- il y a 1 heure
Catégorie
✨
PersonnesTranscription
00:00:26Sous-titrage MFP.
00:00:30...
00:01:08Leave it open, Mr. Shane.
00:01:10It gives that careless look.
00:01:11So important to good dressing.
00:01:13With me, things are too tough to look careless.
00:01:15Well, well, well.
00:01:16If it isn't my old friend, the private dick.
00:01:18Private investigator to you.
00:01:20Mike, you're looking fine.
00:01:21Wonderful.
00:01:22If you looked any better, you'd have to be twins.
00:01:23I'm glad to see you, boy.
00:01:24Getting everything you want?
00:01:25Well, I was just...
00:01:26Oh, it's a beautiful thing.
00:01:27A beautiful thing.
00:01:28You're sure dressed to kill.
00:01:30Say, isn't this the suit I told you to put away for another customer?
00:01:33You can't sell that suit.
00:01:35All right, so I'll lose another customer.
00:01:37You're worth it, Mike.
00:01:38You're worth it.
00:01:39Does it fit like a glove?
00:01:41It should fit like a suit.
00:01:44You panic me, Mike, from head to foot.
00:01:46Now, look, Smiley.
00:01:47This has got to be right because I'm buying it to please a dame.
00:01:49Any dame that's got the taste to go out with you will be crazy about that suit.
00:01:53I'm not going out with her.
00:01:54I'm going to marry her.
00:01:55Marry her?
00:01:56Well, that's marvelous.
00:01:58Wonderful.
00:01:59Congratulations, Mike.
00:02:00Congratulations.
00:02:01This is the suit, my boy.
00:02:02The preacher won't be able to look at anything else.
00:02:05Did you quote him a price on this?
00:02:07No, sir.
00:02:08Then I'll even do better.
00:02:09The complete outfit with a pair of shoes, $37.50, and a throw in the wedding ring.
00:02:12And if you buy an overcoat, you get a hat and a membership in a Christmas club,
00:02:15which entitles you to a credit slip for $5 good on any purchase over $50 if made before Christmas.
00:02:20On track seven.
00:02:21And all I want down from you, Mike, is a measly tent spot.
00:02:23I'll give you two bucks and my old suit.
00:02:26But that thing, the malls would be ashamed to build a nest in that.
00:02:29Make it five.
00:02:30Two bucks.
00:02:31And I won't bother to take the police whistle and the Gene Autry gun.
00:02:34Here, here, hold on.
00:02:35Just a minute.
00:02:36What about your security?
00:02:37What do you mean, security?
00:02:38I've always paid you.
00:02:40I got an important case coming up any day now.
00:02:42Well, all right.
00:02:43I'll take a chance.
00:02:44Goodbye, Mike.
00:02:44Good luck.
00:02:45I hope your marriage works out.
00:02:46What do you mean, works out?
00:02:48Oh, so few of them do.
00:02:55Mike!
00:02:58Hey, Mike!
00:02:59This case you got coming up, is it dangerous?
00:03:01Why?
00:03:01Well, you've got to go through such red tape to get a suit back from the morgue.
00:03:12Hello, Sam.
00:03:13Hello, Mr. Shane.
00:03:14Man, that suit's a killer.
00:03:16Yeah, thanks.
00:03:17Thanks.
00:03:17Hiya, Mike.
00:03:18Oh, hello, Jack.
00:03:19Hey, take it easy with that.
00:03:20That's going to be personal property in a couple of hours.
00:03:24Well, today's the big day, eh?
00:03:25Yes, sir.
00:03:26Yeah, I told Joan it'd be okay if she was a little late.
00:03:29Oh, that's fine, Jack.
00:03:30That helps a lot.
00:03:31Oh, Mike.
00:03:31Yeah?
00:03:32Have you thought it over?
00:03:34Well, sure I thought it over.
00:03:35Why?
00:03:36I'm a married man.
00:03:37I talk from experience.
00:03:39I'd rather put two bucks on a horse than on a marriage license.
00:03:41You get a better run for your dough.
00:03:44Well.
00:03:45Well, thanks for the advice.
00:03:53Hiya, Mike.
00:03:54Hello.
00:03:54Say, I'm sorry about that tip we gave you yesterday.
00:03:57Yeah, he ran a bang-up eighth, charging in the stretch.
00:04:02Hello, Mike.
00:04:03Oh, hey.
00:04:04Yeah?
00:04:04I hear you're getting married.
00:04:06Yes, you got any objections?
00:04:08No.
00:04:08Two can live as cheap as one, but if you ask me, it's worth the difference to stay single.
00:04:12That is very funny.
00:04:15Hey, Brennan.
00:04:16You doing in?
00:04:17Yes, Mike.
00:04:17Good.
00:04:18Say, I hear you're getting married.
00:04:20Yes.
00:04:21I'm getting married.
00:04:23Now, just one crack out of you.
00:04:24Come on, just one crack or no...
00:04:26Gee, it could happen to anybody.
00:04:30Well, here comes Max Aloran.
00:04:32Better duck.
00:04:36Oh, Mike.
00:04:39Can I put the lug on you for a couple of bucks?
00:04:41I'm a little short on my rent.
00:04:43Now, look, the last time you clipped me, you went out and got loaded.
00:04:45You're crazy.
00:04:46Some guy bought me a couple of beers, but I wasn't loaded.
00:04:49No, you weren't loaded.
00:04:50You were just to that state where the sober guys looked awfully silly.
00:04:53Okay, Shane.
00:04:55If that's the way you feel about it.
00:04:56It's the way I feel about it.
00:04:58Hello, Mike.
00:04:59Get in that contraption and get going.
00:05:02Say, I hear you're getting married.
00:05:07Come in.
00:05:08Hey, John.
00:05:10Look.
00:05:11Nifty?
00:05:12Everything but the neon sign, huh?
00:05:13Well, now you look like something.
00:05:16Yeah.
00:05:16You know, Gus had a suit like that once.
00:05:18Now, look.
00:05:19Let's get this thing understood.
00:05:20Will you please stop throwing that two-bit hoover up to me?
00:05:23I just want you to look nice.
00:05:24You don't get married every day.
00:05:26Hmm.
00:05:26Not to me, you don't.
00:05:28Say, the bridesmaids are tossing off a little brawl for us after the show.
00:05:30What bridesmaids?
00:05:31A girl from the daddy let me light your cigar number.
00:05:33Oh, that's swell.
00:05:34Say, how about a cup of coffee?
00:05:35You can't get married in an empty stomach.
00:05:37I saved you a cup.
00:05:38Got it.
00:05:44Got the ring?
00:05:45Mm-hmm.
00:05:46Yeah.
00:05:47I see it.
00:05:50I got it.
00:05:51A shame never forgets.
00:05:58What'd you do with a cracker, Jack?
00:06:04Hey, hey, don't try it on.
00:06:06That's bad luck.
00:06:07Couldn't be any worse.
00:06:08The wedding license is so old.
00:06:09Now, it's out of print.
00:06:10Ah, quit grabbing, Joanie.
00:06:12I've had my coffee.
00:06:13We're set.
00:06:14How about a couple of bucks for flowers?
00:06:15A couple of bucks?
00:06:16Sure.
00:06:18Here.
00:06:19There's one buck.
00:06:19I don't want George Washington to get lonesome.
00:06:22Ah!
00:06:32Did you hear that?
00:06:33I didn't hear anything.
00:06:35That's funny.
00:06:36I could have sworn I heard somebody scream.
00:06:38Somebody's always screaming around this flop house.
00:06:42Ah!
00:06:43I'll be right back, honey.
00:06:44Mike!
00:06:46Hey, Mike!
00:06:58Hey, what's all the...
00:07:02Oh!
00:07:05Oh!
00:07:06Oh!
00:07:07Oh!
00:07:08Oh!
00:07:09Oh!
00:07:10Oh!
00:07:10Oh!
00:07:11Oh!
00:07:12Oh!
00:07:12Oh!
00:07:13Oh!
00:07:16Oh!
00:07:17...
00:07:30...
00:07:30...
00:07:30...
00:07:31...
00:07:31...
00:07:32...
00:07:32...
00:07:37Well, whoever staged this little melodrama certainly had cracked chimes in that belfry.
00:07:43Oh, oh!
00:07:45Come on, Emily, pull yourself together.
