- hace 2 días
Reparto: Fernando Esteso, Bárbara Rey, Mónica Randall, Conchita Goyanes, Josele Román, Eva León, Alfonso del Real, Florinda Chico, Maria Fernanda, Venancio Muro, Cris Huerta, Erasmo Pascual, Manuel Guitián
Dirección: Francisco Lara Polop
Sinopsis: Orencio es un humilde joven que ayuda a su padre en un humilde negocio de un pueblecito castellano. Tiene novia, Angelita, y está muy enamorado de ella. Pero un día cae en manos de Vindemia, una joven algo ligera de cascos, que queda embarazada y que, posteriormente da a luz a cinco niños. Luego, Vindemia se casa con otro joven y se va a Suiza. Sin embargo, años después el superpotente de Orencio verá como la historia se repite de nuevo. Y esta vez no tiene muy claro si la siempre enamorada Angelita lo esperará.
Dirección: Francisco Lara Polop
Sinopsis: Orencio es un humilde joven que ayuda a su padre en un humilde negocio de un pueblecito castellano. Tiene novia, Angelita, y está muy enamorado de ella. Pero un día cae en manos de Vindemia, una joven algo ligera de cascos, que queda embarazada y que, posteriormente da a luz a cinco niños. Luego, Vindemia se casa con otro joven y se va a Suiza. Sin embargo, años después el superpotente de Orencio verá como la historia se repite de nuevo. Y esta vez no tiene muy claro si la siempre enamorada Angelita lo esperará.
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CortometrajesTranscripción
00:00:00I don't know why, but all great stories have started in small towns.
00:00:20Things happen more slowly in small towns.
00:00:23Almost everything is left for tomorrow.
00:00:25Tomorrow.
00:00:26Tomorrow.
00:00:27The story you are about to see is completely made up.
00:00:31It is a story about a man, Orencio.
00:00:34A man like you or me, well, maybe shorter,
00:00:38that one unexpected day, because of those things from fairy tales,
00:00:42He was involved in a momentous event that in some third world countries would have cost him his life.
00:00:49Not here.
00:00:50In Spain, these things are rewarded.
00:00:51And Orencio, from morning till night, became an absolutely popular figure.
00:00:58Tordesillas de los Infantes is the name of this Castilian corner where Orencio has spent his first 21 years.
00:01:05Fantasy, and only fantasy, must be held responsible for this story.
00:01:08They are looking at the town.
00:01:11I don't know if you, Tordesillas de los Infantes, imagine it like that.
00:01:14If not, it doesn't matter.
00:01:15Close your eyes and build it to your liking, like we did as children with paper doll houses.
00:01:21Ah, although it's obvious to say what's left unsaid.
00:01:23Any resemblance to reality is purely coincidental.
00:01:26Any resemblance to reality is purely coincidental.
00:01:56Good morning, Mr. Agapito!
00:02:00Hello, Orencio, good morning.
00:02:03What do you think?
00:02:04Beautiful device, isn't it?
00:02:06Finally, the decision has been made to turn on the TV.
00:02:07Man, when there's football on, I raise the price of drinks by one peseta!
00:02:12Hey, and apart from football, what else is it good for?
00:02:14Well, for everything.
00:02:15For example, when it rains, a man comes out and says so.
00:02:17Well, wouldn't it be better to take your hand out?
00:02:19No, that's what he's for, he's called the weatherman.
00:02:22Okay, I'll get the ice!
00:02:26Hello, Orencio.
00:02:32Hello, Angelita.
00:02:33You were ahead of me this morning.
00:02:35I really wanted to see you, woman.
00:02:37What if we went through?
00:02:38Wait, is my father inside?
00:02:40Yes, Angelita.
00:02:42Tell me, Orencio.
00:02:44What? Am I freezing?
00:02:45It's quite cold today.
00:02:47You don't tell me anything else.
00:02:48Am I still freezing?
00:02:49I've cut my hair.
00:02:51Do you like it better this way?
00:02:53I've also bought wool to make a sweater.
00:02:55I hope you like the color.
00:02:57Hello, sir.
00:02:58Very cheerful.
00:03:00Orencio!
00:03:01Is that ice coming or not?
00:03:02Okay, Mr. Agapito.
00:03:04Okay.
00:03:05Ice!
00:03:06Hi, Dad.
00:03:11Hey, Orencio.
00:03:12Don't ask me to put you in charge of a polo shirt, son.
00:03:20I'll teach you how to work with olives.
00:03:22And you're teaching me about soda.
00:03:24That way our marriage cannot fail.
00:03:26You think?
00:03:27They said it on TV the other day.
00:03:29Abroad, there are marriages that don't get along.
00:03:32Abroad too?
00:03:33And it's the fault of the work that separates them.
00:03:36In ours it will be the other way around.
00:03:37Well, making soda isn't a bad business.
00:03:40Look at the mess the French have made with theirs.
00:03:43Because champagne, you tell me what it is.
00:03:46French soda, but in a refined way.
00:03:47You're going too far, Orencio.
00:03:49Well, come on, taking the anchovies off the olives...
00:03:52And putting them in bone, nobody understands it.
00:03:55People here like them with the bone in.
00:03:56And since those are bought by wholesalers,
00:03:58You have to buy them from intermediaries.
00:04:01And stuffed with anchovies they are cheaper than stuffed with bone.
00:04:04Ah, and that's why they send the bones from Germany.
00:04:09It's good to see the world, son.
00:04:11I don't care about that.
00:04:13I'm fine here, father.
00:04:15But in the military they teach you useful things.
00:04:18You, as soon as you arrive, say that you know how to read and write.
00:04:22You'll see the military service you'll be stuck in.
00:04:23Tomasa's son has been there for six years and is already a corporal.
00:04:29That's the one the infantry is targeting.
00:04:31But this is what I do, Father.
00:04:33And also, I'm getting married when I graduate.
00:04:35With Angelita, right?
00:04:37It stands to reason.
00:04:39Six years of relationship.
00:04:41The way I left her, she'll have to become a nun.
00:04:43She comes out on top.
00:04:45The olive with the pit is not coming.
00:04:48You, in time, will be the owner of this important soft drink industry.
00:04:52That's right, Father.
00:04:54You'll see, you'll see.
00:04:56With the ideas I have, we're going to wipe out that small tail.
00:05:00Drink fizzy, sparkling, the bear, the tastiest one, the one that smells like roses.
00:05:14Vindemi, the other sentence is for you.
00:05:18United as brothers throughout the region, let's drink fizzy, foamy soda, the bear.
00:05:25Good, very good.
00:05:27You liked it, huh?
00:05:28That's what my soda needs.
00:05:30Promotion.
00:05:31Or can you compare a bear to Coca-Cola?
00:05:33And the color?
00:05:34Where will it all end?
00:05:35Your soda is much clearer.
00:05:37We're going to put them together, Vindemi.
00:05:39And you do the advertising?
00:05:40Hey, let's see what the priest has to say.
00:05:42Try not to make that face that looks like it's about to pop out.
00:05:46That's what's called intention.
00:05:48Everyone who drinks your soda will see me at the bottom of the glass.
00:05:51I bet censorship doesn't prohibit it.
00:05:58Horencio!
00:05:58Horencio!
00:06:01Where are you?
00:06:02There she goes, the little angel.
00:06:04Yes, we're doing well.
00:06:05We can never rehearse.
00:06:07Go back on your own.
00:06:08We'll see each other tonight at the teleclub.
00:06:09Here I am, little angel.
00:06:11I'm here.
00:06:11I'm coming.
00:06:12Go on, go on, run.
00:06:16I don't know why my brothers say I shouldn't go mountain climbing with a boy.
00:06:19Football and television are killing the fans.
00:06:23But what were you doing there?
00:06:25Thought.
00:06:26I have ideas.
00:06:27I'm preparing the launch of the soda.
00:06:30There's a teleclub tonight after the movie.
00:06:32Will you go?
00:06:32Of course.
00:06:33The president has told us that tonight is going to be very interesting.
00:06:36I find teleclubs so boring.
00:06:38Well, that's a reason for us to meet, don't you think?
00:06:41Being alone wouldn't be good.
00:06:43You are a man and a woman.
00:06:45But who thinks about that?
00:06:47First we got married and then we stopped going to the teleclub.
00:06:49Alright.
00:06:50I'll take you to the village.
00:06:51Rafael promises us forty signed photos and two pennants, six jerseys, four posts
00:07:18and a very large photograph of his wife and children.
00:07:24Silence.
00:07:26Silence.
00:07:27Masil sends us two photographs.
00:07:29One falling and the other standing.
00:07:31As you can see, so well dedicated.
00:07:34And now let's move on to Aniceto with his weekly talk about cinema.
00:07:40Whenever you want.
00:07:41The drama is starting.
00:07:42Well, today's talk is titled, enough of mainstream cinema.
00:07:49But what's the point of cinema if you're not in Perpignan?
00:07:52Before we begin, I'll tell you that there's less and less time left before this town has a film library.
00:07:58First came tennis, then the teleclub, and finally the film library.
00:08:03Tordesillas de los Infantes joins the European cultural movement.
00:08:07Long live tennis, long live Bertolucci, and long live Rodríguez de la Fuente!
00:08:14Everything he says is very interesting.
00:08:17He's a pain.
00:08:18He must be very clever, because my father says he's a leftist.
00:08:21As we all know, neorealism freed Italian cinema from conventions and formulas.
00:08:27Similarly, the generation of authors, writers with something to say,
00:08:32It frees American cinema from commercial oppression and subjugation and brings it into reality.
00:08:37Toma del Brasco.
00:08:39But the cinema in this country is not free.
