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Igra sudbine Epizoda 1698,Igra sudbine 1698,Igra sudbine 1699,Igra sudbine Epizoda 1698, Igra sudbine Epizoda 1699,Epizoda 1698 Igra sudbine ,Epizoda 1699 Igra sudbine
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TVTranscript
00:12I just...
00:15God, Milana...
00:18God!
00:19I know that this is really scary.
00:24I thought that something will change.
00:28I think that at the end of the day,
00:30I lost my job,
00:32lost my job,
00:33hurt my family.
00:36You see, Alex,
00:38I'm very happy that you are
00:40both private and private.
00:42You can't do anything to do with your friends.
00:46That Mila was always there
00:47when it was needed.
00:49Yes, he was.
00:50And now, nothing.
00:52I gave him a practice for a job.
00:55Yes.
00:56Yes, that's how we worked for now.
00:59We will see it further.
01:01If you solve the problem,
01:03when someone has solved me
01:04one problem...
01:07What do you teach?
01:09We have to solve this problem.
01:12We have to solve this problem.
01:13We have to get out of the room
01:14and make some problems.
01:16You know what?
01:18We can solve this problem.
01:21We can solve it.
01:22But, you know what?
01:23For a woman,
01:25it's a low price.
01:28That's the thing.
01:29Hello, man.
01:30Hello, man.
01:31Hello, man.
01:31I don't talk about such a decision.
01:33Good, Milena.
01:34I think we have a agreement.
01:37We have.
01:38Amazing.
01:38I'm going to make sure
01:39that anyone doesn't know anything
01:41for your little Mrljuko Dožegović.
01:46And?
01:47How are you doing?
01:51I'm just kidding.
01:52I'm honestly...
01:54These are the conditions
01:56that creators like me
01:58can literally remember me.
02:00How do you think creators like me?
02:02What are those creators like you?
02:03Well, as I said,
02:05young people are not enough
02:06and tabulated.
02:09It's like this.
02:11If you want to stay here,
02:14don't do a lot of people
02:17but connect the horse there where the guest tells you.
02:20Did we understand that?
02:22Let's go quickly.
02:24We are.
02:25That's right.
02:312019.
02:33When was it 2019?
02:36I was fired directly.
02:39I know a woman who can make a mega-set.
02:44I'm listening.
02:46To listen to me, it will cost...
02:50...$29,000.
02:54I pray for champagne.
02:58No, no, no, sorry.
02:59I'm going to get it.
03:01We're going to go to the evening.
03:03We're going to the evening?
03:04Yes.
03:05Okay.
03:06But I can't wait for a long time.
03:08I understand.
03:09I said Gabriela.
03:11I'm going to get married all the time.
03:12I'm going to go to the beach now.
03:15Aha.
03:16A, yeah, kada ti je to ona rekla?
03:18Pre neki dan.
03:20What are you doing here?
03:22We are doing geography.
03:23I am going to see you there, I am going to see you there, I am going to see you
03:26there, I am doing something here.
03:27I am going to see you there.
03:31I am going to see you there, maybe two minutes?
03:36If a bit is really good.
03:37Am I going to see you there?
03:38I am going to see you there, super.
03:39Hi, welcome.
03:41What is it?
03:46I have done you with your number of records for the second quarter.
03:48So, bring me the whole quarter.
03:50When you finish all the time,
03:51then everything is finished.
03:54The whole quarter.
03:56The whole.
03:58What good?
04:00Let me thank you.
04:03The discipline,
04:04but not according to my people.
04:08My?
04:11You can do what you want to do
04:14but not according to my people.
04:16What do I want to do?
04:18What do I want to do?
04:21What do I want to do?
04:22Well, just to tell you.
04:23I know it's been a long time.
04:27Hello?
04:28Do you have ready money?
04:32Are you ready for the strategy?
04:35Well, you can say that.
04:37I need a little time,
04:38but I think I have a good plan.
04:47I need a package for you.