00:07:47Oh!
00:07:48That's a good girl! Say now, who is this dame?
00:07:51Miss Vance.
00:07:52Miss Vance?
00:07:54Desiree Vance!
00:07:56Oh, oh, oh.
00:07:58Oh.
00:07:58Look, you mop up your tears.
00:08:01Réalisez-vous et dites Brennan à venir ici, allez-vous ?
00:08:03Oui.
00:08:06Il va bien aimer ça.
00:08:21Bonjour.
00:08:23Oh, bonjour, Mike.
00:08:24Alors, je suis busy.
00:08:25Vous allez être busy.
00:08:27Je vais vous donner une expérience à une double-murder.
00:08:30Je vous donnez une petite minute sur les copains.
00:08:32Je vous le dis, après vous, vous me donnez le dôme.
00:08:35Lou Lathrop, le produit-on-d'un, et Desiree Vance,
00:08:38ont été écrits l'honneur.
00:08:40C'est un peu de dollars.
00:08:41Qui a fait ça ?
00:08:42Alors, vous savez ?
00:08:44Tout je sais que le joint up ici
00:08:45a l'air de la seconde acte de Macbeth.
00:08:48Ils ont dû un banquet à une fois.
00:08:50Ils étaient tous en costume.
00:08:52Je ne sais pas ce qu'il était pour, ni ce qu'il était pour.
00:08:55Non, je ne sais pas ce qu'il était pour.
00:08:55Mais, si vous avez une expérience à me,
00:08:57exclusivement,
00:08:58je vais vous donner 400 plus.
00:08:59Oh, vous avez eu un déjeuner, mon ami.
00:09:02As soon as I get any hot copy,
00:09:04vous allez vous donner.
00:09:04Mais vous envoie ces 100 bucks,
00:09:06vous allez ?
00:09:07Bien.
00:09:09Oh, 100 simonias.
00:09:45Oh.
00:09:47I was just...
00:09:48So was I.
00:09:50Did you tell Brennan ?
00:09:51Oh, non, I...
00:09:52I was just going to.
00:09:53Oh, go on.
00:09:54Go on, hurry up.
00:17:18Qu'est-ce que ça ?
00:17:19Oh, j'ai trouvé ça sur Lathrop's tête.
00:17:22Il m'a dit qu'il a pris l'un après l'un.
00:17:24Qu'est-ce qu'il fait pour ça ?
00:17:25Peut-être qu'il aime les Airedales, je ne sais pas.
00:17:27J'ai eu un dog comme ça, il n'ait rien.
00:17:30Il m'a très fonte de enfants.
00:17:36Dis-y,
00:17:38vous remarquiez que seulement 4 de ces places sont utilisés ?
00:17:40Non, je n'ai pas.
00:17:41J'ai gardé vos yeux ouvert, Shane.
00:17:43Alors, peut-être que les killers sont fiers, ils ne peuvent pas manger, hein ?
00:17:46C'est bien.
00:17:48Il y a des personnages des personnages.
00:17:50Le murdé est souvent le premier à l'autre.
00:17:52Le dernier à l'autre ?
00:17:54Oh, c'est bon.
00:17:59Hey, c'est drôle.
00:18:01Carlo Ralf, qui a joué, est le dernier dans le programme.
00:18:04Et ça, c'est l'un.
00:18:05C'est parti.
00:18:07Inspector !
00:18:09Inspector !
00:18:12Inspector !
00:18:17C'est parti, Al ?
00:18:18C'est parti.
00:18:24C'est parti.
00:18:25C'est parti.
00:18:26Il n'a pas été pris.
00:18:27C'est parti.
00:18:29C'est parti.
00:18:31Il se semble que Lathrop n'est pas à la maison.
00:18:33C'est parti.
00:18:34C'est parti.
00:18:37C'est parti.
00:18:39C'est parti.
00:18:39C'est parti.
00:18:42C'est parti.
00:18:43il et les deux européens. Et
00:18:44voilà. C
00:18:45'est parti. C
00:18:46'est parti. Oui.
00:18:48C'est
00:18:49parti. C'est
00:18:50J'ai un engagement avec Lathrop à 11h00.
00:18:52Je suis allé dans le coin et j'ai entendu voices.
00:18:57Qu'est-ce que vous avez ici ?
00:18:59J'ai venu à l'entrée de l'entrée de l'entrée de la pièce.
00:19:01L'entrée de l'entrée ?
00:19:03L'entrée de l'entrée ?
00:19:04C'est ici.
00:19:10Lathrop a l'entrée de l'entrée de l'entrée de l'entrée.
00:19:13Il a vouloir tout avant de l'entrée de la pièce.
00:19:18Il a l'entrée de l'entrée de l'entrée de l'entrée.
00:19:21Il s'est passé en 45th Street.
00:19:23Il a été faite pour 20 ans.
00:19:26Il a l'entrée de l'entrée de l'entrée ?
00:19:28Lathrop n'en a pas de l'entrée de l'entrée de l'entrée.
00:19:29C'est bon.
00:19:30Il y a personne de l'entrée de l'entrée de l'entrée de l'entrée de l'entrée de
00:19:32l'entrée.
00:19:34Maintenant que vous êtes ici, M. Earl,
00:19:35peut-être que vous pouvez expliquer certaines choses à nous concernant cette étrée.
00:19:38C'est un peu triste pour moi, le Inspector.
00:19:41J'ai travaillé pour Lathrop longtemps.
00:19:43Nous sommes très amus.
00:19:45Vous êtes à la partie de la nuit l'entrée de l'entrée de l'entrée?
00:19:46Si, qui est le reste de l'entrée de l'entrée d'équipe ?
00:19:52J'ai fini au sein de l'entrée de l'entrée,
00:19:54Lathrop a l'entrée de l'entrée d'estrée...
00:19:55Lathrop a la place des efforts de tous les écrivers,
00:19:56si ils se sont etírent des casques de l'entrée de l'entrée.
00:19:59Si, ce qu'est Davis maintenant ?
00:20:01Il est un stockbroker.
00:20:03L'er été le dernier pour venir ?
00:20:04Non.
00:20:05Il n'est jamais nous qui suis arrivé surtout.
00:20:11Sous-titrage Société Radio-Canada
00:20:38Lathrop and Desiree Vance were murdered here last night.
00:20:42Murdered?
00:20:43Yeah. Say, how did you get in here anyway?
00:20:47Through the theater entrance.
00:20:49Now, wait a minute. We've been standing in front of that door.
00:20:52But I came through this door, directly into the kitchen.
00:20:55You mean there's another?
00:20:58He's right. This leads to the passageway, too.
00:21:01Say, what is this, an apartment or a funhouse?
00:21:04You know anything about the party here last night?
00:21:06Well, after my 11 o'clock round, I came up here and fixed the food, like Mr. Lathrop told me.
00:21:13Did you serve at the party?
00:21:15No, I had to get back to the theater.
00:21:18Was that the last time you saw Lathrop?
00:21:21No, I came up here again to bring some ice after everybody left the theater.
00:21:26Was there anyone here besides Lathrop and Desiree Vance?
00:21:29There was a woman here. She was talking to Mr. Lathrop.
00:21:32Did you hear anything she said?
00:21:34No, I couldn't see. Her bag was to the service window.
00:21:39See? Couldn't see? Do you have to see to hear anything?
00:21:43Well, he's almost deaf. He reads your lips.
00:21:45Ah. Who was the woman?
00:21:47Huh?
00:21:47I said, who was the woman?
00:21:49I don't know. I never saw her before.
00:21:53Otto, could you describe her or tell us anything about her?
00:21:57Oh, well, she a head on, a head...
00:22:00What kind of a hat?
00:22:01With what they're wearing nowadays. Just you trying to describe a hat.
00:22:05Ah. Was she tall or short?
00:22:08What?
00:22:08Was she ta... Never mind. I'll get around to you later.
00:22:12Just keep your mouth shut about this murder. Go on.
00:22:18I'll get it.
00:22:20Never mind. I'll get it.
00:22:21No, I'll get it, Lathrop.
00:22:22Why don't you watch where you're going?
00:22:24Where's the phone?
00:22:26I don't know.
00:22:35Wait a minute. I'll answer the phone. I'm running this case.
00:22:38Well, all right. I was only trying to help. He's getting sore.
00:22:42Hello?
