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TVTranscript
00:01Reach for the speed, reach for the whistle, go where the rail may run.
00:08Reach for the words, reach for the story, follow the rainbow sun.
00:16To a shining time station, where dreams can come true, waiting there for you.
00:39There, that ought to do it. Come on, baby, work.
00:46Maybe we should just use smoke signals.
00:49Oh, oh, Matt, you scared me. Listen, Tanya isn't here. I haven't seen her today.
00:54Come on, work.
00:56I have.
00:57Oh, really? Well, that's nice. Now, where?
01:00Right here.
01:01Hi, Stacy.
01:02Oh, oh, oh, hi, kids. I guess you're wondering what I'm doing, so I'm trying to fix this old telegraph.
01:08It doesn't work. Well, let's just say it sort of works. Sometimes.
01:13No, not really, because it doesn't send and it doesn't receive.
01:16And for a telegraph, what else is there?
01:18Noises. It makes plenty of noises.
01:23Oh, boy. See, I'm trying to fix it. There aren't many of these left on our railroad, and I'll be
01:28glad when they replace all of them.
01:30Can we help you fix it?
01:31Thanks for the offer, but I want to do this myself.
01:33Oh, you wouldn't wreck it.
01:35Listen, kids, I'm pretty busy here. You'll find something to do, okay?
01:41We just wanted to help. Maybe we could have fixed it.
01:45You weren't the problem. She was.
01:48What do you mean?
01:50Your Aunt Stacy is worried about whether she can fix the telegraph herself.
01:54And sometimes busy people just don't stop and think about what they're saying.
01:59You mean she wasn't mad at us?
02:01Exactly. Her mind was elsewhere. She wasn't paying any attention to you.
02:06But that's no reason to be upset. It's the sort of things friends learn to accept in each other.
02:12How about the engines on the Isle of Sodor? Are they the same way?
02:17Certainly. Remember when Gordon made fun of Edward about the cows?
02:21I didn't tell you?
02:23Well.
02:28Edward was getting old. His bearings were worn, and he clanked as he puffed along.
02:34He was taking empty cattle cars to a market town.
02:40The sun shone. Birds sang.
02:45But Edward was heading for trouble.
02:48Come on, come on, he puffed.
02:50Oh, oh, oh, oh, screamed the cars.
02:53Edward puffed and clanked.
02:55The cars rattled and screamed.
02:58Some cows were grazing nearby.
03:01They were not used to trains.
03:03The noise and smoke disturbed them.
03:05As Edward clanked by, they broke through the fence and ran across the line.
03:10A coupling was broken, and some cars were left behind.
03:18Edward felt a jerk, but didn't take much notice.
03:21He was used to cattle cars.
03:27Father those cars, he thought.
03:29Why can't they come quietly?
03:32He was at the next station before either he or his driver realized what had happened.
03:41When Gordon and Henry heard about the accident, they laughed and boasted.
03:46Fancy allowing cows to break his train.
03:48They wouldn't dare do that to us.
03:50We'd show them.
03:54Old Toby was cross.
03:56You couldn't help it, Edward.
03:58They've never met cows.
04:00I have, and I know the trouble they are.
04:11Some days later, Gordon rushed through Edward's station.
04:15Poop, poop, find the cows.
04:17Hurry, hurry, hurry, poop, Gordon.
04:19Don't make such a fuss.
04:21Don't make such a fuss.
04:24A long stretch of line lay ahead.
04:27In the distance was a bridge.
04:29It seemed to Gordon that there was something on the bridge.
04:32His driver thought so, too.
04:36Whoa, Gordon, he said and shut off steam.
04:40Whoa, said Gordon.
04:42It's only a cow.
04:44Shoo, shoo.
04:46He moved slowly onto the bridge, but the cow wouldn't shoo.
04:51She had lost her calf and felt lonely.
04:55Moo, she said sadly.
04:58Everyone tried to send her away, but she wouldn't go.
05:02Henry arrived.
05:09What's this?
05:11A cow.
05:12I'll soon settle her.
05:14Be off, be off.
05:15Moo, said the cow.
05:17Henry backed away nervously.
05:19I don't want to hurt her.
05:22Moo.
05:27At the next station, Henry's conductor told them about the cow
05:31and warned the signalman that the line was blocked.
05:36That must be Bluebell, said the porter.
05:39Her calf is here, looking for her mother.
05:42Percy will take her along.
05:57At the bridge, Bluebell was very pleased to see her calf again
06:01and the porter led them away.
06:10Not a word.
06:11Keep it dark, whispered Gordon and Henry to each other.
06:15They felt rather silly.
