- 7 hours ago
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00:07What the hell happened to you?
00:10Car crashed.
00:12Can we get two and a half smokes, some fries, coffee, and a bag ice?
00:17Sure thing.
00:20What's on your mind, sugar?
00:22Hey, sugar, alright. I almost got killed. Losers in the wind.
00:26Lance Duran practically talked himself out of child trafficking charges.
00:30LaDonna's locked up for a murder somebody else did.
00:32I've been to see you. A couple of them.
00:36You talking?
00:38We got some movement on the case. The second victim may have survived.
00:41If we find this person...
00:42You got a witness that can clear LaDonna?
00:45I'm not trying to clear her.
00:46I'm just trying to put in some work, catch a killer.
00:49Whether or not it's who I want it to be.
00:52Find out after the break when we talk to the CEO of the press crook industry.
00:56That fucker smug face on TV.
00:59Lance Duran?
01:01Cause if I was you, I'd be thinking about the fucker who sent her fucker to fuck me up.
01:05Just saying, I get where she come here from.
01:07She took out a pedophile, a crooked cop.
01:10Murdered a mother of two.
01:12An activist who was trying to take Lance down the right way.
01:15And oh wait, you'd be on that list too if it wasn't for Kayla Kahn, he who shall not be
01:19named.
01:19Don't get me wrong, catch and lose comes first.
01:22Damn well better.
01:24And now, you just have to figure out where ever the hell she is.
01:27Yeah!
01:29Yeah!
01:29Yeah!
01:30Yeah!
01:33Yeah!
01:34Yeah!
01:34Yeah!
01:35Yeah!
01:35Yeah!
01:36Yeah!
01:38Yeah!
01:38Yeah!
01:39Excuse me man, excuse me.
01:41Can he please cup your boobies?
01:42Get him!
01:43Get him!
01:45You are stunning, but I am about to marry my queen!
01:47Not tonight, then I'll hit you!
01:51Why didn't you?
01:52Not tonight, you guys!
01:52You missed your man man, I'm just gonna give him the time to lie.
01:55If he's yamage, I got another one that couldn't find the woman's fight I changed.
01:59Not tonight, you guys!
02:00No.
02:02Thank you man!
02:16I'm gonna take you.
02:22Go ahead.
02:25I told you so.
02:26I know.
02:28I thought I had her, but you were right.
02:39That's it?
02:40Saw the photos from the accident.
02:42Pretty sure you learned your lesson.
02:44You have some explaining to do, too.
02:47Bobby Trey?
02:49How long are you two?
02:50I needed some off-the-books help with Uncle Sam's special.
02:54You slit an innocent woman's throat.
02:57She died in my arms.
02:59Is your situation so desperate, you need to pull a psycho out of prison?
03:02If I didn't send that psycho, you'd be dead by now.
03:08Fucking shit.
03:09Okay, okay.
03:10I'm here.
03:11I'm fine.
03:12I'm fine.
03:14You're actually not fine.
03:17Everybody who's anybody is in that room waiting to kick your ass.
03:22Okay.
03:24Hey.
03:26It's good to see you.
03:27It's good to be seen.
03:48It's good to be seen.
03:57Almost new.
03:59No cream, too, sugars.
04:01First off, we didn't have enough to arrest the suspect.
04:04At minimum, you should have had eyes on her.
04:06Okay.
04:06A, we don't answer, do you?
04:08And B, we did have eyes on her.
04:09She slipped him.
04:10Well, don't send a cop to do a fetch job.
04:13Shit.
04:13It was FBIS OG that lost her.
04:15It's irrelevant.
04:17Detective Cross's actions compromised this investigation and put lives at risk, both sworn and civilian.
04:24I took a chance.
04:26And you lost.
04:28And from what I'm hearing, you're coming at Lance Durand like he's the one we're after.
04:32No, no, no.
04:34You're done.
04:37I'm adding Special Agent Rodriguez to this detail.
04:42You can clear out, Detective.
