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00:00Hello and welcome to this second compilation of highlights from the latest series. Everyone ready?
00:05Yes!
00:06Then let's start the show!
00:24Mind the champagne!
00:26OK, there we go. Yeah, yeah, yeah. Max, Max, Max.
00:32Merry Christmas, everybody.
00:35Sorry.
00:37I just hope.
00:37Merry Christmas!
00:39There you go.
00:40Yeah, that's what it is. Are you OK there?
00:42I just had a panic that my fly was down.
00:46I should have checked back there.
00:47The tie covers it.
00:51You would be done. Thank you.
00:52No one's noticed.
00:54It's a warm welcome back to Paul, Jack and Jesse.
00:57A first-time welcome to Michelle DeSward.
00:59I'm so glad you're here.
01:00Yeah!
01:05We first met on RuPaul's Drag Race UK.
01:09You were a judge.
01:10And the fandom, the people who love that show, loved you.
01:14Did you feel all the kind of Drag Race love?
01:16I did.
01:17I did.
01:18I absolutely loved it.
01:19Also, I was like, I have trained my whole life for this panel.
01:23Do you know what I mean?
01:24I was like, yes, fashion, comedy and judging.
01:28It's your wheelhouse.
01:29Exactly.
01:30And now, are you going to be OK on the couch tonight?
01:32Because Michelle has feelings for someone on the couch.
01:37Oh.
01:44Who might that be, Michelle?
01:46Jesse.
01:48If you could just move out of the way, Jack.
01:50Oh, my God.
02:02OK.
02:03I am a massive fan.
02:05And, like, early on...
02:07Sorry, guys.
02:09Like, Tenacious D is, like, the blueprint of...
02:12If there was a score for my early 20s, it would be Tenacious D.
02:17So, thank you so much.
02:18Oh, my God. Thank you.
02:18You kept me so much company.
02:19That was so sweet.
02:21Wow.
02:24I feel I should apologise to Paul because Jesse Buckley also has a Jack Black thing.
02:32What?!
02:33I get it.
02:34I have a Jack Black thing.
02:37There's enough of me to go around.
02:41No, yours is very specific, Jesse.
02:43I, like, say to myself more often than is reasonable, tip it to the side cello.
02:50Oh, yeah.
02:50From School of Rock.
02:51It's a bass.
02:52It's a bass.
02:53Yes.
02:54When do you get to say tip it to the side cello?
02:57I said unreasonably.
02:59Like, there's no reason.
03:02But you live, like, rent-free saying that in my head.
03:06That is sweet.
03:07That line.
03:08I remember, that wasn't in the script.
03:11George Draculius, great record producer, and also he was in charge of, like, the music on that movie.
03:18And he threw that to me.
03:19He was like, you should say on this next take, you should say, you play cello, tip it to the
03:25side.
03:25Cello, it's a bass.
03:27And I just took it straight to my head and ended the movie.
03:30And it is some of people's favourite line.
03:32I feel like we should stop saying lovely things about Jack Black now.
03:35It's been too much.
03:36One more for Michelle.
03:37Well, no.
03:38I did just watch you take one sip of Campari, then take a tea chaser, and then drink some water.
03:43I mean, I don't want to take compliments.
03:45It's amazing.
03:46You have a tea and a Negroni.
03:48A white tea, a Negroni, and a regular water.
03:51Nice.
03:52With a little bit of morphine drip.
03:55All the food groups.
03:59Now, Timothy, of course, you worked with the great Ron Atkinson.
04:02Yes, on Wonka.
04:03I worked with the great Ron Atkinson.
04:05Yes, yes.
04:06Wonka.
04:07Say it like this, Wonka.
04:09Wonka.
04:09Because if it just even vaguely moves towards a different vowel, it's a different, totally different one.
04:15I'm just warning you, because it was slightly bit Wonka, and I thought, oh, close.
04:20That'll get bleeped out, that'll get bleeped out.
04:22And you played Father Julius, but off screen, you were giving Timothy advice, I hear.
04:26He was giving me a great, you know, he was giving me unaffordable car advice.
04:30Yes.
04:30So, Rowan is an incredible car collector.
04:33I reached out to him.
04:33I, to this day, have not bought a car.
04:35And the references he gave me were wildly out of my league, you know.
04:40I didn't think they were, so I'm sorry that they were.
04:44When you were about 20, you gave me a Lyft in an Aston Martin.
04:49Good.
04:49I was about 20, you were 22?
04:52Oh, gosh, yes.
04:53Something like that.
04:54You had an Aston Martin then.
04:57Yes.
04:57Yeah, I think I did.
04:58I can only imagine the insurance.
05:00It was the only reason that I entered show business was to attempt to buy an Aston Martin.
05:05And I got one quite young.
05:07You did, very young.
05:09Did you, how did you feel in the experience?
05:11Was it OK?
05:13I thought, to be honest, Row, I thought, what a knob.
05:17LAUGHTER
05:19I'm so sorry.
05:20I was quite, I was a big kind of thingy at the time.
05:24I was quite...
05:24You felt a knob with me.
05:27I just thought, why have you got this huge car at 22?
05:31Why were you in this car?
05:33Because we've known each other since you were about 10.
05:35Yeah, yeah, yeah.
05:35I mean...
05:36It must have been short.
05:37But it was platonic?
05:38It was normal?
05:38It was platonic, I swear.
05:41LAUGHTER
05:42Yes, it was.
05:43I wasn't putting out.
05:44LAUGHTER
05:44Oh, yes.
05:45Yeah, it was nice.
05:47Timothy, Timothy, what happened to the beautiful Chalamet locks?
05:50They're all gone.
05:51Yes.
05:51They've been stolen.
05:52How long, how long have they been missing?
05:55Since June, June 25th.
05:57Did you put them on eBay?
05:59No.
05:59LAUGHTER
06:00Somebody could have stuffed a cushion with them and made a lot of them.
06:04I didn't think of that.
06:05Actually, what did that...
06:06Did they just throw the Chalamet locks away?
06:09You know, the...
06:11It was for a different...
06:12It was for a film for Dune Part 3.
06:13And there's supposed to be a nice character shift.
06:17And I'm playing 15, 20 years older.
06:19So, we did a three-millimeter haircut, I think it's called.
06:22And then the director wanted more, 1.5, and then we did one.
06:24And then I begged him, I said, please, please, like...
06:27LAUGHTER
06:27You know, your hair, weirdly, we're all attached.
06:30It's kind of like our personalities.
06:31These follicles that grow out of our heads.
06:33Yeah.
06:34Samson.
06:34Yeah.
06:35You know, your hair contains your power.
06:37Could do.
06:37I've never heard that.
06:39Samson and Delilah, she cut all his hair off and took all his power.
06:42I have no clue what you're talking about.
06:46I'm going to take you for margaritas after this.
06:48LAUGHTER
06:50I'm going to tell you lots of stories about hair.
06:52But you're right, you're right.
06:53It's a really powerful thing.
