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00:04Hey, Shona! Shona, step inside!
00:07Hey, where are you taken?
00:08None of your business!
00:08Yes, it is what?
00:09It's the murder of Professor Thompson!
00:12Now, out of my way!
00:34You've got the wrong man.
00:36Let's not play games, Mr. Himes.
00:37Professor Thompson's dead.
00:39Well, your knife is found in his back.
00:40The blood in your shirt and the blood in your face.
00:42I was with Shuaire.
00:44The princess?
00:44Yes.
00:46We...
00:48You what?
00:52I don't remember.
00:55I know all about your mother, Mr. Himes.
00:57Such afflictions run in the family.
00:59You're obviously deranged.
01:01You planted the bomb so you could turn yourself into a hero by saving everyone.
01:05The only problem is, the professor saw you.
01:07That's what I reckon.
01:10Which would give you the motive to kill him.
01:12It's a simple enough conclusion, but unfortunately incorrect.
01:16Talk to the princess.
01:17She'll corroborate my story.
01:27Hey, come, Mr. Himes.
01:39How about dinner first?
01:42How about dinner first?
02:03Good breakfast, my croft.
02:05Perhaps you'll go for kippers.
02:06Chef here does the most remarkable kitchen.
02:09I've already eaten.
02:10But I insist it's far too good to pass on.
02:12Said.
02:14Said.
02:17In that case...
02:20So...
02:20How can I help you?
02:21My brother is not responsible for the crime, sir.
02:25He is innocent.
02:26Tedious.
02:27Used to be such good fun.
02:28Can we please talk about anything else other than this?
02:32It's a sizeless innocent, God forgive you, but I can hardly interfere with police procedure now, can I?
02:35Well, your name does carry a certain amount of weight, sir.
02:37Why are you not, sir, Mr. Holmes?
02:40Persist you?
02:41Precisely.
02:42Not, are you?
02:43So try to remember your place.
02:44You've no idea what's at stake here.
02:46He's my brother.
02:47Quick, government, you're not listening.
02:49Stay out of it.
02:50Leave it with me.
02:51Keeping your brother locked up suits my purposes.
02:56Mr. Holmes has lost his appetite.
02:58Very good, sir.
03:03Thank you for your time, sir.
03:18Good morning, sir.
03:20Hmm.
03:21You think you're getting it back, don't you?
03:23Scholarship.
03:24That would seem appropriate.
03:26The scrolls were found, and, well, I was exonerated.
03:28All part of your young friend's little show.
03:30But don't put a hand on me, Moriarty.
03:34Sorry, sir.
03:35Let's face it, you've always struggled to fit in here, haven't you?
03:39Perhaps you should find a calling better suited to your standing.
03:43I believe I belong here, sir.
03:44I believe you'd do yourself a service if you pack your bags and leave.
03:47Your time at Oxford is done, sir.
03:50Goodbye.
03:51I'll do anything.
03:52Damn it, man!
03:53I've had me!
03:58I'll step out of my way.
04:02I want you out of your room at once.
04:13What are you all looking at?
04:17You freaking sheep.
04:25James!
04:26What?
04:28That was very unkind.
04:34This world is unkind.
04:38Where will you go now?
04:39I don't know.
04:40Will you go see Sherlock?
04:41I don't know.
04:42Well, I need to know what he's told the police.
04:44Well, I can't help you.
04:46I can't help you.
04:51I don't know what he's told the police.
04:53I don't know what he's told the police.
04:57I don't know what he's told the police.
04:58I don't know what he's told the police.
05:03I don't know what he's told the police.
05:05I don't know what he's told the police.
05:06I don't know what he's told the police.
05:07I don't know what he's told the police.
05:07I don't know what he's told the police.
05:07I don't know what he's told the police.
05:07I don't know what he's told the police.
05:08I don't know what he's told the police.
05:08I don't know what he's told the police.
05:09I don't know what he's told the police.
