Todos al suelo!! 1982 HD 1080 Completa Andrés Pajares, Fernando Esteso

Retroscreen Movies Revival

Reparto: Andrés Pajares, Fernando Esteso, Antonio Ozores, Juanito Navarro, Azucena Hernández, Alberto Rincón, Paloma Hurtado, Beatriz Escudero, Ricardo Merino, Tania Ballester, Valeriano Andrés, Alfonso del Real, Mabel Escaño  Dirección: Mariano Ozores  Sinopsis: Una banda de cuatro auténticos elementos, compuesta por Facundo (Fernando Esteso), un mujeriego dispuesto a abandonar hogar, trabajo y pareja para largarse con su querida; Aniceto, otro golfo a punto de ser padre que comparte los angustiosos momentos del preparto de su amante (Paloma Hurtado) con amorosos flirteos con la vecina mientras descuida a su verdadera esposa; Pedro, un mecánico tuerto (Antonio Ozores), aburrido de tanta grasa entre coches y motores, y por último Bernardo, un simpático abuelete (Juanito Navarro) que vive con su hija, yerno y nieto en una feria ambulante. Entre los cuatro deciden romper con la miseria habitual y trazan un plan 'perfecto': dar un golpe a una sucursal del Banco Mistral justo el día en el que van a ser depositados 150 millones de pesetas.

Transcript

00:00:00Music

00:00:30Honey, I woke you up. I'm sorry. Yes, it's fine. I've got that. Don't worry, there won't be any problems. I've got everything under control.

00:00:49I'll see you later. Goodbye.

00:00:52What time is it?

00:00:53It's too late. I'm going to stand up the director.

00:00:56Don't forget to buy something for your headache.

00:00:58So that?

00:00:58So that one night you won't have a migraine and we can make love. Because I'm already forgetting how to do it.

00:01:04Okay. I'll buy a painkiller. Lie down. You can still sleep a little longer. And when you get up, tidy up the house a bit; it's going to be a dump.

00:01:15I have to go, Marta, they're waiting for me.

00:01:17You can't leave, Aniceto. I'm about to give you a son. A son of your own blood.

00:01:23But that son of my own flesh and blood will want to eat. And it's me who has to work so that he can eat.

00:01:27Excuses. Just excuses. The truth is, you don't love me. I would have preferred you to go to London.

00:01:32And you keep going on about London. I've told you a hundred times that I want that child.

00:01:37That little piece of your flesh.

00:01:39That little piece of my flesh, yes.

00:01:42That fruit of a crazy night of love.

00:01:44Marta, sometimes they make you more corny than a champagne commercial.

00:01:47You see? You don't want it.

00:01:49Yes, I want it, darling. I want the little piece, the fruit, and the mother who gave birth to it.

00:01:55Well, that's going to be a real pain.

00:01:57But today I have a very important job and I have to leave.

00:02:00What have you done to her? Did you make her have an abortion, you murderer?

00:02:03Don't tell me months, ma'am.

00:02:05You don't love me. She's going to work without me.

00:02:07But when have you ever seen someone go to work with a woman who's just given birth?

00:02:10Oh, like that, that many more people, like that.

00:02:12Who will be so early?

00:02:14All day long, hitting the tortel, that's no way anyone can cover the expenses of this house.

00:02:19Come on, Marta, be understanding.

00:02:22We need money and this is a job that can free us from problems forever.

00:02:27Okay, go ahead.

00:02:31But I will not leave you.

00:02:33Marta, don't get me worked up.

00:02:35Oh, give me your son!

00:02:37If you touch her, I'll kill you!

00:02:39What am I going to play?

00:02:41Good morning.

00:02:43Ah, good morning, Dorita.

00:02:45I apologize for bothering you at this hour, but he was preparing breakfast for my uncle.

00:02:49And it turns out I've run out of sugar.

00:02:51And what time is it?

00:02:52Yes, Dorita, we'll give you what you need.

00:02:54Man, among good neighbors.

00:02:56Go on, Mom, give him the sugar he needs.

00:03:00I'm not leaving. I'm not leaving you alone with that criminal.

00:03:03Okay, okay. I'll give it to him.

00:03:06Come with me, Dorita.

00:03:07I feel very embarrassed.

00:03:08No, no, don't worry. I still have time before I leave.

00:03:12I don't know, ma'am.

00:03:13But don't let him leave alone, daughter.

00:03:17But Mom, my water's about to break.

00:03:19Do you need a lot?

00:03:20No, sir. Just a little for my uncle's breakfast. I'll buy some later.

00:03:24I think it was in this closet.

00:03:26My love.

00:03:27Uncle, uncle, uncle.

00:03:32Dude, dude, good.

00:03:32Yes, yes, yes.

00:03:33Are you not seeing yourself?

00:03:35Here, here, here.

00:03:35Here, here, here, yes.

00:03:37Here, here, please.

00:03:38There.

00:03:39Here, here, here.

00:03:40How's life?

00:03:41Mommy, mommy.

00:03:43Don't worry.

00:03:44Tomorrow.

00:03:45When it's all over.

00:03:47Don't worry, tomorrow.

00:03:49Tomorrow.

00:03:50Don't worry, tomorrow.

00:03:52I can't take it anymore.

00:03:53I can't take it anymore.

00:03:54Because it's tomorrow, right?

00:03:59Yes, tomorrow.

00:04:01It'll be fine, you'll see.

00:04:03What are you going to do about your wife?

00:04:06Never see her again.

00:04:07AND?

00:04:08Even ice doesn't calm me down.

00:04:10No.

00:04:11With this other one?

00:04:13The same.

00:04:15She's going to have your child.

00:04:17What am I going to do?

00:04:19I cheated on my wife with her and on her with you, didn't I?

00:04:21You're such a man.

00:04:25No, I live a modern and free life.

00:04:29I'm on the same wavelength.

00:04:30But tomorrow everything will have changed in our lives.

00:04:33And now go away, because that pest wants to come to work with me tomorrow.

00:04:37Won't you let her go?

00:04:38I?

00:04:38As if I were crazy.

00:04:40With this crap on your face, it looks like a dining table.

00:04:49Manolo!

00:04:50Manolo!

00:04:51What's happening?

00:04:52Who am I?

00:04:53The boss.

00:04:54But with this milk on my face, she recognizes me.

00:04:56But what do you want me to say?

00:04:57What, I don't know who you are?

00:04:58I bet you don't know me.

00:04:59I bet with this little brush on your face you can't say...

00:05:02Is this my boss with a fialda?

00:05:03If his eye were fixed, that would be one thing, but with that patch, how could I not recognize him?

00:05:07I'm going to shit on your father, aren't I?

00:05:08Peter.

00:05:13Hello, Mr. Braulio.

00:05:15I'm sorry, but they've brought me a rocking chair that isn't the one for your car.

00:05:17I realized it right away.

00:05:18I have an eye for that.

00:05:20The extra...

00:05:21This one, of course.

00:05:22So when will I get it?

00:05:24Well, as soon as the rocking chair arrives, because I'm not going to put one on that isn't their brand.

00:05:28No, no, of course not.

00:05:28Okay, I'll call him tomorrow.

00:05:29Very good, Don Braulio.

00:05:30Bye bye.

00:05:31Goodbye, goodbye, Don Braulio.

00:05:32But boss, this car hasn't damaged it.

00:05:34Coyote, and don't touch this little ball because if you touch it I'll crush you alive.

00:05:37Oh, what's wrong, boss?

00:05:39He can't get anything right, huh?

00:05:40I got caught in the dead zone, that's why I couldn't hit you.

00:05:42I think you're doing it like crap.

00:05:43You put yourself in the dead zone and shit.

00:05:45But you wretch, you are a wretch.

00:05:46Your father will be a wretch.

00:05:48I am not a wretch.

00:05:49Well, you tell me what you are, living off your wife and your dream.

00:05:52Because I am misunderstood.

00:05:54But a misunderstood person is not a miserable person.

00:05:56Well, if you're not a wretch, then you're a shameless jerk.

00:05:59Don't leave me, Berta.

00:06:00Don't disrespect me, I'm the father of your child.

00:06:02Do you know that if you can't be a father, how could I put up with you, you freeloader?

00:06:06That's enough.

00:06:06I can't stand this.

00:06:08I can't let the freeloading thing slide, you know.

00:06:09Well, you're going to have it, you wretch.

00:06:11Think about it.

00:06:12This is my house and my father's house.

00:06:14And now I'm leaving.

00:06:15Let's see if you have the courage to still be here when I get back.

00:06:17Well, get out, and get off your back once and for all.

00:06:28I'm fed up.

00:06:29I can't stand it anymore.

00:06:31Let's see if it's a farce that he comes back and does.

00:06:37Have you heard?

00:06:38Me, the whole neighborhood, and your son.

00:06:44Everything would be fixed if I could take over that bar.

00:06:47But where am I going to get two million pesetas?

00:06:51Who knows?

00:06:53Maybe I can give you that money.

00:06:57You?

00:06:58Not even by selling the merry-go-round.

00:07:08Grandpa, do all dads fight?

00:07:18Yes, of course, everyone.

00:07:19Well, it's a joke.

00:07:21Yeah.

00:07:21Well, but you don't have to worry about it.

00:07:23Those are things grown-ups do.

00:07:25Even grown-ups are a joke.

00:07:27Well, me too.

00:07:29Grandpa, what does it mean to get married?

00:07:31Another joke.

00:07:32The other day, Dad said he wanted to marry Mom.

00:07:36Know?

00:07:37But it must be a really big joke because Mom said no.

00:07:41Well, that's just women's stuff.

00:07:43When you're older, you'll understand.

00:07:45Wanting to argue with my parents makes me think I don't want to grow up.

00:07:50Why is it a joke?

00:07:53Yes, you're right, Julito.

00:07:55Being older is a real drag.

00:08:02I'm scared, Facundo.

00:08:04What are you going to do?

00:08:05Nothing bad.

00:08:06Stay calm.

00:08:07It's a simple banking transaction like any other.

00:08:09And will that simple operation end with a trip to Brazil?

00:08:13A vacation.

00:08:13So, weren't you looking forward to getting away from your husband?

00:08:16Yes, but I'm scared.

00:08:18I don't.

00:08:19And I'm in good shape.

00:08:21And with a longing to love.

00:08:24Me too.

00:08:26Hello my love.

00:08:27I am your wolf.

00:08:28I'll let you know.

00:08:31And what do we want that money for?

00:08:33To pay a lawyer to divorce you from your damn husband

00:08:37and me from the beating my wife gave me.

00:08:40Or have you already forgotten?

00:08:42That?

00:08:42We're doing our part.

00:08:45Come on, silly girl.

00:08:46Come on, I'm saving myself at home.

00:08:48Come on.

00:08:49And this is for you.

00:08:51Come on.

00:08:54Well, it's clear we're not going to do anything today.

00:08:57You must have the passive balance.

00:09:00I'm worried, honey.

00:09:02You'll act like nothing happened tomorrow.

00:09:04Go about your normal life.

00:09:05And by the day after tomorrow, have your suitcase packed.

00:09:08The most essential things.

00:09:10In Rio de Janeiro we will buy what we need.

00:09:13Come on!

00:09:14He doesn't eat!

00:09:15Father, let me have your hand.

00:09:19Hey?

00:09:20Thank you.

00:09:21Oh, yes, go ahead.

00:09:23Did he give you something?

00:09:24No.

00:09:25I don't know why he kissed her hand.

00:09:26Well, maybe.

00:09:27Ah.

00:09:28This must be it.

00:09:29Well.

00:09:36Well.

00:09:37People have so little imagination.

00:09:39Good morning, father.

00:09:40You weighed your hand, father.

00:09:42Goodbye, sinful children.

00:09:43Goodbye, children.

00:09:44Post, post, post!

00:09:45It's because it caught me in the dead zone.

00:09:47So I don't know if I'll be saved.

00:09:49One save.

00:09:57Here it goes.

00:09:57A real one.

00:09:59Please forgive me, Father.

00:10:01Hey?

00:10:01But, man, what are you doing dressed as a priest?

00:10:04And with that scarf you really do look like a newly empowered priest.

00:10:07And why have you dressed as a priest too?

00:10:08Because the number one guy said we should come here to this meeting.

00:10:11In disguise.

00:10:12Ah, well that's what I've done.

00:10:13I've been hesitating between the cassock and the jota suit.

00:10:16Yeah.

00:10:16But there was no one-eyed jota dancer costume.

00:10:17There was a simple fancy suit.

00:10:19Yeah.

00:10:19No.

00:10:20Well, what's needed is for the number one not to come so well disguised as a priest.

00:10:24No.

00:10:25Not exactly a priest.

00:10:27Hey.

00:10:28Sister Citroen?

00:10:29It looks like a Citroën 2CV to me.

00:10:31More like a metallic panda, you wretches.

00:10:35Come on, make room for me.

00:10:36You should see the look of it...

00:10:41You have to see it to believe it.

00:10:42Oh.

00:10:43It seems we've left the Vatican empty.

