Un lujo a su alcance 1975 HD 1080 Completa Arturo Fernández, Concha Velasco

Retroscreen Movies Revival

Reparto: Arturo Fernández, Concha Velasco, Nadiuska, Jaime de Mora y Aragón, María Luisa Merlo, Rafael Alonso, Mirta Miller, Rafaela Aparicio, Laly Soldevila, Andrés Pajares, Helga Liné, Marqués de Toro, África Prat  Dirección: Ramón Fernández  Sinopsis: Miguel (Arturo Fernández) es masajista y está casado con Marta (Concha Velasco). Entre los dos han montado un instituto de belleza femenino, de nombre "Beautiful", y Marta, como estricta directora del negocio, hace trabajar a Miguel hasta extremos agotadores. Todo el mundo cree que Miguel no podrá aguantar mucho más a ese ritmo, pero repentinamente su destino cambia a mejor. Entonces, Miguel decide vivir su nueva vida haciendo lo que le apetezca. Y en primer lugar, se encierra en su casa, en compañía de su perro Onassis, para dormir y descansar, sin querer ir a trabajar y sin ver a nadie. Las trabajadoras del Beautiful, al ver la falta de clientela, preparan varias tretas para intentar que Miguel vuelva a la faena, pero sin conseguir nada. Hasta que una de ellas, Pili (Nadiuska), logra introducirse en la vida de Miguel.

Transcript

00:00:10Music

00:00:33No! Ah!

00:00:43That's it! Look! How wonderful! Hey!

00:01:01Aaah! You murderer!

00:01:47Aaah! Aaah! Aaah! Aaah! How wicked! How wicked!

00:01:53Good morning, darling. What? Did you sleep well? Well, get up. I expect a tiring day today.

00:01:59And when isn't it?

00:02:02To Miguel! The war is starting! Oh! Oh! Oh! Oh! Oh! Oh!

00:02:09What a day. Miguel Montalvo Argumosa, 41 years old. Male with a V and married.

00:02:15Seven thirty in the morning and up, like a soldier. Ali!

00:02:19And so it went until nightfall. Oh, oh, oh!

00:02:23Miguelito, you're a wretch. You knew that, didn't you? Well, there you have it.

00:02:27There's dust here. This needs polishing.

00:02:29Yes, ma'am.

00:02:30The carpet hasn't been cleaned. What's that?

00:02:32A cigarette butt, ma'am.

00:02:33And what's a cigarette butt doing in my house, Monica?

00:02:35It must belong to the lady who smokes like a chimney. And excuse the comparison, but I don't smoke.

00:02:39Okay, Monica. Besides, this is the fourth time I've had to get him out of bed at six in the morning.

00:02:42At six in the morning. You are very lazy.

00:02:45Yes, ma'am.

00:02:46And on top of that, the cigarette butt in the ashtray.

00:02:48It would be worse if you had found it in a fried egg.

00:02:50Give me the tray. I'll take it to the gentleman.

00:02:52Monica has just finished his services at this house.

00:02:55Thank you, ma'am. If I keep going one more day, I won't make it. This is a man's job. A real man's job.

00:03:04It's going to be the average, Miguel.

00:03:08You may have noticed that the sheets are sticking to you more and more.

00:03:10Today we have a tiring day.

00:03:12Three of our letters are expiring, and we've already renewed one of them twice.

00:03:16Come on, my love.

00:03:17You have to be strong for what awaits you.

00:03:21Miguel, Miguel. I'm going to have to put piranhas in the bathtub.

00:03:25Come on, Miguel, wake up.

00:03:26Where am I? What time is it?

00:03:28Saturday the ninth and it's about eight thirty in the morning.

00:03:31These pills make me feel terrible.

00:03:33They are stimulants.

00:03:36Yes, but when I wake up I feel like a wreck.

00:03:40These blue pills are to wake you up.

00:03:43These others to strengthen you.

00:03:45You have to be as strong as an ox.

00:03:47And these are to cheer you up.

00:03:49That's enough, Marta.

00:03:50I can't take it anymore.

00:03:51My kidneys hurt.

00:03:53I walk around all day like a sleepwalker.

00:03:54Let's stop for a bit, Marta.

00:03:56Why so much work?

00:04:13Come on, Miguel. Wake up.

00:04:14It's there.

00:04:15Come on!

00:04:17Come on!

00:04:21Come on!

00:04:25Come on!

00:04:54Thanks for watching!

00:04:57Woman!

00:04:59But the pills haven't taken effect yet.

00:05:01I feel terrible. I'm two years behind on sleep.

00:05:04Ever since you came up with the idea for the new Beauty Institute.

00:05:07Get ready. This one at Puerta de Hierro is going to be wild.

00:05:10We'll work a little harder, but it's worth it.

00:05:12Come on?

00:05:27The new building will consist of nine floors and will have German equipment.

00:05:45And now comes the worst part.

00:05:46Getting the credits isn't easy, don't think.

00:05:49But Miguel, what's wrong with you today and the pills?

00:05:52Go on.

00:05:53Take this.

00:05:54Which is stronger.

00:06:04Thank you!

00:06:06Thank you!

00:06:08Thank you!

00:06:11Thank you!

00:06:28Thank you!

00:06:29No, no, no, no, no!

00:06:40No, no, no, no!

00:07:07Work awaits us. Let's get to it!

00:07:39No, no, no, no, no!

00:07:41Work is good for your health. Good morning!

00:07:42Good morning!

00:07:43Good morning, ladies!

00:07:50I notice that violence among girls is decreasing every day.

00:07:53They are weak and have no love for the job.

00:07:56You may leave.

00:07:57Yes sir.

00:08:02Miss Pili.

00:08:04Tell me.

00:08:05Please come.

00:08:06Yes, ma'am.

00:08:10Good morning, little ones.

00:08:11Good morning, Mr. Miguel.

00:08:13It's like a train.

00:08:14And his witch of a wife thinks of nothing but making him work.

00:08:17With a husband like that, I'd be subject to the law on payments and criminals.

00:08:21Sorry.

00:08:22Tell me, ma'am.

00:08:23Does it give me fire?

00:08:24Why not?

00:08:28I'm new to Beautiful.

00:08:29Today is my first day.

00:08:31Piluca Ceretos has told me a lot about you.

00:08:33Piluca told me that her touch discharges electricity.

00:08:36Don't believe it.

00:08:37Ordinary hands, with many hours of work behind them.

00:08:39I like it gently on my back and thighs.

00:08:42I don't like abruptness.

00:08:44My late husband had the hands of a woodcutter.

00:08:46Very well, ma'am.

00:08:47I will try to live up to expectations.

00:08:48Good morning.

00:08:49My shift starts in a quarter of an hour.

00:08:51I usually drown in the pool when I like the lifeguard.

00:08:54I want you to give me mouth-to-mouth resuscitation.

00:08:58Slowly and without haste.

00:09:00OK.

00:09:01OK.

00:09:02Bye.

00:09:04Slowly and without haste.

00:09:05How could her husband hit her?

00:09:06Who drives my car?

00:09:08When I opened the Beauty Institute, I spoke to them very clearly.

00:09:11This is a concentration camp, not a rest clinic.

00:09:14Here we get paid to make them suffer.

00:09:16If they are not suffering, they don't think the treatment is good.

00:09:18We do what we can.

00:09:19You do very little.

00:09:20We must act as executioners.

00:09:22The devices used to maintain the figure must be torture machines.

00:09:25like those of the Germans in Auschwitz.

00:09:26And what do you notice?

00:09:27Negligence?

00:09:28Good treatment?

00:09:29The only thing the clients are interested in is Don Miguel.

00:09:31You know very well that this institute without Mr...

00:09:33I haven't asked for his opinion.

00:09:35Excuse me, ma'am.

00:09:38So, Miguel, just a moment, please.

00:09:40Miguel, go to the gym immediately.

00:09:43They are waiting for you there.

00:09:43Don't waste time, hurry.

00:09:45You know.

00:09:46Mercilessly.

00:09:47And let them suffer as much as possible.

00:09:49My husband is a disaster.

00:09:50If it weren't for the fact that I'm on top of him all day,

00:09:52This would be a disaster.

00:09:53Can I withdraw?

00:09:54Do you want anything else?

00:09:55Go back to your job.

00:09:55And don't forget that you are all under constant surveillance.

00:09:58They need to be firm.

00:09:59Remember that.

00:09:59Yes, ma'am.

00:10:01What about saunas?

00:10:02They haven't uploaded my report yet.

00:10:05Much faster.

00:10:06Come on, more.

00:10:07I can't take it anymore.

00:10:08I'm sweating, Miguel.

00:10:10One, two.

00:10:11Come on.

00:10:12With elasticity.

00:10:14The members need to be completely relaxed.

00:10:17And you go to the architect's house to get the model of the new Beautiful.

00:10:20We need to convince Julián and his group that the investment is in their best interest.

00:10:23We'll be the most important ones very soon.

00:10:26So.

00:10:27Do you see it?

00:10:27Standing.

00:10:28Without sitting down.

00:10:30Moving the hips.

00:10:32Do you realize?

00:10:33This is the most comprehensive exercise.

00:10:34Do you see it?

00:10:35Okay.

00:10:36Come on.

00:10:36You continue for another 30 minutes.

00:10:40What's up with that more upright body?

00:10:43Come on, come on.

00:10:44And those pedals.

00:10:45Come on.

00:10:46Oh, not so worked up, please.

00:10:48It's the only way.

00:10:50You don't expect to teach me my trade, do you?

00:10:51And this is nothing.

00:10:53Now let's move on to the stomach roller.

00:10:55No, absolutely not.

00:10:57What do you mean, no?

00:10:57Half an hour on the rollers, at least.

00:10:59Come on.

00:11:00Please stand up.

00:11:00The roller awaits us.

00:11:02No, not the roller.

00:11:02Please.

00:11:03Help me.

00:11:04Please.

00:11:06Come on, ladies, come on.

00:11:08Against laziness, diligence.

00:11:10Leg flexion.

00:11:11That.

00:11:12Breathe.

00:11:13Madam, stick your bust out more.

00:11:14This morning we will practice breathing exercises.

00:11:17Extremely useful for the proper functioning of the lungs.

00:11:20Come on, get ready.

00:11:22One up, two down.

00:11:25Miguel, do you think I've lost weight in my waistline?

00:11:27Yes, your waist is in great shape.

00:11:28In terms of hip replacement, everything.

00:11:30However, the cellulite has disappeared.

00:11:32If you stare at my belly button, you'll see a phone number; it's mine.

00:11:34My husband has gone to Cullero and won't be back until Tuesday.

00:11:37Look at your navel and aloe.

00:11:38I'm on that random phone.

00:11:40Very good, very good.

00:11:41And now keep your bust firm, okay?

00:11:43Come on.

