36I want to tell you one thing.
00:13:42I work with the directors of today's today.
00:13:46I work with them.
00:13:47It's a very polite time.
00:13:48You can't make a lot of noise in the set.
00:13:51It doesn't make a lot of friends.
00:13:52Yes, it's a lot of work.
00:13:54But he, if someone's acting on the set,
00:13:57he says,
00:13:58he's a bad actor, bad actor.
00:14:00What's happening?
00:14:02If you're bad acting,
00:14:04it's done.
00:14:04And you can do it.
00:14:05You can do it.
00:14:06What happens sometimes?
00:14:07What happens sometimes?
00:14:07The hero is the line.
00:14:11The character artists are the best.
00:14:14Kadir Khan.
00:14:15Shakti Kapoor.
00:14:16Anupam Kher.
00:14:17Satish Kausik.
00:14:18You know,
00:14:19Paresh Rawal.
00:14:20Unbelievable.
00:14:21I want to tell you about Govinda.
00:14:23Sir,
00:14:24people say,
00:14:24it's late.
00:14:25Who is late today?
00:14:26It's late.
00:14:27It's late.
00:14:29And you won't believe it.
00:14:31I said,
00:14:32I said,
00:14:32it's the scene of four pages.
00:14:34I saw the scene.
00:14:35I saw the whole scene.
00:14:36I looked at it.
00:14:36I was shooting the shot.
00:14:37I said,
00:14:38I don't shoot the shot.
00:14:39I did it.
00:14:40I did it.
00:14:41But I said,
00:14:42you can see.
00:14:42I'll give it one shot.
00:14:44He was in the partner.
00:14:45He was sitting there.
00:14:47He was sitting there.
00:14:47He was sitting there.
00:14:47He was sitting on the table.
00:14:48He was sitting there.
00:14:50You can't imagine.
00:14:52He said,
00:14:52take a cut.
00:14:54Unbelievable.
00:14:55Yeah.
00:14:55You know!
00:14:56Do you know your big or small?
00:15:02The great film David Sir.
00:15:05The great film.
00:15:07When it was released,
00:15:09in which he was released together,
00:15:10he was released.
00:15:11Something happens.
00:15:12So,
00:15:12you did see that.
00:15:16That's the reason
00:15:17that his father was told,
00:15:18you'll launch it,
00:15:19Karan Johari will launch it.
00:15:22I wanna know
00:15:45Oh my God!
00:15:47Really?
00:15:48Yeah, I swear on you.
00:15:49He said that I have to assist Karan.
00:15:52I don't know.
00:15:53My mother told me.
00:15:54And he went and met.
00:15:56Then Karan assisted me.
00:15:58Which film was it?
00:15:58My name is Khan.
00:15:59My name is Khan.
00:16:00Okay.
00:16:01He did that.
00:16:02Whatever you want, it's good.
00:16:04I was very busy.
00:16:06I used to play two or three years ago.
00:16:09So what happened one day?
00:16:12Karan came home.
00:16:14And he said, I want to launch him.
00:16:17Okay.
00:16:19The next time he took photos.
00:16:21He took Siddharth and his photo session.
00:16:24He took photos.
00:16:25And they are, this is the pair.
00:16:27Alia also, this is Iloka.
00:16:28Now he doesn't know who the director is.
00:16:30He just said that he will produce.
00:16:32Right.
00:16:33And in the end he came and said I am going to direct this.
00:16:36Oh.
00:16:36Oh.
00:16:36So we were so happy.
00:16:38He's got a break from the right place and all.
00:16:46Right.
00:16:47So I was going to be an actor.
00:16:48So I was going to be 8th or 9th.
00:16:49I was going to go to Times of India's front page.
00:16:53Oh.
00:16:54Oh.
00:16:54Yeah.
00:16:58I was going to be an actor.
00:17:05Yeah.
00:17:05Yeah.
00:17:11Yeah.
00:17:15Yeah.
00:17:18Yeah.
00:17:30Yeah.
00:17:31Yeah.
00:17:35Yeah.
00:17:43Yeah.
00:17:43It's a woman's heartthrob.
00:17:44No, no.
00:17:45I'm a heartthrob.
00:17:46I guarantee that it's none of them.
00:17:48Youngsters adore you, adore you.
00:17:51Sir.
00:17:53I can't put credit on that.
00:17:54Like my mom, that's it.
00:17:56I only taught it in my school.
00:18:00The comedy, entertainment scenes,
00:18:03that's the thing.
00:18:05Mary I have always challenged myself on the situation.
00:18:08You did not do this anymore.
00:18:10It happened to me.
00:18:10It wasn't too spoiled anymore.
00:18:11You can do this because you can do this.
00:18:14So these lines were very big on me.
00:18:17So there was a film about Akshay Paji's time.
00:18:19You have seen the picture?
00:18:20So I was always looking at that.
00:18:22Because I felt like this was happening with me.
00:18:25So I...
00:18:27I mean, he would not say, but they would think that...
00:18:30I mean, y'all would feel like he's the black sheep of the family.
00:18:33That he will not do much.
00:18:35But it's okay.
00:18:36But did David say that to Pradlapur?
00:18:38Yes, he did.
00:18:40But it is one of your finest performances.
00:18:42But again, it's a challenge, no?
00:18:44I was very happy, gradually, you know, with him.
00:19:01But he was working.
00:19:02Like I saw the border with my wife.
00:19:06I saw it.
00:19:07So I cried so much in that picture.
00:19:09I cannot tell you.
00:19:10I came back.
00:19:11And I was so proud of him.
00:19:13I tell you, the first time.
00:19:15I said,
00:19:16I was so proud of him.
00:19:20I was so proud of him.
00:19:21You could stand your own and prove yourself.
00:19:23And the director really used him very well also.
00:19:26Billiont, I mean.
00:19:27I was so proud of him.
00:19:28David, sir.
00:19:29Have you seen a change in Varun when he became a father?
00:19:33Very much.
00:19:34You can't know that...
00:19:35I always say that...
00:19:36I always say that...
00:19:37I always say that...
00:19:38I always say that...