00:10:45Well, it's just that we Spaniards have religion so deeply ingrained in us.

00:10:49Some Spaniards are idiots.

00:10:51Come on, pretend.

00:10:52I don't see it, of course.

00:10:55I didn't bring my monocle.

00:10:56Let's review what's tomorrow.

00:10:57You move.

00:10:58I know because a school is coming to my living uncle's tomorrow.

00:11:01I say month.

00:11:02Nine.

00:11:03I know because it's the only day I don't have a bill due.

00:11:06Let's continue.

00:11:06What time?

00:11:06Ah, I don't know.

00:11:07I have pawned my watch.

00:11:08It must be six o'clock because this one always stops working for me at two.

00:11:12I mean, what time will the coup be?

00:11:14Ah, at nine o'clock, right?

00:11:15But it wasn't the ninth day.

00:11:16No, it was the tenth.

00:11:18The ten what?

00:11:19The day of clubs.

00:11:20I drag them all and they're all mine.

00:11:21What are you saying?

00:11:22That's what I say.

00:11:23But anyway, what day is it today?

00:11:25Why? What does that have to do with anything?

00:11:27Because if it's eight here today, it's seven in the Canary Islands.

00:11:29That's what the Galician woman on television says.

00:11:31Let's not mess this up, okay?

00:11:32The coup is on the ninth at ten o'clock and that's final.

00:11:35I prefer it.

00:11:35Well, that settles it.

00:11:37Alright, goodbye.

00:11:38Bye bye.

00:11:38Don't move.

00:11:39The thing about grabbing the truss, man.

00:11:41Careful, careful, careful.

00:11:41Watch out, they're coming.

00:11:50That's enough.

00:11:51You already know where and when the hit is.

00:11:54Do you have the weapons?

00:11:55Yes, two machine guns and a pistol.

00:11:57And do they shoot?

00:11:58Ah, I don't know.

00:11:59I have no idea.

00:12:00Where am I going to try it?

00:12:01I'm not going to start shooting people in the street.

00:12:03Well, we agreed there wouldn't be any shooting, right?

00:12:05Yes, but you never know.

00:12:06The getaway car?

00:12:09I have it.

00:12:10A speeding car.

00:12:11It won't fail

00:12:12It's about to happen.

00:12:13In half an hour we will have bypassed all possible checkpoints.

00:12:15Is that enough?

00:12:24Well, everything's ready, huh?

00:12:25No, not everything.

00:12:27There's one thing you need to explain to us now.

00:12:29You're number one, but who's number zero?

00:12:33Yes, because someone had to point you out on the trail of the hit.

00:12:36Yes, there is a number zero.

00:12:37It is?

00:12:38The brain, of course.

00:12:38Because you give that as the essential thing to watch television.

00:12:41The number zero exists.

00:12:42I've known him for many years, and when he plans something...

00:12:45Forgive me, forgive me.

00:12:46Well, I was the smartest one at school.

00:12:47Yes, it was a mistake.

00:12:48That's something else.

00:12:49That's something else.

00:12:49Wow, what an ass, I'm going to give it an injection.

00:12:53Good aunt!

00:12:57This...

00:12:57The loot.

00:12:59What loot?

00:13:00I'm wearing flat shoes.

00:13:01When do you ever see a nun carrying loot?

00:13:02No, I'm talking about the fabric.

00:13:03The pasta.

00:13:04The fabric, the pasta.

00:13:07150 million pesetas.

00:13:1250 for the brain and the rest for the three of us.

00:13:14The rest is for the three of us.

00:13:15So, how much?

00:13:1633 million per barbel to chin.

00:13:18And they also offer tax relief, you know?

00:13:22I chose you because you're skilled with the blowtorch.

00:13:24And you, because as a young man you were a guerrilla fighter, you could get weapons.

00:13:27Well.

00:13:28Anything else?

00:13:29Yeah.

00:13:29We need to clarify the panty issue.

00:13:31What are you taking about?

00:13:32Do you have to put pantyhose on your head?

00:13:34Ah, yes, yes, yes.

00:13:34I tried it with an executive sock and it gave me a face like a bunion and all.

00:13:39My heart is breaking.

00:13:40It's too big for me on the sides; my thighs hang off.

00:13:42It's all the same, you have to cover your face and you end up disfiguring it.

00:13:45On me it looks like a dangling curtain, really gross on the sides.

00:13:48They can't recognize any of us, because if they catch one, they catch us all.

00:13:52Because the one who hunts will love it as a dish.

00:13:54You!

00:13:54No!

00:13:55Oh!

00:13:56Oh!

00:13:57Oh!

00:13:58What if they torture you?

00:13:59Oh, you tormentors!

00:14:00I couldn't care less about torment.

00:14:03And do your ears get crushed?

00:14:04Hey?

00:14:05Come on, come on, being, now.

00:14:06Do they put splinters between your fingernails?

00:14:09It's because you don't go to the movies, you don't watch these fine films.

00:14:12What if they give you a thousand-volt current in your penis?

00:14:15Hey?

00:14:15Do they remove your teeth one by one?

00:14:17Hey?

00:14:17About what?

00:14:18Well, I don't know about this one because it's very much his own thing, but I sing more than Plácido Domingo.

00:14:21Well, if they pull out one of my teeth, they'll take the whole bridge with them.

00:14:24Ah, no, but mine is very curious, because it's a conglomerate of marma, huh?

00:14:27It then has an insertion in this part, then a screw that holds it in the palate and it falls out.

00:14:32But it doesn't fall much.

00:14:32No, no, no, dear parents, don't get like that.

00:14:35What's happening?

00:14:35We'll talk about this another day.

00:14:36Now, to prayer.

00:14:38He must have caught a cold in his throat.

00:14:40To prayer.

00:14:41What should we call this?

00:14:44Ah, of course.

00:14:46What do you want, my children?

00:14:49Scapulars.

00:14:53Holy cards.

00:14:55Eggs of Saint Speditus.

00:14:58Chocolates, candies.

00:15:00Wouldn't they like a joint?

00:15:03I don't think so.

00:15:04Are you a priest?

00:15:05But, man, it's not noticeable.

00:15:08Sure, sure.

00:15:09And is the one in the middle a nun?

00:15:11Pass it on, do you think I'm a nun or what?

00:15:13Come on, let's see if...

00:15:13Yes, my child, I am a kind nun.

00:15:17Well, she could at least shave her calves.

00:15:20She has taken a vow of chastity to the wax.

00:15:22Come on, let's go.

00:15:25These children are uncivilized.

00:15:26They look like English fans.

00:15:27If you had avoided the flatbreads, funny.

00:15:29What if you had dressed up as the Gartera woman, you wretch?

00:15:32No, no, no, no, no, no, no, no, no.

00:15:33Run, they're picking up stones!

00:15:34Call us, call us, call us, call us, call us, call us!

00:15:36Call us, call us, call us!

00:15:37Call us!

00:15:50And where are you going so early?

00:15:52At least you should tell me.

00:15:54Come on, I say.

00:15:55I am your wife and I have some rights.

00:15:58Well, off to work, where else am I going to go?

00:16:00I've been offered a job.

00:16:02It was about time, because you haven't done a thing in ages.

00:16:05What can I do?

00:16:06The country is going through a difficult time.

00:16:09Could it be that you're leaving with someone else?

00:16:11At this hour?

00:16:12Come on, Daniela, you have no idea what it's like to have a lover.

00:16:16Naturally.

00:16:17At this time of day, people only leave home to go to work.

00:16:20Oh, don't wait for me to eat.

00:16:22Perhaps the job will get more complicated.

00:16:24Okay, goodbye.

00:16:25What are you doing there?

00:16:38What are you doing there?

00:16:54Go away.

00:16:55Go to bed, it's very early.

00:16:57Our mother.

00:16:59He didn't come last night.

00:17:00Oh, no?

00:17:01Then stay with your father.

00:17:03He left yesterday and hasn't returned.

00:17:05So he's alone?

00:17:07Yeah.

00:17:07Well, your mother will be here soon.

00:17:12Last time he was gone for three days.

00:17:15Your father will be here any minute.

00:17:17When he gets angry with Mom, he won't be coming back this week.

00:17:21Well, put it in there and wait.

00:17:22Whom?

00:17:23I have to go attend to something.

00:17:25Grandpa, take me with you.

00:17:27You, you, you, you are crazy.

00:17:28You can't come with me.

00:17:30I have to attend to a matter that is...

00:17:32So, what do I do?

00:17:33I could starve to death in here.

00:17:36Is it possible?

00:17:38That you can't come.

00:17:39How am I supposed to take a child to...

00:17:41Where are you going?

00:17:42Is there a daycare center?

00:17:44You leave me there.

00:17:45That's what Mom does sometimes.

00:17:47What's going to happen?

00:17:48Furthermore, even if there had been...

00:17:50Well, this is a joke.

00:17:52Because if my mother abandons me,

00:17:54My father doesn't listen to me.

00:17:57AND...

00:17:57And my grandfather leaves me stranded like a dog.

00:18:01Hey, hey.

00:18:02Don't worry about it, it's not a big deal.

00:18:05Oh, no?

00:18:06So you might ask, what do I do?

00:18:08Well, damn my face.

00:18:09You can't come with me, damn it!

00:18:12Well.

00:18:13Well, I'll stay here.

00:18:16Come on, come with me.

00:18:17Let's see if we can find a place to drop you off.

00:18:20But get this into your head.

00:18:23You can't come with me today.

00:18:25Okay.

00:18:26Come on, let's go!

00:18:31So many afternoons!

00:18:33I've been caught in the dead zone.

00:18:35I've run into this Michelin guy three times.

00:18:39What's wrong, boss?

00:18:40The horse looks like a picador.

00:18:42Look, you're being very nice today, aren't you?

00:18:44It's because when he's nervous,

00:18:45He sees less than a cat in a cast.

00:18:47And he gets slapped around a bit.

00:18:49But who says I'm nervous?

00:18:50Although it's obvious, you wretch?

00:18:52Here, take it, pay for one month and get out of here now.

00:18:54Why? Did he win the lottery?

00:18:55But hey, what's it to you?

00:18:56What has been given to me or not?

00:18:57Okay, okay.

00:18:58Ah.

00:19:00I know what you're going to do.

00:19:02An eye transplant.

00:19:03I swear to God, I'll shit on your father.

00:19:04for the fifth time today.

00:19:06Unfortunate.

00:19:06So you're a fetishist, huh?

00:19:16Good morning, Leticia.

00:19:18Hey, those panties are mine.

00:19:20You took them off the clothesline.

00:19:22Yes, I need them.

00:19:23I'll give them back to you.

00:19:25Hey, did you just wake up?

00:19:27Or are you going to bed?

00:19:29No, I'm going to bed.

00:19:30But first I'm going to cash a check.

00:19:33Oh, do they pay you with checks?

00:19:34And with credit cards.

00:19:36The oldest profession in the world

00:19:37It is being modernized.

00:19:39Hey, how are you?

00:19:40Well, ah, I looked good.

00:19:43Working.

00:19:43Now I'm going to try this gadget.

00:19:45I'm going with you.

00:19:46Take me to the bank to cash that check

00:19:48and then we'll take a walk around Pontevedra.

00:19:49I'll pay.

00:19:52No, no, no, no, I can't.

00:19:54I would really like to,

00:19:54But today it's impossible for me.

00:19:56Go on.

00:19:57Although I get caught in the dead zone.

00:19:59Okay, Pininfarina.

00:20:00Pininfarina, how's your eye?

00:20:02Well, the good one is coming,

00:20:03The other one was covered up, as always.

00:20:04Pedro, have you ever thought

00:20:07Are we neighbors?

00:20:08Yes, so what?

00:20:09Well, we have two apartments,

00:20:11two beds, two kitchens,

00:20:13two bathrooms, two small tables.

00:20:15Two yogurt makers and two urinals.

00:20:17And?

00:20:17Well, if we could agree

00:20:19We'd manage with an apartment,

00:20:21a kitchen, a bathroom.

00:20:22A yogurt maker and a chamber pot.

00:20:24Well, we would need both urinals.

00:20:27And your job?

00:20:29I would leave it, of course.

00:20:31No, I'm not referring to the one from now on,

00:20:34but to the one behind.

00:20:36Yes of course.

00:20:38You're right.

00:20:39Leticia, I'm sorry,

00:20:40It's because I'm very Spanish.

00:20:41Well, this is what is proposed to you.

00:20:43to a foreigner and accepts.

00:20:44He accepts and walks off, completely unfazed.

00:20:45giving a goring, of course.

00:20:47Okay, I'm going to get changed to go to the bank.

00:20:50and then I'll sleep until eleven at night

00:20:52I'll lift the shutter.

00:20:53It's because you always have the zipper up, daughter.

00:20:55Paco, move the car

00:20:56out comes the one-eyed wanderer.

00:20:57Aliceto!

00:21:07Go.

00:21:11Aliceto, run!

00:21:12I'm coming, I'm coming, I'm coming!

