- 12 minutes ago
A few of our favorite beauty icons from the 70s and 80s
discuss the eternal essence of Black beauty and how they've
continued to build upon their legacies over the years.
discuss the eternal essence of Black beauty and how they've
continued to build upon their legacies over the years.
Category
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LifestyleTranscript
00:00Hello ladies, it's me, hi, hi, hi, hi, it's so good to be here, I love you, I'm your
00:15woman, and today is all about honoring these icons, my name is Rashad Ali, and I am just
00:24so very happy to be here to get to see you two women who have made the way for each and
00:31every one of us to see ourselves on television in a different light, to see ourselves in
00:36magazines and TV shows and movies in a different light, so we're going to get ready to do this
00:42because we had a lot of time to talk to these icons, so when the stage first is the actress
00:48we all came to know is American TV's sweetheart, she was the first American female teenager
00:55to be dressed, and she's been the TV show in the back in the 70s, y'all know you remember
01:01you, I am still with us, oh good guys, please help me welcome for today's status, she's still
01:10fine, it's a look, alright, it's a picture, we have a forward-winning actress and model
01:21to the career span over 50 plus years, at the height of her career she was done by the TV
01:28variety as the most beautiful black woman in Hollywood, but she wrote characters as the first
01:35person to be under a player's contract with Columbia, so you will find out more about what
01:42they need, please welcome to the stage of the iconic Judy Pinks, alright, hey Miss Judy,
01:50doesn't she look good, come right here Miss Judy, yeah I hope she'll give us all the Pinks, yes,
01:56you better give us all the Pinks, you better give us all the Pinks, you better give us all the Pinks,
01:59you better give us all the Pinks, you better give us all the Pinks, yes, Miss Judy, now she's still
02:03the Pinks, she's here but I don't cry if she told me that to make, absolutely, well ladies,
02:10thank you so much for being here, thank you for having me, what does it feel like to be honored,
02:17thank you for being so clear at your name and her Pinks, alright, um during the day I'm
02:22like uh, oh my god I just keep saying that you all forget the
02:24event that is and that never has no cause Mallory
02:29which side has been too wonderful, and um, that you've been so long ago and um,
02:32you've still tried to be there again to here with someone you've really wanted to know that, um,
02:40I want you to know that I'm always telling you that I've done a good job to meet this image, and I thank God so much.
02:49Yes, Jesus. Amen.
02:51It's true to me. What does it feel like to be considered a beauty icon?
02:55I don't know. I don't know. I don't know. I don't know. I don't know. I don't know.
02:59Okay, my life is really, really true, because I was thinking of some good things, but this isn't a problem.
03:06I don't know. I don't know. What?
03:10I don't know. I don't know. I don't know. I don't know. I don't know. I don't know.
03:14It's true to me. I just appreciate it so much, and it says that I took this advice.
03:21If it wasn't for a father, you can all this stuff on me, isn't it?
03:26Because I've made a man with a dog that's great.
03:29I don't know. So I'm going to know me something.
03:32How did I know something that I had and something that's dictated?
03:35I don't know. I don't know. I don't know.
03:36I don't know. I don't know. I don't know.
03:38Awesome. Awesome.
03:40Can you take us back, Albert, into what you've got in this role, this iconic role?
03:45I think you do see that word a lot here today.
03:48What was it like when you completed the opportunity, the first African-American teenager,
03:54to land this role under Norman Lear?
03:57And showing, you know, a black family just trying to make it.
04:01It was a man to that time.
04:02What was it like for you?
04:03Well, it was very interesting for me because I, too, was a girl on the project of New York.
04:11So I was the girl with two brothers.
04:14It was an actual middle department.
04:16So it was very useful for me.
04:19And when I come from a mission for the show, I remember they didn't bring them for some days
04:26because it was one old and one of the men who looked at me.
04:30So what I did was my sister, Ola, and his mom, and it was my school mom.
04:37Mom, mom did not write it well.
04:39I just don't. It's not writing.
04:41So she decided to talk to the producers.
04:46And she wanted me to go on there and tell them who he still was.
04:50So it was a little bit of a social life.
04:54Yes.
04:55And you know, it's not.
04:56Yes.
04:57And you learned how to have a voice for yourself early on.
05:00And how rare.
05:00Yes.
05:01I did this role for me.
05:03She is the one who gave a voice for a black teenage on television in the 70s.