00:08:42Come to my love!
00:08:43How long will the image of the hick with a beret remain on our screens?
00:08:47that denigrates us and does not give a true image of the Spanish common man?
00:08:56I insist, the man from the village is not a hick.
00:08:59He is a human being, an endemic entity immersed in current circumstances,
00:09:06victim of centralism and who longs for Bertolucci.
00:09:11Viva!
00:09:11And who is that?
00:09:14A Dutchman who has signed for Barcelona.
00:09:16In his last film, 1900, Bertolucci tells us the story of Europe.
00:09:24If Aniceto takes too long, we won't see the musical.
00:09:27Well, he's right about everything he says.
00:09:29What we like here is football and classical ballet.
00:09:31Look at your cousin.
00:09:35She's getting really mad at Nicanor.
00:09:37And he's short.
00:09:40They're showing a really good program today.
00:09:41Rafael and Serrat are coming.
00:09:43Well, if we don't shoot Aniceto, I'll be watching tennis again.
00:09:50The Jacinto is going to be my choice today.
00:09:52Oh man.
00:09:53This can last all night.
00:09:55Hey, if you want, I can dance for you.
00:09:57Come on, Bindemia, you're very clever!
00:09:59Oh, well that's good! I didn't say anything.
00:10:01Come on, Orencio, you're very good at that!
00:10:04Come on, Aurelio!
00:10:04No, leave it.
00:10:05I don't feel like it tonight.
00:10:07Oh, Orencio!
00:10:08It's not good to do so much at home.
00:10:10Come on!
00:10:10Alright!
00:10:12It's always me, man.
00:10:22What I do?
00:10:24No, just one.
00:10:26Oh!
00:10:27Okay, okay.
00:10:30Okay, fine.
00:10:32The miniskirt.
00:10:37I don't like it when they put you in a miniskirt for the bullfights.
00:10:42I don't like it when they put you in a miniskirt for the bullfights.
00:10:46People look up because they want to see your face and they want to see your knees.
00:10:51The kids I walk around keep staring at you, I rebel and rebel, and I have to fight because I can't see the bulls.
00:11:02So you know, don't wear a miniskirt, because I want to watch the bullfights this afternoon without getting into a fight with anyone.
00:11:12What's up, Vorencio?
00:11:27Here.
00:11:40Here.
00:11:40Hello, Harvest.
00:11:49I bring new ideas about advertising.
00:11:51Yeah?
00:11:51Well, wait until my brothers leave, and then we'll talk.
00:11:54These have no sensitivity.
00:11:56How well do you live?
00:12:03You come here a lot.
00:12:05There will be nothing between the Harvest and you, because I'll break your liver.
00:12:08No, no, of course not.
00:12:11Is there anything I can help you with?
00:12:12Yes, go ahead, take some from there.
00:12:20They're leaving now, they're a pain.
00:12:22So, shall we rehearse?
00:12:23Yes, you'll see what ideas I have.
00:12:26I have ideas too, Vorencio, but open-minded ideas.
00:12:29What does "open-minded" mean?
00:12:33Come on, let me explain it to you.
00:12:35Come on.
00:12:37Where?
00:12:42You'll see.
00:12:46We're going to make sure your sodas are sold even in Denmark.
00:12:50Don't even think about taking anything off, Vendemia, your brothers might come.
00:12:53But anyway, you're interested in Denmark, aren't you?
00:12:56That's it.
00:13:09No.
00:13:09Yeah.
00:13:10How are things going with Angelita?
00:13:25That?
00:13:26Ah, well, here we go.
00:13:29I've been told you've finished.
00:13:31It will pass.
00:13:31It will pass.
00:13:32Does she seem like a nice girl?
00:13:36Of course, that's not all.
00:13:39Rumors reached her that she was dating the Vendemia.
00:13:43The Grape Harvest?
00:13:44Clear.
00:13:45Not bad.
00:13:46It has cows and...
00:13:48...three brothers.
00:13:50Well, two and a half.
00:13:52Orencio.
00:13:54Orencio.
00:13:56I'll be right back, Father.
00:13:58Go...
00:13:59...I'm going to get some fresh air.
00:14:01People in this town are gossips.
00:14:08Well, I love to cause a stir.
00:14:10But we've been seeing each other too much since that day at the dairy farm.
00:14:13Oh, here we go again, huh?
00:14:15All you need to do is put up an ad so everyone knows.
00:14:18It's just that I...
00:14:19...never...
00:14:20...as it's the first time.
00:14:22Okay, let's take our little stroll down the main street.
00:14:25I love that everyone knows.
00:14:27You're no good, Vendemia.
00:14:28You're no good.
00:14:30Come on.
00:14:45Ah!
00:14:49Wretched, slutty woman.
00:15:03So much weight gain...
00:15:04...to gain so much weight...
00:15:05...it wasn't logical.
00:15:06Wouldn't that make sense?
00:15:08So much dancing and so much television couldn't be good.
00:15:12It was to be expected, you're such a cheerful person.
00:15:14That you like men more than eating with your fingers.
00:15:17Explain yourself, have you been impregnated a lot, a little, or quite a bit?
00:15:20You'll have some slight idea of who the father might be.
00:15:22Are you sure?
00:15:23Or do we have to draw lots among the lads here in Ja?
00:15:26No, not that.
00:15:27I'm sure.
00:15:29Father, there is only one.
00:15:30Come on, man!
00:15:31Tell us the name of that scoundrel.
00:15:32The name!
00:15:33The Lorenzo.
00:15:34The one with the soft drinks.
00:15:36Well, my daughter...
00:15:37...I don't know what you saw in him.
00:15:39Do you think that's not enough, mother?
00:15:40He'll be willing to fix that, won't he?
00:15:42Boom!
00:15:47What do you want?
00:16:00Talk to you.
00:16:01I'm sorry, but there's nothing to talk about between you and me.
00:16:03Are you going to listen to the rumors?
00:16:05Vindemia is not gossip.
00:16:08But how can I tell you that there's nothing between her and me?
00:16:10Nothing?
00:16:11I've already told you.
00:16:12I don't care about her, I only care about you.
00:16:14Will you be able to say all that in front of her tomorrow?
00:16:17From Vindemia?
00:16:18Naturally!
00:16:19But in front of my father, her, and me.
00:16:22Of course.
00:16:23That would be good.
00:16:24See you tomorrow, Angelita!
00:16:32Pitas, pitas, pitas!
00:16:33Pitas, pitas!
00:16:34Oh, get out of the way, Chucho, you eat everything!
00:16:36Pitas!
00:16:37Vintage!
00:16:39I need to talk to you!
00:16:41Wow, what a coincidence!
00:16:43Ah, me too!
00:16:56Pindemic!
00:16:57Look, I want to ask you a favor.
00:17:00Hey, Orencio, don't you think I've gotten a little heavier?
00:17:02Bah, how chubby!
00:17:04You're perfectly fine like this.
00:17:06Hey, what's up, guys?
00:17:07I came here for something trivial.
00:17:10It's a misunderstanding that's circulating in the town.
00:17:13People think there's something between Vindemia and me.
00:17:16And there isn't one.
00:17:17You don't understand.
00:17:18Do you think you and I are dating?
00:17:19It's funny, isn't it?
00:17:20And of course, you're not dating.
00:17:22A couple?
00:17:23How funny!
00:17:24Your brother and I are dating.
00:17:25No way, man!
00:17:26We had a good time together and that's all.
00:17:28But people are so mean...
00:17:29Orencio, I am five months pregnant with your child.
00:17:33And it's about her talking to...
00:17:37As?
00:17:53Orencio, lift your head, don't be ashamed.
00:17:55And now...
00:17:56Another lap around the square.
00:17:57And when is the wedding?
00:18:06In a week.
00:18:08Vindemia is preparing the paperwork.
00:18:10Are you ready to take such an important step, son?
00:18:13Yes, father.
00:18:13There is no other option.
00:18:15If you could see the beastly faces the Vindemia brothers make at me...
00:18:18Of course, if everyone were like the little boy...
00:18:21I don't like.
00:18:21That shouldn't be the case.
00:18:23Nothing, father.
00:18:24What's done is done.
00:18:25Only a miracle could save me.
00:18:27Orencio, a certified letter.
00:18:40Father!
00:18:40The miracle!
00:18:41And you know, as soon as you swear allegiance to the flag, you tell us what's wrong and we'll get married.
00:18:48Of course, woman.
00:18:49And be careful what you do.
00:18:51Remember that you are not free.
00:18:53One mistake and we'll smash your head in.
00:18:56Donteria.
00:18:57Goodbye, father.
00:18:58Son, take care of yourself.
00:19:00Take care of yourself.
00:19:01Vindemia, I'm not saying anything.
00:19:05If you put the child...
00:19:06Shut up, don't get involved in that.
00:19:07I only said it so it would have a name.
00:19:10Surname, Orencio.
00:19:11Last name.
00:19:12That's what it needs to have.
00:19:14One, two, one, two, half turn.
00:19:18Arf!
00:19:19One, two, one, two, one, two, one, two.
00:19:26Turn around!
00:19:27Arf!
00:19:28One, two, one, two, one, two.
00:19:30Right!
00:19:31One, two, one, two.
00:19:33Leave it.
00:19:48on the return
00:19:50the part of this
00:19:55high
00:19:57Forencio! Forencio! You have a telegram!
00:20:10Forencio! Forencio! Forencio! Forencio! Forencio! Forencio! Forencio! Forencio!
00:20:28Forencio has become a father! Well, it's not such a big deal!
00:20:29What do you mean, no? Five kids here say so!
00:20:31Five creatures! These! Kisses and canons!