00:22:46Yes?
00:22:47Lou? This is Connie Earl.
00:22:50Father hasn't come home all night.
00:22:52I thought perhaps he'd found out about us.
00:22:54I've been terribly worried.
00:23:03Yeah, I know all about that, honey.
00:23:05Look, don't bother me now, will you? I'm busy.
00:23:07I'll be down in a couple of minutes.
00:23:08Who was it?
00:23:10Who's that screwball dame of mine? She's getting impatient.
00:23:13We're supposed to get hitched this morning.
00:23:14Well, congratulate... Stop using that phone!
00:23:17I'm not using it.
00:23:19Oh, uh, sit down, Mr. Earl.
00:23:21Sorry I got sidetracked.
00:23:23It's quite all right.
00:23:23I want to ask you a few more questions.
00:23:25Did Lynn Evans ever attend these parties?
00:23:27She came to the first one, but I haven't seen her since.
00:23:30Who's Lynn Evans?
00:23:31She was a chorus girl in Lathrop's show.
00:23:34Lathrop was sweet on her till Desiree Vance came into the picture.
00:23:38Do you think the murderer might have been a member of the cast?
00:23:40I haven't even started thinking.
00:23:42That's right, Inspector.
00:23:43Quiet!
00:23:46Say, how did you happen to find this massacre in the first place?
00:23:50Well, you see, my girl lives on the floor below.
00:23:52I heard Emily the maid screaming, so I came up.
00:23:55And the maid was the first one to see them?
00:23:57That's right.
00:23:57Get her up here, Al.
00:23:58No, that's all right, Al.
00:23:59I'm going now.
00:24:00I'll tell her.
00:24:02Oh, Mr. Earl, your daughter's name is Connie, isn't it?
00:24:05Why, yes, but, uh, what's that got to do with this?
00:24:09Oh, nothing.
00:24:09Just that she's very pretty.
00:24:11I've seen her picture in the rota section.
00:24:13Hey, what are you driving at?
00:24:16Take a look at those guns on the wall inside, Inspector.
00:24:18I think one of them killed Lathrop.
00:24:22Oh, hello, Mike.
00:24:23Hello, Joe.
00:24:24It's all yours.
00:24:25They said there were two of them dead.
00:24:26That's right.
00:24:27You're right in the middle of a boom town.
00:24:32Oh, Emily, wait a minute.
00:24:35The police want to talk to you.
00:24:37Now, there's nothing to be nervous about.
00:24:38All you have to do is answer their questions.
00:24:40Mr. Shane, I...
00:24:41Stop worrying, will you, Emily?
00:24:44They don't know that you're Lynn Evans.
00:24:52Hey, Brennan, anybody ask for me?
00:24:54Over there.
00:24:55Have they found out anything yet?
00:24:57No, they're waiting for Professor Quiz.
00:25:01You from the Observer?
00:25:03Yeah.
00:25:03Well, I'm Mike Shane.
00:25:04Oh.
00:25:05Here's a Valentine from the editor.
00:25:07Mm-hmm.
00:25:09With love and kisses, eh?
00:25:10Mm-hmm.
00:25:10Thank you.
00:25:11Hey, wait a minute.
00:25:12Where's the rest of the dope?
00:25:14As soon as I get anything to peddle, I'm playing along with you guys.
00:25:17Just as long as you keep me dizzy seeing ten spots in front of my eyes.
00:25:27Thanks very much, Mr. Earl.
00:25:29We can reach you at your office any time?
00:25:30Yes, of course.
00:25:31Ah.
00:25:33Well?
00:25:34They've been dead about ten hours.
00:25:36Lathrop was shot with a rifle.
00:25:38It could have been that one on the wall.
00:25:39Have that rifle checked, Al.
00:25:41Right.
00:25:41And the Vance woman with the revolver.
00:25:43Looks like you got a tough case on your hands, Inspector.
00:25:45The tougher they come, the better we like them.
00:25:48Say, if you see any reporters downstairs, keep quiet.
00:25:52I don't want the papers to get hold of this before I'm ready.
00:25:54Sure.
00:25:57Hey, Jasper.
00:25:59You're supposed to be on duty.
00:26:00Yes, sir.
00:26:18You, Miss Earl?
00:26:20Yes?
00:26:21I thought you'd show up when you couldn't call back.
00:26:23What do you mean?
00:26:23Hey, driver.
00:26:24Once around the block.
00:26:28Look here, what's the meaning of all this?
00:26:30Ah, take it easy, Miss Earl.
00:26:31I only want to talk to you.
00:26:33Who are you?
00:26:34I'm Michael Shane, private investigator.
00:26:37Go on.
00:26:38I just talked to you over the phone from Lathrop's apartment.
00:26:41What happened?
00:26:42I was disconnected.
00:26:43Nothing much except that Lathrop and Desiree Vance were knocked off last night.
00:26:49You mean?
00:26:50Yeah.
00:26:51And right now, Inspector Pearson is pouring a lot of heat on your father.
00:26:56My father wouldn't do a thing like that.
00:26:58Well, I don't know.
00:26:59He seems to be a pretty good liar.
00:27:01He's up there telling the police what great pals he and Lathrop were.
00:27:04That's right.
00:27:05They were good friends.
00:27:06Ah, now, wait a minute.
00:27:08That doesn't tally with the story you just gave me over the phone.
00:27:11My father was a little upset about Lou's interest in my career, but...
00:27:14If anybody should get down off a hack and ask you, your old man had plenty of motive for killing
00:27:19Lathrop.
00:27:20Well, if a motive is the only thing you're looking for, I happen to know that Julian Davis had plenty.
00:27:24He embezzled Lathrop out of...
00:27:26Out of 28,000 slugs, yes.
00:27:28How did you know?
00:27:30A private investigator has to keep a jump ahead of the cops.
00:27:33Then the police don't know about our telephone conversation?
00:27:35You don't have to worry about your father yet.
00:27:38Say, do you know where this Julian Davis lives?
00:27:41Yes, the Central Park Manor.
00:27:43Hey, bud.
00:27:46Well, here's where I get out.
00:27:51Oh, uh...
00:27:52By the way, I advise you not to go back to the hotel.
00:27:55Your father will be home by the time you get there.
00:27:58Goodbye, Mr. Shane.
00:27:59Uh, uh, one more thing.
00:28:01You and your father better get your stories straight before the police start asking any more questions.
00:28:06Bye-bye.
00:28:18Hello.
00:28:20Ah, so? How are you today?
00:28:22Fine, thanks. Mr. Davis in?
00:28:23Mr. Davis, he got company on the inside. Would you coming in, please?
00:28:27Yeah, thanks.
00:28:30What name I am giving, please?
00:28:31Mr. Shane.
00:28:33Ah, so?
00:28:33Just one moment, please, Mr. Slane.
00:28:35Okay, also.
00:28:37No, not also.
00:28:39Fugumoto.
00:28:41If this gets out, you know what'll happen.
00:28:45What is it?
00:28:46Pleasing to telling you a Mr. Slane to see you, sir.
00:28:49I don't know any Mr. Slane.
00:28:51It might be well worth your while to know a Mr. Slane.
00:28:54Shane, I'm...
00:28:55Without too much ado, to what do we owe this rude intrusion?
00:29:00I'm a private investigator.
00:29:01Reasonable rate service guaranteed.
00:29:03And what prompts you to feel that we need such a service?
00:29:05It's all very simple.
00:29:06You were a principal in the cast of Sweethearts in Paris.
00:29:09You chisel Lou Lathrop out of 28 grand.
00:29:11Lou Lathrop is dead, as you already know, and you had plenty of reason to put him away.
00:29:15My dear fellow, your brash manner is only exceeded by the liberties you take with the English language.
00:29:20What makes you think I've chiseled anybody?
00:29:22Just save the oratory, Mr. Davis. You're gonna need it.
00:29:24I'm turning you over to Inspector Pearson.
00:29:26Just a moment.
00:29:28Who are you?
00:29:29I am Mrs. Lathrop.
00:29:32Well, this is better than I expected.
00:29:35I didn't know that Lathrop had a wife.
00:29:38When did you see your husband last?
00:29:40I don't know what your game is, but Lou and I have been separated for three years.
00:29:44Mr. Davis happens to be a friend of mine.
00:29:47Never mind the embroidery.
00:29:48When did you see your husband last?
