- 2 days ago
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00:00:05You
00:00:05His name is Jonathan pine. I have support teams
00:00:09Identify them and deal with them. Yes, it's me. I have guests. I'll leave you my findings
00:00:15Thank you for your hard work game over
00:00:20What about the guarantees I asked for? I can't give you any of those you played me
00:00:25I wire Matthew Hillis fifty million dollars to be a free man
00:00:31Tomorrow morning you'll agree to hand yourself in if you don't I will destroy you
00:00:36I know rope is your father did Roper tell you about his other son. He's used you Teddy
00:00:42There's a coup being planned in your country Consuelo and you're gonna help me stop it
00:00:46It's an electromagnetic weapon tomorrow the weapon will be dropped by parachute
00:00:49It'll fly to Cabrera's camp. You have to stop it from getting there
00:00:52Your English friend has been listening in on the house which means he's inside the operation. I want Jonathan pine
00:01:41I'm sorry
00:01:47Oh, boy.
00:01:49Oh, boy.
00:02:03Oh, boy.
00:02:07Can we run the cow over?
00:02:10Ah.
00:02:12Here he is.
00:02:12In water.
00:02:14Sit down.
00:02:15Have a pastry.
00:02:17I'm not hungry.
00:02:19So, what's going on?
00:02:21All is going to plan.
00:02:23I want you to go to the Cabreras and tell them.
00:02:25Deliveries tonight, bang on schedule.
00:02:28You leave in an hour.
00:02:30Take one with you.
00:02:31Okay.
00:02:32And you?
00:02:33I will follow in due course.
00:02:35I have a small matter that requires my attention.
00:02:41I'll call the Cabreras to let them know.
00:02:52Hi.
00:02:54How are you doing?
00:02:57I'm here with Mr. Gilberto.
00:02:59I need to tell Cabrera that everything goes according to the plan.
00:03:01We're fine.
00:03:03Everything, everything.
00:03:05Be careful, Teddy.
00:03:06I'm going to go there with Mr. Carrascal.
00:03:10We'll see you at the meeting point.
00:03:13Okay.
00:03:17Done.
00:03:26I called Consuelo and she told me there's an abandoned firing range about 25 miles east
00:03:31of the city.
00:03:32It's called San Marco.
00:03:33We can land the plane there.
00:03:58Rumpelstiltskin.
00:04:00Prompt as ever.
00:04:01So, what do you say to my offer?
00:04:03Well, actually, I was more curious to know what you felt about mine.
00:04:0750 million.
00:04:09Join the party before it's too late.
00:04:13No deal.
00:04:14But I'll be seeing you.
00:04:16Soon, I hope.
00:04:17Sooner the better.
00:04:18I miss that smile.
00:04:42I miss that smile.
00:04:53Vic.
00:04:55You
00:04:55Can you call me pumpkin.
00:05:00You
00:05:16I miss, your God.
00:05:25Got it?
00:05:26Yep.
00:05:32I'll be seeing you.
00:05:33Sooner, I hope.
00:05:34Sooner the better.
00:05:36I miss that smile.
00:05:38Okay.
00:05:40Sally reopened the connection with London.
00:05:41Tell Basil we're diverting the plane.
00:05:43Then pick up Consuelo.
00:05:44I want a reception committee on the ground.
00:05:47Colombian and international.
00:05:49I'm on it.
00:05:53I'll call you when it gets a teddy.
00:06:08How far is it?
00:06:10In any normal country, two hours.
00:06:13In Colombia, four.
00:06:21What's on?
00:06:22Are you there?
00:06:23Can you hear me?
00:06:23Yes.
00:06:24Yeah, they found us.
00:06:24I got out.
00:06:25I'm on a bus headed towards Salenita.
00:06:27Help me.
00:06:28I need your help.
00:06:28What do you mean?
00:06:29Where's Tommy?
00:06:29I don't know.
00:06:29I don't know.
00:06:30He ran.
00:06:32I got a call.
00:06:32I'll call you back.
00:06:33Roxana.
00:06:34What happened?
00:06:36We need to make a detour.
00:06:37I don't know.
00:06:53Oye, Juan.
00:06:55¿De qué hablaban Gilberto de toda la mañana tan secretamente?
00:06:59¿Se podrá saber?
00:06:59No, solo estábamos atando cabos.
00:07:03Cabos sueltos.
00:07:24Where are you?
00:07:25I'm almost there.