00:19:40I always say that...
00:19:58But my mom, you know, touchwood...
00:20:01Kuchh bhi, kabhi bhi hota hai...
00:20:03Jhagda hota hai, hota hai, hota hai...
00:20:04Woh, hamesha, meere patni ka hi side lete hai.
00:20:06Puri family.
00:20:07Puri family.
00:20:08Puri family.
00:20:09So, mein...
00:20:10Lehi nahi, mein matab...
00:20:12Waisee, thoda akela padh gaya ho, mein.
00:20:13Ho, ho, ho.
00:20:14Ho, jhage pe.
00:20:15But, mein khush hu ki, yaar...
00:20:17Eventually, success, I feel, yehi hai...
00:20:19Jo, ghar pariwara...
00:20:20Aapa.
00:20:21Pahle to...
00:20:22Pahle to yeh jhagda hote te ki, yaar...
00:20:23Papa, why can I go out at night, yaar.
00:20:25Mein dho baje bhi rath ko aaga hai...
00:20:26Aasar, mein jata hai niyo bhaar.
00:20:27Dost ke budde pe le gaya.
00:20:28Why you awake?
00:20:29Cunke, u'the rehte te, rath ko.
00:20:31We are so worried.
00:20:32Hama log polis ko phone karne wala hai.
00:20:33Aasar, but, mein mobile hai.
00:20:35Ujje kar no.
00:20:36Ek baar...
00:20:37Yeh ghar aya nahi, bort time ho gaya.
00:20:40Yeh...
00:20:40Yeh chhota tha...
00:20:43Yeh...
00:20:43Sidiya chahto, joo niche...
00:20:44Party chal rhi thi.
00:20:47To, yeh music sunte sunte anadar chala gaya.
00:20:49To, paati waga ho gaya.
00:20:50Woha ladki aadkia bhi thi.
00:20:55Halu bhi nahi hai.
00:20:56Mera joo bada beeta tha na...
00:20:57Rohit.
00:20:58Ho bhi...
00:20:59Usko pata chala, ho niche gaya.
00:21:00Poocha anadar.
00:21:01Watchman ne pata ya usko.
00:21:02Ki bhaiya...
00:21:03Anadar gaya, usko kheech ke maarte hai.
00:21:11Itna zolom mat karo, sir.
00:21:12Shahid ki boondha, makhiya to aayengi, sir.
00:21:14Kya waaar kare rohit?
00:21:16Rohit.
00:21:17Rohit, kitna bada hai, David sir?
00:21:18Varun sir?
00:21:184 saal.
00:21:194 saal.
00:21:20Aap bada bhai to...
00:21:21Ek saal bhi bada ho, to...
00:21:22To, to...
00:21:23To, mujhe laga ki abhi maarega, to phir upar jaake kuchh kaani bana lege.
00:21:27Kya maar to diya hai na, usne do thhapad.
00:21:29Par upar jaake, usne bol bhi diya.
00:21:31He was dancing with girls inside and all.
00:21:34Iska matlab, sir, aap a strict father thay.
00:21:37Varun ki, meri tarah,
00:21:38jyise mera fader khadkai karta tha.
00:21:40Aap kertte thay, sir, iski khadkai?
00:21:41No, khadkai?
00:21:41Mene siko aaj tak maara niya hai.
00:21:44Haat ni utha hai.
00:21:46Mammi ne maara hai.
00:21:47Lali Marstam na?
00:21:48Mammi, mammi hai.
00:21:49Aap believe ni karo ga, ek din, main bhaar tha...
00:21:51Nain, ek bar maara hai.
00:21:53Mammi ne maara...
00:21:53No, you hit me once.
00:21:54You slam me in.
00:21:56Menei maara hai.
00:21:57Menei maara hai.
00:21:57Menei maara hai.
00:21:57Menei maara hai.
00:21:57Menei maara hai.
00:22:00Menei maara hai.
00:22:06Menei maara hai.
00:22:11Menei maara hai.
00:22:12Hoata hai.
00:22:13Roshka.
00:22:14Menei maara hai.
00:22:15Menei maara hai.
00:22:17Menei maara hai.
00:22:19Menei maara hai.
00:22:20He wanted to slap him, but he slapped me.
00:22:23Menei maara hai.
00:22:24Rohe tele already become big.
00:22:25I was still smaller.
00:22:27And I remember my specs fell down.
00:22:29And I picked up the specs.
00:22:31What the hell?
00:22:33Sar, ye kaasih rata kare koi or mara koi.
00:22:35Menei maara hai.
00:22:36Lali hai kabak maara hai.
00:22:37But one thing I want to tell you.
00:22:39Lali to abhi hai hai.
00:22:40Lali to Lali hai hai.
00:22:42You know, Lali is one who keeps the family together.
00:22:46She is one of the strongest women I've known.
00:22:49You believe nii karo ga hai.
00:22:50We all stay together.
00:22:52Yeh meache ware floor mein.
00:22:53Oopar war mein aur rohe.
00:22:55Sab khana khana hota hai.
00:22:56Phon karta hai.
00:22:57Chal khana khana upar aja.
00:22:58We eat together at time.
00:23:00Match dekh na hai.
00:23:01Match dekh teh.
00:23:02Final chal raha hai.
00:23:03Semi-final chal raha hai.
00:23:04We see together.
00:23:05But it's ki bhi kaani hai.
00:23:06Kyeunke mujhe ghar khareed na tha.
00:23:07When I was a bachelor.
00:23:08Mujhe ghar khareed na.
00:23:09I said you know.
00:23:09Mereko dhekh na hai.
00:23:10I need space and all like.
00:23:11Hota hai.
00:23:12Success ho jata hai.
00:23:12Har insan ke dhimaag mein kuch ho jata hai.
00:23:14Mujhe.
00:23:15I need privacy eesab eesab.
00:23:16Toh meinne.
00:23:17Dekhne laga jago ko ghar pe.
00:23:19Friendly.
00:23:19They are like.
00:23:19Hum log na final kar diya ghar.
00:23:20Ghar miliya.