00:11:44One up.

00:11:45You are a calamity.

00:11:47You spend your life complaining.

00:11:49What if we hired an employee?

00:11:50I can't handle those beasts alone.

00:11:51No employees at the moment.

00:11:53All the money we earn from the institute is not enough.

00:11:55We need to make savings.

00:11:56What's the point of saving?

00:11:57Soon we will have a new, beautiful, big, beautiful version with the new torture models.

00:12:02But woman, we're going to kill each other.

00:12:03But what killing, what dead child.

00:12:05If it were up to you, we'd never be anything.

00:12:07Okay, that's enough rest.

00:12:09Braulita is waiting for you.

00:12:10Braulita again.

00:12:11Come on.

00:12:11Careful.

00:12:12Slower.

00:12:14Careful.

00:12:16Careful.

00:12:16Stronger.

00:12:17Stronger.

00:12:20Miss, go to the gym.

00:12:22It's needed there.

00:12:22Yes, ma'am.

00:12:23Come on, hurry up.

00:12:24How's it going, Countess?

00:12:26How could it go wrong?

00:12:27That's how it should be.

00:12:28And that stomach?

00:12:29There's no way to lose a kilo.

00:12:31Okay, keep going for another hour.

00:12:32One hour.

00:12:33You want to lose weight, right?

00:12:34Yes of course.

00:12:35Then continue for an hour.

00:12:36And if you get tired, tell me.

00:12:37I like listening to it.

00:12:38One more lap.

00:12:39One, two, one, two, one, two, one, two, one, two.

00:12:43Watch your head.

00:12:44Come on, come on.

00:12:46One, two, one, two, one, two, one, two.

00:12:51Attention, Miguel!

00:12:52Attention, Miguel!

00:12:53You go straight to the sauna gallery!

00:12:55You should have been there already!

00:12:56Today you're five minutes late for everything.

00:12:59Are you going to finish me off?

00:13:03Very good.

00:13:03This entitles him to fifteen lessons per month.

00:13:06I am a black belt in my specialty.

00:13:08Do you have anything I can exercise with?

00:13:10Yes, absolutely.

00:13:11For me it is fundamental.

00:13:12May I?

00:13:14Gela, you count!

00:13:15It cannot be inactive.

00:13:17Not a single second!

00:13:19That?

00:13:19What did you think?

00:13:20It's not bad, but just stop it.

00:13:22Although I charge all of this to your account.

00:13:23If you had someone to practice with.

00:13:26Yes of course.

00:13:27My husband is a black belt.

00:13:29Great!

00:13:30This way, please.

00:13:31She's so kind.

00:13:32Yeah.

00:13:33More like this, like this.

00:13:34With more vigor.

00:13:35Those arms!

00:13:37You can't stay still because...

00:13:39Don't worry, I'll pay for everything.

00:13:41I need some tea.

00:13:42To break it?

00:13:43Six cups and a teapot?

00:13:44No, just some tea.

00:13:45That gives me strength.

00:13:46Yes of course.

00:13:47Pili, go get some tea.

00:13:48Yes, ma'am.

00:13:49Good.

00:13:49When can those internships begin?

00:13:51Immediately.

00:13:52Mari, notify repairs and have them charge it to your account.

00:13:54Ma'am, this woman is a beast, but she's willing to pay more than anyone else.

00:13:58And the gentleman, with Raulita, has five minutes left.

00:14:00I'm thinking about the face he's going to make when he finds out I've made him a judoka.

00:14:04Shall we go, ma'am?

00:14:04Yeah.

00:14:06Just like that, very still.

00:14:08Will you leave me alone once and for all?

00:14:09You'll lose five kilos there.

00:14:12Miguel, do you want to come, darling?

00:14:14Yeah.

00:14:16Tell me, Marta.

00:14:17I'm going to introduce you to a new client.

00:14:19Amparo Tifuentes, nice to meet you.

00:14:20The pleasure is mine.

00:14:22I've already told him about your specialty.

00:14:23Ah, yes, of course.

00:14:25My specialty?

00:14:26What specialty?

00:14:27He is very modest, but he has already won several awards.

00:14:30Here the lady wants to practice a little Japanese wrestling.

00:14:33Like on TV?

00:14:34Just for half an hour, darling.

00:14:36Come on.

00:14:37Accompany her, ma'am.

00:14:38Come on.

00:14:41Marta, please.

00:14:42Get me out of here.

00:14:44Come on, Raulita, don't complain, it's not that big of a deal.

00:14:47Don't get nervous.

00:14:49This is a very complete exercise for women.

00:14:51Where is it?

00:14:53But what does it give me?

00:14:55My God.

00:14:56Well, for a first time it's not bad, huh?

00:14:58You say, guide like on TV.

00:15:01What a terrible law.

00:15:02Calm down, calm down.

00:15:03This is a very complete exercise for women.

00:15:10Come on, come on, miss.

00:15:11It's not a big deal.

00:15:12Come on, let's get to work.

00:15:13Don't worry.

00:15:13So, dancing.

00:15:14Dancing is better.

00:15:15So.

00:15:15Oh, oh, oh, oh.

00:15:17It's no big deal.

00:15:18Come on.

00:15:19Don't worry, nothing's wrong.

00:15:21Get back to work.

00:15:35Are you leaving already?

00:15:36Yes, I'll be back the day after tomorrow.

00:15:37Try to get another one.

00:15:38Were you satisfied with our services?

00:15:40Yes, it hasn't been bad.

00:15:43Is something wrong?

00:15:44My name is Miguel, I am from Gijón, Asturias, Spain.

00:15:47I did my military service in Logroño, in the artillery.

00:15:50And I was a corporal in the sappers.

00:15:52He marched in the first position.

00:15:53One, two, one.

00:15:53Careful, Miguel, what's wrong with you?

00:15:54Are you alright?

00:15:55Hey, nothing's going to happen to me.

00:15:57Oh, if my mother comes.

00:15:58Tell him I won't graduate until June.

00:16:00One, two, one, two.

00:16:03I think I've gone too far this time.

00:16:04But he pays in dollars.

00:16:05With one month of this, we'll become rich.

00:16:07That's how all customers should be.

00:16:18Hello handsome.

00:16:18Miguel Montalvo, the corporal of the sappers, is presented.

00:16:21You don't need to give me any lecture.

00:16:23It's just you and me.

00:16:25And your wife can't find us.

00:16:33Where has that lazy bum gone?

00:16:34Love for the craft is what he lacks.

00:16:36But he doesn't like this and I don't understand why.

00:16:40Mari, look for Don Miguel.

00:16:43Excuse me, please.

00:16:45Not a word, there's no need to talk, just act.

00:16:49It's making my jaw drop!

00:16:52Orient!

00:16:53Urgent notice for Mr. Miguel!

00:16:54Urgent notice for Mr. Miguel!

00:16:56Hey, girl!

00:16:56What's happening?

00:16:57The lady is looking for him.

00:16:58It reminds you that it's time for in-home massages.

00:17:01That's right, it's already twelve o'clock.

00:17:03I can't take it anymore.

00:17:04Don Miguel.

00:17:04That?

00:17:05If you wish, I will accompany you.

00:17:07My boyfriend is skydiving in Alcantarilla.

00:17:09What are you saying?

00:17:10And what do I care where your boyfriend is?

00:17:11Well, I don't need anything else but this, right?

00:17:17But where on earth did you come from?

00:17:19Yes, girl, I give my boyfriend pills for everything.

00:17:21But it's as if nothing happened; they have no effect on him.

00:17:23But that can't be good.

00:17:25What matters are the results.

00:17:26My boyfriend is abnormal without the pills.

00:17:29He's like an idiot always talking about football.

00:17:31But when I want, he turns into a wild beast, what a shame.

00:17:33And is that what you like?

00:17:35Here you go, right?

00:17:35Well, my boss is the same with Don Miguel.

00:17:37And he's going to kill him.

00:17:38If the pills are nothing.

00:17:40It is a human being who is still and falls asleep.

00:17:41But he's still just as handsome.

00:17:43Well, I'm telling you the truth.

00:17:44I don't know what's worse.

00:17:46Miss, you have a phone call.

00:17:47Do you see it?

00:17:47That's the witch.

00:17:48It doesn't let us rest for a minute.

00:17:50They have us under control.

00:17:52Yes, tell me.

00:17:53In case you didn't know, you've been gone for more than three minutes.

00:17:55Don't argue with me and come immediately.

00:17:57In my house, nobody has the right to waste time.

00:17:59And so you don't forget, the time spent in the cafeteria will be deducted from your salary.

00:18:02the duration of this call and of course the amount of the call.

00:18:04And don't bring the tea, it's not needed anymore.

00:18:08Pepita, tell the architect to come, I want to check the sauna layout.

00:18:16Nobody can stand her.

00:18:17It's not a human being, it's an IBM.

00:18:19Yes, daughter, the employers have a plan that...

00:18:21Nothing, they're just determined to make us work.

00:18:23See you later.

00:18:24Return to Calvary.

00:18:25I'm telling you, Nasis.

00:18:26This is no life.

00:18:27Do you know what I'm craving?

00:18:28Well, I'll tell you.

00:18:29To leave everything behind and stay in bed for three months.

00:18:33Eating in bed, reading in bed, watching TV in bed,

00:18:36Listening to music in bed, everything in bed.

00:18:38Ah, how I envy you.

00:18:39What I wouldn't give to have a dog's life like yours.

00:18:43Please, Marta, tone it down, not so loud.

00:18:46That's right, Mrs. Cordesa.

00:18:48Without mercy, one cannot be weak.

00:18:50But her husband makes it gentler.

00:18:52He's a man, and men, as we know, lack character.

00:18:55Billy?

00:18:58Do me a favor.

00:18:59Keep going and increase the vibration.

00:19:01Alright.

00:19:03I'm sorry, ma'am, but I have no other choice.

00:19:06What can we do?

00:19:07That way, when I see butter, I'll remember this suffering.

00:19:11Good morning, I'm Miguel Montalvo.

00:19:12The lady is waiting for me.

00:19:14Please come in, but the lady hasn't gotten up yet.

00:19:16It doesn't matter.

00:19:16Oh, well, follow me.

00:19:18Don't bother, I know where the room is.

00:19:20No, no, I'll go with you, of course.

00:19:22She went to bed very late last night; she asked me not to wake her up.

00:19:24Yes, but I can't waste time, I have a lot of work.

00:19:26Okay, okay.

00:19:28Happens.

00:19:33I'm coming.

00:19:40Miss Eva.

00:19:44Miss Eva.

00:19:46I'm Miguel, the masseur.

00:19:49Well.

00:19:50My goodness, how are you?

00:19:51And so quiet and still, how wonderful.

00:19:55Hey, Miss Eva.

00:19:58Well, now for my own thing, which is like a priesthood.