00:07:27When you get off the bus, walk into the parking lot, I'll be able to see you.
00:07:35Matthew Ellis.
00:07:37¿Cierto?
00:07:40Buena puta lo de haber matado cuando pude esa po de mierda.
00:07:43Ya, envíate eso.
00:07:44Todo se está solucionando.
00:07:45¿Y cómo se está solucionando, Juan?
00:07:46Dime.
00:07:48Relájate.
00:07:57Esta operación es mía, Juan.
00:08:01Yo la inventé.
00:08:03Y me merezco saber qué mierda está pasando.
00:08:05Así es que me vas diciendo, ¿no?
00:08:09Nuestra princesita de Miami ha vuelto al juego.
00:08:11Eso es todo lo que tienes que saber.
00:08:13Dale.
00:08:13¿Y Gilberto confía en esa puta, de verdad?
00:08:16Pues sí.
00:08:16Y fíjate que tú también deberías estar agradecido con ella.
00:08:19¿Y por qué, Juan?
00:08:19¿Cómo que por qué?
00:08:23Tu papacito inglés te controla con un solo dedo.
00:08:27Dale.
00:08:33¡Vamos!
00:08:50¡Vamos!
00:08:58¡Vamos!
00:09:18I'm going to call Cabrera and tell them that we've arrived.
00:09:23Hágale.
00:09:41Should I get her?
00:09:43No.
00:09:44I'll go.
00:09:54Yeah.
00:09:59Okay, I'm delayed picking up Roxana.
00:10:03No, no, no, no se preocupe ya por eso. Estamos listos acá.
00:10:06No pierda su tiempo.
00:10:32Okay, I'm here.
00:10:34I can see you.
00:10:35Where are you?
00:10:39Matthew, where are you?
00:10:42Hello?
00:10:43I'm in the blue car to the left, about 30 yards from you.
00:10:47He's in the blue Opal Astra at the end of the car.
00:11:03Goodbye, Roxana.
00:11:04And good luck.
00:11:08You're going to need it.
00:11:09Go.
00:11:20It's not in the car!
00:11:39Good luck, Juan.
00:11:41What happened?
00:11:43Matthew Ellis escapó.
00:11:46dunno gunfire.
00:11:47You've been told me more, Juan.
00:11:47and I think someone told me.
00:11:49Who owned me?
00:11:49Juan.
00:11:52¿Cuánto tiempo llegan los Cabrera?
00:11:53¿Cómo vas a ver?
00:11:55¿Pero vienen, sí o qué?
00:11:56Por supuesto que sí, Juan.
00:11:59Eduardo, ¿de verdad llamaste a los Cabrera?
00:12:03No lo puedo creer.
00:12:05Muéstrame tu teléfono.
00:12:06Por supuesto que no.
00:12:07¿Tu teléfono?
00:12:08Que no.
00:12:11¿Qué haces?
00:12:12Pues como que me toca llamar a mí, ¿no?
00:12:14Venga, Juan, no es necesario.
00:12:16No confías en mí, de verdad.
00:12:19Toma.
00:12:22Tómalo.
00:12:25Malparido.
00:12:32Levántate.
00:12:33Es una mierda, Juan.
00:12:35Malparido yo.
00:12:36¿Eh?
00:12:38Tú sabías el plan de Roper, ¿no?
00:12:40De ir a Inglaterra sin decirme nada
00:12:41y dejarme aquí, mierda.
00:12:44Por supuesto que lo sabía.
00:12:45Es una mierda.
00:12:46Tuve que ser el único huevón
00:12:47que no tenía ni puta idea.
00:12:48Pero, por favor.
00:12:50Por favor.
00:12:51Escúchame.
00:12:52Te digo.
00:12:53No vales nada, mierda.
00:12:54Te lo suplico.
00:12:55¿Qué suplicas, Juan?
00:12:56No lo hagas, por favor.
00:12:57No te quiero matar.
00:12:58No lo hagas.
00:12:58Es que tranquilo, se me mete al carro.
00:13:00Está bien, por favor.
00:13:02Gracias.
00:13:03Tranquilo.
00:13:11No.
00:13:16No.
00:13:18No.
00:13:19No.
00:13:19No.
00:13:26No.
00:13:29No.
00:13:32No.