00:21:13Aliceto!

00:21:17What's the matter?

00:21:18That already...

00:21:19But what now?

00:21:20The child is coming.

00:21:23Today, but he's not missing ten days.

00:21:25And you think this is for a fixed date?

00:21:27as if it were a bill of exchange?

00:21:29I don't know, but precisely today

00:21:31You can't let go of it.

00:21:33Don't speak in that tone.

00:21:34of a little piece of your flesh.

00:21:37Blood of your blood.

00:21:38Don't be a pain and call your mom.

00:21:40Mother!

00:21:42My mother is giving her karate class

00:21:44And they don't have a telephone there.

00:21:47Oh!

00:21:49Oh!

00:21:49They occur every three minutes.

00:21:51I must be half a palm's width tall.

00:21:52You're half-baked!

00:21:55What do I know!

00:21:57I don't know, maybe a stomach cramp!

00:21:59Aliceto!

00:22:00A mother knows the difference perfectly.

00:22:03when she is in labor

00:22:05And when is it a stomach ache?

00:22:07Well, I'm sorry!

00:22:08But now you can't have it.

00:22:10No, no, not today, not today.

00:22:11What do you mean, no?

00:22:12If I can't move.

00:22:14If I sneeze

00:22:15And I'll lay the effort on the carpet for you.

00:22:18Damn my face!

00:22:19I'd bang my head against the wall hundreds of times!

00:22:21But he doesn't want it.

00:22:24You hate your own blood!

00:22:27Be quiet, be quiet, be quiet, be quiet.

00:22:28Let me think.

00:22:29Let's see if...

00:22:30That's it!

00:22:31No!

00:22:33I'm going to tell that neighbor of ours...

00:22:35What's it called?

00:22:37Oh yes, Dorothy!

00:22:38Let him come and stay with you.

00:22:40Dorita!

00:22:41He's not the father of my child!

00:22:44Dorita is a fucking piece of shit!

00:22:50Marta, I have to go.

00:22:52At 3 o'clock sharp I have a very important appointment

00:22:55that I can't miss.

00:22:57Whatever happens.

00:22:58Go to bed now.

00:22:59I'll be right back.

00:23:00Sorry, sorry.

00:23:03Sorry.

00:23:04Poor.

00:23:04What a blow he gives him!

00:23:09There you go!

00:23:10But what is he still doing here?

00:23:19My wife has gone into labor.

00:23:22Today?

00:23:23It had to be love someday.

00:23:25I mean, niece.

00:23:27Yes, but precisely today.

00:23:29Okay, I'm going to introduce you.

00:23:31My uncle.

00:23:33The neighbor, Mr. Aniceto García.

00:23:35Nice to meet you.

00:23:36The pleasure is mine.

00:23:37What's he carrying there?

00:23:38They are handkerchiefs.

00:23:39I wear black ones because I'm in mourning.

00:23:42Could you accompany my wife?

00:23:45until her mother comes?

00:23:47What if the child comes first?

00:23:49Also, I'm sorry,

00:23:50But my niece has to accompany me to the analyst.

00:23:54They're going to take my blood, you know?

00:23:57And I get dizzy.

00:23:58Yes, yes, of course.

00:23:59Well, I'll manage.

00:24:01But why doesn't he take her to a sanatorium?

00:24:02That?

00:24:03Because by the time we get there,

00:24:05They give him the room,

00:24:05They fill out a form for him,

00:24:06I missed a very important appointment

00:24:08that I have today.

00:24:09Well, I'm sorry,

00:24:10But we cannot help you.

00:24:13Perhaps another neighbor.

00:24:15Come on, niece,

00:24:17that with this analysis

00:24:18I'm going to be late for work.

00:24:21Yes, yes, let's go.

00:24:22Nice to meet you, Mr. Garcia.

00:24:24Bye bye.

00:24:26Well, yes...

00:24:27Okay, I'm ready now.

00:24:34Am I shitting on myself?

00:24:38Alright,

00:24:39But before going to the sanatorium

00:24:40We'll stop by a bank to...

00:24:42to get some money.

00:24:44Why am I late for the robbery?

00:24:57Okay, wait.

00:24:58I got caught by the traffic light

00:24:58in the dead zone of the eye.

00:25:01Of course, this car won't go

00:25:02because it's not an important car,

00:25:03It's an imported car.

00:25:06Couldn't we take a taxi?

00:25:09A taxi, a taxi.

00:25:11Three nurseries,

00:25:11we have traveled

00:25:12and you didn't like any of them.

00:25:13What do you want, pal?

00:25:15A five-star hotel.

00:25:16What I want

00:25:17It's about not being alone.

00:25:19I have a father,

00:25:19a mother and a grandfather

00:25:21And everyone wants to get rid of me.

00:25:29Well,

00:25:30Come with me.

00:25:33We'll see.

00:25:34Where can I hide you?

00:25:36Go on,

00:25:36that ruin

00:25:37that you have sought me out.

00:25:40Yes, miss.

00:25:42I know the lyrics

00:25:43It expired ten days ago,

00:25:45But like businesses

00:25:46They're not going as well as we'd like,

00:25:47well...

00:25:47We already know,

00:25:48Don Carlos.

00:25:49And if you had come

00:25:50to see each other before the deadline,

00:25:51We would have fixed it.

00:25:52Clear.

00:25:53Now it's difficult

00:25:53because the effect

00:25:54It has been protested.

00:25:55Look.

00:25:55Oh,

00:25:56That's how I have it.

00:25:56of harvested letters,

00:25:57Miss.

00:25:58But please sit down,

00:25:59man.

00:25:59The director

00:26:00I don't think it will take long to arrive.

00:26:01I had some things to do.

00:26:02Don't worry,

00:26:03I'm used to it

00:26:04to stand up.

00:26:05In my profession,

00:26:06It's already known.

00:26:06Listen, beautiful,

00:26:07Turn off this heel

00:26:07which is only 30,000 coves.

00:26:09Just a moment, Mr. Cifuentes,

00:26:10The director needs to see it.

00:26:11Don't tell me any more.

00:26:12Another one who has no funds.

00:26:13What is that?

00:26:15Let's just say it's not common.

00:26:16Look,

00:26:16There's Don Gregorio.

00:26:20Don Gregorio,

00:26:22Give it a little signature

00:26:22to a heel I have there.

00:26:23Although it seems to me

00:26:24which is more false than Judas.

00:26:25Yes, Mr. Cifuentes,

00:26:25I'll attend to you right now.

00:26:27Mr. Bonilla.

00:26:28Yes, tell me.

00:26:29Would you like to do me a favor?

00:26:30of coming to my office?

00:26:31Yes, sir, right away.

00:26:34Don Gregorio, please,

00:26:35some certificates

00:26:36that you have to sign.

00:26:37Now, now I'm coming with you.

00:26:38Don't worry,

00:26:39I'm in no hurry.

00:26:40These papers

00:26:41whenever they're on top of you.

00:26:47It's a beautiful day,

00:26:48Mr. Director.

00:26:49Now, now.

00:26:55Oh, mother!

00:26:57What's wrong, Don Gregorio?

00:26:59No, no, nothing,

00:27:00nothing important,

00:27:01a thud.

00:27:02He's done everything to me like this.

00:27:03He'll have an empty stomach.

00:27:04Do you want me to ask you?

00:27:05A coffee and some churros?

00:27:06No no,

00:27:07They took blood from me.

00:27:09I can no longer give

00:27:10longer

00:27:11to those of the inspection.

00:27:12Because you asked me to,

00:27:13I've been keeping them entertained.

00:27:15But when will it have

00:27:16Are you up to date with those books?

00:27:18You are the main cashier.

00:27:20Precisely,

00:27:21now he was squaring up

00:27:22the numbers.

00:27:24Day after tomorrow,

00:27:26Those gentlemen can come.

00:27:27Glad to hear it,

00:27:28because you already know

00:27:28that these do not allow for delays.

00:27:30Yes, yes.

00:27:43I've been caught in the kill zone.

00:27:44I'll give myself a good beating.

00:27:49Besides,

00:27:50The bank is there to help you.

00:27:50And now you're going to stay put here.

00:28:15And whatever happens,

00:28:17What will happen?

00:28:18You shut up,

00:28:19Hey?

00:28:20Good.

00:28:20We won't be long, will we?

00:28:38No no,

00:28:39It's just a moment.

00:28:41Poor lady.

00:28:42Sit here.

00:28:43I can already feel the contractions.

00:28:44every two minutes.

00:28:48Well.

00:28:49Help me.

00:28:50Help me.

00:28:55But how?

00:28:56I'm going to see you with the same one.

00:28:57What do you want?

00:28:58Well, you, you, you.

00:29:00Oh.

00:29:01No, no, no.

00:29:02I just haven't been able to.

00:29:03Look, little piece,

00:29:04of your flesh, there, there.

00:29:05And that child?

00:29:06He?

00:29:07He?

00:29:08He?

00:29:09Yours?

00:29:09He?

00:29:10He?

00:29:11He?

00:29:12He?

00:29:13He?

00:29:14He?

00:29:15He?

00:29:16He?

00:29:17He?

00:29:19He?

00:29:20Oh, oh.

00:29:39Are you there or are you like this?

00:29:40Very good.

00:29:42Are you there?

00:29:43No.

00:29:44No, no, no.

00:29:45It's just that I've always been caught in a dead zone.

00:29:46No, the last one.

00:29:47Socks.

00:29:48So many stockings.

00:29:49Okay.

00:29:51Now.

00:29:52Let us know.

00:29:53Please understand that I can't do anything else.

00:29:56Yes, Mr. Director.

00:29:57This is a robbery!

00:29:58Nobody move!

00:29:59Everyone freeze!

00:30:00Ah, it says this!

00:30:01Everything to the world!

00:30:03That!

00:30:04All in the air!

00:30:05Everything on the fly!

00:30:06Short people on their knees!

00:30:10This is the fifth round I've witnessed so far this month.

00:30:14What a mess, grandpa!

00:30:15Shut up, kid!

00:30:16Number three in the box.

00:30:19The cashier's tunis at Garantino.

00:30:21That?

00:30:22This joke is really getting to me, it's so hard to understand!

00:30:25Ah!

00:30:26Throw it to the ground and stand aside to tell him off!

00:30:28Oh!

00:30:29And you, Timbiseth!

00:30:30Who is the cashier?

00:30:31The main cashier!

00:30:32This!

00:30:33This!

00:30:34Don't get chipped!

00:30:35Oh, I'm getting so sick!

00:30:36Above!

00:30:37Above!

00:30:38Above!

00:30:39One wrong move and number three will fry them!

00:30:41I mean, these scorch them!

00:30:42Here I come!

00:30:43All!

00:30:44All!

00:30:45All!

00:30:46What are you saying!

00:30:47That's a lot!

00:30:48That's a lot of eight!

00:30:49That's a lot of eight!

00:30:50Come on!

00:30:51Inside!

00:30:52Why did they choose me out of everyone else at the bank?

00:30:54Don't do anything to me!

00:30:55Don't do anything to me!

00:30:56Don't do anything to me!

00:30:57Don't do anything to me!

00:30:58How about number zero?

00:30:59How did we do?

00:31:00Fatal!

00:31:01You piece of shit!

00:31:02Fatal!

00:31:03Didn't it go well?

00:31:04It turned out terribly!

00:31:06I'm going to kill you!

00:31:07Don't move the cicada completely in the belly!

00:31:09In less time than it takes a rooster to crow!

00:31:10Come on!

00:31:11You're going to kill me with this!

00:31:13Damn Bernardo's weaponry!

00:31:15But who is this?

00:31:17My childhood friend, number zero!

00:31:19Ah!

00:31:20The mastermind behind the operation!

00:31:22That?

00:31:23I don't know why he's so angry?

00:31:24What is it?

00:31:25Me, angry?

00:31:26What is today?

00:31:27What time is it?

00:31:28Well...

00:31:29Zero hour.

00:31:30Day nine at ten.

00:31:31It was the tenth at nine o'clock!

00:31:33What is this drunk guy saying?

00:31:35Day ten nine hours!

00:31:37No, no, no!

00:31:38Day nine, ten hours!

00:31:39Clear?!

00:31:40What a load of rubbish!

00:31:41All!

00:31:42I had everything ready for tomorrow!

00:31:44And even if that's the case, what does it matter!

00:31:45We're doing the heist today!

00:31:46Clear!

00:31:47Tomorrow at eight!

00:31:48You bastard with one hundred and fifty million pesetas!

00:31:50They have to stay in storage for twenty-four hours!

00:31:53But now!

00:31:54Open the box!

00:31:56Thirty thousand crazy pesetas!

00:31:58Hello!

00:31:59That's messed up!

00:32:00One moment!

00:32:01One moment!

00:32:02One moment!

00:32:03Let's not get nervous!

00:32:04Are you sure about what you're saying?

00:32:07How safe?

00:32:08I've been preparing this heist for a year!

00:32:13That's really bad!

00:32:14What were these people who got me into trouble?

00:32:16I?