00:20:34What a guy!
00:20:40Tordesillas is an adventurous town.
00:20:49The strange case of a first-time mother giving birth to five children has shocked the country.
00:20:54Five children.
00:20:56It seems unbelievable, so little.
00:20:59Orencio is my man, Dad.
00:21:02Could it be because of the gas in the sodas?
00:21:05This company, which I am proud to lead, congratulates you.
00:21:08He doesn't deserve my captain.
00:21:10Also, I have some good news to share with you.
00:21:12The commander gives him a week's leave to...
00:21:14No, Captain! Never. I beg you.
00:21:16Send me to the dungeon. But don't give me permission.
00:21:19That's it, no more talk. One week and you can go back to your village tomorrow.
00:21:22He earned it through hard work.
00:21:23Dear father, I am writing from the dungeon.
00:21:48I swear I was the most surprised by what happened.
00:21:51If one child is already a problem, imagine five.
00:21:54I have nothing to do with it. Well, you know that a little.
00:21:58After this news, nobody wants to come back to the town.
00:22:00That's all for now, this is Orencio signing off.
00:22:04Attention, stay still.
00:22:17Look, a child is about to come out.
00:22:18I mean, a little bird. What was I thinking?
00:22:20Stop messing around and shoot.
00:22:24I'm sorry, Orencio. Everything comes to an end.
00:22:27Courage, Orencio. You're a civilian now.
00:22:28Good luck. You're going to need it.
00:22:30And now you're getting married, and with five mouths to feed. I'm so sorry.
00:22:33Thank you. Thank you. I really appreciate it.
00:22:34Be brave, man. That can happen to anyone.
00:22:37Orencio, I'm so sorry. I really am.
00:22:50Thank you.
00:23:20What is he going to do?
00:23:23The usual, a red wine.
00:23:25For me, a Johnny Valkyra whisky, black label.
00:23:26Okay, just kidding.
00:23:27Immediately.
00:23:35Hello. Here I am.
00:23:38Orencio!
00:23:39Hey! Who's here?
00:23:42Did your military service suit you well? You're much better.
00:23:45What? Don't you want a whisky? We're all friends here.
00:23:47Nothing. There's no problem.
00:23:51He saved you, son. He saved you.
00:23:54And how did that happen, Father?
00:23:55You know how the harvest is.
00:23:58Once she gave birth, well, that's it, the girl is very cheerful.
00:24:02Do you remember Liborio, the one who did the bookbinding?
00:24:06So, he went to work in Switzerland.
00:24:10As the inotipic artist.
00:24:12And he took the harvest.
00:24:14And what about the boys?
00:24:16Also.
00:24:17The boy is crazy about her.
00:24:19They got married.
00:24:20And he has given his surnames to your children.
00:24:21So, the harvest brothers?
00:24:24They're so busy they don't think about what they're going to do
00:24:26when you find out that they have taken away your five children.
00:24:30Father.
00:24:32I forgive them.
00:24:35Don't you think that's the best thing to do?
00:24:38Yes, son, yes.
00:24:40It's the best.
00:24:41It's the best.
00:24:47It arrived this morning and it looks delicious.
00:24:59I've known him forever and the truth is...
00:25:00Someone who is capable of doing what he did is a genius.
00:25:03Well, I think he has a very big head.
00:25:06Alan Delon is not a woman, but he has appeal.
00:25:09He certainly has it.
00:25:10This town should be proud to have a man like that.
00:25:14And we in particular.
00:25:16Do you think he'll come here?
00:25:17Sure.
00:25:18And I'm warning you.
00:25:19If he sets foot here, he's a dead man.
00:25:22Because that's my business.
00:25:23What are you like as a pilgrim?
00:25:24Do you want it all?
00:25:25The ones here are already very common.
00:25:26Oh, I just got back from military service.
00:25:29How wonderful!
00:25:43It wasn't my fault.
00:25:45Really?
00:25:46Is your anise finished?
00:25:47Yeah.
00:25:48Other.
00:25:51Angelita, I've been thinking about you a lot.
00:25:54Nothing but me?
00:25:55And besides, I didn't care.
00:25:58Well, you had five responsibilities.
00:26:01You know very well that the circumstances...
00:26:04But for me there is no other woman but you.
00:26:07Do the customers bother you, daughter?
00:26:09No, father.
00:26:11This gentleman is leaving now.
00:26:12Here, when the TV is off, the establishment closes, young man.
00:26:17So, now you know.
00:26:20I've been told they've opened a luxury boa.
00:26:23Shall I wait for you there?
00:26:24Yes, you're wasting your time.
00:26:26I don't plan to go.
00:26:30He looks cultured and refined.
00:26:32And with a great personality.
00:26:38Sorry.
00:26:41Hello.
00:26:42Hello.
00:26:42But is it possible that you don't remember?
00:26:46Pilgrim.
00:26:48The one with the sack?
00:26:49Yeah.
00:26:51How have you been feeling?
00:26:52Almost years, Orencio.
00:26:54What you've done over there now.
00:26:56Military service.
00:26:57Oh, how exciting!
00:26:58Tell me.
00:27:00Look, let's go there.
00:27:01We'll be more comfortable.
00:27:02But there were only five.
00:27:23Come on, don't downplay it.
00:27:26Five days of arrest during the entire military service.
00:27:39Come on, let's dance, I'm slow.
00:27:40Do you know what I'm craving?
00:27:57Well, I don't know.
00:27:59Let's go, there are too many people here.
00:28:00But where are we going?
00:28:04There's nothing like a bit of fresh air.
00:28:07Yes, to catch pneumonia.
00:28:25Have a drink, you're going to need it.
00:28:28Well.
00:28:30Come on, man, don't be afraid.
00:28:34Okay, tell me.
00:28:36Who was responsible?
00:28:37Bindemic or you?
00:28:39I don't know what you mean.
00:28:41Yes, man.
00:28:42The thing about the five children.
00:28:43Illa or you?
00:28:45It's a delicate matter.
00:28:47I don't like to talk about it.
00:28:49Know?
00:28:50If I were to get pregnant, I'd like something like that.
00:28:53I don't understand you.
00:28:54Because?
00:28:55It must be to get attention.
00:28:57A pregnant girl is no longer news.
00:28:58But if she gives birth to half a dozen.
00:29:05Hey, what about these two years with the girls?
00:29:08Not even to set foot on the street.
00:29:10I was scared.
00:29:11At least in the barracks, I felt safe.
00:29:13So, without two years, nothing at all?
00:29:17Nothing.
00:29:19Well, it's about time you didn't lose the habit.
00:29:23Pilgrim, come on, let's go.
00:29:24Orencio, you will recover the time that your homeland has taken from you.
00:29:27Angelita, you have to listen to me.
00:29:55No, you're a pervert.
00:29:57He took me for a ride on his motorcycle.
00:29:59I know the pilgrim motorbike rides perfectly.
00:30:02It had been two years since I had seen a woman.
00:30:04And since you didn't listen to me...
00:30:06I swear to you that there is no other woman in my life but you.
00:30:10Cynical.
00:30:10Test me.
00:30:17You've already seen it.
00:30:18In three months I haven't given anyone anything to talk about.
00:30:21I don't trust him.
00:30:22Angelita, I love you.
00:30:25Please believe me.
00:30:26There will be no more trouble.
00:30:28And I promise you that in the village they will only talk about you and me.
00:30:31Not one more mess?
00:30:33Not one.
00:30:33So what do we do now?
00:30:43Have you seen how the girl is?
00:30:45Standing.
00:30:46Standing and pregnant, Orencio.
00:30:48And that's up to you.
00:30:50If she says so...
00:30:52What did I know?
00:30:53He took me to the laundry room after the dance.
00:30:55And he gave me cognac.
00:30:56That's enough, daughter.
00:30:58Don't hurt yourself any further by dwelling on that terrible time.
00:31:01Orencio, you have to do your job like a man.
00:31:04Yes, father.
00:31:05That's what we're here for.
00:31:07AND...
00:31:07And I now pronounce you husband and wife.
00:31:2150 pesetas.
00:31:23Goodbye, Orencio.
00:31:24Bye bye.
00:31:24Bye bye.
00:31:25That?
00:31:26Do you like this job?
00:31:27Not bad.
00:31:29An adventurous life, that's what it's called.
00:31:31Soft drinks are nothing but air.
00:31:33But there's more to come.
00:31:35Good.
00:31:40I want a five peseta stamp.
00:31:43Do you want it as a gift?
00:31:46I say this to remove the price.
00:31:51I'll wrap it up and tie a bow on it.
00:31:53Take.
00:31:55Since when do you sell a hard stamp like it's a refrigerator?
00:32:01The client needs to deal with me.
00:32:04It pains me to have to tell you this.
00:32:06But you don't have the vocation to be a tobacconist.
00:32:08The tobacconist has to be serious.
00:32:10Grim.
00:32:12Inflexible.
00:32:13Irresponsible.
00:32:13Irresponsible.
00:32:14Yes sir.
00:32:16Are you feeling better?
00:32:18I feel worse and worse.
00:32:20We're getting closer.
00:32:21Your due date is in a week.
00:32:23These are the most painful moments.
00:32:24And how do you know that?
00:32:26Hang in there, woman.
00:32:27Hang in there.
00:32:28If I had known this.
00:32:31It's about time I gave you the...
00:32:32Oh!
00:32:33Brother in law!
00:32:34Pilgrim, calm down.
00:32:36Hang in there, take this.
00:32:37It will suit you very well.
00:32:38Hold on, take it, take it, take it, take it, take it.
00:33:08That?
00:33:14Five, right?
00:33:15Five.