00:20:01She's sleepier than I am.

00:20:03And to think that she wakes up later and is just like everyone else.

00:20:06Because seeing them like that is one thing, but actually cutting prawns is another.

00:20:11Adolfo, Adolfo.

00:20:12What a scoundrel you are.

00:20:14What Adolfo, what Adolfo, I'm Miguel, the masseur.

00:20:17Adolfo will have left.

00:20:18You drive me crazy.

00:20:21Kiss me.

00:20:23Kiss me behind my ear.

00:20:25Listen, I'm a worker, not an object of pleasure.

00:20:27That's it, Adolfo, Adolfo.

00:20:29What hands.

00:20:32Victor, my dear.

00:20:34Victor.

00:20:35Other?

00:20:36She takes the phone book and devours it whole, in order.

00:20:39Go on, Fernando.

00:20:41Lie down next to me.

00:20:44I want to feel your body next to mine.

00:20:47Take.

00:20:48This bed is like a recruitment box.

00:20:51Yes, well.

00:20:52Come here with me.

00:20:56Man.

00:20:58That's not a bad idea at all.

00:21:00What a bed.

00:21:01And an hour of sleep would have been perfect for me.

00:21:04Come on, Miguel.

00:21:05Let's take a nap.

00:21:17What freezing feet you have, Ramón!

00:21:20Come on, shut up and let me sleep.

00:21:24There is no sound.

00:21:28Rise up, Pamplona.

00:21:29Get up and jump.

00:21:30It's just struck five o'clock and the bull run is at six.

00:21:33From Aureon.

00:21:35And now he'll launch a rocket.

00:21:37Well, as long as he doesn't have a bull in the closet.

00:21:41In the end.

00:21:48What's happening?

00:21:49That's ten thousand pesetas.

00:21:50But who are you?

00:21:51I'm Miguel, the masseur.

00:21:52The maid told me...

00:21:53Oh, yes, sorry.

00:21:54I had taken him for a customer.

00:21:56Come on, Miguel.

00:21:56It's time to stop being there.

00:21:57Look at the time she's at.

00:21:58You still need one more service.

00:21:59Short.

00:22:00It's my wife who keeps a constant eye on me.

00:22:02In love?

00:22:02No way?

00:22:03He wants me to work like crazy and not sleep.

00:22:05Hey, you're not going to leave me like this, without the massage.

00:22:09I've already given it to him.

00:22:09After last night, a double helping wouldn't hurt.

00:22:13I'm sorry, I already heard you.

00:22:15I know he'll call again.

00:22:16She knows perfectly well what I do for this damn device.

00:22:19Miguel, walk me a little and then I'll let you sleep.

00:22:24I just don't know.

00:22:26And would you let me sleep here in your bed?

00:22:29Sure, but then...

00:22:33Miguel, what are you doing?

00:22:34Come on, hurry up.

00:22:35Do you see it?

00:22:36He has me under his control.

00:22:37He knows perfectly well what I do.

00:22:39It heals me, I get healthy again.

00:22:41Get out of this house!

00:22:42Yes, ma'am, yes.

00:22:44How will that invention become fashionable?

00:22:46I'm ruined.

00:22:47Well, we're doing just fine with that darn thing.

00:22:50And if you don't like your job, you have someone to call.

00:22:52You already know how to file a complaint.

00:22:54What's legal is my business.

00:22:54Bye bye.

00:22:55Bye bye.

00:22:57And these are the basic principles of a job campaign.

00:23:01You probably went through Hermosilla instead of Goya.

00:23:04You will be very late.

00:23:05You'll use more gas and be stuck in traffic.

00:23:07No, I'm going to be stuck in traffic.

00:23:08It's your fault.

00:23:10This traffic jam doesn't work.

00:23:11And you should know that time is money.

00:23:13You need to set an example and stop behaving like a hippie.

00:23:16Short.

00:23:19Hello, daughter.

00:23:20Mom, what are you doing here?

00:23:22The cholera control commission is to blame.

00:23:25And what about that lazy bum Miguel?

00:23:27As always, we have to keep a close eye on him.

00:23:28And how was Soria?

00:23:29We are fighting cholera there.

00:23:32Tomorrow is bedtime.

00:23:33I preside over the table at the regional center.

00:23:35With this year's mass, which, as always, is another daughter of a deputy mayor.

00:23:40And the business?

00:23:41Large projects.

00:23:42Look.

00:23:44What is this?

00:23:45Another national inn?

00:23:47No, Mom.

00:23:47The project for the new beauty institute that I'm going to set up.

00:23:50What do you think?

00:23:52It's enormous.

00:23:55Good morning, Mr. Miguel.

00:23:56Please come in.

00:23:57Rosario is waiting for you.

00:23:58Sorry for the delay, but you don't know what the traffic is like.

00:24:01Hello, Rosario.

00:24:01I'm scratching.

00:24:02I'm getting more worried every day.

00:24:03Look at the crow's foot I've developed.

00:24:05Look.

00:24:05I don't see anything.

00:24:06She is embroidering an exquisite tablecloth.

00:24:08Then she sells them to the nuns.

00:24:10And they, in turn, sell them to those who get married.

00:24:12Would you like some broth?

00:24:14Yes, very good.

00:24:15Thank you, Mrs. Prisa.

00:24:15I still bring it to him.

00:24:16Okay, let's go inside.

00:24:17Oh, don't put your hand on me, it tickles.

00:24:19Brutal, more than brutish.

00:24:20He has the hands of a farmer.

00:24:22Let's not start, Rosario, I'm very tired.

00:24:25Come on, take off your robe.

00:24:26If I take off my robe, do you take off another garment?

00:24:28Please, I'm in a hurry.

00:24:29One day I'm going to give him a surprise.

00:24:31Oh, really?

00:24:32Is he going to enlist as a legionnaire?

00:24:33Oh, like a legionnaire, for God's sake.

00:24:35All day long parading with her breasts exposed,

00:24:37next to a lamb that might catch distemper.

00:24:39Oh, what is that!

00:24:40It's the vitamin lotion.

00:24:42Oh, how cold!

00:24:43And it smells like pine.

00:24:44This used to be shown in theaters and the server would cry with emotion.

00:24:46Okay, now I'll do the exercises so the lotion will remove the hair.

00:24:50Should he carry it for me?

00:24:51Come on, these are very easy exercises.

00:24:54One, two, three, four, five, six, seven, eight.

00:25:31Oh, how cold!

00:25:36Oh, son!

00:25:37Oh, mother!

00:25:38That sport is not my thing.

00:25:40My thing is birthdays.

00:25:45Take.

00:25:45We have a lot of work to do this afternoon.

00:25:47What a shame!

00:25:48That they have to give you pills to fulfill your duty.

00:25:51You can say whatever you want, but it's not allowed in my house.

00:25:54Don't start.

00:25:54That was the deal when I married his daughter.

00:25:56You didn't set foot in my house, do you understand?

00:25:58Cool!

00:25:58How can you take advantage of the fact that the law protects you, cosino?

00:26:01Whatever you want, but in my house.

00:26:03Lazy!

00:26:04Mom, that's enough.

00:26:05When we get to the new school, Miguel already knows he'll have to perform better.

00:26:09This?

00:26:09He doesn't lift a finger.

00:26:11The other pill, Miguel, the one for Saturday afternoons, you know.

00:26:16They're going to kill him.

00:26:17Don't stare so much, woman.

00:26:19The boss is going to notice.

00:26:20But can't you see, he's wearing more than eight pills.

00:26:22So what?

00:26:23Come on, hurry up.

00:26:24This afternoon is going to be very tough and we need to get organized.

00:26:33Further!

00:26:36Further!

00:26:39Further!

00:26:41A lot more!

00:26:44Further!

00:26:46Further!

00:26:48Further!

00:26:51Open your eyes wide.

00:26:53If I can't, I'll take the bed.

00:26:56I don't think I'll even go to dinner.

00:26:58Oh, oh, I almost forgot.

00:26:59We have little time.

00:27:00A shower and a change of clothes.

00:27:01What's happening?

00:27:02Julián is throwing a political party and we can't miss it.

00:27:04Tonight?

00:27:05I forgot to tell you.

00:27:07And do you think we should go?

00:27:08Not only because Julián is the source of our income.

00:27:11And if he breaks up with her, goodbye, beautiful.

00:27:12But because of advertising.

00:27:14She's going to Hola magazine.

00:27:16And I've set my mind to it.

00:27:17Tonight we're featured in Hola magazine as if we were foreigners.

00:27:20Like Faradiva.

00:27:22Tomorrow, Sunday, we're going to Lucas's farm.

00:27:24You can lie down there all day,

00:27:25which seems to be the only thing you like.

00:27:27Isn't my mother right when she says you're lazy?

00:27:29Yes, yes.

00:27:30Association is a form of union in the face of the market.

00:27:35Not the common one, we don't give a damn about that one.

00:27:39But to the wholesale market.

00:27:42Your husband is feeling very inspired today, Mona.

00:27:44Yes, I know.

00:27:45And that's because he's completely drunk.

00:27:47You have no idea what I would have given to be American so I could become president.

00:27:53We, the intermediaries, make quite a bit, yes.

00:27:57But not everything.

00:27:58Because?

00:27:59Because we're softies.

00:28:01Those who work in the fields already have enough.

00:28:04Count on the verses that poets write for them.

00:28:07Why do they want more?

00:28:09Dear intermediaries, I propose that we found an association based on capital for capital.

00:28:16Freedom of prices and freedom to adulterate food products.

00:28:22You're coming home tomorrow, right?

00:28:23His banker has never been invited.

00:28:25Of course, how could we miss it?

00:28:27In addition, Miguel is dying to spend a day in the countryside.

00:28:30And the milk?

00:28:31What do you say about milk?

00:28:33A few days ago, in Ciudad Real, a housewife found Mao's Little Red Book inside a bottle.

00:28:40milk.

00:28:42Naturally, naturally, the cow has already been stopped.

00:28:44Come on, go, go, go!

00:29:01Oh, thank goodness, we're home now.

00:29:03See? You're exaggerating.

00:29:05It withstood the whole speech and you're acting like nothing happened...

00:29:08Well, I didn't understand anything.

00:29:09Julian is a complete idiot, but the lyrics speak for themselves, otherwise you'll have to explain.

00:29:13Hello, Onassis. Did you miss me?

00:29:16Come on, Miguel, you can go to bed now.

00:29:18Yes, yes.

00:29:25I can imagine how important it must be to go to Lucas's house, despite Olga being such a pain.

00:29:30But if only I could sleep all morning...

00:29:32Don't worry. Once you're on the property, nobody will bother you.

00:29:35So, what time do we get up?

00:29:37At nine o'clock.

00:29:37Hey?

00:29:38We have five hours.