00:32:17Did I confuse you?

00:32:18Did they trick you into being the only one who's an idiot?

00:32:20Well, it doesn't matter, it doesn't matter.

00:32:22I'm not getting married.

00:32:23Already!

00:32:24I already have the solution.

00:32:26Just as we came, we will leave, and in peace.

00:32:29I feel like crying.

00:32:32But why would I suggest it to you if everyone was already stealing your marbles at school?

00:32:38You've always been a little slow!

00:32:41Clear!

00:32:42All this fuss about married, single, and widowed ladies softens the brain.

00:32:46That's it!

00:32:47Well, let's see what we can do.

00:32:51That's it! That's it!

00:32:53Since nobody seems to know anything, we'll take whatever we can, even the small change.

00:32:57And if it goes well, we'll come back tomorrow.

00:32:59Clear!

00:33:00Do you really think a robbery can happen every day like it's some kind of circus act?

00:33:03Can you think of something better?

00:33:05No, no, this isn't a time to waste, is it?

00:33:08Let's stick to the plan.

00:33:09Let's see, it'll come out to about forty pesetas per person, more or less, right?

00:33:13We'll put it in the lottery and maybe we'll win.

00:33:16Look, how's it going, huh?

00:33:17Damn, what a gang you've picked, you little retard!

00:33:20Oh!

00:33:22Okay, let's go.

00:33:23I'm going to put this in, right?

00:33:24I'll put on my panties.

00:33:25Oh, hey, don't forget that you have to take the books that are in my box.

00:33:29Yes, I'll take them.

00:33:30Let's see if I remember, because my memory is failing me...

00:33:32He remembers less about the books.

00:33:33Yes, I'm not going to put books on my head anymore.

00:33:35I'll remember.

00:33:37Aniceto!

00:33:38Don't joke around!

00:33:39And give me back my Sunday stocking!

00:33:41Be quiet, lady!

00:33:42You, keep quiet.

00:33:44Stay put up there, okay.

00:33:46We're leaving!

00:33:47That?

00:33:49What do you mean, turnips?

00:33:50We're leaving, we're just a bunch of robbers who come and go.

00:33:52But why?

00:33:53There's not a penny here.

00:33:55There is no money in a bank.

00:33:57No, not this one.

00:33:58What a load of rubbish these robberies are!

00:33:59Okay, let's go.

00:34:00But what are you doing with that gun?

00:34:01Hey?

00:34:02Oh no, it's just that I was supposed to cash a check and they don't want to pay me willingly.

00:34:06But I'll be back tomorrow.

00:34:07They don't know me at all!

00:34:09Aniceto!

00:34:10That?

00:34:11What mess have you gotten yourself into?

00:34:12No, not anymore, no, no.

00:34:13It's coming!

00:34:14Another contraction, wait!

00:34:15Gasp!

00:34:16Gasp!

00:34:17Gasp!

00:34:18One, two!

00:34:19Don't hold it in, fart, fart!

00:34:20Everyone freeze!

00:34:21Now we're leaving!

00:34:23Hey?

00:34:24What's your name, shorty?

00:34:26Hold it for me.

00:34:27Come on, come on, metalladora, hold on here for a moment.

00:34:30The books?

00:34:31Hey?

00:34:32My books?

00:34:33There in the box?

00:34:34Ah, yes.

00:34:35Number two, go to that box and bring me all the books you see.

00:34:38Pounds, that is, coins, foreign currency, gold, gold.

00:34:41No, no, no!

00:34:42Books, books!

00:34:43Accounting books!

00:34:44Well, I ask myself, what do we want that for?

00:34:46Don't argue and bring them along!

00:34:47Wow!

00:34:48Come on!

00:34:49Pant, pant!

00:34:56Oh, mother!

00:34:57I've been hit by bullets!

00:34:58How eager was he?!

00:34:59You made me pull it out with your hand, it was a real grace!

00:35:01Down, friend!

00:35:03I'm going to burn it!

00:35:04Grandpa, you're meaner than JR!

00:35:06Acerpisa number two!

00:35:08Yes, yes, yes!

00:35:09They're here!

00:35:10Already!

00:35:11Ah!

00:35:12What a beast!

00:35:13What happened?

00:35:14Here I dropped the book on a red button.

00:35:17Is that bad, I ask you?

00:35:18The alarm has been triggered!

00:35:19And the door closes automatically!

00:35:21And it's connected to the district police station right next door!

00:35:24Oh my God!

00:35:25We've screwed up!

00:35:26Oh, my love, right now!

00:35:28Wow, what a day!

00:35:29Now this is a fun heist!

00:35:31Grandfather!

00:35:32I need to pee!

00:35:33Oh, kid!

00:35:34Please!

00:35:35No, not you!

00:35:36Give it to me!

00:35:37Please!

00:35:38No, not you!

00:35:39Give it to me!

00:35:46We've fallen into the trap!

00:35:50No one can open that gate!

00:35:52How do I open this?

00:35:53No, no, no!

00:35:54Don't know!

00:35:55The alarm has never gone off!

00:35:56By these damned books!

00:35:57Hey!

00:35:58In movies there's always an exit through the back!

00:36:01Not here!

00:36:02There's none of that here!

00:36:03No!

00:36:04Turn off the alarm or I'll kill you!

00:36:05Yes, yes, yes, yes!

00:36:06Come on!

00:36:07I'm coming, I'm coming, I'm coming!

00:36:08Here!

00:36:09Come on, hurry up!

00:36:10Come on!

00:36:11Come on!

00:36:12Come on!

00:36:13Come on!

00:36:14Get out of here!

00:36:15Yes, yes!

00:36:16Already!

00:36:17Already!

00:36:22Let's go!

00:36:23This is now open!

00:36:24Okay, take a step!

00:36:25I didn't do it here!

00:36:26I didn't do it here!

00:36:27Don't even think about following us!

00:36:28We've got a real downer!

00:36:29What is crying?!

00:36:30Grandfather!

00:36:31Let's get a bank that has plastic!

00:36:32Shut your mouth, kid!

00:36:33Come on!

00:36:34Number one!

00:36:35I can't, Aniceto!

00:36:36My water just broke!

00:36:37Your mother's a whore!

00:36:38Run away!

00:36:39Can't!

00:36:40I'm full of water!

00:36:41Well, go swimming!

00:36:42No!

00:36:43Let's not waste any time!

00:36:44Help me!

00:36:45We have to get this fool out of here!

00:36:46Aid!

00:36:47Come on!

00:36:48Come on!

00:36:49Calm down!

00:36:50Come on!

00:36:51Calm down!

00:36:52Come on!

00:36:53Listen!

00:36:54These things should be left alone!

00:36:55Now!

00:36:56Now with mine!

00:36:57Ale!

00:36:58Ale!

00:36:59Ale!

00:37:00Let no one tell us!

00:37:01If you see the sun falling, something soft!

00:37:02Grab it!

00:37:03He's your son!

00:37:04What a shame we escaped!

00:37:05What kind of car is that?

00:37:06This?

00:37:07Are we not going to fit five people in this car?

00:37:09Six!

00:37:10There will be six of us!

00:37:11What's wrong with this car?

00:37:12It's the smallest in the world!

00:37:13Ah, I see, I see!

00:37:14Okay, folks, calm down.

00:37:16They've already left.

00:37:17Fortunately, nothing happened.

00:37:20Ha ha!

00:37:21The police siren can already be heard!

00:37:24The police?

00:37:25The police!

00:37:26He knows who he can!

00:37:27They've been besieged!

00:37:28What do we do?!

00:37:29Back to the bank again!

00:37:30We've gotten rid of them!

00:37:31They'll never come back here!

00:37:33This is another attack!

00:37:34Hey?

00:37:35But who told them to get up?

00:37:37Everyone on the ground!

00:37:38Get down!

00:37:39Get down!

00:37:40To the sofa!

00:37:41To the sofa!

00:37:44Close the gate!

00:37:45Shut up, you bore!

00:37:49What day, what day am I?

00:37:50Pedro, what are you doing here?

00:37:51And you?

00:37:52To cash my check?

00:37:53Go away, go away!

00:37:54I don't feel like it, damn it!

00:37:55What's happening?

00:37:56What is this for making a pension?

00:38:00The police! The police are here!

00:38:01Come on, come with me!

00:38:02Come on!

00:38:03We will die fighting!

00:38:04It's hit me, it's hit me, it's hit me!

00:38:05Did he get hit by the bullet?

00:38:06Motion sickness!

00:38:07This didn't happen with the other one!

00:38:08No!

00:38:09No!

00:38:10No!

00:38:11No!

00:38:12No!

00:38:13It hit me, it hit me!

00:38:14It hit me, it hit me!

00:38:15Did he get hit by the bullet?

00:38:16Motion sickness!

00:38:17This didn't happen with the other one!

00:38:19No!

00:38:20It's not possible that you're a robber.

00:38:37Okay, we'll talk later.

00:38:38Now hide, lest they shoot.

00:38:43Come on everyone!

00:38:44We have to get even pregnant women out of the line of fire.

00:38:47Come on!

00:38:50Come on! Grab her by the sword!

00:38:52Wait a minute! This woman is about to give birth!

00:38:54Be quiet! The child is mine and he will leave when I want him to!

00:38:58Don't worry, ma'am.

00:38:59Since there are so many of us, someone will pick it up on the rebound.

00:39:02What do we do now?

00:39:04Are you asking me?

00:39:06Who am I going to ask?

00:39:08I don't know.

00:39:09You're the robbers, aren't you?

00:39:12Now that the police have arrived, has the robber shown me anything?

00:39:14What is the railing looking at?

00:39:17Anifeto!

00:39:17I know myself, and if I start giving birth, I won't stop.

00:39:21Don't yell at me, it makes me nervous!

00:39:23Everyone be quiet!

00:39:24The leader of the robbers needs to think.

00:39:27Let me think.

00:39:29Hurry, hurry.

00:39:31The alarm!

00:39:32I haven't touched the alarm again here, or I'll break it.

00:39:34It's the phone!

00:39:35What I do?

00:39:35I'll take it.

00:39:36One moment!

00:39:36You, who are the most important thing!

00:39:39Grab it!

00:39:40Careful, careful.

00:39:41It must be a customer.

00:39:42Be careful with the...

00:39:43Well, tell him it's closed due to death.

00:39:45Be careful.

00:39:50Tell me, don't squeeze, it's very cold.

00:39:55The police.

00:39:56What do they want?

00:39:57Maybe apply for a loan.

00:39:59Ask them.

00:40:00What, what, what, what, what do they want?

00:40:03What do they want?

00:40:05Enter?

00:40:06Hang up.

00:40:08What do you do?

00:40:09I don't know.

00:40:10I hadn't planned for any of this.

00:40:13Come on, everyone to the sotero!

00:40:14Damn my father, I love him so much!

00:40:16Number three, control them for me.

00:40:18Disconnect the phones.

00:40:19And if anyone tries to mess with us, take them out.

00:40:22Okay, Aniceto García.

00:40:23No name, number three, you almost give the address.

00:40:26Okay, Aniceto number one.

00:40:27Come on, step on it, Ren.

00:40:29It goes, it goes, it goes down.

00:40:30Come on, you too.

00:40:35Hey, Aniceto, excuse me, number one.

00:40:37Let's see.

00:40:37Okay, you, turn on the lights downstairs, come on.

00:40:40And no joke, we're watching.

00:40:43Oh, oh, oh.

00:40:44Come on.

00:40:45Find a maternity bed, come on.

00:40:47I didn't lower my head; I let it out through my mouth.

00:40:52Okay, calm down, nobody get nervous.

00:40:54Yes, commissioner.

00:40:55Do you have any change for the phone?

00:40:57Well, I've already spent what I had.

00:41:00Oh man.

00:41:01I came to this police station convinced that it was a boring area.

00:41:03Because you don't know her well, but there's everything here.

00:41:06Anything but coins, hard cash.

00:41:09Oh.

00:41:09Five pesetas, we'll talk later.

00:41:11Give me the number for that bank.

00:41:12Moron!

00:41:13You're an idiot!

00:41:16But how can you attack a bank staffed by an old man, a child, a woman in labor, and a one-eyed man?

00:41:21Hey, hey, a one-eyed man who sees better than you has slept, you wretch.

00:41:24But how can anything happen if you're asleep?

00:41:26Don't argue.

00:41:27But he's calling me one-eyed.

00:41:29And you're not one-eyed.

00:41:30Yes, but only from this eye.

00:41:31If one of them were blind in one eye, you'd be in trouble.

00:41:32I wouldn't be blind.

00:41:33Shut us up!

00:41:34Well, the truth is that we're in a trap.

00:41:36He's already blind.

00:41:37Pay attention now.

00:41:39What do we do?

00:41:40Will it be the police again?

00:41:42Leave it to me.

00:41:45Banco Mistral.

00:41:46The bank where your savings are held.

00:41:48Tell me.

00:41:50Yeah.

00:41:51Yes, commissioner.

00:41:52He's the commissioner.