06:54It's a powerful thing, yeah.
06:55Like, margaritas and read the Bible to Timothee Chalamet.
06:57LAUGHTER
06:58It's a great combo.
06:59It's a great combo.
07:00And Dawn, you've been in so many successful things,
07:02but I didn't realise you, at one stage,
07:04you were going to be in the film of Mamma Mia.
07:07Oh, yeah. Oh, yeah.
07:08Yeah.
07:09Yeah, the producers took me out for lunch and, frankly,
07:11offered me the part, the comedy part in Mamma Mia.
07:14And I said, well, look...
07:15Pierce Brosnan?
07:16LAUGHTER
07:18I did say, look, I'm not a professional trained singer.
07:21I can hold a note, but I can't really sing.
07:23And they said, it doesn't matter.
07:25Because, um, Bajerk and Bajork, or whatever they call from...
07:29LAUGHTER
07:30Those Abba boys.
07:32They've got tuners.
07:33They can fix it.
07:34They'll auto-tune it.
07:35And I went, ooh, OK.
07:37So I agreed to play this part,
07:39but they asked me to go along and meet the musical director,
07:41just to trot through a couple of the songs.
07:44So I went to the Cambridge Theatre and I went up all the stairs
07:47and I went into this room that was my favourite environment
07:50in the world, because it was just a sea of gay men
07:52that were working in this office, right?
07:54And they were all going,
07:55Ah!
07:57Like this, with encouragement for me when I walked in.
07:59I went, oh, I know, guys, I'm a bit nervous.
08:01Went into a side room with the musical director.
08:04He sat down at the piano, started to plonk away and said,
08:06let's just...
08:07Come on, let's have a little go, trot through some of the songs.
08:10Let's do Dancing Queen.
08:11Here we go.
08:13It was a musical.
08:14And this was the sound, honestly, that came out of me.
08:17Dancing Queen!
08:20But only one note.
08:22I could only do one.
08:22I couldn't get off one note.
08:25When I was telling them I can hold a note.
08:27It was just... just one note.
08:30He looked very upset.
08:32Just relax, just breathe.
08:33I know, I can sing, I can.
08:35And then he said, right, well, let's do this one.
08:37You'll know this one.
08:38I thought, I knew that one.
08:41And then he started to plonk away, a bit like Bobby Crush,
08:43you know, and he started on the next one.
08:45I went, all right, I know this one.
08:46Here we go.
08:47Mamma Mia!
08:48Here we go again!
08:49Bye, bye!
08:50How can I resist you?
08:52That's what I sounded like.
08:53He closed the piano.
08:56He just surrendered completely.
08:58And he turned to me and went, well, it's been very nice to meet you.
09:03Very nice to meet you.
09:04Oh, my God!
09:05OK.
09:05So I went back out into that lovely room full of welcoming to every single one of those guys.
09:10There's his head down like this.
09:12LAUGHTER
09:13They'd all heard that.
09:14Cow giving birth.
09:16LAUGHTER
09:18Nobody would look at me.
09:19And I went down the stairs, and honestly, by the time I hit the street,
09:22my phone was ringing.
09:23It was my agent going, love, um...
09:26It's not a good fit.
09:28LAUGHTER
09:29And that was the end of it.
09:30Enter Julie Walters, who's brilliant and funny and can sing, apparently.
09:34Boy, you ought to...
09:35LAUGHTER
09:37More like this, but you had a...
09:39Was it an animated movie you had to sing in?
09:42Or going to sing in?
09:42I was, yeah, auditioning for it.
09:44Oh, OK.
09:44Yeah, yeah.
09:45And it was, yeah, not dissimilar.
09:48LAUGHTER
09:49I'm not a singer.
09:50And my children will remind me of that.
09:53They'll just say, Dad, please don't sing.
09:56Don't sing.
09:56And I love to sing, but I don't...
09:58I've got that thing where, when I sing, it sounds great to me.
10:02But to other people, they hear something different,
10:04because they're wrong.
10:06I'd like to hear it.
10:07Oh, yeah, yeah.
10:07This is just perfect.
10:09LAUGHTER
10:10I just started sweating.
10:12What I love...
10:13So, you're going to audition for something.
10:15You're not a confident singer.
10:16What song did you choose for your audition song?
10:18Well, I decided to choose a song from Aladdin.
10:21Ooh.
10:21Oh.
10:22Thank you, Cynthia.
10:23I can show you the world.
10:25That song.
10:26That was lovely.
10:27That was lovely?
10:28Yeah.
10:28Keep going.
10:30I knew they made a mistake!
10:32LAUGHTER
10:33I can't even remember the lyrics, though, now.
10:35Shining, shimmering, shining, shimmering.
10:37Shining, shimmering.
10:37Yeah, shining, shimmering.
10:39Splendid.
10:40Splendid.
10:41Splendid.
10:42I did it.
10:42Tell me, princess.
10:43Yeah, tell me, princess.
10:44Now, when did you last let your heart decide?
10:48Oh, yeah.
10:49So, I can't find it.
10:50Beautiful!
10:51That's great!
10:52Wow.
10:53And, uh, and, Cynthia...
10:55Obviously, we all know you can sing,
10:56but I didn't know you had a different vocal talent.
11:00What...
11:00What is it?
11:01The...
11:02The whist...
11:03Oh, the whistling.
11:04Yes.
11:05No, no.
11:06Whistling is too small a word for what you do.
11:09It's amazing.
11:10I learnt when I was much younger how to whistle like I sing.
11:15Mm-hmm.
11:16So, if I'm practising something or I have, like, a concert or something
11:19and I get a little bit tired, instead of singing the song,
11:22I just whistle it.
11:23Do you?
11:24Yes.
11:24You're Roger Whittaker!
11:26LAUGHTER
11:27You're looking at me like, OK, all right, I'll find some...
11:29Yeah, I'll put you on the spot.
11:30OK, um...
11:31PHONE RINGS
11:48LAUGHTER
11:52PHONE RINGS
11:55WHISTLE BLOWS
11:59WHISTLE BLOWS
12:02WHISTLE BLOWS
12:03WHISTLE BLOWS
12:04WHISTLE BLOWS
12:06WHISTLE BLOWS
12:06Wow!
12:08How imaginable is that?
12:10Wow.
12:12That was beautiful.
12:14That is amazing.
12:17And weirdly...
12:19I'm sure you're going to bond with John, because, Halle Berry,
12:23you have Liverpudlian roots, your family from Liverpool.
12:27Yes, I just told him that backstage.
12:29I thought that was not the conversation we were going to be having.
12:33Can you believe that? I know.
12:35We could in some way be related.
12:37I said to her, it's good, because at least somebody on the couch
12:39can understand me tonight.
12:41So who was it? It was your mum?
12:43My mum's side of the family. So did she sound like John Bishop?
12:45No.
12:48Her family left a little too early, but that is the origin of my roots.
12:52OK. Have you been to Liverpool?
12:54No.
12:56It's not really working, this.
