00:00Mi piacerebbe così, mi piacerebbe così, mi piacerebbe così e fare i twirli mentre c'è con il mio piacere.
00:15Oliver.
00:19Oliver, ti amo.
00:20Ti amo, ti amo.
00:22Ti amo.
00:23Ciao Ollie.
00:23Tu sai veramente come partire in Salborne?
00:25Oh, I'm glad you said in Salborne.
00:28Yeah, I do.
00:30That was a crazy party scene, right?
00:33Yeah.
00:34But no, it was brilliant to film.
00:37It felt like a real beckon party, a big party.
00:40Speaking about Salborne, it's interesting how it's almost like the house was waiting for a character as Oliver.
00:50Do you believe that power today needs someone like him?
00:56Erm, I hope not.
00:59You know, we don't need Olivers in the world.
01:02I know there is Olivers in the world, but, you know, we don't need that.
01:07Definitely not that terrorizing and that, you know, torture.
01:12He puts that family trip, but erm, yeah, no.
01:18But, erm, let's say the movie's more complex than that, but each character in this movie can be the villain.
01:27So, in your opinion, what makes a villain here?
01:29What makes a villain?
01:31Erm, someone with bad intentions.
01:34Everybody.
01:35Everybody, yeah.
01:38But you can have bad intentions and then you can, you know, follow them through.
01:44So, it's the person that I think, you know, follows the bad intentions, you know.
01:47That's a villain, really.
01:50And someone that kind of gets satisfaction from doing wrong.
01:53I think that each character here is really doomed because nobody cares about anything.
02:00Why in your opinion?
02:01Why?
02:01And how important is caring about something?
02:05I mean, it's important to care, isn't it?
02:09I mean, I have compassion and, you know what I mean?
02:12But, erm, yeah, I mean, I care.
02:16I have a great, massive compassion, you know, for a lot of things, but...
02:24I think that this movie is the exact mirror of Promising Young Woman, the first Emerald Fennell movie.
02:32Could we say that she's telling us that we should fear the good guys?
02:40Erm, she definitely has a, has a, has a style.
02:46But, erm, no, I don't think, I think Emerald's like literally trying to make a movie that we all, we
02:51all see ourselves in.
02:52A little.
02:53You know, we can all relate to it.
02:54Some of us kind of shy away from it and don't want to see it because there's some truth there.
02:59Erm, but I think, erm, she just wants to make movies that, that bring it along on an experience.
03:07Erm, and a sort of a rollercoaster, you know, and to be talked about.
03:14I know that everybody is asking about that, but do you know that you are now in cinema history thanks
03:21to that dancing scene?
03:23Oh yeah. Oh yeah.
03:24How does it feel?
03:25I know, it's crazy, yeah.
03:27Erm, it's, yeah, I don't dance, I don't fucking dance, so to get on, on, on screen and do it
03:35naked is, erm, is far from, yeah, anything that I've done before really.
03:42Yeah, it's nice.
03:43And in your opinion, what does it mean?
03:46He, he, he's in full control, he's got power, he doesn't care about anything.
03:50Pure, it's pure, erm, it's pure control and, you know, erm, freedom, erm, it's pure, er, you know, he's confident,
04:03he's, you know, it's the icing on the cake.
04:06It's just, yeah, it's, it's all those kind of things.
04:09In 13 years from now, watching again that scene?
04:14I'd be like, I wish I could move like that.
04:17You know, I wish I could move my hips like that and, you know, do them twirls while I'm there
04:22with my walking stick.
04:24Ok, thank you so much, I hope you, you will get an Oscar nomination for that.
04:28Thank you very much.
04:36Thank you very much.
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