00:33:17And how is the mother doing after all this?
00:33:29Annie Morencio.
00:33:31Peregrina has rested for you.
00:33:33Who would she be?
00:33:38Two times five, ten.
00:33:43Now there are five.
00:33:44But there was another time.
00:33:47Isn't that right, Don Orencio?
00:33:49Yes sir.
00:33:50And to what does he attribute this fertility of his?
00:33:54Well...
00:33:54...that I put a lot of enthusiasm into it, I say.
00:33:57Inheritance, perhaps?
00:33:58No, sir.
00:33:59I am an only child.
00:34:01You could say I came into the world by a miracle.
00:34:04Seven months, you know?
00:34:05We know that you are a widower.
00:34:08My wife couldn't contain her emotion.
00:34:10Poor thing.
00:34:12With the excitement I had for these five children.
00:34:14Well, who's going to take care of their children now?
00:34:16In the village there is a girl named Angelita.
00:34:20She really likes children.
00:34:22Although I don't know if he'll want to.
00:34:24The double whistle.
00:34:29The double whistle.
00:34:44Father!
00:34:46What a joy!
00:34:46What a joy!
00:34:47What a joy!
00:34:48What a joy!
00:34:48What a joy!
00:34:49What a joy!
00:34:49What a joy!
00:34:49What a joy!
00:34:49What a joy!
00:34:53What a joy!
00:35:10What happened, Angelita?
00:35:12Yesterday, poor Don Segundino.
00:35:14Without his daughter, he was nothing.
00:35:16Now that he had five grandchildren.
00:35:19I heard you on television.
00:35:21I don't know if I can help you with the children.
00:35:24Would you do that for me?
00:35:25Not for you, for them.
00:35:27Intimacy in women's clothing should not be directly related to decency.
00:35:32On the contrary, we need to raise awareness among the vast majority of the Spanish people.
00:35:36so that the woman may be bold in her dress and seductive to her husband.
00:35:40Sorry.
00:35:41You tell me.
00:35:42Do you think that the ultra-retrograde man will look favorably upon a woman wearing underwear?
00:35:48Shall we call it post-conciliar?
00:35:51That's where our work comes in.
00:35:52There are many towns in Spain that suffer from a lack of information or poorly targeted advertising.
00:35:58They hold incorrect theories about it.
00:36:01Excuse me.
00:36:03Should a woman dress comfortably or seductively?
00:36:06Both.
00:36:08We must banish from the map the image of the prematurely aged woman.
00:36:12Look at these two mannequins.
00:36:14One has Castilian lingerie, and this other has the real thing, the kind that goes with our style.
00:36:22Time, which will make life more pleasant for our men, and thus little by little we will make them not want each other.
00:36:28go to Germany.
00:36:30Any further questions?
00:36:32What do you think of that photograph?
00:36:34It is the classic Hispanic mammal, full of atavisms and with a tendency towards suffering.
00:36:39Don't like the press, dear.
00:36:42Take it, look.
00:36:44What do you think?
00:36:48At first glance, it would seem to be the result of an advertising campaign.
00:36:54Something against the pill or something, right?
00:36:57That's our man.
00:37:00I don't understand.
00:37:02What better advertising to demonstrate the excellence of our lingerie than that force of nature?
00:37:07Are you thinking of hiring him?
00:37:08Further.
00:37:09We don't have a house in the city center.
00:37:12We will put a pilot station in that town, in Tordesillas de los Infantes.
00:37:17You will be responsible for convincing that man to take over the power plant.
00:37:21That's not a bad idea.
00:37:23Orencio has not failed because our lingerie has helped him.
00:37:28Yes, it could work.
00:37:30Offer him a fixed salary and commissions.
00:37:33You will move to the village and establish the pilot house there.
00:37:35With this man at the helm of the business, your job is going to be a piece of cake.
00:37:39Good.
00:37:40When do I start?
00:37:42Tomorrow.
00:37:42Goodbye, Orencio.
00:37:59Goodbye, Horacio.
00:37:59Orencio, is that you?
00:38:02No interviews.
00:38:04That happened and I have nothing to say.
00:38:06Yes, it could work.
00:38:08Did you live here?
00:38:09Yes, upstairs.
00:38:09But what's going on?
00:38:11This is not for sale.
00:38:12We'll put the sample display here, and the workshop upstairs.
00:38:17Hey, but can you tell me?
00:38:25What are you doing?
00:38:29First of all, answer me this question.
00:38:32What do you think of this?
00:38:35Hey, is this some kind of contest?
00:38:38Do they give points?
00:38:39Please come closer.
00:38:42Look closely.
00:38:45The bikini reaches up to here, making the leg look longer.
00:38:48No garter belt.
00:38:49Stockings up to the waist.
00:38:51And the bra.
00:38:53What about the bra?
00:38:55I can't speak.
00:38:57Do you like this or not?
00:38:59Do not continue.
00:39:00You have my vote.
00:39:00And touch, touch the fabric.
00:39:04No, yes, it's visible.
00:39:06Pure virgin wool.
00:39:08Horencio!
00:39:26And how did they choose me?
00:39:28You are the right person.
00:39:30He is a popular person.
00:39:33Make up your mind.
00:39:34Your life can change just by signing here.
00:39:38But the tobacco shop belonged to my wife, may she rest in peace.
00:39:42She will be happy with this decision.
00:39:44Our advertising is aimed at married women.
00:39:47Don't forget it.
00:39:49Sign here.
00:39:49One-year contract?
00:39:55Well, 30,000 pesetas a month, plus 10% commission on the sale, car and van.
00:40:01The thing is, I have no experience.
00:40:03The initiation period is on me.
00:40:06I will be by his side until he lets go.
00:40:08I don't know, people here are a bit reluctant to buy this kind of lingerie.
00:40:14Do you think this won't be well received in this region?
00:40:18Well, if they buy stamped paper, why wouldn't they buy this?
00:40:21It's done.
00:40:35We're just a step away from him putting on the last tango.
00:40:38I'm buying that nightgown tomorrow.
00:40:40What can we do?
00:40:42Eroticism is going to kill Orencio.
00:40:46I feel terrible, don't I?
00:40:49Appropriate to the moment and the situation.
00:40:51A bracelet.
00:40:55Bracelet too?
00:40:57Hands are important in this business.
00:41:00The same as marketing and market selection.
00:41:03Before going to bed,
00:41:05Please make me a complete list
00:41:06of the most important towns in the surrounding area,
00:41:09taking into account its population and distance.
00:41:12I'm very tired tonight.
00:41:13That doesn't matter.
00:41:14You are already a programmed man.
00:41:18Another thing.
00:41:19The hotel in this town is rubbish.
00:41:21I'll sleep here.
00:41:23In this house?
00:41:24Yes, in his father-in-law's room.
00:41:27I've already brought the luggage.
00:41:30Ah, tomorrow we'll practice how to sell the product.
00:41:34Good night.
00:41:35Good night.
00:41:39Good night.
00:42:03And if he's right, Horencio.
00:42:07This news has passed.
00:42:11What now?
00:42:14On balance.
00:42:15It doesn't make me feel bad at all.
00:42:29Opening Set.
00:42:30Highly recommended for villages that live off livestock farming and agriculture.
00:42:34It goes with everything.
00:42:36And it gives the wearer an air of a worldly and liberated woman.
00:42:39I would wear this over my dress.
00:42:42My husband sees that and drives me crazy.
00:42:45Notice how light the garment is and how flattering it is to the face.
00:43:00Is there nothing in Magic Cross?
00:43:03We have true wonders.
00:43:05Take good notes and then place your order.
00:43:09Hey, and you acted on those things?
00:43:12Naturally.
00:43:13That was my secret.
00:43:15All my previous women wore modern feminine underwear.
00:43:19Okay, next we'll move on to nightgowns.
00:43:23Take a look at this delicate, exclusive model from the Dormilón house.
00:43:27Arabian Nights.
00:43:30Very useful for marriages of more than five years.
00:43:34It is worn with two drops of perfume and placed in the bathroom.
00:43:39The light must remain on and the figure upright.
00:43:43They should never sleep with him.
00:43:46So is this a nightgown or a trench coat?
00:43:56The business couldn't have gone better in a month.
00:43:59Now we need to expand into the surrounding towns.
00:44:04Tordesillas has changed.
00:44:05We'll be kicked out of this for good, we make people more...
00:44:08What do you call them?
00:44:10Progressives, it's logical.
00:44:12People need to be introduced to today's world.
00:44:15Create needs for them and then exploit them.
00:44:18Hey, it's not bad.
00:44:19Is that your idea?
00:44:20No, it's the theory of consumer society.
00:44:25Nati.
00:44:26Tell me.
00:44:27I wanted to ask you something.
00:44:30If I asked you to stay in the village forever, would you accept the idea?
00:44:34That's outrageous!
00:44:35By no means.
00:44:37I'm here, programmed.
00:44:39I have founded a production hub in your town.
00:44:41When I have some kind of sixth development plan, I'll leave.
00:44:47Don't you care about anything else?
00:44:49Of course not.
00:44:53Let's see.
00:44:54The first town will be Anda de Lerna.
00:44:56Yes, we're almost there.
00:44:58A leap into today's world.
00:45:00War of immobility.
00:45:01But let's see if it fits within the order.
00:45:03Look, look at the models received from Europe that sell one.
00:45:05He knows what he's doing.
00:45:06Everything is small.
00:45:07Ma'am, I didn't actually put your husband in.
00:45:09You are to blame.
00:45:12Bras, combinations in eye-catching colors for the boyfriend, for the husband and for the bust.
00:45:18It's the one about the five children, when he says so.