05:09Wow.
05:10That's fantastic.
05:12And Miss Judy, what about you?
05:13I mean, it goes back even further for you.
05:17Just being a kid, just being a model, having these opportunities as an actor.
05:23What was it like being in this race as a beautiful black woman?
05:27At that time, it was a city of a woman, woman.
05:30A former American actress.
05:33And one that was considered as a black, color, color, and casting.
05:40The Christian was always the dark girl.
05:42And it's been that way for a long time for you.
05:46It just didn't have any work.
05:48So, if I did what's my agent, I suggested to them that there's no way for that book that says,
05:55God, color, and look at this.
05:58And if I'm not, we're going to continue on with the script.
06:03Just send me out.
06:04Just think about it as a woman who's dead man.
06:06And it's just like a five times that I've been to love you to students.
06:12I've signed up for a role that has been saved.
06:14I'll never get our people to work by a very long time.
06:18So, I was very blessed with being to present to our students.
06:24And also being a member of the first.
06:27I have been a child on two days.
06:31As the first black man in this long season.
06:34This year, I'm talking about broken teeth and just a little bit.
06:37Josh, everybody can't believe it.
06:40She'll get a picture of a place.
06:41Take place.
06:42But one of the best.
06:43Take place.
06:44Because I'm not sure you're going to be a child.
06:47You can't play to the podcast.
06:48Series 3, 1, 3, 2, 1, 8, 5, 8, 8, 8, 9, 10.
06:53And it's just a kid.
06:54I'm getting a kid.
06:55I'm getting a kid.
06:56I'm going to be a kid.
06:57I'm going to be a kid.
06:57I'm going to be a kid.
06:59So, I'm going to be a kid.
07:00I'm going to be a kid.
07:02I'm going to be a kid.
07:02I'm going to be a kid.
07:03I'm going to be a kid.
07:04I can't speak up with me.
07:06I'm going to be a kid.
07:09I'm going to be a kid.
07:10I can't speak up.
07:13I have a kid.
07:14But lawyer comes to me and my mom is the lawyer that made me a movie.
07:21It's a movie that just became really a wonderful situation.
07:27And I became the first part of the actress.
07:31And a movie that became the first monster movie.
07:36And I started in the films of the 70s and a movie called Tottenham Star.
07:44Woo!
07:45It was interesting.
07:47It was different.
07:51At first it was comedy.
07:53But when I went to do the seven-month books,
07:56it was a time when there was no fair choices.
07:59There was no fame in one of this movie.
08:01When I was acting like a movie,
08:03he found a person on the whole one.
08:06The life they had on Sunset,
08:08and the life they had in the valley was a man named Chelsea.
08:13The only is proud of us from all of us.
08:16It's up in 1962.
08:18And Chelsea got in town.
08:20He just used a shoot shot in there.
08:23Wow.
08:24That was the only person.
08:26That was there.
08:27Wow.
08:28So I watched it.
08:29He walked into the woods.
08:31He's in the valley.
08:32I wonder if when you hear a bunch of your stories,
08:34like what you're going to say,
08:36how to tell them that she led the way.
08:39And for actors like you,
08:41what will you say to other actors who are in the crowd,
08:46want to be included to us,
08:49and continue to grow in our careers as well?
08:53Oh, it's going to be so much easier for you,
08:55because they came used to seeing this car on television.
09:01Ha, ha, ha, ha,
09:02and how they gave you a song that everybody really could just do it.
09:06And how they gave you a rhythm of something.
09:09And how that sounds like they were afraid of at all.
09:11But from where to tell us,
09:12they can only see that all of you in the crowd,
09:13they can't actually see it,
09:14and to tell us what's still a good day.
09:15I think he saved the light on television.
09:16And that came out.
09:17And so, I think we're really not going out.
09:19Because what, what, what are what I mean to watch theнения.
09:20Yes!
09:21And the sets in the proches.
09:22I think it's not a good night.
09:23And I'm a good night.
09:24I'm not going to be in the crowd.
09:25I'm not going to be there.
09:26No, I'm not going to be in the crowd.
09:27I'm not going to be in the crowd.
09:28No, I'm not going to be in the crowd.
09:30I'm not going to be in the crowd.
09:31So, if you have a global license, it's supposed to be like, right?
09:35Right, right.
09:36Right, right.
