00:05Patrice, mi dispiace molto per la tua perdita.
00:30La gente che si può essere molto più divertente, e il persone che sono molto interessanti,
00:33e la gente che hanno fatto, sono tutti i nostri spettatori,
00:35e tutti i ragazzi che abbiamo, sono molto buoni,
00:40e è molto bello a fare, e è stata molto divertente.
00:43Il ploto di film è, è la storia di grande e vissi,
00:48è una madre con i figli in jeopardy,
00:51facevano un'unione force, un'unconceivabile force,
00:56who needs help from someone who has the intelligence
01:00or the ability to understand what she's dealing with
01:05and then come to her aid.
01:10I'm safe now.
01:13But they've heard her cry.
01:16They've heard her tears.
01:20The story of La Llorona stems from a legend
01:24of a woman who drowns her children
01:27in order to get revenge on her husband,
01:31who leaves her for a younger woman.
01:34And so that sets it into motion.
01:38And then now, because of what she did,
01:40she's condemned to wander the earth
01:42in search of her children or children.
01:45She's always finding other people's children
01:47that she tries to replace her loss with.
01:50As we were researching the film,
01:52we met with a lot of people who grew up with a legend.
01:56And everybody who's Latin knows about La Llorona.
02:05It's been really fun for me to be able to work with Michael
02:08and have it be such a collaboration.
02:11He's always open to ideas.
02:12We're always going back and forth,
02:13and things are always changing,
02:14so making sure that we're both okay
02:16with how things are going.
02:18And it's been a really,
02:21I would say, creative and,
02:24I don't know if I want to use the word organic,
02:27because it gets overused,
02:28but it's been a really easy
02:31and fun creative relationship.
02:33Linda plays Anna in the film,
02:34and she's a social worker and a single mother.
02:38And, you know, in the story,
02:40we always wanted an outsider.
02:41We always wanted someone who had not grown up with the myth.
02:44And so they're coming at it from a place of discovery.
02:47Because I think that that is,
02:49it's a fun place to be in.
02:50Whenever you're discovering something in a movie,
02:52that is, you know,
02:52that's a great place to be.
02:54Working with Linda is,
02:56it's a pleasure,
02:57because Linda shows up,
02:59oh my God,
03:00she has so many different choices
03:02about what she's going to do in the film.
03:05And, you know,
03:05she has this part,
03:07she has this woman
03:09who is basically out of control.
03:11She's at the mercy
03:14of everything that is going on around her,
03:16of the supernatural occurrence,
03:18of being visited by this evil presence,
03:20and then this evil presence,
03:23La Llorona,
03:24going after her children.
03:25And then she has no understanding
03:28as to exactly what's happening to her.
03:29So she's kind of just a woman
03:31caught in the eye of a tornado.
03:33La Llorona.
03:34Sta arrivando.
03:35Lei è già qui.
03:39Che dobbiamo fare?
03:43Raymond is awesome.
03:44You know,
03:44one of the things that I definitely wanted with Raphael
03:47is I wanted a character that was dangerous,
03:50someone that you weren't sure
03:51if you could trust
03:52because that is one of the leaps of faith
03:54that Anna takes in the movie.
03:56And I think it's also fun for,
03:58you know,
03:58to have that type of character in a movie.
04:00So going into it,
04:02one of the things that I loved about Raymond
04:04is Tuco,
04:06Tuco from Breaking Bad.
04:08You know,
04:08that's a character,
04:09and this is definitely not Tuco,
04:10but there was an element of that wildness,
04:12that danger,
04:13that recklessness
04:14that I thought that,
04:15you know,
04:15he really captured there.
04:17And he brings in elements of that,
04:18that kind of dangerous quality.
04:21He's fun.
04:21He's really fun to work with,
04:23you know,
04:23and I've watched him for so long.
04:24It's really fun to have a chance to work with him,
04:26and he's perfect for the part.
04:37James is the best.
04:38I have been a fan of James for years,
04:39and so to have an opportunity to collaborate with him,
04:43to work with him,
04:44was a dream come true.
04:45He is an amazing director,
04:47an incredible producer,
04:48and he was just great
04:50and so insightful
04:51at every step of the process.
04:53You know,
04:53when we're developing the script,
04:55you know,
04:55he had such,
04:55you know,
04:56great insights and specifics
04:58into what's the story about
05:00and really,
05:01you know,
05:02what is the story that you really want to tell
05:04and what do audiences really want to see?
05:06and,
05:07you know,
05:07when we were making the monster
05:08as we're developing it,
05:10you know,
05:10this was,
05:10it was a dream come true.
05:11You know,
05:12that's like,
05:12you know,
05:12you're working with one of the best monster makers
05:15that exists today.
05:17He's created so many iconic monsters
05:19from so many iconic movies.
05:21To be able to bounce ideas off of him
05:23and just,
05:23you know,
05:24you know,
05:24work with him was,
05:26it was so cool.
05:27I think audiences are just going to like how,
05:29I mean,
05:29this movie,
05:29once it starts to scare you,
05:31which happens pretty immediately,
05:33it doesn't really let up
05:34from what we have.
05:36what we have going so far.
05:37So I think that that's going to be
05:39a really fun adrenaline rush.
05:41The idea of
05:42it doesn't really slow down for a second
05:44and give you a moment to breathe.
06:08is going to take a minute.
06:10We're going to take that in the minutes
06:12we're going to take it out.
06:12Beautiful.
06:12Grazie a tutti
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