00:41:53He's the commissioner.

00:41:54He's the commissioner.

00:41:55I am Facundo Bonilla, the head cashier.

00:41:57The assailants are demanding that I be the one to contact you.

00:42:01Very good.

00:42:02Glad to hear it.

00:42:03Can you speak?

00:42:04Can't you hear me properly?

00:42:06No, that's not what I mean.

00:42:08You are alone.

00:42:09Oh, no, no, no, of course not.

00:42:11Okay, then answer yes or no to the questions I ask you.

00:42:15Understood?

00:42:15Ah, yes.

00:42:17Understand.

00:42:21Go ahead, commissioner.

00:42:23Do they have weapons?

00:42:24Yes, yes, yes.

00:42:26Yes, yes, yes.

00:42:27Are there many?

00:42:28Many.

00:42:29Many, many.

00:42:30Tell me there are many.

00:42:31There are a lot of them, come on.

00:42:32Come on, more here, more here.

00:42:33Double, double.

00:42:35Common criminals?

00:42:37Ah, well they don't look like...

00:42:39Get that machine gun away from me!

00:42:42What are you saying, man?

00:42:43Put it straight!

00:42:45They are from the far right.

00:42:47What a mess.

00:42:48Do we know which party?

00:42:49You're pulling the trigger and you're going to blow my guts out.

00:42:53What did you say?

00:42:55Game?

00:42:57Things here are hardly conducive to playing football.

00:42:59Tell them we want to go out.

00:43:00Tell him with intention.

00:43:01They say they want a ransom.

00:43:05No, no, no, I left.

00:43:05I left.

00:43:06Help the workshop!

00:43:07Aid!

00:43:09500 million pesetas.

00:43:11Ah, you've passed it.

00:43:12And a bonus for the World Cup.

00:43:14You ask, and just for the sake of asking, that's not right...

00:43:16They won't let me speak anymore.

00:43:18I'm sorry, commissioner.

00:43:20He already knows.

00:43:21500 million.

00:43:23As?

00:43:24That?

00:43:25Ah, they tell me it's in old 100 peseta notes.

00:43:28We're not saying anything.

00:43:29Come on, we're not stupid.

00:43:31I can't say any more.

00:43:32Bye bye.

00:43:33Oh, one more thing.

00:43:35No one should approach the door.

00:43:37They have her under surveillance.

00:43:39And if they try to enter, they will kill a couple of hostages.

00:43:41And they will send you the livers by mail.

00:43:45Bye bye.

00:43:45I have to hang up.

00:43:46500 million.

00:43:50200 more than Spanish Television.

00:43:52But how are they going to give us that?

00:43:54They will give it.

00:43:55You'll see.

00:43:56They will give it.

00:43:57We each paid 125.

00:44:00Careful, careful.

00:44:00I think you see things wrong there.

00:44:02No, no, no.

00:44:02That's 100 million for each of you.

00:44:05I 200.

00:44:06That's what I'm the brain for.

00:44:07Pedro!

00:44:07But does that woman know you?

00:44:09Yes, she's one of my neighbors.

00:44:11Put it here, man.

00:44:12Ah, yes, yes, yes.

00:44:13That woman wants to talk to whoever the father is about what they are going to do.

00:44:16It's very urgent.

00:44:18You, keep watch.

00:44:19Okay, take a look, okay.

00:44:20And you come first.

00:44:21And don't do anything stupid or I'll shoot you with the mackerel.

00:44:23Yes, yes, yes, sir.

00:44:24But be careful, Mr. Robber, your little secret just went off, huh?

00:44:27Come on, come on.

00:44:29So this was the car test that I couldn't accompany you to.

00:44:32Shut up, Ren!

00:44:33If you needed money, you could have asked me for it.

00:44:36I have some savings.

00:44:37No, money is not what interests me most in this matter.

00:44:42So?

00:44:43Well, you have to be someone.

00:44:44I have always been One-Eyed Peter.

00:44:47And with this robbery, well, I don't know.

00:44:49I think it could be more important.

00:44:51I don't like important men.

00:44:54Yes, but you go with the ones who have a Mercedes and two eyes.

00:44:58With this money you could buy yourself a Mercedes, if the robbery had gone well.

00:45:02But could you have two eyes?

00:45:09But, how unpleasant you can be sometimes, Leticia!

00:45:13She's incredibly unpleasant, isn't she?

00:45:14Oh, what a shame!

00:45:16I'm going to have a son, Ren, because of his father's bad head.

00:45:19Poor!

00:45:20Be quiet, ma'am.

00:45:21This will be over soon and everyone can leave peacefully.

00:45:23Tell them about the conversation we had with the police, okay?

00:45:25Yes sir.

00:45:27These scoundrels...

00:45:28Hey, cashier!

00:45:29Excuse me, excuse me.

00:45:31These gentlemen robbers,

00:45:32They've demanded a ransom for us.

00:45:35And how much did they order?

00:45:36500 million pesetas.

00:45:38500 million?

00:45:39Well, we're ready.

00:45:40They can start shooting now.

00:45:41But it's crazy!

00:45:42Who's going to give up that fortune?

00:45:44Clear.

00:45:44Well, I don't know, but someone will give it.

00:45:45These gentlemen say that the bank itself...

00:45:48That is!

00:45:48Hey!

00:45:49A ham!

00:45:50What do you know, ma'am?

00:45:51No, no, no.

00:45:52I want diced ham.

00:45:53And a little bit of sherry.

00:45:55Man, I have a craving!

00:45:56That's all we needed!

00:45:57Have you seen the pain in the ass?

00:45:58That's impossible.

00:45:59Forget it!

00:46:00No, I can't!

00:46:01I don't have it in here!

00:46:03Well, one of my daughters had a craving for a strawberry.

00:46:06They didn't give it to her and the child came out with a strawberry on his butt.

00:46:09Do you see it?

00:46:10Do you see it?

00:46:11Just imagine if our first child is born with a ham up his ass.

00:46:15Come on, don't talk nonsense.

00:46:17You, keep watch.

00:46:18And don't say that child is going to be mine.

00:46:20I didn't know this lady until we happened to meet at the entrance of this place.

00:46:23Look, I'm not going to rip your eyes out because I might let go from the effort.

00:46:28But, alas!

00:46:29Oh, another contraction!

00:46:31It's coming, my love, it's coming.

00:46:37Come on, get in with me.

00:46:38It's Aniceto!

00:46:39Ham!

00:46:40I've got it tucked away here!

00:46:42Come on, get in!

00:46:43Yes, yes, don't get nervous.

00:46:44Hey, you little retard, don't hit me in the ribs with the gun, you're hurting me.

00:46:48You shut up and pick up the phone!

00:46:49Let your father take it!

00:46:51Don't address me informally, don't yell at me!

00:46:52Oh!

00:46:53Excuse me, Mr. Robber, but it makes one nervous.

00:46:57It's not...

00:46:57Pick up the phone!

00:46:59Yes, right away.

00:47:01Banco Mistral, your savings bank.

00:47:03Tell me...

00:47:04Yes, man, I'm here for savings.

00:47:06If you saw my monthly treasure chest.

00:47:07He's the commissioner.

00:47:08Yes, I know.

00:47:09Yes, Mr. Bonilla.

00:47:11I am Commissioner Gonzalez.

00:47:13Could I speak to the leader of the assailants?

00:47:15No?

00:47:16Well, I'll speak through you.

00:47:19This is the amount requested.

00:47:21No, I don't think it's too little or too much.

00:47:23I have conveyed the demands of those people, but I am waiting for orders.

00:47:27They better not take too long to respond because these men don't mess around.

00:47:32Oh!

00:47:32What have I done?

00:47:33No, no, no, nothing.

00:47:34No, no, for the moment they are treating us well, but it's not a good idea to make them nervous.

00:47:39No, I don't get nervous, son.

00:47:41No, no, we don't need anything.

00:47:43Yes, yes, yes, we need it.

00:47:44Yes, yes, yes, we need a moment.

00:47:46What do we need?

00:47:47Yes, one moment.

00:47:48The fact that?

00:47:48He's in no hurry.

00:47:49That woman is about to give birth.

00:47:50Oh, really?

00:47:50What do we do?

00:47:51Call your mother, Sima Casilda.

00:47:55This is the phone number.

00:47:57Good.

00:47:57Oh, and they should bring a Jabugo ham and a bottle of sherry.

00:48:03Oh, and food for everyone.

00:48:04And twelve grapes per person and the Christmas tree in case this goes on for a while, eh?

00:48:08We want some ham, ham, Jerez wine, about twenty breaded fillets and twenty Spanish omelets.

00:48:16And don't you fancy some French toast with honey?

00:48:19Okay, okay.

00:48:20Uh, who?

00:48:23A lady?

00:48:24Doña Casilda.

00:48:26Okay, see you later.

00:48:29Is there a cheap restaurant around here?

00:48:31And several?

00:48:31So pick one and have them prepare this.

00:48:33Be very careful, and don't even think about shooting, or even moving.

00:48:49Don't worry, Misa.

00:48:51But what is this?

00:48:53Why have you brought me here?

00:48:55This is it.

00:48:56Yeah.

00:48:56Ma'am, please come in.

00:48:58Me? Why?

00:48:59I have nothing to do with this mess.

00:49:01Ma'am, your daughter is down there, about to give birth.

00:49:04Huh? My daughter?

00:49:05My poor little daughter!

00:49:07Oh!

00:49:10Take me, Lito.

00:49:11They're starting to give us what we've asked for.

00:49:13We're going to be rich.

00:49:22Stop that woman!

00:49:24Madam, turn around.

00:49:28Honey, what happened to you?

00:49:29Have they hurt you?

00:49:30What are you doing here?

00:49:31Put down the gavel!

00:49:32But...

00:49:33My life!

00:49:34But, Dorita, what am I doing here?

00:49:36It's there too.

00:49:37You have no shame.

00:49:39You're involved in my boss's mess, the railing...

00:49:43Of course, that's why this gentleman recognized my face.

00:49:47Tito.

00:49:48Your neighbor.

00:49:51Clear!

00:49:52And the woman in labor is the one we have below.

00:49:54But you brought it along, love.

00:49:55I haven't been able to get rid of it.

00:49:57I'm calling the police right now!

00:49:59You'll see.

00:50:00And a ham, because we're in the middle of a robbery.

00:50:01And you can solve the problem of the horns another day.

00:50:04And nobody touch this shitty ham, okay?

00:50:05It's for the craving of the woman in labor.

00:50:07And they are still there with an unknown number of hostages, waiting for an answer about the money.

00:50:11Already.

00:50:11Well, that's 500 million.

00:50:15How many assailants are there?

00:50:16No, it's not known.

00:50:17We spied on them with binoculars and there could be 12 or 14 of them.

00:50:21We also don't know who the boss is because we always talk to the bank teller who acts as spokesperson.

00:50:25Already.

00:50:26And his political affiliation?

00:50:28Well, you can't assume anything based on the requests.

00:50:31But in one of the conversations they let slip a phrase that makes me think that they are, with your permission, far-right.

00:50:37Oh my God.

00:50:39Unpleasant business, commissioner.

00:50:41Ase, boss, boss.

00:50:42No, boss.

00:50:43I suppose he won't allow journalists, radio, or television...

00:50:46No, no, no. Everything's cordoned off, boss.

00:50:47Yeah.

00:50:48It's just that, you see, with the World Cups right around the corner.

00:50:51A mass kidnapping, if we're going to talk about it, can give an international impression of distrust.

00:50:56That's true. They haven't shown the slightest sporting consideration.

00:51:00For now, give him what he asks for.

00:51:02Yes, yes, whatever you ask for.

00:51:02Except for the money, of course.

00:51:04Money, of course.

00:51:05Let him get tired, let him get bored.

00:51:06Yeah.

00:51:07And that nothing gets leaked to the news media.

00:51:11And let me know if anything new happens.

00:51:13Yes, yes. At your service, boss.

00:51:14Bye bye.

00:51:26Mr. Minister, it appears they are far-right.

00:51:30Don't worry.

00:51:32I have given orders for an absolute blockade.

00:51:34Yes, yes, sir.

00:51:35Yes, yes, sir.

00:51:36As soon as I know something, I will let you know.

00:51:39At your service.

00:51:40Do you see it?

00:51:40They are keeping an eye on us.

00:51:41Now you'll see.

00:51:43Tell me.

00:51:44Yes, community member, it's me.

00:51:50The cashier, the cashier.

00:51:51I speak with difficulty because I have a split lip.

00:51:54Nobody has broken anything of yours.

00:51:55What does it say?

00:51:56They got angry because the bags weren't pure.

00:51:59And the cognac was from Gaddafa.

00:52:01Ah.

00:52:03What is he pretending to be?

00:52:04What do you want?

00:52:05He says you have behaved badly and has set a deadline.

00:52:08If they are not here with the money within the next few hours, they will start killing a hostage.

00:52:12hour.

00:52:13What is he pretending to be?

00:52:13Wait, don't hang up.