09:37You know, an individual can explain what it means to have a contract, and so I think
09:40what they say, they take leave, right?
09:42Without Columbia Records.
09:44What exactly does that mean?
09:46There was a time in the longest where you're going to be closer to contact.
09:50And sometimes the contract would be as little as, um, it would be a five-year contract,
09:55four-year contract, and it's not just a great deal to use this.
09:59But the class is a class.
10:01Well, the class is all about it.
10:03And the one thing about it was, I talked in the 60s, 50s, it disappeared after the 60s.
10:10That was my last year.
10:12And the ability class to all the different things that they were doing all the time,
10:16I don't have to be so big, so I'm just on the side, and I don't have to do this.
10:21And it's my last year, but one thing they could do is if you can't fix it for us,
10:27even then you walk to another studio and collect the page that you know,
10:32and it's just a 83-50, you were busy, so do you?
10:36You're not very busy.
10:37You need to be talking to me, so you don't even have the contract.
10:40What was the contract?
10:41What was the contract?
10:42My contract was amazing.
10:43My contract was amazing.
10:44It wasn't my job, but the time's here, you know how you are.
10:47And I'm like, I'm obviously being here, and doing that, and being on.
10:52But I'm not the contract, but I'm going to send this out to different shows.
10:56It's a matter of fact, all the good times, speaking in those days,
11:01and even as teachers who have always been an actress,
11:06I was a dancer, seeing a few kids in the trance over into the whole room,
11:11and saying, I'm going to do an album, and one, going to go into one like a dance now.
11:16And I said, you did do that.
11:18I didn't want to sing at the time.
11:20And I think you'd like, you know, for everything.
11:22I'm not going to believe that being so good.
11:24And thinking of the stupid, what you did in front of us.
11:28And that was an honorable exchange.
11:30And I was like, I didn't get anything they want.
11:32So, two, that is so interesting.
11:34Because I think we've been to do it for all these places.
11:37I think most of the ladies were the brown ladies.
11:39It is because I'm dancing at hand.
11:42And sometimes they're all friends.
11:43And it's a kind of look.
11:45I love that I've done this to business change.
11:48I know that's something I've done this to business change.
11:51So, what I'm supposed to be an important thing to do.
11:54And I always know that I'm doing the same kind of guys tomorrow.
11:58And so, yeah.
12:00The black film renaissance.
12:01People refer to it in the 70s and the 80s.
12:04It's like it's true.
12:06Yeah.
12:07Yeah.
12:08That phrase not as racist.
12:10I refer to it as this.
12:13The black film renaissance.
12:15Yeah.
12:16And there were so many people working.
12:18There were so many talented men working in the business.
12:22And if you were speaking of the person's business business today.
12:26I'm in the city.
12:27I'm in the city.
12:28My daughter is now.
12:29To me.
12:30Yeah.
12:31And it has money.
12:32My daughter has so many.
12:34The three and probably not in the restaurant.
12:36Yeah.
12:37I love this.
12:38Yeah.
12:39And now I never think I'm going to say this.
12:41But I'm so happy to say this.
12:42Right now she's working.
12:45The tiger parent.
12:46I'm so happy to say this.
12:47Yeah.
12:48I love this.
12:49Yeah.
12:50And then I'm so happy to say that.
12:51I'm so happy to say this.
12:52I'm so happy to say this.
12:53Yeah.
12:55And I'm so happy to say this.
12:56Yeah.
12:57And I'll start thinking.
12:59of the new series called
13:01All the Cleanings
13:03and I'm going to show them
13:05that I'm going to track this year
13:07and I'm going to have a second season
13:09and this is one of the latest
13:11over the series.
13:12I'm going to show them
13:14to the next episode.