13:00But actually, but you do love action and stunts and things.
13:03When did you...? Because it's one thing loving...
13:04How do you discover you're loving it?
13:05What was the movie where you kind of went,
13:07ooh, I'm really good at this?
13:08Well, I was a gymnast as a kid, so...
13:10I don't know if you were an ice skater, so it's another thing.
13:12Yes.
13:13I had dreams of being, like, the black Nadia Comaneci.
13:19You know, like, that was my dream.
13:21So when I did Catwoman, that was the first time I did all of my own stunts.
13:27And I tried to make my Catwoman really like a...
13:29Like a cat.
13:30So I was into all the...
13:32I learned capoeira for that movie, and I really got into doing all of those stunts myself.
13:36And so that's when my love of...
13:38And I realised that, also, when a performer can do all of their own stunts,
13:42that frees up the director to put the camera anywhere and shoot from any angle,
13:46because you don't have to sort of accommodate a double.
13:50You know?
13:50You can sort of give them a lot more to work with,
13:52and that's when I realised I would try to lean into doing all of my own stunts.
13:56But you have to know what you're doing.
13:58I did Doctor Who, and...
14:02LAUGHTER
14:05I thought I'd bring it back to the UK, you know what I mean?
14:09APPLAUSE
14:11Right, I did Doctor Who, and there was...
14:13So Doctor Who's like a scientific series over here,
14:17where there's a time machine that flies through space.
14:20And the first day, they said,
14:22your character is going through space and it crashes,
14:25so you've got to fall on the floor.
14:27They said, do you want a mat?
14:28I said, no, don't worry about it.
14:29So I said...
14:30And it just said, fall on the floor.
14:32And they said, do you want a stunt double?
14:33I said, don't worry about it.
14:34So I literally just threw myself on the floor.
14:37BANG!
14:38And I went, OK, let's do it again.
14:39I went, what?
14:41LAUGHTER
14:41He said, you've got to do that about 15 times.
14:44I went, fuck off, get him in.
14:48APPLAUSE
14:50I'm sorry, Rowan, because of the things you've done,
14:53there is such a physicality to them all.
14:55Yes.
14:56Well, sometimes, yeah.
14:57But do they go over into, kind of, stunt work?
15:00Do other people have to ever do things for you?
15:03Um...
15:03Yeah, not so much the driving.
15:05I tend to do my own driving.
15:06Oh, yeah, yeah.
15:07What a knob.
15:09LAUGHTER
15:11What a knob.
15:11What a knob.
15:12I am teamwork, by the way.
15:14I think it's the coolest stuff ever.
15:16Tim, that's very sweet.
15:16Don't let them bump.
15:18No, I've got to keep up my reputation as a knob.
15:21LAUGHTER
15:23And, yeah, on and off set.
15:26But, I mean, generally speaking, yeah, I've done...
15:28I did a movie quite a while ago called Mr Bean's Holiday.
15:32Oh, yes.
15:33Woo!
15:33In which Mr Bean...
15:34CHEERING AND APPLAUSE
15:37You're so casual about that.
15:39I did a film called Mr Bean's...
15:41BOW!
15:43Well, does he look like an even bigger knob if he said,
15:46Oh, well, of course you will know Mr Bean's Holiday.
15:49You know, so it's actually very...
15:51I'm trying to reduce my knob quotient.
15:54LAUGHTER
15:54As far as I possibly can.
15:56In which I...
15:57We had this idea in which Mr Bean would overtake a peloton of cyclists.
16:02Oh, yes.
16:02Um, and...
16:03And no matter almost how slowly we got the peloton to go,
16:07I was finding it quite tricky.
16:09LAUGHTER
16:09But I really, you know, we did several takes...
16:12Oh, there you are.
16:14LAUGHTER
16:15Which I overtake the peloton of cyclists.
16:17And I really did it, for real.
16:18You know, it was in the days when CGI was less...
16:21It was less accessed and...
16:24But, oh, goodness me, after the second take,
16:25I was absolutely dead.
16:27And because Mr Bean didn't need language,
16:29so it could play anywhere...
16:30Yes.
16:30Was there anywhere that it didn't play?
16:33Was there anywhere, you know, that it didn't go?
16:35No, eventually it went everywhere,
16:37but in the 90s there was the capacity,
16:40because it was just television distribution
16:42over which I had some control.
16:45Uh, and, you know, sort of pre the mass use and access...
16:50...of the internet.
16:51Uh, but...
16:52And therefore that I did see an opportunity
16:55to stop Mr Bean being shown in Italy.
16:59So for a number of years it wasn't...
17:02It was shown all over the world except in Italy.
17:05Why?
17:05Uh, well, just because I wanted to go on holiday to Italy.
17:08LAUGHTER
17:09And it worked for several years.
17:12This was kind of in the early mid-90s.
17:15LAUGHTER
17:16And it worked very well.
17:18No one had the slightest clue who it was.
17:20And then the first Mr Bean movie, Bean...
17:23What's it called?
17:24Bean the ultimate disaster movie, something like that,
17:26which came out in 97,
17:28that, of course, the film company wanted it to be everywhere,
17:30including Italy.
17:31Uh, and then actually Italy turned out,
17:34because then the TV shows went there
17:35and it turned out to be, you know,
17:37one of our most enthusiastic audiences.
17:41So now there's nowhere you can go on holiday.
17:43Uh, exactly.
17:44OK.
17:45Uh, well, I tell you who loves France, Adrian Lester,
17:49because I didn't realise you are a French film star.
17:53LAUGHTER
17:53He is.
17:55A very, a very early job I did, uh,
17:58was playing an American record producer in a film, French film.
18:01And the weird thing was I...
18:03I auditioned for this film in English,
18:05met the director,
18:07and he said,
18:07very good,
18:08and I did my audition,
18:08and he said,
18:09when can you start?
18:09And he picked the date,
18:10and I'm...
18:11Ten days shooting,
18:12and I went over,
18:13and I met the other actors,
18:14and we did this read-through,
18:16and went through the scene,
18:18um,
18:19and I said my lines in English,
18:20and then he said,
18:20no, no, no.
18:21And someone came over with the script.
18:23Oh, no.
18:24No.
18:24And the...
18:24Oh, yes.
18:27And the lines were entrenched.
18:29That is a nightmare.
18:30And I...
18:31That's correct.
18:31I can't believe we hadn't worked that out.
18:34Do you know what I mean?
18:34I thought...
18:35You're playing an American record producer,
18:36of course,
18:37okay, you speak English, you know.
18:38I got to the set,
18:40and it's French comedy,
18:41like Comédie Française,
18:42so they speak really fast.
18:44And we're in the scene,
18:45it's like...
18:50And then I went...
18:50And there was a gap.
18:53LAUGHTER
18:55And I went...
18:57Oui, bien sûr.
18:58LAUGHTER
19:00Back for moi.
19:02And then they carried on.
19:03And there was another gap,
19:04and I went...
19:06And said my line.
19:07It was okay,
19:08but, um...
