00:17Grazie a tutti.
00:31Because I think it's such an extreme emotion and such an extreme experience to process that putting it through a
00:40horror lens and trying to find a way to express it is therapeutic.
00:45And it's a way to control something that feels so incontrollable.
00:50I would say that that might be why, because it's such an extreme experience.
00:55Michael?
00:57Yeah, it's interesting, the grief things.
01:00Because in my head, it's more about love.
01:03Laura's love for her daughter, Andy's love for Piper, the lack of love from Andy's dad to him and the
01:10overwhelming sense of love from Andy's dad to Piper.
01:13So there's this, to me, that was more what it was and the lengths that you go to for love
01:20as opposed to grief.
01:21But it's a grief, I guess people interpret it differently.
01:26So to a lot of people, yeah, it's a grief thing.
01:27But for me, it's always been a love.
01:28Well, I mean, the character's going through grief, so I would say it's a bit about grief.
01:31Yeah, but yeah, yeah, yeah.
01:35How much did Psycho influence your movie?
01:39It's so interesting.
01:41I feel like we were drawing inspiration from so many different places.
01:44And it's always hard to put your finger on things.
01:47But yeah, when I look back at Psycho, there are definitely some inspiration points for sure.
01:51But so many different films that were, even from that era or from the 60s, like the Psycho Bitty genre,
01:58Whatever Happened to Baby Jane, See No Evil.
02:01Those films, I think, Hush, Hush, Sweet Charlotte, like those things, I feel like they were inspiration points as well.
02:08And even so like The Exorcist or, you know, even Sam Raimi.
02:12There's so many different places that we're drawing from unconsciously that are just in us and part of us.
02:16It's interesting how that works.
02:19Michael?
02:21Oh, yeah, I'd probably double exactly what you just said.
02:26Okay.
02:29Water is a prominent element in the movie.
02:33Does it represent motorhood, in your opinion?
02:37Well, yeah, I feel like water was tying all of these characters together.
02:41I feel like it represented their grief in a different way.
02:43And Laura sort of lost her daughter in the pool while it's raining.
02:48And Andy lost his dad in the shower.
02:50And so like water, it feels like it can represent so many different emotions.
02:55because it can be really calming and soothing, but it also can be really violent and aggressive.
03:00And it was always part of the sound design and the soundscapes to try and find the different way that
03:05these rain is sort of connected to different characters.
03:07And like how loud and how aggressive that it was going to be.
03:11It became a very integral part of the story thematically.
03:14And a nightmare to shoot with logistically.
03:16Oh, it's the worst.
03:17Because they wanted a thing.
03:18It's cool rain.
03:19Which is a nightmare to shoot with.
03:22Like it's insane.
03:23So much rain, so many problems that it comes with it.
03:26But it looks incredible.
03:27Yeah, but even visually, like the idea of like an empty swimming pool, like that represents Laura's heart in that
03:32moment.
03:33And so it just feels so poignant and so perfect.
03:37Yeah, we love, well, I definitely didn't love shooting with it because it was hard, but I love how it
03:41feels on screen.
03:44What scares you nowadays?
03:47Oh my God, so many different things.
03:48Like because we'd lost somebody right at the start of pre-production of Bring Her Back, our friend Harleen, who
03:57was only 23 when he passed away, and how sudden that that can happen, how it can happen to anybody,
04:02and how it's going to happen to us all.
04:04Like that is terrifying.
04:05And it's such a hard thing to wrap your head around that everybody, we're all going to be dead, is
04:10so sad and horrifying.
04:12Like that does scare me.
04:14I think death scares me.
04:15And yeah, death, death, death scare me.
04:19And making movies scares me as well.
04:21Like it's really, really vulnerable and exposing, and you put your heart and soul into something, and then it's put
04:27out on a stage, and everybody watches it and judges it, and it feels like you're naked on stage, and
04:31everybody's body shaming you.
04:34Micah?
04:35It just feels like, it's just like a scary, vulnerable process.
04:38Yeah, well, I guess that's part of the fear as well, is acceptance, being accepted by people.
04:43And that's what's scary about putting out a movie, you know, especially ones that will probably push some buttons, you
04:50know, or go too far in some people's minds.
04:52It's not being accepted.
04:54So you want to be, you know, embraced.
04:56And so, yeah, I guess that would be, I guess that's coupled with, you know, our horrific need for a
05:02validation, maybe.
05:03Oh, that's you.
05:06A horrific need for validation.
05:07What the hell?
05:08Take a breath, mate.
05:09Quite that for Mark, we're not down here.
05:13Thank you, thank you, guys.
05:14Thank you.
05:15See you.
05:16Thank you.
05:16Bye.
05:16Thank you.
05:17Oh, no!
05:18Okay.
05:18Oh, no!
05:22Possiamo riportarla indietro.
05:29Listen.
05:40typ lab Sarah.
05:43See you.
05:45Bye.
05:51Bye.
05:52Grazie a tutti
Commenti