13:15I'm trying to play this long
13:18to be on
13:19a live under contract
13:21and I think things can do
13:23were just me and the show
13:25should have gone on a call
13:26which you won't come up
13:27to see my daughter
13:29on the line
13:31on the line
13:32and he wanted to tell us
13:33to share my heart
13:34with another life
13:35and he's trying to stop
13:36with another television
13:38and his mother
13:38and his mother
13:40and his wife
13:40I remember the days
13:42when a live person was on team
13:44and for the component
13:45and he died
13:45for his life
13:46that the same was
13:47two
13:47or seven
13:50and I'm going to be
13:51through the rest of the room
13:53and he will turn that
13:54to the live person
13:55on team
13:56and yes
13:56and the one I see
13:58this is interesting
13:58and I'm going to step
13:59into the car
14:00and I just want
14:01to know about
14:02the old
14:03and I told him
14:05to the whole
14:05and I told him
14:06to the whole
14:06and he has to be
14:07there's something
14:09that's not going
14:09to happen
14:10and I told him
14:11so happy
14:11when in the industry
14:13where I get a call
14:14like retiring
14:15I get a call
14:16from my union
14:17screen that disk
14:18and they try
14:19to find out
14:20why the control
14:21is the prince
14:22reporting
14:23around
14:24who can't
14:26get agents
14:27who can't
14:28give us attention
14:29who can't
14:30get interviews
14:30so they call
14:32the page
14:32and my friend
14:34is showing
14:34that he was
14:35in the marine
14:35research
14:36to start
14:37around
14:37children
14:37before an organization
14:39called
14:40dark
14:40chocolate
14:41and the alien
14:42is the place
14:43and wanted to
14:44understand
14:45and see what
14:46is going on
14:47and to also
14:48put in a different
14:49training
14:49and chief
14:50managers
14:51agents
14:52and casting
14:53directors
14:53and other
14:54casting directors
14:56and other
14:56things
14:57that change
14:58growth
14:59and management
15:00and those things
15:01are not
15:01four or five years
15:02in the future
15:03it's so much
15:04better
15:04even for the
15:05nation
15:06so they're
15:07fully working
15:08and just
15:08like that
15:09we have
15:10people
15:10time
15:11and people
15:11trust
15:11us
15:12when we
15:12go to
15:12the industry
15:13right on
15:14it's a different
15:14point
15:15I don't know
15:16that is not
15:16a few years ago
15:17so I've got
15:18a few
15:18so many
15:18years ago
15:19and I see
15:20this is
15:20morning
15:21and I want
15:22to take you
15:22back off
15:22what
15:23she said
15:23I got to
15:24do a show
15:24you
15:24look
15:24because
15:25she said
15:25yes
15:26she and I
15:27are in
15:28all the
15:28points
15:29and
15:29Mr.
15:29William
15:30face
15:30to place
15:31this
15:31and I
15:32play
15:32this
15:32man
15:32in our
15:33second
15:33season
15:34of all
15:34the
15:36and I
15:3614
15:36on 18
15:37months
15:37so
15:38I don't
15:38have
15:38been
15:38into
15:39the
15:39season
15:39so
15:40I
15:40want
15:40to
15:40take
15:40you
15:40to
15:40have
15:40your
15:41location
15:41and
15:42when you
15:42have
15:42a daughter
15:44to submit
15:45her
15:45next
15:45she
15:47saved
15:47you
15:47to
15:48continue
15:48to
15:49drive
15:49and
15:50transition
15:50evolve
15:51in your
15:52career
15:52and
15:53why
15:53have
15:53you
15:54given
15:54her
15:54and
15:54she
15:55continues
15:55to
15:55watch
15:56you
15:56to
15:56live
15:57into
15:57thank
15:57you
15:58I
15:58know
15:58she
15:59told
15:59it
15:59I
15:59want
16:00something
16:00she
16:01is
16:02current
16:03but
16:03she
16:03does
16:03not
16:04have
16:05a
16:05business
16:06that
16:06well
16:07I
16:07don't
16:07know
16:08why
16:08she
16:08had
16:11all
16:11the
16:11qualifications
16:12to be
16:13admitted
16:13and
16:13answered
16:14everything
16:15and
16:15she
16:16said
16:18to me
16:19eight
16:19years
16:19old
16:19she
16:20said
16:20mommy
16:21I
16:21don't
16:22like
16:22it
16:22I
16:23said
16:23why
16:23don't
16:23you
16:23like
16:24it
16:24don't
16:26like
16:28it
16:29don't
16:30be
16:30one
16:30she
16:31said
16:31mom
16:31I
16:32don't
16:32like
16:32anybody
16:33judging
16:33this
16:33wow
16:34and
16:36I
16:36said
16:36no
16:39this
16:39is
16:39not
16:39this
16:40is
16:40not
16:40why
16:41I
16:41think
16:42she
16:42know
16:42even
16:43she
16:43experienced
16:43eight
16:44years
16:44old
16:44and
16:45her
16:45heroes
16:46don't
16:46want
16:47and
16:47don't
16:47come
16:48and
16:48she
16:49said
16:50man
16:50I
16:51just
16:51don't
16:52think
16:52it's
16:52fun
16:53to
16:53judge
16:53me
16:53but
16:54she
16:55knew
16:55how
16:55much
16:55that
16:56was
16:56on
16:56the
16:56long
16:56run
16:57to
16:57this
16:57day
16:58she
16:58stood
16:58in
16:58behind
16:59the
16:59surgeon
17:00who
17:00wanted
17:01to
17:01that
17:02love
17:02it
17:02I
17:04absolutely
17:05love it
17:06love
17:07love
17:07love
17:08love
17:08love
17:09love
17:10love
17:10love
17:11love
17:12love
17:12love
17:12love
17:13love
17:13love
17:13love
17:13love
17:13love
17:14love
17:14love
17:15love
17:16my
17:16daughters
17:17all
17:17love
17:17love
17:18love
17:18love
17:18I know everyone wants to get on the mission and make a deep jump, but I'm taking it to
17:24the next step.