00:13:58photos and coordinates from Jim you take the car I'll find
00:14:03my own way thank you you've been kind to me Martin you didn't have to be
00:14:14you've been kind to our people so anything I can do
00:14:20just find Tava okay okay and let me know where you are
00:14:45we have to postpone nothing is being postponed I have a deadline and I intend
00:14:51to meet it it's too risky until you find him I'm pulling the operation what did
00:14:57you say you heard Myra darling I wonder if you know how to cook a frog if you
00:15:06chuck him into boiling water the little bugger just jumps right back out again
00:15:10but if you ease him in at room temperature gradually crank up the heat he doesn't
00:15:14notice a thing until his brain is gently boiling in its own juice you're the frog
00:15:22in this analogy because you haven't figured that out you're going to regret
00:15:26speaking to me like that is that a threat Myra
00:15:31you pondering a spot of treachery well then remember this you ordered the killing
00:15:36of Rex Mayhew in his Surrey home if I go down I'll happily take you with me
00:16:12I'll happily take you with me
00:16:15Where is he?
00:16:22Help me.
00:16:51What is going to happen to him if all this works?
00:16:55You know what?
00:17:05I was there, in the office that night in Cartagena.
00:17:12I saw you, when you were alone, hurting yourself.
00:17:21You shouldn't have seen that.
00:17:23You don't have to be that person, Teddy.
00:17:27You can disappear into those hills, back to your sister.
00:17:33Be Eduardo Vidal again.
00:17:37No one will ever know. You can be free.
00:17:45They're not with him alive.
00:18:09When did you fall in love with him?
00:18:12Was it in London?
00:18:13First encounter?
00:18:15Or was it when he pulled his Lazarus act here in Columbia?
00:18:20You fell into his arms, and in his arms you stay.
00:18:23I didn't tip him off.
00:18:24Well then, how did he know?
00:18:26Who told him?
00:18:27Is there a plan?
00:18:29Is he coming here?
00:18:31On his white charger?
00:18:33Is that the lure?
00:18:35See, Frisky and I have some experience in this area.
00:18:38If we want someone to share their secrets, we tend to find a way.
00:18:41I didn't tip.
00:18:42Enough!
00:18:43Off!
00:18:44I warned you.
00:18:45I made it perfectly clear.
00:18:46Don't touch me!
00:18:47Let me make something clear.
00:18:49You're right about Matthew Ellis.
00:18:51He is so easy to fall in love with, but I chose not to.
00:18:55Maybe I was wise to his true intentions, or maybe I'm just not capable of love.
00:19:00But either way, I didn't lose my heart to him.
00:19:03And if someone did, it wasn't me.
00:19:17Take it back to the house.
00:19:23Oh, you beauty.
00:19:53You if you behave pretty much, too.
00:19:57There's no pain.
00:19:59Come on.
00:20:03Go on.
00:20:03Get out of the car.
00:20:05Carlos, Eduardo.
00:20:09Hey, Carlos.
00:20:11Go on.
00:20:12Go on.
00:20:14Go on.
00:20:16Go on.
00:20:18Go on.
00:20:18Let's go.
00:20:21What's going on?
00:20:22What's going on?
00:20:24What's going on?
00:20:27Carlos.
00:20:30What's going on?
00:20:31You're a rascal.
00:20:32I'm going to tell you.
00:20:33What?
00:20:34What's going on?
00:20:41Out.
00:20:44What's going on?
00:20:46What's going on?
00:20:49Who is this?
00:20:50I don't know who he is.
00:20:53Who is?
00:20:54This gonorrhea
00:20:56is called Matthew Ellis.
00:20:57He told us that he was an investor.
00:21:01He took two days
00:21:02he put in an airplane to Paris.
00:21:03What I don't understand, Jose,
00:21:06is how shit was ayer
00:21:07eating with Rupert.
00:21:09He told us to follow him.
00:21:11The imbecile drove up to this hotel
00:21:14here close.
00:21:15In the way, Mr. Carrascal tried to call.
00:21:18He took me an airplane
00:21:19and that's why Juan
00:21:21is not with us.
00:21:22Let's go.
00:21:28Let's go.
00:21:29Get out of there!
00:22:05This is Jayne.
00:22:06Something is happening.
00:22:07You need to come now.
00:22:24I'm at the rear exit, Orange Kia, now.
00:22:41Go, go, go, go.
00:22:45I'll tie my hands down.
00:22:49Who are you, hmm?
00:22:51What's your name?
00:22:53You know mine.
00:22:55It's Matthew Ellis.
00:22:56Sorry?
00:22:56Matthew Ellis.
