00:01My Bloody Valentine 3D
00:03è basato in una famosa culte classic
00:06My Bloody Valentine
00:07e è essenzialmente a un'amore
00:09tra tra me e Sara
00:11e mio figlio Axel
00:12e l'amore del mio figlio Tom
00:14e ci sta in gli ultimi 10 anni
00:17prima di Valentine's Day
00:18dove molti di killi
00:20si è iniziato a 10 anni
00:22a Valentine's
00:23e la stessa cosa stai a fare
00:25e la storia è di chi è
00:28e la stessa cosa stai a fare
00:30il il mio figlio
00:33è stato un'amore
00:34è stato un'amore
00:35che non è la persona che non è la persona che si tratta di una persona che non è la
00:40persona che si tratta di una persona che è
00:40che è bella
00:41è molto bella
00:41che ha una persona che si tratta di una persona che in questi film
00:46non è la tua stanza
00:46è non come l'ultimo 3D
00:50dove ti metti i blu e i blu e i tuoi vittori
00:54e poi hai cose che si tratta di un'amore
00:55non è veramente così, è praticamente un 2D film in 3D, quindi è vivendo in questo film,
01:02il tutto è 3D, e è difficile di descrivere perché è un'unica cosa che hai mai visto
01:07prima, ma è il tutto, io credo, è il wave del futuro in film making,
01:12I know che James Cameron e Spielberg hanno un discurso a la DGA di Stereo e di quello
01:18che è fare per film making, e è un'esperienza di essere un'attività e di essere un'artista
01:23in questo.
01:26The great thing about working with Patrick Lassier, the director, is that he is very character
01:32driven, and I think that's the most important thing that you can hope for as an actor, to
01:38be able to work with a screenplay that is character driven and with a director that really cares
01:41about things like that, so all of the choices along the way in the script are very thoughtful
01:45and extremely layered, and the great thing about Jensen and Kerr is that they're very thoughtful
01:51and layered with their performances as well, so we've all really taken the time to sit
01:54together and talk about the best way where we can make this as complicated and intricate
01:58as possible, because, you know, there is a new trend of horror movies being made right
02:02now, and I think that it's really easy to do something that's very cookie cutter, but
02:06I'm not quite interested in doing that, and I don't think the people involved in this
02:09movie are either.
02:12I do a lot of character work, so I already have that fear about this minor and everything
02:18that he means to me, so the minute that I see him, it's already, like, kind of in me,
02:23you know what I mean?
02:24It was funny, though, my little nephew, who plays my son in the movie, they're like, oh,
02:28you know, he was walking by him in a scene, and Andrew turns around, and he looks at him,
02:31and he's just kind of into, like, oh, you know, if you're too afraid of him, you know,
02:35we'll take him out of the scene, and he's like, oh, no, let's ride with him on the car
02:38way over, so this little six-year-old is, like, totally chill, and I'm, like, you know,
02:42freaking out, so it's kind of funny.
02:47The mix of the new technology and a great story is going to, that's what's going to take
02:51it through the roof, you know what I mean?
02:52I think that you bring great storytelling and great technology together, and you get something
02:58really fantastic.
02:59Fantastic.
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