00:29:39At nine o'clock? That's outrageous!

00:29:41I sleep less than you and work much more, and I don't complain.

00:29:45Yes, yes, yes.

00:29:52Miguel, darling, today is Saturday.

00:29:55You know what that means, right?

00:29:57Neither Saturday nor anything else.

00:30:05Miguel.

00:30:08Miguel, my love, on Saturdays we must fulfill our commitment.

00:30:14We are husband and wife.

00:30:16And the law is inflexible in that respect.

00:30:19Marta, please.

00:30:21But, Miguel, I work much harder than you.

00:30:24And my body is always craving war.

00:30:33But have you fallen asleep?

00:30:36Rude!

00:30:40And what a way to snore!

00:30:42It should be banned.

00:30:44In marital love, snoring should be a mitigating factor in cases of murder.

00:30:56Oh, oh, oh, oh, but what are you doing to me?

00:30:58You want to kill me!

00:30:59I just wanted to know if you're still alive.

00:31:03Hi how are things?

00:31:18Hello.

00:31:36Alleluia!

00:31:38Alleluia!

00:31:40Alleluia!

00:31:42Come on, Miguel.

00:31:46Come on, it's nine o'clock.

00:31:54Up you go, Miguel!

00:31:55You have to take your pills.

00:32:00Come on, Miguel!

00:32:01Yes, I'm coming, I'm coming!

00:32:03And remember, you need to be brilliant.

00:32:06What Julián likes is to be listened to.

00:32:08But don't go to sleep.

00:32:10And why not? Didn't you say that today...?

00:32:12I say it in front of him.

00:32:13Let's see if he starts with a speech and you fall asleep.

00:32:15That's most likely what will happen.

00:32:16I spoke with Barbara last night about the lettering on the new building.

00:32:19She will convince Julian to sign them for us.

00:32:21Provided Lucas gives his approval, of course.

00:32:23Don't worry about Olga, I'll take care of her.

00:32:24Whatever you want.

00:32:25Today is our day, we can't fail.

00:32:28Go on, take this.

00:32:31What's the matter?

00:32:32No, nothing.

00:32:33I'm afraid you're going to ruin everything at the last minute.

00:32:40Well.

00:32:46Hello, Armando.

00:32:47Hello.

00:32:48Good morning, Armando.

00:32:49No speeches today.

00:32:50I came because Olga asked me to.

00:32:52But if that annoying Julian talks, I'll do it.

00:32:54I promise you we'll kill him.

00:32:56Dear Armando, a couple I want you to meet is coming today.

00:32:59And they're going to open an account at their bank.

00:33:01Capitalism, which is essential in our society, must destroy everything.

00:33:06I have to make Don Armando's bank the launching pad for my political career.

00:33:10I'm taking my clothes off, Julian, you know that.

00:33:12As?

00:33:12What if you end up giving us another long speech?

00:33:14I take off my clothes, I do streaking.

00:33:16Then don't complain when you say, "Friends, I want to tell you something, I'm going to be very brief."

00:33:20Me, bam, I'm left in a hunk's.

00:33:23And I warn you that under the dress I'm only wearing a few drops of perfume.

00:33:27Don't you realize that if we sign that crazy agreement, they'll have us trapped for life?

00:33:30It's the only solution.

00:33:32But if we still have more than two years to go...

00:33:35...to finish paying off the one we have.

00:33:36Without the money they lent us, we wouldn't have achieved anything.

00:33:39Yes, but two more years at this rate and we won't be here to tell the tale.

00:33:41You won't tell, you lazy bum.

00:33:43As for me, we'll start the construction in two months.

00:33:46But that means selling ourselves to them for life by working even harder.

00:33:49Miguel, don't argue with me, you're poor in spirit.

00:33:51Without me you'd be a sad, hungry, miserable masseur.

00:33:54Yes, but I would sleep ten hours a day, which is what I like most in the world.

00:33:57You're definitely beyond help.

00:33:59You were born to be a slave.

00:34:00That's what we are now, and soon we'll be much more.

00:34:02Dear friends, the appetizer.

00:34:05Daughter, what is it like not seeing, serving yourself.

00:34:07Do you have no service?

00:34:08It's impossible to upset Rufina.

00:34:10She is preparing the food.

00:34:13What are you drinking?

00:34:14Coffee.

00:34:15Aperitif coffee.

00:34:16Please, Miguel, you're always so eccentric.

00:34:19It's to clear my head.

00:34:21I've spoken to Marta.

00:34:22Don't worry, it's done.

00:34:24That's what I wanted to talk to you about.

00:34:26What I would like is for you to ignore Marta.

00:34:28What are you saying?

00:34:29Either Armando grants you credit or I will stop being called Olga.

00:34:33I'll get your coffee.

00:34:34It's a terribly exciting profession, Don Armando.

00:34:37Chairman of the Board of Directors of Cuatro Bancos.

00:34:39How wonderful!

00:34:40Well, I'm not happy.

00:34:41No?

00:34:41How worrying of him.

00:34:42Do you know what I would have liked to be?

00:34:44Let me guess.

00:34:45Political.

00:34:46Would you be great with your talent?

00:34:48Political.

00:34:48Transvestite.

00:34:49Cabaret transvestite.

00:34:50The idea of dressing up as a woman and performing in a theater, singing and smoking, would be the dream of my life.

00:34:56I wait, smoking.

00:34:57I'm not telling you what's going on.

00:34:59Ignacio María looked her up and down and warned her sarcastically.

00:35:03An orphan of the obroño can never mix her blood with that of one of the barria.

00:35:08Simply Leocaria.

00:35:09She swallowed her tears.

00:35:11But Rufin, he hasn't simply finished Leocaria yet.

00:35:14No, ma'am.

00:35:16The guests have just arrived.

00:35:17Street, ma'am.

00:35:18Ignacio María did not recognize her.

00:35:20Lady, by the Virgin.

00:35:22Wait a little while.

00:35:23He just wants a coffee, and I think he's going to ask for too much.

00:35:25He didn't recognize her.

00:35:27It will be possible.

00:35:29Red.

00:35:30I see it in your face, I read it in your eyes, Julian.

00:35:33And I undress for your mother, I undress.

00:35:35Partnerships are a hot topic.

00:35:37It's a zipper, do you understand?

00:35:39A downward pull.

00:35:40And your friends are going to see the Fallas of Valencia.

00:35:42But, woman.

00:35:42How interesting.

00:35:44So you didn't make yourself.

00:35:45All inherited.

00:35:46That's truly impressive.

00:35:48What's wrong, Miguel?

00:35:49Tired?

00:35:51Lack of sleep.

00:35:52Poker or some blonde?

00:35:54What poker, what blonde.

00:35:55That's what I would like.

00:35:56I work like a donkey.

00:35:57And soon you'll be working more.

00:35:59A lot more.

00:35:59He is my son.

00:36:00The son of my flesh.

00:36:02And I won't let you get away with it.

00:36:04Be quiet!

00:36:05And I will not be silent.

00:36:06Because I know I will try...

00:36:07What are you, coffee?

00:36:09Bring it.

00:36:09These hand arms.

00:36:11Please, Rufina, lower your voice.

00:36:12Put that lower.

00:36:13Please, ma'am, ask me not to go out on Thursday.

00:36:17Please ask me not to use the washing machine and to go wash clothes in the river.

00:36:20But please don't ask me to take this down, for the love of God.

00:36:24Alright.

00:36:25But my son will give.

00:36:27My son!

00:36:30Have you seen your face, Miguel?

00:36:31You look like a corpse.

00:36:32Your coffee.

00:36:33Thank you.

00:36:34Don't worry.

00:36:35We will risk the capital and you the labor, naturally.

00:36:38Yes, yes.

00:36:39My wife has brainwashed you, hasn't she?

00:36:44This looks like a wake.

00:36:45Who wants to dance with me?

00:36:46I'm not up for that kind of thing.

00:36:48And I have rheumatism.

00:36:49My lower back pain isn't responding.

00:36:50Miguel, dance with Barbara.

00:36:52I?

00:36:52You don't know.

00:36:53Miguel has nothing to envy Nureyev for.

00:36:55Especially in jumps.

00:36:56Miguel, show how agile you are.

00:36:58But, Marta, today is Sunday.

00:37:00Come on, Miguel, you with both of them.

00:37:01Come on.

00:37:02Woman, I'm exhausted.

00:37:03Come on, Miguel, you're always going on about the same thing.

00:37:08Suck in your stomach, Miguel, and breathe in your hips.

00:37:11I have a husband who is a sweetheart, and obedient as a dog.

00:37:13Come on, man, don't let that head of yours get talked about.

00:37:15More energy.

00:37:16I have nothing against this dance,

00:37:18But today is my day off, and on Sundays I lie down.

00:37:21Making love, I imagine.

00:37:22Yes, yes, yes.

00:37:24After lunch we will finalize the last details of the contract.

00:37:27The spirit of consumer society is with us.

00:37:30The lyrics are what need to be defined.

00:37:31Before you arrived, we were talking about it with Armando.

00:37:33You guys are amazing.

00:37:38My bank will finance the operation,

00:37:39even though this beautiful thing is still not fully paid for.

00:37:42The business is good enough

00:37:44so that everything is skipped within two years.

00:37:46If we continue at this pace, and all thanks to our work.

00:37:48That's how it should be, just a little more effort and that's it.

00:37:50We are willing to kill each other.

00:37:52Don't worry, Mr. Armando.

00:38:03My God.

00:38:07DISCAM!

00:38:16DISCAM!

00:38:25Good morning, sir!

00:38:27Good morning.

00:38:29Excuse me. Is this your bed?

00:38:30No, it's the one for the guests. It's the same at every party my son throws.

00:38:36Oh, are you coming to sleep?

00:38:37Yes, always. Of course, there are parties where they take longer. When is the young lady coming?

00:38:43I don't understand, ma'am.

00:38:44You've probably hooked up with someone, I imagine, and a young lady will appear in a moment.

00:38:49No way? You can relax. All I want is to rest and sleep.

00:38:53Oh, if that's the case, you can rest. No one will bother you.

00:38:56Are you Lucas's mother?

00:38:58Yes, sir. They hide me here when there are visitors.

00:39:02Since I'm old, my son is embarrassed to show me to visitors.

00:39:07Are they knocking on that door?

00:39:08Yes, yes.

00:39:11Miguel, Miguel, I know you're there.

00:39:15It's here.

00:39:16Don't hide, Millín. So you can see how fast I am at taking my clothes off.

00:39:22You're a devil. How did you know where to go?

00:39:27You don't know that, you rascal.

00:39:30But, Barbara.

00:39:37Barbara, we are not alone.

00:39:40Hello, good day. How are you?

00:39:42Very well, ma'am. I was just passing by.

00:39:44Sorry to bother you, but I really need the electric blanket.