19:10Shooting.
19:11We've got a clip.
19:12LAUGHTER
19:13LAUGHTER
19:13I haven't seen this film.
19:15I haven't seen this film.
19:16Have you never seen it?
19:17Have you never seen it?
19:17Oh, I've never seen it.
19:18So, look, what I'll tell you...
19:19Let's see it, let's see it.
19:20What I'll tell you...
19:21No, you're very good in it.
19:23So, it's called...
19:24Les Sœurs Soule.
19:25And the clip we're showing,
19:29it features Adrian as the American Reproducer,
19:33a woman doing some of the worst lip-syncing I've ever seen.
19:36LAUGHTER
19:37And keep your eyes peeled for one of the most surprising cameos.
19:44I don't know if it's a cameo, but it's...
19:46You do not expect to see this in a French film.
19:49First time.
19:50Here we go.
19:50This is Les Sœurs Soule featuring Adrian Lester.
19:52You don't remember, teacher.
19:57Ooh, oooh, oooh...
20:01Oh, oooh, oooh.
20:02Oh, oooh, oooh.
20:03I'll follow you.味iepp
20:13się enseñ... Oh,
20:14oooh, oouh... Wawo, to
20:15mawne! Mom exemplo сожалay,
20:18stad tweeting
20:19Was Arabic terry
20:20Just we descend to La Hotel Savoy.
20:22Please, call me.
20:24Oh, yeah. I call you.
20:26Beautiful!
20:29Can we...
20:30Can we...
20:31Can we just...
20:33Can we see the kangaroo again?
20:36Why?
20:38That is ridiculous.
20:41Why?
20:42Why is there a kangaroo?
20:43He's very invested.
20:46It's a really good...
20:47Look, he's really looking at me.
20:48He's really...
20:50He's practised his walk and everything.
20:54That's another thing you should ask.
20:56Apparently.
20:57Am I speaking French?
20:58He was a...
21:00For some reason, the husband and wife
21:03in the film, they had a pet kangaroo.
21:06And we were doing...
21:06We did a scene in this scene
21:09and we had to do retakes
21:11because the kangaroo jumped onto the mixing desk.
21:14There was a moment
21:15and I'd waited
21:18and I went...
21:19DUNK!
21:22Coupé!
21:22It was strange.
21:24Now, I'm asking this question,
21:27and the answer could be yes.
21:28Kayleigh, do you own a kangaroo?
21:30Well, what's funny is I...
21:33I would love to...
21:35I have a lot of weird animals,
21:36but I would love to get a kangaroo.
21:38Yeah.
21:38Now that I just saw how focused
21:40and work-related he was.
21:42Still.
21:44No, I have a lot of strange animals.
21:45I have a farm at home and we have
21:49all types of farm animals.
21:50We have some very unique animals too.
21:52Pigs and goats and cows.
21:53You've got something called a zonkey.
21:54We have a zonkey.
21:55Everyone thinks it's a myth.
21:56It's real.
21:57We have a picture of a zonkey.
21:59It's half zebra, half donkey.
22:02She's real.
22:03Is that an accident?
22:04Yes.
22:05You shouldn't do that.
22:07No, of course not.
22:08That has to be an accident.
22:09That's why I saved it.
22:10Yeah.
22:11Now, I get you.
22:12Now, is a zonkey...
22:14It's an accident between a zebra and a donkey.
22:16No, I get that, but is the zebra...
22:18Is the zebra the father?
22:19I was not part of that process.
22:22So, I just came in later.
22:24No, because all I know...
22:25Because I wondered what a zonkey was,
22:27so I looked it up.
22:28He said he's wearing tights.
22:30No, it does look like he's wearing tights.
22:31She does.
22:33So, a zonkey...
22:34So, if the parenting is the other way round,
22:37they're called a Deborah.
22:40They're called a Deborah.
22:42They're called a Deborah.
22:43Not making it up.
22:45Not making it up.
22:46No.
22:46Someone Google that.
22:47No, it's true.
22:49It's true.
22:49Turn off your phones.
22:50But it's true.
22:52Why is it not a Deborah?
22:53Because if the donkey...
22:55So, if the donkey's the dad.
22:57Yeah.
22:57Or a mother.
22:58It's just a different parenting.
23:00Okay.
23:01This is a zonkey, though.
23:02This is a zonkey.
23:03Have you got two zonkeys?
23:04I have two zonkeys, yes.
23:05That's...
23:05Do they nay?
23:06Like a horse?
23:08They...
23:08They donkey.
23:09You know.
23:11They...
23:11Like a donkey.
23:13It's like a...
23:13Yeah, yeah, yeah!
23:15There's a donkey.
23:16You know, they're kind of making a deep donkey sound.
23:21What do they sound like?
23:21Wow.
23:22How would that sound?
23:23Don't ask me.
23:23It's like a...
23:24You know, not a nay.
23:25It's a brave.
23:26It's like they're like...
23:27You know, they're eons.
23:28Yes.
23:28Yeah.
23:29You know.
23:30Okay.
23:30Yeah.
23:31He's so confused.
23:33He's like...
23:34Don't get a horse.
23:35They're not the same thing.
23:37Oh, dear.
23:39Claire Foy, we've got to talk about a goshawk.
23:42It's called Mabel in the film.
23:44Yeah.
23:44How many goshawks were there?
23:47So, five goshawks.
23:48But they all had, like, different jobs and different parts of Mabel's personality.
23:53Because we wouldn't have been able to shoot the film with just one bird.
23:55Are they heavy?
23:56Because they look like a big creature on your arm.
23:59Well, you see, their bones are hollow, so they can fly.
24:03Otherwise, they wouldn't be able to get very high.
24:05Good noise, everyone.
24:06Ooh.
24:07We've learnt something this evening.
24:09For all you Hawksack fans.
24:11So, you know, it's a weird position to have your arm in.
24:14And it's not that they're light, but they're not, like, you know,
24:17I didn't have loads of muscles or anything.
24:19Well, I tell you who will be loving this chat is tiny temper.
24:22Because apparently you've handled a cockatoo.
24:24Yes.
24:28I really jumped at that and said, yes.
24:31No, I had a pair of cockatoos.
24:33See?
24:34See?
24:36They died.
24:37But I was going to ask you, Claire, do you miss them?
24:40The Mabel's, yeah.
24:41Two in particular.
24:42Mabel one.
24:42And we had two Mabel's called Mabel one and Mabel two.
24:44It wasn't very original.
24:47And Jess, yeah.
24:48I really miss them.
24:49But aren't they non-affectionate?
24:51I think Helen says that in the film.
24:53They're a non-affectionate species, but you connect.
24:56It's like any animal.
24:58You connect with them and you have a relationship with them,
25:01and that means that there's a love there.
25:03Actually, not the only bird lover on the couch tonight,
25:06because Ant and Dec, if people go down to Battersea Children's Zoo,
25:12what might they find there?
25:14There are a couple of emus.
25:16Yes.
25:16Called Ant and Dec.