04:44Assistant Director McElhannon, this is a joint investigation, right?
04:49Well, Cross doesn't work for you.
04:50He works for the Metropolitan PD.
04:52And you can do whatever you want with your personnel.
04:54But when it comes to decisions about my people, you check with me.
04:58This is way above your pay grade, Lieutenant.
05:01Does it fit within my purview?
05:04I'm going to save you the trouble of calling, Roy.
05:08Cross isn't going anywhere.
05:10He's the reason you even know who you're after.
05:14And I'm guessing no one here is more motivated to catch her than him.
05:34Detective Cross, you've got a minute?
05:38Agent Goff, right?
05:39Yes, sir.
05:40A few days back, you guys asked me to track down the full complaint filed by Gabriela Perez.
05:44Yeah.
05:45Did you ever find it?
05:47Still working on that.
05:50I'm a big fan, Detective.
05:53I mean, I don't normally go announcing that in a locker room, but you know the mood out there.
05:57I just wanted to say, the way you handled the Ramsey case, including the stuff that didn't make the papers...
06:01Yeah, I appreciate that, man.
06:03I really do.
06:07I've been seeing somebody.
06:08She's Capitol Police.
06:10Other day, she gets a call into Senator Pete Ashford's office.
06:13Said he had a break-in.
06:14The name Ashford rang a bell.
06:15Like Judge Olivia Ashford, from Esteban's papers.
06:19Mm-hmm.
06:20Is she related to the Senator?
06:21His mother.
06:23I did some digging.
06:25Judge Ashford spent most of her career in Iowa, where she ruled on several Crestbroke cases.
06:31That's some impressive digging.
06:32Where's the judge now?
06:33Well, she and her husband died in a plane crash years ago.
06:37Excellent work.
06:39Excellent work, Agent Goff.
06:42Thanks, Detective.
06:48I know what you're thinking.
06:50And you're wrong.
06:51I'm fine.
06:53You're shocked.
06:54It's just a little hole.
06:56It's not like you broke anything.
07:02We're revising the plan.
07:03No.
07:03We can't call time out.
07:05Not now that you've been made.
07:06I'm fine.
07:07I just need something for the pain.
07:09You can barely lift your arm.
07:10You are a fucking mess.
07:11I only need one good arm to do my part.
07:14What if you have to run?
07:16Then they'll catch me.
07:18They're not going to give me a lie.
07:26I appreciate you taking the time to see me, Senator.
07:29Not the best day for a visit?
07:31Mm-hmm.
07:32When you said you had information about her?
07:34Yes.
07:36Is this the woman who came to see you?
07:40Who is she?
07:41Her name is Luis Perez.
07:43She's a suspect in multiple murder cases.
07:45Jesus.
07:46Do you know what she wanted from you?
07:49Yeah.
07:51She took a picture from behind this portrait.
07:53It was a photo of my mom with Lance and a bunch of his cronies.
07:59Did she tell you what your mom's connected to?
08:04You know about that?
08:06A little.
08:08Tell me the rest.
08:12I worshiped my mom.
08:14And this woman, Luz, told me that she was part of a conspiracy
08:18to cover up criminal acts perpetrated by Crestbrook Industries.
08:23She threw out dozens of lawsuits,
08:25made sure damning evidence against the company never saw the light of day.
08:28You didn't believe what Ms. Perez told you?
08:30Yeah, she had the lawsuits.
08:32After she left, I looked into it and I found just more.
08:35Much more.
08:38Any of these boxes have the case filed by Gabriela Perez?
08:44Um, this one.
08:47You know, my mom taught me everything I knew.
08:49I got into law to make her proud.
08:51I have been living off the money that she left me.
08:54Money that she made off of enslaved kids.
08:58Everybody that was in that picture got rich.
09:01Lance Durand, Richard Helvig, Paul Hartsfield.
09:04And by inheritance, fucking me.
09:08Is that why you took six hours to call the police
09:10after Luz Perez left your office?