04:56Who is this?
04:57I've never seen it.
04:58I don't know.
04:59I've never seen it.
04:59I've never seen it.
05:00I've never seen it.
05:01I've never seen it.
05:07I've never seen it.
05:36I've never seen it.
05:41I've never seen it.
05:44Look at it.
05:45Sometimes it comes to me, but often it comes to me
05:50And everything is not worth it, except for the sake of my life
06:00Like love in the war, there are no rules
06:09You have one life, only one chance
06:13To become my god, because the star is all in love
06:22I play with my dreams, like a circle of happiness
06:26Someone wants, someone doesn't even want
06:31Like on the moon, the world is all over
06:35And we are our hearts
06:40So you should be there
06:43Oh-oh-oh-oh
06:47Oh-oh-oh-oh
06:52Ahh..
06:54Ahh..
06:56Ahh..
06:57Ahh..
06:59ahh..
07:08Ahh..
07:11Ahh..
07:14Mmmmmm
07:17I've said it before
07:20from the beginning of the day.
07:21He's dead from the beginning.
07:24Yes, he's dead from the head.
07:28What is this?
07:30It's not a shame.
07:32I don't know who it is.
07:33So he's dead with the police
07:35and he's even dead.
07:37He's dead.
07:39He's dead.
07:40No, he's dead.
07:44He's the best when he's swimming in Dunav.
07:48It's interesting.
07:50It's the one with the package.
07:52I told you that I'm a bummer from the beginning.
07:54Stani, stani, where do you go?
07:55What?
07:55You can't reach him.
07:57You can't reach him.
08:03Okay.
08:05Listen.
08:07It's clear that it's about what we're talking about.
08:10It's clear that it's about the fact
08:12that we got out of Dunava.
08:16I don't know.
08:17Do you think that it might be something?
08:20I doubt that it would be something to us.
08:23But it's a very serious complaint.
08:27For whom? For us two?
08:29For anyone who works on this case.
08:33Okay.
08:34And who can send it?
08:38Well, you see.
08:39As open as possible,
08:41he can send a false policeman
08:43such a package to send him to the director of the police.
08:47That means that he's very powerful,
08:51and that he doesn't have any problem.
08:53With that, he'll give him someone to accept him.
09:09It's better than I'm going to go to the director of the police
09:11than I'm sorting these old papers from Egypt.
09:15There's no meaning for the application.
09:17Here.
09:18Look at this.
09:19It's an agreement on parking from 2019.
09:23That's what happened to us.
09:24It's supposed to give us a gomiletina of the necessary papers
09:27to get us out of the other way.
09:29That's nice.
09:30We're able to accept what's on the table at the police station.
09:33And not to use the papers here.
09:36Literally?
09:37Yes, literally.
09:40We should always look at the therapist.
09:43No, it's not a bad idea.
09:44If we get mad, I'm back in the court,
09:47and you're back in the court.
09:49Shut up, Lea.
09:51Nobody knows who I am, who I am and who I am.
09:54What did I say now?
09:55What did I say?
09:56I said, no one can fly in every second.
09:59Come on, we're alone.
10:01Don't trip.
10:02Look at this.
10:03Come on.
10:04Come on.
10:05Come on.
10:06Look, I'm gonna say this.
10:08Oh, boys, you're still here.
10:10Yes, yes.
10:10Okay, don't do that.
10:12You have to go a little bit.
10:14Don't do that long.
10:18I'm talking to you.
10:31I'm talking to you.
10:32Wait, wait, wait.
10:33If he's worried,
10:34will he be upset or not?
10:36What will he do to let us go from the heart?
10:40I don't understand anything, man.
10:43I think it would be the best to go back to you to the academy.
10:49Although they're not the professor anymore.
10:51They're the ones who were there.
10:52Don't you tell me,
10:53it's not a paradox that someone who is worried about catching up
10:57will stop the history?
11:00Look, I'm telling you, someone is in the question.