00:29:51I haven't seen him for six months.
00:29:53Mm-hmm.
00:29:55The police will be glad to know that you were in your husband's apartment last night.
00:29:59What makes you think so?
00:30:01This is your cigarette, isn't it?
00:30:03Cammer?
00:30:04It was found in Lathrop's apartment.
00:30:07Incredible deduction, Mr. Shane.
00:30:10Except that Mrs. Lathrop happens to be only one of thousands who prefer a better class of cigarette.
00:30:14So I can't see what that proves.
00:30:16Oh, it doesn't prove anything to me, but the police might think differently.
00:30:19What they think doesn't interest me. It's what they can prove.
00:30:23Well, if they ever saw this, they could prove plenty.
00:30:29No, no.
00:30:30Now, I'm in a position to help you.
00:30:33Perhaps you are.
00:30:34But only if you tell the truth.
00:30:36Now, what about this?
00:30:37An unfortunate circumstance.
00:30:40Mr. Lathrop gave me $28,000 in securities to trade for some steel.
00:30:44However, I saw a chance to make a handsomer property in the Hercules Rubber Company.
00:30:47Oh, yes. That's the company that folded when they pulled the president off the boat to South America.
00:30:53As Shakespeare said,
00:30:55Who knows on whom their fortune would have smiled.
00:30:57You better learn a fast tap routine to that before you try it on a jury.
00:31:01Believe me, Mr. Shane, Julian had nothing to do with the murder.
00:31:04I guess you got something there. It was too clever a job.
00:31:07But it wouldn't look so hot for the gentleman on my right if they were to find this receipt.
00:31:11Maybe you'd like to sell that, Mr. Shane.
00:31:13Oh, no. That would be unethical.
00:31:16Perhaps you could help us in some other way.
00:31:18Well, now we're getting somewhere.
00:31:20Do I understand that you want to hire me?
00:31:22Put it any way you like.
00:31:24All right. We'll put it this way.
00:31:25You are retaining me on behalf of Mr. Davis to pick up the murderer.
00:31:29That's satisfactory.
00:31:30I'll give you, uh, $100 on account.
00:31:35If you think I'm gonna say on account of what, you're crazy.
00:31:38There'll be $400 more when the case is cleaned up.
00:31:41Oh, no, no.
00:31:42I turned in my Boy Scout badge 15 years ago.
00:31:46This is the way I make my living.
00:31:47I gotta pay for this suit.
00:31:49Make it $900.
00:31:50That's a lot of money.
00:31:52You can afford it, baby.
00:31:53$900 or I don't take the case.
00:31:55Oh, very well.
00:31:56And one thing more.
00:31:58I'm turning up the murderer no matter who.
00:32:01All right.
00:32:03Well, now that we're getting so clubby,
00:32:04suppose you tell me what you were doing up there last night.
00:32:09When Julian told me it was necessary to reimburse my husband for the money he'd lost or go to jail,
00:32:15I decided to see Lou in order to verify the fact.
00:32:18Hmm. Checking up, huh?
00:32:20Well, Julian's often a little careless about business details.
00:32:24Hmm. I can understand that.
00:32:26What happened?
00:32:27I offered to buy the receipt.
00:32:28Lou refused to listen to reason, so I... I left.
00:32:33That's everything you know, hmm?
00:32:34Everything.
00:32:37Oh, Mrs. Lathrop.
00:32:38Do you always use this kind of lipstick?
00:32:40Why, yes.
00:32:42They make some now that don't come off on glasses.
00:32:45Well, you'll be hearing from me.
00:32:57Hello, Otto.
00:32:58Hello, Mr. Shane.
00:32:59Say, Otto, maybe you can be of some help to me.
00:33:02You know, I haven't had a case in a long while, and I'm gonna get married.
00:33:06Sure, Mr. Shane. What is it?
00:33:08There was a wine glass in front of one of those unused places up on Lathrop's table.
00:33:13Now, if I could be sure that a woman used that glass, it would be a swell clue.
00:33:19But how could...
00:33:23Yes.
00:33:24I remember now.
00:33:27That woman I saw alone with Mr. Lathrop might have been drinking.
00:33:32What makes you say that?
00:33:33I saw Mr. Lathrop pouring wine for her.
00:33:37Oh, that's fine, Otto.
00:33:38That's a lot of help.
00:33:40Anytime for you, Mr. Shane.
00:33:42Have a cigar.
00:33:43Don't bother to smell it.
00:33:44It's good, I know. I didn't buy it.
00:33:47Thank you.
00:33:52Hello, Bill.
00:33:54Hello, Mike.
00:33:55You're a little off your beat, aren't you? What are you doing here?
00:33:57I'm watching the theater entrance of Lathrop's apartment.
00:34:09Hey, why don't you look at it?
00:34:10Oh, hello, Mike.
00:34:11Hello, Mike.
00:34:14You're getting an old shoe, Mike. What's gonna be in it?
00:34:16Yeah.
00:34:16Well, now, just keep your shirts off, girls.
00:34:18By the time that curtain rings down tonight, Joan and I'll be tied tighter in a snare drum.
00:34:23See you tonight.
00:34:24Yes.
00:34:24Better grab him, Joan, before he gets away.
00:34:26Oh, hello, honey.
00:34:27Well, what happened and make it good.
00:34:28Now, take it easy, baby. This Lathrop case will set us up.
00:34:31When are we gonna get hitched?
00:34:33Honey, we're collecting coupons.
00:34:34When are we gonna get married? That's all I wanna know.
00:34:36Look, I'll meet you at your room at six o'clock.
00:34:39Go down and choke yourself with a silver fox.
00:34:41Six o'clock.
00:34:42Come on, come on. What's the matter? They played three introductions.
00:34:44Look, I'll see after the matinee and being there.
00:34:46I don't wanna take any more ribbing from the girls.
00:34:47Stop worrying. I'll be there.
00:34:48Come on, Joan. Get on there.
00:34:50Please, Mike, don't fight on my time.
00:34:52I've got you all to myself. Here we are alone.
00:34:57And I can't think of a thing better than that.
00:35:02I've got you all to myself. Now we're on our own.
00:35:07It's all like pulling a tree out of a hat.
00:35:10Yeah!
00:35:13My lucky day is here. No one else is near.
00:35:18And it seems that we're somewhere in the stress sphere.
00:35:23I've got you all to myself. And I mean all to myself.
00:35:28Cause now at last I've got you alone.
00:35:33You boys can sure lay it down.
00:35:36Say, tell me, do you act too?
00:35:38Yes, sir, we sure does.
00:35:39All right, then. I'm gonna give you an audition.
00:35:42And if I like your performance, I'll give you five bucks a piece.
00:35:45Five bucks?
00:35:46Mister, lead us to it.
00:35:48Okay, come on.
00:36:00Right this way. Come on.
00:36:05Hey, this leads to Mr. Lathrop's apartment, don't it?
00:36:08Yeah, why?
00:36:09Mm-mm. Not me.
00:36:10He and this Disad Vance was murdered here last night.
00:36:13No, kid.
00:36:14Is that so?
00:36:24No.
00:36:26But, boss, let's...
00:36:27Shh! Take it easy.
00:36:30A couple of cops out in front of the apartment.
00:36:37Sous-titrage Société Radio-Canada
00:37:12Sous-titrage Société Radio-Canada
00:37:32Sous-titrage Société Radio-Canada
00:37:34Sous-titrage Société Radio-Canada
00:37:53Sous-titrage Société Radio-Canada
00:37:56Sous-titrage Société Radio-Canada
00:37:59Sous-titrage Société Radio-Canada
00:38:00Sous-titrage Société Radio-Canada
00:38:01Sous-titrage Société Radio-Canada
00:38:05Sous-titrage Société Radio-Canada
00:38:09Sous-titrage Société Radio-Canada
00:38:12Sous-titrage Société Radio-Canada
00:38:25Sous-titrage Société Radio-Canada
00:38:27Sous-titrage Société Radio-Canada
00:38:43Sous-titrage Société Radio-Canada
00:38:45Sous-titrage Société Radio-Canada
00:38:47Sous-titrage Société Radio-Canada
00:39:03Sous-titrage Société Radio-Canada
00:39:15Sous-titrage Société Radio-Canada
00:39:33Sous-titrage Société Radio-Canada
00:39:37Sous-titrage Société Radio-Canada
00:39:38Sous-titrage Société Radio-Canada
00:39:42Sous-titrage Société Radio-Canada
00:39:44Sous-titrage Société Radio-Canada
00:39:46Sous-titrage Société Radio-Canada
00:39:48Sous-titrage Société Radio-Canada
00:39:53Sous-titrage Société Radio-Canada
00:39:55Sous-titrage Société Radio-Canada
00:39:58Sous-titrage Société Radio-Canada
00:40:00Sous-titrage Société Radio-Canada
00:40:01Sous-titrage Société Radio-Canada
00:40:01Sous-titrage Société Radio-Canada
00:40:02Sous-titrage Société Radio-Canada
00:40:04Sous-titrage Société Radio-Canada
00:40:07Qu'est-ce qu'il y a ?