09:12Guilt?
09:14She said she'd kill me if I called any sooner.
09:18But yeah.
09:20Guilt.
09:25This is the lawsuit that Gabriela Perez filed.
09:28Is this their original complaint?
09:30Yeah.
09:40Agbar, I need you to look up some names for me.
09:43Griffith Stoker, Jelani Amadu, et cetera.
09:51Brent Turlock, Paul Hartsfield, Nuri Mohindra,
09:54and, of course, our wonderful friends Lance Durand, Nat Game Cars,
09:58Richard Helvig, Mitch Morgan.
10:00And a partridge in a pear tree.
10:02What is all this?
10:03He's a defendant in Gabriela Perez's lawsuit against Crestbrook.
10:07Everyone with the diva side of their name.
10:08Now, you'll notice some familiar faces,
10:11along with some significant overlap from Lincoln Esteban's records.
10:14What do we know on the new faces?
10:16Well, Paul Hartsfield was the deputy assistant secretary
10:18in the Department of Labor.
10:19And given recent events,
10:21we believe that he may have been tipping off Crestbrook
10:23to upcoming inspections.
10:25Brent Turlock was an MD.
10:27Looks like he took over Gabriela Perez's clinic after her death.
10:30Connection to Crestbrook?
10:32There's none.
10:32Until about 10 years ago when he left the clinic
10:35to become a consultant at Crestbrook.
10:37Guy ends up doubling his income overnight.
10:39Sounds like a payoff to me.
10:41Exactly.
10:42Maybe, maybe not.
10:43Nuri Mohindra's family got rich,
10:45providing cheap labor in India, Malaysia, and Thailand.
10:47She expanded her operations stateside,
10:49recruiting for Crestbrook Industries.
10:51And Griffith Stoker?
10:52D.C. fixer and lobbyist.
10:54Used his K Street connections to help grease the way
10:56for the company's first big expansion.
10:59What about this Jelani Amadou?
11:01What's his connection to Crestbrook?
11:03Beyond being Lance Duran's best friend?
11:05Not much.
11:07Guy's an economist.
11:08Spotless record.
11:09Lectures grad students in his spare time.
11:11Couple of papers that gained some traction
11:12in the mainstream press.
11:13A boat?
11:13I knew I knew his name from somewhere.
11:16He did a piece in the Wall Street Journal,
11:19uh, in defense of working women or something like that.
11:22Sounds nice, right?
11:23But the gist was that since women make 80 cents on the dollar,
11:27companies could save millions by hiring an all-female workforce.
11:31Even more by hiring women of color.
11:33Hmm.
11:34I imagine how much they could save by hiring a children.
11:38It's a pretty big leap.
11:40Is it?
11:41I mean, they had a man in DHS,
11:43a connection in the Department of Labor.
11:44A truckload of trafficked children.
11:46Gabriela Correz listed these individuals for a reason.
11:49What about Beverly?
11:50She's not a defendant, but Luz killed her anyway?
11:53To get to Richard Helvig's money.
11:55Beverly Sohams is Helvig's banker.
11:57She must have known at least some of what he was up to.
11:59Guilt by association.
12:00A different degree of guilty,
12:02as evidenced by the fact that unlike the lawsuit defendants,
12:05Beverly got to keep her fingers.
12:06We believe Luz Porrez is singling out the defendants for special treatment.
12:10She's making it personal because in her mind,
12:12they're the most culpable for her mother's death.
12:14Man, look at the dates.
12:16Except for when Sheriff Morgan corners Luz,
12:18almost all of her personal kills were recent.
12:21She's just blazing through victims now.
12:22Mm-hmm.
12:23And thanks to Senator Ashford, we now have a kill list.
12:26The ten defendants?
12:28How many are still alive?
12:29Five.
12:30Including Lance Duran and the head of his security, Nat Gankars.
12:33There has to be an order.
12:35Plan.
12:36I just can't see what it is yet.