11:03Someone who won't be able to catch up,
11:06but who will be to ask him.
11:07You understand?
11:07Okay.
11:08That's logical.
11:10And that's okay.
11:10That's okay.
11:12That's okay.
11:13It can be someone with a large dog.
11:16And a dog.
11:18Yes.
11:19That means we'll take maximums and corpses from those combinations.
11:24Yes.
11:25They were on the face,
11:27but I'm not sure they had a hertz to do this.
11:30One has a hertz, one has a brain.
11:32I mean, they're only in combination.
11:35They're dangerous, but otherwise,
11:37they're angry.
11:39What do you think?
11:40Who would be able to ask him?
11:42I mean,
11:44I can't get him in the head of the head of the head.
11:48I think you've already got a picture of who would be able to ask him.
11:53Well, well, well.
11:56You've come back to the factory and you've started to do something.
12:00What's going on?
12:01That's right.
12:02Someone who is able to pay him.
12:03Someone who will finish his job for him,
12:06and he will follow all of it from Senki.
12:10And?
12:10Who is the first one who falls on the ground?
12:16Well, who is the other one?
12:18But Grkljana.
12:19Well, that's right.
12:20Well, that's right.
12:21If you start from him,
12:22you'll immediately engage the team
12:23who will start to follow him
12:25in the direction of him
12:26and the whole team.
12:28Okay?
12:29I understand.
12:30Let's go.
12:32Let's go.
12:33Let's go.
12:37Let's go.
12:38Let's go.
12:40I didn't ask him.
12:42Let's go.
12:59Let's go.
13:03Let's go.
13:04Let's go.
13:05All right.
13:07Let's go.
13:08Let's go.
13:09For Atelier L.
13:11For his audience.
13:13For his future.
13:14As we all saw a place.
13:26We're gonna have a live!?
13:29I have. I like to do sports, for example.
13:34Although I don't reach the last time,
13:35but I like to meet with my friends,
13:39and meet my friends.
13:42Only with my friends.
13:45What do you think?
13:48Well, is it funny that I'm interested
13:51whether such a fantastic woman
13:53has someone in front of me?
13:55It's not funny,
13:56but I might be able to take the impression
13:58that you have a different motive
14:00as well as the job.
14:03I told you that I don't have a feeling
14:06about business,
14:07and how do you want?
14:10Okay, okay, sorry.
14:14What about you?
14:15What?
14:17I think you know everything about me,
14:20private, job,
14:22and I don't know anything about you.
14:25My story is a lot.
14:28I have time.
14:31How about you?
14:52You're welcome.
14:52Yeah, I'm sorry.
14:55I'm sorry.
14:56I'm sorry.
14:56I'm sorry.
14:58What are you doing?
15:00What are you doing?
15:02I don't understand.
15:05That's why everyone is here.
15:07Everyone is here.
15:07Nobody is here.
15:08I don't understand.
15:11I don't understand.
15:13Okay, if you're here, how do you work,
15:15it's important to you.
15:17I need a little peace in the house.
15:20I don't understand.
15:22There's nothing to do with you.
15:24Where are you?
15:26No, there's nothing to do with you.
15:29There's nothing to do with you.
15:30No, no?
15:31No, no, no.
15:31If you're here, if you're here, if you're here,
15:34let's go.
15:35I'm here to say what you're doing.
15:37What's your question?
15:40Gabriela.
15:41No, no, no.
15:43This is exactly what she's doing,
15:46but everything is going to do with her.
15:49Ok, I know that you're the best friend,
15:51so what's going on?
15:53What's going on?
15:55What's going on with her?
15:57What's going on with her?
15:58Nothing, nothing, nothing.
15:59Nothing is going on with her.
15:59What's going on with her?
16:13What's going on with her?
16:24What's going on with her?
16:29What's going on with her?
16:36What are you thinking of?
16:39What do you think of her?
16:43You know, it's the same as the man who taught Kera to play when he calls the bell.