00:39:48And at my age, the regurgitation at this time of year, you know.

00:39:52Yes, yes, of course. Well, you look very good for your age.

00:39:55Thank you very much. You are very kind and very beautiful.

00:40:01Well, it's nothing. We'll just get on with it.

00:40:05But, woman, this is outrageous!

00:40:08Oh, what is my husband?

00:40:09Your husband.

00:40:14Miguel, are you there? It's me, the girl.

00:40:17Who is it?

00:40:18You heard it, girl.

00:40:20But what girl?

00:40:21Who else could it be, Olga? She's very religious.

00:40:23Come on, Miguel, open up for me or I'll scream.

00:40:25No, no, don't shout. I'm coming, I'm coming, I'm coming.

00:40:30You're so clever. How did you know this scoundrel would come looking for what he's not going to get?

00:40:34Olga, please, what are you doing?

00:40:37Be still, huh? Be still.

00:40:39How can I stay still?

00:40:41But what's wrong with you now?

00:40:43There she goes, the old woman.

00:40:45Hi, Mom.

00:40:45What a mess.

00:40:46How's that rheumatism going?

00:40:47How will he deal with these problems?

00:40:49Fatal.

00:40:50The asylum.

00:40:51Asylum is preferable to this mess.

00:40:56So we're in complete agreement, right, Armando?

00:40:59The new Grand Beautiful is now a reality.

00:41:01Let's raise a glass to what will be the largest beauty institute in Europe.

00:41:04And as always, we'll sign the bills and they'll work like slaves.

00:41:07What is moral and what is just?

00:41:09That's how it should be.

00:41:10Do you know what my body is craving right now?

00:41:12Your wish is my command, Don Armando.

00:41:13A game of pelota. Who among you wants to play?

00:41:16I don't.

00:41:17Miguel, let's go to the pelota court.

00:41:19Let's go, Miguel!

00:41:20Let's go, Miguel! Don Armando!

00:41:22A thousand pesetas to Don Armando!

00:41:23Let's go, Miguel!

00:41:24Two hundred more!

00:41:25A thousand pesetas for your husband!

00:41:26A thousand pesetas to Don Armando! A thousand pesetas to Don Armando!

00:41:28For me!

00:41:28Go strong, Don Armando!

00:41:29Come on, Miguel!

00:41:30Above!

00:41:32Carrying that ball!

00:41:34Come on, Miguel!

00:41:35Above!

00:41:36Above!

00:41:37Above!

00:41:38Come on!

00:41:39Twenty-eight, twenty-nine!

00:41:40Twenty-eight, twenty-nine!

00:41:41Go here!

00:41:41Prepared?

00:41:42Don Armando, I want to ask you a favor.

00:41:44Don't listen to my wife.

00:41:45She's completely crazy.

00:41:45He thinks of nothing but work.

00:41:46Do you agree?

00:41:47No, refuse!

00:41:49He's going to ask you for a loan!

00:41:51Don't give it to him!

00:41:52Remember Matensa!

00:41:53Go get him, Miguel!

00:41:54Let's tie, Miguel!

00:41:56Cutting that ball!

00:41:57Don Armando, cut that ball!

00:41:59Come on, Miguel!

00:42:00Out!

00:42:02He knows he's leaving!

00:42:06Four hundred to Miguel!

00:42:07Four hundred to Miguel!

00:42:07Go!

00:42:08That's it, Miguel!

00:42:10Up you go, Miguel!

00:42:10Up, up!

00:42:13Up you go, doctor!

00:42:14Okay, go ahead, go ahead!

00:42:17Last goal!

00:42:18A thousand thanks to Don Armando!

00:42:19A thousand thanks to Don Armando!

00:42:20A thousand against Miguel!

00:42:21They're going!

00:42:21Are there another thousand?

00:42:22They're going!

00:42:22Okay?

00:42:23OK!

00:42:25Good job, sideways!

00:42:27So!

00:42:28Same to Miguel!

00:42:29They're going!

00:42:30Come on!

00:42:30Up you go, Armando!

00:42:32Let's play in the back!

00:42:33Get out, Miguel!

00:42:34A few more minutes have passed!

00:42:35They're going!

00:42:36Up you go, strong!

00:42:39Kill that ball, Don Armando!

00:42:45Oh man!

00:42:46This idiot!

00:42:47Let's see if this gets us a credit reduction!

00:42:51Come on, man!

00:42:53A speculator recognizes no obstacles.

00:42:55Speculation is the order of things.

00:42:56Morality is an outdated concept used by reactionaries.

00:43:00The future undoubtedly belongs to speculation.

00:43:03Yes sir.

00:43:04That's great.

00:43:05I have no doubt about it, Don Armando.

00:43:07I'll wait for you in my mother-in-law's room.

00:43:09There is no danger.

00:43:10Lucas takes a two-hour nap every day.

00:43:12How lucky is he?

00:43:13You don't know that, foot.

00:43:15Okay, folks, it's time to get down to work.

00:43:18Miguel, help me.

00:43:19Sorry.

00:43:20Take that away.

00:43:21Yeah.

00:43:22But, Marta, for the love of God, you never get tired.

00:43:25No never.

00:43:25Well, I think I'm going to die.

00:43:27Foolishness.

00:43:27I don't know anyone who has died from working.

00:43:30Oh, yes!

00:43:33What's the matter?

00:43:36Goodbye, Marta.

00:43:38May God grant you the eternal rest you earned in this life.

00:43:44They've killed her!

00:43:45That he caused nothing but grief to that poor angel.

00:43:51I should say a few words.

00:43:53Try it.

00:43:54You know what happens.

00:43:55Would you be able to?

00:43:59Lucas is leaving, Benítez, tomorrow.

00:44:00Were you able to ease your grief a little?

00:44:02Thank you, Olga.

00:44:03The boss has won the lottery.

00:44:05You said it, woman.

00:44:07It even has another face.

00:44:09Thank you.

00:44:10That's 500 pesetas.

00:44:11I am the undertaker.

00:44:12Ah, I see, I see.

00:44:21What can we do?

00:44:24I share your feelings.

00:44:28I'm sorry, Don Miguel.

00:44:29No, no, no, no, no.

00:45:14The bed!

00:45:15The bed!

00:45:16The bed, yes.

00:45:17Ah!

00:45:28Ah!

00:45:40No no.

00:46:04Pili, a customer has arrived.

00:46:11Good morning, ma'am.

00:46:12Hello, monkey.

00:46:12What, the usual?

00:46:13Has Don Miguel not returned?

00:46:15Well, no, but we can do what we can.

00:46:17Don't talk nonsense, rich girl.

00:46:19Bye.

00:46:20This is ruinous.

00:46:22He hasn't been here for a week and we've been left shorthanded.

00:46:25Well, something will have to be done.

00:46:43Come on, let's go inside.

00:46:56What do we do?

00:46:57We'll have to wake him up.

00:46:58We slept with him.

00:46:59You're always going on about the same thing.

00:47:01Wake him up?

00:47:01Let's see if something has happened to him.

00:47:02Or they drugged him like they did to someone in my town.

00:47:04Go ahead, talk to Pili.

00:47:09Don Miguel.

00:47:10Don Miguel.

00:47:12Wake up, please, you've been sleeping for six days, man.

00:47:16Can what?

00:47:17Wow!

00:47:17Let me sleep in peace!

00:47:18I want to rest!

00:47:19Out!

00:47:20Get out of here!

00:47:21Out!

00:47:24It would be great if everyone who wanted to sleep didn't have to do anything else.

00:47:28That doesn't hurt anyone.

00:47:30Who knows what he's dreaming about.

00:47:32He might dream about forbidden things.

00:47:34It's true.

00:47:35He looked like he was having a good time.

00:47:36My husband always dreamed, without fail, of divorce.

00:47:39I knew it right away because I couldn't laugh.

00:47:41He couldn't contain himself.

00:47:43And to calm him down, I had to kick him in the kidneys.

00:47:46You, Doña Ingracia, must do something.

00:47:48If he doesn't return to work, it's best to close the business.

00:47:50And what do we all eat?

00:47:52And what's worse, the institute still hasn't been paid.

00:47:55The bank would keep it.

00:47:57The ruin, Doña Ingracia.

00:47:58Well, we have to avoid it.

00:47:59Let's go inside.

00:48:06Pay!

00:48:07Shameless!

00:48:08If only to respect the sacred memory of that saint who left because she couldn't stand you.

00:48:14Well, I see that it's useless.

00:48:16I am going to declare war on you.

00:48:17You don't mess with me.

00:48:19I'm going to notify all the shareholders and they'll keep everything.

00:48:25Rude!

00:48:26Come on!

00:48:33What do you think?

00:48:34Us?

00:48:35You, Pili, my daughter, will continue to occupy the position of my poor daughter Marta.

00:48:40Until she's not ashamed of her face!

00:48:42Don't worry, ma'am.

00:48:42Don't worry.

00:48:44There are methods persuasive enough to make even criminals do their duty.

00:48:50Thank you!

00:48:52You son of a bitch!

00:48:57An abuse.

00:48:58Because I bought a voucher for Miguel to give me a massage, not you.

00:49:01And what does he want?

00:49:02We feel it even more.

00:49:03So, where is that widower?

00:49:04At home.

00:49:05Only.

00:49:05Oh, my poor thing.

00:49:06He hasn't been here for a week.

00:49:07He does nothing but sleep.

00:49:08If you want, I'll go today, I'll see your dream come true.

00:49:10I sing to her that song about the shepherdess.

00:49:14If what we want is for him not to sleep, then he should come here and work.

00:49:19There is a law, the vagrancy and delinquent law, and don't ask me why I know it exists, because I don't.

00:49:22I'm going to tell you,

00:49:23that prevents people from doing nothing.

00:49:25He can be reported.

00:49:26Not me, of course, because I'm too emotionally invested, but...

00:49:29A good person.

00:49:30A person without blemish.

00:49:32I believe it.

00:49:33I'm sorry, ma'am, but if you want to sleep, there's nothing we can do.

00:49:36Is there a law?

00:49:37Wow, that came out really high.

00:49:38This gentleman says there is a vagrancy law, and that is why I have come to file the complaint.

00:49:43But that man has a well-known profession.

00:49:45She doesn't want to do it, she just wants to sleep.

00:49:47And what about productivity?

00:49:48And the employment index?

00:49:49If we all did the same, we'd be one step away from success.

00:49:52Oh, sometimes I say things that make me jealous.

00:49:55I'm sorry, gentlemen, I can't do anything.

00:49:57It is you, the family and friends, who must convince him to change his attitude.

00:50:02Softies, that's what you are, softies.

00:50:04Staying in bed is not a crime.

00:50:05He's healthy and he's laughing at us.

00:50:07So, what is a crime to you?

