- hace 6 semanas
Reparto: Lino Banfi, Nadia Cassini, Paolo Giusti, Karin Schubert, Elio Zamuto, Carlo Sposito, Renato Cortesi, Gino Pagnani, Carmen Russo, Alvaro Vitali, Nieves Navarro
Dirección: Mariano Laurenti
Sinopsis: Una provocante enfermera arriba a una clínica psiquiátrica para militares, y suscita inmediatamente la atención de todos los pacientes y del dueño de la clínica. Aunque en verdad la enfermera resulta ser otra cosa.
Dirección: Mariano Laurenti
Sinopsis: Una provocante enfermera arriba a una clínica psiquiátrica para militares, y suscita inmediatamente la atención de todos los pacientes y del dueño de la clínica. Aunque en verdad la enfermera resulta ser otra cosa.
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CortometrajesTranscripción
00:00:14General, there is a woman who wants to speak to you.
00:00:16Arab?
00:00:17I think so.
00:00:18It must be beautiful Solamina, our people.
00:00:22Let her in!
00:00:23Yes, sir!
00:00:26Forward!
00:00:36Yes, sir!
00:00:38Open!
00:00:39Open!
00:00:40Open!
00:00:40Open!
00:00:41Open!
00:00:42Open!
00:00:42Open!
00:00:45And you, go away!
00:00:47Yes, sir!
00:00:54Any news?
00:00:55Yes, General.
00:00:56The enemy is looking at the road that leads to Sinai.
00:00:59Oh, damn it!
00:01:00At what point?
00:01:01Amen!
00:01:02Impossible!
00:01:03Haman is now in our hands!
00:01:05No, no, General.
00:01:06I did not say Haman in the city, but Amen.
00:01:07The enemy retreats.
00:01:08He's watching.
00:01:09All.
00:01:10Boom, boom, boom, boom!
00:01:10All the way!
00:01:11Ha ha ha!
00:01:13I'll have them all bombed.
00:01:18Are there any other new developments?
00:01:20Yes, finally, General.
00:01:21That famous medicine we were waiting for from Jerusalem has arrived, which will do so much good for our bones and our...
00:01:25scars.
00:01:25Oh, but bad!
00:01:27They are hurting me a lot today.
00:01:28It must be about to rain.
00:01:30Oh, it's raining!
00:01:31What do I know?
00:01:32An injection?
00:01:33Are you blind?
00:01:34Should we put it on her bottom?
00:01:35But first, let me admire your rosy little face.
00:01:37Oh, the mother who bore me!
00:01:38I want to kiss you!
00:01:39Be still, General, the ayatollah.
00:01:40The homemaker doesn't want to, does she?
00:01:41I can, General!
00:01:42I can, General!
00:01:43I can, my religion!
00:01:44Don't throw it away!
00:01:46You have fixed ideas!
00:01:48No, General!
00:01:49No!
00:01:49Well, well, well, well!
00:01:51You won!
00:01:52Now I'll give him a kiss.
00:01:53Be good, be good!
00:01:55Go on!
00:01:55Oh, close your eye!
00:01:57I'm going to give the baby a little kiss!
00:01:59Yeah!
00:02:01Oh, oh, oh, oh!
00:02:03Hello!
00:02:06That?
00:02:06Already?
00:02:07Thank goodness, he sleeps like a baby.
00:02:11Professor, he kissed her.
00:02:12What, is he going to kiss me?
00:02:13You're always talking nonsense.
00:02:14He hasn't kissed me.
00:02:15Now it's your turn, Napoleon.
00:02:17No, no, professor.
00:02:17Napoleon, as for me, mistakes me for Josephine and throws himself on me.
00:02:20To you?
00:02:20Yeah.
00:02:21Well, tell him you're pregnant.
00:02:22What difference does it make to you?
00:02:23Very good.
00:02:23But you can see Rommel, can't you?
00:02:25Let's hope he didn't watch the Holocaust on television, otherwise I'm doomed.
00:02:28Okay, I'll go.
00:02:29Professor, he kissed her.
00:02:31Here's a mark.
00:02:32Where?
00:02:32Oh, I fell for it!
00:02:33Hey, I'm going to give you a check-up tomorrow morning, because you're crazier than a goat with a craving.
00:02:42One day I died of a heart attack, but how is it possible that...?
00:02:45What is your name?
00:02:47Garibaldi.
00:02:47Ah, nothing less.
00:02:48And you just sit there, feeling so smug.
00:02:49At your service.
00:02:50Good progress.
00:02:51Go, go.
00:02:53More than a hospital, this looks like an asylum for belligerent women.
00:02:56Taking the bottle.
00:03:17But Octavio, what is he doing?
00:03:21Silence.
00:03:22I'm preparing the trap.
00:03:23Then I will place the stakes.
00:03:25I cover them with branches, the jaguar doesn't see it, it arrives, falls inside and I capture it.
00:03:29But there are no jaguars here.
00:03:32Oh my God!
00:03:34Really?
00:03:37Stay still, okay?
00:03:37Without moving, okay?
00:03:39Now.
00:03:43Still.
00:03:47That's it.
00:03:48Yes, it went very well.
00:03:50Yes, yes, yes, yes, very good.
00:03:54I'm not well, I don't have a mustache.
00:03:57You're right.
00:03:59You're right.
00:04:02One.
00:04:03And two.
00:04:04This.
00:04:05Now I have it, now I really have it.
00:04:08What are you doing, Gabriel?
00:04:10Do you train?
00:04:10Forcibly.
00:04:11On Sunday I'm fighting for the world fish title.
00:04:14You can't box.
00:04:15You are too weak and frail.
00:04:16You don't realize it.
00:04:17You haven't grown up.
00:04:18You're a dwarf.
00:04:19I'm not a beast when it comes to hitting.
00:04:20A wild beast.
00:04:21Yes, well, go on, go on.
00:04:27Gabrielito, what happened to you?
00:04:28The referee has put me on the bench.
00:04:30There it is, there it is, there it is.
00:04:33He escaped, he escaped.
00:04:35Where is?
00:04:36Mosquito, stay still, stay still, don't move now.
00:04:39Wow, what a big-headed mosquito.
00:04:41He's escaped again.
00:04:43There it is.
00:04:44Stay still, stop.
00:04:46There it is, I see it now.
00:04:48Cucumber, are we already dealing with mosquitoes?
00:04:50It always escapes me, it's just that...
00:04:53I have the impression that that very elusive mosquito is male.
00:04:56Yes, yes, it's male, yes.
00:04:58Wait, wait, wait.
00:05:00I'm saying it.
00:05:01There it is, don't move, don't move.
00:05:03I crushed it.
00:05:05Thank you, sister.
00:05:22He's arrived, here's his car, wait for me here.
00:05:26Mikele!
00:05:30Mikele!
00:05:35Mikele!
00:05:58Mikele!
00:05:59Where is?
00:06:00Let me see it.
00:06:05The paintings have disappeared.
00:06:07They are in Professor Larusa's psychiatric clinic.
00:06:10Did he catch them?
00:06:10Who could it have been?
00:06:11That's all.
00:06:11He couldn't go on, he died.
00:06:13He failed to fulfill his obligation.
00:06:15If he's dead, too bad for him.
00:06:17Yes, of course, and for me too.
00:06:19I had given him an advance of 25 million.
00:06:32Officer on duty, new.
00:06:34Get out of here!
00:06:36Go fuck yourself at Garibaldi, you've ruptured my eardrums with that.
00:06:46Good morning, Baroness.
00:06:47Long live the teacher!
00:06:48Dear General!
00:06:49Long live the teacher!
00:06:50Thank you!
00:06:51Thank you!
00:06:51Thank you so much!
00:06:52Thank you!
00:06:55Come here!
00:06:57And why aren't you shouting "Long live the teacher!"?
00:06:59Because I'm not crazy, I'm the guardian.
00:07:02I am the guardian, I am not crazy.
00:07:04I understand, you want to make it seem like I'm the crazy one.
00:07:06I am the teacher.
00:07:07And I am the guardian.
00:07:07We tied, bye, bye.
00:07:12That's right, isn't it?
00:07:12I am the teacher and he is the guardian.
00:07:15I go out and he stays inside.
00:07:17Bye bye.
00:07:21My love, my life.
00:07:23Oh, you're so tough.
00:07:25Tell me something sweet.
00:07:28Sweet?
00:07:29Sugar?
00:07:30Candy?
00:07:31Nougat?
00:07:32And your mother's chocolate?
00:07:36Hey, make up your mind, in or out.
00:07:38This back-and-forth motion is getting on my nerves.
00:07:41But what do you mean by inside or outside?
00:07:43How could you do this to me?
00:07:45What kind of bullshit reasoning is this?
00:07:47Tell me that the swaying affects your nerves.
00:07:49I don't understand you.
00:07:51I didn't marry a frigid woman.
00:07:53I got married to a refrigerator with a super freezer on top.
00:07:56And look me in the face when I speak to you.
00:07:57Don't you remember that naive discovery man who said that participation was enough?
00:08:01Well, participate, because you don't participate at all.
00:08:02What is it you're trying to do?
00:08:04I am doing my duty.
00:08:06I admit it's true, I am a little cold, but...
00:08:08A little cold?
00:08:08What I feel most is a shiver, a trembling.
00:08:11I need to vent.
00:08:14I need to vent.
00:08:16I can't wrap my head around it.
00:08:17How can you tell a husband who is having a full-blown meltdown,
00:08:20What reaches the brain, inside or outside?
00:08:22Make up your mind!
00:08:23How can you say that to a husband?
00:08:25I ask myself a thousand times why I married you.
00:08:26For the money.
00:08:28Three hundred million dowry.
00:08:30Uh, uh, that's true.
00:08:31When you're feeling overwhelmed, you forget even the most insignificant things.
00:08:36Okay, I'm going to take a shower.
00:08:37I think it's a good idea.
00:08:38Hey.
00:08:39That?
00:08:39On purpose.
00:08:40Have you done it or not?
00:08:42Ah!
00:08:55Good morning, professor.
00:08:55Good morning, Santarelli.
00:08:56How are you doing?
00:08:58We had a nice little night.
00:09:00Well, who are you telling that to?
00:09:01I've also been a security guard.
00:09:03Yes, it shows.
00:09:04She has dark circles under her eyes.
00:09:05Who did he spend the night with?
00:09:07Oh, with stomach pains.
00:09:09Let's just leave it at that.
00:09:10You're always playing the martyr, professor.