16:53It's true.
16:56What do you do now?
16:59What do you think?
17:01All the money are there, you don't have to be here.
17:04Maybe I don't have to, but because I want to go.
17:08I want to go.
17:11They look at us all.
17:15It's just because it's unpleasant to you.
17:19Everything is here as always.
17:21Okay, we'll see.
17:23Wait, wait, stop, sit, sit, sit.
17:26I have to go.
17:29I get the impression that I'm an antipatical.
17:32I just wanted to thank you for being responsible for you.
17:36And that's what I really appreciate.
17:38Okay, thank you.
17:39Bye.
17:40Wait.
17:41Sit down and stay.
17:42Wait a minute.
17:44Let's drink beer.
17:45Let's go.
17:57Is it all alright?
17:59There was a good one.
17:59Yes.
18:00Maybe a desert?
18:03No.
18:03No.
18:05Thank you very much.
18:10What's your name?
18:11Is it all fine?
18:11Do you mind if your do you?
18:15Right, thank you.
18:16Just listen to me, I'm not sure.
18:19I hear you.
18:24I've been left without my parents,
18:27but I'm happy that I've got a man who...
18:31who...
18:31who has...
18:33who has...
18:33who has...
18:34who has...
18:34Who has...
18:34Who has...
18:36Who has...
18:37Who has...
18:37Who has...
18:37Who has...
18:37Who has...
18:39Who has...
18:40There's no need to be.
18:42I've had a lot of love and love.
18:44He was even in school, in other countries.
18:48He helped me in the first business courses.
18:53He helped me even with a crown.
18:56That's it.
18:57Happy to be happy.
18:59And as a life...
19:01who knows how to place,
19:03he and his wife...
19:05died...
19:06in return.
19:09Then...
19:09I took care of their children.
19:12To...
19:13return...
19:14to them...
19:15if that's what you say.
19:17Oh, my God.
19:18What a story.
19:20It's really...
19:20unbelievable.
19:23It's really nice to see you...
19:25is...
19:25I have to be afraid of the children.
19:26I don't care about the children.
19:32I don't care about the children.
19:33I can't imagine...
19:33I can't imagine...
19:34what you've been through...
19:35and how hard you've been with them.
19:37Again...
19:38It's weird that you've been able to stay...
19:40I don't know...
19:40to stay normal...
19:42I...
19:42I really...
19:43It's really nice that you've been being old.
19:46It's really amazing.
19:47You see...
19:48The life...
19:49That's a time...
19:50that you don't have any time, any opportunities to think about it,
19:54or to process it, or to understand it,
19:58but to bring your decisions.
19:59That's why I'm good in this feeling for business.
20:05Opa, Lenče!
20:07Where are you from?
20:11Oh, how amazing!
20:15Love.
20:30God, tell me what happened with Lulet, what happened?
20:33Everything is okay with Lulet, everything is okay.
20:36I just heard her story and after that, my child has all confirmed.
20:41Can you tell me what you're working?
20:45I think that Gabriela wants to get him.
20:47Here you go.
20:49What?
20:50I'm going to fill his head up to America.
20:52I really don't want to do that.
20:54I don't want to do that.
20:56I don't want to do that.
20:57I don't want to do that.
20:58I don't want to do that.
20:58What do you think about Lulet?
21:01I don't want to do that.
21:10I don't want to do that.
21:14I don't want to do that.
21:19I don't want to do that.
21:20I don't want to do that.
21:23I don't want to do that.
21:25I don't want to do that.
21:27You just want to do that.
21:31So that's it, we've done it.
21:33I've done it.
21:34I've done it.
21:35I've done it.
21:36I'm asking you on who I am.
21:38Okay.
21:39I'm going to finish what I wanted to do.
21:41I'm going to tell you if I'm going to do it.
21:44I'm going to do it.
21:45First, I think that Gabriela is going to favor Victor.
21:48What is right?