00:45:21Let's see if my son Anjo will stop playing mus at night.
00:45:23Come in, come inside the van and try them on.
00:45:27These models, imported directly from Europe, are guaranteed.
00:45:31If after three attempts your husband is still the same, we will refund your money.
00:45:36Gamperro!
00:46:02Eye!
00:46:04This other anonymous comment says...
00:46:05Next time we'll plant a bomb.
00:46:08A friend.
00:46:08Wow, what a friend!
00:46:10And this one says...
00:46:12Out with modernism.
00:46:13And give us back Gibraltar.
00:46:15I don't understand.
00:46:16Well, this guy...
00:46:17Don't mix the magic crusader with Mao.
00:46:20What does Mao Setum have to do with the magic crusader?
00:46:23Convince him yourself, Mr. Grato.
00:46:25Her son wants to close the boutique.
00:46:27I go to the grocery store.
00:46:28A ham shop.
00:46:29The opinion of a few does not reflect what everyone in the town thinks.
00:46:34Look, miss...
00:46:35When my son was working at the soda factory, he already wanted to take down Coca-Cola.
00:46:41He always wants more than he has.
00:46:44I knew that the two accidents I had in the village wouldn't benefit him at all.
00:46:51But what does that have to do with anything, Father?
00:46:52What did you give in my place?
00:46:54There's nothing to do.
00:46:55You have to pass by without attracting attention.
00:46:58Modernism...
00:46:59...it's not for us, son.
00:47:01We will have to wait for the reaction of everyone who has bought our merchandise.
00:47:05They will make us open our store with even more advanced lingerie.
00:47:08Don't you know the people from this town?
00:47:11Well, I'm going to try.
00:47:13I know how to talk.
00:47:14In Madrid, he worked as a monitor for the saleswomen.
00:47:18I'll do the same here, but in progress.
00:47:21Do you agree that women need to evolve?
00:47:24Lingerie is the path to progress.
00:47:27Given the current perspective, I would call for an evolution in men's underwear.
00:47:33Who's stopping us from wearing the Dutch bikini?
00:47:35Don't go overboard, Tony.
00:47:36As long as Hortensia's daughter, who's gorgeous, takes him, that's enough for me.
00:47:39Equality.
00:47:40Freedom of movement.
00:47:42Yes, but within reason.
00:47:44Attention, ladies and gentlemen.
00:47:47Let's see if the first point is approved.
00:47:49Do you agree that the La Femme d'Or boutique should not disappear?
00:47:54Yes, we agree.
00:47:55And when will we talk about associations?
00:47:58Don't be rude, you're always the one making a vulgar scene.
00:48:02Let's continue with the lingerie, which is the good part.
00:48:04Silence.
00:48:06I propose that if the boutique suffers another attack, we all go out into the street in bikinis.
00:48:11Viking!
00:48:24Valencia?
00:48:25Yeah.
00:48:25The one from the boutique?
00:48:27What do you want?
00:48:28Not a word, this is a kidnapping.
00:48:30As?
00:48:31Let's go, without drawing attention to ourselves.
00:48:32Be careful not to cause a scene.
00:48:34But you're crazy.
00:48:34Where are we going?
00:48:35You'll see it up there.
00:48:39Start, Eloy.
00:48:39If this had to end like this, to the slaughterhouse, nati, nati, why would I listen to you?
00:48:59What are they going to do to me?
00:49:27You'll see, first you need to have dinner and go to sleep.
00:49:30My name is Sofia.
00:49:51Your breakfast.
00:49:52Delighted.
00:49:53What are they going to do to me?
00:49:54He will find out in due time.
00:49:58He eats a lot.
00:50:00You're going to need it.
00:50:01Please tell me.
00:50:15You're Lorencio, the little twerp of the princes, right?
00:50:18The one with the five and five, right?
00:50:20You see, the matter is a bit delicate.
00:50:26Have you seen Sofia?
00:50:27Loren?
00:50:28No, to the woman who brought you the food.
00:50:30Oh, yes, is that Sofia?
00:50:32Yeah.
00:50:32Clear.
00:50:33Well, she's my wife.
00:50:35I share your feelings.
00:50:36And my sister?
00:50:37I'm wondering the same.
00:50:39Thank you so much.
00:50:40My sister wants to have children.
00:50:42That seems very good to me.
00:50:44And the thing is, I...
00:50:47I don't know what's wrong with me.
00:50:48That's why we thought of bringing you here.
00:50:51Your fame is very great.
00:50:52I don't understand anything.
00:50:57Are you saying they've thought of me to expand their family?
00:51:01But numerous, because that now has many advantages.
00:51:05Sofia has to be a mother.
00:51:16Are you leaving already?
00:51:18Yes, they've already fallen asleep.
00:51:19Do you know anything about Lorencio?
00:51:22Well no.
00:51:24You were Lorencio's girlfriend, weren't you?
00:51:26Well, I've been the eternal girlfriend.
00:51:29But that's all in the past.
00:51:31Now you see.
00:51:32Lorencio is a famous man.
00:51:34Everyone is talking about him.
00:51:36He's even in magazines and on TV.
00:51:38Why doesn't she marry him?
00:51:40Lorencio likes a different kind of women.
00:51:43And why aren't you the kind of woman Lorencio likes?
00:51:47I don't know if it would work.
00:51:48Why don't we give it a try?
00:51:50Yes, how?
00:51:51Come on, try this on.
00:51:53I don't know, really...
00:51:54Listen to me.
00:51:55It's an order.
00:51:59Do you want wine?
00:52:00And more food?
00:52:01No, thank you very much.
00:52:02I'm fine.
00:52:03Well, we'll see what happened tomorrow morning.
00:52:05I want five.
00:52:06We are?
00:52:07And I want them to be strong and hardworking like me.
00:52:10Yes sir.
00:52:11Whatever you command.
00:52:12Come on, Eloy.
00:52:20Wait, ma'am.
00:52:21I...
00:52:22There's a lot of talk.
00:52:24Don't believe what's being said about me.
00:52:26Ignore it.
00:52:27He's a beast.
00:52:28I told him that so many times.
00:52:29That's not how it's done.
00:52:30You can't be rented out like a stud.
00:52:33I'm glad you think so.
00:52:35He's going crazy.
00:52:37He wants to have five children.
00:52:39To him, you are more than just that Cruyff guy.
00:52:41He admires her.
00:52:42Ever since she appeared on TV, she can't seem to get that idea out of her head.
00:52:46So what are we going to do?
00:52:47My husband and my beast of a brother have a very particular idea about this thing called love.
00:52:52They are listening.
00:52:55We must make them believe that...
00:52:57Do you understand me?
00:52:58I think so.
00:53:00Well, no.
00:53:01Come on, move the bed.
00:53:04So what now?
00:53:05Now I must scream.
00:53:06They understand it that way.
00:53:08Well, I shouted.
00:53:09Oh!
00:53:10Oh, my life!
00:53:11Oh, you brute!
00:53:12You brute!
00:53:14Come on, say something.
00:53:15And what do I say?
00:53:16Something loving with passion.
00:53:18My life!
00:53:19Milk, but it barks.
00:53:24Yes, I do it sometimes.
00:53:25Dude, well, that's fine.
00:53:27Oh, my life!
00:53:28Oh, my life!
00:53:29Oh, how awful!
00:53:30How rude of you!
00:53:33This is going smoothly.
00:53:37Oh, how wonderful!
00:53:38How wonderful!
00:53:38How wonderful!
00:53:40And is he having a great time?
00:53:42How rude!
00:53:43Holy shit!
00:53:48What do you think?
00:53:50I don't know.
00:53:51Do you think Orencio will like me?
00:53:53I'm sure.
00:53:55You have more experience than I do.
00:53:57Don't you think he'll think I'm easy?
00:53:59Don't worry.
00:54:00That's what they really like.
00:54:02And what else should I do?
00:54:03Ignore him.
00:54:05Ignore him.
00:54:06You'll see how you drive him crazy.
00:54:07But only like that?
00:54:09No, woman.
00:54:10And also with underwear.
00:54:13Let him see you.
00:54:14Let him realize what you can be like.
00:54:16It's clear that the naive village girl doesn't say anything to him.
00:54:20I'm scared of it.
00:54:21And aren't you afraid that someone else will come and take him away?
00:54:24Never.
00:54:25Let's talk about underwear.
00:54:26Do you think it's beautiful?
00:54:35The fact that?
00:54:36This, what you've done tonight.
00:54:37You wanted it.
00:54:38It was your idea.
00:54:39Don't come at me with that now...
00:54:39Did you cheat on me or not?
00:54:41Don't bother me.
00:54:42Nobody can stand you.
00:54:43And you had a great time with that one too.
00:54:46Yeah.
00:54:46What's happening?
00:54:47You should have acted like a real husband instead of looking for hired lovers.
00:54:50You should be ashamed of yourself!
00:54:51But did you cheat on me or not?
00:54:53And what did you want me to do?
00:54:54Well, now you're going to find out what a real husband is.
00:54:58How rude!
00:55:00Are you going to finish me off?
00:55:02Oh, son!
00:55:03It has cost me dearly.
00:55:09Are you leaving like that?
00:55:12I don't know what I'm going to say to him when he gets back.
00:55:13You don't need to say anything to him.
00:55:15My work in this town is now finished.
00:55:17The business is up and running.
00:55:19And the management is demanding answers from me.
00:55:21And who's going to take care of all this?
00:55:24You, my dear.
00:55:25I?
00:55:25I'd rather die.
00:55:26It wouldn't work.
00:55:27I certainly think so.
00:55:30And don't forget the advice I've given you.
00:55:33But I would be safer if you didn't leave.