00:09:12But what a martyr, Santarelli.
00:09:14And with the wife he has, so charming.
00:09:16How are things going around here?
00:09:18Okay, a model has come for Presutti.
00:09:20I let her in because she said she had authorization.
00:09:22Did I do wrong?
00:09:23No, he did very well.
00:09:24Furthermore, Presutti is not dangerous.
00:09:25He's good, he's from Parma.
00:09:26What is Parma like?
00:09:27Isn't he from Parma?
00:09:28Don't know.
00:09:28And what the hell does it matter?
00:09:29How is Ugolini?
00:09:30Ugolini, good.
00:09:31He refused to take the sedative because he says...
00:09:33I want to inspect the troops.
00:09:35What are you laughing at, Santarelli?
00:09:36If he says he wants to inspect the troops, then let him inspect them.
00:09:39Let's get one thing straight, Santarelli.
00:09:41Those who pay millions, who pay these people, can inspect whatever they want.
00:09:44Is that clear?
00:09:45Clear.
00:09:45Don't forget it.
00:09:46Goodbye, professor.
00:09:48Oh, watch out for scares.
00:09:50Go slowly.
00:09:51Risk of heart attack.
00:09:51And I hate landlords.
00:09:56Oh, Heller!
00:09:59Oh!
00:10:04Colonel LaRuse, why are you wearing white?
00:10:06It's the summer uniform, Mein General.
00:10:08Ney, no white in the desert!
00:10:10We're used to persimmon, so it's all persimmon.
00:10:12I wear khaki, they wear khaki.
00:10:14Why not khaki?
00:10:15I have an inflamed colon.
00:10:16Long story, Santarelli.
00:10:17Too bad for you.
00:10:18I had sent for my assistant...
00:10:22...because I want to inspect the Panzer Division.
00:10:24Not possible, General.
00:10:26Because the entire Panzer, the Sub-Panzer Division, everyone is going to celebrate.
00:10:29We won at El Alamein.
00:10:32Let's celebrate, it's finally here!
00:10:34Ney, Ney!
00:10:34Water is useless for valiant soldiers.
00:10:37I have something else here in my custody.
00:10:39Came!
00:10:40Came!
00:10:41Come!
00:10:42Come!
00:10:42De Groce!
00:10:43Come!
00:10:44Come!
00:10:47I'm coming.
00:10:51Bombers!
00:10:52Oh, son bombers!
00:10:55I can't find them!
00:10:58Look carefully with binoculars!
00:11:00There they are!
00:11:02They're bombers!
00:11:03Colonel!
00:11:03Colonel, the Russian!
00:11:04What's happening?
00:11:05To the shelter!
00:11:06They're bombers!
00:11:07No no!
00:11:07They've already landed!
00:11:08They've already landed!
00:11:08Careful!
00:11:08It's very dangerous!
00:11:09But why the hell would I even think of mentioning airplanes!
00:11:12It's not necessary, man!
00:11:14It's not necessary!
00:11:14There's no need!
00:11:15There's no need!
00:11:16Oh, oh, oh, oh!
00:11:18Heads down!
00:11:20They've already gone!
00:11:21They're gone!
00:11:22No, no, no!
00:11:22Attention!
00:11:23Now attack with the gas!
00:11:24With the gas!
00:11:24Attention!
00:11:25We need to put on the gas mask!
00:11:27Attention!
00:11:29Ugh, how disgusting!
00:11:32The weapon is finished!
00:11:35What's that?
00:11:35The flamethrower!
00:11:36Fuck it!
00:11:37Come on!
00:11:37Let's get out of here!
00:11:41Bark, Germany!
00:11:42Enemy planes kaput!
00:11:44These English people are brainless!
00:11:46Lucky them!
00:11:47Come on, come on!
00:11:47Now let's raise a glass to the glorious Africa Corp!
00:11:51It was about time!
00:11:51Forward!
00:11:52Please, I beg you!
00:11:53Please!
00:11:54After you!
00:11:55It makes my tummy hurt!
00:11:56Drink first!
00:11:57But what is he doing!
00:11:58There's no need to go to such extremes, General!
00:12:01But how immediately a gun must have given him an exception!
00:12:03Baby!
00:12:04I drink, I drink!
00:12:05Now I'm going to grab it!
00:12:10Oh, in Germany one person drinks and the other...
00:12:15Oh, wow!
00:12:15Heh, heh, heh, heh, heh, heh, heh, heh!
00:12:16Can I see the little pistol?
00:12:18It's a water pistol!
00:12:19A water gun!
00:12:20A gift from my heirs!
00:12:22Heh, heh, heh, heh, heh, heh!
00:12:25Heh, heh, heh, heh, heh, heh!
00:12:27Heh, heh, heh, heh, heh, heh!
00:12:37Water!
00:12:45Yeah!
00:12:45Italians activate them!
00:12:52Look what a beautiful girl the painter has found!
00:12:57Good morning, brother.
00:12:58Good morning, my little girl.
00:12:59The agency sends me by...
00:13:00I know, I know.
00:13:01Second floor, room number 22.
00:13:03Thank you, brother.
00:13:04Get up, daughter.
00:13:10Forward!
00:13:16Excuse me, are you the teacher?
00:13:20Oh!
00:13:21He's sending me to the employment agency because of...
00:13:23I assume you have experience in the field?
00:13:25Yes, quite a lot.
00:13:27I have been active for more than a year.
00:13:29Day and night.
00:13:31So you've had contact with the beds?
00:13:33Contact?
00:13:34I have attended to more than 30 beds per night.
00:13:37My goodness, how did you manage?
00:13:39Well, it was a bit tiring.
00:13:42But I do my job with genuine passion.
00:13:45Very good, as it should be.
00:13:46Come on, undress, undress, because I want to paint you.
00:13:48I have a paintbrush that I don't deserve.
00:13:50I'm going to do some fancy work for you.
00:13:52But what help?
00:13:54She's going to be in trouble, you're so long!
00:13:56Hey, cucumber!
00:13:57What's going on here?
00:13:58Nothing, she just doesn't want to get naked.
00:14:00And it's a good thing!
00:14:01Go inside!
00:14:01You're a pig!
00:14:03But I say, blessed creature.
00:14:05But you don't know that models have to get naked.
00:14:09And what do I care?
00:14:10I am not a model.
00:14:11I am the nurse who sends you to the placement agency.
00:14:14Oh, Lord!
00:14:15What a terrible mistake!
00:14:18Oh, what a beautiful little girl!
00:14:19How are you, my angel?
00:14:21Nice to meet you.
00:14:21And thank you for the compliment, ma'am.
00:14:23The professor has a visitor.
00:14:24Please sit down.
00:14:26Do you know that you are very nice?
00:14:29Miss, I don't have to sit down.
00:14:30I am the teacher.
00:14:32Delighted.
00:14:32Amadeo Larusa.
00:14:33Ah, it's a pleasure.
00:14:35I am Gracia Mancini, the nurse who sends you to the placement agency.
00:14:39So little already, a nurse?
00:14:40Don't mind me, I'm just a bit of a joker.
00:14:42And don't judge me by how I look.
00:14:44But please, sit down.
00:14:45Thank you.
00:14:46It's not my fault, dear miss.
00:14:48It's Napoleon's fault.
00:14:49Napoleon?
00:14:50Yeah.
00:14:50Do you understand medical psychopathology?
00:14:52Very little, really.
00:14:54Well, he'll have time to learn.
00:14:55Let me explain it to you, let me explain it in a few words.
00:14:58Do you know what every ordinary man does to escape everyday anxiety?
00:15:01He simply embodies some famous character.
00:15:04I think I've got it now.
00:15:05There is a patient who believes he is Napoleon.
00:15:08Yes, that's right, very good.
00:15:09The poor man is an art history professor at the university.
00:15:12A miserable wretch, you know?
00:15:13His name is Professor Moretti.
00:15:15He must have been mistreated and humiliated his whole life by his wife and children.
00:15:18And finally he has managed to identify with a dictator and thus orders everyone to do everything.
00:15:23Frankly extraordinary.
00:15:24It's extraordinary, but it's also a pain in the ass, my dear lady.
00:15:26Because look what I have to do.
00:15:28I have to dress up as Josephine Bonaparte so I can give her an injection.
00:15:31Because Napoleon only lets his wife Josephine touch his buttocks.
00:15:35Excuse me, sir, but it's certainly a very funny case.
00:15:39He's not the only one, miss.
00:15:40If you saw Moses Dayan and Rommel, would you know that I have three leaders in here?
00:15:44Really?
00:15:44Yes, just like I said.
00:15:45Well, if the guy who spends all day playing the trumpet says we're at war...
00:15:49In short, I've had to build a strictly military pavilion.
00:15:52I find it more and more interesting.
00:15:54And you are very nice.
00:15:55Thank you, you are also very... way too much.
00:15:59Hello?
00:16:00Yes, it's me.
00:16:01Yes, everything's OK.
00:16:02I've been accepted.
00:16:04I'll start right there.
00:16:06But I have to work the night shift.
00:16:09If it's okay with you, all the better.
00:16:11Of course I'll take advantage of it.
00:16:14Stay calm.
00:16:15Bye bye.
00:16:26Officer on duty!
00:16:32Scoop!
00:16:33Present and armed!
00:16:35But it's the broom.
00:16:36Up, up.
00:16:39Everyone to the palace.
00:16:53Do you want me to help you get down?
00:16:54No, thanks.
00:16:55I can manage on my own.
00:16:57Look!
00:16:57Present and armed!
00:17:05Betrayal!
00:17:06Vive la France!
00:17:09Good evening, doctor.
00:17:11Good evening, man.
00:17:11How are you?
00:17:12And what do I know?
00:17:13I'm not crazy.
00:17:14And I'm the guardian?
00:17:16Yes, I had forgotten.
00:17:17Bye bye.
00:17:22I figured as much.
00:17:24There's never anyone here.
00:17:25We have achieved the pavilion for the abandoned.
00:17:30Psychiatric care: perspectives and new directions.
00:17:34Good night.
00:17:36Hello good evening.
00:17:37I'm the new nurse.
00:17:39Are you Dr. Santarelli?
00:17:40Yeah.
00:17:41Are these your books?
00:17:43Since I work here, I try to study as much as I can.
00:17:45Very good.
00:17:46His colleagues usually don't go beyond photo novels.
00:17:49What does he do with that?
00:17:50Did you just come from seeing the trumpet player?
00:17:52Yes, I had to take the sun-producing medicine.