00:23:21I said kaha hai.
00:23:22Ek floor niiche.
00:23:34He told me you know what.
00:23:35He told me you know what.
00:23:36Is it emotional reasons you want to.
00:23:38I said yeah.
00:23:39It is emotional.
00:23:40I said no.
00:23:41I said no.
00:23:42Mujhe auntie ki eesab aad aagahi.
00:23:43Barun ke mamma ki.
00:23:44I said no.
00:23:45He said no.
00:23:46He said no.
00:23:46I was going to Marriott.
00:23:47I was swimming.
00:23:50So Barun ke mamma aay.
00:23:51Then two hotel staffs said what happened.
00:23:53What happened.
00:23:54He said madam ring gira gai.
00:23:55I said auntie mehngi.
00:23:56He said yes.
00:23:57He was diamond ring.
00:23:58I said where I was going to go.
00:24:00He went swimming and I was going to go.
00:24:03I said no.
00:24:05I was looking for her.
00:24:06I was looking for her a long time.
00:24:07I was going to go to the water.
00:24:08I didn't get my ring.
00:24:09I got my ring again.
00:24:10When I got my ring again.
00:24:14I got my ring again.
00:24:14I said auntie you have ring again.
00:24:15I said auntie you have ring.
00:24:15He said no.
00:24:16He said no.
00:24:16My son got her.
00:24:16I kept her.
00:24:18I kept her.
00:24:20That's right.
00:24:22That's right.
00:24:25But mom always does everything.
00:24:27At one time we were doing a club.
00:24:30He was doing a club in Mumbai.
00:24:32So she went there.
00:24:32So Ritik Roshan had not been launched as yet.
00:24:35His launch didn't happen.
00:24:36So his phone was the same.
00:24:38So Ritik Roshan got her phone.
00:24:43I think Rakesh Roshan called dad.
00:24:45Then Ritik came to the house.
00:24:47And then Ritik was not Ritik.
00:24:50But then he was young and good looking.
00:24:53So I was eating food.
00:24:54And Ritik said hello auntie.
00:24:59How are you?
00:25:00Hey auntie.
00:25:02Hey.
00:25:03Hey auntie.
00:25:05But I, she pulled me back.
00:25:07Hey, she did.
00:25:08Hey auntie.
00:25:14Very embarrassing.
00:25:15Because he was standing in the bone.
00:25:17Without a T-shirt.
00:25:18He stood in the bone and here.
00:25:20And his mum stood.
00:25:21And Ritik Roshan had a big tall guy like that.
00:25:25I told, hey, auntie.
00:25:31And dad was there, and he called Uncle David.
00:25:35Uncle David, I think you got my phone.
00:25:39So, mommy said, yeah, Hrithik, you know,
00:25:41by mistake, you're such a sweet boy and all that.
00:25:43And I and Rohit are like, you're watching.
00:25:46Thank you, folks, I'll remember that.
00:26:03But genuinely, I think I saw Hrithik when I saw him,
00:26:06I said, how can he be so perfect?
00:26:10Then I also had a tension,
00:26:11that if this is so good, then how will my launch be?
00:26:16I'm just coming to his camera.
00:26:19So, but yeah, I mean, I think my childhood was very funny also.
00:26:26I say, he was doing things.
00:26:28But one thing I want to tell you,
00:26:29like David Sir, there are many actors at home.
00:26:33When kids go to school,
00:26:35they think, yes, I'll write a book,
00:26:37I'll write a book, I'll write a book, I'll write a book.
00:26:38You'll see that your father is a legendary director.
00:26:41You'll see your career clearly on the sofa.
00:26:44That this is my career,
00:26:45and I'll launch it in the film.
00:26:46Yes.
00:26:47Then, how do you feel like he was doing it?
00:26:50I'll tell you, because Drishir was not the legendary director at home.
00:26:54He was sitting in the sofa.
00:26:55But he said,
00:26:56Then I remember,
00:26:57Roahit really was embarrassing to call that
00:26:59if we wanted to call any girl or겠 end.
00:27:03We will meet him because he will go in Lungi.
00:27:08Nobody comes too.
00:27:10Then he started to say,
00:27:11and his mom said,
00:27:12David this is not right.
00:27:13The kids get people home,
00:27:15you're roaming around Lungi,
00:27:16So, next day, some friends have entered the room.
00:27:21This time, it's not in lungi.
00:27:23Jordan's shots.
00:27:24Jordan's shots.
00:27:27But bare body.
00:27:29Bare body.
00:27:34That's your T-shirt.
00:27:35That's a big deal.
00:27:38You understand it, right?
00:27:40I'm going to get married with Rohit.
00:27:44So, now, I'm going to wear a T-shirt.
00:27:47Oh, what a story!
00:28:07I'm going to go with my father.
00:28:10I'm going to go with my father.
00:28:11Look at me!
00:28:12Where are you?
00:28:14How are you?
00:28:15Here you are.
00:28:16Oh, yes!
00:28:18Oh, yes!
00:28:19Oh, yes!
00:28:20Oh, yes!
00:28:23Hello!
00:28:23Hello!
00:28:24I'm going to put the vegetables in the bowl.
00:28:25Yes, I'll put the vegetables in the bowl.
00:28:26Mommy, you'll have to put the little億 on it.
00:28:29You're still in your hands, Mommy.
00:28:32You're still in your hands.
00:28:33You're still in my hands.
00:28:33I'm still in my hands.
00:28:38Oh
00:29:04It's not a year ago.
00:29:06It's a little girl.
00:29:08It's a little girl.
00:29:10And Varunji, how are you?
00:29:11Are you all right, Varunji?
00:29:13Varunji, very good.
00:29:14Why are you asking them?
00:29:15I'm sitting in a bagel and ask them directly.
00:29:17No, Mother, ask them directly.
00:29:19Then you'll call me to my mother,
00:29:20and you'll talk to the hero.
00:29:25You say that I'm like this.
00:29:28I'm not doing all this.
00:29:30I'm not talking directly.
00:29:31I'm talking directly.
00:29:31I'm talking directly.
00:29:32All right, Mother.