00:55:35You don't need me.
00:55:36Not even to Horencio.
00:55:37I'm continuing on my way.
00:55:38I am a programmed woman.
00:55:40And I owe everything to consumer society.
00:55:42Not you.
00:55:43You owe it to this and to Horencio.
00:55:47Don't let him get away.
00:55:49I'll try!
00:55:50Bye!
00:55:51And write to me!
00:55:55Sorry.
00:55:57I'd like something a little daring.
00:55:58To seduce the husband?
00:55:59No, I'm a widow.
00:56:00I've rented the room to the new vet and...
00:56:03Please come in.
00:56:03I think I have what you need.
00:56:08All models are guaranteed for the first three uses.
00:56:17Go ahead and try this one on.
00:56:21Will it bring nothing but relief or mourning?
00:56:24Of course.
00:56:25In purple.
00:56:26Well.
00:56:27Angelita.
00:56:30But...
00:56:30What are you doing?
00:56:32Nati left a while ago and since you disappeared she left me in charge.
00:56:36But this doesn't apply to you.
00:56:38And why not?
00:56:38Hello good morning.
00:56:40And now, ladies, since Horencio has arrived, we're going to show you the nightgowns for next season.
00:56:45And who's going to pass the nightgowns?
00:56:47Well, me.
00:56:48Who's it going to be?
00:56:49You?
00:56:49No way.
00:56:50Do you hear it?
00:56:51You stay home and take care of the children.
00:56:53But what's this about passing around nightgowns?
00:56:54Well, I mean, it's just that...
00:56:56Since he's not a professional...
00:56:57We don't care.
00:56:58What ideas do you have?
00:56:59The woman must be pure, most pure, and she has heard this litany that goes like this.
00:57:16A woman must be purer than a hen.
00:57:27My profession has four letters.
00:57:32B, U, I don't know which one it is, and A.
00:57:41Crientes, we are clients of an old situation, it is an operation in which we are aware.
00:57:53It's not a Spanish problem, it will be in Hamburg, the world shines and clothing is fundamental.
00:58:00A woman and a ball, in Paris like the dust, which is the Episcopal.
00:58:11The woman and a ball, in Paris like the dust, which is the Episcopal.
00:58:16Gentlemen, please be patient, the emergency room lady is here to help you.
00:58:27Consumer society, woman's solution.
00:58:38Source of needs, you have created the consumer.
00:58:43Nobody talks about Cupid, and the repressed are in charge.
00:58:52In love, a woman will always, always be faithful.
00:58:59Repressed, repressed, we are similar beings.
00:59:04Having endured repression, they find a solution in a brief partnership.
00:59:15This is the subject of my profession.
00:59:27And to find out about me, go up to the extension, and wait for the end.
00:59:45My little boy is so cute, such a beautiful child.
01:00:03Nobody pays attention to him, poor thing, poor thing.
01:00:06Don't you think that's too much affection for these disgusting dogs?
01:00:11You worry about my contracts, and the neon signs.
01:00:15Incidentally, there was a burnt-out light bulb yesterday.
01:00:20Ah! The businessman brought me the new contract.
01:00:23Okay, I'll take a look at it.
01:00:24No, I've already signed it.
01:00:26The one you signed?
01:00:27So, what else is it going to be? An extension?
01:00:29Until when?
01:00:30Eight months.
01:00:32This work is going very well.
01:00:34Eight months?
01:00:34You're crazy.
01:00:36Where is that contract?
01:00:37I'll kill you, I'll kill you.
01:00:39Take it, so you can see that I know how to do things right.
01:00:46I'm going to have a heart attack.
01:00:49I want to die.
01:00:51This woman is crazy, crazy.
01:00:53Doro, but we're back to normal.
01:00:56What's wrong?
01:00:57In five months you have signed a contract to move up to the Barcelona scale.
01:01:00Don't you remember?
01:01:02So we'll return the deposit and that's it.
01:01:04But what advance?
01:01:05They will sue us, they will put us in jail.
01:01:07But don't you realize that you signed the contracts at the same time?
01:01:10And isn't that okay?
01:01:17We can't say no, Orencio.
01:01:19It is Tordesillas de los Infantes that will benefit from your fame.
01:01:22But I have my business here, Mr. Mayor.
01:01:25And what about the mother now?
01:01:26This is Don Juan Mejías.
01:01:28Apparently, he is an eminent sexologist.
01:01:29And what is that?
01:01:31Its very name says it all.
01:01:33That's it, in which you are a world figure.
01:01:35I don't know why.
01:01:37You need to spend a few days in Madrid, Orencio.
01:01:40It says so here.
01:01:41You are needed at some conferences.
01:01:43What is erotic potency for a man?
01:01:45Here is the statement of today's conference.
01:01:48How do you recognize a powerful man?
01:01:50Of course, not by lifting stones, or chopping logs with an axe, or even throwing punches in a ring.
01:01:58A man is powerful when he determines the complete erotic satisfaction of his partner.
01:02:04I like this man more than a fool likes a pencil, and I like the things he says.
01:02:11Contrary to what most men, and many women, believe,
01:02:16A man's power is not measured solely by the frequency or intensity of his embraces,
01:02:22nor by the number of his conquests.
01:02:24The power, I repeat, is to provide every woman with the delight she deserves.
01:02:39Please, give me a bull.
01:02:42Thank you.
01:02:43And me too, doctor.
01:02:46Please.
01:02:49Thank you.
01:02:54What a day.
01:03:04My head is going to explode.
01:03:06You've said the same old nonsense, haven't you?
01:03:09It would be better if you talked less and acted more.
01:03:12What do you want?
01:03:13I've been taking Jerovital for a year now.
01:03:15All your strength goes through your mouth.
01:03:17You know what? I've done something else.
01:03:19I have written to Horencio.
01:03:20That guy we saw on television.
01:03:22Which one? I don't remember.
01:03:23Yes, woman. He's the one who had five children and then another five.
01:03:27That's a lie. It's probably an advertisement for some product.
01:03:30We'll know that soon.
01:03:32Because I invited him to my course at the university.
01:03:34It is a phenomenon worthy of study.
01:03:36And while you're at it, when you study it, see if you can apply any of it to yourself.
01:03:40You already understand me.
01:03:41The shoemaker's children go barefoot.
01:03:43Leave it, Doro.
01:03:53I can't, I can't.
01:03:56I've been thinking about what you said.
01:03:58Do you think we'll have problems?
01:04:00Issues?
01:04:01Jail, jail.
01:04:04It won't be that bad.
01:04:16Besides, what am I going to do in jail without my dogs?
01:04:21Duplicate contract!
01:04:23In other words, you have to be in two places at the same time.
01:04:27And you don't have the gift of being everywhere.
01:04:31All contracts have something in common.
01:04:33You already understand me.
01:04:34But they cannot be broken, except in case of illness.
01:04:37It can be faked.
01:04:38But there are doctors, Tilba.
01:04:40How could you even think of such a thing?
01:04:42You have to do something.
01:04:43Only in case of death or pregnancy.
01:04:46Die?
01:04:47How awful!
01:04:49What else did you say, Doro?
01:04:51Pregnancy.
01:04:55Oh, how beautiful that would be, Doro.
01:04:57A son of yours and mine.
01:04:59Tilba!
01:05:00What are you thinking?
01:05:02You know that my dream is land, children.
01:05:04Many children.
01:05:05The more, the merrier.
01:05:07That's why I have dogs.
01:05:08Because you don't listen to me.
01:05:10And why should I listen to you?
01:05:11Are there no other men in the world besides me?
01:05:14That would be great.
01:05:15My representative, the father of Tilba's children.
01:05:19How awful!
01:05:21It makes me cringe to think about it.
01:05:23Well, I don't see any other solution, Doro.
01:05:25So get used to the idea that I'm getting pregnant
01:05:27or we will have to pay compensation.
01:05:29Prison before.
01:05:30Do you understand?
01:05:35But...
01:05:36It's because you don't like me one bit.
01:05:39Oh, I can't imagine fulfilling my duties like a man.
01:05:42What do you want?
01:05:43Lack of habit.
01:05:44The essential characteristic of erotic power, therefore, for man, is domination
01:05:51of himself.
01:05:52Master of his reflexes, the powerful man is master of female pleasure, therefore the woman
01:05:56He will owe his delight, his happiness, to him, making him his master and lord.
01:06:02What did you think?
01:06:04Curse.
01:06:06How Curse?
01:06:07It is a scientific conference.
01:06:09Curse.
01:06:10What you consider Curse makes thousands of women swoon.
01:06:14And do you know why?
01:06:15Because they don't know you like I do.
01:06:17And due to a sexual deformity, based on poor education.
01:06:22Good night, my love.
01:06:24Good night.
01:06:26Goodbye, my love.
01:06:27No, not the cat.
01:06:57Does Dr. Mejías live here?
01:07:02Yes, but it's not there.
01:07:03Do you know where I could find him?
01:07:05Yes, it's very urgent.
01:07:06Go to medical school.
01:07:07Urgent?
01:07:08Don't know.
01:07:09He sent me a letter to the town.
01:07:10Well, not me.
01:07:11To the mayor.
01:07:13You're Crescencio, right?
01:07:15No, ma'am.
01:07:16Orencio.
01:07:17The one with five children?
01:07:18Yes, ma'am.
01:07:19Himself.
01:07:20Wait, I'll go with you.
01:07:21He doesn't know how much I wanted to meet him.
01:07:23I went through something that changed me in an instant.
01:07:27How do you do it?
01:07:34They always ask me the same thing.
01:07:36Well, I don't know.
01:07:38I'm just interested, that's all.
01:07:40But, is there much interest?