05:10I don't know what he's told the police.
05:13I don't know what he's told the police.
05:41Oh, Sherlock, can you get me out of there?
05:45Won't be easy.
05:47Well, this time, this is a murder charge.
05:51You know, you don't have to leave me here just to make a point.
05:53I'm not making a point.
05:56It seems as though there are...
05:58Keeping it rather long, that's least my purposes.
06:01...other forces at work.
06:02What forces?
06:03Not sure yet.
06:05You'll have to bear with me.
06:07I've wired Father in Vienna, perhaps he can pull some strings.
06:11Does Mother know?
06:13Not yet.
06:15Don't tell her, please.
06:16Of course I won't, Sherlock, but...
06:18...a case like this...
06:20...will hit the newspapers.
06:22The police need to talk to Shuan.
06:25The princess?
06:26I was with her.
06:27It's the last thing I remember.
06:33I'll see what I can do.
06:38Oxford has become a theatre of death.
06:40Well, that is admittedly unfortunate.
06:43I'm happy to be reporting that the situation is now in hand.
06:46We have the suspect in custody.
06:47The scout?
06:50Apparently he's claiming he was with you last night.
06:52I'm afraid that is not true.
06:54He's either mistaken or deluded.
06:56Oh, now that's settled.
06:57Perhaps you'd be so kind as to send your father a wire and reassure him all as well.
07:01A man lies dead and your concern is for your trade with my father.
07:05Well, I don't like to wallow in the past, princess.
07:08Always look ahead to the next challenge.
07:14Sorry?
07:16I pray your assurances are not just dust and shadows.
07:20More tea?
07:27Forgive me.
07:28Let me fetch someone.
07:39Maybe if you'd be so kind.
07:41Of course, sir.
07:45My apologies.
07:46Think nothing of it.
07:49Well, I've taken up enough of your time.
07:51Princess.
07:56Take a telegram.
07:58Right away, sir.
07:59To Sir Sidney Blewett, Minister for War.
08:03Dear Sidney,
08:05Stormcloud's threatened.
08:06I fear our work here is no longer covert.
08:13Laundry in the car.
08:14Move.
08:15Laundry in the car.
08:16Pick up a claim.
08:17Command.
08:18Move.
08:19Laundry in the car.
08:21Move.
08:22Come on.
08:23Laundry in the car.
08:25Pick up a claim.
08:26Come on.
08:27Put this behind me, please, prisoner.
08:29Off you go.
08:30Next.
08:36Head down.
08:37Straight down.
08:39What exactly are we doing?
08:41I am rescuing you.
08:42So if we can save the fawn in gratitude,
08:44it'll only embarrass me.
08:53Hold up, ladies!
09:10Carry on.
09:15Plan stops here.
09:17Come on.
09:17Wrap yourself.
09:19You're going down the chute.
09:24Keep covered.
09:25I'll see you for it.
09:33I'll see you for it.
09:47Excuse me, young lady.
09:51I said excuse me, young lady.
09:53I said excuse me.
10:02I'll see you for it.
10:02I'll see you for it, baby.
10:07Look, I'm taking care of the speed and you're waiting for me.
10:15A-a-a-a-a-a-a-a-a-a-a-a-a-a-A-a-a-a-a-a
10:19-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a
10:21-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-aa
10:21-a-a-a.
10:23Downs down to march, Don't swing a little more!
10:26A little more, a little more!
10:27And there we go, We'll swing a little more!
10:29A little more, next to me!
10:31Suck a little more, a little more!
10:33A little more, a little more!
10:36I'm gonna have a last one!
10:37I'm gonna have a last one!
10:38In a second, in myuffles, I'm gonna be very similar!
10:40And today, they're going to find a portal out of scrutiny
10:43Automate something girl, what, and if you have a choice?
10:46She said, girl, say, deal!
10:48On the levels down to march, Don't swing a little more!
11:03Escaped? What do you mean, escaped?