25:18Yes.
25:19Here are Ant and Dec.
25:20There they are.
25:22There they are.
25:23I'm telling you.
25:24I'm telling you.
25:28Makes sense, right?
25:30Makes sense.
25:31Have you met them?
25:32No.
25:32No.
25:33I've walked past there many times and I've seen the little sign.
25:36But we knew when they were, I think being hatched,
25:39that they were going to name them Ant and Dec.
25:42Aww.
25:42That's so sweet.
25:43My daughter's met them.
25:44She's been on a couple of school trips down there,
25:46and she's seen them, and they're like,
25:49oh, look, these are called Ant and Dec.
25:50And she's like, why?
25:52Why?
25:53That's my dad!
25:54That's my dad!
25:55You say that.
25:56We contacted the zoo to get that picture,
25:59that lovely picture of Ant and Dec,
26:00and they gave us some extra information,
26:02and they said, like Ant and Dec,
26:03Ant and Dec emus are best friends.
26:06Aww.
26:08Now, unlike Ant and Dec,
26:09they're also boyfriend and girlfriend.
26:13Well, we've known each other for a long time.
26:15And Dec has laid many eggs over her life.
26:23You're the girl.
26:24You're the girl.
26:25You're the girl.
26:26Apparently, they love a shower and a dust bath
26:28to keep their feathers in deep-top condition,
26:29and their favourite foods are red cabbage and broccoli.
26:33Now, here's the thing,
26:34that is a sort of showbiz honour,
26:36that, you know,
26:37reserved people have been in the business a long time.
26:39Mm.
26:39Joe Keery,
26:40you've already had that showbiz honour,
26:42have you not?
26:43I have had that showbiz?
26:45Yes.
26:45Not to my...
26:46I think you have.
26:47Your character,
26:49Steve Harrington,
26:50is there not a Pacific Marine Mammal Centre
26:53a sea lion called Steve Harrington?
26:56This is news to me.
26:57I did not know this.
26:58Oh, yeah.
26:59Do we have a...
27:00Did we get a picture in the end?
27:01Oh, there he is!
27:03No!
27:04That's you!
27:05That's you!
27:05That's you!
27:07Yeah!
27:09Sadly, I...
27:09Where is...
27:10Where is this guy?
27:11It's in Laguna Beach.
27:13Oh, perfect.
27:13I've got to go.
27:14The Pacific Marine Mammal Centre.
27:15Sadly, I don't have any more info.
27:17I don't know about foods or anything or...
27:19No...
27:20No eggs.
27:20If you've laid an egg.
27:24Because, Michelle,
27:25you know,
27:26before you got into comedy,
27:27we'll talk about this later,
27:28you were a model.
27:30Yeah.
27:30And we...
27:30Didn't you have a beetle thing?
27:32Yeah.
27:32Yeah.
27:33Because they would just get you to do, like,
27:34random things in modelling
27:36where they were just sort of like,
27:37you're lucky to be here.
27:38We're going to do this shoot now.
27:39And this is editorial.
27:41It's high fashion.
27:42So we're going to put these beetles on your face.
27:44Stay very still.
27:45And look gorgeous.
27:46And you're just like...
27:48Try and look nice.
27:49But if you've got a beetle on your face,
27:51you're like...
27:53You're like...
27:54You're like...
27:55Yeah.
27:56There's a lot of stuff like that.
27:57And then I did another shoot
27:58where they wanted me to sit on, like,
28:01a bit of wood.
28:03And as I sat down on it,
28:04it was in Texas,
28:05and I was like,
28:06oh, there's all these ants crawling on me.
28:07But obviously, from England,
28:09I didn't realise there's ants that bite.
28:11Do you know what I mean?
28:12Yeah.
28:12What's the worst that can happen to you in this country?
28:14Pigeon shits on you or something.
28:17So I sat there and I was like,
28:18they're burning.
28:19They're burning.
28:20They're like, oh, it's a fire ants nest.
28:21And I was like,
28:22I should probably get up.
28:23And they were like,
28:23it's the last shot.
28:24If you could just stay there.
28:26And look gorgeous.
28:27And you're like,
28:28yeah!
28:29Yeah, fun times.
28:30Fun times.
28:31I don't know why you gave it up.
28:33Jessie Buckley,
28:34you grew up in the Irish countryside.
28:36So are you good with animals?
28:38Well, actually,
28:38my mum grew up in a bull farm.
28:41What?
28:41Yeah.
28:42And she had like...
28:43Can I just say,
28:44that seems problematic.
28:47Why?
28:48Well,
28:49you need more than bulls on your bulls.
28:51Oh.
28:51But there were no pedigree bulls.
28:53I don't know.
28:54It's like a gay cow bar.
28:55Or something.
28:56You love it, Chris!
28:59Only bulls?
29:00I don't understand.
29:05Are they just bred bulls?
29:07Yeah.
29:07They were like,
29:08prize bulls.
29:09So they'd bring them to shows
29:11and kind of wash them
29:12and brush their hair
29:13and show them around.
29:15He's a gay cow bar.
29:17Yeah!
29:20But I remember once,
29:22my grandfather brought me out into the fields
29:25and put me on his tractor
29:26and I'd never really been around a load of bulls.
29:29Like a mass...
29:31Good.
29:31Good of...
29:34And he went to open the gate and close it
29:36and there was a load of hay on the back of the tractor
29:38and he...
29:40All of a sudden,
29:41this like...
29:41It felt like...
29:42Like a hundred bulls
29:45were running towards me
29:47and since that moment,
29:48I just think,
29:49you know,
29:50out of respect,
29:50I don't need to wrangle...
29:53Leave them alone.
29:55Anything, really.
29:55I leave them alone.
29:56Wise, wise.
29:57And Paul Rudd,
29:59what is the connection to Ireland
30:00that you love Ireland so much?
30:01I just think it's the greatest place.
30:03I just love Ireland.
30:04I first went there on my own.
30:06I loved Irish music
30:07and I was just very drawn to Ireland.
30:09OK.
30:09And then my father spent a lot of time in Ireland
30:11because he was a Titanic expert
30:13and he used to take groups of people
30:15throughout Ireland
30:16to Belfast,
30:17to Harlan Wolfe
30:18where the ship was built
30:19and he'd go down to Cove
30:20which was the last port of call.
30:22Yeah, so,
30:22we spent a lot of time in Ireland.
30:25Yeah.
30:25And is Rudd an Irish name?
30:27I think there's...
30:27Are there Rudd sausages?
30:29Is that rigged and made
30:29of Jessie Buckley?
30:30I never had a Rudd sausage.
30:32No.
30:32I bet you have.
30:34LAUGHTER
30:40Next up,
30:41Rachel McAdams brings us
30:42a brilliant movie
30:43from Evil Dead director
30:45Sam Raimi.
30:46It's called
30:46Send Help.
30:47So, Rachel,
30:48you play Linda Little.
30:50She's fantastic.
30:51Tell us about Linda Little.