00:23:00What's your fucking name?
00:23:02It's Matthew Ellis.
00:23:05Not according to this, Mr. Birch.
00:23:08Liar.
00:23:09You're supposed to be in Paris, Matthew.
00:23:11With your ex-wife and your beautiful little daughter.
00:23:15What the fuck were you doing yesterday, Ed?
00:23:17Having lunch with this man.
00:23:19Preservation under Andrew Birch?
00:23:22Who is he?
00:23:24Answer!
00:23:25Who is he?
00:23:26He's just an old friend.
00:23:27His name's Giles Merriman.
00:23:29I promise you, just...
00:23:34Wrong.
00:23:35Answer.
00:23:37Okay.
00:23:42One last chance.
00:23:44Who is he?
00:23:48His name...
00:23:51Is Richard...
00:23:53Onslow...
00:23:53Roper.
00:23:55And why did you meet him?
00:23:56Just business.
00:23:58Ah, business.
00:23:59When you came here, you called him from the hotel phone.
00:24:02Didn't you?
00:24:02Escuchen esto.
00:24:04Listen to this.
00:24:06Where we meet again, the Cabreras will be dead.
00:24:09You and I will be on British soil.
00:24:12Not a mosquito or Colombian in sight.
00:24:15And Jose Cabrera?
00:24:17Their regrets?
00:24:19Jose Cabrera is a cowboy.
00:24:21He's not fit for civilized company.
00:24:23I'll be seeing you.
00:24:24Soon I hope.
00:24:25Sooner the better.
00:24:26I miss that smile.
00:24:28I miss that smile.
00:24:57All right.
00:24:59Okay.
00:25:00I work for British intelligence.
00:25:02How do you know Roper?
00:25:05Egypt.
00:25:06Nine years ago, I infiltrated an operation of his.
00:25:09I recruited him out of the counter.
00:25:10Been working there ever since.
00:25:11What are you doing here?
00:25:14If I tell you, I want guarantees, I'll walk away with a Sistana.
00:25:18Flight back to London.
00:25:19What are you doing here?
00:25:23What are you doing here?
00:25:24What are you doing here?
00:25:25What are you doing here?
00:25:25What are you doing here?
00:25:35Talk.
00:25:37You've been running weapons deals for the last two years.
00:25:40Six shipments.
00:25:42To support a rebel army.
00:25:45There's a military plane coming here tonight.
00:25:48You think it's going to airdrop the last shipment.
00:25:52An electrical weapon.
00:25:53To ignite your war.
00:25:57There will be no weapon.
00:26:00What the fuck do you mean?
00:26:03It's a trap.
00:26:05It's Roper's idea.
00:26:07The plane will parachute in 50 combat paratroopers.
00:26:10Special Forces Brigade, La Hungla.
00:26:12What will they do?
00:26:14Hmm?
00:26:17They'll kill every single one of you.
00:26:24We have to stop that plane.
00:26:36It's important that the plane lands somewhere totally secure.
00:26:40No one knows about this place, right?
00:26:43No.
00:26:44It hasn't been used for decades.
00:26:49Okay.
00:27:02Call your team.
00:27:03Tell them to bring cameras and we're going to make this a show.
00:27:09We have to hit you.
00:27:16How's that?
00:27:16I am?
00:27:17Come on.
00:27:19Come on, Basil.
00:27:20Don't let me down.
00:27:31Come on Puzzle, don't let me down.
00:28:03Are you okay?
00:28:05Yeah, all good.
00:28:10Yeah, I just got back and I am absolutely knackered.
00:28:15Being taken to a flat they've got for me,
00:28:17some bloody warehouse conversion and sodding battersy.
00:28:22I could come over and help you settle in.
00:28:25I would love that, but not tonight, my love.
00:28:28I am getting up at the crack, ask for sparrows tomorrow to go up to Oxfordshire.
00:28:32I'm helping out an old friend.
00:28:36Well, how about I come over tomorrow instead?
00:28:38We can have dinner.
00:28:39Darling, I'll call you back. Excuse me, where the hell is this?
00:28:42The dress-all was given.
00:28:44It's what a head office gave me.
00:28:45We'll clearly head office as balls dart.
00:28:53I don't think it's any here.
00:28:55Hold on.
00:28:56We'll just go and find out.
00:29:13Jesus.
00:29:15Evening, your lordship.
00:29:21I wouldn't bother trying to call Myra Cavendish if I were you.