00:50:09Go ahead, say it.

00:50:10Do you really want to know?

00:50:12Let's see.

00:50:12Guard, take this gentleman into custody.

00:50:15Oh, why me?

00:50:16Disorderly behavior.

00:50:17And that's fine, if that's the case, let's go inside.

00:50:19Bye.

00:50:20The situation is getting more and more difficult.

00:50:22Doña Ingracia is going to call a meeting of the shareholders.

00:50:24If Don Miguel doesn't get out of bed, she will be the one to take charge of the institute.

00:50:30And that would be the end.

00:50:46This one's here.

00:50:47Like every morning on the dot.

00:50:49What's it going to be?

00:50:51Two barks, meat.

00:50:52Two quarter-pound chops.

00:50:54Try to keep him entertained.

00:50:55I'm going to see if there's a way to get my hands on the weight today.

00:50:58I don't think it's possible.

00:51:00Yes, here you go.

00:51:01Butter, tomato juice, and yogurt.

00:51:05Attention.

00:51:06Be careful, she's going to gossip about you.

00:51:08That little animal is such a pain.

00:51:11He's caught you again.

00:51:12I don't know why you insist.

00:51:13Woman, it was only a few grams.

00:51:15You know that nobody can steal his money.

00:51:17Well, we're all set.

00:51:18That's the only thing missing.

00:51:20Dogs understanding weights and measures.

00:51:22Come on...

00:51:23We have to close up shop, parrot.

00:51:24We have to close.

00:51:25Of course.

00:51:26This job is so beautiful.

00:51:27If you remove the risk, you'll have to explain it to me.

00:51:48Hello, Onassis.

00:51:49Come on, get in.

00:51:51That?

00:51:52How are things going over there?

00:51:53How are they going to be, right?

00:51:55Fatal.

00:51:55And they want to kick us out of here.

00:51:57Come on, I'd be crazy.

00:51:59Quite well supported throughout all these years.

00:52:02All kinds of humiliations.

00:52:03They won't get us out of here even with a bomb.

00:52:07Letters and more letters.

00:52:09They can't kick us out of this house because it's already paid for.

00:52:14Look.

00:52:15They are threatening to take away my school.

00:52:17Well, you know what I mean.

00:52:18That's for them.

00:52:19They won't earn a single penny more at the expense of my sweat.

00:52:22To hell with high school.

00:52:24To hell with capital.

00:52:26And if the world ends, we two will be saved as long as we have this ham left.

00:52:30Hahaha.

00:52:32Look.

00:52:33Ha ha ha.

00:52:34Oil is screwing over capital.

00:52:36Screw him.

00:52:37Do you care much about oil, Onassis?

00:52:39Well then, Camille.

00:52:40Ala, ala.

00:52:42Look how the stock market is falling.

00:52:43Thankfully, prices are going up.

00:52:45One thing balances out the other.

00:52:46We are heading towards inflation.

00:52:48Taking the bottle.

00:52:49Poor Marta was right about one thing.

00:52:51The only thing you can read in this country is Ola magazine.

00:52:54Starting tomorrow we'll subscribe to Ola and we're going to have a great time.

00:52:58You know what?

00:52:59The magazine has the highest circulation in India.

00:53:01And do you know why?

00:53:03Well, I'll tell you.

00:53:04Because they eat paper there.

00:53:06They'll eat it up!

00:53:07Don't tell me no.

00:53:08That you can do a lot.

00:53:09But do you think that I...

00:53:10If you won't do it for me, do it in memory of that saint who died of a heart attack.

00:53:16The man doesn't harm anyone.

00:53:17He's a scoundrel.

00:53:18An undesirable person.

00:53:20She's very good at giving massages.

00:53:22That's the truth.

00:53:23Furthermore, the Pope will do whatever you ask him to do.

00:53:25I know this for a fact.

00:53:27Doña Ingracia.

00:53:28It's one thing that you kept me hidden in your house during the war

00:53:33and another that I speak with the Pope.

00:53:35That.

00:53:35And that he hides it.

00:53:36The most you can do is talk to Miguel and see what he says.

00:53:41And if he doesn't change his mind right there, you excommunicate him.

00:53:44You're not right in the head.

00:53:46He excommunicates him!

00:53:47He excommunicates him!

00:53:49Is it possible?

00:53:50But well, that's outrageous.

00:53:52Nothing bad will have happened to him.

00:53:54Quite the opposite.

00:53:55If he doesn't leave there, it's because he's having a great time.

00:53:59It will be tonight.

00:54:08What is this?

00:54:09What a scandal!

00:54:10Talmigo!

00:54:11Talmigo!

00:54:13Talmigo!

00:54:14Let's go to the terrace.

00:54:15Let's see what kind of madness this is.

00:54:19Come on, guys!

00:54:20Cheer up!

00:54:21Let's see how long you can last this one!

00:54:27He's not coming back!

00:54:28He's not coming back!

00:54:29My dear ones!

00:54:30Murderers!

00:54:32He's not coming back!

00:54:35Shameless!

00:54:37Let's see if you come back now!

00:54:39Iran!

00:54:41What's the matter?

00:54:41What do you want now?

00:54:42Where are you taking me?

00:54:43Where are we going?

00:54:45What's happening?

00:54:46Now look!

00:54:48Wow!

00:54:49Give yourself over to death today for the whole weekend!

00:54:52Come on!

00:54:53Up you go, boy!

00:54:54Hurry up!

00:55:06Hurry up!

00:55:09She's going to come out on me!

00:55:10Get ready!

00:55:11Already!

00:55:13I already told him!

00:55:14The beasts are untaxable!

00:55:15Come on!

00:55:28The beasts are untaxable!

00:55:30The beasts are untaxable!

00:55:30But what happened?!

00:55:33Above!

00:55:34At чув tempud we must continue!

00:55:35Determined, Mr. Number!

00:55:37I'm sure you'll get it!

00:55:39Anyone can be!

00:56:00I couldn't believe it.

00:56:02More than three weeks inactive, as if you were in jail, my poor thing.

00:56:05But what are you doing?

00:56:06A castaway. That's what you are, a castaway abandoned on a deserted island.

00:56:09with a dog, like Robinson Crusoe.

00:56:12Stay put, okay? First of all, I'm not on any deserted island.

00:56:14because I'm here of my own free will.

00:56:16And second, it wasn't Robinson Crusoe, but Robinson Crusoe.

00:56:19And what do I care? Nothing, you hear me right, nothing, handsome.

00:56:21Okay, that's enough. What is it you want?

00:56:23Because one of the things I do now is not to observe social conventions.

00:56:27Well, you already have my husband, Julian.

00:56:28The business is going down, and with it, its dividends.

00:56:30They want to put you in jail.

00:56:32Well, let them try, but in the meantime they should look for someone else to work.

00:56:35Because I'm not moving from here.

00:56:36And I'm with you.

00:56:39Hey, I'm not about to work, okay?

00:56:40Don't worry, I know exactly what I have to do.

00:56:51The tax authorities. They're sure to come and seize your belongings.

00:56:53I love it. I've never seen an embargo. It must be exciting.

00:56:55Hey, get dressed, maybe that's your husband.

00:56:57So what? Should he dare to say something?

00:56:59We both have our quirks and we have to put up with them.

00:57:01Lucas smokes and I have to put up with it, right? Well, there you have it.

00:57:03Huh? There he is! A priest! My goodness!

00:57:07Son, what's with that face? You look like you've seen the beard!

00:57:12Go ahead, Father! What a great honor! Please.

00:57:15Come on, stop with the hand-kissing and nonsense.

00:57:18Father, to me you are a saint.

00:57:19Look, priests aren't well-regarded these days, are they?

00:57:21Well, I'm still the same as in '36.

00:57:23What a joy to have her here with me!

00:57:25Are you a sorcerer, Father? Sit down, sit down!

00:57:28Thank you, son, thank you.

00:57:30Listen, Miguel, I've come to talk to you because sometimes the loss of a loved one upsets us.

00:57:35mind.

00:57:35No, father, the opposite is going to upset me.

00:57:38Now I have seen the light of truth.

00:57:40It's been like a great illumination. Everything is clear now.

00:57:43Who is that young lady, son?

00:57:44You see, Father. The flesh, the temptation.

00:57:47And what do you want me to do? Burn my eyes?

00:57:49No, Father. Resist!

00:57:50And here I am, strong, heroic.

00:57:53And he's come to convince me to come back.

00:57:55She takes off her clothes, puts them back on, but I resist.

00:57:58Because, Father, where there are some good indulgences...

00:58:00Okay, okay, son, so what do you plan to do?

00:58:03And what do you want me to say, Father?

00:58:04As for me, Saint Nicholas, who is a lawyer with the number one job, well, things aren't going too well for me.

00:58:08And what does Saint Nicholas have to do with that?

00:58:10With all due respect, here, in my own way, I do what I want and when I want.

00:58:14If I want to read, I read; if I want to smoke, I smoke; or I sing, I laugh, or...

00:58:17And that young lady?

00:58:18I don't know, she's crazy. They're using her to get me out of here, but they won't succeed.

00:58:23Temptations to me. Made of iron, Father. I am made of iron to resist temptations.

00:58:27But you can't always be like this.

00:58:29Yes, that's true. Living like this isn't cheap, and the little money I had is gone.

00:58:34Father, if you could ask your parishioners in a homily for help for me or something like that,

00:58:39If he asks the women, they make me work.

00:58:41I see you're beyond help, my son. You're completely out of your mind.

00:58:44But Father, you leave, abandoning me to temptation.

00:58:46Leave me alone, leave me in peace.

00:58:48I've told him a hundred times that he's a scoundrel.

00:58:50Okay, calm down, ma'am.

00:58:53The situation cannot last forever. I would say it will be very short-lived.

00:58:57Did he tell her?

00:58:58No, but he asked me for money.

00:59:00To you? Ask you for money?

00:59:02Yes, and it had never happened to me before.

00:59:05He must be in dire need.

00:59:08He's a cheeky one. I told you so.

00:59:11To you, who, because you have nothing, no longer even has the vow of poverty.

00:59:14We'll corner him. He'll have no credit.

00:59:17I'm going to have him working from sunrise to sunset.

00:59:19And what do I think? That Miguel is right?

00:59:21Come on, Dad, don't talk nonsense. It's not right to be a progressive at your age.

00:59:24I?

00:59:25Is it possible?

00:59:27Not a soul in two months if social security has to be paid.

00:59:30And the machinery? It's not fully paid for yet.

00:59:33The problem is that we can't report him, because his attitude doesn't constitute any criminal offense.

00:59:38There is no legislation regarding employer strikes.

00:59:40The key is the house. If we could take the house away from him.

00:59:44There is only one solution. Total disability.

00:59:47The murder, Don Lucas.