30:52Who is she?
30:53What's she up to?
30:54Well, Linda is a real worker bee.
30:58She's been at her company for seven years
31:00and she can do everybody's job
31:01with her eyes closed.
31:02And she's in line for a big promotion.
31:05She's very excited.
31:06She's going to use the money
31:07to get a bigger apartment
31:08and go travelling.
31:10And then she gets passed over for the douchebag friend of the boss
31:17who's been there for six months.
31:20Oh.
31:21And it really grinds her gears.
31:23It would.
31:24And she's just about had enough, you know?
31:27Yeah.
31:27Yeah.
31:28Yes.
31:28I'd rather say,
31:29eats her asshole.
31:31Yes.
31:32OK.
31:33Grind their gears is...
31:34It's not pissed off, you know?
31:36It's not enough.
31:37It's not enough.
31:38Sorry.
31:38Once again, eats her asshole?
31:40Eats her asshole.
31:41OK.
31:42It really eats her asshole.
31:45Like that?
31:46Yes.
31:47Like that.
31:47Good job.
31:48I'll work on it.
31:51But tell us more.
31:53Because...
31:55Then a big thing happens.
31:56We're allowed to know the big thing, aren't we?
31:57Oh, the rest?
31:58The rest?
31:58Well, the send help bit.
32:00Right.
32:03You remember what happens, right?
32:06I don't know how long ago you filmed this, Rachel.
32:08It was like six months ago!
32:10After you lost your asshole.
32:14Yes.
32:15So she gets invited to prove herself once again.
32:19On the company trip to Bangkok, her new boss invites her to solve a problem there and they get on
32:27the plane and the plane goes down.
32:33Is that a spoiler though?
32:35No.
32:35No, it's really not.
32:36It's called send help.
32:37Right.
32:41I think the audience will be disappointed if they don't know.
32:46Why does she need help?
32:48I don't know.
32:49The plane is broken.
32:53Yes.
32:53Yes.
32:54And then she winds up washing up on a Thailand beach and...
33:00And she thrives.
33:01And she thrives.
33:02Yes, she does very well because she's a fan of Survivor.
33:05She's a big fan of Survivor and she spends a lot of her time, her spare time.
33:08She's auditioned for Survivor countless times, never been chosen.
33:12Wow.
33:13I know.
33:14That's her moment.
33:14It's more asshole eating.
33:16Yes.
33:19I've never heard this expression before.
33:22I've coined, I've made this up.
33:23Oh!
33:24Everybody in my life.
33:25Hayley, Hayley, Hayley, she's got Scouse DNA.
33:29You know what I mean?
33:30I can find it.
33:32I can find the spare end.
33:34I can get to it.
33:35Eat your asshole.
33:40Martin Freeman.
33:42Music could have been your life, Sliding Doors, and Erin Doherty, you really could have been a footballer.
33:49Yeah.
33:49So I grew up acting and doing football.
33:53It all just happened to be on a Sunday, for whatever reason, everything just fell on a Sunday.
33:56But no, but you were really good at the football.
33:58Yeah, so I got scouted to play for Chelsea.
34:00Shut up.
34:01No way!
34:01But literally, as I did, like, this is why the Sunday thing was relevant.
34:05Because basically my dad was having to drive me to football, like, all over the country.
34:08And then after to drive me back to my drama club.
34:11Wow.
34:11And he just was tired.
34:13That pick.
34:14Pick one.
34:14Pick a fan.
34:15He genuinely was, he had that conversation with me, so he was like, Erin, you need to pick one.
34:18So I never actually got to go and play for Chelsea or do anything about it.
34:21Wow.
34:22We've got a picture of little footballing Erin.
34:24There she is.
34:25There she is.
34:26Hydrating.
34:27Very important.
34:29People know how young you are.
34:30That looks like it was 1972.
34:33It's the grade, Graham.
34:34It's the grade.
34:35I loved it, honestly.
34:36Like, I genuinely, like, had such a passion for it.
34:39Do you still play?
34:40No, I tried.
34:41Basically, like, even amateur teams now, like, they take it very seriously.
34:44And so I was, like, pulling out of tackles because I didn't want to get injured.
34:47And they were like, Erin, go on.
34:48Of course, yeah.
34:51I was genuinely, like, just not...
34:54How old were you when you sort of had to make that little decision in your head?
34:58I was probably about 13.
35:00So, like, it was, like, old enough to feel like I knew myself.
35:03Yeah.
35:03But young enough to, like, not really...
35:05Yes.
35:06You know, it didn't weigh heavily on my mind.
35:08I think I probably thought about it for, like, an hour.
35:10Really?
35:11Yeah!
35:12I loved acting.
35:13Yeah, like, there was something about being on stage.
35:16But it's dry.
35:16You know?
35:17But Chelsea...
35:18Chelsea are terrible and they're good actors as well, so...
35:21I'm a Spurs fan, so it always would have sat long.
35:25Oh!
35:25And he's Spurs fans, yes.
35:28Now, in terms of what they wanted to be when they were growing up,
35:31Wumi, you wanted to be an actor from a very young age.
35:34What was it?
35:35A movie opened that world to you?
35:37Yeah, Annie.
35:38Annie.
35:38I watched Annie every single day after school.
35:41I hadn't...
35:42Like, are you exaggerating?
35:43Or did you actually watch it every day?
35:44Every single day after school I had, like, 12 cartons of Long Life milk
35:48lined up and I would drink them at the certain points of the movie.
35:53That's why I'm so tall.
35:54The rest of my family is quite short and I think it was that.
35:58Little cartons, green cartons.
36:00And I used to watch it every single day after school.
36:04Erm...
36:04I don't know...
36:05I don't...
36:06I pressed play and the tears start rolling still to this day.
36:11But, erm...
36:11But then you used that film as kind of breadcrumbs to get you
36:14to where you needed to be.
36:16Yeah, so I said to my mum and my sisters, I was like,
36:18I don't really...
36:18I don't want to go to do maths and economics.
36:21I don't...
36:22I just don't.
36:23Erm...
36:23I think I want to act.
36:24And they were like, OK, how do you do that?
36:26I said, I don't know.
36:28Well, erm...
36:29Who do we know that acts?
36:30Well...
36:31So we Googled the whole cast of Annie
36:32and we just saw what each person did.
36:35And Albert Finney's from Manchester, Salford,
36:38and he went to RADA.
36:40That's the first time I ever heard of drama school.
36:42And I auditioned for RADA.
36:44And got in?
36:46And got in.
36:46Isn't that mad?
36:47Mad.
36:49I know, I know.
36:51It was amazing.
36:53Yeah.
36:53Yeah.
36:54Yeah.
36:55It changed my whole life.
36:56Yeah.
36:57Yeah.
36:57I loved that film.
36:58Forever.
36:59Yeah, we get it.
37:00And...
37:01Lots of milk.
37:05Talking of musicals, Jacob Lordi, was it your very first gig was at a musical?
37:09Yes.
37:10What?