00:29:35You take your T-shirt and take your six-pack.
00:29:40Show your outfit.
00:29:41Show your outfit.
00:29:43Show the outfit.
00:29:46What are you doing?
00:29:52Why don't you open it?
00:29:54Why don't you open it?
00:29:55Why don't you open it?
00:29:57Why don't you open it?
00:30:29Oh
00:30:31Oh
00:31:25Very good
00:31:28Very good
00:31:29Oh
00:31:32Oh
00:31:33Oh
00:31:33Oh
00:31:37Oh
00:31:38Oh
00:31:38Oh
00:31:39Oh
00:31:39Oh
00:31:48Thank you
00:31:49Thank you
00:31:53Oh
00:32:09Oh
00:32:10Oh
00:32:12Oh
00:32:21Oh
00:32:27Oh
00:32:28Oh
00:32:29Oh
00:32:36Oh
00:32:38Oh
00:32:41Oh
00:32:42Oh
00:32:43Oh
00:32:43Oh
00:32:43Oh
00:32:46Oh
00:32:53Oh
00:32:55Oh
00:32:56Oh
00:33:06Oh
00:33:07Oh
00:33:08Oh
00:33:08Oh
00:33:08Oh
00:33:08Oh
00:33:09Oh
00:33:10Oh
00:33:10Oh
00:33:10Oh
00:33:12Oh
00:33:14Oh
00:33:16Oh
00:33:16Oh
00:33:23Oh
00:33:27Oh
00:33:28Oh
00:33:29Oh
00:33:40Oh
00:33:41Oh
00:33:42Oh
00:33:42Oh
00:33:50Oh
00:33:52Oh
00:33:52Oh
00:33:54Oh
00:33:55Oh
00:33:55Oh
00:33:55Oh
00:33:55Oh
00:33:56Oh
00:33:56Oh
00:33:57Oh
00:33:58Oh
00:33:58Oh
00:33:58Oh
00:34:00Oh
00:34:05Oh
00:34:06Oh
00:34:07Oh
00:34:09Oh
00:34:22Oh
00:34:22Oh
00:34:23Oh
00:34:23Oh
00:34:23Oh
00:34:32Oh
00:34:34Oh
00:34:36Oh
00:34:38Oh
00:34:39Oh
00:34:39Oh
00:34:40No, heroine.
00:34:41Okay.
00:34:41Heroine doesn't have any benefit.
00:34:43Why?
00:34:44You don't have any good acting.
00:34:45It doesn't mean anything.
00:34:46You don't have a hot scene like that.
00:34:49Next day, you'll become a national crust.
00:34:51You don't have any benefit.
00:34:54You don't have any benefit.
00:34:56You don't have to think about it.
00:34:56It's a wrong idea.
00:34:58You don't have to look at your dreams.
00:35:00Every person has to look at your dreams.
00:35:03I don't see my dreams.
00:35:04I don't see my dreams.
00:35:04I don't see my dreams.
00:35:05I don't have to work.
00:35:07I don't have to work.
00:35:10I don't have to look at your dreams.
00:35:11I don't have to look at your dreams.
00:35:12I don't have to look at your dreams.
00:35:14I got a job.
00:35:15I'm sitting in a minute and I'm going to sit down.
00:35:18I'm going to get a diver.
00:35:19I'm going to ask her to ask her.
00:35:22Mommy doesn't help me?
00:35:23No, I don't help me.
00:35:24I was just sitting in a second.
00:35:26I was sitting in five years.
00:35:27I got a glare in his pants.
00:35:32What do I do?
00:35:35I'm going to look at your dreams.
00:35:36What a matter of your dreams.
00:35:37It's a lot.
00:35:37I don't have to do it.
00:35:40I don't have to do it here.
00:35:42I don't have to do it here.
00:35:42He's going to touch it with the struggles and the struggles.
00:35:49I'm going to talk to these things.
00:35:50I don't want to do anything.
00:35:52You're doing this wrong place.
00:35:54Who will listen to the girl's story?
00:36:01If you don't want to do this, you do a job.
00:36:05Dancing is good.
00:36:06Okay, let's see.
00:36:07Let's see.
00:36:08Let's see.
00:36:08Let's see.
00:36:08Let's see.
00:36:08Let's see.
00:36:09Let's see.
00:36:10Let's see.
00:36:11Let's see.
00:36:12Let's see.
00:36:16When I was running?
00:36:16Let's see.
00:36:18I learned that.
00:36:20What was that step?
00:36:21When I was running grass for a day,
00:36:25it started to dip on grass.
00:36:27That's why it didn't go to grass.
00:36:28That was such a step.
00:36:29Mamma says.
00:36:29I got a man.
00:36:34I got a man.
00:36:37I got a man.
00:36:38I got a woman.
00:36:39I got a man.
00:36:42I got a man.
00:36:44I got a man.
00:36:50Oh
00:37:14Yeah, but I'm busy. Yeah, but I don't know. Hey, I don't know
00:37:21Kissy much. Oh, I don't know. Oh, yeah, I don't know
00:37:29I don't know. I don't know
00:37:46David, you started your career as an editor, right?
00:37:50I am an editor, basically. Now I am an editor.
00:37:52If you don't believe me, I have edited 50 films.
00:37:56Wow!
00:37:57I have worked with Mahesh Bhad,
00:38:03and I have made their names.
00:38:07Then, I have edited a film in Mukul Anand.
00:38:09Now, if you come to my office, I will also be in the editing room.
00:38:12Ah!
00:38:13We are scared, because it is very quickly,
00:38:15and it will become a real life.
00:38:19Actors' performances are very hilarious in the film.
00:38:23So, you have to take that too.
00:38:24You have to take that too.
00:38:25You have to take that too.
00:38:30In fact, he is a gold medalist from FTI.
00:38:32Yes, Hiram, yes.
00:38:34Wow!
00:38:35I was editing Naam.
00:38:37Okay.
00:38:37My name was Sanju.
00:38:39He was in the name.
00:38:40He was in the name.
00:38:41He was in the name.
00:38:42He was also in the editing room.