00:59:48Madam, please, we are people of order.

00:59:51We'll have to prove that Miguel is crazy. Completely crazy.

00:59:53And with that, I'd come to work?

00:59:55No, it's obvious.

00:59:57But Miguel's case would not give rise to new labor-related conflicts.

01:00:01My question is this.

01:00:02Do we have enough evidence for a judge to convict him?

01:00:05We have plenty!

01:00:06Very good idea, I believe.

01:00:07And give him showers. He desperately needs them!

01:00:25Here, take it.

01:00:40Onassis!

01:00:41There's a knock at the door. Do you want to see who it is?

01:00:44Who is it?

01:00:49Please, Onassis, warn Don Miguel.

01:00:52I come in peace. I have something very important to tell you.

01:00:55They met this afternoon at the institute and are going to do everything possible to have him declared incompetent.

01:01:00Me? How so?

01:01:02They're going to try to prove you're crazy, Don Miguel.

01:01:05Crazy me? Ha ha ha! That's the funniest thing I've ever heard.

01:01:10Well, admit that what you're going through isn't normal either.

01:01:13Why? Because I'm not playing the game, right?

01:01:15Because I can't stand drug use. Well, too bad for them. I'm out. Let them deal with it!

01:01:20But they're going to kick him out of this house.

01:01:22I don't care. I'll give it to them. It's all for them!

01:01:25Come on! Come and get everything, you disgusting vultures!

01:01:29But, Don Miguel, don't shout so much, I see you ending up in a madhouse.

01:01:33Yes. You're right. Would you like a drink?

01:01:36Yes, thanks.

01:01:38Ha ha ha!

01:01:52Thank you.

01:01:54Is it okay here?

01:01:56Yes, but alone. With her, this place was a barracks.

01:01:58You know what? I envy you.

01:02:02Me? Why?

01:02:05He does what he wants. And that's what it means to be a man.

01:02:08That's it. A free man, not a slave like them.

01:02:11Good. I've always admired you for your physique.

01:02:16But now I admire him like a hero.

01:02:19I don't know what Cascorro would be like, but he has nothing to envy him for.

01:02:23He will one day have a statue in a park as the victor of consumer society.

01:02:27With your permission.

01:02:34Do you think what I'm doing is such a big deal?

01:02:38Yes. With all due respect.

01:02:55You are like Spartacus, the victor over the slaves.

01:02:58The 20th century finally has the man it needed.

01:03:01Yeah?

01:03:11You stay put. Nothing will move you from here.

01:03:15The rush, the smoke, the traffic, for them.

01:03:18You, my king, are always here.

01:03:21And do you want to be by my side?

01:03:23Yes. Yes, my love.

01:03:29Stay calm. Relax and don't think about anything.

01:03:31But the thing is...

01:03:32Be quiet. Let only the subconscious speak.

01:03:35Excuse me, doctor. We're fine.

01:03:37The one who's crazy is a man who hasn't come.

01:03:39A relative of yours?

01:03:40More like a partner.

01:03:42This is it, right?

01:03:43Yes. And you have to have him declared legally incompetent.

01:03:45He's not right in the head. He doesn't want to work.

01:03:47Okay. I've thoroughly reviewed your medical history.

01:03:51It's a very clear case of a dysphoria complex.

01:03:53And what is that?

01:03:54A play.

01:03:55Like Don Juan Tenorio?

01:03:57Already.

01:03:57It is clear that Miguel suffers from disorders because of his mother.

01:04:00A Spanish woman who didn't work.

01:04:02He lived an unhappy childhood with a father weary from the daily routine.

01:04:06and a mother who always enjoyed the cool air lying in a rocking chair.

01:04:10Well, Miguel doesn't sit in a rocking chair to relax.

01:04:14Live with...

01:04:15With a slut.

01:04:16Twenty years old and gorgeous, right?

01:04:18That's true, but he has betrayed us.

01:04:20Okay. That's perfectly clear.

01:04:22Miguel is healthy and as fit as a fiddle.

01:04:25Those who absolutely need to get treatment are you.

01:04:31Us?

01:04:31A banker and a rumored future minister during several crises?

01:04:35I repeat, that man is absolutely normal.

01:04:38You are the sick ones.

01:04:39Okay, let's start with you.

01:04:41Say out loud, what would you have liked to be in life?

01:04:44I tell him about the transvestite.

01:04:46Don't even think about saying that she won't be locked up.

01:05:01Miguel, I'm hungry.

01:05:03Take it, and me.

01:05:04But we shouldn't talk about that.

01:05:05You see.

01:05:06We have triumphed.

01:05:07They couldn't beat us.

01:05:09You love me, right?

01:05:11Of course.

01:05:12You are the ideal woman.

01:05:13You don't like to work.

01:05:14What I had always dreamed of.

01:05:16Is something wrong?

01:05:17I'm starving.

01:05:20I'm not saying we should work, but...

01:05:21You're right, something has to be done.

01:05:24No work, huh?

01:05:26Well, woman, you'll see.

01:05:27It wouldn't be like before.

01:05:29Just a little bit, half an hour or three-quarters of an hour to get ready for lunch.

01:05:34But where?

01:05:36You and I only know how to give massages.

01:05:38We could go back to Beautiful, not like before, of course.

01:05:41No, Miguel.

01:05:43I wouldn't allow it.

01:05:44I would not allow it for anything in the world.

01:05:46You'd have to go over my dead body first.

01:05:49You're so nice.

01:05:56It's the truth.

01:05:57That's why we've called you.

01:05:59This morning?

01:06:00Around twelve o'clock.

01:06:01First Miss Pili arrived and said that we should put the most comfortable armchair in the office.

01:06:05Then Don Miguel arrived.

01:06:07He's gained a little weight, but he's still just as handsome.

01:06:09And he got to work.

01:06:10This morning, no, since the customers didn't know, there was really nothing to be done.

01:06:13He has given up.

01:06:14I already knew that.

01:06:15Fortunately, money corrupts everything.

01:06:17Come on, girl.

01:06:18What are you doing standing there with your arms crossed?

01:06:21Come on.

01:06:21Notify the most important clients and tell them that Miguel has returned.

01:06:25Yes, ma'am.

01:06:26That's why I'm in such a hurry.

01:06:27It's strange, but I don't understand what could have made him change his mind.

01:06:30It's very simple, it's a need.

01:06:32The theory of consumption: we create needs and launch them so that people have to work.

01:06:38The princess is sad.

01:06:40What could the princess have?

01:06:42Sighs escape from her strawberry mouth that has lost its laughter, that has lost its color.

01:06:48Should I play another rhyme or repeat it?

01:06:50Please see.

01:06:51Is it true that he's back?

01:06:52That's what they say.

01:06:53I received a call this afternoon.

01:06:54If it's a lie, I'm fed up.

01:06:56Ah, well I want to see it.

01:06:56Of course.

01:06:57I don't trust him.

01:06:58Yes, ma'am.

01:06:59He's in the office.

01:07:00I want to see him.

01:07:00He said to wait a moment.

01:07:02Would you like me to give you a massage in the meantime?

01:07:03Don't even think about it, sweetie.

01:07:05Not even my husband lays a hand on me.

01:07:07Only Miguel.

01:07:08Yes, ma'am.

01:07:09What's happening?

01:07:09He's not coming.

01:07:10Come on, we want to see him.

01:07:12Pili.

01:07:12Do they want to see it?

01:07:13He is resting.

01:07:14They get angry if it doesn't come out.

01:07:16Many customers have come.

01:07:17Packed like in the good old days.

01:07:19But they don't want to sign any renewals of the season tickets if he doesn't leave.

01:07:23That's impossible.

01:07:25Miguel doesn't feel like it.

01:07:27And he can do whatever he wants.

01:07:28Miguel is a free man, not a slave.

01:07:30Do you understand?

01:07:31I'll go out.

01:07:32I'll say hello and take a walk.

01:07:35Miguel, aren't you giving up?

01:07:36Just one lap.

01:07:38They just want to know if I'm here.

01:07:40Go on, Pili, announce me.

01:07:46Silence, please, silence.

01:07:49Attention, ladies.

01:07:50For the first time in three months.

01:07:53Anti-you, Miguel!

01:08:00Thank you, thank you, thank you.

01:08:02Countess, how are you doing with cellulite?

01:08:04What do you know how to say to women?

01:08:05Mrs. Romero, that nose needs to be operated on.

01:08:07No, but I'll cut off my nose and amputate my arms.

01:08:08It's unnecessary.

01:08:09Hello, Miguel.

01:08:10It's already decided.

01:08:11The only hands that will touch this body will be yours.

01:08:14Maravillita, we have to keep an eye on that weight.

01:08:16You, keep an eye on it.

01:08:19Well, ladies.

01:08:20First we will start by doing relaxation exercises.

01:08:26One, two, one, two.

01:08:34Very good.

01:08:35For the first day, that's enough.

01:08:38We will continue tomorrow.

01:08:53I've never felt so good.

01:08:56Aren't you tired?

01:08:57No, I'm better than ever.

01:08:59I feel hungry, optimistic, eager to jump, to run, to make love.

01:09:03My life, I don't know if it was my fault.

01:09:06The fact that?

01:09:07Having gone back to high school, to the life you hated, to work.

01:09:10What job?

01:09:11A walk, some push-ups.

01:09:13Tomorrow I have to go to Rosario's and Pity Arguelles's house.

01:09:16No, I don't want to.

01:09:17Otherwise, I get bored.

01:09:19In short, a couple of massages and that's it.

01:09:21Well, if you say so.

01:09:22Hey, don't you think raising the annual membership fees is a bad idea?

01:09:26Marta uploaded it many times.

01:09:28Now that you're back and there was so much anticipation,

01:09:31You'll see how they'll all pay without complaint.

01:09:33Even though you had to give in.

01:09:35Oh, nonsense.

01:09:36Besides, the money will come in very handy.

01:09:38Yeah.

01:09:39The house needs to be painted and renovated.

01:09:42I would knock down partitions.

01:09:44The layout is awkward.

01:09:46You see it, and to do that you have to make money.

01:09:47That's all there is to it.

01:09:48Tomorrow a little while at the institute and then to Rosario's and Arguelles' houses.

01:09:52Whatever you command, my love.

01:09:57Hello?

01:09:58No, sorry, there's no appointment until Tuesday.

01:10:00Well, whatever.

01:10:02The Countess is waiting, Don Miguel.

01:10:04He can't delay any longer, he needs more radiation.

01:10:09And what's that got to do with me?

01:10:10Miguel cannot be multiplied.

01:10:12Well, I'll see what I can do.

01:10:15It was useless, my limbs had been left.

01:10:17If you don't show up, I'll be paralyzed for life.

01:10:20What's that?

01:10:21It's radio control.

01:10:22I get a call from the school.

01:10:24Yeah?