00:40:09Non, non, non. Je veux dire qu'il y a quelque chose d'autre.
00:40:12Non, sir.
00:40:13Ok.
00:40:15Maintenant, l'amène un peu.
00:40:18Un peu plus.
00:40:21Maintenant, vous voyez quelque chose ?
00:40:23Non, sir.
00:40:24Ah, c'est bon.
00:40:26Je veux juste que vous ne voyez pas l'un.
00:40:28L'un?
00:40:29L'un?
00:40:30L'un?
00:40:30L'un?
00:40:31L'un?
00:40:31L'un!
00:40:38L'un et bien conclusion.
00:40:39Je vais vous montrer ce que une personne can'tcupe deux bâtons.
00:40:44Vous ne l'avez pas le faire pour cinq dollars, est-ce que vous ?
00:40:47A bordel a-zit-à-zit-à-zit-à-zit-à-zit-à-zit-à-zit-à-zit-à-zit
00:40:53-à-zit-à-zit-à-zit-à-zit-à-zit-à-zit-à-zit-à-zit-à-zit-à-zit
00:40:56-à-zit-à-zit-à-zit-à-zit-à-zit.
00:40:56Et c'est très simple, non?
00:40:58Qu'il y a des questions qu'ils vous voulez vous demandent ?
00:41:00Quand je vais venir ici ?
00:41:02Ça c'est une chose pour la matinée.
00:41:03Vous pouvez aller maintenant.
00:41:06Hey, hey !
00:41:07Attendez un moment.
00:41:08Si vous avez perdu vos livres, vous n'allez jamais riche comme ça.
00:41:11Moi, je peux faire une fortune.
00:41:13J'en ai comme un vibrateur.
00:41:15Oui, vous êtes.
00:41:34Bonjour, Max.
00:41:36Oh, c'est toi, Shane.
00:41:39C'est l'un de Lathrop's show, non ?
00:41:42Oui, je l'ai écrit.
00:41:44Il faut faire un bon dirge pour le funeral.
00:41:47Qu'est-ce que vous pensez, Shane ?
00:41:49Oh, rien.
00:41:50J'ai juste pensé que j'allais descendre,
00:41:51t'en foutre avec vous.
00:41:54Qu'est-ce que ça ?
00:41:55Vous faites votre propre travail ?
00:41:57Je l'utilise pour des gens comme vous.
00:42:09Ah, c'est très bon.
00:42:14Je ne savais pas que vous êtes un magiste, aussi.
00:42:17Les gens ont de manger.
00:42:18Ils prennent quelques dollars avec ces gadgets,
00:42:20des bénéfices et des smokers.
00:42:22Vous n'avez pas besoin de ces gadgets
00:42:24pour prendre quelques dollars.
00:42:25C'est-ce que c'est la mort, Shane ?
00:42:28Bien.
00:42:29Je vais parler si il y a quelque chose.
00:42:32C'est-ce que c'est, je ne sais pas.
00:42:33C'est la mort, à 1h00,
00:42:34je l'ai écouté un coup de l'air dans l'autre.
00:42:36Un coup ?
00:42:37Deux personnes sont mortes là-bas.
00:42:39Ces yeux ne sont pas encore plus me.
00:42:41Ma maison est dans l'air sous la maison.
00:42:44Ce que vous avez entendu,
00:42:45c'est que deux coups de l'air,
00:42:46deux coups de l'air simultanément.
00:42:48Je l'ai été en train de faire.
00:42:49C'est bon, Shane.
00:42:51Oh, non.
00:42:52Ne faire pas de la même chose.
00:42:55Ah...
00:42:56Vous connaissez l'air bien, ne vous connaissez pas ?
00:42:57Bien sûr.
00:42:58Je l'ai dirigé à des shows des années.
00:43:01Vous avez vu votre appointment ?
00:43:03C'est sûr.
00:43:04Il n'a jamais demandé.
00:43:07Et comment vous connaissez votre room
00:43:08était dans l'air de la maison ?
00:43:10Oh, ça.
00:43:11Ma tête ne se déroule pas à moi, non.
00:43:16Ah...
00:43:17Vous savez quelque chose de Karl Ruff ?
00:43:19Say,
00:43:20il y a un homme qui a une véritable motive
00:43:22pour un double-murder.
00:43:23Vous savez ce que vous dites ?
00:43:25Il a été aisé à Désiré Vance.
00:43:27Ils ont un groupe de l'équipe d'Aude a député.
00:43:29Oui, on, on.
00:43:30Oui, on.
00:43:31Le grand-murder Lathrop a été député à Désiré
00:43:33et signé les gens à Paris.
00:43:36Il a été député par rapport à Désiré,
00:43:39il a été député à Désiré,
00:43:40et il a député à Carlo à l'arrière.
00:43:44Il a fait à Carlo à l'arrière à l'arrière.
00:43:45Il a député à Désiré à l'arrière.
00:43:47Il a député à Carlo.
00:43:54Oui, oui, vous savez, c'est juste comme ça que j'ai pensé.
00:43:57Alors, je pense que Carlo Ralf est notre homme, hein?
00:44:01Vous n'avez jamais vu.
00:44:03Eh, c'est un cadeau.
00:44:05Il y a seulement une chasse, un homme smart.
00:44:09Qu'est-ce que ça?
00:44:10Carlo Ralf est mort au Château Thierry, 1918.
00:44:15Je suis dans sa compagnie.
00:44:18C'est juste un tas de dollars.
00:44:20C'est un tas de dollars.
00:44:43Oui ?
00:44:43Bonjour.
00:44:44Je voudrais voir la maison de Desiree Vance.
00:44:46Qui est-ce ?
00:44:47Je suis un policier.
00:44:48Je suis un policier.
00:44:48Je suis un policier.
00:44:52Je suis un policier.
00:44:53Je suis un policier.
00:44:53Je ne sais pas commenter aujourd'hui quand il est un policier.
00:44:56Quand je suis un policier, ils ne sont pas à l'aise.
00:44:58Oui, c'est ce que le chef toujours dit.
00:45:00Monsieur Pearson est le chef, n'est-ce pas ?
00:45:02Oui.
00:45:03Nous, nous, nous, tous les gens, il est un homme.
00:45:05Il est un homme.
00:45:08Bien sûr, si vous avez des brains, vous pouvez le faire ça.
00:45:11Bonjour, Inspector.
00:45:12Bonjour.
00:45:13Bonjour.
00:45:14Je suis sur du tout y restant.
00:45:16On the West Indian Cruise.
00:45:18Ce que tu faisais?
00:45:19Qui je parlais pour ?
00:45:20Qui va s'en parler ?
00:45:23Qui veut dire ?
00:45:25Et quoi ?
00:45:26Je ne sais pas, j'ai trouvé ça.
00:45:27C'est fermé, c'est fermé.
00:45:42Hey, l'inspecteur.
00:45:43Qu'est-ce qu'il y a quelqu'un qui vient ?
00:45:46Oui, pourquoi ?
00:45:48Un gars qui m'a dit deux personnes, n'arrête pas à rien.
00:45:51Listen.
00:45:57A time bomb.
00:45:58That's what I thought.
00:45:59Throw it out the window.
00:46:00No, put me the backpack.
00:46:01Here, I'll put it in the seat.
00:46:02Hey, come here with me.
00:46:07Hey.
00:46:08You wanna make a buck ?
00:46:09Sure.
00:46:10You know where the hotel do know it is ?
00:46:11Yeah, right about that.
00:46:12All right, give this to Miss Joan Lamar.