11:05My understanding is that nobody could escape from Oxford Jail.
11:08Seems like you had an accomplice dressed as a washerwoman.
11:11When? When did this happen?
11:13An hour ago. Our officers are searching the city.
11:17Constable, I do not want some trigger-happy marksman gunning him down in the bloody street.
11:22Pardon me, gentlemen. Detective Fidget, Scotland Yard.
11:25Constable Lestrade?
11:27Is this the crime scene?
11:28It is, sir.
11:29Sounds like this case has turned into something of a shambles, Constable.
11:32With all due respect, sir, a lapse in prison security can hardly be considered my responsibility.
11:37And who might you be, sir?
11:40I am Sherlock Holmes's brother, Mycroft Holmes, from the Foreign Office.
11:44Ah, the Foreign Office and his brother.
11:47In one tiny package.
11:50I am prepared to help you with your search, on one condition.
11:55When he is brought in, no harm will come to him.
11:59My brother is innocent, Detective.
12:02Well, if he is innocent, Mr. Holmes, why is he running?
12:08Why?
12:17Why here?
12:19So, look, it's as good a place as any to hide out.
12:21It's dark during daylight hours.
12:23You can get yourself a new outfit.
12:25But we're not running from here until we sort out this mess.
12:28This mess is my mess, not yours.
12:31You can still have a future at Oxford.
12:33I think we're well past that point.
12:36I suppose I should probably, rather awkwardly, say thank you.
12:43For what?
12:44For your flamboyantly impressive extraction.
12:49There's no need to thank me.
12:51I'm having a lovely time.
12:53You ready?
12:54Sorry.
12:58Ow!
12:59Jesus, James, what was that for?
13:01You need to learn how to defend yourself.
13:03Come on up.
13:06Come on up.
13:09I'd hate to break this to you.
13:11But you're a bit of an embarrassment.
13:16Stop hitting me in the nose!
13:18You need to learn how to stop me from hitting you in the nose.
13:22Oh, very good.
13:24Now, so what happened to you last night?
13:26She came.
13:27We drank.
13:29I woke up covered in blood and was arrested for murder.
13:32So you can't remember anything else?
13:34No, nothing.
13:35Okay.
13:35How many did you drink?
13:36Two.
13:37Two?
13:38One and a half.
13:38One and a half drinks.
13:39Yes.
13:40That's it.
13:40Yes.
13:41Oh.
13:42Are you suggesting she's involved?
13:44I would explain.
13:46That's the way she came to your room last night.
13:49Oh, Sherlock.
13:51Oh, I just wanted to thank you.
13:54You're so busy.
13:59That's not bad.
14:01Well, you deserved it.
14:06She did have her back to me.
14:09As she poured the drinks.
14:10Your companion, James Moriarty, is quite brilliant, but not as brilliant as you.
14:16So she slipped something in your drink?
14:17That would explain why I can't remember anything.
14:20Here's to your extraordinary future.
14:22Perhaps we do have the right idea.
14:24Just the wrong thief.
14:31She stole the scrolls to ensure the library was locked down, giving her time to plant the bomb.
14:36All good, all good.
14:38To a point.
14:39If she was trying to kill the professor, why would you go to the trouble of building a bomb?
14:42Why would you not just knife him in the back and get it over with?
14:46Let's ask her.
14:47I would love to see her again.
14:50What's the collective known for a police?
14:52A plot?
14:53A plot of pillars?
14:54A plot of pillars.
15:04I think we should join the plot.
15:23The party was not a success.
15:27No one expected you, Mr. Holmes, to enter the picture.
15:31What do you intend to do about him?
15:35Already done.
15:39He's been arrested for murder.
15:41And on the run, I hear.
15:43Even more reason for them to think he's guilty.
15:47Is he going to be a problem for us?
15:51I can control him.
15:55He got to you, didn't he?
15:59Upon that wall are 26 characters from the Hebrew Bible, the numerical value of Jehovah.