00:52:15They also want a bus to take them and the hostages to a plane that will be

00:52:20Prepared at Barajas Airport with fuel for twelve hours of flight.

00:52:27Oh!

00:52:28Nothing, it's just that now they've split my other lip.

00:52:32Bye bye.

00:52:33How are you?

00:52:34I mean, how's it going?

00:52:35Come on, tell them what they told me before.

00:52:37Well, on one occasion my...

00:52:40Ah, the cheap one, yes.

00:52:41He told me that a very important client, a count or something, had put in one of

00:52:46The safe's private chests contained a pile of jewels worth a fortune.

00:52:52Sure?

00:52:53And how could I not know?

00:52:54Would he personally attend to the client because it was so important?

00:52:57Clear.

00:52:58I had never been told the truth in this house.

00:52:59But the box has a delayed opening mechanism.

00:53:01Hey, what's this about a sliced opening?

00:53:04No, retarded.

00:53:06You see, it only opens at certain times.

00:53:09It is scheduled to open at ten in the morning for takeout.

00:53:12And at seven thirty to start the day's activities.

00:53:14Are you following me?

00:53:14Ten minutes to go.

00:53:16Let's go.

00:53:17What are we waiting for?

00:53:18Keep your guard up.

00:53:18Don't worry.

00:53:19Here it seems as if nothing is happening.

00:53:21Grandpa, aren't you going to call Mom and Dad again?

00:53:31No.

00:53:32We've already left them the message.

00:53:33They will give it to him.

00:53:34But don't talk about this, because my friends...

00:53:37They might not like that I called outside.

00:53:39Scoundrel, murderer.

00:53:51That I've let slip.

00:53:52He's going to kill us both.

00:53:54Watch out, the meatball is coming that way.

00:53:55Here it comes, here it comes.

00:53:56But what's wrong with this crazy woman?

00:53:57Does he have it in for me completely?

00:53:59Why did she leave her daughter pregnant?

00:54:00Well, it's not that big of a deal.

00:54:02Shameless.

00:54:03And what are you doing here, neighbor?

00:54:04Ah, of course.

00:54:07She's the mistress of the bank manager who's there.

00:54:09Yes, ma'am.

00:54:11That bitch of a lover of mine got involved with that scoundrel and she's the mastermind behind this robbery.

00:54:14It certainly seems unbelievable.

00:54:16A lover doing that.

00:54:18Street, street, street.

00:54:19But he's also been involved with the neighbor.

00:54:22I'll kill him!

00:54:23Oh, oh, oh, oh, oh!

00:54:24Ma'am, be careful with the snacks.

00:54:26Meatball, don't get all worked up...

00:54:28Be careful, it's got a sharp tongue and when it gets angry it bites.

00:54:31That poor daughter is going to give birth any minute now.

00:54:34Her water has broken!

00:54:35Gentlemen, that's true.

00:54:37That woman should be removed from here.

00:54:38Okay, so what do we do, boss?

00:54:40I don't know.

00:54:41Why are you asking me?

00:54:42You are the robbers.

00:54:44That's the boss.

00:54:45That one, that one.

00:54:45What do we do?

00:54:45Everyone stay put for a moment!

00:54:47Nobody's moving!

00:54:47You shut your mouth or I'll shoot you in all the teeth you'll never eat a single cake in your damn life.

00:54:53Follow me, number two.

00:54:55Oh, oh, oh, oh!

00:54:56That?

00:54:56The most dangerous moment of the entire robbery.

00:54:58Honey, your little piece of flesh is about to see the light of heaven.

00:55:06Already.

00:55:06Could it be fluorescent light?

00:55:08Okay, ma'am, a doctor will be called.

00:55:10One moment.

00:55:11Excuse me.

00:55:12There is a gynecologist here.

00:55:14Who here is from that?

00:55:15Stay put!

00:55:15Be quiet, miss!

00:55:16But, Don Carlos, out of humanity...

00:55:18But why didn't you say so before, you little devil?

00:55:20Yes, sir, but I stopped practicing many years ago.

00:55:23Well, you will take care of that lady, and if you see that things are getting out of hand, let me know so I can take the appropriate measures.

00:55:28Yes sir.

00:55:28Families will be impatient.

00:55:30Sure, sure.

00:55:30Don't worry, we'll leave tonight and everyone will be free.

00:55:33But what is he saying?

00:55:34What's crazy?

00:55:35No, no, no!

00:55:36Holy shit!

00:55:37And damn it!

00:55:39Number two, control them for me.

00:55:40What has been lost?

00:55:41Listen to it, everyone.

00:55:42Let's do it outside!

00:55:42If it doesn't stop you from perceiving it, let it not be the throat on guard.

00:55:44Would you do it to me?

00:55:45Yes, sir, yes.

00:55:46I know precisely, that it's not sailors at the helm, but...

00:55:49Yeah.

00:55:49And it's because of purple cells, that's clear, isn't it?

00:55:51Have you seen what a temper I have, huh?

00:55:53But he's frozen solid.

00:55:54And this one?

00:55:55No, she's a neighbor of mine, it's not important, is it?

00:55:57Ah!

00:55:57No, no, no, no, no, no, no, no.

00:55:59I absolutely cannot accept this.

00:56:01This one brings up his own mess, which turns out to be that she's my director's lover.

00:56:04And the one-eyed man takes just any woman into the feast.

00:56:07Hold my hair, man.

00:56:08Listen, you wretch.

00:56:09Hey, please!

00:56:10Leave him alone, Pedro, leave him alone.

00:56:11I don't feel like it.

00:56:12Come on, no matter how smart he is, I don't authorize him to mess with my fiancée.

00:56:15Well, the buccaneer is right here.

00:56:16And you have to be very careful.

00:56:18Damn it, go ahead, what bad luck I have.

00:56:19Blow on me, blow on me.

00:56:21Sorry, it's just nerves.

00:56:23Oh, what a relief!

00:56:23Time is going to pass!

00:56:25What time?

00:56:26We're going to open the box.

00:56:28Ah!

00:56:28It may be full of jewels.

00:56:30Hey, who has the key?

00:56:32Me, me, me...

00:56:34I have a key, you know?

00:56:36But to open the box you need another one, which the director has.

00:56:38She will give it to us.

00:56:39What do you mean, no?

00:56:40Come on, I'll smash his liver.

00:56:41No, we don't need to go that far.

00:56:44Go get him and keep him entertained for a while.

00:56:47About two minutes.

00:56:49And you, Facundo, drop your pants and you'll see what I'm going to do to you.

00:56:54Hey?

00:56:56Listen, number two, I, I'm very scared.

00:56:59This birth is very early.

00:57:01I need alcohol, towels, sheets, and...

00:57:03And a doctor.

00:57:04Okay, seriously, why is he so nervous?

00:57:06Because...

00:57:07Come here.

00:57:08My poor little daughter, for sleeping with a man.

00:57:11Oh, Mom, who was I going to sleep with?

00:57:12With a spider crab.

00:57:14By the way, I'm craving a spider crab with a little bit of Ribeiro wine.

00:57:17It's just that I...

00:57:18Yeah.

00:57:19I stopped practicing medicine more than twenty years ago.

00:57:23Oh, he retired?

00:57:24Well, this is an emergency that doesn't have...

00:57:25The police removed me.

00:57:27Huh?

00:57:28I used to do...

00:57:31The opposite, of bringing children into the world.

00:57:34Already.

00:57:35Well, don't worry, come on, there are sons of bitches in every profession.

00:57:38That's not it...

00:57:39You are right to call me that.

00:57:41I've called myself worse things since then.

00:57:43Well, more than a son of a bitch, well, if there isn't one, come on, that I know of, right?

00:57:45And my conscience has certainly been bothering me.

00:57:47Yeah.

00:57:48Well.

00:57:49Well, be very careful with what our option has in store for him, because I'm not going after the guy.

00:57:52He already has the rod, all the shots.

00:57:54Go over there, go over there.

00:57:55You bald man, come here.

00:57:57And with...

00:57:58I don't know, with Uncle Ernesto and I rented the first two.

00:58:01And why me...?

00:58:01Go away!

00:58:02Oh yes!

00:58:04What happened here?

00:58:06But what has he done to my employee?

00:58:07Oh, my dearest mother and my heart!

00:58:11What happened, Mr. Bonilla?

00:58:13What do you want me to do, open the strong gate for you?

00:58:16And you will have refused.

00:58:18Clear!

00:58:18Very well done.

00:58:20But when I refused, that satyr forced me to lower my pants.

00:58:26Hey!

00:58:27You don't say!

00:58:28He's also from the opposite side of the street.

00:58:30I bet I'll smash his head in.

00:58:31I wish those had been his intentions.

00:58:34Ah!

00:58:35But it's been worse.

00:58:36Ah, boss!

00:58:37I know where this is going.

00:58:38Man!

00:58:39Denying me even a tiny little key.

00:58:40But what has he done to this degenerate?

00:58:42He placed me right up against the corner of that table, put one of his testicles on top of me, and grabbed

00:58:51the hammer and is pointing me towards her.

00:59:00And of course, at the first blow.

00:59:03No, not the first one, because since he's a bit of an idiot, he hit his own finger.

00:59:09Well, he's never been very good at cracking eggs, has he?

00:59:11But the second time...

00:59:13Oh!

00:59:14Oh!

00:59:15Well, but you won't have given in.

00:59:18Until it hit me in the other one.

00:59:20Oh!

00:59:21Also in the other one.

00:59:23And why didn't it have three?

00:59:25Naturally.

00:59:26Because?

00:59:26Where have I put what I took from him?

00:59:29Don't tell me, boss, that he knocked it off with a hammer.

00:59:31Hey, that's it!

00:59:32He gave it to you, Mr. Bonilla!

00:59:34And most importantly, he told me that you need a hammer to open that box.

00:59:41A key that you have!

00:59:43Oh!

00:59:44That too?

00:59:45I thought you were more of a man, Mr. Bonilla.

00:59:48Well.

00:59:49Come on, pull down your pants and deposit your testicles here.

00:59:53I?

00:59:53Oh!

00:59:55It's so hot in here!

00:59:57Your turn, Mr. Director!

00:59:58Come on!

01:00:01This is the key to the safe, the key to my office, the key to the entrance of my house, the key to the armored door.

01:00:07And this little one is from my daughter's pencil case.

01:00:09Here, I'll give them to you.

01:00:10Well, you can't take it anymore, Mr. Director.

01:00:15I'm sorry, Mr. Bonilla.

01:00:18You may recover, but I only have one.

01:00:21And if I...

01:00:22Come on, monkey!

01:00:31Come on, monkey!

01:00:32Come on, monkey!

01:00:33Come on, monkey!

01:00:34Come on, there are only a few minutes left.

01:00:36Take.

01:00:37Come on, come on, sir.

01:00:39Come on, look at the pants.

01:00:40Come on!

01:00:41Throw them yourself!

01:00:42Careful, your thong is showing.

01:00:43Ani, challenge!

01:00:44What's happening?

01:00:45There's a woman upstairs asking for someone named Facundo Bonilla.

01:00:49For me?

01:00:50And how did they let it happen?

01:00:51It comes with a police report.

01:00:53But how do you abandon your post?

01:00:54Don't worry.

01:00:56Keep an eye on my grandson.

01:00:57You're crazy?

01:00:58And the machine gun?

01:00:59He's putting it together.

01:01:00That?

01:01:01Is the kid causing trouble?

01:01:02Yes, we've taken it apart.

01:01:0464 pieces are produced.

01:01:06Who would have thought, huh?

01:01:08We were so bored.

01:01:09But she has it almost complete.

01:01:11Okay, what do I do with the emissary?

01:01:13Let it go down.

01:01:14Let it go down.

01:01:15Let him come down, come on.

01:01:15Let it go down, let it go down.

01:01:19It's opening now, it's opening now.

01:01:22Now by the hands.

01:01:24Good afternoon.

01:01:34My wife.

01:01:35What are you doing here?

01:01:36I was worried, my love.

01:01:38This is crazy.

01:01:39But I love you so much that I'm willing to do anything for you.

01:01:44You're crazy, girl.

01:01:46Get out of the way, you fool.

01:01:48My life.

01:01:49Daniela, mine.

01:01:50Facundo, what is my wife?

01:01:51I know, you introduced us.

01:01:53I'll kill you, you adult, you scoundrel.

01:01:57Just a moment, just a moment.

01:01:59This is not a bank of horns.

01:02:02We'll discuss it later.

01:02:03Now let's collect the jewelry.

01:02:03So why do you care about that woman, when you have me?

01:02:06Well, then he'll choose between his wife, his lover, and the mother of his child.

01:02:10Now let's go for the jewelry.

01:02:11Come on, let's go.

01:02:11And that's that.

01:02:13Cool.

01:02:14Amazing.

01:02:14How beautiful.

01:02:20Of course, as I have always seen her as an employee.

01:02:23How beautiful she is.

01:02:27All the boxes have their own lock.

01:02:28You've already brought the blowtorch, haven't you?

01:02:30Well, use it.