37:10I don't know this.
37:11Yes, my first job was at 12.
37:13And I think it was because I had bad behaviour in school.
37:16They thought it was obnoxious.
37:18So they asked me to play the cat in the hat in Seussical, the musical.
37:21We've got photographic evidence.
37:22Oh, Jesus.
37:23Photographic evidence.
37:24That is a very young Jacob Lordi.
37:26Wait, you were 12?
37:28How tall were you at 12?
37:29I was honestly just a little bit shorter than this.
37:31Oh, bless you.
37:32Yeah, I've been this big since I was about 15.
37:34And then the hat.
37:36Yes, the hat.
37:36He's the unfaithful narrator and trickster of the show.
37:41He opens the show and I came up through a trap door.
37:44Wow.
37:45And I remember being sort of hunched down there and the stage manager was like,
37:48OK, who's about to go?
37:49And it's like a school trap door.
37:50So it's not like...
37:52It's like this hat comes up.
37:55And it's me with this look on my face.
37:56And that was your punishment?
37:58Yeah.
37:58That was my punishment.
37:59And then I started, you know...
38:00They don't know what they're doing.
38:01That's awesome.
38:01All the things you can think.
38:02All the things you can think, you know?
38:04Oh, wow, you know it all.
38:05Keep going.
38:05Yeah, if you're willing to try.
38:08LAUGHTER
38:11And you got the bug.
38:13I got the bug, yeah.
38:14Yeah.
38:14And talking musicals, Amanda, Mamma Mia 3, that's a thing, right?
38:19Yeah.
38:19Yeah.
38:20Wow!
38:21I love Mamma Mia 3.
38:24Yeah, and you guys are in it, all of you.
38:26It's nothing.
38:26Happily.
38:27No, you are.
38:28I love Mamma Mia.
38:28You're going to have to be in it because at this point, I cast people every day.
38:34You have a better cast than you guys?
38:37Graham, you're welcome.
38:38Oh, I'd love to go to brief.
38:39Everybody keeps asking me as if I hold the key.
38:43Maybe your agent got you an executive producer credit and you don't know it.
38:46Honestly, if I don't get it for the third, I'll be pretty pissed.
38:50But I'll want it for real.
38:52But I also think, like, I don't know anything about anything other than that I was in it.
38:58Twice.
38:58Yeah.
38:59Was it fun?
39:00Oh, it's the best time of life, you know.
39:02Cher will be back, right?
39:04Of course she will.
39:04Cher is starring in it.
39:06Okay.
39:07She's actually playing the lead.
39:10Okay.
39:11What's she like?
39:12Is she cool?
39:12The best.
39:13Oh, my God.
39:14Not only is she just incredibly nice, but she is exactly who she is.
39:19Yeah.
39:19What you see is what you get.
39:20This studio is not large enough to contain the fuck she doesn't give.
39:24Yeah.
39:25She's very quotable.
39:29She's so great.
39:30That is amazing.
39:31I love that.
39:33She's a very perfect way to spin her.
39:35Yeah.
39:35We saw you singing and dancing in Barbie.
39:37Would you ever do a Broadway show or anything?
39:40If I could sing, which I can't, you'd all know about it.
39:43I would be on...
39:44I would never shut up.
39:45I'd be singing right now.
39:46Because if I had your voice...
39:48Hold on a second.
39:49I would never shut up.
39:50I can't sing.
39:52I'm terrible at it.
39:53And I had to sing...
39:54That's embarrassing.
39:55I had to sing in that scene in Barbie.
39:57But, fortunately, I was meant to be not a good singer.
40:00That was fine.
40:00But it was mortifying.
40:01So embarrassing.
40:02I don't know how you do it.
40:03I think, honestly, it's liberating.
40:05Because you've seen...
40:06I mean, listen.
40:07In Mamma Mia, do Pierce, Colin and Stellan sing well?
40:13But they do it and they love it.
40:15Oh, they love it.
40:16You know?
40:17It's about just, like, accepting, loving it.
40:20You're going to have a lot of confidence if you're not great at it, you know?
40:23I know, but then once you get past the fear of it, you just become liberated.
40:27If I'm, like, with friends at karaoke, I don't care.
40:29Yes, great.
40:29You can't get, like, I can actually share.
40:31So you're enjoying yourself?
40:32Believe is my favourite karaoke song.
40:34Oh, really?
40:34Nice.
40:35I do a bit of a share voice while I do it, you know?
40:37But doing it in front of, like, a crew was humiliating.
40:39Wait, what's your share voice?
40:40Yeah, I was going to say, is there any more?
40:41No, I'm absolutely not stepping into that trap.
40:46Sure, on live TV, I'm just going to bust it out.
40:49Absolutely not.
40:50That's not happening.
40:51Oh, God.
40:54Give us a share, come on.
40:55Can you?
40:57Go on, come on.
40:59Do it.
41:00You're doing it, Jacob.
41:01Do it.
41:02I'm not singing.
41:02Do it.
41:03Do you be...
41:11You want me.
41:12Charlie, when you kind of started performing, you were doing these raves.
41:17You were singing at raves in East London.
41:19But your parents would have to bring you because you were so young.
41:22Yeah, yeah.
41:23I was sort of, like, 15 when I first started going.
41:27And, you know, it's that time where you're kind of like,
41:29I'm going to be so independent and cool, I'm going to go to these raves.
41:33And then my parents were like, and we're coming with you.
41:36You know?
41:36So it's like the rebellion just got kind of, like, taken from my grasp.
41:40And then we were this weird family who went to raves.
41:44I love how sweet...
41:45Your parents sound adorable.
41:46They're very sweet.
41:47What's the story you're...
41:48Someone tried to sell drugs to your dad?
41:52He, uh...
41:53Yeah.
41:53He hates when I tell the story.
41:54But, yes, he...
41:56I think he comes out of it very well.
41:57Yeah.
41:57Well, it's very, you know, loud.
41:59It's loud in the rave.
42:00Of course.
42:00It's very loud.
42:01And I think they were trying to sell him some MDMA or something.
42:05And I think there was a sort of miscommunication about whether it was MDF.
42:11Wood.
42:13Paddling or something.
42:14So, you know, I don't think he really wanted either.
42:18I think there was just some sort of miscommunication there.
42:21You know, understandably so.
42:23I just love that.
42:24Yeah.
42:25Yeah, yeah, yeah, yeah.
42:26Yeah.
42:26He was approaching it in a very positive way.
42:29Yeah.
42:29Of course someone would try to sell me MDF.
42:31Yeah.
42:31Why not?
42:32Yeah.
42:33Yeah, yeah.
42:34But, honestly, it is extraordinary because, you know, Gordon Ramsay, you were all over Bratsummer,
42:38weren't you?
42:38I have three daughters, yes.
42:40Yeah.
42:41Yes.
42:42They loved it.
42:43Yeah.
42:43And Jennifer, Benicio, were you aware of Bratsummer?
42:45I'm very aware, yes.
42:46I have three kids.