16:07Jehovah is both positive and negative.
16:10Ying and yang.
16:11So we double the 26 and we find 52.
16:15That is why we have 52 weeks in a year and 52 playing cards.
16:20What we don't need here is a 53rd.
16:24A joker.
16:28The first apostle has been eliminated.
16:31I don't want to doubt you.
16:35You have one week.
16:37Move quickly.
16:39Find Professor Roberts.
16:45Or it will be our blood that is spilled, princess.
16:57Forgive me.
17:26Professor Roberts?
17:44Let's go.
18:00Let's go.
18:02Let's go.
18:03Let's go.
18:12Let's go.
18:42Let's go.
19:11Let's go.
19:15You seem very knowledgeable, Constable.
19:17I do like to do my own research, sir.
19:19I think it's fair to say that I would lay down my life for the Constabulary.
19:25I also like to do my own research, sir.
19:27And I think it's fair to say that I would lay down my life twice for the Constabulary.
19:43I think it's fair to say that I would lay down my life for the Constabulary.
20:02I think it's fair to say that I would lay down my life for the Constabulary.
20:06Oh, I think that the acclaim is so often erroneously misplaced to cosmetic factor in an equation of two.
20:15I think it's fair to say that I would lay down my life for the Constabulary.
20:42It's fair to say that I would lay down my life for the Constabulary.
21:12I think it's fair to say that I would lay down my life for the Constabulary.
21:29I think it's fair to say that I would lay down my life for the Constabulary.
21:45I think it's fair to say that I would lay down my life for the Constabulary.
22:00I know about your English children and your nursery games.
22:04Shall I be the nanny and you'll be the little boy?
22:08Are you going to make me come and find you?
22:12That won't be necessary, nanny.
22:16I surrender.
22:17Did you find anything incriminating, officer?
22:20Sadly, my search hasn't been as productive as I would have hoped.
22:24It seems your obsession with me runs very deep.
22:26More curiosity, then.
22:29Obsession.
22:31However, shockingly, I am curious as to why I'm being set up for murder.
22:34Are you implying in some way that I am guilty?
22:37Well.
22:40Yes.
22:42Yes, I think I am.
22:43If I were to scream and they came in here, whose side would they take?
22:48An escaped convict masquerading as a policeman or a highly esteemed princess of the Qing dynasty?
22:54And yet you haven't screamed, have you, princess?
22:57Maybe there's a reason you don't want anyone snooping around in here.
23:05Maybe there's something you're trying to hide.
23:34If I were to the room, please help me.
23:35Maybe there's something you're trying to hide.
23:35Yes, there's something you're trying to hide.
23:37I'm just doing my exercises.
23:49Ah, that is a shame.
23:53It won't be long now before they come to save the innocent princess from the deranged escaped convicts.
24:04What are you doing?
24:05Good job.
24:10Well, that was dramatic.
24:12You should have taken your job.
24:30Mr. Holmes, I'm here to visit my mother. These two gentlemen wish to speak to the director.
24:34My name is Detective Fidget, Scotland Yard.
24:37Constable Lestrade. I'll send for the director.
24:43If you don't play your cards right, you could end up in a place like this, Lestrade.
24:47No, Trudy. Trudy, please.
24:48Everything under control, Nurse Bell?
24:50Yes, thank you. Thank you, Dr. Clark.
24:51Thank you, Dr. Clark.
25:06Twice in one week?
25:09To what do I owe the pleasure?
25:11You knew it was me.
25:15I know your footsteps. The echoes in that corridor are my whole world.
25:22Has he been here?
25:26Sherlock.
25:28You said he was with you in Oxford. What's happened?
25:31Nothing.
25:33I just wondered if you'd been to visit, that's all.
25:35You're lying.
25:38The man with the bird's claw.
25:40Who came after me.
25:41Oh, please, Mother.
25:42Now he's after Sherlock.
25:45He's hunting.