01:02:31Hey, what should I do?

01:02:31I'm opening them all because there's enough work here for a month.

01:02:33Mercedes.

01:02:34The cashier.

01:02:36She may know.

01:02:37I'm going for it.

01:02:38Hurry up.

01:02:40If there's anyone out there named Mercedes, come forward.

01:02:43Listen, I need towels, sheets, alcohol, and a stethoscope.

01:02:47That woman needs to let it out already.

01:02:49Let's see what you do, future daddy.

01:02:51Anyway, the message I bring you from Commissioner González

01:02:54In a few minutes there will be a bus outside.

01:02:57and you impregnate a reactor with the money.

01:03:01I'll go with the blowtorch and come back.

01:03:02You, come with me, Leticia.

01:03:04Come on.

01:03:05Come on.

01:03:06You, go and put on blowtorch number two.

01:03:07OK.

01:03:07And you go back in there.

01:03:09We'll order what you need now.

01:03:10Start making a list.

01:03:11Very good.

01:03:11Go with him, Dorita.

01:03:13Yeah.

01:03:13You answer the phone.

01:03:15Yes, okay.

01:03:16Come on, let's go, darling.

01:03:18I don't want to leave you alone with this satyr that Teresa needs the twist.

01:03:21We'll talk later, you adulteress.

01:03:23We have nothing to talk about, you immoral person.

01:03:25Hey, go on, leave now.

01:03:27It's your fault for marrying a retard.

01:03:35But have they opened this place?

01:03:38Yes, there's no stopping us.

01:03:41Come in, come in.

01:03:45Have you hurt yourself?

01:03:47Wow, woman.

01:03:48Thank you, don't bother.

01:03:49Who's the idiot who put this chair here?

01:03:52I would like to ask you a favor.

01:03:54I warn you that I don't have testicles.

01:03:57Oh, the director told him, huh?

01:03:59Yes sir.

01:04:00Well, you know we're willing to do anything.

01:04:03So...

01:04:04Hey?

01:04:05Oh, the door has closed.

01:04:07Oh my God, the door has closed!

01:04:09Oh my God!

01:04:10Almost better, doll.

01:04:11But you're an idiot.

01:04:13The door has been closed and cannot be reopened until 10 a.m. tomorrow.

01:04:17Oh my God!

01:04:18Don't be silly.

01:04:19How can this not be opened?

01:04:20Oh!

01:04:22It's not possible, it's not possible.

01:04:24Yes, it's possible, yes, it's possible, you idiot.

01:04:27Because he removed the chair and the door tends to close by itself.

01:04:30What did I know, what did I know.

01:04:36What's that?

01:04:37A doorbell.

01:04:38Oh, God willing they will hear it, God willing they will hear it.

01:04:40As?

01:04:42Speak up, community leader!

01:04:44No, it's because I was protesting for those with lip injuries and they cut off one of my ears.

01:04:48And I hear half of it, of course.

01:04:49It's been difficult to find a plane, mister, because all the ministers had taken them all this weekend.

01:04:53But don't worry, everything's sorted out.

01:04:56What's important now is the political dimension of the operation.

01:05:00Is it true that the group is far-right?

01:05:03What did you say?

01:05:05Extreme what?

01:05:07Okay, okay, okay.

01:05:08Number three.

01:05:09The charger is on the left.

01:05:11The handle, on the left, is there.

01:05:13Put the little one on the left.

01:05:16At the far left.

01:05:18The extreme left, you say.

01:05:20And the cannon, in the center.

01:05:22So what's the decision?

01:05:23Are they far-right, far-left, or centrist?

01:05:25As?

01:05:26What does it say?

01:05:27Oh, yes, yes!

01:05:28The bus that turns off in the center and at the doors.

01:05:30Oh, yes!

01:05:31But who's ringing that damn doorbell?

01:05:33I don't.

01:05:34Oh, come on.

01:05:35You can't speak because they're right in front of you.

01:05:37Hey, this is it!

01:05:38Opita el tera usted ya, señor comisario!

01:05:41The cash register bell!

01:05:43Listen!

01:05:44Damn it, sir!

01:05:47Come on!

01:05:48Come on, let the bus pick you up!

01:05:49OK.

01:05:50Commissioner, there are some gentlemen here who want to speak with you.

01:05:52What do you want?

01:05:54My father-in-law is involved with that bank with our son.

01:05:57He is one of the assailants.

01:05:58And he's called us to tell us how everything is going in there.

01:06:01We believe you should know this.

01:06:04Closed!

01:06:05It's been left inside.

01:06:07He is the biggest idiot in the entire Spanish State.

01:06:10Nothing.

01:06:13Nothing.

01:06:13Thank God they heard us.

01:06:17Us?

01:06:19Don't tell me who's in there.

01:06:20Let's see if I can guess.

01:06:22Don't be funny and get us out of here.

01:06:25The police will take you out of there tomorrow.

01:06:26This won't open even with a rubber band 2.

01:06:29It's not possible.

01:06:30There has to be a way.

01:06:32But you think these boxes are made of tin?

01:06:35Look.

01:06:37Facundo, do something, we've known each other since we were kids.

01:06:41I will do that.

01:06:41I'll send you a postcard from Rio de Janeiro.

01:06:43What are you doing, Miss Lucas?

01:06:44Where is he going?

01:06:45Ah, for the baby's clothes.

01:06:46You can already see its head.

01:06:47Why is my head showing?

01:06:49Which way?

01:06:50It's not yours, it's your son's, who is already on the way.

01:06:53A minibus is arriving at the door.

01:06:55We did it!

01:06:56Me too!

01:06:57Minibus?

01:06:58But what's wrong, Facundo?

01:07:00But how, Facundo?

01:07:01Do you know him that well?

01:07:02Yes, man, he's the mastermind behind the coup.

01:07:04The brain?

01:07:06You're sure?

01:07:07But he looks like a simpleton.

01:07:09No, no, it is.

01:07:09But something's happened here, huh?

01:07:10Hey, hey, has something happened?

01:07:12The little retard who got locked in there with the cashier.

01:07:15Other!

01:07:16But hey, that boy is undeterred by discouragement.

01:07:19And what are they doing in there?

01:07:21The idiot, because he can't go out until 10 in the morning.

01:07:24But the bus to take us to Barajas is out there.

01:07:26And his son has his head out too.

01:07:28What are you talking about?

01:07:29Tell us because we're bored.

01:07:30Everything we asked for is upstairs.

01:07:33Down here your wife is having a really hard time and you're locked up like an idiot.

01:07:37My son.

01:07:38What are they doing to that little piece of my flesh?

01:07:41The blood of my blood.

01:07:43He who has enough misfortune with a father like you.

01:07:47And the bus is up there.

01:07:49That little bit of a bus.

01:07:50The one that will lead us to the decks of my decks.

01:07:53The one who will take us, you fool.

01:07:55Because we can't take you with the box and everything.

01:07:56What are you going to leave us here, you wretch?

01:07:59Have no doubt about it.

01:08:02Miño, what are you doing there?

01:08:05My son.

01:08:08My son is crying.

01:08:10How exciting!

01:08:11And not being able to rock him in my arms and kiss him while drinking mojitos.

01:08:15If he doesn't realize it.

01:08:17Besides being stupid, you're deaf.

01:08:19That's a door.

01:08:20So?

01:08:21Well, it seemed that way to me.

01:08:23Well, it wasn't.

01:08:24What time is it?

01:08:27Five to eight.

01:08:28Well.

01:08:29Well, tomorrow at ten o'clock sharp, you push open the door and walk out with your fists raised.

01:08:33so they can put the handcuffs on you right away.

01:08:35Look at him lying there.

01:08:36Ready.

01:08:36Let's go.

01:08:37Have the hostages come out slowly, two by two, with their hands up.

01:08:41And let them get on the bus mixed in with us.

01:08:43Let's go, gentlemen.

01:08:49Damn, what a massacre!

01:08:51But what's wrong with him?

01:08:52There's blood even on the walls.

01:08:54He's screwing it up.

01:08:55What guy?

01:08:56It looks like a little piece of junk, but it pulls like a municipal crane.

01:08:58Ah, yes.

01:08:59What are the child doing?

01:09:01Yes, with three of our handkerchiefs.

01:09:02The grandmother's lame combination and a bottle of cologne that that lady left us.

01:09:06Poor woman.

01:09:08I finally did it here.

01:09:09But I didn't do it on myself.

01:09:10But hey, brain, we can't leave now.

01:09:13Yes of course.

01:09:16Get one of you upstairs and tell the coach to leave.

01:09:19Make up whatever you want, okay?

01:09:21Let's go, Julito, things are getting really bad.

01:09:24Wow!

01:09:25Could you pass us a sandwich under the door?

01:09:27Will you shut up?

01:09:28He puts it on.

01:09:29It has the real thing.

01:09:31Water.

01:09:32And we just have to wait.

01:09:35What a shame about that perfect shot!

01:09:38I think things are starting to get bad.

01:09:40Yes, I see it as very bad.

01:09:42So until a moment ago we didn't know if they were far left, right, center or in between.

01:09:48I don't like this, commissioner.

01:09:51And it's less popular at the top.

01:09:53The government would give anything to prevent this from happening.

01:09:56Because assailants and hostages would disappear from this planet as if by magic.

01:10:00Well, the elections are a year away, the World Cup, yes, yes.

01:10:05I say that...

01:10:07Well, it occurs to me that...

01:10:09No, no, it's crazy.

01:10:11No, no, tell me, tell me, commissioner.

01:10:13Crazy things sometimes save a country.

01:10:16If I tell him, he'll kick me out of the office.

01:10:18Well, take the risk.

01:10:20Well, it occurs to me that...

01:10:22No, no, leave it, boss.

01:10:24I don't dare suggest it to him.

01:10:26Either you propose it to me or I'll resign.

01:10:28Well, according to a young married couple who have a child among the hostages,

01:10:32They haven't hurt anyone.

01:10:34Well, the scare, of course.

01:10:35Well, just a little scare.

01:10:38Then there is the principle of authority.

01:10:40Yes, but since the case hasn't become public...

01:10:44And that they are poor devils.

01:10:46I understand you perfectly.

01:10:49Now you can leave.

01:10:50And tomorrow you'll greet me as if you haven't seen me for a month.

01:10:54Is that clear?

01:10:55Yes, boss, absolutely.

01:10:57Until next time.

01:10:58At your service, boss.

01:10:59Bye bye.

01:11:06Mr. Minister, I wanted to talk to you about the information from this morning regarding the assault on Banco Mistral.

01:11:13It was false information.

01:11:15Come on, I don't even think Banco Mistral exists.

01:11:19How bad is he feeling?

01:11:24How bad is he feeling?

01:11:26No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no

01:11:56Do you put oil on that door?

01:11:58The wretch can't get anything right.

01:12:01Now he's your son, you idiot!

01:12:05Really?

01:12:08Is that my son?

01:12:10He's not your son.

01:12:17Oh my god!

01:12:19Well, I'm getting excited like a fool.

01:12:23It's the first one I've had, you know?

01:12:25Congratulations.

01:12:27Thank you.

01:12:30Having a child is wonderful, isn't it?

01:12:37Facundo!

01:12:38Facundo!

01:12:39That?

01:12:40Hey, the kid will be normal, right?

01:12:44Yes it is.

01:12:46He doesn't take after his damn father.

01:12:53Okay, come out two at a time.

01:12:56No running, okay?

01:12:58Don't raise your hands so as not to attract attention.

01:13:00And shall we wait for them out there?

01:13:02No no.

01:13:03Go home, everyone.

01:13:05Yes, discard them!

01:13:06Come on, let's go.

01:13:09You two, first.

01:13:10Yes, yes, yes.

01:13:11Woman first!

01:13:12But what does it matter?

01:13:13Now we're going to have some fun with that.

01:13:15Education is education.

01:13:15What's happening?

01:13:20What's happening?

01:13:22Nothing.

01:13:23Does nobody pay attention to them?

01:13:24No?

01:13:25Clear.

01:13:26They want to mislead us in order to catch us.

01:13:28Come on, now to the stretcher.

01:13:31Slowly.

01:13:32Thank you, doctor.

01:13:33You have been an angel to me and my son.

01:13:35If it hadn't been for you, the child would have died.

01:13:39Now they will receive better care at the hospital.

01:13:41They need recognition.

01:13:43Congratulations and...

01:13:44Thank you.

01:13:45Good luck.

01:13:46Thank you.

01:13:47What a head of hair she has, huh?

01:13:49Yes, thanks.

01:13:49Thank you so much.

01:13:50Congratulations.

01:13:51Thank you.

01:13:51Congratulations.

01:13:52Thank you.

01:13:53Congratulations.

01:13:53Congratulations, ma'am.

01:13:54He looks just like his father, whoever he is.

01:13:57Congratulations, mother-in-law.

01:13:58Thank you.

01:13:59Come on.

01:14:00The police must be on strike, or something has happened again in the courts.

01:14:03Don Carlos, you have behaved very well.