00:38:44He was also in the editing room.
00:38:45One day, he said,
00:38:45Why don't you become a director?
00:38:46Why don't you become a director?
00:38:47You are doing so good.
00:38:49So, at that time, I said,
00:38:51I said,
00:38:51It is a good idea.
00:38:52But, who will make the picture?
00:38:55You know what he told me?
00:38:56You got the film.
00:38:57Tomorrow, I have signed a film.
00:38:59You will direct that film.
00:39:00I am sending him tomorrow.
00:39:02And, that's why I became the director.
00:39:04Wow!
00:39:04Wow!
00:39:06Wow!
00:39:07See, this is...
00:39:09Wow!
00:39:09He is my friend today.
00:39:11David Sir, one thing is,
00:39:13Your child, you are also a kakse.
00:39:15What do you think?
00:39:16Do you have any qualities that you think?
00:39:18Varun, that's what I get.
00:39:21Look, his qualities are,
00:39:23He takes care of his parents.
00:39:25Oh, sweet.
00:39:25That's a great thing.
00:39:29Like, I went to the hospital.
00:39:34He used to come and stay there in the night.
00:39:36Oh!
00:39:37Yeah.
00:39:37He went to the next day.
00:39:38The other person would come.
00:39:39They were there all the time.
00:39:41And, he knew all the doctors.
00:39:44Six, seven, eight doctors.
00:39:45He was the only one of the doctors.
00:39:47When I was sleeping in the morning,
00:39:49I was sleeping in the morning.
00:39:50I was sleeping in the morning.
00:39:51I was sleeping in the morning.
00:39:52But, they will come and see me.
00:39:55You know.
00:39:56No.
00:39:57But, in truth, I am blessed that
00:39:58I am a big brother.
00:40:00Because, if I am in the morning,
00:40:01I am in the morning,
00:40:02or something else.
00:40:02He is always there.
00:40:04Obviously, my brother is my husband.
00:40:06My wife is my mom.
00:40:07My mom keeps the most important.
00:40:09But, I always think,
00:40:11as much as my big brother has sacrificed
00:40:13for my success.
00:40:15Wow.
00:40:15For their success.
00:40:16You know,
00:40:17He always...
00:40:20He always says,
00:40:21He always says,
00:40:22Let's go and shoot.
00:40:23I will see.
00:40:24I wish I have a wrong.
00:40:24I will see.
00:40:27I will see.
00:40:28I will see.
00:40:29I will see.
00:40:29In Bangkok,
00:40:30I will see.
00:40:31I will see.
00:40:31And, next flight I will come,
00:40:34Rhoid,
00:40:35Rhoid and I will tell him.
00:40:36And I will tell him,
00:40:37He will see.
00:40:38He has always come and taken over as a director, always. Never let the producer suffer.
00:40:52He was fine. Six days, he was in the ICU.
00:40:57Now in ICU, I was plugged in, plugged in, everything.
00:41:00I was coming to meet him. And the first thing I saw was,
00:41:04What is your name?
00:41:10This is a strange thing.
00:41:12I don't want to laugh, I don't want to laugh.
00:41:14I'm stuck in a strange state.
00:41:17Then I was saying, go and go and shoot.
00:41:21That was the hardest day I had.
00:41:23I remember that day, we were shooting, we were crying.
00:41:27I don't know.
00:41:30You're shooting and you're in ICU.
00:41:33I mean, it's just very difficult to work in that state.
00:41:38Varun, there are two directors in your house.
00:41:39Legendary David Dhawan, Rohit Dhawan.
00:41:43After all, when you sign out to the film,
00:41:45you don't have to go outside on the dining table.
00:41:47Sir, there are two directors in my house.
00:41:50But in their house, there is one actor, right?
00:41:52They work with the actors.
00:41:55What about it?
00:41:57No, but genuinely, if you ask me this,
00:42:01the script's demand is the same type of actor cast in the film.
00:42:05You know?
00:42:06That film is good.
00:42:08The picture is good just by the need.
00:42:10The need is good.
00:42:11The need is good.
00:42:12You put money, make a star cast,
00:42:13make a star cast, make a star cast, make a star cast, make a star cast.
00:42:16The need is good.
00:42:18The need is good.
00:42:18And the best need is the director.
00:42:20Right.
00:42:21Because filmmaking is a director's medium.
00:42:23I've seen it.
00:42:24I've seen it, I've seen it.
00:42:25I've seen it.
00:42:26If the director has a little bit of a voice,
00:42:28or if the mind is like this,
00:42:30then you can't do anything.
00:42:32You can't do anything.
00:42:32Honesty is very important.
00:42:34As a director, I would like to say.
00:42:35David Sir, we've heard that,
00:42:38if someone's taking a shot,
00:42:41it's not fun.
00:42:41If it's comedy shots,
00:42:42especially.
00:42:43He said,
00:42:43that's not a bad thing.
00:42:45And if they're not fun in a romantic scene,
00:42:48then they say,
00:42:49that the amount of money is a little bit less.
00:42:51David Sir, for example,
00:42:53you've said,
00:42:53that's a joke.
00:42:55If you take a drink in your house,
00:42:57and you generally say,
00:42:59that the amount of money is a little bit less,
00:43:00that's what you're talking about.
00:43:04That's how it was.
00:43:07That's how it was.
00:43:07Where did it start?
00:43:08That's the thing.
00:43:09If there's no fun,
00:43:11I would say that the amount of money is not getting.
00:43:12I would say that.
00:43:13As an audience director,
00:43:15he also sees it.
00:43:16Yes.
00:43:16And if he doesn't enjoy it,
00:43:17he doesn't force it.
00:43:19He doesn't force it.
00:43:20He doesn't force it.
00:43:21He doesn't force it.
00:43:21He doesn't force it.
00:43:22He doesn't force it.
00:43:22He doesn't force it.
00:43:24Without line also,
00:43:25you can create it.
00:43:26So,
00:43:27when he doesn't get it,
00:43:28he doesn't get it.
00:43:30But there are actors who can really do it.