00:29:23We've got half an army out there.
00:29:27Evening, your lordship.
00:29:32What do you want?
00:29:34Well, first I've got something to show you, and then you and I can have a chat.
00:29:49Confirm, chief. Cargo's in the air.
00:29:51Fine.
00:29:54Victor, get the jeep ready. Five minutes.
00:29:58Yes, sir.
00:29:59Juan Miguel, would you be kind enough to book me a car to Bogota Airport tomorrow morning,
00:30:0311 a.m.?
00:30:04Si, senor.
00:30:04Gracias.
00:30:23My mother was a woman of great economy, and my father's auction house was struggling, as
00:30:30it often was in times of recession.
00:30:32She could change our lifestyle overnight.
00:30:35Out went the champagne, and in came the cheap stuff from Italy.
00:30:41She once persuaded the local picker, who never drank champagne in his life, poor chap.
00:30:48A glass of Bulma's cider was actually Dom Perignon.
00:30:55She would start washing the sheets once a month.
00:30:59At boarding school, I got sandwiches instead of the roast beef.
00:31:04I pride myself on being an adaptable man.
00:31:08When circumstances demand, I shed a skin and pick up a new one.
00:31:14No regrets.
00:31:17No nostalgia over the past.
00:31:20Nothing is so precious that it can't be sacrificed.
00:31:23Nothing and no one.
00:31:27My father was sentimental.
00:31:31But you're not.
00:31:32No.
00:31:34No, his death cured me of that.
00:31:40I'm shedding a skin now, next to you.
00:31:45Hm.
00:31:48What did I do?
00:31:57Picked up?
00:31:59Let's go.
00:32:00I was ready.
00:32:12What have you got yourself involved with, Sandy?
00:32:14Regime change on foreign soil?
00:32:17British diplomat being murdered in his own back garden?
00:32:20What's the parole board going to say?
00:32:25I've no idea what you're talking about.
00:32:29Oh, how was the Columbia trip?
00:32:32Flying visit, I hear.
00:32:33Was it seeing the old man?
00:32:39You see, I already know about the coup.
00:32:42I know there are arms being smuggled.
00:32:43I know there's British money involved.
00:32:45But what I still haven't got is hard evidence connecting Richard Roper with Myra Cavendish and the Columbian plot.
00:32:53But you get me that.
00:32:54And you can walk away.
00:32:56Squeaky clean.
00:32:57You might even get to see your kids again.
00:32:59But you fail me on this.
00:33:01I will put you away for the rest of your fertile fucking life.
00:33:08Stop taking the bullet for Richard Roper, Sandy.
00:33:10Because I tell you this for free.
00:33:12He will never take one for you.
00:33:23Night-night.
00:33:23Over here.
00:33:39Closed?
00:33:45dawg con este malparido
00:33:50personal, Carlos.
00:33:53Okay.
00:34:05Roper's on his way.
00:34:07Let me see.
00:34:23Who went too far?
00:34:25Roper's necessary.
00:34:31Baby, listen to me, okay?
00:34:34Deceiving Jose is one thing.
00:34:36Lying to Roper is another.
00:34:40When you're with him,
00:34:41you have to make him believe
00:34:44that you still love him.
00:34:46He's the man in the black car,
00:34:49the father you've always adored.
00:34:52You show him nothing less
00:34:53than the devotion he deserves.
00:34:59Like a dog.
00:35:02Like a dog.
00:35:11Just have faith.
00:35:17Goodbye, Matthew.
00:35:22Have faith.
00:35:28Okay?
00:35:31Let's go.
00:35:39Carlos!
00:35:42I'm sorry.
00:35:48Okay?
00:35:58Come on!
00:35:59You're not right.
00:36:00You're right.
00:36:03Oh, no!
00:36:04You're right.
00:36:08Hey!
00:36:08I'm sorry.
00:36:10I'm fine.
00:36:10You're not right.
00:36:10No!
00:36:10You're right.
00:36:11Come on.
00:36:19Roper no debe tener idea de que lo sabe.
00:36:22Cuando el avión llame,
00:36:23dile al piloto las coordenadas incorrectas.
00:36:26¿A dónde mandamos el avión?
00:36:28A una base militar abandonada.
00:36:30San Marcos.
00:36:31Está aquí cerca.
00:36:32Ya la ha usado para vueltas de Perico a México.
00:36:35De estar seguro.
00:36:38Son las coordenadas.