25:46Shhh.
25:47Please, Mother.
25:48Don't upset yourself.
25:49Sherlock is fine.
25:51He's settling in, making friends.
25:54Now I know you're lying.
25:58Sherlock never made any friends.
26:01I just wondered if you'd been to visit, that's all.
26:04How to paint a mother's grief.
26:09She was such a pretty little thing.
26:13She was.
26:14She'll never grow old.
26:17No.
26:19She'll always be a child to me.
26:26You have been most helpful, sir.
26:30She hasn't seen him.
26:32The director confirmed your brother, in fact, hasn't been here.
26:35He'll be miles away by now.
26:36He won't run.
26:37No.
26:38He wouldn't do it to our mother.
26:40My brother is innocent, detective.
26:42Mr. Holmes, your brother remains a fugitive.
26:45The chase continues.
26:52She ran.
26:56A burnt piece of paper in the grate.
27:03my god it pains me to see you so defenseless yes well i recognize i'm a work in progress
27:15something silver embossed writing can you see the letters l and r gothic script mean anything
27:23there was a number two signing up the magna carta that's 1215 that's it no i have seen those letters
27:33porter's lodge the photographs on the wall it's not l and r it's alan k lord and kingsley the
27:39oxford photographers why would she want to destroy a college photograph well you have the number you
27:45can find the original plate you can make yourself a copy lord and kingsley they have a shop on high
27:49street if we find out what she burnt maybe we can find out why and so we stand like greyhounds
27:55in the
27:55slips straining upon the start fancy yourself the king if the crown fits
28:16oh good afternoon gentlemen good afternoon sir we would like to order a copy of a photograph i
28:22believe you have already taken it's number 1215 okay let me see
28:31i don't seem to have a plate of that one unfortunately we don't have enough room to
28:36store all the originals what was the photograph i don't recall would you at least be able to tell
28:42us who you made copies for one moment and gentlemen let me check my other ledgers i say is this
28:47a
28:48richard maddox model good heaven sir you certainly know your cameras would i be correct in saying this
28:53works on a gelatin dry plate to produce a shorter exposure yes and it builds on the collodion process
28:59to acquire only two to three seconds of exposure before producing an image must have been jolly
29:04expensive yes it was well but it only just arrived to be honest i'm still getting to grips with it
29:12myself but it produces a remarkable image i think this is going to pave the way to miniaturization
29:19yes and potentially more adaptable photographic emotions yes a new world beckons well we shall be
29:27back tomorrow to pick up the photograph thank you you'll be most helpful
29:35any luck two copies made swan burned one the other one went to the master's lodge at candlin
29:43so we just walk up to his door and knock on it
29:50sorry to disturb you sir is the master at home not here there's an engagement in london right
29:56we're checking all the college premises for this uh fugitive sherlock holmes ah yes i heard
30:02well i can assure you he's not in here if i don't check for myself sir my sergeant i'll i'll
30:10never hear the
30:10end of it thank you sir did you know him sir the scout sherlock holmes never met him
30:29they say he was an odd sort excuse me would you constable i was just about to take the mistress
30:35her afternoon tea if you wouldn't mind waiting
30:52sorry about that constable would you like me to give you the tour
31:02good afternoon smudger oh good afternoon your highness i need to speak with professor roberts
31:07i'm afraid he's not in college at present i have to hand in an essay
31:12the tunneling shield perfected by isambard kingdom brunel is the future
31:17discuss sounds fascinating he's very strict about deadlines would you be so kind as to give this to
31:23him of course your highness lad thank you smudger my pleasure your highness put it with the others lad
31:32when are you going up to his country house this evening sir why the secrecy why not give out
31:39his address you mourned your own business lad who is your bid
31:43i am
31:44albo
31:45no
31:46i am
31:47i am
31:58i am
32:00i am
32:21Handling college tennis courts, 1870.
32:24Why would you not want anyone seeing this?