12:40Okay, well, in the meantime,
12:41let's heads up the remaining targets
12:43and hope that we can keep them alive when we figure this out.
12:46Sounds good.
12:49Okay, good to hear.
12:51Thank you for everything.
12:52Nuri Muhendra?
12:53Yes?
12:54We have reason to believe your life is in immediate danger.
12:57Is there somewhere private we can talk?
12:58I think you have a record.
13:01You have a record.
13:11Mr. Stoker, we need to speak to you.
13:31Hey, George, what do you call that color?
13:33What is that?
13:34Carolina blue, sky blue, lounge lizard blue?
13:36My daddy's blue.
13:37Oh.
13:39You did beautiful work, George.
13:40Thank you, Mr. Jelani.
13:44Believe I fit in that old tux?
13:45I believe it.
13:46I'm surprised you won it, to be honest.
13:49My father married my mother in that suit.
13:51Jelani.
13:52Oh, hey.
13:53Cross my best friend gets married tomorrow,
13:55so whatever you have to say can wait.
13:57Oh, congratulations, but this most definitely cannot wait.
14:00What's this about?
14:02Do you remember Gabriela Perez?
14:05No.
14:06She's Sue Crestbrook.
14:07Named you, Lance Duran, Richard Helvig.
14:10You know all the names, but I have a new name for you,
14:14one you might not recognize.
14:16Luz Perez.
14:18Who is that?
14:20Gabriela's daughter.
14:21She's killing everyone on that list of defendants,
14:24and there's only a few names left now, Jelani.
14:27Yours is one of them.
14:28So now might be a good time, maybe the only time,
14:31to tell me everything you know and help me help you.
14:36Okay, listen to me.
14:37Nothing is going to happen to you.
14:39This woman's going to be in your rear view
14:41before you even start your honeymoon.
14:42I promise you that.
14:44He's getting married tomorrow.
14:45We're not canceling a wedding.
14:46You're an economist, right?
14:49Here's a statistic for you.
14:51Fifty percent of your buddy's co-defendants are dead.
14:54Fifty.
14:55Do the math.
15:07Hey.
15:10Hey.
15:11I was just on my way out.
15:14Alex.
15:15What?
15:16Kids told me you were in a car accident,
15:18but I didn't think...
15:21Yeah, no, sister.
15:22It's fine.
15:24It's fine.
15:24Look, too, John, maybe we get x-rays and everything.
15:26It's fine.
15:28Alex.
15:30Was this an accident?
15:35Look at I asked.
15:38It's really none of my business.
15:40Of course it's your business.
15:41You're part of the family.
15:43Maybe.
15:44Maybe.
15:44That's the problem.
15:46I think it's confusing for the kids,
15:48me being here all the time.
15:49It's confusing for me.
15:52You know, sometimes when you're not here,
15:55I forget things are different now.
15:58I forget
16:00why I was mad.
16:03Why I left.
16:06Then I see you come in like this.
16:11And I remember.
16:13What?
16:14What are you saying?
16:18I don't think I should come around anymore.
16:21I can take the kids back to my place after school if you need me.
16:24I can leave them with Samson.
16:25But us seeing each other like this.
16:30It's keeping me from moving on.
16:34That's what you want to do?
16:35You want to move on?
16:38It's what I need to do.
16:51Please take care of yourself, Alex.
16:57I can't.
17:25I don't know.
17:41Felicia, long time no see.
18:00Running won't help you.
18:09Bye, Felicia.
18:47What do you want?
18:49The original.
18:52And you think I have it?
18:55I think you're too much of an operator to not know where it is.
18:58I'm an operator.
19:01You're a fucking pick-me.
19:04So desperate for a pat on the head.
19:08What is this tough guy shit, Kayla?
19:10It's not you.
19:13And it's not that serious.
19:17Maggie blew her head off.
19:20So don't tell me this isn't serious.
19:23Margaret.
19:24Yeah.
19:25Shot herself.