00:36:39Here is where we have to send him.
00:36:50He's here.
00:36:52We're going to receive him as if nothing.
00:36:55As always.
00:36:57In the delivery zone, we're going to get him.
00:37:07Welcome, Richard.
00:37:10Voila, Jose.
00:37:12This has been a long time coming.
00:37:15Worth the wait, I hope.
00:37:17I hope so, too.
00:37:20And there is the young master.
00:37:24Planes in the air?
00:37:26Everything go according to plan here?
00:37:28Everything went perfectly.
00:37:31Where's Karaskar?
00:37:33Going to the drop zone to make sure he's ready.
00:37:38Bollocks.
00:37:43He's doing coke in the bushes somewhere.
00:37:46Probably.
00:37:47Let's go.
00:37:49Here's your army.
00:37:52Ready for action.
00:37:57Hey.
00:37:59How old are you?
00:38:01How old are you?
00:38:0213.
00:38:0313.
00:38:08Kings of America.
00:38:10That's just it.
00:38:11Kings of America.
00:38:14Libertad.
00:38:15It's not going to be a drop.
00:38:18It's not going to be a drop.
00:38:27Come on, Richard.
00:38:28Have a seat.
00:38:29Well, thank you, Jose.
00:38:32Beer.
00:38:33Or champagne.
00:38:35Beer would be very nice.
00:38:36Yes, thank you.
00:38:36Good evening, gentlemen.
00:38:39Good evening, Consuelo.
00:38:40Good evening, Consuelo.
00:38:40Very good, Trujillo.
00:38:41I like your efficiency.
00:38:43I want photos of absolutely everything.
00:38:45I want the evidence of those English weapons in Consuelo Colombian.
00:39:00Look at that.
00:39:01Bang on time.
00:39:04Why don't you do the honors, Jose?
00:39:10This is Stout Cortes.
00:39:12Over.
00:39:38How's that?
00:39:39How's that?
00:39:40Eh?
00:39:43Shall we?
00:39:51This way, look.
00:39:52Come here.
00:39:55The plane's turning east.
00:39:57He's heading our way.
00:39:59Okay.
00:40:03Let's make sure we get everything, please.
00:40:05Let's make it happen.
00:40:09All right, Teddy.
00:40:11You still angry with me?
00:40:13No.
00:40:17I was doing some thinking.
00:40:21I made a mistake with my feelings.
00:40:24I'm sorry.
00:40:26Well, we've all done that sometimes, haven't we?
00:40:30All I ever wanted was to please you.
00:40:33And you do.
00:40:35We're here now.
00:40:36That's what matters.
00:40:38This thing's a dupe.
00:40:39Well, why not?
00:40:41No sky like a jungle sky.
00:40:54Up.
00:40:54Let's go.
00:40:55Up.
00:40:56Let's go.
00:41:07I hope you come along.
00:41:13I do have insurance policies in place.
00:41:20Where did you get that photograph?
00:41:22Oh, I've been busy, my mum.
00:41:24Do you wanna see what else I've got?
00:41:27The case for the prosecution.
00:41:29Got emails for me to Adam Hollywell.
00:41:32I've got texts to Miami, Medellin.
00:41:35Got phone records, arms lists,
00:41:39and a handwritten note from your luxurious London address
00:41:43connecting you to Roper's dirty plot.
00:41:46All I need now is the shipment itself.
00:41:49And that's on its way, isn't it?
00:42:10There's a plane in the, uh, Columbia night sky right now,
00:42:14with a shiny British weapon for Roper's rebel army.
00:42:18But Jonathan Pyne's sending it to me.
00:42:21And when it arrives, there's gonna be an international scandal.
00:42:24Your operation will be exposed,
00:42:26your investors will be publicly shamed,
00:42:28and Richard Roper will be no more.
00:42:30And as for you,
00:42:31you ordered the execution of Rex Mayhew,
00:42:34one of the gentlest men to ever grace this earth.
00:42:37If it were my choice, you'd be home drawn and courted
00:42:39on Westminster Bridge for all to see.
00:42:42But the service wouldn't survive that.
00:42:45So, tomorrow morning, I want you out.
00:42:48Resignation letter on the desk,
00:42:50and you can piss off.
00:43:05Hey, let's go.
00:43:14I despise your kind, do you know that?
00:43:16It's mutual.
00:43:17I have nothing to apologize for.
00:43:21I serve my country.