21:49Of course, my mother is going to do it.
21:53I'm going to do it.
21:54I'm going to do it.
21:54I'm going to say that she doesn't like Luleta,
21:58but I think that she's supposed to be
22:01and that's why it's the reason why she's going to do it.
22:04That's it.
22:06I really don't have time for this story.
22:09Luleta is small,
22:10so there's no way to do it.
22:13That's it.
22:15Okay.
22:15Can I go back?
22:17You can, but I'm going to pray.
22:19Okay?
22:22Let's go.
22:31Let's go.
22:37You know what the story of that man who taught Kjera that when he calls the bell, he starts to
22:43play?
22:43I don't know.
22:45You know, that Kjera, when he calls, he expects you to be sweet.
22:49I, when I see you so sweet, immediately I start to get food, to play.
22:57How do you have a connection with anyone?
22:59Maybe there, maybe there, but I'm just nice.
23:03But tell me, what's your brother doing?
23:07What's your fault?
23:09Well, you know what?
23:11I'm going to leave a little guard.
23:13What would I say?
23:14My brother is because of you and your horse has to run out of land.
23:18You see that.
23:20I see it a little different.
23:23He's a nuttaker and that's his problem.
23:27And on the other hand, because of that, he also brought you and your whole family into your problem.
23:32And that's your problem.
23:33I don't see what I'm afraid of.
23:36My goal is just to help.
23:40Well, you see.
23:41He's not around you and someone else.
23:43That's quite clear.
23:45And that other could be of you and your other.
23:48It's not clear what you want from me.
23:50Nothing. Just to thank you as you are a good sister,
23:54a sister as a man would like.
23:57You are responsible.
24:01And besides that, we could see
24:06that we can reduce the burden on another way.
24:10Do you understand?
24:46Good, good.
24:47I'm loving it.
24:53And I'm so happy that I saw you.
24:57We've been in 100 years.
24:59Yes, Dijana Erski is our famous and famous creator.
25:03Dijana Erski?
25:05Yes.
25:07Yes.
25:09Yes, it's just a famous creator.
25:11It's not just a famous creator.
25:12I can say it's a creator of everything in life.
25:16I think that when I see something,
25:18if I need something to do,
25:20something to do, something to do,
25:21something to do, something to do,
25:22something to do,
25:23I'm here to do it to look like a mystery,
25:28like a magic.
25:29It's the, I can't say it,
25:32it's the creative that doesn't sleep.
25:35Yeah.
25:36Yeah.
25:37Yeah.
25:38Yeah.
25:40Yeah.
25:51Yeah.
25:53Yeah.
25:54Yeah.
25:55I've seen Mileta Kubusa.
25:57Yeah.
25:58You know, I've scanned a lot of it.
26:00I've seen him,
26:00and I've been able to see him
26:03And I've been thinking about what would I can do
26:05with the girl,
26:07and I think a wonderful woman.
26:09To do this,
26:10I can say,
26:11a wonderful woman.
26:12And I've managed to.
26:14It's normal.
26:15Hey, what do I want to ask Alex? When would I be able to see him with him?
26:19I mean, you know when I'm free with him and I'll talk to him on this topic.
26:22Dijana, you know very well that I don't know what I'm doing with Alex.
26:28I'm sorry, I'm sorry.
26:30Not me, when I say it.
26:34I really don't know what I'm talking about.
26:37I'm sorry.
26:39But I'm sorry, I'm sorry.
26:41I'm sorry, I'm sorry.
26:42I can I call you Muki?
26:44I'm sorry, I'm sorry.
26:45Can I call you Muki?
26:46Okay.
26:49If you need to be a company for your company,
26:52a re-prenderation, a re-connection,
26:57something that is related to,
26:59but maybe not the same,
27:00but it would be good for your company.
27:02You can call me.
27:04Here is your visit card.
27:07Dijana Jerski.
27:08I am.
27:09I understood.
27:10Nothing then.
27:12We are hearing.