00:43:35David Sir,
00:43:36your craft,
00:43:37with your edit and script,
00:43:39it's just the way the people can do it.
00:43:41But there are human management.
00:43:44Every person has a different way.
00:43:46You have a different way.
00:43:47You have a different way.
00:43:49You have a different way.
00:43:51You have a different way.
00:43:51It's very difficult.
00:43:52But I have done a double film.
00:43:55I have done a film.
00:43:56I have done a film.
00:43:56I have done a film with Salman and Akshay Kumar.
00:44:00It's not easy to work with them. Both a lot of temperament.
00:44:04Akshay has a habit of doing something in the scene.
00:44:07I told him that he doesn't fit his hand.
00:44:12But yeah, it's to manage both.
00:44:15Sanjid and Salman?
00:44:17Sanjid and Salman are the best.
00:44:19That's why they do both acting.
00:44:25That's outstanding.
00:44:27Salman and Sanju, I mean, the best pairing.
00:44:30Very good, very respectful.
00:44:31Today, our legendary director, David, Varun,
00:44:35and Pita Putr.
00:44:37We're talking about this time.
00:44:39Pita thinks that my son doesn't understand me.
00:44:43And his son thinks that,
00:44:45we're the generation of today.
00:44:46Pita doesn't understand us.
00:44:48Whatever you want to talk about in this time,
00:44:49you can sit on your hands.
00:44:50Today, we'll take them to fight.
00:44:52I'll do this.
00:44:53Yes.
00:44:53Yes.
00:44:55He's a father.
00:44:57Hello.
00:44:58Thus, the father is the father.
00:44:59Hello.
00:45:00Sir, I have a father of his family.
00:45:02Yes.
00:45:04And your name is?
00:45:04My name is Lokesh Vijay Vargi.
00:45:06I've come here from the Northeast.
00:45:08Jayhin Kapil sir.
00:45:10Jayhin sir.
00:45:11David sir.
00:45:11Varun sir.
00:45:12I'm retired from B.S.F.
00:45:14And I have a little bit of advice from my husband.
00:45:17That's why I want to talk about that.
00:45:18If I'm a poor person, I'm a poor person.
00:45:21If I'm a poor person, I'm a poor person.
00:45:23I'm a poor person.
00:45:23I'm a poor person.
00:45:26But this is too far from all these things.
00:45:28I mean, the LC type means...
00:45:30The LC type means...
00:45:32If you don't drink, it's LC.
00:45:34It's a good thing.
00:45:36It's a good thing.
00:45:38But it's a good thing.
00:45:39Okay, so what is your biggest problem?
00:45:41I'll tell you...
00:45:41It's a good guy.
00:45:42It's a good guy.
00:45:43Good guy?
00:45:44All the lunch?
00:45:45This is the best.
00:45:50And the old guy?
00:45:50Then, the house?
00:45:51I'm a good guy.
00:45:53I'm a good guy.
00:45:54I'm a bad guy.
00:45:55I'm a good guy.
00:45:56I'm a bad guy.
00:45:56I'm a bad guy.
00:45:57I'm just sitting here and talking to me.
00:46:00And...
00:46:00What did you see?
00:46:03I've got a bad guy when he comes out.
00:46:06What's the reason?
00:46:07I'm not sure.
00:46:07You need to tell this thing.
00:46:10Yes, the girl is married and they'll say,
00:46:12you don't have to do it.
00:46:13I've told you before.
00:46:15Papa is telling you, it's a good thing.
00:46:17But you're up at 11.
00:46:19It's early.
00:46:20It's early.
00:46:21How long is it?
00:46:23It's Saturday or Sunday, sir.
00:46:24It's early Saturday.
00:46:27What do you do, brother?
00:46:28Sir, I'm doing MBA now.
00:46:30I have a first job in Mumbai.
00:46:31And what do you do?
00:46:33It was a MBA, but it's not a MBA.
00:46:36But...
00:46:36And your father's mother,
00:46:38your mother didn't come here?
00:46:39Hello, hello.
00:46:40Hello, how do you feel?
00:46:42Your son or your son's son?
00:46:44Who do you feel right?
00:46:49Sir, I think both of you are good.
00:46:52He doesn't see his son's son.
00:46:53He's seen, but...
00:46:55He's also very good.
00:46:58But his son's son is also very good.
00:47:00Very good.
00:47:03Brother, this is,
00:47:04the truth is that your father is from BSF.
00:47:06Yes.
00:47:07So there's no one of Shaniwa, Raviwa or something.
00:47:10Obviously.
00:47:10They work non-stop.
00:47:12You work in the country,
00:47:13and you work in the country.
00:47:14So first, welcome to him.
00:47:15Thank you, Anoha,zähla.
00:47:19Hasi raja, kapani jagha likin,
00:47:21jabbhi samai mile.
00:47:22Apanay pita ke saath bäytke.
00:47:24Thoda samai,
00:47:26zoro unke, unki,
00:47:28unki journey joe,
00:47:29uske barade meja no.
00:47:30Yevhi bada kaman nasi bal listings,
00:47:31miltai baar baad me souchtay hain.
00:47:34Because, mughye yet lagta hai,
00:47:35when I lost my father,
00:47:37I was 22,
00:47:58My father retired, he was in banking, very well posted and all, everything in his life.
00:48:04He used to come and stay with me also at times and I couldn't give him time and I realized
00:48:19now, I feel guilty about this.
00:48:24It is, you know, I know what it is.
00:48:30When he came from Hong Kong, he came back from posting, retired.
00:48:36I was working as an editor.
00:48:38What did he say?
00:48:39I didn't have a house at home.
00:48:40I mean, he was married in marriage.
00:48:44He saw the girl in his family.
00:48:47You won't believe it.
00:48:48But in his provident fund, he took out the money and bought me a small house.
00:48:52But he bought me the house.
00:48:54He was married.
00:49:02I love you, David.
00:49:05I like that.
00:49:05I like that, David, sir.
00:49:06I do love you, David.