06:17But the story soon spread.
06:26Well, well, well, chuckled Edward.
06:29Two big engines afraid of a cow.
06:32Afraid?
06:34Rubbish, said Gordon.
06:36We didn't want the poor thing to hurt herself by running off against us.
06:40We stopped so as not to excite her.
06:43You see what I mean, my dear Edward?
06:46Yes, Gordon, said Edward.
06:49Gordon felt somehow that Edward saw only too well.
06:59Sometimes Gordon thinks he's so great.
07:01Oh, that's just the way he is.
07:04It doesn't mean the other engines don't like him.
07:07Well, I'm off to play in the Dilly Lick Tennis Tournament.
07:10See you later.
07:16Oh, it still doesn't work.
07:19Cece, what happened?
07:20Nothing.
07:21That's just the problem, Tanya.
07:22All I get is...
07:24Oh, boy.
07:25It's like if you had a telephone and it wouldn't give you a dial tone,
07:29so you couldn't receive any calls.
07:31Well, I tried.
07:32Nobody's perfect.
07:33Maybe Harry will be able to fix it when he gets back.
07:35Why is the telegraph important?
07:37Well, it's how some of the train stations can talk to each other
07:41and talk to the dispatcher.
07:42And the way they talk to each other is really wonderful.
07:46It's like a secret language, all dots and dashes.
07:50You know how your name would sound, Matt?
07:56And people can understand that?
07:58Yeah, all over the world.
08:01They have telegraphs on ships like this freighter.
08:04So every telegraph can talk to every other one,
08:08except for ours, because it's broken.
08:11Ah, good morning.
08:14You must be Miss Stacy Jones.
08:16How particularly beautiful you look to a man of my utmost sense...
08:21activity.
08:22Are you kidding?
08:24Kidding?
08:24Ha-ha.
08:25H-A-H-A.
08:27How droll and amusing and things of that nature.
08:30And you.
08:31You must be children.
08:32How wonderful.
08:34How would you like a super-duper telescope
08:37that you can look through with your very own eyes?
08:41Are you feeling okay, Schemer?
08:43Schemer?
08:44I've never heard of Schemer,
08:46although I do understand he's a wonderful fellow.
08:48Oh, and here is that lovely item
08:52that I just forementioned recently.
08:55And, uh, you, a woman of your high-classness,
08:58must be thinking to herself,
09:00hey, how about a snack of some high-quality peanuts?
09:04Here.
09:05Be convenient at your leisure.
09:07Hi!
09:08Oh!
09:09That wasn't funny, Schemer.
09:12So, so what do you think, anyway, huh?
09:15About what?
09:16About what?
09:16About the, the whole get-up, the whole new thing,
09:18my new concept,
09:19and my new, uh, this is my new marketing image.
09:21I'm like Fred Astaire,
09:23the great dancer,
09:25except that I'm in retail.
09:26I got a new line.
09:27The whole thing, uh,
09:28practical joke devices, novelty items.
09:31I'm telling you,
09:31they're a riot they can't miss.
09:34No, no, no.
09:34I never liked these things, Schemer.
09:36They can be very mean.
09:38Mean.
09:39Of course they're mean.
09:40Life is mean.
09:41That is what practical jokes are all about.
09:44Yeah, what do you girls know?
09:45Hey, Matt.
09:46Matt, my man.
09:47Guy to guy.
09:48You know what is really funny?
09:50You!
09:51You got a big black eye
09:52right around your eye like that
09:53when you looked into the joke telescope.
09:56And now, is that funny or what?
10:00Yuck.
10:02Yuck?
10:03Yuck.
10:04Did they say yuck to Henry Ford?
10:06Did they say yuck to Dwight D. Rockefeller?
10:09Do you know what the problem is with you people?
10:11You don't know what funny is.
10:13And that's funny.
10:15That's funny!
10:18What a weird guy.
10:19I think he's super weird.
10:22Well, listen.
10:23Schemer may not be perfect,
10:25but he's harmless
10:26and when he comes around here
10:28he usually makes us laugh.
10:30So we got to appreciate him for what he is.
10:33Do we have to?
10:35Well, when you get to know people,
10:37you got to take the bad
10:39right along with the good.
10:43Stacy's right, you know.
10:44The good thing about Scheme
10:46is when he has an idea,
10:47he's not afraid to charge your head
10:49and try it out.
10:52But he can be such a pain.
10:54Yeah, the bad thing about Schemer
10:56is he doesn't stop to think about
10:57how other people will feel about his ideas.
11:01So what are we supposed to do?
11:03Well, I think we're just going to have to put up with him.