00:17:54And has he managed to give it to him?
00:17:56Yeah.
00:17:57Good.
00:17:58I've never managed it, you know?
00:18:00I tricked him into thinking they were salt tablets.
00:18:03Like the ones tennis players take.
00:18:06I understand.
00:18:06I am generally against feeding patients' obsessions with lies.
00:18:10But it worked...
00:18:11I believe it.
00:18:12I had to give him four pills.
00:18:14Four tablets?
00:18:15Has she gone mad?
00:18:16How could anyone think of administering medication to a patient without consulting a doctor?
00:18:20I'm sorry.
00:18:22It will not happen again.
00:18:23I hope so.
00:18:24I'll be in my room across the hall.
00:18:26If you need me, call me.
00:18:27Good night.
00:18:29Good night.
00:18:32What I meant was that it's always best to ask the doctor.
00:18:35But given that he's a pain, this time he's done well.
00:18:39Good night.
00:18:40Good night.
00:18:42Who is it?
00:18:43Cucumber.
00:18:46Happens.
00:18:47Thank you.
00:18:50But do you think this is the right time to go back?
00:18:52You've woken me up, and now I'm going to have to figure out how to get back to sleep.
00:18:55Okay, then you're going out with me tomorrow.
00:18:56I invite you to the movies.
00:18:57If I can't go out, I...
00:18:59Oh, no?
00:18:59No, I'm not crazy.
00:19:01I am the guardian.
00:19:02Don't move!
00:19:03What's going on?
00:19:03The mosquito is coming.
00:19:05Where?
00:19:07I didn't...
00:19:07I don't see anything.
00:19:10That?
00:19:11Have you caught him?
00:19:13I've finally smashed his brains in.
00:19:16The mother who gave birth to you.
00:19:18Dad!
00:19:21Hello, Fred.
00:19:23He kisses me.
00:19:25How are you?
00:19:27Awesome, Anju.
00:19:28I invented the title for our ballet.
00:19:32Something really fabulous and suggestive.
00:19:36I, Ginger Rogers, in Fred Astaire.
00:19:39D, Ford, you.
00:19:41Ah, by your dead.
00:19:44Oh, yes.
00:19:48Damn wretch, how many times do I have to say that she should always wear a straitjacket?
00:19:51Professor, you already know that the only therapy that will work for you is dancing with you.
00:19:54And that's why I have to dance all day.
00:19:55What is this?
00:19:56A heel.
00:19:56His?
00:19:57Yeah.
00:19:58One and a half million.
00:19:59Okay, we need to rehearse.
00:20:01Tomorrow we debut in Dolor Boy.
00:20:02Go away, go away!
00:20:03Very good.
00:20:03Hello, Fred.
00:20:04Yes, my dear.
00:20:26Go away!
00:20:53If dancing is necessary, then we'll dance, but...
00:20:59Gustavo, come and pick up Ginger Rogers.
00:21:02Yes, I've got it under control.
00:21:22Sorry.
00:21:30You did well to come.
00:21:34Haven't you caught the madness yet?
00:21:36It's great fun being between Rommel, Napoleon, and Moses Dayan.
00:21:40They are very nice.
00:21:41And the doctors?
00:21:43Are they also nice?
00:21:44Well, there's one that's not bad.
00:21:46Ah, what a surprise.
00:21:47You like doctors.
00:21:50Tell me, what about the paintings?
00:21:53I remind you that I am a singer, not an art expert.
00:21:57It's not easy.
00:21:58You don't need to be an expert to follow the trail of my mother's paintings.
00:22:02They are family portraits, old paintings.
00:22:04Mom loved them very much.
00:22:05And I, like an idiot, let them be stolen from me.
00:22:11Well, remember, Gracia, they represent a saint and a cardinal, they are two Caravaggios, and they are worth a lot.
00:22:16of money.
00:22:16But are you sure they're there?
00:22:19Very safe.
00:22:20Reliable news and information.
00:22:22It appears there is a drug dealer at the clinic.
00:22:24You should observe and tell me about it.
00:22:26The paintings can be anywhere: in the kitchen, inside a closet, hanging on the wall.
00:22:31Old paintings are recognizable, aren't they?
00:22:33I hope to achieve it.
00:22:34But why are we talking here and not in your office?
00:22:40It's full of smoke.
00:22:41It would damage your skin.
00:22:43Since when are you ashamed of your conquests?
00:22:47She has to get dressed.
00:22:49Tell me, how did you manage to replace me in the show?
00:22:53In a bad way, so hurry up, the public is demanding you.
00:22:56Don't worry about recovering those paintings.
00:22:58I'll be a perfect 007, don't worry.
00:23:02But if you try to get me involved, you're wrong.
00:23:05Woman, what are you saying?
00:23:07What idea?
00:23:08As soon as we have the paintings, I'll sell them, we'll go to America, and I'll put on a show just for you.
00:23:12You know how to do things.
00:23:15You know too.
00:23:18Bye bye.
00:23:25Octavio.
00:23:26That?
00:23:28What are you doing? He's crazy.
00:23:30And what about you? With the jaguar trap?
00:23:32What jaguars? There are no jaguars here.
00:23:34Ah, I see. So who's it for?
00:23:36Be quiet!
00:23:37For the leopards.
00:23:38Damn it, I hadn't noticed. I'm an idiot.
00:23:40Yeah.
00:23:41What do you mean, yes?
00:23:42No, I hadn't thought of that, okay?
00:23:43Dig, dig.
00:23:46Professor, how many scumbags are there?
00:23:48Yes. Moretti's relatives have called and said they have no intention of continuing to pay.
00:23:52Napoleon's relatives?
00:23:53Yes, those.
00:23:54And why?
00:23:55Because they say he's cured and they want to take him out.
00:23:57But cured of what? That means the whole family is crazy. Do you think Napoleon is cured?
00:24:01Not for me. It has some moments that...
00:24:03No time or anything. How much do they owe?
00:24:05Eight and a half million.
00:24:07Ah, then it is necessary to heal him in three or four days and for him to pay us.
00:24:11We will use soft pharmacological psychotherapy.
00:24:13That is, making him understand in small doses that life is beautiful, that the human thing, etc.
00:24:17It may be that what medicine cannot achieve, suggestion can.
00:24:22By the way, has the new nurse arrived yet?
00:24:24No, he'll arrive at eight. Why?
00:24:28I was thinking...
00:24:29Leave it on my account.
00:24:36Professor, he's already acting like a hooligan.
00:24:38It always lands on your face.
00:24:44Ah, she's the nurse who will be staying with us.
00:24:48She is more beautiful than Maria Luisa of Austria.
00:24:50I almost divorced Josefina and married her.
00:24:54Napoleon, Marie Louise died two hundred years ago.
00:24:56Please don't make me start from the beginning every time.
00:24:59He must be out of his mind.
00:25:00Listen, now I'll show you that giving an injection is child's play.
00:25:05Simply take a deep breath and relax.
00:25:08Miss, take off your panties.
00:25:11What? Right here in front of them?
00:25:13Of course, miss. Otherwise, the experiment would be a complete waste of time.
00:25:17We agreed. Their lives are in their hands. Or rather, in their little butts.
00:25:21Professor, do you really think this is necessary?
00:25:23Absolutely. Take off your panties.
00:25:26Frankly, I...
00:25:26Miss, come on, I beg you. I understand your hesitation, but it's so easy.
00:25:29It's just that I don't...
00:25:30What do you mean, not you? It's just a little bit of a dip, please.
00:25:35Very good.
00:25:36Go ahead.
00:25:37Women are so complicated, they carry so many things.
00:25:39So, stockings, garters, bloomers, and...
00:25:51Now I'll show you how easy it is to give an injection.
00:25:55It's as innocent as a children's game.
00:25:57The patient simply needs to relax before...
00:26:02From rubbing your buttocks, miss.
00:26:03Do we do it standing up or on the bed?
00:26:05Standing.
00:26:06Standing up. It's better than lying on your back.
00:26:19Yes, we're almost finished.
00:26:22Did it hurt, miss?
00:26:24No, I haven't felt anything.
00:26:25I, however, have felt it all.
00:26:29Listen.
00:26:31Now let's see who wants to be the first to give the injection.
00:26:34Me, me, me, me, me.
00:26:35I want to be the first.
00:26:37I, I, I, I, I, I am the emperor.
00:26:40The emperor's priority.
00:26:43Miss, would you be so kind as to lift your skirt?
00:26:45You haven't understood anything, you bigwig.
00:26:47You're the dumbest of the three.
00:26:49It's not you who should give her the injection.
00:26:51I'm the one who's going to put it on you.
00:26:52I've had enough.
00:26:54Yes, I already told him. He's mentally unstable.
00:26:56In other words, up until now we've been talking into the void.
00:26:58Didn't you understand? It's a load of bull!
00:27:01Stay calm, take it easy.
00:27:02Relax. A long sigh of relief.
00:27:04Did you see what the young lady did?
00:27:05The young lady turned around calmly.
00:27:07She lifted her skirt without seeking any complications.
00:27:12Gustavo! Gustavo!
00:27:14Go ahead, Professor!
00:27:15The injection!
00:27:16Yes sir.
00:27:22Carrastrasco.
00:27:24It's truly incredible.
00:27:26And you consented to this?
00:27:28What could I say?
00:27:30It was at the professor's request.
00:27:31But he put on a show in front of those three.
00:27:34I don't see anything wrong with that.
00:27:36Was it an experiment?
00:27:38Ah, and she says it like that, so calmly, laughing her head off.
00:27:41I'd like to know why she's so happy.
00:27:44I... I'm pleased to see that you care so much about me.
00:27:48That's very kind of you.
00:27:50Don't talk nonsense.
00:27:51I care about my patients.
00:27:54Doesn't he know that such an experiment could revolutionize their already diseased minds?
00:27:57You are irresponsible, that's what you are.
00:27:59You have no right to speak to me like that.
00:28:02What does it say?
00:28:03I have a duty to do it.
00:28:04Good night.
00:28:06Idiot.
00:28:08Idiot.
00:28:11Idiot.
00:28:12Idiot.
00:28:16Idiot.
00:28:25Idiot.
00:28:27Idiot.
00:28:27Idiot.
00:28:29Idiot.
00:28:29Idiot.
00:28:32Idiot.
00:28:33Idiot.
00:28:33Idiot.
00:28:34Idiot.
00:28:36Idiot.
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00:34:50Leopards, leopards! There are no leopards here!
00:34:52You're out of your mind!