32:27That's Professor Thompson, your supposed victim.
32:31Who are the other three?
32:32You should know, Sherlock.
32:34You waited on a hand and fought.
32:35I cleaned 35 places a day.
32:37I made 30 beds a day.
32:38I might need a moment.
32:39Pink, man.
32:40Pink.
32:40What do you think I'm doing?
32:41I'm not frying an egg or milking a cat.
32:43I'm thinking.
32:44This professor in particular was very tidy.
32:47He kept very little in his room.
32:49There were some books on his desk, but nothing that helps me remember his name.
32:52Excuse me, sir.
32:58Professor Roberts.
32:59That was his name.
33:01Very good.
33:02Very good.
33:02Well, keep going.
33:03Keep going.
33:03Come on.
33:04I might be a scout.
33:05I'm not your scout.
33:07I emptied his waste paper basket.
33:09There were some letters.
33:09One of them from a John...
33:11John, John, John, John.
33:13John who?
33:13John Nowell?
33:14John Nowell or John Howell?
33:16John Howell.
33:16How did you know?
33:17John Howell is an engineer.
33:19So Professor Roberts is a professor of engineering.
33:22Our work here is done.
33:25That's Professor Enright.
33:28He's a meteorologist.
33:30And that is Professor Malik, a visiting professor from the University of Bombay.
33:36The speciality?
33:37Geology.
33:39So what links are for all of them?
33:44The gala opening.
33:47The science building.
33:50Oh, there was a guest list by the entrance.
33:52Investigate.
33:53Mr. One of them.
33:53They were all on the same table.
33:54The table nearest the front, nearest the podium, nearest the bomb.
33:57So this bomb was designed to kill them all.
33:59That's why she didn't want us seeing this.
34:01It's a picture of her targets.
34:02A way to identify them.
34:03But in the crux of the thing, why does she want them dead in the first place?
34:07If I had half the money, I left in my care, it would boy me dead in the years, from
34:28my family rest.
34:38I need you to give me their home addresses.
34:40I can't give out private information.
34:42Check their rooms.
34:44Do you think I'd be standing here talking to your fat arse if I hadn't already done that?
34:48Watch your tone, Moriarty.
34:50You are not listening to me.
34:53Bones will be broken.
34:55Blood will be spilled here today.
34:56There's always drama with you, isn't it?
34:58Now, on your bike, I'm busy.
35:00Well, you've been fear-selfful.
35:09One day, I'll remember that.
35:11Yeah.
35:19It's no use.
35:21The man's an empty suit.
35:23I couldn't kick anything out of him.
35:26Excuse me.
35:27Excuse me.
35:31Do you really think they're in danger?
35:33Why?
35:34Is there something you'd like to share?
35:45Who is it?
35:46Jeff Corb.
35:47Roll through delivery.
35:50One moment.
35:53Rather late, aren't you, boy?
35:55Come on.
35:56Chop, chop.
35:56Bring it through.
35:57Yeah.
36:01attorney, procal.
36:04Let's go.
36:13Let's go, let's go.
36:15Let's go.
36:17Let's go.
36:21Let's go.
36:22Let's go.
36:53Choke to death.
36:57Fairly sugars, warm corpse.
37:13We are stumbling through the fumes of our murderous wake.
37:19You've had a hand to do it.
37:21Forgive me if I'm not ready to applaud.
37:29I'm a wanted man. You should go to the police.
37:31She's thrown down this challenge to you, Sherlock.
37:35Not to them. Why let them have all the fun?
37:39There are two professors out there still alive.
37:43We find them before she does.
37:44You stand like Greyhounds in the slips straining upon the stand.
37:54The game's afoot.
37:56As I was walking all the lane, I heard to walk all business back in the main.
38:06In behind young old fair guy, I watched their lives a new slave night.
38:15And nobody can say to you like...
38:16In the middle of the night, I saw you in the middle of the night.
38:16And nobody can say to you like...
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