00:49:17But you know all that struggle period, my wife was like a rock of Gibralto, you know,
00:49:23with me. She did. She started working so that we could manage. And she used to take them
00:49:30to play cricket, to eat. She used to also work. She used to do furniture. But she has, you
00:49:44know, that's how we both came up.
00:49:49Sir, you can't think about how many people will change their lives, how many people will
00:49:57get a shot cut. They will know that this is a good spot. But one thing I know is that
00:50:01the situation will not take away. It will be scared. Sir, you have a salute.
00:50:07Yes, sir. My family, my nanihal, my dad, all the forces are. And BSF's job is so difficult.
00:50:17We did not, but we have seen it. I also did for BSF. That's an alike story. But a salute
00:50:24sir, sir. I welcome you. Please, please, watch me, please. We have a special
00:50:28hope. Come, come, go.
00:50:34Sir, come. Come, go.
00:50:36Sir, come. Come. Come. Come. Come. Come.
00:50:37Sir, come. Come. Come. Come. Come. Come. Come. Come. Come.
00:50:40Go. Ibubo. Bye-bobo.
00:50:41Welcome to Thailand. You have a trip for your family.
00:50:45And to see the world and the rest of our show.
00:50:48And to see the world, listen to our show.
00:50:48Come. Look at your show.
00:51:21Yes, yes, yes
00:51:25But that kind of necklace
00:51:28Faces in front of me
00:51:30When the eye is broken,
00:51:31Woops in the head
00:51:32And the blood is grows up
00:51:36Woop, woop, woop, woop
00:51:46Woop, woop, woop
00:51:47Woop, woop, woop
00:51:48Woop, woop, woop
00:51:48Woop, woop, woop
00:51:49Woop, woop
00:51:49Woop, woop, woop
00:51:49Woop, woop
00:51:50Talk now, talk now
00:52:49Just kidding
00:52:50Oh
00:53:20My my wrong
00:53:52Why have you done so many films like this number one?
00:53:54How did you do these two numbers?
00:53:57How did they do these two numbers?
00:53:59Which one number?
00:54:00What kind of things have you done?
00:54:01What did they do?
00:54:02The entire world knows the first one thing.
00:54:04They are frustrated.
00:54:05If you come to these two numbers,
00:54:06just tell me the correct numbers.
00:54:10But, but, David-sahob,
00:54:12what have you done with the two numbers?
00:54:16You know this?
00:54:18I know how many,
00:54:23This is not the same.
00:54:25He knows what he did with David.
00:54:27He made a hero in the film.
00:54:29He made a father to David.
00:54:31And he made a superstar.
00:54:33He made a dad to David.
00:54:37What a great deal. Congratulations, David!
00:54:40Love you, y'all. Love you, y'all.
00:54:43See, I'll see you next time.
00:54:49David, we have a lot of fun.
00:54:52We have a lot of fun.
00:54:54We have a lot of fun.
00:54:55When we were shooting with him,
00:54:58we had a lot of love.
00:55:00We never had a man-sons.
00:55:04What?
00:55:04We never had a man-sons.
00:55:08When we had a man-sons,
00:55:12we had four other people.
00:55:15We never had a man-sons.
00:55:17That's right.
00:55:19We went to the house,
00:55:21then we had four other people.
00:55:25So we didn't have a man-sons.
00:55:28What?
00:55:29Shooting, when we went home,
00:55:31we didn't have a man-sons.
00:55:33We didn't have a man-sons.
00:55:35We didn't have a man-sons.
00:55:43We didn't have a man-sons.
00:55:46We had a man-sons.
00:55:49We had to have a man-sons.
00:55:49It's a man-sons.
00:55:50So I was his own.
00:55:52I ate a man-sons.
00:55:53They had five wives to eat.
00:55:54I was my own.
00:55:57I was my own.
00:55:57When people met a heroine…
00:55:59They bought two-two things –
00:56:00I was my own.
00:56:02I was my own.
00:56:04I was my own.
00:56:16I don't know, but our budget was less for our budget.
00:56:22Less?
00:56:23What a joke, Muthu.
00:56:25You're so intelligent, man.
00:56:28You've understood the story for five years, man.
00:56:33But, David, I have a complaint.
00:56:36We have two heroes in India to do romance.
00:56:39We don't have to do romance in sharing with each other.
00:56:46You know, Antarctica and Honeymoon are the same for us.
00:56:51Why?
00:56:51We don't have to listen to each other.
00:56:53We don't have to listen to each other.
00:56:57We're all wrong with each other.
00:56:59Cheating.
00:57:00David, you have a great guy.
00:57:02We don't have any demand for him.
00:57:05He's a simple guy.
00:57:07He's a little girl.
00:57:10He's a little girl.
00:57:10He's a little girl.
00:57:13You have to be a little girl.
00:57:16I'm a little girl.
00:57:17And you have to do a little girl.
00:57:18But the other is simple.
00:57:20It's simple.
00:57:21Simple.
00:57:22David, how cute you have to be in his house.
00:57:25You're a big demand.
00:57:27You're a small, bro.
00:57:28No, I'm not used to be a bad guy.
00:57:29I'm a girl.
00:57:31Do it.
00:57:32I've seen a very good Amir man for this.
00:57:36A man?
00:57:38What are you talking about?
00:57:40Listen to me, man.
00:57:42Amir man, Amir's son will be his son.
00:57:45I've seen him for you.
00:57:48Dully, dully, dully, dully, dully, dully.
00:57:51David, sir.
00:57:54David, sir.
00:57:57Now the father of the girl,
00:57:58is the one who comes.
00:58:00All right.
00:58:01Just support her.
00:58:02Tell her that he's my son's last son.
00:58:06Please support her.
00:58:07Let me leave her.
00:58:09Let me leave her.
00:58:19What's happening?
00:58:21How many of you have such a father?
00:58:25This is not a father.
00:58:27What's happening, Muttu?
00:58:28These are the boys who rejected his father.
00:58:31Oh!
00:58:32Now he will select you.
00:58:34Come on.
00:58:38Come on.
00:58:40Come on.
00:58:55Come on.
00:58:56Come on.
00:58:56Come on.
00:58:56Come on.