00:34:53I'm the crazy one.
00:34:54Yeah.
00:34:54What are you digging?
00:34:55I think I've discovered an ancient Etruscan-Latin-Greco-Byzantine necropolis
00:34:58dating from 2138 BC
00:35:01Or is it from 2038?
00:35:02And what do I know?
00:35:04What do you mean you don't know?
00:35:04Don't yell at me or I'll punch you and knock all your teeth out.
00:35:08He's crazy.
00:35:09He's crazy.
00:35:10Oh my god!
00:35:11He's crazy.
00:35:12He's crazy.
00:35:12Miss!
00:35:14I'm crazy and I'll put it on, I'm crazy and I'll put it on, I'm crazy and I'll put it on.
00:35:18Gratia, I wanted to ask you a question.
00:35:20Tell me, professor.
00:35:21But I don't know where to begin; it's a purely scientific question.
00:35:25You can choose to answer or not.
00:35:26Tell me, how does it work with sex?
00:35:29As?
00:35:30Yes, I'll explain.
00:35:31When he makes love, what does he do?
00:35:33Do you crochet?
00:35:36Crochet?
00:35:36No.
00:35:37Wool, it doesn't work with wool, does it?
00:35:39No.
00:35:40Do you read photo novels?
00:35:42Well no.
00:35:43In short, when you make love, it's completely normal.
00:35:46Is she not frigid either?
00:35:47Well, I think I'm perfectly normal.
00:35:50Are you sure or not?
00:35:51Tell me the truth, okay?
00:35:52Because I asked him a scientific question.
00:35:53Is she frigid?
00:35:54No, definitely not.
00:35:56Thank you, miss.
00:35:57You have no idea what a weight you've lifted from my heart.
00:35:59Can we get dows?
00:36:01Thank you, thank you.
00:36:02What are your plans for tonight?
00:36:03None.
00:36:04Go to bed, of course.
00:36:05That exactly matches mine because I...
00:36:08There will be no shortage of opportunities.
00:36:09Miss!
00:36:09Miss, come with me, come!
00:36:10No, no, no, no, no, no, no, no, no, no, no.
00:36:13No, no, no, no, no, no, no, no, no, no.
00:36:14Take it, take it, take it, take it.
00:36:16Remember that we need to end this conversation.
00:36:19Anti-mitarist.
00:36:21Unfortunate.
00:36:22Does the gun shoot you?
00:36:23No, no, no.
00:36:23Aren't you going to bury something?
00:36:26We're back to normal, sir Garibaldi.
00:36:28You're a pain in the ass, always picking on the little wild animal hunter.
00:36:31Come here
00:36:32They're acting like children, who started it?
00:36:33It was his fault, he slapped me in the face
00:36:36And I have punished him militarily
00:36:38I had to slap him because he peed in my hole
00:36:40I?
00:36:41That's not important at all.
00:36:42If the hole has become covered, clean it up and that's that.
00:36:44I'm going to clean
00:36:45In the trenches you don't clean, you fight.
00:36:49I'm going to kill
00:36:53Enough!
00:36:54Damn!
00:36:55Get in line!
00:36:58Battalion!
00:36:58Stand at attention!
00:36:59Left!
00:37:01Look to the right!
00:37:03Available in glasses!
00:37:06Goes!
00:37:07Screw them both!
00:37:08These kids have no idea!
00:37:09Fixed, damn it!
00:37:15Damn them!
00:37:17They're not here either.
00:37:24Damn them!
00:37:25Here, not a ton
00:37:26Damn them!
00:37:33Damn them!
00:37:36Damn them!
00:37:38Little battles!
00:37:55And it seemed so harmless.
00:37:59Where on earth are those paintings?
00:38:02Were you expecting me, miss?
00:38:04Yes, professor. I wanted to talk to you.
00:38:10What is she going to do, get naked?
00:38:12Well, to create a more confidential atmosphere.
00:38:17Between you and me?
00:38:21Professor, remember that earlier in the garden he asked me some questions.
00:38:24Yes, but I already told you. Only on a scientific level, to find out if you were frigid or not, but no.
00:38:30I absolutely don't believe it.
00:38:32Naturally, but his tone was determined.
00:38:34At times he seemed worried, or how should I put it? Angry.
00:38:41That upsets me. I was annoyed, but not with you.
00:38:44But not even the phone...
00:38:45No, no, no, no. Stay.
00:38:47I see in you the typical approach of someone with an inferiority complex.
00:38:50Have you experienced frustrations with women?
00:38:52Excuse me, miss. I haven't suffered, nor am I suffering, anything at all. You're twisting things around. It was me who
00:38:58I was asking you, weren't I?
00:39:00Exactly. But he should have asked himself that question.
00:39:04What is he doing? Is he leaving?
00:39:05Anyway, we still have time.
00:39:08In time for what? I still don't understand. You arrive here and undress because that's how you arrived.
00:39:13soon the...
00:39:14Oh, mother. My dearest mother.
00:39:16Do you like it?
00:39:18The mother who gave birth to me. Sorry, it's an Anglo-European expression.
00:39:22Look at me closely, professor. What do I feel like?
00:39:25What do I feel like? Everything?
00:39:28All?
00:39:30Exactly. Even Jung says so. The complex is based on frustrations as much as on appetites. I've read it.
00:39:37yesterday.
00:39:37I've been reading the classics. Do you know what they say?
00:39:40When a man finds himself in this situation, he eats the creature.
00:39:45Who is it?
00:39:46Professor, have you seen Gracia?
00:39:48I saw her, but I didn't really see her.
00:39:49Have you seen it or not?
00:39:50I was watching you, but when you arrived you disappeared. Why did you come to bother me? Go on, go to the garden. I have
00:39:55than to work.
00:39:58But what does she do now? Does she get dressed? Now that the nun has left?
00:40:01It's probably best to leave it at that. It's been a very interesting start.
00:40:05But very little, I haven't even touched it. We've left it unfinished, like Verdi. I could die of exhaustion.
00:40:11I beg you, please, leave first.
00:40:13I'm sweating. Can you give me a step?
00:40:15Leave.
00:40:17I'll stay a little while.
00:40:19But we will continue the session.
00:40:20Yes, of course, of course.
00:40:22Goodbye, whatever.
00:40:24I'm sorry, when I'm sorry, please forgive me.
00:40:49This water is a perfect imitation.
00:40:54Caress me, kiss me, touch my hair.
00:40:58Yes, yes, yes.
00:40:58Oh, sorry, I made a mistake.
00:40:59He gets out of the car, engages the lock, and closes the door. End of chapter one.
00:41:05Oh.
00:41:06You were reading a photo novel.
00:41:08Hey?
00:41:08Me caressing you and you reading a photo novel.
00:41:10I'll kill you.
00:41:11I'll strangle you.
00:41:13So to you I'm an idiot.
00:41:15He gets out of the car and sets the lock.
00:41:17Me, me, me, me.
00:41:19I put the anti-theft device in my brain.
00:41:21I must stop the tension at 300.
00:41:43No, no, no, no, no, no.
00:41:51No, no, no, no, no.
00:42:11Anyway, I still haven't found them
00:42:13Woman, she just arrived
00:42:16It's not easy either.
00:42:18Please bring me a whiskey without water.
00:42:21Yes sir
00:42:21And without ice
00:42:22Yes sir
00:42:40And without ice
00:43:22Have you found out who killed Miquel yet?
00:43:25Apparently it was a former business partner of his; he has already been arrested.
00:43:29Fortunately, I don't even know him.
00:43:32That idiot
00:43:34He had time to write something down before he died
00:43:36The paintings were no longer in Villa Paradiso
00:43:39But he was unable to write who has them.
00:43:42Yes, that's true, that's true
00:43:43And haven't you wondered who took them?
00:43:46Could it be related to Villa Paradiso?
00:43:51Eva, you are amazing
00:43:53That's something we need to keep in mind.
00:44:02It's best if you leave now.
00:44:04If she's the one playing the game, we'll end up getting slapped.
00:44:08OK
00:44:10But remember, I'm jealous.
00:44:12No tricks
00:44:13Don't you trust me?
00:44:15When I have the paintings, we're getting out of here.
00:44:18In memory of my mother
00:44:20Keep that in mind.
00:44:21Mom's tears don't work on me.
00:44:24See you later
00:44:37Thank you!
00:44:39Thank you!
00:44:40Thank you!
00:45:10Thank you!
00:45:22Very good
00:45:22Very good, you've been great
00:45:25Thanks, Johnny
00:45:26That blonde is pretty, isn't she?
00:45:27You have good taste.
00:45:28She is an expert
00:45:29Only she can tell if the paintings are authentic
00:45:31Let's hope he finds them.
00:45:32Hey
00:45:34You should try to find out
00:45:35If anyone from the clinic has had anything to do with Villa Paradiso
00:45:37An old villa, it belonged to a count
00:45:39What does that have to do with anything?
00:45:41Mom's paintings
00:45:43They were there when they disappeared
00:45:44Oh, really?
00:45:46Villa Paradiso
00:45:48Nice name
00:45:50Hello
00:45:50Here, it's the mail
00:45:52Yes, I know.
00:45:53There's also a Chinese package for the teacher
00:45:55There is nothing for you
00:45:56And who's going to write to me?
00:45:57I'm not crazy
00:45:58I am the guardian
00:45:58Bye
00:46:02Bye
00:46:03Did you understand?
00:46:04Yes, sister
00:46:04Sister, refuge
00:46:05Hi teacher
00:46:07Well, mine, mine
00:46:07Excuse me, I wanted to ask you a favor
00:46:08You have been a missionary
00:46:1015 years, 15 years, son
00:46:12Were you in China?
00:46:13Yes, a little bit everywhere
00:46:14Who in Chinese?
00:46:16Well, he has spoken very little.
00:46:17But I've written better.
00:46:18So read, read
00:46:19It's a new medicine that has just arrived
00:46:21Let's see how it works
00:46:24Keep cool and use half an hour before
00:46:26Use it half an hour before?
00:46:29You're a pig!
00:46:31Oh, really?
00:46:31Read on, read on, read on
00:46:33Don't worry, keep going
00:46:33Tell me everything
00:46:34And also
00:46:36An indecent, stinking, shameless, villainous blond man
00:46:41Marrano!
00:46:41But with...
00:46:42Oh!
00:46:43And don't you dare resist, or I'll break your sacrum with another kick.
00:46:45How little shame remains in the world
00:46:46Even though they're nuns, they're all the same.