01:07:42I don't know.
01:07:44I think like everyone else.
01:07:46Well, her husband knows more about this than anyone.
01:07:48He'll probably explain it to us.
01:07:50That said, he certainly doesn't lack words.
01:07:53He's been dealing with this issue his whole life.
01:07:54But children don't come into the world with words.
01:08:05At first glance it seems normal.
01:08:07Don't trust them.
01:08:08These things are not detected by the screen.
01:08:11In case it's helpful, I had measles and whooping cough when I was little.
01:08:14Upon receiving the shock, you will notice some vibrations.
01:08:21Like in the electric chair?
01:08:22More like a tickle.
01:08:24Just relax and think about your mother.
01:08:27Already.
01:08:30I didn't quite understand it.
01:08:32In my mother or in yours?
01:08:34But what is the relationship between potency and fertility?
01:08:38None.
01:08:40A very powerful man can be, why not?
01:08:43Sterile.
01:08:49Completely sterile.
01:08:51Today I have the pleasure of presenting you with an extraordinary case.
01:08:55A man just like any of you.
01:08:58Or like me.
01:08:58Well, I'm referring to the physical aspect, of course.
01:09:05This man is a true superpower in every sense.
01:09:09In which we pointed out yesterday the erotic satisfaction of the companion
01:09:13and in the area of fertility.
01:09:16Gentlemen, I present to you Orencio.
01:09:21Nice to meet you.
01:09:26A vulgar man.
01:09:29And like all the great men in history,
01:09:32It is adorned by the other virtues.
01:09:34Simplicity.
01:09:36Humility.
01:09:38But let it be known.
01:09:40He has performed twice.
01:09:43And five children each time.
01:09:44Thank you.
01:09:58Orencio.
01:10:19Orencio.
01:10:22Come on.
01:10:23Go up.
01:10:23But we didn't wait for the doctor.
01:10:25He invited me to lunch.
01:10:26Don't worry.
01:10:27Go up.
01:10:27Go up.
01:10:31My husband's strength goes all through his mouth.
01:10:47I don't understand.
01:10:48He speaks very well.
01:10:49But the rest is a paralytic.
01:10:51Opposite.
01:10:52Lady.
01:10:53I want to be a mother.
01:10:54Ma'am, please.
01:10:55That my people can see.
01:10:56It's a large family.
01:10:57This is not right.
01:10:58Lady.
01:10:59This man's case is not common.
01:11:00But it can happen.
01:11:01An excess of power, of virility.
01:11:04Life is very unfairly distributed.
01:11:06Look, there's my wife's car.
01:11:07She will take us.
01:11:09The same way,
01:11:10this butá of nature
01:11:11It can come as it can go.
01:11:13Professor Von Hendruss,
01:11:15in his treatise on rural sex,
01:11:17It already explains how one fine day
01:11:18the effect of nature disappears.
01:11:21And he may still become impotent
01:11:22as normal.
01:11:24How normal?
01:11:25Well, like me.
01:11:27Or like you.
01:11:33Come on, Ramirez.
01:11:35But what is this?
01:11:37You see, following your advice.
01:11:40Sorry.
01:11:41He said that between me and the cat,
01:11:43I don't know what he meant.
01:11:46So your wife
01:11:47Practice your theories.
01:11:49Yeah.
01:11:49Yeah.
01:11:50You see.
01:11:52If you have five children,
01:11:53I'll shoot you.
01:11:55What a man.
01:11:56How wonderful.
01:11:58Just one like that is exactly what we need
01:12:00to fix our problems.
01:12:02No, I'm not referring to the phenomenon.
01:12:04The one I like
01:12:05It's Dr. Mejía.
01:12:07What a man.
01:12:08I imagine him to be strong and vile.
01:12:11Well, think what you want,
01:12:12But quickly.
01:12:13If not, you know,
01:12:13Your professional career is over.
01:12:15As if to show off their power...
01:12:16What I would give to be a mother.
01:12:18And this, in short,
01:12:20the extraordinary case of Orencio,
01:12:22to whom, on behalf of all my colleagues
01:12:24I will have the honor of hanging it on his chest
01:12:27the superpower medal.
01:12:29Orencio, please.
01:12:31Accept it
01:12:32as a small token of appreciation
01:12:35to so many merits acquired.
01:12:37A super-powerful
01:12:49not only in terms of generation
01:12:50of sperm,
01:12:52but in terms of vitality
01:12:53of the same.
01:12:54And will that ability always be constant?
01:12:56or it may be varied
01:12:57under some circumstance?
01:12:59Unfortunately, yes.
01:13:01A slight difference in level would suffice.
01:13:02of your body temperature,
01:13:03now optimal,
01:13:05to vary its power.
01:13:06This is the case with cryptorchids.
01:13:09You couldn't go to the village
01:13:10without seeing any typical places.
01:13:12The Marilla Nui, for example.
01:13:14These business dinners are a drag.
01:13:16His wife would have liked to accompany us.
01:13:18Where am I going to take you?
01:13:19My wife has no say in anything.
01:13:20That's why I left her at home.
01:13:23I would like to tell you
01:13:24that this morning in his car
01:13:26Nothing happened between his wife and me.
01:13:29I know, man, I know.
01:13:30My wife is like that.
01:13:31And he's not wrong.
01:13:34Well, we have to take care of her.
01:13:35It must be because I've gotten used to it.
01:13:38Or because my wife lacks that
01:13:39that in the movies they call
01:13:40the leitmotif.
01:13:42You understand me?
01:13:43We must tell the truth
01:13:53in the most natural way
01:13:55and sing the reality
01:13:57of family life.
01:14:00And why?
01:14:01Who cares?
01:14:02Tell the truth?
01:14:04Passion is something that overwhelms us,
01:14:24It disturbs us,
01:14:24We are overwhelmed.
01:14:25but love
01:14:26love
01:14:29It does not annihilate us
01:14:31but it gives us
01:14:31our authentic way of being.
01:14:33To the one who tells the truth
01:14:35He deserved to be punished
01:14:38It's an outdated vice.
01:14:40and a desire to annoy
01:14:42lie
01:14:43What a pleasure it is to deceive
01:14:46feel fulfilled
01:14:47in the conversation
01:14:50that is not telling the truth
01:14:52a sign of imagination
01:14:54that is not telling the truth
01:14:56far from reality
01:14:58The song is bitter.
01:15:03deep down
01:15:04She must be heartbroken.
01:15:07Well
01:15:08not so much
01:15:10in life
01:15:11Nobody listens
01:15:12when something is going well for you
01:15:14opposite
01:15:15what happens
01:15:16when something goes wrong
01:15:18It is preferable to lie
01:15:21smile
01:15:23invent
01:15:25a world of happiness
01:15:29a world of happiness
01:15:31a world
01:15:32of happiness
01:15:37What a man!
01:15:44It's wonderful
01:15:45It looked uglier on TV
01:15:48and five children
01:15:50This is what I needed
01:15:51Have you seen the one on TV?
01:15:53Yeah
01:15:53and he comes with the doctor
01:15:55Oh, how handsome he is!
01:15:57Show them to my dressing room
01:15:58I have a quarter of an hour
01:16:00Tell them I want to say hello.
01:16:02that I am an admirer of yours
01:16:03here it is
01:16:18She is waiting for them
01:16:19pilva
01:16:21can?
01:16:21can?
01:16:25can
01:16:25tilba
01:16:26forward
01:16:29tilba
01:16:31This is Orencio
01:16:33the phenomenon he speaks of
01:16:34everyone
01:16:34And you are Dr. Mejía?
01:16:37TRUE?
01:16:37enchanted
01:16:38lady
01:16:39it's a pleasure
01:16:40tilba
01:16:41Orencio is here
01:16:42Take him to see
01:16:44to the girls
01:16:44They all die
01:16:45to meet him
01:16:46ay tilba
01:16:47I see a sparkle in your eyes
01:16:49which I like a lot
01:16:50I think I already have
01:16:52the contract is fixed
01:16:53Right, doctor?
01:16:55Whatever you say
01:16:56Let's go see the girls
01:16:58that we're in the way here
01:16:59Yeah
01:17:00that will be best
01:17:01ale ale
01:17:02remove
01:17:03to the girls
01:17:05I have a problem, doctor
01:17:06Juan
01:17:13tilba
01:17:14with me
01:17:40to have
01:17:41sing
01:17:42joy of living
01:17:44to enjoy
01:17:45sing
01:17:46sing and be happy
01:17:47sing and be happy
01:17:49sing and be happy
01:17:50sing and sing
01:17:53Don Doro
01:17:56is the Tilba number
01:17:57I'm calling her dressing room
01:17:58and I hear nothing but sighs
01:17:59what I do?
01:18:00Oh damn my image
01:18:02the spider
01:18:03I sure do scratch her
01:18:04mine
01:18:05tilba
01:18:08It's your number
01:18:09tilba
01:18:10You have to leave
01:18:11Oh
01:18:12What do we do?
01:18:13You're going to kill me
01:18:14tilba
01:18:15answer me
01:18:16Leave me alone, Doro
01:18:18For once I jump into the scene
01:18:20How are you feeling, my love?
01:18:23happy
01:18:23Finally, my Oedipal conflict
01:18:26with phobic traits
01:18:27diffuse
01:18:28alongside a floating anxiety
01:18:30that depressed me
01:18:31He is cured
01:18:32You'll pay for this.
01:18:39Don Doro
01:18:40What do we do, Don Doro?