19:25Right in front of me.
19:27I see it every time I close my eyes.
19:31She was always a little jumpy.
19:36Was it brain matter splattered on the wall or was it red mist?
19:38She killed herself to protect her family.
19:42You're going to give me that footage.
19:44Or what, Kayla?
19:46What are you going to do to me?
19:47How far are you going to go, huh?
19:49Did I tell you how I found Margaret?
19:54Mastermind gave her to me.
19:57Yeah.
19:58He's cleaning house.
19:59But you already know that.
20:01Don't you?
20:02I mean, you're not living in a six-story walk-up in Chinatown with no AC because you're like the
20:06ambience.
20:11There's no more hiding.
20:13Not for any of us.
20:16So you're going to need to help me make a decision right now.
20:18Do I send him a flare to find you here?
20:20Or do I send it to North Carolina where your husband and daughter are holed up?
20:28Painting's a nice touch.
20:30I wouldn't believe the amount of times that soldiers, they asked me if it was part of the experiment.
20:35Truth is, it just came with a building, but having it here, it was somewhat Pavlovian.
20:41Right.
20:43Subject sees painting.
20:46Subject remembers previous trauma.
20:50It was fascinating watching those big, strong men just...
20:55The fall of art.
20:57They wanted so badly to believe that they were special, just like you.
21:04They're just cogs.
21:06Too afraid to live their life without orders.
21:08Like you.
21:11Because with orders, you can pretend that somebody else made you do what you did.
21:20I didn't do what you did.
21:23I didn't do that.
21:25I had no idea what was going on.
21:27You picked the soldiers.
21:28Mm.
21:29I wrote profiles for a mission, not for this shit.
21:32You were all profile, Kayla.
21:34Who's willing to ride the line?
21:35Who's willing to do the dirty work?
21:37Who needs a pat on the head so fucking badly that she'll do anything?
21:40You can pretend that you're one of the good guys, but he knew what you were from the very...
21:50Bitch, please.
21:52You're not going to kill me.
21:55You're not even going to really hurt me.
21:58You have no idea what I'm going to do.
22:00You have no idea what you'll do, and that's why you're so scared.
22:04I should kill you right now.
22:06I should kill you right now.
22:24You're not better than us, Kayla.
22:27You're just weaker.
22:31No, no, no.
22:32Wait, wait, wait, wait.
22:34Wait, wait, wait.
22:34When this is done, when this is done, when this is done.
22:37You can do it with her, whatever the fuck you want.
22:39Whatever the fuck you want.
22:40But right now, we need information, so I need you to get your shit together, eh?
22:43You motherfuckers.
22:45You motherfuckers, motherfuckers.
22:47God damn it.
22:48God damn it.
22:55They ain't deserve to be treated like all that.
23:00No, sir.
23:00No, sir.
23:01No, sir.
23:02Who are you motherfuckers?
23:05You motherfuckers is monsters.
23:07Mm-hmm.
23:08No.
23:09Says the man who worked for a serial killer.
23:13Like a dirty cop.
23:16Drug dealer murderer for hire.
23:18And before that, Sergeant Robert Avalard, US Army, 101st Airborne.
23:25Shit.
23:27Shit.
23:27Lord knows, Lord knows, I was, I was wanting to be a hero.
23:34And then you go where they send you, and you do what they tell you to do, and then you
23:39see shit.
23:40And then you realize you ain't no, you ain't no hero at all.
23:46You're just another weapon.
23:49No.
23:58You know, before Esteban became a muckraker, he was a street artist.
24:02Went by Chaka.
24:03Chaka.
24:03You made this on a wall facing Crestbrook's Chicago officers.
24:06You kind of dope.
24:09That the motherfucker try to run you over?
24:11That's him.
24:12Donnie motherfucking Hayes.
24:13Crestbrook took out his family farm.
24:15Ooh, nothing brings people together like a good old-fashioned hate fest.
24:20What's with the Chicano art?