00:46:48Give them a finger and they take your whole hand
00:46:49Go with the sick people!
00:46:52Teacher!
00:46:54What the hell is this doing here?!
00:46:56You have to watch where you put your feet
00:46:57I'm doing a little cleaning, professor
00:47:01And why are you cleaning?
00:47:02Because?
00:47:03Because Cardinal Vidola is arriving
00:47:04He has called and can come anytime to visit us
00:47:06And this isn't going to be...
00:47:07Why is the cardinal coming?
00:47:08They have approved the request you made
00:47:10Applying for a grant for the swimming pool
00:47:12Ah, for the pool!
00:47:13So, how much have they granted us?
00:47:15420 million
00:47:16And how much does the pool cost?
00:47:1724 million
00:47:18What a bummer!
00:47:19We only earned 400
00:47:20Never mind, keep cleaning and let me know when the cardinal arrives.
00:47:22Yes, sir, you're very nice.
00:47:23Why do they keep putting the bucket in front of me?
00:47:261, 2, 3, 4
00:47:271, 2, 3, 4
00:47:291
00:47:31Fred!
00:47:32Baroness, I don't have time today.
00:47:33I need to make a phone call, I'm in a hurry
00:47:34But Fred!
00:47:34Ginger, another time, please.
00:47:36Oh no!
00:47:36We need to do the dress rehearsal
00:47:38Tomorrow we premiere the Broadway
00:47:39We'll premiere next week
00:47:40Have you?
00:47:41What is it?
00:47:41The money for the show
00:47:43Six million?
00:47:44Is that too little?
00:47:45No, no, it's fine.
00:47:46Let's do the dress rehearsal.
00:47:47Bravo!
00:47:48Goes
00:47:51What? Ready?
00:47:53Oh, yes
00:47:55Oh, yes
00:48:19Oh, yes
00:48:45Gustavo, come and get Ginger Rogers
00:48:47We have finished the rehearsal
00:48:48And put me on with my wife
00:48:49I'll let you know, wait.
00:48:50Yes, yes, I hope so.
00:48:52Yes, if Sister Fulgencia is angry
00:48:54That means the stimulant is strong.
00:48:56Oh, Mom!
00:48:57Hey, love, it's you!
00:48:58Finally, finally it has arrived
00:49:00What's wrong?
00:49:01Are you very excited?
00:49:03I made my Broadway debut with Ginger Rogers
00:49:06I'll explain it to you later, okay?
00:49:07It's finally here
00:49:09That Chinese medicine you were waiting for
00:49:10That one for weight loss
00:49:11How wonderful
00:49:12I'm so happy
00:49:13Do you think it will be effective?
00:49:15Wow, very effective
00:49:16It is written very clearly.
00:49:18You should take two pills half an hour apart.
00:49:19Before I arrive
00:49:20What does this have to do with you?
00:49:22What do you mean I have to see it?
00:49:24Because half an hour
00:49:25Before I arrive
00:49:26That means it's half an hour
00:49:27Before the meal and...
00:49:28Very well, I'll take them.
00:49:29Goodbye, darling
00:49:31Bye
00:49:43Good evening, professor
00:49:46Good night
00:49:49What the hell are you doing here?
00:49:51What the hell are you doing here?
00:49:52I called the elevator
00:49:53Because I'm going to her house on the fifth floor
00:49:55I have the basket here.
00:49:55So what?
00:49:56Go up on foot, you're poor.
00:49:57But professor
00:49:58Five floors are five floors
00:49:59Will it help with weight loss?
00:50:00You're right, professor.
00:50:01With your permission
00:50:02With my permission, shit.
00:50:11What's happening?
00:50:12What happened?
00:50:20Goalie!
00:50:21Hey!
00:50:23Night porter!
00:50:24What's wrong with the elevator?
00:50:25I'm stuck!
00:50:26The mother who gave birth
00:50:28Who is it?
00:50:29From the cellar!
00:50:34Excuse me, ma'am
00:50:35It's a mess.
00:50:36Since the power has gone out
00:50:37I didn't know what floor I was on.
00:50:39Love
00:50:40I'll wait for you
00:50:41Me?
00:50:44Miquel, you damned, wretched, son of a bitch
00:50:46I am the Russian professor
00:50:47I'm in the elevator
00:50:49Veronica
00:50:50Veronica, I have taken two pills of excitantil
00:50:51He must be trembling
00:50:52And I'm trapped here.
00:50:56Veronica
00:51:01Veronica
00:51:02Answer me, can you feel me?
00:51:03I feel you, I feel you
00:51:05I feel you, I feel you
00:51:05You are wonderful
00:51:06Who am I?
00:51:08Chick
00:51:08I am your husband
00:51:09I'm stuck in the elevator
00:51:10Can you feel me?
00:51:11Go on
00:51:12Go on
00:51:13Yeah
00:51:14But let me have it for a moment.
00:51:16I'm peeing myself
00:51:17Nineteen minutes
00:51:19I die
00:51:20I die
00:51:21Veronica
00:51:26Madam, the lights have come back on.
00:51:27The teacher will come up now.
00:51:33He's a real man
00:51:43A man cannot be trapped in an elevator for 28 minutes.
00:51:46Pussy
00:51:47Oh, you're still here?
00:51:49My wife has treated you well.
00:51:51How much did he give you?
00:51:52Three
00:51:53Very good
00:51:54Well, what are you waiting for now?
00:51:56With your permission, professor
00:51:57Whatever you say, then.
00:51:58Go fuck yourself
00:51:59I can't do a damn thing
00:52:00My legs are like rags
00:52:02It's good
00:52:03Ah, you're here, love.
00:52:05What happened in the elevator
00:52:06I've been locked up for 28 minutes
00:52:07Look at me
00:52:08Sweating
00:52:08It made me furious
00:52:09Like an Irish dog
00:52:10Let's see what we'll do now.
00:52:12Please don't tell me anything
00:52:14I'm so tired
00:52:15I'm going to bed
00:52:16As?
00:52:17How is that possible?
00:52:17What's going on here?
00:52:18Why are you so tired?
00:52:19Ah, you son of a bitch
00:52:22Castado
00:52:23And thank goodness.
00:52:24That my wife has given you
00:52:24Only 300 lire worth of stain
00:52:32Oh, hello, Guedeone
00:52:34What are you doing?
00:52:35Don't you see it?
00:52:35I'm on duty
00:52:36So that?
00:52:37For everything
00:52:38If you need anything
00:52:39Call me
00:52:40I am at your disposal
00:52:41Sure, sure
00:52:42Excuse me for a moment
00:52:43He called me
00:52:44Hugo Lini
00:52:45Forward
00:52:51Let me
00:52:52Let me
00:52:52Let me
00:52:52Let me
00:52:53I'm suffocating
00:52:55But what are you doing?
00:52:57Do you want to kill me?
00:52:58I thought we were friends
00:53:00Yeah?
00:53:01No
00:53:01Throughout the war
00:53:02I have seen many nurses
00:53:04But all fat
00:53:05They stink
00:53:05Grosseren
00:53:06You are not a nurse
00:53:08No?
00:53:09No
00:53:09You are a great enemy person
00:53:12But how did you figure it out?
00:53:15I am cunning
00:53:16I, desert fox
00:53:17I'll have you shot.
00:53:18No no
00:53:19Please
00:53:20You're so good
00:53:21No, no, no
00:53:22I'm not good.
00:53:23Your good
00:53:23So I want to propose a deal to you
00:53:26Do you know what we do?
00:53:27I save lives
00:53:28And you give me an hour of love
00:53:29Oh, no
00:53:30No
00:53:30That's impossible
00:53:32Nothing is impossible for Marshal Rommel
00:53:35Oh, how beautiful!
00:53:36I bet it's water.
00:53:38How did you manage to guess?
00:53:40Will you give it to me?
00:53:42Sure, they'll bring me another one right away.
00:53:43Will you give it to me?
00:53:45But now we must think about more important things.
00:53:48Put this gun down, I love you
00:53:49Don't resist
00:53:50I can't take it anymore
00:53:51You won't be able to escape a marshal's cane
00:53:53Let me
00:53:56Mine
00:53:56Mine
00:53:57Come, general
00:53:58That?
00:53:59Oh!
00:54:03Traitor, I will have you shot.
00:54:04And I will have you arrested
00:54:07But you don't know who I am.
00:54:09I am Field Marshal Rommel
00:54:13Oh, mother
00:54:18240
00:54:20I'm going to explode from overheating if I'm not careful.
00:54:23Well
00:54:24The autonomic nervous system shattered
00:54:27One moment
00:54:29Forward
00:54:31Were you looking for me, professor?
00:54:32Yes, thank you, thank you
00:54:33Please come in
00:54:34Thank you
00:54:35Thank you
00:54:43Well
00:54:45I imagine he'll want to talk to me
00:54:47Regarding what has happened with Rommel
00:54:50Believe me
00:54:50It wasn't my fault
00:54:52It happened without me realizing it
00:54:53Suddenly
00:54:54What do I care, Hugo Lini
00:54:55Let's think about ourselves
00:54:56Those are sick people.
00:54:57We are more important
00:54:58Besides
00:54:59On the other hand, you are beautiful
00:55:00And when one is beautiful
00:55:01These unexpected things happen to him.
00:55:03Can we speak to each other informally, Gracia?
00:55:05Clear
00:55:05Thank you.
00:55:07You are very understanding.
00:55:08It's good as...
00:55:10Like bread?
00:55:11Like a father
00:55:12Ah, thank you, Gracia
00:55:13I wanted to continue that...
00:55:16A conversation we left unfinished
00:55:18In other words, unfinished
00:55:20That car is like...
00:55:23Saint Lawrence of Piarism
00:55:25My wife is in the yard
00:55:26As?
00:55:26Nothing, nothing
00:55:27He is a relative of a sick person
00:55:28I'll explain it to you later.
00:55:29I've had a great idea!
00:55:31The sun is amazing!
00:55:32Would you like to take a bath?
00:55:33Yes I'd like to
00:55:33So let's do one thing
00:55:35In half an hour
00:55:36On Barleta beach
00:55:37Whoever arrives first waits
00:55:39Nice to meet you
00:55:39But the others won't say anything
00:55:41And what are they going to say?
00:55:42So, who's in charge here?
00:55:43I thought it was Orfulgencia
00:55:45Indeed
00:55:45If you see us, Orfulgencia
00:55:46You're giving us a hundred days of penance
00:55:48Bye
00:55:49Goodbye, beautiful
00:55:49To the sea
00:55:50Hey, the sea
00:55:51The sea
00:55:59Excuse me, little sister
00:56:00Say
00:56:01The teacher?