27:14But until then,
27:16goodbye.
27:17Goodbye.
27:18Goodbye.
27:18Goodbye, Dijana.
27:20Goodbye, Dijana.
27:21Goodbye, Lence Lenkić.
27:21Goodbye.
27:22Goodbye.
27:29What a personality.
27:32I'm sorry, I'm sorry,
27:33I'm sorry,
27:33I'm sorry.
27:34I'm sorry,
27:36I'm sorry,
27:37I'm sorry,
27:38but that's all right.
27:39We're all different.
27:40Yeah.
27:44Who are Alex?
27:49Well... I mean, it's something that's wrong.
27:53I'd have to start, really later. If you don't have a problem.
27:59Do you want me to meet you?
28:00No, no, no, no, no, no, no, no.
28:03Thank you for the evening, it was really nice.
28:12Thank you very much. See you next time.
28:15Good night.
28:16Good night.
28:55Good night.
28:56I will try to survive all these job losses and problems from the secretary's life.
29:00Okay.
29:01It's all that.
29:03I only think you'll have to do with private problems.
29:08What are you doing? Why are you laughing at me?
29:25Well, I think that it's a pretty good city.
29:29I hope you won't be able to do some nonsense.
29:33Who do you think of me?
29:35I don't know what this is saying.
29:37I'm happy, brother.
29:53You don't remember me when I'm here.
29:56Okay, I'm going for two days and not five months.
30:00Okay, but I'm so emotional.
30:28I'm so emotional.
30:31I'm so emotional.
30:31What are you doing?
30:34Something healthy.
30:35Something healthy?
30:36Okay.
30:36Something healthy.
30:37I'm waiting for you from the car.
30:39Okay.
30:39I'm just going to go and go.
30:42I'm going to go.
30:42I'm just going to go and go.
30:48I'm going to go.
31:02What are you doing?
31:03What did you say, Alex?
31:04Well, nothing, nothing.
31:08What was it? Did you look okay?
31:13No, I'm sorry. I just dreamed something.
31:18Okay. What did you think?
31:22I dreamed... I dreamed something...
31:26I dreamed something like this.
31:30Some nonsense or just one?
31:34No, don't let me tell you.
31:38Someone who's my friend, I wanted to ask you something.
31:44What did you say?
31:46Did you talk about something about Konariko?
31:52Where did you say it?
31:54Well, Olga told me that she didn't stop talking about it.
31:56What did you say?
31:58No, I don't know.
32:02I don't know.
32:03We forgot America.
32:04You know what?
32:06We forgot the MBA, the college,
32:10nothing more than that.
32:12Okay. If it's okay, then I'm okay.
32:16I don't think that...
32:17I don't know.
32:19I don't know.
32:21I know.
32:23I wanted to check it out.
32:26Let's go.
32:27Let's go.
32:27Let's go.
32:28Let's go.
32:28Let's go.
32:29Let's go.
32:38Let's go.
32:46Let's go.
32:49Let's go.
32:59Let's go.
33:00I hope that everything is done as they need.
33:01Yes.
33:02I think that yes.
33:03This is better than me.
33:05Yes.
33:12How is it back?
33:14Let's not do that.
33:15How?
33:17She lives here, and she is a little girl here.
33:20She is so enthusiastic.
33:24We need to listen to her and listen to her, not just Gabrielle.
33:28You always have the ambition of women who are a little bit of a good girl.
33:33How do you not?
33:36Good day, Ludkice.
33:38Good day.
33:39Good day.
33:40Oh, what is this?
33:42I don't remember that.
33:43I don't remember that.
33:44I don't remember that.
33:46But since I didn't have an autograph, don't do anything.
33:49I pray.
33:52Look at this, Ludko.
33:54You don't need anything to pray.
33:56You just need to stop and be angry.
33:59That's all you need to do.
34:00I'm not here to stay here with Aleksa Možegović.
34:03Aleksa is not currently there.