00:43:23I do the job asked of me,
00:43:25and I would happily do it again.
00:43:28Seriously, where the fuck is Carrasco?
00:43:30On the hill?
00:43:32He will be the first one to see the plane.
00:43:34Now you do the honors, Richard.
00:43:36Like the welcome fires.
00:43:38Richard Roper is not a job you do.
00:43:41He's a choice you make.
00:43:43You get into bed with Roper.
00:43:44You get into bed with weapons of death.
00:43:47Poisoned gas.
00:43:48The murder of children who barely breathe God's air.
00:43:51You have condemned yourself to the lowest circle of hell,
00:43:54and I will take fucking pleasure in hearing you scream.
00:44:17Oh, you'll want to hear this. It'll be good.
00:44:19This is London.
00:44:22This is Consuelo Arbenz.
00:44:25Head of the Colombian Supreme Court.
00:44:27I have a visual on the plane.
00:44:30And we're ready to document the arrival of your British weapon.
00:44:37The plane's late.
00:44:39Maybe there's a headwind.
00:44:42There's no wind.
00:44:44We should be here.
00:44:47Maybe it won't come at all.
00:44:49What do you mean by that?
00:44:51Jose, if that's a joke, your timing is fucking awful.
00:44:54I wish it was.
00:45:02What did you just say?
00:45:06What Englishman?
00:45:08Frank, Andrew Birch.
00:45:10I'm sorry, Richard.
00:45:14They were watching us at the restaurant.
00:45:18They followed me here.
00:45:21They know everything.
00:45:24The second plane's another location.
00:45:25You are making a very big mistake.
00:45:27I don't know what this man has told you,
00:45:29but he is a British intelligence agent.
00:45:31I know who he is.
00:45:32No, you don't. I'm telling you, this is a trap.
00:45:35I know.
00:45:36You don't know anything.
00:45:37I know that if I allowed that plane to drop its cargo,
00:45:41I'd be a dead man.
00:45:43But you wouldn't care, would you?
00:45:45I'm just another Colombian mosquito.
00:45:50Give up, Decky.
00:45:52Game's over.
00:45:53Shut the fuck up.
00:45:55All right, Jose.
00:45:56I'll give you that one.
00:45:57You're not to blame.
00:45:59But I want you to listen to me very carefully.
00:46:01That plane's cargo contains exactly what I promised,
00:46:04a state-of-the-art British electromagnetic pulse weapon.
00:46:08Took off from a military airfield this afternoon on its way here.
00:46:11Teddy, tell them.
00:46:17Teddy, tell them!
00:46:18What?
00:46:20What do you want me to say?
00:46:23That you lied to me?
00:46:25About everything?
00:46:26That you've been using me?
00:46:30That you always plan
00:46:32to go back to England
00:46:35to your only son, Danny?
00:46:40The one that you love so much?
00:46:43Let me tell you something, Dad.
00:46:46You will never see that kid ever again.
00:46:50You die tonight,
00:46:51under my Colombian sky.
00:46:55And I will bury you myself.
00:47:10You are very good.
00:47:16Well, come on then, Teddy.
00:47:18Let's not disappoint Mr. Birch.
00:47:20He's come a long way for this.
00:47:21Show him what you're made of.
00:47:22Show him the blood you come from.
00:47:25If it were done when it is done,
00:47:27then it were well it were done quickly.
00:47:29Tell me what.
00:47:30Why don't I count you down?
00:47:33One thousand!
00:47:34One thousand!
00:47:35Teddy, come on!
00:47:37Nine hundred and...
00:47:43I do believe that's mine.
00:47:46Hey, hey, hey!
00:47:48Don't move!
00:47:49Don't move!
00:47:50Trust me, Hazel.
00:47:52This is a call you want me to take.
00:47:59Evening, Frisky.
00:48:02You're fucking late!
00:48:03Sorry, Chief.
00:48:04Bring her in, will you?
00:48:10Now, where were we?
00:48:21What's that?
00:48:23That, my friends,
00:48:24is an aeroplane.
00:48:28There are refuerzos, Carlos!
00:48:32Refuerzos, Carlos!
00:48:33You fucking stay still!
00:48:35There are no soldiers, Jose.
00:48:37What is he doing here?
00:48:39I don't know.
00:48:41You see?
00:48:41There are two sides to every story.
00:48:44Just as there are sometimes two aeroplanes
00:48:47with two very different cargoes.