24:22Yeah, does any of this mean something to you?
24:26Overall style feels very Azteca.
24:28Mm-hmm.
24:29Where you from again?
24:30Guatemala.
24:31But I took a pre-Columbian class in college.
24:34Can you fill in some of the blanks for me?
24:36Bro, I really got a B-minus in that class.
24:39Got it.
24:39But I'm still in touch with Dr. Gonzalez.
24:42You know what?
24:42I'll send you his info.
24:44Please.
24:44All right.
24:48You get something?
24:49A line on the second victim of the Duvernay case.
24:53Milo Sotovihal, age 35,
24:55saw an off-the-books doctor for a bullet room just after midnight.
24:5945 minutes after the murder?
25:01Mm-hmm.
25:01And I got a tip on his current.
25:03You want a ride?
25:05Go.
25:07Got to go check out Vader's professor.
25:22Hey, Nana.
25:23You get my message?
25:24Yeah, baby.
25:24And I bought my train ticket.
25:26But if you pissed off here, I'm gonna whoop your ass.
26:06Milo.
26:07The fuck are you?
26:09Detective Vega, MPD.
26:11Who shot you?
26:13I wouldn't do that.
26:15Hands with me open.
26:19I had an infection like that in the service.
26:23Heard like a mother.
26:25And I'm guessing you can't risk going to see a doctor.
26:28What's it to you?
26:30You give us a name.
26:32We come back here with antibiotics.
26:34No questions asked.
26:36No name.
26:38You have to take your chances going to the hospital.
26:41Providing you make it that long.
26:45Put the guns away and then we can talk.
26:52You first.
26:57Who shot you?
26:58Was it TK?
27:00I don't know who the fuck that is.
27:03We were doing business and that motherfucker tried to rob us.
27:07I heard my buddy call him Night Train.
27:11That was right before he started shooting.
27:25What do you see here?
27:28There's a lot of lotteria cards, right?
27:30Lotteria.
27:31Lotteria.
27:33Lotteria.
27:33Close enough.
27:34Yes.
27:35They are lotteria cards.
27:36And you notice a resemblance to the art that you showed me, right?
27:42It's damn near identical.
27:43Yes.
27:44Yes.
27:45And that makes me very curious because this deck is obscure almost to the point of being forgotten.
27:52It reflects a very old story born from the resistance to La Conquista, a legend named La Niña de las
28:02Flores.
28:04After Cortes and his men killed the emperor Motecuitlán, they made their way into Xochimilán, the land of the flowers,
28:16the home to a brave young woman.
28:19A valiant young woman named Xochimilán.
28:37Mientras the soldiers attacked, the mother of Xochimilán asked her to sing an old song that would inspire their people
28:44to resist.
28:52When the soldiers realized Xochimilán's song was working,
28:56La arrastraron hasta el borde de un cráter y la arrojaron dentro, pero desde el fondo del cráter siguió cantando.
29:03She continued to sing.
29:06To silence Xochimilán, they piled dirt more and more until the crater became the Volcano Takana.
29:17The Volcano Takana.
29:22In order to save her people, Xochimilán had to fight her way to the top of the mountain from the
29:28inside, past the ten levels, each guarded by a demon more fearsome than the last.
29:35The first level guarded by a giant dog, el perro.
29:40The second level, el curandero, an evil medicine man.
29:46El pecador.
29:50El parásito.
29:55The judge.
29:59Her victims are all a part of this story.
30:02The architect, el martillo, la boca, la guardia, protecting the throne room.
30:09Luis Pórez is living out the legend, La Niña de las Flores.
30:19To her, the defendants in her mother's lawsuit are the demons she must defeat in order to save her people.
30:24Her first victim, Sheriff Morgan, he's a dog guard in the underworld.
30:27Dr. Turlock, he's a medicine man.
30:29El curandero.
30:30Helbig, he's a sinner.
30:31I believe Paul Hartsfield, the crooked labor secretary, is the parasite.