01:18:43I have an idea
01:18:44Don't stop the show
01:18:46We're going to have a performance
01:18:47off the program
01:18:48ladies and gentlemen
01:18:55I have the pleasure
01:18:56to offer you
01:18:57a brilliant new feature
01:18:59before you
01:19:00Orencio
01:19:01man of the day
01:19:02and that also
01:19:03of the great qualities
01:19:04that all of you
01:19:05I think they know
01:19:06He's a brilliant imitator.
01:19:08of stars
01:19:09and gently
01:19:10is going to offer us
01:19:11a song
01:19:11by Rafael
01:19:12whenever you want
01:19:15Orenco
01:19:16Love
01:19:31Bye
01:19:33It cannot continue
01:19:38The magic already exists.
01:19:41term
01:19:42And now I have
01:19:45that march
01:19:47more will be
01:19:49better
01:19:51to follow our solitude
01:19:57if today the sky
01:19:59It was covered
01:20:00maybe tomorrow
01:20:03Let the sun shine
01:20:05Don't suffer anymore
01:20:11maybe tomorrow
01:20:13our crying
01:20:15is left behind
01:20:16And if you tell me
01:20:18that your love
01:20:19will wait for me
01:20:21I will have the light
01:20:23that my path
01:20:24will illuminate
01:20:25and I will return
01:20:31with a bird
01:20:32that returns
01:20:33to your unit
01:20:34You'll see that soon
01:20:37I will return
01:20:38and I will stay
01:20:39for this love
01:20:41that always
01:20:43always
01:20:43you give me
01:20:45And I will return.
01:20:49I swear
01:20:51that I will return
01:20:54I will return
01:21:07with a bird
01:21:10that returns
01:21:12to your unit
01:21:13You'll give me that soon
01:21:15I will return
01:21:16and I will stay
01:21:17for this love
01:21:20that always
01:21:21always
01:21:22you give me
01:21:23And I will return.
01:21:26Yeah
01:21:28I swear
01:21:29that I will return
01:21:31I will return
01:21:33go with Angelita
01:21:42daily
01:21:43She looks prettier
01:21:44and how he handles it
01:21:45the business
01:21:46thank you
01:21:47to my black man
01:21:47black
01:21:48How have they behaved?
01:21:53The children?
01:21:54Very good, young man.
01:21:55Miss Angelita
01:21:55It has helped me a lot
01:21:56see you later
01:21:59see you later
01:22:00young gentleman
01:22:00You're right, son.
01:22:07This is no longer for you
01:22:09the times
01:22:11have changed
01:22:11and poor
01:22:13from the one who doesn't change
01:22:14with them
01:22:14Coca-Cola
01:22:16has defeated us
01:22:17this business
01:22:19has become
01:22:19in a way of getting by
01:22:20Your thing is
01:22:23lingerie
01:22:24the problem
01:22:25She's Angelita
01:22:26father
01:22:26because?
01:22:27that girl
01:22:28He loves you
01:22:28She has evolved
01:22:30of the olive
01:22:31to the bra
01:22:33from Paris
01:22:33and firefighters
01:22:35would be done
01:22:35if you asked him
01:22:36so
01:22:37I'm getting married, dad.
01:22:38I wouldn't hesitate
01:22:40son
01:22:40and every time
01:22:42five children
01:22:43father
01:22:43I can't
01:22:44make them little angels
01:22:45remember
01:22:46vintage
01:22:46the pilgrim died
01:22:48not all women
01:22:49can withstand such a birth
01:22:50understand
01:22:51your fears
01:22:52but
01:22:52She knows it
01:22:54that's it
01:22:56I know what I'm going to do
01:22:58I think I've given
01:22:59with the solution
01:23:00Here are all the accounts.
01:23:09balance sheet closed
01:23:09until this afternoon
01:23:10as you will see
01:23:11the business
01:23:11It couldn't be better.
01:23:12I would like to talk to you
01:23:13sit down
01:23:14are needed to score
01:23:15sales
01:23:16from the neighboring towns
01:23:17what do you think?
01:23:17I'll do it tomorrow.
01:23:18I didn't think you'd be there
01:23:19so little time in Madrid
01:23:20And all this?
01:23:22Nati taught me
01:23:23little angel
01:23:24I want to marry you
01:23:27But don't say anything
01:23:28you know very well
01:23:29the risk you run
01:23:30And for that I have found
01:23:31the solution
01:23:32I don't care about anything
01:23:33I love you
01:23:34and your children
01:23:35The rest is unimportant.
01:23:37if you like
01:23:38we won't make love
01:23:40And that way there will be no danger.
01:23:42We'll do what you want.
01:23:46And the bad thing is that now
01:23:48I like you so much when you're dressed.
01:23:49I don't know what was worse
01:23:51whether this or that
01:23:52in the end
01:23:53You have the floor
01:23:55What do we do?
01:23:57because I'm all mixed up
01:23:58And you know
01:24:06nor honeymoon
01:24:07not one of me
01:24:08We will continue working this afternoon.
01:24:10as if nothing had happened
01:24:10you understand me?
01:24:12For God's sake, Orencio
01:24:13that everyone will find out
01:24:14thank you
01:24:21Orencio
01:24:24Orencio
01:24:25Orencio
01:24:27Orencio
01:24:32Orencio
01:24:33He's already asleep.
01:25:01The poor man is missing his teeth.
01:25:02No, not the nightgown.
01:25:04I already told you, take it off.
01:25:05Whatever you want.
01:25:07No, not here in front of me.
01:25:08But what do you want?
01:25:09Should I go sleep on a park bench?
01:25:11Don't you like it?
01:25:12What do you mean I don't like it?
01:25:13You drive me crazy.
01:25:14But you don't understand that if before there were five without interest,
01:25:17What would happen now?
01:25:19Okay, whatever you want.
01:25:20Don't come near.
01:25:21Say goodnight to me from there.
01:25:23Like you would call a taxi like that.
01:25:24Goodbye, have a good rest.
01:25:28How unfortunate I am.
01:25:30Why is this happening to me?
01:25:31Again!
01:25:37I have to cross the street to get to the bedroom.
01:25:41Can I drink water?
01:25:43Because of your father, the one who puts the TV up the highest in town.
01:25:46Don't do it again.
01:25:47What, darling?
01:25:48Put that on.
01:25:50If you want, you can take it away from me.
01:25:51You're going to kill me.
01:25:52Miss, put me through to Madrid.
01:25:58Two forty-eight sixteen zero zero.
01:26:01Don't you realize?
01:26:02This cannot continue.
01:26:04I am not made of stone.
01:26:05And I like you a lot.
01:26:07A lot.
01:26:08Please.
01:26:09Dr. Mejías.
01:26:11From Orencio.
01:26:12I apologize for calling you at this hour.
01:26:16No, nothing serious.
01:26:19I remember what he said in his lecture.
01:26:21Yeah.
01:26:22The idea that my effect might be temporary.
01:26:25As?
01:26:26What, the tests say I'm normal?
01:26:28Are you sure, doctor?
01:26:29Almost sterile!
01:26:31Of course, I've given a lot, and my energy.
01:26:33Thank you.
01:26:33Thank you, doctor.
01:26:34What a joy!
01:26:35No, those are my own things.
01:26:37Good night.
01:26:38Greetings to his wife.
01:26:39Angelita, I'm sterile!
01:26:41Hahaha!
01:27:02Nothing.
01:27:04Powerless.
01:27:06You have no idea what a weight has been lifted off my shoulders.
01:27:09Well, I don't know how you can be happy about some things, huh?
01:27:11Man, you used to be a big name here.
01:27:14Stop talking nonsense.
01:27:15I'm sterile, which is a good thing.
01:27:17Five children is enough for her.
01:27:19It's been over three months since I got married and here I am.
01:27:22So rich twenty.
01:27:24No problem.
01:27:26That?
01:27:27Another meal?
01:27:28Well.
01:27:29Okay.
01:27:32Young gentleman.
01:27:32What's wrong, Josefa?
01:27:34The young lady.
01:27:35What's happening?
01:27:36She fainted in the church.
01:27:37She saw the doctor and he says she's pregnant.
01:27:39So that?
01:27:39Did he do the frog thing to her?
01:27:41Yes, there is no doubt.
01:27:42She is pregnant.
01:27:43Yes, I am sterile.
01:27:45Well, almost sterile.
01:27:47Dr. Mejías told me.
01:27:48Do you distrust Angelita?
01:27:49No, not from her.
01:27:51But the frog could be fake.
01:27:54Whatever you want.
01:27:55But get used to the idea.
01:27:56In five months you will be a father.
01:27:57No way!
01:27:58I'll do whatever it takes first.
01:27:59You have to take it off.
01:28:07A red one.
01:28:09And how did you come up with something like that?
01:28:12If it's for your own good.
01:28:13You don't understand.
01:28:14It's dangerous.
01:28:15Leave me alone, don't touch me.
01:28:17To suggest something like that to me.
01:28:19With the excitement that comes with being a mother.
01:28:21Alright.
01:28:22Don't complain later.
01:28:24We will have five each year.
01:28:25You'll see, you'll see.
01:28:26And instead of sending a son to military service,
01:28:28We will send a company.
01:28:29But I'm not saying anything.
01:28:30You must have wanted it that way.
01:28:34Killer.
01:28:35Communist.
01:28:36No, my father already told me that.
01:28:38I haven't understood myself.
01:28:46I could only think about her.
01:28:48You will be part of my destiny.
01:29:08Doctor.
01:29:24Yes, Orencio.
01:29:26How is she?
01:29:27The mother is perfectly fine.
01:29:30And how many?
01:29:32Five, right?
01:29:34No, this time there weren't five.
01:29:36He's getting better, Orencio.
01:29:38This time there were seven.
01:29:40Seven?
01:29:42I'm soft.
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