00:48:51Watch the cops, Jonathan.
00:49:14Watch the cops, Jonathan.
00:49:23You got it!
00:49:24Watch the cops!
00:49:25You got it!
00:49:30Hold it! Hold it!
00:49:33Hold it! Hold it!
00:49:37Why don't you go and open your present, Jose?
00:49:39You'll never doubt me again.
00:49:41No, no, no, no, no, no, no.
00:50:11No, no, no, no, no.
00:50:45Case dismissed.
00:50:50Guess I'll see you around.
00:50:52Must visit you in France one day.
00:51:00You're a real big game hunter, aren't you, Jonathan?
00:51:06First my American sweetheart in Mallorca, now my very own son.
00:51:13Always the prize trophy, just like you're hellbent on plunging a stake into my fucking heart.
00:51:21You demand love by tyranny, Richard.
00:51:27It'll only get you so far.
00:51:31Well, we'll see how far it gets me.
00:51:37As for you, Eduardo...
00:51:42When you were a baby, you had the face of an angel.
00:51:54Te perdono.
00:51:58I forgive your immortal soul.
00:52:04But not your mortal one.
00:52:07No!
00:52:07God damn it.
00:52:09God damn it.
00:52:43Just so you know, Jonathan, my outfit was real.
00:52:51We could have done so much together.
00:52:56Richard, leave that piece of shit to him.
00:53:08Find him!
00:53:12Let's go!
00:53:15Let's go!
00:53:15Get in!
00:53:19Help!
00:53:28They're all upset.
00:53:29I can't lose them.
00:53:31Hold on!
00:53:37Quématelo! Quématelo!
00:53:38Go!
00:53:41Go!
00:53:42Go!
00:53:44Go!
00:54:00Go!
00:54:01Go!
00:54:02Go!
00:54:02Go!
00:54:02Get out of here!
00:54:04Get out of here!
00:54:05Get out of here!
00:54:30Nothing is so precious that it can't be sacrificed.
00:54:33Nothing and no one.
00:54:37I'm shedding a skin now.
00:54:40Next to you.
00:54:49Get through my rope, okay?
00:54:51I've dug deeper into the Hollywood fires
00:54:52and there's something else. There's something beyond Roper.
00:54:55There's a bigger game, Mum.
00:54:58And I haven't...
00:55:20I've dug deeper into the forest.
00:55:22I've dug deeper into the forest...
00:55:24Well, you're and I've dug into the forest.
00:55:26What do you do?
00:55:32Oh, my God.
00:56:05Oh, my God.
00:56:26Oh, my God.
00:56:29Oh, my God.
00:56:31Oh, my God.
00:56:32Oh, my God.
00:56:45Hello, Danny.
00:56:48Hi.
00:56:52I miss you, old man.
00:57:09Christ, look at you.
00:57:11What are they feeding you?
00:57:16Ready?
00:57:17Where are we going?
00:57:19I thought I'd bust you out of jail for the weekend.
00:57:22Give you a tour of the new place at Oxfordshire.
00:57:24Did Sandy show you the pictures?
00:57:26Yeah.
00:57:28It looks cool.
00:57:31There's a tennis court at the back.
00:57:33Well, I should warn you, I've been practicing.
00:57:40See, Pop.
00:57:43Oh, Danny, there was something I wanted to ask you.
00:57:47How would you feel about us getting some dogs?
00:57:52Sounds good.
00:57:55In Colombia, the death toll has risen to 600 overnight
00:57:59as civil war rages following Monday's sudden power cut.
00:58:03As thousands flee Medellin in panic, the army...
00:58:17How are you, masters of war?
00:58:22Now, you masters of war.
00:58:24You that build all of our guns, you that build the dead plains.
00:58:37You that build the big bombs
00:58:44You that hide behind walls
00:58:50You that hide behind a desk
00:58:57Just want you to know
00:59:01And I see through your mask
00:59:08You that never done nothing
00:59:13But build a 2D stroke
00:59:21You play with my world
00:59:28Like it's your little toy
00:59:35Put a gun in my hand
00:59:40And you hide from my eyes
00:59:47And turn and run farther
00:59:51When the fast bullets fly
00:59:58Like the Judas of old
01:00:05He'll lie, UDC
01:00:11World War can be won
01:00:24I love you
01:00:25Imagine you see that
01:00:25Wait a while
01:00:30I don't have any
01:00:31Leave a gun in the world
01:00:32Wait a minute
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