00:46:13You got that Joan Lamar.
00:46:14There's your buck.
00:46:15Beat it.
00:46:19What'd you do with it ?
00:46:20I doused it in the sewer there.
00:46:22Good.
00:46:23Mike, you saved my life.
00:46:25Oh, I think nothing out of it, Inspector.
00:46:27I guess somebody thought you knew too much, huh ?
00:46:30Yeah, Davis.
00:46:31Davis ?
00:46:32Sure.
00:46:33Mike, I'm gonna let you in on something.
00:46:38We checked and found out he and Basil Lathrop out of 28 grand.
00:46:42There's our motive.
00:46:44That's so ?
00:46:44Yes.
00:46:45Well, I guess I won't be needing this anymore.
00:46:48Huh ?
00:47:00Hey.
00:47:02Central Park Manor and step on it.
00:47:20What's the matter ?
00:47:21Never mind.
00:47:21What's the matter ?
00:47:22You've got to get out of here.
00:47:23Come on.
00:47:23Just a minute.
00:47:24What is all this ?
00:47:26Now, look.
00:47:26The police found out about your little deal with Lathrop.
00:47:29I'm lucky they haven't picked you up already.
00:47:30I'd be out my 900 bucks.
00:47:31Go on, hurry it up.
00:48:09Good heavens !
00:48:11What have you done ?
00:48:12That hurt me much more than that did the inspector.
00:48:16Do you realize this porcelain vase dates back to the Ming Dynasty ?
00:48:21You'll date back to the county jail unless you get out of here fast.
00:48:24Haven't you any aesthetic value ?
00:48:25Never mind.
00:48:30Did I get you here quick enough ?
00:48:32Someday you're gonna get a ticket for flying too low over Broadway.
00:48:36Hey, Sam.
00:48:37You got the keys to the prop room ?
00:48:39Yes, sir.
00:48:39Well, come on.
00:48:40Just a minute.
00:48:41I doesn't have to understand no more corpses, does it ?
00:48:43Oh, come on.
00:48:49Come on.
00:48:49Yes, this ought to do very nicely.
00:48:51Sam.
00:48:52I wanna hide this guy here.
00:48:54Now, you keep your trap closed and your eyes open.
00:48:56And take care of his chow.
00:48:58Yes, sir.
00:48:59Sit down.
00:49:00Make yourself away from home.
00:49:02There's a comfortable seat.
00:49:04What is that strange contraption ?
00:49:06That hamlet is an electric chair.
00:49:09Might as well get used to it.
00:49:10Be seeing you.
00:49:14Oh.
00:49:17Sam.
00:49:18Let's put that key where I can get it quick.
00:49:19Hm ?
00:49:20I'll put it right here, boss.
00:49:22Yeah.
00:49:27Phew, that was a narrow escape, boss.
00:49:29Yeah, it wasn't termites either.
00:49:32Come on.
00:49:33Let's get out of here.
00:49:42Hello, baby.
00:49:43Seven o'clock.
00:49:44Where's the preacher ?
00:49:44Oh, never mind about that now.
00:49:46Where's that box I sent you ?
00:49:47That's your idea of a gag.
00:49:49Now, what did you do with it ?
00:49:50Well, there wasn't anything in it,
00:49:51but some pictures and a silly old love letter.
00:49:53A love letter ?
00:49:54How'd you get that box open ?
00:49:55With a hairpin.
00:49:56Well, where's the letter ?
00:49:57I tore it up.
00:49:58You what ?
00:49:59Well, I don't know any Carlo Ralph.
00:50:01Ooh.
00:50:02The stork that brought you should have been arrested for peddling dope.
00:50:09You tell me what's so important ?
00:50:12Well, this might be the key to everything.
00:50:14Sure, sure.
00:50:14Everything's important to you but our marriage.
00:50:16What'll the girls think ?
00:50:19At least Gus never humiliated me.
00:50:21Gus !
00:50:21Gus !
00:50:22I thought you promised never to remind me of that palooka again.
00:50:25Well, Gus was dependable.
00:50:27Here.
00:50:28Here, listen to this.
00:50:30Desiree, darling, I know you'll be surprised to hear from me.
00:50:33The terrible ordeal of 10 months in a German prison camp is finally over,
00:50:38but it has left its mark.
00:50:40You have worked on five murder cases, and how many have you solved ?
00:50:43None !
00:50:44I am trying to get an act together,
00:50:47as I have the promise of a booking in Berlin.
00:50:51I live only in the hope that you'll join me here,
00:50:55that we may forget the past and start life together anew.
00:50:58to your loving husband, Carlo.
00:51:06Hey, can you tie that ?
00:51:09What ?
00:51:10This letter is postmarked Munich, Germany, 1920.
00:51:14And Carlo Ralph wasn't killed at Chateau Thierry.
00:51:17I'm through, I've had enough.
00:51:19I've waited and waited and waited, and what happens ?
00:51:21Nothing !
00:51:22I wouldn't even expect you to show up at your own funeral !
00:51:32Honey, I've got to run downstairs for a minute !
00:51:34But Mike !
00:51:35I'll be right back !
00:51:36That's what you think !
00:51:39Hey, Joanie !
00:51:41Joan !
00:51:42Oh, come on, be sensible !
00:51:44I'm doing this for the both of us !
00:51:56Hello, Inspector !
00:51:58Oh, hello !
00:51:59Say !
00:52:00Don't tell me they're making keyholes big enough to get your fist through !
00:52:02I got this from Davis, but he'll pay plenty !
00:52:05I caught up with him in his apartment and he let me have it when my back was turned !
00:52:09He and his gang !
00:52:10You don't mean he got away !
00:52:12I should say not !
00:52:13I just got an anonymous phone call that he's hiding in the theater here !
00:52:17Al and the boys will be along in a minute !
00:52:19Then we'll pick him up !
00:52:23Here they are now !
00:52:28Hey !
00:52:32What's the matter ? You going blind ?
00:52:33What, Inspector ?
00:52:34Shut up !
00:52:35Sergeant, take a couple of men and go around the back !
00:52:37Al and I will go in the front !
00:52:38Keep your big eyes off him, will you ?
00:52:48Hey, Davis !
00:52:53Davis !
00:52:56Holy smoke !
00:53:00Don't !
00:53:01What dare you like that, will you ?
00:53:03Come on !
00:53:03Get out of here !
00:53:03Police !
00:53:05Police !
00:53:11Get back !
00:53:11Get back !
00:53:20Frank, you look around in here and we'll search the dressing rooms !
00:53:23Yes, sir !
00:53:49Stop !
00:53:53Sergeant !
00:53:57What happened ?
00:53:58Two men just ran out of here and locked me in !
00:54:01They must have gone that way !
00:54:24There he is !
00:54:26Inspector !
00:54:26Inspector !!
00:54:27There he is !
00:54:31Stop or I'll shoot!
00:54:39Hey, chief, are you all right?
00:54:47Why are you all right, chief?
00:54:54Come on.
00:55:00Come on, hurry up.
00:55:04Hamlet, we're in a jam that may be raspberries.
00:55:11I've got to keep you away from the law if I want to collect from your girlfriend.
00:55:14Reading's to shame. This whole thing's getting on my nerves.
00:55:18Look, after I catch the murderer, you can have a nervous breakdown if you like. Now keep quiet.
00:55:41You might as well sit down and ease your mind. Looks like we're stuck for a while until I figure
00:55:46some way of getting you out of here.
00:55:48You play Honeymoon Bridge?
00:55:51Do I play Honeymoon Bridge?
00:55:53I shall never forget the time we were stranded in Chillicotte.
00:55:55We were playing Romeo and Juliet at the time.
00:55:57And the scenery went to Cleveland by mistake.
00:55:59Oh, looks like the police checked this room already.
00:56:03By the way, if you want to leave here, I have a suggestion to make.
00:56:05Yeah?
00:56:05There's another way out.
00:56:08You mean to say there's another entrance to this homicide parlor?
00:56:11If you knew Lou as well as I did, you wouldn't question it.
00:56:18Lou always insisted on taking a fatherly interest in his leading lady.
00:56:22So to facilitate matters, he arranged she should occupy the suite immediately below.
00:56:28Well, for the love of Michael Shane.
00:56:31Oh, come on.
00:56:54Why, she... she looks like, um...
00:56:57Lynn Evans?