00:56:01Nearer or farther
00:56:02His whereabouts are unknown
00:56:04I don't understand
00:56:05I am a cloistered nun
00:56:06Bye
00:56:09Sister Turner
00:56:10The door has changed
00:56:16Forward
00:56:19Oh, excuse me
00:56:20Are you working?
00:56:21Excuse me
00:56:22Oh, please
00:56:23Please come in
00:56:24I wouldn't want to bother you.
00:56:25I'm looking for the professor
00:56:27I am his wife
00:56:28Your honor, ma'am
00:56:30Tapes Cucumber
00:56:31At his feet
00:56:32Oh, but you're an artist.
00:56:35How beautiful
00:56:36Are they all yours?
00:56:37Yeah
00:56:38Modestly
00:56:39What is he painting so beautifully?
00:56:42She is a woman
00:56:43Women are my favorite topic
00:56:45But go
00:56:46I haven't given it to him yet.
00:56:47A definitive face
00:56:50Idea
00:56:50If only I could paint his own
00:56:53Mine?
00:56:54What a thought
00:56:54If it had been when I was younger
00:56:56Still
00:56:57What are you saying, ma'am?
00:56:58You are beautiful.
00:56:59Yeah
00:56:59To be honest
00:57:00If I had a few grams less
00:57:03That's true, yes.
00:57:04If I were thinner
00:57:06I wouldn't even need colors
00:57:07I beg you, ma'am
00:57:09Tell me yes
00:57:11Let me see
00:57:13Did he say a few grams less?
00:57:15Yeah
00:57:15I'm going to prepare the fabric
00:57:26Please, ma'am
00:57:28Sit down
00:57:28That is
00:57:30So
00:57:30Do not move
00:57:33Lady
00:57:34Lady
00:57:37I don't know how to tell him.
00:57:39It's a little
00:57:41Too dressed
00:57:42Better this way
00:57:45Perfect!
00:57:48Perfect!
00:57:49Perfect!
00:58:10Cuckoo!
00:58:12Hi teacher
00:58:13Where can I change?
00:58:15There
00:58:16Ah, thank you.
00:58:17Thank you
00:58:39Surprise!
00:58:40Surprise!
00:58:40Surprise!
00:58:41But who gave you permission?
00:58:42I need to dig here
00:58:43Who the hell brought you here?
00:58:44We just can't
00:58:45Give me the shovel, I'm going to make a little ball of trench
00:58:49But, thank you
00:58:49Why has she brought these two poultices with her?
00:58:52I thought a little sunshine would do them good too.
00:58:55They promised me they would behave.
00:58:57Will they behave like what they are?
00:58:58Are they crazy?
00:58:59It's mine!
00:58:59Nobody touch it!
00:59:00But what will become of it!
00:59:01It's mine!
00:59:02It's mine!
00:59:03What a bastard!
00:59:04Leave it to me, okay!
00:59:05You want to be still!
00:59:06Do you want to finish?
00:59:07Look!
00:59:07Look!
00:59:07Enough, enough!
00:59:08These fears!
00:59:09Stay still!
00:59:10Stay still!
00:59:10Stay still!
00:59:10The young lady has brought the sea
00:59:12But pay attention to what I'm telling you
00:59:13Order!
00:59:13Discipline and dignity!
00:59:16Jokes galore!
00:59:17You'll see!
00:59:18You'll see!
00:59:19Both of them!
00:59:20Both!
00:59:21You're crazy!
00:59:22You fucking lunatics!
00:59:23You're all crazy!
00:59:24Am I crazy?
00:59:26What are you doing?
00:59:27He was waving!
00:59:34Miss, you are a psychotropic drug
00:59:36He managed to calm them down.
00:59:38What the hell are you guys looking at?
00:59:39Have you never seen a soldier?
00:59:41Miss, excuse me
01:00:00If only I had known it would end like this
01:00:02I would have stayed at the clinic
01:00:04It is preferable to work
01:00:05Why, professor?
01:00:06A little fresh air will do him good.
01:00:09Row!
01:00:10Row!
01:00:11One, two!
01:00:12One, two!
01:00:12But, Gedeone
01:00:13It's because you always have to act clumsy.
01:00:14Why didn't you stay and play with the other one?
01:00:16I thought it was better
01:00:17So they wouldn't fight
01:00:19Come on, you row, Gideon
01:00:20I am a landing force
01:00:22I don't row
01:00:23I am...
01:00:23What an idiot!
01:00:24Okay, I understand everything.
01:00:26I'm jumping in.
01:00:26Miss, we'll see you later in the booth
01:00:28Hey?
01:00:29Bye bye!
01:00:30Bye bye!
01:00:32So what do we two do now?
01:00:34Aren't you a landing force?
01:00:35Then prove it
01:00:36Row!
01:00:38No no
01:00:38You know what I'm saying?
01:00:40I've thought about it again.
01:00:41I will not row
01:00:42I will not disembark
01:00:43Do you know what we'll do?
01:00:44No
01:00:44A beautiful child
01:00:46A child?
01:00:47Think
01:00:47If I do thirty
01:00:48Finally I'll be able to send a nice platoon
01:00:53And you know what I say?
01:00:55No?
01:00:55Bye bye!
01:00:58Bye bye!
01:01:00Bye bye!
01:01:00Bye bye!
01:01:01Bye bye!
01:01:05Bye bye!
01:01:15Cheer up!
01:01:16We've only got seven
01:01:18Are you going to let yourself down for one?
01:01:20Only seven?
01:01:21Okay then!
01:01:22A beautiful day, isn't it, ma'am?
01:01:25Yes, very good
01:01:28Professor, what are you doing?
01:01:29The idiot
01:01:30But what does it say?
01:01:31This is not a trap for idiots
01:01:32It's a trap for turtles
01:01:33Why have you come to the beach?
01:01:35Because?
01:01:35Where are the turtles?
01:01:37Okay, where are the turtles?
01:01:38The beach is crowded
01:01:39There's a nest over there
01:01:40Come on, professor
01:01:41Come, come with me
01:01:42You see, they're punishing him for his actions
01:01:43Ma'am, don't deceive the child
01:01:45Wait, it's falling
01:01:46Stand here, stand here
01:01:47Do you see it?
01:01:48This is a nest
01:01:49Look, look how it moves, you'll see
01:01:51After!
01:01:52Come on, give it to him
01:01:53But who hit me?
01:01:56Man, I have nothing to do with it
01:01:57Even though I have the shovel, it wasn't me.
01:01:58But what was I doing in my hole?
01:02:00It is mine, it belongs to your private piety
01:02:03Relief!
01:02:04He's crazy
01:02:05He's crazy
01:02:06Hey, leave him alone!
01:02:07Octavio, what happened?
01:02:08This animal has mistaken me for a turtle
01:02:10A turtle, I
01:02:11I'll kill him!
01:02:12No no
01:02:12Give me the shovel
01:02:13Give me the shovel, be good.
01:02:17We're leaving
01:02:18Yes, let's go
01:02:19Hang on a minute
01:02:20Turtles cannot have an air-filled belly
01:02:23Turtle will be your father!
01:02:25So many doors!
01:02:40Teacher
01:02:41What are you doing here?
01:02:44You're addressing me formally now.
01:02:46If we used to mess around
01:02:48I'm trying to continue the interventional conversation
01:02:51He's gone mad!
01:02:52Leave immediately!
01:02:53Okay, honey, there's no need to get angry.
01:02:55Because one is a gentleman
01:02:56And I'm not even using my hands.
01:02:58Please!
01:02:59And besides, I don't understand why you were undressing in front of me last night.
01:03:02You were all fluffy
01:03:03I thought you wanted to do it
01:03:06Give it to me, give it to me, give it to me for myself
01:03:09Yes, that's true.
01:03:10You see, I was looking for the paintings
01:03:12Was...
01:03:13I was looking to conduct an experiment
01:03:15A...
01:03:16A personal matter of mine.
01:03:17So what happens then?
01:03:19Did you want to do an experiment with me?
01:03:20Because you do it on purpose
01:03:21What am I?
01:03:21An old idiot who serves as your test tube?
01:03:23But you're not an old professor.
01:03:25Not at all
01:03:26But a jerk, yes
01:03:28Don't say that, professor.
01:03:30You are a man of great worth.
01:03:31Furthermore, her clinic is wonderful.
01:03:34I think I should call it Villa Paradiso
01:03:36Yes, I know, but Villa Paradiso exists
01:03:38It's a phenomenal villa
01:03:40A very beautiful villa
01:03:41Really?
01:03:42Yeah
01:03:43Do you know who lived there?
01:03:44Pepino, the crazy painter, the short one
01:03:45He belongs to an important, noble family
01:03:48Cucumber?
01:03:49Yeah
01:03:49But...
01:03:50It's coming to me
01:03:51It does occur to me.
01:03:52An idea
01:03:54And this one?
01:03:55Do you like this one?
01:03:56A lot
01:03:57You are a very good painter
01:03:59I'm...
01:03:59I'm very happy
01:04:01Because you have come to see me
01:04:02Because the last time I saw you
01:04:03You stayed here on me
01:04:05You would be a perfect model for me.
01:04:07Tell me, tell me one thing
01:04:08That?
01:04:08Did you paint all these fabrics yourself?
01:04:10Yeah
01:04:10But I don't just paint on canvas
01:04:12I paint on wood, glass
01:04:14I paint, I paint above all
01:04:16Anywhere
01:04:17Look, I'm going to show you.
01:04:19Yes, show me everything
01:04:21Here, here it is
01:04:22That is
01:04:24Look
01:04:24These two paintings
01:04:26Guess what I painted them on?
01:04:28Don't know
01:04:29On wood?
01:04:30On fabric?
01:04:31No!
01:04:32They are two old paintings I had at home.
01:04:34But why?
01:04:35Were they really that ugly?
01:04:36No way, they were a cardinal and a saint
01:04:38But what do I care about priests?
01:04:40Do you like them?
01:04:41I believe it.
01:04:43I would like to buy them from you.
01:04:44Because?
01:04:45Don't be silly
01:04:45I'll give them to you, right?
01:04:47Look, for now I'll leave them here.
01:04:49And when we're done, you can take them with you, okay?
01:04:51Thanks, Pepino
01:04:51But it's better
01:04:53Let me go and then I'll come back.