01:14:07Come on.

01:14:10What is this?

01:14:11His protested letter.

01:14:14In this commotion, it's not surprising that he got lost.

01:14:16Thank you, but I'm already paid by that child's tears when, thanks to me, he started breathing.

01:14:25Well, whatever.

01:14:30You'll be the next one, because you're good.

01:14:33Mr. Bonilla.

01:14:34Me first, me first.

01:14:36Mr. Bonilla.

01:14:37Shut up, shut up.

01:14:38Me, me.

01:14:39You will be the last to leave.

01:14:40Me, me, me.

01:14:41Come on, you two.

01:14:42Thank you.

01:14:43Come on.

01:14:43Bye bye.

01:14:44Goodbye, goodbye.

01:14:45Nice to meet you.

01:14:46Pleased to meet you, Mr. Midwife.

01:14:51Two less.

01:14:52What's happening?

01:14:53Dorita has already told me that her relationship with her friend was a lie.

01:14:58He pretended to love her to save me.

01:15:00Ah, I see.

01:15:01It's very good.

01:15:03Clear.

01:15:03Sure, but how could I be interested in a married man who also has a child?

01:15:07with someone else?

01:15:08Sure, sure.

01:15:09It's impossible.

01:15:10Clear.

01:15:11Hey, what about you, what about the books, huh?

01:15:15There they are.

01:15:16Already.

01:15:17But where, where was the trouble?

01:15:20Well, I would take the money out of the main accounts and deposit it into an account that...

01:15:25This lady opened a year ago.

01:15:26I have to report that to headquarters.

01:15:30Yes, yes, yes.

01:15:30Yes sir.

01:15:31Sure, sure.

01:15:31Of course, the central office could also receive an anonymous letter from the Ocaña prison.

01:15:35For example, one that states that the director of this branch has a niece who...

01:15:40Okay, okay.

01:15:41The book issue is sorted.

01:15:43Yes, he'd better.

01:15:45Okay, now it's you two.

01:15:46Thank you.

01:15:48Oh, and give my regards to his wife.

01:15:50Go away...

01:15:52Fede, go on, take the child.

01:15:54I want to stay with my grandfather.

01:15:56You can't.

01:15:59You know that Mom and Dad will be waiting for you out there.

01:16:03But, grandpa...

01:16:05You have to go.

01:16:07I need someone to look after the merry-go-round for me.

01:16:10You know your parents are good and love you, but...

01:16:14They're a joke!

01:16:17Come on, act like a man.

01:16:20Look, we'll talk about all of this tomorrow.

01:16:23Grandpa, are you really coming?

01:16:25I'll go.

01:16:26Word.

01:16:28Okay, I'll go.

01:16:31Don't lose your machine gun.

01:16:33Yes, yes.

01:16:34I didn't have any pieces left over.

01:16:36Yes, I see you've fitted them all in here.

01:16:39Up the ass.

01:16:41Go ahead, and take it with you.

01:16:43Now yes.

01:16:43Come on, Julito.

01:16:46Goodbye, grandpa.

01:16:47Goodbye, Julito.

01:16:48Bye bye.

01:16:49Bye bye.

01:16:50What bathroom is it?

01:16:54He's going to be an engineer.

01:16:56Engineer.

01:16:58Now you, Daniel.

01:16:59Oh, no.

01:17:00I'm not leaving.

01:17:01I'm staying with you.

01:17:02Please, you'd only be a nuisance.

01:17:05Well, you're going to have to put up with me.

01:17:08You're right, the brain.

01:17:09We'll manage better on our own.

01:17:11They're out there.

01:17:13Waiting for us to come out so they can hunt us down like rabbits.

01:17:16And we can't leave Alan and Ceto stuck in the heavy poop.

01:17:18Go on, go home.

01:17:19You'll find out through the newspapers.

01:17:22Give me the keys to the sports car.

01:17:23So that?

01:17:24Today's book.

01:17:25And I'm going to spend the morning inside a car.

01:17:27It's a whim.

01:17:30Come on, adulteress, these guys are real men and they have to manage on their own.

01:17:33Bye bye.

01:17:37Good.

01:17:39We'll take turns being on guard duty.

01:17:41We have to wait until ten o'clock.

01:17:44At that time the box will open and we can take out Alan and Ceto.

01:17:50It's enough to make you cry.

01:17:52And to think that when I planned this heist, it was the perfect heist.

01:17:55Well, it turned out terribly, dude.

01:18:04Can you see anything?

01:18:05You can't even see the Bimbo's cool breeze.

01:18:07Man, on top of everything, I'm joking around.

01:18:09They must be hidden.

01:18:11Since we still have the cashier as a hostage, they don't dare to intervene.

01:18:16It's time.

01:18:17The box is going to be opened.

01:18:18We're going down.

01:18:20Come on.

01:18:20What a night, huh?

01:18:23And we didn't want to lose her.

01:18:26I had missed it.

01:18:29Poor things, they'll be freezing.

01:18:31There's no heating there.

01:18:32And all lined with steel?

01:18:34I feel sorry for Anicetillo.

01:18:37He's been left more alone than ever.

01:18:38Well, since he's with the cashier, he's lonelier than a quarter past one, of course.

01:18:41Of course, he'll be demoralized.

01:18:43Yes, that's normal.

01:18:46Hey, it runs like clockwork, huh?

01:18:48Come to the checkout.

01:18:54Ariceto?

01:18:55Isn't it there?

01:18:56But how could he not be there?

01:18:57It just can't be.

01:19:00Let's see if I can call you one day and we can go out dancing and have dinner together, okay?

01:19:03Good morning.

01:19:08Do you have my phone number?

01:19:10Engraved here, in fire.

01:19:12I can never forget either your phone number or the night we spent together.

01:19:15Well, I'll wait for your call.

01:19:25Did you see how he did it?

01:19:27Bye bye.

01:19:28Bye bye.

01:19:33What are you looking at?

01:19:35Ah, yes, I always go prepared.

01:19:38They never know which bed two one is looking at.

01:19:40Let's go.

01:19:45The cellular cars will be upstairs.

01:19:48Of course, they've been fooling around all night.

01:19:51He's a scoundrel.

01:19:53I really like this Plan Boy guy.

01:19:55It is true that...

01:19:56It's salty.

01:19:57At his age I was like him.

01:20:02Nobody is in sight.

01:20:03I think they have us cornered as if we were dangerous killers.

01:20:07They'll be on the lookout because they must be afraid of us.

01:20:09That's what I think, yes.

01:20:11You see.

01:20:12We had the meeting at the union.

01:20:14No no.

01:20:14Well, they're not fooling me, no.

01:20:15Of course not.

01:20:16Good morning.

01:20:17Good morning.

01:20:18Good morning.

01:20:20Don't you think they're taking this as a joke?

01:20:23Let's not get complacent.

01:20:24They could be two GEOs in disguise.

01:20:25There will be two geas.

01:20:26But they are two geas uglier than sin.

01:20:28Come on, what nonsense am I talking about?

01:20:29Let's throw away our weapons so they can see that we surrender.

01:20:32Come on, you go first.

01:20:33Come on, walk.

01:20:34Yes, walk, come on.

01:20:35Come on, let's go.

01:20:36Does anyone have to go first?

01:20:37Yes, be careful.

01:20:42Let's throw, let's throw, let's throw, let's throw.

01:20:44Let's shoot it alone.

01:20:45Come on.

01:20:46Come on.

01:20:49With how original the child had left it.

01:20:51Come on, come on.

01:20:52Come on, get in, run.

01:20:53Now, now, now.

01:20:53Crouching.

01:20:54Come on, please.

01:21:02It looks like it, man!

01:21:03Look, someone's coming.

01:21:04Look, look.

01:21:04Oh, what a baby.

01:21:10Of course, these rich people give their children toys that look like the real thing.

01:21:14And they throw them away broken right away.

01:21:16Look at this.

01:21:17It looks like a space machine gun.

01:21:19Oh, Lord, Lord.

01:21:21Who has seen us and who sees us now?

01:21:24That's TV stuff, Mr. Deputy.

01:21:27Okay, okay.

01:21:28Stick to your obligations and that's it.

01:21:31We're here.

01:21:31We're already having a row.

01:21:32And that's without even bringing me the little flowery jacket.

01:21:34And I thank you for that.

01:21:36Wow!

01:21:37That's what I said, Mr. Presenter.

01:21:38Attached, siren and door.

01:21:44Oh well, it doesn't matter.

01:21:45They were somewhat old weapons.

01:21:47Very old!

01:21:48Okay, I'll go.

01:21:51Bye bye.

01:21:52If they catch me, I'll say I've never seen you in my life.

01:21:58Good luck.

01:22:17Grandfather.

01:22:21Julito.

01:22:22Grandfather.

01:22:31Well, then.

01:22:32I'll buy you coffee and churros.

01:22:34Come on.

01:22:35Well, then.

01:22:37See you around.

01:22:38Of course, man.

01:22:39I don't know.

01:22:41If we are in the same cell.

01:22:44No no.

01:22:45It's not that I'm excited.

01:22:46This damn kid cries for me in the morning.

01:22:49If I've been given the evil eye.

01:22:50I already said it.

01:22:50What you need to do is buy one for a dog.

01:22:52Half will be enough.

01:22:53The keys are in.

01:23:21Very well, yes.

01:23:27Calm down, Pedro.

01:23:28Don't get nervous.

01:23:30I really think this car is a piece of junk.

01:23:34Isn't he an idiot?

01:23:35He's not leaving, and that would complicate things for us.

01:23:37Me?

01:23:37Nothing.

01:23:38Yeah.

01:23:38Try again.

01:23:41Come on.

01:23:42Let's have some fun, man!

01:23:43The first one is better, man!

01:23:44Let him score whatever he wants, as long as he gives it his all!

01:23:46And may it come to fruition!

01:23:47Come on, Leticia.

01:23:48Close the window, this must be some sausages.

01:23:51Don't hit the brakes, man.

01:23:53Release the clutch.

01:23:54Stop pushing already because I'm not going to give you any trouble.

01:23:56Come on, you crooks, get out of here now.

01:23:58I'll call the police.

01:23:59Okay, now it's our turn.

01:24:02One moment.

01:24:04Your wife?

01:24:05Do you love her very much?

01:24:07Yes of course.

01:24:08I'm getting a divorce.

01:24:09I'll leave it for you.

01:24:10Thank you.

01:24:11But he's got a bad temper.

01:24:13Well, not with me.

01:24:14Oh, no?

01:24:15No.

01:24:16Well, at first, but then...

01:24:17You'll see, you'll see.

01:24:18No, no, no.

01:24:18Wait, wait.

01:24:19One moment.

01:24:19Tell me, tell me.

01:24:20No no.

01:24:21So that?

01:24:21What do you mean, "what for?"

01:24:22Why not?

01:24:22Well, but no.

01:24:24Well, I'm going to see if I can get out of jail before my son goes into the military.

01:24:27Because a child has a strong pull.

01:24:29And even more so if they make you a first corporal.

01:24:31Well, it's ready.

01:24:34Don't shoot!

01:24:35Don't shoot!

01:24:36Come on!

01:24:40What's happening?

01:24:42Holding up the building?

01:24:44Yes, in case it falls and breaks your head.

01:24:46Or the horns!

01:24:47Go away, you wretch!

01:24:48Go away with your father!

01:24:49We're in no state to joke about.

01:24:51As a joke.

01:24:52Don't shoot!

01:25:05There's not a soul here.

01:25:07A war will have been declared.

01:25:09Leave her alone, Mom!

01:25:10And they've all left.

01:25:14Well, let's go, shall we?

01:25:18Hey, what you were saying earlier...

01:25:20About what?

01:25:21From your wife.

01:25:22Oh yes, that's fine, but her breath smells.

01:25:25Whom?

01:25:26To my wife.

01:25:29But only during the day.

01:25:30Fuck.

01:25:31Hey, I'm thinking of a new trick, okay?

01:25:33What if we stormed the Santiago Bernabéu on the day of the World Cup final?

01:25:37Hey, what about Ronca?

01:25:38Who?

01:25:38Your wife?

01:25:39Ah, yes, but only at night.

01:25:40Thank goodness.

01:25:41Hey, how many gates will the stadium have?

01:25:43Hey, well, I don't know, seventy-something.

01:25:46And they must have left them all open because it's so cold here...

01:25:49We can put one of us at each door with a machine gun.

01:25:54And what about the outfit?

01:25:55Who?

01:25:56Your wife.

01:25:57Well, that's what he does worst.

01:25:59Because their stews give you stomach aches.

01:26:01Yeah.

01:26:01Ah, the worst part is what happened with the mother.

01:26:05What were you saying about the mother?

01:26:06Ah, he drinks and is sometimes absent.

01:26:08Well, if you take him to see me, I won't cheat on you.

01:26:10No, I almost thank you for it, you know?

01:26:12Really.

01:26:12Yes, of course.

01:26:12I can't say.

01:26:31No, I almost thank you for it.

01:27:01No, I almost thank you for it.

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