11:06I must say
11:07the practical jokes
11:09sometimes can be very silly
11:10and other times
11:11they happen in the most unusual way.
11:14Why, I have a friend.
11:16Well, let me show you.
11:18Let's go down
11:19the anything tunnel.
11:20Let's go down the tunnel.
11:52Let's go down the tunnel.
12:48Let's go down the tunnel.
13:02Oh, hey, where'd he go?
13:06The West Wind Limited just arrived early
13:08without the telegraph to warn me.
13:10I don't know what to expect.
13:12Hi, Grandpa.
13:13Oh, Tony, I ran into a friend on a train.
13:18Of course, that's the great thing about trains.
13:22You never know who you're going to run into on one.
13:25And he decided to stop by and say hello.
13:29Tom!
13:32Hi, Harry.
13:35Tom Kellerman, my granddaughter Tanya.
13:38Hi, Tanya.
13:39My friend, Matt.
13:40Hi, Matt.
13:43And Stacey Jones.
13:44Got to run things around here.
13:46Nice to meet you, Tom.
13:47I've got bad news, Harry.
13:48The telegraph won't work.
13:50Won't work?
13:51Sounds to me like it's broken.
13:53Well, you introduce yourself to Tanya and Matt.
13:57And I'll take a look at this thing.
13:59Okay, Harry.
14:00Do you work on the railroad?
14:02No, but I sing songs about railroads.
14:04Here's an Irish railroad worker's song.
14:06And the chorus goes...
14:07I was wearing corduroy britches, diggin' ditches, pullin' switches, dodgin' hitches.
14:14I was workin' on the railway in 1841.
14:21Me corduroy britches I put on.
14:24Me corduroy britches I put on to work upon the railway.
14:29The railway, the railway.
14:32I'm weary of the railway.
14:36Poor Patty works on the railway.
14:39Remember the chorus?
14:40I was wearin' corduroy britches, diggin' ditches, pullin' switches, dodgin' hitches.
14:46I was workin' on the railway.
14:48In 1842, from Hartlepool, I moved to Caloo.
14:53Found meself a job to do.
14:55Workin' on the railway.
14:56I was wearin'
14:58corduroy britches, diggin' ditches, pullin' switches, dodgin' hitches.
15:02I was workin' on the railway.
15:04One more time.
15:05I was wearin'
15:07corduroy britches, diggin' ditches, pullin' switches, dodgin' hitches.
15:11I was workin' on the railway.
15:16Aw, thanks.
15:17It was so nice to meet you folks.
15:18I'm gonna go meet my train on the platform.
15:20Will you tell Harry?
15:21Sure.
15:22Thanks very much.
15:22Bye.
15:23Bye.
15:26I told you I already tried that.
15:28Maybe you didn't attach it right.
15:29Maybe that's not the problem.
15:30Maybe.
15:31Well, thank you.
15:32But maybe you didn't attach it right.
15:33Harry!
15:34Stacey!
15:39They're fighting!
15:41That's not fighting.
15:42They're disagreeing.
15:44They'll make up before too long.
15:46How's the tennis tournament?
15:48I won.
15:50You won?
15:51Well, I didn't lose.
15:53I couldn't, you see.
15:55Because no one else turned up to play.
15:57There'll be another tennis tournament, Mr. Conductor.
16:01Cheer up.
16:02Yes, I will.
16:03By telling you a story of James' latest adventure.
16:12One day, James had to wait at the station till Edward and his train came in.
16:17This made him cross.
16:19Late again, Edward laughed and James fumed away.
16:28After James had finished his work, he went back to the yard and popped onto the turntable.
16:47He was still feeling very bad-tempered.
16:52Edward is impossible, he grumbled to the others.
16:55He clanks about like a lot of old iron.
16:58And he is so slow he makes us wait.
17:01Thomas and Percy were indignant.
17:03Old iron?
17:05Slow?
17:06Why, Edward could beat you in a race any day.
17:09Really?
17:10Said James.
17:11I should like to see him do it.
17:19Next morning, James' driver was suddenly taken ill.
17:23He could hardly stand.
17:24So the fireman uncoupled James, ready for shunting.
17:28James was impatient.
17:31Suddenly, the signalman shouted.
17:33There was James puffing away down the line.
17:38All traffic halted, he announced at last.
17:41Then he told the fireman what had happened.
17:44Two boys were on James' footplate, fiddling with the controls.
17:48Phew!
17:49They tumbled off and ran.
17:51When James started, the signalman answered the telephone.
17:57Yes, he's here.
17:58Right.
17:59I'll tell him.
18:01The inspector's coming at once.