01:04:55No no
01:04:55Now I have to draw your portrait
01:04:57But...
01:04:57Take off your clothes and lie down on the bed
01:04:58On the bed?
01:04:59So that?
01:05:00You're crazy?
01:05:00First, devour love
01:05:01Now the model is even more beautiful.
01:05:03Let me
01:05:03But what do you mean, leave me alone?
01:05:05Move it, I'm going to leave
01:05:06Let me
01:05:07Don't go
01:05:10But what's going on here?
01:05:12It is Pepino who has suffered one of his attacks
01:05:17Miss, miss
01:05:18Even with this dwarf
01:05:19Come on, please leave me here
01:05:22Come on!
01:05:26Hey, why are you getting involved in something that doesn't concern you?
01:05:28Why are you getting involved?
01:05:29I'm going to give it to you!
01:05:32That's what I'm going to give you.
01:05:34Precious!
01:05:36Take the pills at seven thirty
01:05:37It's eight o'clock now and I'll find her ready.
01:05:39Good evening, professor
01:05:40Good night
01:05:41I called the elevator to go up
01:05:42But if you don't mind coming with me
01:05:44I can go up to that much
01:05:44No, no, no
01:05:45You go in the elevator, it's better.
01:05:46That's how I digest.
01:05:47As you wish, professor.
01:05:48Goodbye, goodbye
01:05:48Enjoy your meal, professor.
01:05:53Teacher
01:05:53What's up?
01:05:54Teacher
01:05:55Lord, thank you.
01:05:57Thank you, my God.
01:05:58Is something wrong?
01:05:59It's heaven
01:05:59It is heaven that commands him
01:06:01You come from heaven
01:06:02I'm coming from the clinic
01:06:03And now I'm in a hurry
01:06:04But professor, my wife is ill.
01:06:05It's very bad.
01:06:06So what can I do?
01:06:08I called an emergency doctor
01:06:08That's what I was going to do
01:06:09I was going to look for a doctor
01:06:10But what am I supposed to do?
01:06:11And I've been lucky enough to find you.
01:06:13Please, my wife is very ill.
01:06:14Still with your hands
01:06:15It's making me nervous
01:06:15Contact me and I'll play
01:06:16Well
01:06:17Yes, sorry.
01:06:18She's my wife
01:06:18She is dead
01:06:18No
01:06:19Then he cannot die
01:06:20There's a mother who gave birth to me
01:06:21But he can die, professor
01:06:22He is in very serious condition.
01:06:23Come on, please
01:06:24Mine is
01:06:25I beg you
01:06:25I beg you
01:06:26I have it ready
01:06:32I beg you
01:06:33Oh, darling.
01:06:34It's you
01:06:38My love
01:06:39Me
01:06:40Yeah
01:06:40Careful
01:06:40The teacher is coming up
01:06:42No no
01:06:48Ma'am, what are you doing?
01:06:49Could someone come?
01:06:50No
01:06:52Mother, what things happen to me!
01:06:53And my friends who don't believe it
01:07:07Playboy
01:07:08Well, I'm going
01:07:09Take the drops three times a day.
01:07:11And suppositories
01:07:11One in the morning and one at night
01:07:13Professor, how much should I leave you?
01:07:14Nothing, nothing
01:07:14What do you mean, nothing, professor?
01:07:15I cannot allow it.
01:07:16Allow it, allow it
01:07:17That morning
01:07:18What's happening?
01:07:19How should you apply the drops?
01:07:20Through the nose, three times
01:07:22But, professor, the pills
01:07:23Through the mouth
01:07:25Teacher
01:07:26What about suppositories?
01:07:27Spit them up your ass
01:07:28Or wherever
01:07:28That's what his wife is for.
01:07:31He is not a doctor
01:07:32He is a saint
01:07:37Veronica
01:07:38Where are you?
01:07:39Have you been hiding?
01:07:40Are you embarrassed?
01:07:41Are you trembling?
01:07:42Don't be ashamed
01:07:43Come on, get out
01:07:44Veronica
01:07:47Goalie
01:07:48Miquel, huh?
01:07:49Did you see my wife coming down?
01:07:52Ah, darling.
01:07:54Where had you been hiding?
01:07:55Women
01:07:56I'm tired
01:07:57Tired
01:07:58Tired
01:07:58Have you taken the medicine?
01:07:59How many times?
01:08:01Three times is bad
01:08:02That's why you're so tired
01:08:05What happened?
01:08:06That faggot from the bodega
01:08:08Blessed is he who has no sexual problems
01:08:10It's rarer
01:08:13T, more agile
01:08:14Faster
01:08:15We drifted too far apart
01:08:16I wouldn't want the horse to get tired.
01:08:18Who? This guy?
01:08:19Ha ha ha!
01:08:20Franc Bisua!
01:08:21Remember
01:08:22That when the passage of the villager
01:08:24This noble steed galloped for 50 to 60 kilometers daily
01:08:29He did, but I didn't.
01:08:3050 and 60 kilometers with me on top in the middle of a snowstorm
01:08:35But now I must observe the situation
01:08:37The enemy may be hidden in the surroundings.
01:08:40Let's reach the top of the hill!
01:08:42What?
01:08:43The hill, the hill!
01:08:57There they are
01:08:58Who is it?
01:08:59The Austrians
01:09:00Attacked from the flanks
01:09:02Forward, Imperial Guard!
01:09:05Oh, damn, how many are there!
01:09:07Forward!
01:09:09Napoleon!
01:09:10Stop!
01:09:11Be still, Napoleon!
01:09:14Stay still!
01:09:15To me, my loyal ones!
01:09:17Chus and them!
01:09:19Attack!
01:09:19Are you crazy?
01:09:21Still!
01:09:22Holga, we want to!
01:09:23Take!
01:09:24Take!
01:09:25Come on!
01:09:26Stop it, don't hit him, he's sick!
01:09:28Don't hit him, he's sick!
01:09:30Get rid of the dead body, my aunt!
01:09:32Take!
01:09:32Take!
01:09:33But, professor, what could I do?
01:09:34The emperor took off riding his horse and I followed him, but I couldn't catch him.
01:09:37Am I not a runner?
01:09:38No, you're a moron.
01:09:39When you saw him lunge, you should have stopped him so he wouldn't cause a scene.
01:09:44I finally managed to put him to sleep with sedatives
01:09:46I've also had to give them to the shepherd, and thank goodness he wasn't a German Shepherd.
01:09:50Otherwise, it will bite us all.
01:09:52Have I been doing well?
01:09:53It's been awful, with all the problems we have, don't come at me with jokes.
01:09:56You have to have a sense of humor, professor
01:09:57If they throw us in jail, you'll see what kind of mood we'll be in.
01:10:00We will prove that Moretti suffered chemical shock
01:10:03Don't give me that crap, I've told you a thousand times that I don't like your terms.
01:10:06Chemical shock is an appropriate term in psychiatric clinics.
01:10:09There are no crazy people here
01:10:10Oh, no?
01:10:10No, here there are only paying guests.
01:10:12That
01:10:13Come, Napoleon, I mean, Gustav, goodbye
01:10:15Bye
01:10:15If the emperor has a relapse, call the hospital in Foggia quickly.
01:10:19Put him in a straitjacket and let them sort it out themselves.
01:10:21His family has refused to pay
01:10:22Very well, as you say.
01:10:23If that idiot Santarelli interferes again, you must tell him
01:10:26Professor Larusa has told me, firmly, firmly, that I will take care of everything.
01:10:29Understood?
01:10:29Understood
01:10:37Hey, Gustavo, you and I don't understand each other, one of us is crazy
01:10:42I don't
01:10:43No
01:10:47No
01:10:48Ladies and gentlemen, Ginger Rogers
01:10:50And Tea for Two
01:11:11Ah!
01:11:13Oh!
01:11:14Oh!
01:11:15Oh, how awful!
01:11:21Sorry!
01:11:22Your Eminence, please do not misinterpret the situation.
01:11:25Ginger Rogers and I were rehearsing, Tifortuí.
01:11:29That's great! That's great!
01:11:32And we were going to grant him 420 million.
01:11:35Praise be to God!
01:11:36Goodbye, Pool! Goodbye! Goodbye, everything!
01:11:38Oh, what a wretch! Oh!
01:11:40Oh, why do I have a... Oh!
01:12:02Good evening, miss.
01:12:03Good evening. Thank you.
01:12:06Bye bye!
01:12:13Wow, that was quick!
01:12:17Who just left?
01:12:18The new nurse. Why?
01:12:20But how? Instead of going in, he's going out? Where was he going?
01:12:22And what do I know? Am I crazy? Am I the guardian?
01:12:30Nobody here understands anything. This place is like a madhouse.
01:12:36Hello, Napoleon!
01:12:37Hello.
01:12:38Hey, you're also a ventriloquist.
01:12:40And you're a complete idiot.
01:12:42Ah, professor!
01:12:43What are you doing here?
01:12:45Where are you leading Napoleon?
01:12:46Mind your own business. What are you carrying there?
01:12:47If you don't tell me where Napoleon is leading.
01:12:49I'm not telling you, I'm the teacher. Who's in charge here?
01:12:51Sister Fulgencia, and that's why I'm bringing her disguised.
01:12:53Who is it? Who is it?
01:12:54My role model, teacher.
01:12:56Wow, what a pretty face!
01:12:57He likes it, huh?
01:12:58Yes, I believe it. It looks like the face of an aristocrat.
01:13:00Hello, beautiful.
01:13:02High!
01:13:03Excuse me, professor. I think I've got the wrong face.
01:13:07Wow!
01:13:08How delicious!
01:13:09Hey, Pepino, come here, give it a little brushstroke for me.
01:13:14And you won't tell me where you're taking him?
01:13:16Yes, one confidence for another.
01:13:17Excuse me, miss.
01:13:18Listen.
01:13:19Since he's asleep, I'll take advantage of the opportunity.
01:13:20I lock him in the little room.
01:13:21I'll go to sleep in her place, and when the nurse comes in...
01:13:24That's quite a show of distinction, isn't it!
01:13:27Good evening, confidante.
01:13:28Ah, Gustavo!
01:13:30How are you still here?
01:13:31Are you still on duty?
01:13:32I changed my shift to grace, because I was tired.
01:13:34Uh-huh, yes.
01:13:35Has Dr. Santarelli not arrived yet?
01:13:37No, and he's studying for the exams.
01:13:39Really? Let's hope nothing happens.
01:13:41No, sister, nothing can happen.
01:13:43No?