00:56:58Yes.
00:56:58That's who it is.
00:57:00But how could she...
00:57:03Is she dead?
00:57:05Yep.
00:57:14To whoever finds me, I killed Lou Lathrop and Desiree Vance.
00:57:18Lou was my first sweetheart and she came between us.
00:57:21I've never forgotten or forgiven either of them.
00:57:23Last night was too much for me.
00:57:24I couldn't stand it.
00:57:25I killed them.
00:57:26Lynn Evans.
00:57:27Why, this ends our case, Mr. Shane.
00:57:29I can go home now.
00:57:30Oh, no, no.
00:57:30You're gonna stay right here with me.
00:57:32Why?
00:57:32She didn't commit suicide.
00:57:34What do you mean?
00:57:34Come on, I'll explain it to you later.
00:57:42Hey, Joe.
00:57:45Joanie.
00:57:47She's gone again.
00:57:49You can never trust these dames.
00:57:53Hello.
00:57:54Hello.
00:57:55Give me the backstage of the Athena Theatre.
00:57:58Life is full of strange adventures.
00:58:00Here I find myself in a girl's room.
00:58:02A beautiful girl whom I've never even met.
00:58:05Now, just take it easy, Hamlet.
00:58:06She'll be a blustering bride before midnight.
00:58:09Is that so?
00:58:10And when she comes back, tell her to wait here for me, will you?
00:58:13Oh, hello, Otto.
00:58:14This is Mike Shane.
00:58:15Hello, Mr. Shane.
00:58:16Otto, there's one more thing I want you to do for me.
00:58:18Can you meet me in Lathrop's apartment?
00:58:20Why, yes, Mr. Shane.
00:58:23But I can't get away from here until 9 o'clock when the relief man comes on.
00:58:28Oh, that's all right.
00:58:29That's fine.
00:58:29Just a little more help and I think we got this solved.
00:58:32I'll meet you there at 9 o'clock.
00:58:33I'll be there.
00:58:36Now, you wait here until I pick up the murderer.
00:58:39You've got plenty of time for that nervous breakdown now.
00:58:48Come in.
00:58:51Hello, Max.
00:58:52Oh, it's you again.
00:58:54Mm-hmm.
00:58:56You turned up the Lathrop killer yet, Shane?
00:58:58Max, you lied to me about Carla Ralph being killed in the war.
00:59:02Oh, thank.
00:59:03I wouldn't lie to a smart guy like you.
00:59:06Listen, you know plenty.
00:59:08Well, I'm cracking this case pretty quick
00:59:09and I'm getting the last bit of evidence in Lathrop's apartment at 9 tonight.
00:59:16Well, have a good night's sleep.
00:59:26Hello, Shane.
00:59:27We got a little date downtown.
00:59:28Oh, now, wait a minute, Al.
00:59:29I got this whole thing sewed up.
00:59:30Look, the inspector gave me his personal okay.
00:59:32He's gonna be awfully slow.
00:59:35Thought you were pretty smart, eh, Shane?
00:59:37You know I wanted Davis for murder and you helped him get away.
00:59:40I'm gonna send you up for a nice long stretch.
00:59:42You almost set me up for good when you took that pot shot at me in the theater.
00:59:45What pot shot?
00:59:46I didn't fire my gun.
00:59:47Well, somebody did.
00:59:48The bullet almost parted my hair.
00:59:50Did you fire at him, Al?
00:59:51Not me.
00:59:51I heard a shot, but I thought it was you, inspector.
00:59:53Now, wait a minute.
00:59:54If neither one of you fired, doesn't that prove that the murderer was in the theater?
00:59:58You know, it couldn't have been Davis.
01:00:00He was right by my side the whole time.
01:00:01Now, wait a minute, Shane.
01:00:03It's simple arithmetic, inspector.
01:00:05Whoever the real murderer is, he's trying to pin it onto Davis.
01:00:09That half-burned receipt was a plant and a clumsy one at that.
01:00:12And who do you think called you up and told you Davis was down at the theater?
01:00:15Search me.
01:00:16It was the killer, of course.
01:00:18Here's another one for your scrapbook.
01:00:20You can pick up the body of the third victim at room 516.
01:00:24What?
01:00:25Emily, the maid at the hotel, was murdered.
01:00:27This is the screwiest case I've ever had.
01:00:29Lock him up, Al, before I'm murdered.
01:00:31Well, now, wait a minute, inspector.
01:00:33I'll make you a proposition.
01:00:34Nothing doing.
01:00:34Now, listen to me, will you?
01:00:36I think that I've made a date with the killer at Lathrop's apartment at 9 p.m.
01:00:41Shane, you've played your last trick on me.
01:00:43I got nothing up my sleeve.
01:00:45If I'm wrong, I'll turn Davis over to you in a pair of ruby-studded handcuffs.
01:00:49Now, is that fair enough?
01:00:50I don't know.
01:00:51Well, you'll hog all the front pages.
01:00:53Inspector Pearson at the homicide picks up triple killer in 24 hours.
01:00:58Now, you wouldn't object to that, would you?
01:01:00Frankly, no.
01:01:01That'd suit me fine.
01:01:02But you never deliver.
01:01:04I will this time.
01:01:05Here's all you gotta do.
01:01:07You get up to Lathrop's apartment before 9 o'clock.
01:01:09Plant yourself in the study behind those glass doors.
01:01:12And where are you going?
01:01:13Oh, stop worrying. I'll be there.
01:01:15Oh, no, you don't.
01:01:16All right, then have Al stick with me, okay?
01:01:18And when you get up there, keep your gun ready.
01:01:20When you hear me mention the time, 12 o'clock,
01:01:23that's your signal.
01:01:24What do you mean, 12 o'clock?
01:01:26When I say 12 o'clock, you step out and nail him.
01:01:32Okay.
01:01:33Attaboy.
01:01:34But you better be right.
01:01:36Al, call the corner and have him meet me at the due north.
01:01:39Oh, uh, one more thing.
01:01:41Uh, you better take the cop off the theater entrance.
01:01:43I got a hunch the murderer may be coming up that way.
01:01:46All right.
01:01:48All right.
01:01:49But if I get comfortable in the eye again, look out!
01:02:35Well, we're going to walk you back.
01:02:36I'll walk you back up, you just listen to me.
01:02:36I'll walk you back.
01:02:36Hey, my friend, I'm going to walk you back.
01:02:38Hey, you stay right.
01:02:39I didn't walk you back up.
01:02:40I'm going to walk you back to me.
01:02:40It's a little dangerous.
01:02:42He will walk you back.
01:02:42Hey, I'm going to die.
01:02:45And then I'm going to walk you back with me.
01:02:45C'est parti.
01:03:17C'est parti.
01:03:18Hey, thanks.
01:03:19Where are you going?
01:03:20Up to Lathrop's apartment to meet the killer.
01:03:23It's open house if you want to come along.
01:03:25No, I'd better stay down here and watch.
01:03:53Get back, Inspector. I can see your shadow.
01:03:59Hello, Mr. Sheen.
01:04:01Hello, Otto.
01:04:02Not too loud, huh?
01:04:04Come on, sit down.
01:04:06I'm sorry I couldn't get here sooner, Mr. Sheen.
01:04:09Oh, that's all right.
01:04:10It's nice of you to help me out.
01:04:13You know, Otto,
01:04:15I think I've almost got this figured out.
01:04:18Just one link in the chain missing.
01:04:20If I could get that.
01:04:22How can I help you?
01:04:25You must have read in the papers that Lathrop was killed with a rifle
01:04:28and the Vance Dame with a revolver.
01:04:31Now, I can understand why they didn't see the rifle,
01:04:34but what beats me is why they didn't scream or jump up or do something
01:04:38when the killer pulled a revolver on them.
01:04:40Well, why wouldn't he seize a rifle, Mr. Sheen?
01:04:43Because the murderer had clamped it to that sill over there.
01:04:47The end of the barrel was hidden under that candlestick.
01:04:52How do you know that?
01:04:54When the rifle went off, it left a burn.
01:04:57The murderer tried to make believe it was done by a cigarette.
01:05:01What?
01:05:02The killer tried to make it appear it was from a cigarette.
01:05:05But no cigarette ever made a burn like that.
01:05:09That's wonderful, Mr. Sheen.
01:05:11Well, that's what I get paid for.