01:10:24Miguel, hurry up.

01:10:25You have an urgent job on list 14.

01:10:26But I have my whole morning covered.

01:10:29Never mind, pay me pounds.

01:10:30She is the wife of an English diplomat.

01:10:32They eat it this way, my love.

01:10:33We won't be able to go out for lunch today.

01:10:34This is a short boat ride.

01:10:36Who is it?

01:10:37Pili, who has been determined to renovate the house.

01:10:40We need to knock down walls, build a new swimming pool, and create a wonderful garden.

01:10:44I don't know.

01:10:44Goodbye, Rosario.

01:10:45And he's just leaving like this, leaving me in this state?

01:10:46Bye bye!

01:10:47Oh my, how awful!

01:10:48We brought her here because it's a formidable project with all the latest German technology.

01:10:53Specialized salons, Jerovital treatment, conference rooms

01:10:56and political saunas.

01:10:58And all without paying anything upfront.

01:11:00All Miguel needs to do is sign.

01:11:02Well, but I don't know if he'll agree.

01:11:05I'm sure that if you ask him, he won't refuse.

01:11:08You can do it all.

01:11:09Haven't you considered that Miguel is a widower and that widowers can remarry?

01:11:12Come on, don't hesitate.

01:11:15I'll see...

01:11:16whatever I can.

01:11:33Miguel.

01:11:34Hey?

01:11:35Seven o'clock.

01:11:37Leave me a little longer.

01:11:39Whatever you want, but you have four visits before opening the school.

01:11:43What if you took vitamins?

01:11:45Good idea.

01:11:46Marta always gave them to me.

01:11:52Pili, not now, please.

01:11:58Here you are, Doña Ingracia.

01:12:00Luckily everything has been sorted out.

01:12:01Miguel has returned to work with even more strength than before, and that is his advantage.

01:12:04This is the money that would be due to my poor daughter.

01:12:08It's a shame I can't enjoy it.

01:12:10As long as Miguel remains single, that money legally belongs to him.

01:12:13We've earned it, Don Armando.

01:12:16Now calmer, I return to Soria.

01:12:18Hey, what about the new high school project?

01:12:21It's underway, you'll see.

01:12:24Goodbye, Doña Ingracia.

01:12:27Bye bye.

01:12:30You'll understand that I didn't call you just to get a massage.

01:12:33It's relaxing, Dad, and you work too much.

01:12:36Okay, to get to the point, son, I need to talk to you.

01:12:38You tell me, Father.

01:12:39Do you think what you're doing is beautiful, living in sin with that girl?

01:12:43She is very good, she loves me, she admires me, she loves me for what I am worth, for my personality.

01:12:47But you are a widower and she is single, what prevents you from marrying properly?

01:12:52I don't know, it scares me, Father.

01:12:53But do you want it or not?

01:12:54Yes, yes, father, Marta is so different.

01:12:57He doesn't want me to work.

01:12:58Well then, you know what you have to do.

01:13:01I don't think I want to.

01:13:02He'll think I'm tied down, that I'm bound by commitments.

01:13:05And she holds me in such high esteem.

01:13:06Well, you bring it up with him.

01:13:09Women are an enigma.

01:13:11You don't know her, father.

01:13:12He will never marry me.

01:13:14He loves me too much.

01:13:16You try it.

01:13:19Please, here too.

01:13:21Yes, yes.

01:13:25And in that.

01:13:27Thank you.

01:13:31In 20 years, the best-endowed institute in Europe will be yours, Miguel.

01:13:35Congratulations, young man, I must congratulate you.

01:13:37Here, keep the letters.

01:13:39There are only 87.

01:13:40The works will begin next month.

01:13:42You were born to succeed.

01:13:44Thank you so much.

01:13:44On Sunday we will all have dinner at home and we will invite the press.

01:13:47The whole country needs to know.

01:13:49Good luck, kid.

01:13:50Thank you.

01:13:51Bye bye.

01:14:01Well, there's no going back now.

01:14:03Do you realize what you've done?

01:14:04I did it for you.

01:14:06For me?

01:14:06And why?

01:14:07Because I knew it made you happy.

01:14:10I won't say no, but at the cost of your sacrifice.

01:14:14You deserve that and much more.

01:14:16I am nothing.

01:14:18One day you'll get tired of me, someone younger and prettier will come along.

01:14:22And what's left for me?

01:14:23Are you referring to the business?

01:14:25Who's thinking about business now?

01:14:27I'm not one of those women who think about money.

01:14:30What worries me is that you'll have to take more pills, work overtime, and spend your life in the

01:14:36banks fixing that issue with the letters.

01:14:38Well, don't worry about that, Billy.

01:14:41I have to tell you something very important.

01:14:44I want to marry you.

01:14:45But, Miguel, that can't be.

01:14:48There is no divorce here.

01:14:50It would be too late for a lifetime.

01:14:52And I love you so much that I don't want you to do anything to yourself.

01:14:56And that's because, God knows, marrying you is what I want most in the world.

01:15:03But are you sure that's what you want?

01:15:06Of course. It's already decided.

01:15:09I want to marry you.

01:15:11I need you.

01:15:13Besides, I'm already looking forward to my witch of a mother-in-law stopping receiving the benefits she's entitled to.

01:15:17I want to stop being a widower!

01:15:18Oh, Miguel!

01:15:25Repeat that. Repeat that if you're right-wing.

01:15:28I'm getting married, yes ma'am! I'm getting married!

01:15:30You're going to kill me!

01:15:32Don't make me jealous. Nobody's going to kill you.

01:15:34My son, my son! I am always looked upon as a son, within reason.

01:15:39You to me, you to me, don't make me die laughing.

01:15:42No more chasing me like a vulture day and night.

01:15:44I'm getting married and I'm not working for you anymore.

01:15:47Look, look at that, witch.

01:15:49I was very serious, but happy to be back.

01:15:51Tran, tran, tatán.

01:15:53Tran, tran, tatán.

01:15:54And there's the priest who asks me,

01:15:55Miguel, do you want Pili for your wife?

01:15:57And what do I say?

01:15:58What do I say?

01:15:59Yeah!

01:16:00Do you hear it?

01:16:01Yes, of course I want it!

01:16:02And not only that,

01:16:03but I embrace the priest, the altar boy, the witnesses, everyone.

01:16:06Because I was born to be married.

01:16:08But with a normal person.

01:16:10And in your family, both you and your daughter are vampires.

01:16:13Consumer vampires who have sucked my blood for years.

01:16:16So now you know.

01:16:18I, Miguel, the fool from Coria,

01:16:20that of the silent majority,

01:16:21He says yes.

01:16:22Therefore, madam,

01:16:23with all due respect,

01:16:24With all due respect,

01:16:26Go fuck yourself and die!

01:16:44Hey guys.

01:16:45Hello.

01:16:45How are you?

01:16:46For now, put passion aside.

01:16:48They have also banned it.

01:16:49A 500,000 peseta bill is due and there is no renewal.

01:16:51I'll speak to the notary before two o'clock, remember?

01:16:54Don't get complacent about marriage.

01:16:56Don Armando says that you seize assets and don't pay.

01:16:58I'll have to work harder.

01:16:59You can give more of yourself.

01:17:00You have health and physical strength.

01:17:01Don't mess with him, woman.

01:17:02He knows too much about what he has to do.

01:17:04As soon as the ceremony is over,

01:17:05A nice cold shower and off to work.

01:17:06Do three bad years pass quickly?

01:17:08Remember that the notary closes both.

01:17:09Don't waste your time with that nonsense about the lunch.

01:17:11But not even a small glass.

01:17:12Nothing, nothing.

01:17:13Ah, for German appliances you need an import permit.

01:17:16Poor thing, I feel so sorry for him.

01:17:18What a life awaits him.

01:17:19You look very beautiful, my love.

01:17:21No, I'm desperate.

01:17:22Don Hilario, the one from the Treasury, has been looking at the books.

01:17:24You have to call him on the phone.

01:17:25You can fix it.

01:17:26Tell him the accountant has gone crazy.

01:17:28You wouldn't want that right now...

01:17:29I'm not saying right now, but from the sacristy,

01:17:31When the signatures, I don't see why not.

01:17:33Come on, come on.

01:17:34But that tax inspector isn't going to believe a word of it.

01:18:01Wow, you have dark circles under your eyes.

01:18:02You need to take more vitamins.

01:18:04Maybe it's not a matter of vitamins.

01:18:06With a little rest.

01:18:07What rest?

01:18:08Your work is all messed up.

01:18:10When we get home, I'll write the day's orders on the whiteboard.

01:18:14You waste many hours.

01:18:18Don't you think all this is a waste of time?

01:18:21I already spoke with Don Narciso about it.

01:18:22There will be no talks, no sermon, nothing.

01:18:25Just enough to make it worthwhile.

01:18:26Yes, yes.

01:18:35Miguel Montalvo Argumosa.

01:18:37Do you want María del Pilar as your wife in Buenayagüe?

01:18:44Answer, son.

01:18:45"If I want to, that's what you have to say."

01:18:48Come on, Miguel.

01:18:49What are you waiting for?

01:18:51Father.

01:18:53If I answer that, it's for life, right?

01:18:55Sure, son, go ahead.

01:18:56Let's not waste any time.

01:18:58Come on, hurry up.

01:18:59Come on, hurry up.

01:19:01The car is going to be towed.

01:19:03Come on, son.

01:19:04What are you waiting for?

01:19:05What are you waiting for?

01:19:06Say yes, please, quickly.

01:19:08I have a christening in half an hour.

01:19:10At five o'clock the inauguration of a factory and at eight o'clock a sermon.

01:19:12You're striking a chord, Miguel.

01:19:14Hey?

01:19:15No, no, no, no.

01:19:15No, no, I'm not getting married.

01:19:17I'm not getting married.

01:19:18Wait for me, Onassis.

01:19:19This man has gone mad.

01:19:20He has resigned.

01:19:21He is believed to be a politician.

01:19:22I am a free man.

01:19:23I don't like this.

01:19:24Nothing will tie me down.

01:19:25This country is beyond repair.

01:19:27Let the donkeys work.

01:19:29For you, the rush, the letters, the banks, the tax office.

01:19:32I want to be at peace.

01:19:33Find someone else.

01:19:34I will not back down.

01:19:35Count me in.

01:19:36He has been saved.

01:19:37Very well preserved.

01:19:38What a joy.

01:19:39Come on, Onassis.

01:19:40Come on.

01:19:40Miguel.

01:19:41Go up.

01:19:42Let's not get caught.

01:19:44Come on.

01:19:45Miguel.

01:19:47Miguel.

01:19:48Comes back.

01:19:49What if it was all a joke?

01:19:50A joke?

01:19:52Ah!

01:19:54Ah!

01:19:57Ah!

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