00:00How are you? Hello Valentina! Ah, you're fine!
00:06La storia ricorda Jane come la giovane in pericolo per eccellenza. Famosa per la sua morte, più che per la
00:13sua vita.
00:16Ah, va a... E se la storia fosse stata diversa?
00:20In the first episode they say that Jane is an intellectual rebel and a little bit pain in the ass.
00:27So I want to ask you, how important it is to be an intellectual rebel nowadays?
00:33Yeah, you know, I think that it's vital really to be able to have more stories, female centric stories and
00:40also stories that show that side of what it means to be a woman.
00:43You don't often see that, especially in period pieces, because the reality is education was rare and hard to come
00:53by back then.
00:55So yeah, that to me was very important, you know, her fierce intelligence being sort of the center of her
01:02and then the things that you might more typically see associated with the damsel in distress, like her vulnerability and
01:08her softness, is something that she actually has to learn to find later in the show.
01:14I love the writing on this show because your characters are really, I've got a great sense of humor and
01:22they poke each other.
01:23So how cool was it to play such brilliant roles?
01:27I think the script was so cleverly written by Gemma and Meredith, our showrunners, that bringing it off the page
01:35was such a delight for us and actually sometimes when lines are so well written and so quick, it feels
01:42easy as an actor because they sort of fall out of your mouth and the rhythm is all there.
01:47And that's why it feels like there's such a tete-a-tete between us.
01:51Yeah, it's like pinball.
01:52Because I like that you called her a pain in the ass because it's so true.
01:56She is.
01:57Like they're both just pains in the ass.
01:59They're both really annoying and I think that's ultimately what makes them both quite lovable.
02:03Yeah.
02:03Who do you believe is the drama queen in this TV show?
02:08Which character?
02:09Whoa!
02:10The character, drama queen?
02:12Man.
02:13I think Frances.
02:15Oh, of course, yeah.
02:16Lady, my mother played by Anna Chancellor.
02:19That woman, it's always about her, isn't it?
02:22It really is, yeah.
02:23In the most amazing way.
02:24She is the most excellent drama queen.
02:27And she's conniving and scheming and she's sort of like a social climber and very, very good at it.
02:33Very good at it.
02:34It's interesting how when Quentin Tarantino changes history in his movies, it's so cool.
02:42But in the last few years, when somebody like in this TV show changes history, some people get really mad.
02:50Why in Europeans?
02:51That's a really interesting question.
02:52It's interesting.
02:52I think people are so attached to history in a strange way.
02:59And I think the more that people are exposed to us sort of messing with it and showing that you
03:04can have fun with it and there doesn't have to be a set of rules.
03:07I think the more people would hopefully relax to it.
03:12Yeah.
03:12But it's, I think it just shocks people.
03:15It doesn't, you know, people like to know what they're sitting down for.
03:18And I think one of the beauties of this show is that it is constant surprises, not just in the
03:23sort of playing with history, but also playing with genre, playing with traditional sort of female roles and all sorts
03:33of other things.
03:33I think it's subverted in a lot of ways.
03:35And I also think that Tarantino has such a clear style that we love so much that, you know, he
03:42introduced us with American stories with, you know, Pulp Fiction and sort of understanding him, we know what to expect
03:48so that when he goes to do an Inglorious Bastards or, you know, something like that, the shifting of history,
03:55we know what to expect from him.
03:57And so I think with a show that's brand new, people might be quick to judge that, but it's, it's
04:03the same thing.
04:03You have to kind of get in and see what it's all about to understand why we're doing this and
04:08why it's shifted.
04:09I love the, the etiums.
04:11And I want to ask you if you could choose an animal to transform to, which one would you choose?
04:17And which one do you believe that describes you best?
04:21Ooh.
04:23Oh.
04:24I think I'd, I'd like to be a little robin.
04:27A little blue bird.
04:28A little sort of dainty little robin, just flitting about, living my life, landing on a wire sometimes, landing on
04:36a tree.
04:37Um, I think there's, there's a certain level of whimsy that you get being a tiny little bird and I
04:42think I'd have a good time doing it.
04:44I don't know.
04:45I think I'd want to be something in the sea.
04:47I feel like half the time I am fish.
04:49I am a fish.
04:50You are, you're always a fish.
04:52Fish lady, mermaid, I don't know.
04:53So I'd like to think a mermaid, but it's no.
04:55Um, I don't know, you know, maybe like a big deep sea, like marlin or something like a swordfish.
05:05Yeah.
05:06Cause then you don't have to be scared.
05:07You can just cruise the ocean.
05:08Hmm.
05:09That's good that one.
05:10A marlin.
05:12Okay.
05:12Thank you so much.
05:13Great job in the TV show.
05:14Thank you.
05:15Bye.
05:16Thank you.
05:16Have a good one.
05:17Bye.
05:18Bye.
05:18Bye.
05:19Bye.
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