18:03He wants a shunter's pole and a coil of wire rope.
18:06What for?
18:08Wondered the fireman.
18:09Search me, but you'd better get them quickly.
18:13The fireman was ready when Edward arrived.
18:21The inspector saw the pole and the rope.
18:24Good man, jump in.
18:29We'll catch him.
18:30We'll catch him, puffed Edward.
18:32James was laughing.
18:41What a lark!
18:42What a lark!
18:43He chuckled to himself.
18:49Suddenly, he was going faster and faster.
18:53He realized that he had no driver.
18:56What shall I do?
18:57I can't stop!
18:59Help!
18:59Help!
19:02We're coming!
19:03We're coming!
19:04Called Edward.
19:14Edward was panting up behind with every ounce of steam he had.
19:19At last he caught up with James.
19:26The inspector stood on Edward's front, holding a noose of rope in the crook of the shunter's pole.
19:36He was trying to slip it over James's buffer.
19:42The engine swayed and lurched.
19:47At last!
19:49Got him!
19:50He shouted.
19:51He pulled the noose tight.
19:52Gently braking.
19:54Gently braking, Edward's driver checked the engine's speed, and James's fireman scrambled across and took control.
20:03So the old iron caught you.
20:05He said,
20:06So the old iron caught you after all, chuckled Edward.
20:07I am sorry, whispered James.
20:10Thank you for saving me.
20:11You were splendid, Edward.
20:13That's all right, replied Edward.
20:16The engines arrived at the station side by side.
20:20Sir Topham Hatt was waiting.
20:23A fine piece of work, he said.
20:25James, you can rest and then take your train.
20:28I'm proud of you, Edward.
20:31You shall go to the works and have your worn parts mended.
20:35Oh, thank you, sir, said Edward.
20:37It'll be lovely not to clank.
20:42Hmm, now I feel so much better.
20:45So do we.
20:47I tried reconnecting.
20:49I tried reversing the wires.
20:52Why don't you look?
20:52See for yourself.
20:54That's just what I'm going to do.
20:57Mr. Conductor!
20:58You could fix the telegraph.
21:01By magic!
21:02Go on!
21:03After Stacy and Harry have spent so much time working on it.
21:06Oh, no.
21:07That wouldn't be fair to them.
21:09I will give you a clue about it, though.
21:12It's something to keep in mind no matter what you're doing.
21:15Look for the little things.
21:22The little things hold big secrets.
21:25Now it's time for me to scoot to play a jewel upon my flute.
21:31Bye.
21:34You were right.
21:36That didn't do it.
21:37Great.
21:37Now what?
21:38Wait a minute.
21:40He said look for the little things.
21:41Uh, what's this?
21:44Grandpa, look.
21:46Ah!
21:47Tell me.
21:49What did we think of this?
21:52Oh, I'm so glad you two found that.
21:56Harry and I were getting really worried.
21:57If the two of us couldn't fix it, what would they think of us at the Indian Valley headquarters?
22:01Here goes!
22:07Thank you, thank you, thank you.
22:08That's not necessary.
22:09Thank you very much.
22:09I know that you love me.
22:10Thank you, thank you, thank you.
22:11Hey, I'm really touched.
22:13Hey, uh, Harry, you old railroad guy, you, uh, it's a pleasure to make your acquaintance.
22:19Shake.
22:20We've already met, scammer.
22:22Uh, you're so right.
22:25And that's what I love about you.
22:27Shake.
22:29Shake.
22:32Shake.
22:32Oh, this stupid buzzer put itself in my hand backwards and I ended up buzzing myself instead of Harry.
22:38Stupid thing.
22:39That's not the only stupid thing around here.
22:42That's right, it's not the only stupid.
22:47Hey, uh, kids, uh, I got a surprise for you.
22:49Why don't you, uh, come a little closer here now.
22:52Come on, that's the idea.
22:53Come a little bit, uh, closer.
22:54There you go.
22:55A little bit closer to me.
22:56All right, now I want you to, uh, sniff this flower.
22:58Ready?
22:58One, two, three.
23:00Sniff.
23:02What's that?
23:03I'm all wet.
23:04That was, that is what I call not funny.
23:08I don't think I like these practical jokes.
23:10I am not the kind of person that people are supposed to be laughing at.
23:13Oh, well, maybe nobody is, schemer.
23:18Yeah, well, maybe.
23:21Yeah, see, kids, even schemer can learn a lesson.
23:24There are two sides to every joke.
23:28Ooh.
23:29Ooh.
23:34Okay.
23:35All right, Tom.
23:36Says the Empire Limited is on time.
23:38It should be here in ten minutes.