42:47Yeah.
42:48All about it.
42:48Yeah, my daughter also.
42:50She's 14.
42:51She's 14, yeah.
42:52I'm hit with the kids.
42:54Yeah.
42:55It's better than people being like, my grandma loves you!
43:02Right?
43:03As parents of children, do the children, did their behaviour get worse?
43:08Or, like, do they channel what they thought Brat was?
43:12Just attitude.
43:13Yeah.
43:13In abundance.
43:14And loud volume.
43:16I think the older you get, the lower you want the volume.
43:18And it's like...
43:18I mean, I feel like they could have got that from you.
43:21To be honest.
43:24You're right.
43:25Yeah.
43:26You know it's like...
43:29And, talking about transformations, for you, Leo, how hard is it to make that switch
43:34from Jack and the White Lotus to playing, kind of, very posh in one day...
43:40..as Dexter.
43:42I mean, it was...
43:43It was difficult purely because I had to do it within, like, two weeks,
43:47because the chute was crossing over.
43:50Oh, OK.
43:50So I had to lose, I don't know, like, a stone and a half of weight,
43:55of muscle, I mean.
43:57LAUGHTER
43:57And, you know, kind of lose the walk, get rid of the tattoos,
44:03which are harder to get off than I actually realised.
44:07Did you...
44:08But you kind of...
44:09You liked the tattoos.
44:10Did you kind of miss them?
44:12I loved them.
44:12I loved them.
44:13Yeah.
44:14Yeah.
44:14I mean, it's not like fun getting them on or getting them off.
44:17It takes a while.
44:18When they're on, I would just...
44:19I would walk around.
44:20I'd just sit in the chair and just have a little meditate on
44:22when they covered them up or when you'd have to get the tattoos on.
44:24Do you have a lot of tattoos in there?
44:25I have a few, yeah.
44:27Oh, OK, so you've got to get them covered.
44:28Yeah.
44:28Do you have any tattoos?
44:30Do you have any tattoos?
44:30I do.
44:31I have a large one on my back.
44:32And it's funny, the one on my back just shows above my shirt.
44:35I wish I would have, years ago, thought to just go an inch lower
44:38and I never would have had to cover it.
44:40It's always just sticking out of the top.
44:42Yeah, just annoying.
44:43Just a little bit.
44:44Is it rude to ask what it is?
44:46It's like, it covered an old one.
44:47It just got worse and worse.
44:49OK.
44:49Oh, wow.
44:50I covered that one, then I covered another,
44:53and now it's just...
44:55It's just all the way across.
44:57A big scribble.
44:58Yeah.
44:59You know, think before you put one on your back, guys.
45:03It's interesting with them on your neck, though, isn't it?
45:05Yeah.
45:05Because you would probably never put one on your neck.
45:07Well, I don't know.
45:08I mean, I...
45:08OK.
45:10Well, trust me, you will be in a chair for ages, then.
45:12Yeah, yeah.
45:12I think, I mean, the neck was definitely extreme,
45:15but I just kind of liked being...
45:17I mean, some of them were so stupid, anyway.
45:18But it says something about the characters, isn't it?
45:20Yeah.
45:21I had, um...
45:23I had Wendy on my left butt cheek.
45:27Which doesn't actually make it into the show.
45:29It's not real.
45:30No, no, no.
45:31It's not real.
45:32OK.
45:32So you just had Wendy on your ass for no reason?
45:34No reason.
45:35No reason.
45:36Like, I...
45:37You mean today?
45:38It's in future relationships.
45:40Excuse me, are we going to see Wendy today?
45:42Trust me, there is a couple of bum scenes in that,
45:45and I tried to shift Wendy into the shop,
45:48but she just didn't make it.
45:52And is it...
45:54Was it the name or the logo of the shop?
45:56It was...
45:57It was so...
45:59No, it wasn't Wendy's.
46:00No, it was just Wendy's.
46:01Oh, OK.
46:02So my...
46:02Who came up with Wendy?
46:03I did.
46:04My...
46:05There's a reason for Wendy's.
46:07I think there's some backstory here.
46:08I think I'd been, like, watching Breaking Bad,
46:10and there's a character called Wendy in that show.
46:12Oh, great.
46:13And...
46:14I just thought...
46:15How...
46:16This kid would have some memory of a woman called Wendy,
46:19and he'd just get it tattooed on his bum.
46:21So Wendy's supporting you in some way.
46:22So Wendy got me through that whole...
46:25I don't think...
46:25Oh, I like...
46:26I was a little late to that.
46:27That was good.
46:28I don't think any woman...
46:29Any woman would see that as a compliment.
46:32That's so lovely you got my name there.
46:34Well, you haven't met Wendy.
46:35Yeah, yeah.
46:36I don't know.
46:37Wendy would be more happy.
46:38So Wendy.
46:41Now, there's a tradition, I feel, Jack,
46:43every time you do a movie, somehow it inspires you musically.
46:47Yeah.
46:48Have you come up with an Anaconda song?
46:50I have, actually.
46:52Do you want to hear it?
46:53No.
47:01Quiet on the set.
47:06Anaconda.
47:07The most beautiful creature in the wild.
47:12Anaconda, you're the most popular with boys and girls.
47:16You bite and you swallow and you take it down.
47:20You are the scariest snake in town.
47:22Big as a bus and a hearty two.
47:25I made up this song just now.
47:29Beautiful.
47:31I lied.
47:33I lied.
47:34I didn't have a song.
47:38Oh.
47:41Oh, it's very good.
47:45Anaconda.
47:50Yeah.
47:50Yeah.
47:51I think it's a hit, though.
47:52Yeah.
47:52It's pretty good.
47:54That's how all songs are written.
47:56At first, you don't have a song.
47:57And then, did you see the Beatles documentary?
48:01When you watch Paul McCartney,
48:02Sir Paul come up with Get Back right in front of your eyes.
48:06That's what you just saw.
48:09Beautiful work.
48:10Beautiful work.
48:11Jacob, thank you so much for that performance.
48:13It was really, really, really beautiful.
48:15My pleasure.
48:15You wait ages for one Jacob to be on the couch and now we've got two.
48:18Uh, yeah.
48:19What a bargain.
48:20I know.
48:21Can you sing Believe by Cher?
48:23Oh, I don't really know.
48:24How would you go?
48:25I'm a bad gay.
48:26I don't really know much Cher.
48:28You don't know?
48:28I know.
48:28Please don't put me in gay jail.
48:32A little talk behind the scenes.
48:34Could you get it going?
48:35I'll sing along with you.
48:37Oh, no, that one.
48:39Yeah, sorry, great, great.
48:39Let's go, let's go.
48:40Let's go, let's go.
48:41That's it.
48:42No, Jacob.
48:43I'm sorry.
48:43What's up inside me saying?
48:45Yes.
48:45You don't think I'm strong enough about it.
48:50You're really.
48:52Love, love, love, love, love.
48:55Jacob Allen, everybody.
48:57Yay!
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