00:59:10Come on.
00:59:23Oh my God.
00:59:41Oh Lord Namki fossil co-bop up new corbony us a panini toy to be allowed it
00:59:49oh you bought yourself now yes yeah get out but that's a layer is a
00:59:56What do you say to them?
01:00:01Oh, my God!
01:00:06Oh, my God!
01:00:09Oh, Ramu, what are you saying?
01:00:24Oh, my God!
01:00:27Oh, my God!
01:00:28Oh, my God!
01:00:28See, this is a lot of other than my son,
01:00:30I don't know anything.
01:00:32You are Guruji.
01:00:35Oh, my friend!
01:00:39You are .
01:00:39You are Guruji.
01:00:41You're Guruji.
01:00:42You are Guruji.
01:00:45You are Guruji.
01:00:48You are Guruji.
01:00:50You are Guruji.
01:00:51༱ঈྲൾડོાક ༨མར དའོར དུར དགར སློག ཡོག གོ ནསམ སློླག .
01:00:54བ པའ ཕྲག ཤོ རིགག མས པང।
01:01:09I'm going to go.
01:01:14What a girl is looking for.
01:01:16No, no, Serg.
01:01:17What a girl is looking for.
01:01:19She's a beautiful girl.
01:01:20No, no, Serg.
01:01:23Serg.
01:01:23Serg.
01:01:25There's a girl.
01:01:28She's here.
01:01:29Serg.
01:01:31Are you going to die?
01:01:33Where are you?
01:01:35Where are you?
01:01:38Here.
01:01:40Here.
01:01:41Here.
01:01:43Here.
01:01:44Don't come back.
01:01:45Why are you here?
01:01:51Why are you here?
01:01:52Why are you here?
01:01:52Why are you going to die this propaganda?
01:01:55Serg.
01:01:56What is this propaganda?
01:01:57Look, it's a propaganda.
01:02:00It's a propaganda.
01:02:02Serg.
01:02:03Goodly.
01:02:04Here.
01:02:07Proper gender.
01:02:09You won't question her.
01:02:11You won't hear her.
01:02:11But it's a proper gender.
01:02:15Serg.
01:02:17And the guy.
01:02:17Serg.
01:02:20Serg.
01:02:20Serg.
01:02:21Serg.
01:02:29Oh my God!
01:02:52He was still in the prelims.
01:02:54He was not able to clear him.
01:02:56Waiwa?
01:02:57And this is...
01:02:58Hey, Sethji.
01:02:58This is your son.
01:02:59That's the UPSC exam.
01:03:00That's what he's doing.
01:03:02What's he doing?
01:03:03Here.
01:03:04Here.
01:03:05Here.
01:03:05Here.
01:03:07Here.
01:03:07Here.
01:03:07Here.
01:03:08Here.
01:03:08Here.
01:03:09Here.
01:03:10Here.
01:03:11Here.
01:03:11Here.
01:03:12Here.
01:03:13Here.
01:03:14I want to talk about that.
01:03:16One minute.
01:03:18You can come here.
01:03:22Do you eat food?
01:03:24I have not eaten food.
01:03:26I can eat food.
01:03:27You can come here.
01:03:28If you eat food, you'll be a waiter.
01:03:30Why would you do this?
01:03:31Go.
01:03:34Here.
01:03:38Here.
01:03:38Here.
01:03:39Here.
01:03:40Unbelievable.
01:03:41You can adorecko?
01:03:43Youちゃん-
01:03:44houses something
01:03:44Wow.
01:03:55Here.
01:03:57Wow.
01:03:58Come here.
01:03:58Look we...
01:03:58Uh huh.
01:04:00Yes.
01:04:01You mean..
01:04:02Let me as to turn...
01:04:05If this is brilliant.
01:04:06No, it is so I can do that.
01:04:07objects live before.
01:04:08I don't have to make it.
01:04:09This is a problem.
01:04:10This is a problem.
01:04:10Look.
01:04:11My son likes to drink tea.
01:04:13If you can't make tea, the family is cancelled.
01:04:16My son will not have to make it.
01:04:20If you make tea, I will give you my daughter to you.
01:04:25Go back.
01:04:29Come here.
01:04:30Come here.
01:04:31Come here.
01:04:32Come here.
01:04:34Come here.
01:04:35Come here.
01:04:36Why come here?
01:04:38I want you to complete the 10,000 steps.
01:04:53Too good.
01:04:55I don't have to do your son.
01:04:57Your son will cancel.
01:05:00Okay.
01:05:01You are going to be lying.
01:05:02You are going to slay your face.
01:05:03You are going to slay your face.
01:05:07You will have to do my face.
01:05:12I am going to pull up your hair.
01:05:14The old woman's eyes willligate.
01:05:20The old woman's eyes will trauma.
01:05:24I am going to turn into the wall.
01:05:25I am going to pull that down.
01:05:27I am going to pull that down.
01:05:30Five days from the huge scene.
01:05:31I don't know
01:06:01Oh
01:06:01Oh
01:06:03Mind-blowing
01:06:07David sir
01:06:09Thank you for coming
01:06:11Thank you so much sir
01:06:13Very good
01:06:14How many times in the show?
01:06:15But today
01:06:16I actually
01:06:19I want to say
01:06:22Before I became an actor
01:06:24Before I went to my father
01:06:25And people would play for him
01:06:27When I became an actor
01:06:29So I thought
01:06:31When people would play for me
01:06:32But today
01:06:34I'm not an actor
01:06:35I'm not an actor
01:06:37I'm an actor
01:06:38And I'm so happy
01:06:39Thank you David sir
01:06:45Thank you Varun
01:06:46And thank you all for your friends
01:06:49Friends, if you're a good friend
01:06:51Then you will come
01:06:53And you will feel a great joy
01:07:16Thank you
01:07:18Thank you
01:07:18Thank you
01:07:19Thank you
01:07:20Thank you
01:07:39Thank you
01:08:19Thank you
01:08:25Thank you
01:08:28Thank you
01:08:30Thank you
01:08:33Thank you
01:08:35Thank you
01:08:35You
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