23:40Great.
23:40That gives you ample opportunity to enjoy my jukebox.
23:44Uh, go ahead, uh, throw in a few nickels.
23:46Well.
23:46Schemer!
23:47That's not nice.
23:49Okay, okay, okay.
23:50My treat.
23:51Anybody got an extra nickel?
23:52Oh!
23:53I'm kidding, I'm kidding.
23:54You know, I might not have my practical jokes,
23:57but I still got my music.
24:06Hey, what are we gonna do with all these nickels anyway?
24:10How about us having a big old party?
24:13Yee-ha!
24:14That's a fine idea, Tex.
24:16Thank you, Rick.
24:17You're welcome, Tex.
24:18Oh, like, who needs a party?
24:20Like, man, life's a party.
24:22Dig?
24:23Anyways, these nickels are staying put.
24:26I like them.
24:28When did you start collecting nickels, Tito?
24:31Oh, it was, uh, back in 57.
24:35My first gig.
24:36Band leader said, take five.
24:39I never stopped.
24:40Okay, okay, we get the picture.
24:43Hey, people!
24:44Talk later.
24:46Play now.
24:52In 1841, I put my corduroy britches on.
24:55I put my corduroy britches on to work upon the railway.
24:59Fill in me, ory, ory, ory, eh.
25:01Fill in me, ory, ory, eh.
25:03Fill in me, ory, ory, eh.
25:04To work upon the railway.
25:11In 1842, I left the old work for the new,
25:14but says to the luck that brought me through
25:16to work upon the railway.
25:18Fill in me, ory, ory, ory, eh.
25:20Fill in me, ory, ory, eh.
25:21Fill in me, ory, ory, ory, eh.
25:23To work upon the railway.
25:26Hey, X!
25:30In 1843, it was then I met sweet baby McGee.
25:33An elegant wife, she's been to me while working on the railway.
25:37Fill in me, ory, ory, ory, eh.
25:38Fill in me, ory, ory, eh.
25:40Fill in me, ory, ory, ory, eh.
25:42To work upon the railway.
25:44Fill in me, ory, ory, eh.
25:46Fill in me, ory, ory, eh.
25:48Fill in me, ory, ory, eh.
25:49To work upon the railway.
25:53To work upon fill in me, ory, ory, eh.
25:57Fill in me, ory, ory, eh.
25:59Fill in me, ory, ory, eh.
26:01Fill in me, ory, ory, eh.
26:03To work upon the railway.
26:05Wow, musical spoons.
26:06Can you show us how to do that?
26:08Sure, if there's time.
26:09Here, Stacy.
26:12First, take your two spoons and put them back to back.
26:15Put them together.
26:16Take your pointer finger of your writing hand.
26:19Point between the two handles.
26:21Open the one hand and wrap it right around the spoons.
26:24Hold the bottom one tighter than the top one.
26:26Tap gently on your leg.
26:33Whoops, there's my train.
26:34I gotta go.
26:34You keep practicing.
26:35Bye.
26:36Bye-bye.
26:37Bye-bye.
26:39Well, he started to teach us how to play the spoons.
26:43Do you know how to play them too, Stacy?
26:45Well, I've been known to rattle a few in my day.
26:49Yay!
26:50How about you, schemer?
26:52Want to learn how to play the spoons?
26:53No way, Miss Jones.
26:54I got more important things to think about than spoons.
26:57Soup spoons.
26:59Musical soup spoons.
27:01Musical soup.
27:02Soup that sings to you while you eat.
27:05Ho-ho!
27:06I can make a fortune on an idea like that.
27:08Ho-ho-ho!
27:09Come on, kids.
27:10We've learned a lot about people today.
27:12Now let's see what we can learn about spoons.
27:15Remember?
27:15Hold it.
27:17Put the finger of your writing hand in there.
27:19That's it.
27:20Now hold the bottom one tighter.
27:22There you go.
27:23La-da-da-da-da-da-da-da
27:26La-da-da-da-da-da-da-da
27:27Got it, Tanya?
27:28La-da-da-da-da-da-da.
27:28There you go.
27:29I'm so glad he performed these time.
27:31Thanks, Max.
27:33La-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da-da.
27:38Reach for the speed, reach for the whistle, go where the rail may run.
27:46Reach for the words, reach for the story, follow the rainbow sun.
27:54To a shining time station, where dreams can come true, waiting there for you.
28:04There's so much to see, so far to travel, so much to learn, to know.
28:12Friends by your side, hopes to hold on to, who knows how far you'll go.
28:20To a shining time station, where dreams can come true.
28:26Your own imagination, waiting there for you.
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