01:05:14Now, the murderer stood here,
01:05:17and he fired the rifle by rigging the trigger to this wand
01:05:20with magician's thread.
01:05:22Oh!
01:05:24That's very clever.
01:05:26Yeah, isn't it?
01:05:27Let me see it.
01:05:29Sure.
01:05:36You know any magic tricks, Otto?
01:05:38Huh?
01:05:38Do you know any magic tricks?
01:05:40No, I don't, but...
01:05:41I've seen them do it in theatres.
01:05:46Hmm.
01:05:53Maybe it was done like that.
01:05:58Say, that's pretty good.
01:06:01I think maybe you've hit it.
01:06:03I'm going to kill you, Mr. Sheen.
01:06:07Why, Otto?
01:06:09Why should you kill me?
01:06:11You know too many things.
01:06:13I know that you're Carla Ralph.
01:06:17Yeah.
01:06:19Beppo the dog.
01:06:21And that you killed Lathrop, Desiree Vance, and Lynn Evans.
01:06:24You are the only one who'll ever know that, Mr. Sheen.
01:06:29Don't get excited, Otto.
01:06:31After all, you probably thought you had plenty of reasons for doing what you did.
01:06:35I don't get excited.
01:06:37I had the feeling you were too smart.
01:06:41And you asked me about that wine glass.
01:06:45Yes, that's right, Otto.
01:06:47You were a big help there.
01:06:49That's the first time I got suspicious of you when you lied to me.
01:06:53Mrs. Lathrop didn't drink out of that glass.
01:06:56There wasn't any lipstick on it.
01:06:58It was you who drank from it.
01:07:01Yes.
01:07:03I came up here last night for sentimental reasons.
01:07:08I put on the dog head and waited until Lathrop and Desiree were the only ones left.
01:07:17Lathrop was panicky when he recognized me.
01:07:21And after I convinced him I meant no harm,
01:07:25he poured me a glass of wine and asked me to sit down.
01:07:32I showed him some of the tricks I did in the show.
01:07:39Well, how come that Lathrop didn't recognize you before?
01:07:42He knew me as it was in 1916.
01:07:46That a year of war and a German prison camp can change any man.
01:07:52I passed him in the street one day.
01:07:55But he didn't recognize me.
01:07:57Oh, so that's it.
01:07:59I decided Lathrop should die in the same place he closed my life.
01:08:0726 years back when he stole my wife.
01:08:14So, about six months ago, I got this job.
01:08:20Yeah, but why did you kill Lathrop in Evans?
01:08:22I came back to destroy the wine glass you asked me about.
01:08:28There were police all over.
01:08:31So, I had to sneak through the room downstairs.
01:08:37Emily saw me.
01:08:39So, I caught her and...
01:08:42and choked her.
01:08:47After her head fell back and her glassy eyes stared at me,
01:08:53I realized what I had done.
01:08:58I lit some candles and...
01:09:02and said a prayer.
01:09:13I don't think I get to say any prayers over you.
01:09:17Now, take it easy, Otto.
01:09:19You've been awfully smart about this up till now.
01:09:23Why do you want to spoil it all?
01:09:25Look, I can promise to have it fixed so you can be on a boat to South America.
01:09:30It's nice down there.
01:09:33The boat leaves at 12 o'clock.
01:09:36I'm not going to take any trip.
01:09:39Only you.
01:09:42The boat leaves at 12 o'clock.
01:09:47You can start life all over again.
01:09:50I've got the money here with me.
01:09:51Keep your hands on the table.
01:09:56Now, don't be a fool, Otto.
01:09:58I promise you.
01:10:00I'll have you on that boat before 12 o'clock.
01:10:03No, no.
01:10:05I don't trust nobody.
01:10:06I...
01:10:08I eustacized everybody.
01:10:10I'm going to kill you, Mr. Sheen.
01:10:13And then...
01:10:15there's only one more to put out of the way.
01:10:18Who's that?
01:10:28Grab that guy.
01:10:30Just a minute.
01:10:32Hey, Chief.
01:10:33Chief!
01:10:34Hey, what's going on here?
01:10:38Hello, Ron.
01:10:39They slugged me out.
01:10:41Do you mean to say that...
01:10:43He's the guy that was standing behind those doors?
01:10:45Yeah.
01:10:46Oh, sir, that's why...
01:10:49Well, it's my face a nasty color of pink.
01:10:52And it's my head sore.
01:10:54All right, now, take it easy, Pop.
01:10:56Look.
01:10:57Is that the one more guy you wanted to put away?
01:11:01Yes.
01:11:02He heard the shot last night and rushed up here
01:11:05as I was putting the rifle back on the wall.
01:11:07He's crazy.
01:11:08You can't believe anything he says.
01:11:10Shut up.
01:11:11He made me pay all the money I had to keep quiet.
01:11:14I knew.
01:11:15If I didn't get him, he...
01:11:17He'd make me pay him for the rest of my life.
01:11:20Well, what a dummy I was.
01:11:23I practically gave you an invitation to come up here and kill me.
01:11:27You knew you'd get 20 years if I'd ever talked.
01:11:29Suppression of evidence.
01:11:30That's right.
01:11:31And you saw a chance to do away with the both of us.
01:11:34Why, Inspector, you saved my life.
01:11:37Think nothing of it.
01:11:38I don't.
01:11:40Put the cuffs on this guy and take him both to headquarters.
01:11:43Holy smokes!
01:11:44Hey, Inspector!
01:11:45What time is it?
01:11:46Ten after nine.
01:11:47Why?
01:11:47Come on, we gotta get blown.
01:11:49What's the matter?
01:11:50Is there more work on this case?
01:11:51You don't know it, but you're gonna be best man at my wedding.
01:11:54More murder.
01:11:56Trying to sneak up on me again.
01:11:58Hey, now, wait, wait, wait!
01:11:59Now, calm down, will you, Inspector?
01:12:00I just cleared Davis.
01:12:02What are you doing here?
01:12:03Your girlfriend came back and threw me out.
01:12:05I've been waiting for you.
01:12:06You can just run home to that sweet patootie of yours
01:12:08and tell her to get 900 bucks ready.
01:12:10I'll be up for it in an hour.
01:12:12Come on, Chief.
01:12:13Mr. Shane, wait a minute.
01:12:14Yeah?
01:12:15Who killed Lathrop?
01:12:17Santa Claus ran over him with his sleigh.
01:12:20That's funny.
01:12:22It's four months to Christmas.
01:12:24Hey, Mike.
01:12:25Yeah?
01:12:26Are you sure you wanna get married?
01:12:28Of course I am.
01:12:29Oh, now, Inspector, be frank.
01:12:32Haven't you ever felt the urge to hold some sweet little sugar
01:12:35that belongs to you close in your arms?
01:12:37Yeah, lots of times.
01:12:38When I feel that way, I just run around the block.
01:12:41Oh, you'd find rest on the pearly gates.
01:12:44There we are.
01:12:44The gate to heaven.
01:12:52Looks like you ain't got the only key to this gate.
01:12:55Hey, what are you doing here?
01:12:56Are you Mr. Shane?
01:12:58Yes, why?
01:12:59I got a singing telegram for you from Miss Joan Lamar.
01:13:01Oh, what is she...
01:13:05I'm tired of all this fight and fuss,
01:13:07so I took it on the lam with Gus.
01:13:09Goodbye forever.
01:13:11Gus.
01:13:11Goodbye forever.
01:13:13Goodbye forever.
01:13:14Goodbye.
01:13:15Goodbye.
01:13:18Goodbye.
01:13:22Goodbye.
01:13:23Goodbye.
01:13:25Goodbye.
01:13:25Goodbye.
01:13:26Goodbye.
01:13:32Goodbye.
01:13:44Goodbye.
01:13:45Goodbye.
01:13:48Goodbye.
01:13:51Goodbye.
01:13:51Goodbye.
01:13:52Goodbye.
01:13:52Goodbye.
01:13:54Goodbye.
01:13:54Goodbye.
01:13:55Goodbye.
01:13:56Goodbye.
01:13:56Goodbye.
01:13:57Goodbye.
01:13:58Goodbye.
01:13:58Goodbye.
01:13:59Goodbye.
01:13:59Goodbye.
01:14:00Goodbye.
01:14:00Sous-titrage FR ?
Commentaires