30:35Nat Gancar is the other guard, which means that Lance Durand is the crown of fingers.
30:41Nasty.
30:43Absolutely.
30:44But it's also a pattern.
30:52Holy shit.
30:53She's killing him in the order of the story.
30:56Exactly.
30:58Which means that if we match these three, El Arquitecto, El Martillo, and La Boca, we'll find out who our
31:03next target is.
31:21Hi.
31:34How's it going?
31:35You look very maudlin.
31:38What are you doing?
31:39Hey, take this, please.
31:42Listen to me, okay?
31:44You have nothing to worry about.
31:45This place is locked up tighter than Fort Knox.
31:49It's a strange thing.
31:51Isn't it?
31:52What?
31:53Knowing you've done something so bad to someone that makes them want to kill you?
31:57Look.
31:58There's no doubt.
32:00We had to make very tough decisions.
32:03Tough decisions.
32:05Those were lives, Lance.
32:07Children.
32:09If I hadn't had the idea, none of this would have happened.
32:12Come on.
32:13Look.
32:13There have been brutal moments in this journey, but we are trying to save the world.
32:20And that shit ain't easy.
32:22Okay?
32:22But it's working.
32:24This is your legacy, Jelani.
32:26You're a good man.
32:27You're my best friend.
32:28Alright?
32:29I'm going to play this card just a bit.
32:32You kind of owe it to me to have a good day.
32:34You do?
32:35I was sent to get you to take pictures.
32:37We have to take pictures.
32:38Have you seen your wife yet?
32:40No.
32:41Oh, my lord.
32:43Wait till you see her.
32:45Look at that tooth.
32:46Come on, man.
32:52Look who's back for more.
32:55Blutton for punishment.
32:57Mastermind called that, too.
33:10Same stuff you used on those soldiers.
33:12There is no way you called the drug.
33:15You willing to bet your life on that?
33:18And your sanity?
33:23I don't know what you have to stop.
33:25No.
33:27There.
33:28All done.
33:30Nice.
33:32Hmm.
33:37Where's the footage?
33:40Look, even if I knew, there is no-
33:42Have you ever read those studies on torture?
33:44I mean, statistically, it almost never leads to reliable information, but do you know what it does do?
33:54It fucks with people's minds.
33:57And not just the minds of the people being tortured.
33:59It literally rewires the brains of the people doing the torture.
34:04So, when you were torturing those soldiers, your brain was recording the violence as if it was happening to you.
34:17Did you know that?
34:18Hmm?
34:19Please stop.
34:20Hale, stop.
34:21Where's the footage?
34:21Where's the footage?
34:22Please don't do this.
34:23Stop.
34:24Shh.
34:25There it is.
34:28Can you feel it yet?
34:30You can feel it, can't you?
34:34Stop!
34:35Stop!
34:36It's an original document.
34:37It's a secure storage.
34:3930 floors under your boss's office.
34:41Just get that fucking thing out of me!
34:46Sit tight.
34:47If this doesn't pan out, we will be talking again.
34:54There's my baby.
34:57How you feeling today?
34:59Things are looking up.
35:01We got a second victim.
35:03Put a name to the shooter.
35:05No way.
35:06Well, it's a street name, but we're hoping you can recognize it.
35:10If I do, I'll tell you everything I can, John.
35:14Night ring.
35:16That mean anything?
35:18I wish I could say yes.
35:21But I've never heard that name.
35:26I'm sorry.
35:29You bring those photos we talked about.
35:31Madonna, I got a lot of work.
35:33Maybe another time.
35:34Well, come on now.
35:35You gotta have something.
35:37Let me see a little bit of what I missed.
35:42you.
35:46I'm sorry.
35:50You're right.
35:53Oh.
35:54Oh, when are you supposed to be there?
36:00I'm a cowboy.
36:04Alex is a ninja.
36:06And a mama sent us to the park to stop us from tearing up the house.
36:08I know that park.
36:11It's Anacosta by the water.