34:05I'm not here to stay here with her.
34:07I pray for you.
34:11Do you have to stay here with her?
34:15I'm not sure how long I've heard her.
34:18I don't know her, no.
34:19I don't need to stay here with her.
34:24and then you'll wait for it.
34:27I'll wait for it.
34:29What will I do?
34:31I'll wait for it.
34:32Of course I'll wait for it.
34:36I'll wait for it.
34:48Good to hear how the date went through
34:51with a mysterious investor.
34:53It wasn't a date,
34:55but a business evening.
34:57I'll wait for it.
34:58I'm sorry, I didn't know how to call it.
35:01Okay, tell me.
35:02Okay.
35:05It's really spiritual.
35:08And sincere.
35:11Okay.
35:12Do you want to give me some subtle details?
35:15No.
35:16There's no subtle details.
35:18I'll tell you about it.
35:20I'll tell you about it.
35:21I'll tell you about it.
35:22How he left without parents.
35:25How he was going to get out of the way.
35:27So, he started with a difficult topic.
35:29Okay.
35:30It's just so happened.
35:31We were just talking about it.
35:32It's natural.
35:33It's natural.
35:34Mm-hmm.
35:35And then he came to the D&R.
35:37His work was like from the top of the mountain.
35:39Can I say, Kuku, what is that woman?
35:41She's not going to shock her.
35:42It's just that she's breaking.
35:43No.
35:43No, she's not.
35:44She's not only a man.
35:45She's starting to take a monologue
35:47on her own stupidity.
35:49You know her own theater.
35:51Yes.
35:52Yes.
35:52That first statue was a fire christian.
35:55No, no, no.
35:56It wasn't funny.
35:57It was a whole evening.
35:59The dead lady mentioned Alex.
36:02Alex?
36:03Yes.
36:03What a girl.
36:05And you?
36:07What?
36:07How did you react then?
36:13What if nothing is worse than 12.
36:15Tomorrow, everything is worse.
36:17Here we go.
36:18Here we go.
36:18What?
36:29What are you doing here?
36:31Alex!
36:31As you can see, they are young people.
36:33They don't have a life.
36:35In other words, I'm here because I have something very important to me.
36:38I have a conversation with you.
36:39I don't have time.
36:40I don't have time.
36:41That's why I'll finish it.
36:56That's why I would love you, Gabriella.
36:59Well, you mean.
37:02But I think that it's my daughter and that you trust?
37:09Sorry not, you trust me.
37:10What do you think?
37:12I really wanted to tell you.
37:14Your daughter should have to listen to what she says.
37:27You're a pretty detective.
37:31What will I do?
37:32All for Alex.
37:34No, no.
37:35You don't want to listen to me.
37:37No, you don't want to listen to me.
37:49You're welcome.
37:54I've met a fantastic woman.
37:57That inspires me all.
38:00That's amazing.
38:07I have some feelings.
38:10I have some feelings.
38:11I have some feelings.
38:12I don't want to listen to me.
38:26I can be the same as I want.
38:29Do you want to listen to me?
38:32Do you want to listen to me?
38:33You don't want to listen to me.
38:34You know what?
38:35We have to open our hearts in this house.
38:38I pray.
38:38I'll just live in a small and easy place.
38:52I don't want to listen to me.
38:55Leave it out of my eyes.
38:56I'll ask you, you don't want to listen to me.
38:58I'll ask you all the time.
39:00And you want to listen to me.
39:01You don't want to listen to me.
39:02No, I'll drop myself.
39:08Okay, and you?
39:10What?
39:11How did you react then?
39:16I don't know why you asked me. How did I react?
39:19What did Alex say?
39:31Is that right?
39:33Yes, yes.
39:34Is that right?
39:35Yes, yes.
39:35Yes, yes.
39:35And the other things that I really don't like.
39:38You see.
39:40I think that it would be interesting to me
39:44that I saw Lenko
39:45with a good frayer.
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