01:13:43Thank goodness.
01:13:44Because I've put sleeping pills in everyone's mineral water.
01:13:47That's how they fall asleep, and they let me sleep too.
01:13:50Wow! And he looks like an idiot.
01:13:52Oh!
01:13:52The one you see is not expected.
01:13:54I will support her unexpectedly.
01:13:56Oh, I see!
01:14:00Bring it closer here!
01:14:02Oh, how exciting!
01:14:04How exciting!
01:14:08He will come in, and say,
01:14:10Bonjour, see if Napoleon!
01:14:11Let's begin!
01:14:12Let's begin!
01:14:13He's going to find out how he's leaving!
01:14:15Oh, how I'll grab her!
01:14:51Yes, it's her!
01:15:17I finally have them!
01:15:19Oh, forgive me, beautiful, but it's urgent.
01:15:22No, don't tell me you've found Mom's paintings.
01:15:25Yes, I've been lucky.
01:15:27I aimed well, I hit the target, and here I am.
01:15:29Mom's paintings.
01:15:31Very good, Mom's paintings.
01:15:33Finally we can go to Broadway and you'll put on a show for me.
01:15:37Of course, promises are promises.
01:15:40I'm glad you're happy.
01:15:43Your mother will be happy too.
01:15:45By the way, how old is your mom?
01:15:47So what?
01:15:48Two hundred?
01:15:48What does my mother have to do with this now?
01:15:50Ah, yes, he'll most likely want to thank you in person.
01:15:52No, because these paintings belong to Pepino Di Tapis, a mad painter interned in Professor Larusa's clinic and
01:15:59that he had them in his house for two hundred years.
01:16:01Therefore, you are a thief, a swindler, and a son of a bitch who has gotten me into trouble in a traffic accident.
01:16:06underhand.
01:16:07I shit on the...
01:16:09I'm going to give you one that you can't even get your hands on!
01:16:12If you touch a single hair on his head, he'll be sorry.
01:16:14I'll cover her and you with sketches.
01:16:16Don't even scold this girl.
01:16:17But what's so hard about it for you?
01:16:18And this is a warning.
01:16:20A warning?
01:16:20Yes, as a warning.
01:16:21What's happening?
01:16:21Stay still!
01:16:22Please.
01:16:24No, no, please.
01:16:26No no.
01:16:35Let's escape, the paintings are authentic.
01:16:37Runs.
01:16:38Oh God, a little water, a little water.
01:16:48I give up.
01:16:49No, don't be alarmed.
01:16:50It's water.
01:16:51How does it feel?
01:16:53Good.
01:16:55So, what are we waiting for?
01:16:56We have to follow them.
01:16:57Those paintings are worth millions.
01:16:59Which paintings?
01:17:00Come on, hurry up.
01:17:01I'll explain it to him.
01:17:04No, no, no, no, no, no, no, no.
01:17:33I am a prisoner.
01:17:35Prisoner.
01:17:36Murderers.
01:17:37Wretches.
01:17:38Open.
01:17:39Open the door.
01:17:40It was the English.
01:17:42They are always liars, unfaithful, and untrustworthy.
01:17:50I am the emperor.
01:17:52Relief!
01:17:53Relief!
01:17:57Gustavo!
01:17:59Gustavo!
01:18:01Gustavo!
01:18:03Who is shouting?
01:18:04I woke up startled.
01:18:06Sister, it's Napoleon.
01:18:07The sleeping pill didn't work.
01:18:09To me, the guard!
01:18:10Do you hear it?
01:18:11I am your emperor!
01:18:14Gustavo, go quickly and see what's wrong with him.
01:18:17No, no, no, no.
01:18:17I have to obey the teacher.
01:18:18I'm going to phone the hospital.
01:18:21Traitors, cowards, murderers!
01:18:22But I will kill you all!
01:18:24Hey!
01:18:25Hey!
01:18:26Enough with the shouting.
01:18:27You gave my girl a terrible fright.
01:18:30And who are you, so small?
01:18:32Have you come to kill me?
01:18:33But tell me, will my empire end in blood?
01:18:37No, if you keep going like this it will end in shit.
01:18:40Oh, shit!
01:18:41Shit!
01:18:42What a load of crap!
01:18:44So, are you a cambrón?
01:18:45That?
01:18:46Cambrón!
01:18:46Ah!
01:18:47My faithful general!
01:18:48Yeah!
01:18:50Cambrón, cambrón!
01:18:51You have come here to set me free!
01:18:54The mosquito!
01:19:03Where is?
01:19:03Second floor, room 23.
01:19:05Do you think I'll come with you?
01:19:05No, it's better not to, because it would be someone who knows Marama Sjameo.
01:19:08Okay, thank you.
01:19:11Oh, what tremendous squirms!
01:19:13With so many problems already, now this mess has hit us.
01:19:17Thank you for the grace!
01:19:19Oh, oh, oh!
01:19:21Oh, oh, oh!
01:19:21Turn around!
01:19:22Oh, oh, oh!
01:19:23The return!
01:19:24Oh, oh!
01:19:28Oh, don't move me, my head hurts!
01:19:32Veronica.
01:19:33Hey?
01:19:33What are you doing?
01:19:34Can you change my shirt?
01:19:35Yes darling.
01:19:38Delighted.
01:19:39I am Professor Larusa.
01:19:40Nice to meet you, Aristotle Unasis.
01:19:42How are you, Jacqueline?
01:19:42Naked.
01:19:43As usual.
01:19:44But what are they doing?
01:19:45Have they put me in a straitjacket?
01:19:47I was sleeping!
01:19:49I am, I am Professor Larusa!
01:19:51Hey!
01:19:51Why are you treating me like I'm crazy?
01:19:53Hey!
01:19:57Look, there they are.
01:19:58Where?
01:19:59It's them, see?
01:20:00As I suspected, they're going to the airport.
01:20:03He has seen.
01:20:10You've had a brilliant idea.
01:20:12Camouflaged like this, they look like worthless paintings.
01:20:14Yes, we're all blurry, let's see how we manage with the customs officers.
01:20:19We'll convince them.
01:20:34Don't move.
01:20:35Hands up.
01:20:36Doctor, take away the artillery.
01:20:38Hey?
01:20:38Ah, yes, yes.
01:20:46Now go check in the blonde.
01:20:49Yeah.
01:20:53Excuse me, where is the thing?
01:20:56I don't mean to bother you, but...
01:20:59No, if I say the gun...
01:21:01Ah.
01:21:02Yeah.
01:21:03Yeah.
01:21:11Well, thank you very much.
01:21:15Mission accomplished.
01:21:16Be careful, you have no experience with weapons.
01:21:19Neither you, you cretin.
01:21:33Gratia.
01:21:34But what does he do?
01:21:35It's almost time for the visit.
01:21:36The relatives are already out.
01:21:37Of course, I'm sorry, but...
01:21:39Now that the adventure is over, I have nothing left to do here.
01:21:43Is he leaving?
01:21:45Is she going back to the party room?
01:21:46Don't know.
01:21:48Yes, I think so.
01:21:49What else could I do?
01:21:51Anyway, I'm used to it by now.
01:21:52I like to travel, sing, and dance.
01:21:56But we would all be happy if she stayed in the clinic.
01:21:58To do what?
01:21:59As a nurse?
01:22:00Exactly.
01:22:01Look, I promise you that no one will fire you.
01:22:04It's strange that you're the one saying it.
01:22:06Yeah.
01:22:08I understand what you mean.
01:22:09Sometimes I've been a little harsh with you, but believe me, I...
01:22:13No, he hasn't understood me.
01:22:15I have no reproaches for you.
01:22:16It's me.
01:22:17I've deceived them all.
01:22:19But who cares what happened?
01:22:21Gratia doesn't realize that I love her.
01:22:23I've fallen madly in love.
01:22:25You too?
01:22:26No, no, no, please don't confuse me with the others.
01:22:28How could that confuse him?
01:22:30You're the only normal one here.
01:22:33Are you serious?
01:22:34Do you know why I'm always in a bad mood?
01:22:35Because I realize that others desire you and that makes me jealous like a chimpanzee.
01:22:39Have you truly fallen in love?
01:22:42But, Gratia, how can you doubt it?
01:22:43So you love me?
01:22:45Of course I love you.
01:22:49No, not here.
01:22:50Where?
01:22:51No.
01:22:52Where?
01:22:54Gratia.
01:22:58Gratia, where are you?
01:23:00Here.
01:23:00But Sorfugencia may come.
01:23:03And who cares about Sorfugencia?
01:23:04Whoever wants to come, come.
01:23:05I am the doctor and you are the nurse.
01:23:07You realize it.
01:23:07It's the perfect combination.
01:23:09I love you.
01:23:10Gratia, I love you.
01:23:11Me too.
01:23:18Hey, can I have it?
01:23:20And what will you do?
01:23:21What do you mean, what will I do?
01:23:22Place it as decoration in a fountain.
01:23:23But can't you see it's not made of marble?
01:23:24Don't you realize it has that black thing?
01:23:26So what?
01:23:27Will you give her a hand in white?
01:23:28Ah, that's right.
01:23:29And what do you give me in return?
01:23:30What can I give you?
01:23:31Yeah.
01:23:31That beautiful chimpanzee I just captured.
01:23:34Oh, help!
01:23:36The young lady and you will only have to repeat before the judge what you stated at the police station.
01:23:40when making the complaint.
01:23:41Mere formality.
01:23:42Okay, sit down.
01:23:44Thank you.
01:23:45The thieves are already in jail.
01:23:46And now, tell me, how is your director doing?
01:23:49Evil.
01:23:49After the acute delusional psychotic attack, the three electroshocks that were applied to him
01:23:53They've completely broken him down at the hospital.
01:23:54But ultimately, what's the big deal?
01:23:56It is a case of total regression.
01:23:59Escape from anguish by taking refuge in childhood.
01:24:01Excuse me, is that little monster Fedallín your stepson, by any chance?
01:24:06No, no, that was Eugenio, Josefina's son.
01:24:09This one, on the other hand, is Maria Luisa's son.
01:24:12He is the king of Rome, the eaglet.
01:24:16You're half-assed, gosh!
01:24:22Asset!
01:24:23Jibo, cha-cha-cha.
01:24:25Jibo, cha-cha-cha.
01:24:27Ah, ah!
01:24:27Hey, hey, hey, hey!
01:24:31Oh, nah!
01:25:00Ah! Hey, hey!
01:25:03Ah! Hey, hey!
01:25:31Ah!
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