36:13It used to be that old crazy man down there selling candy.
36:16He was always yelling something about blue men from Mars.
36:19Blue men from Pluto is what he was always.
36:21That's right.
36:29Still stuck in a cage trying to ply my trip.
36:33Won't go away.
36:44You recognize that man?
36:46Never seen him before.
36:48Who is he?
36:50He's Tyson Knight.
36:52A.K.A. Nitrate.
36:54A.K.A. TK.
36:56You sure?
36:57Positive, baby.
36:59Like I said before.
37:03You think I could see some more pictures?
37:05I mean, if it's not too much.
37:07You sure about that?
37:08I mean, then the mama was triggered happening with the camera back in the day.
37:11I mean, after this little bit, gotten to see some of who you are,
37:17I've been blown away.
37:21I feel like if I can see where you came from and how you got to be here,
37:28I think I can know you a little bit better.
37:37First, let's find this nitrate.
38:03Hey.
38:05Welcome back.
38:06Thanks.
38:06We managed to match which cards we think each of the last three targets represents.
38:10Akbar pointed out Griffith Stoker's a lobbyist and a former lawyer.
38:14He's got to be Luboka, the mouthpiece, and Nuri Mohindra.
38:17She runs the machine that keeps the kids in line, the hammer.
38:20Which would make Jelani the architect.
38:23The one who dreamed up the entire child labor scheme.
38:27That makes him next on the kill list, right?
38:30What time's that wedding?
38:32What I love is not only what this union says to the world,
38:36but what it says to the universe.
38:40Witness this man.
38:43Fucking incredible man.
38:45Whose ancestors hail from Benin.
38:48Whose people landed in Mississippi.
38:51And whose own ambition took him to Washington, D.C.
38:57And witness this powerful woman.
39:00Whose ancestors hail from Angola.
39:03And whose people landed in Salvador, Bahia, 4,000 miles away.
39:08History, geography, and probability tell us these two people never should have survived.
39:14Let alone met.
39:15Ancestors ripped from the motherland and sent to opposite sides of the globe.
39:19Yet here they are today, standing before us.
39:24Claiming your own motherland.
39:27Wherever you land.
39:29Wherever you stand.
39:31Right?
39:32So this is my favorite part, y'all.
39:33Grab your glass.
39:34Raise it high.
39:35And let us celebrate this union.
39:37And celebrate the reunion of the diaspora.
39:41And to Mr. and Mrs. Amadou.
39:43May you have 1,000 children.
39:46Cheers, y'all.
39:47Cheers.
40:03Baby, what do you do?
40:05Oh, my God!
40:28Oh, my God!
40:50Oh, my God!
40:53Oh, my God!
41:03FBI in Metro PD.
41:05Agent Goff, we need to get in there.
41:07No, that's a negative.
41:09You two have been specifically barred from the event.
41:11Call Roy.
41:12The order comes straight from Director Hammond.
41:13You're not to have any contact with Lance Durand.
41:15Fuck Durand.
41:15The groom is the next on the killer's list.
41:17Oh, my God!
41:22Oh, my God!
41:45Oh, my God!
41:48Oh, my God!
41:50Oh, my God!
41:52Oh, my God!
42:00Oh, my God!
42:00What's happening?
42:01He's hurt.
42:02Someone call a doctor!
42:04Oh, my God!
42:10Move, move, she's in there.
42:34Let's go, clear out, clear out, come on, let's go!
42:39Move, move, move, move!
42:42Hey, Berk, everybody get out!
42:44Go, go, go, go, go, go!
42:47Go, go, go, go, go, go, go, go!
42:48The one that you feed!
42:50She's right there! Move, move!
42:55Alex, stay there!
43:03We can't wait, she's getting away!
43:05But we have no cover!
43:09Go, go, go, go, go!
43:13Shit!
43:15Oof...
43:16Ha ha ha ha!
43:18Ha ha ha!
43:21Ha ha ha ha ha ha!
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