17:25I feel no, no, no, no, no, no, no, no.
17:29She encouraged me, but thank you.
17:32I don't understand.
17:33I'm like, what is your partner?
17:35She's a little and she's a little and she's a little right.
17:40But you know what do you do to keep yourself going?
17:43This is all good, girl.
17:44This is so funny.
17:45of you, to me, sister,
17:46to me, sister, and I got
17:48what you can do, she's born in the
17:50least, don't we?
17:52Yes, yes.
17:54You know,
17:55I'm just a little bit.
17:57Well, this is a little bit more
17:58than 20, I'm just a little bit.
18:01Yes, I'm just a little bit.
18:02I'm just a little bit.
18:06Oh, I'm just a little bit.
18:07So, yes,
18:09I'm just a little bit.
18:10So, I'm just a little bit.
18:12Woo!
18:13I'm just a little bit.
18:15Go, go, go!
18:19Go, go, go!
18:21Wow!
18:23Wow!
18:27Come on!
18:30Yeah, I like this wonderful
18:34stuff.
18:36Oh!
18:37Put it into the business,
18:39but not at all as much
18:41She called my agent, she called my agent, and she was still in my office, and I thought
18:48it was myself being a person who wanted to come out, and he said, I'm not into my
18:52name, so I guess she was in the tent, she was with me, and I was like, no, no, no, no,
18:56and he called me, and he said, I don't want to see, he said, you better, this is my
19:02spouse again, so she's going to be dancing on the day, and she's also, she's also a
19:08girl, and she's a little person, and she's a little person, and she's a little person,
19:13and she does have fun, and she's just a great number, and I think she said, I didn't know
19:19that I did not feel like, so I did not feel like she's a little person, I didn't say beautiful
19:22though, no, okay, so I had a mom time, a young sister, but I had a mom's, she was a difficult
19:30home job, my mom, in the 40s with me, a professional citizen, well, she estimated that she was your
19:37Or Becaarp, don't sing poems or books in all the way!
19:43Now it seems like a kid wants a kid, just cherries me.
19:45As a kid while I sing emoji there would know why she would think to desire and love the game.
19:50If qua spell out banana.....
19:52If ya'll know passionate about Noraheen,
19:54Theyだから have an ever puppy even want someone to be asleep.
19:55I'll never have an ever letting girl be asleep.
19:57Time to be asleep.
19:59Jake and Jake are having to fight with you.
20:00He's like in your family.
20:01In my hair, his brother and his brother felt very good.
20:06He's like I know you,比較 only he gives you describe it.
20:07Well, I'm dancing.
20:09I don't dance.
20:11It's a beautiful little.
20:12I'm going to listen to me.
20:15She said, uh, she's a dog.
20:18You don't like to do anything like walking.
20:21But not what it feels.
20:22She's a son.
20:24And I do.
20:25And sometimes it stretches.
20:27I love that.
20:29And I'm going to say that someone horrible is.
20:32She said, one bite of chicken.
20:35And you're like, don't.
20:36This is a good game.
20:37Don't you know?
20:38Right.
20:39I don't know what you know.
20:40Why is it changing?
20:42I'm in my senior's room.
20:43It's just how it is.
20:46All I have to do is put on your hometown.
20:49It's a shame.
20:51And I am.
20:52It's a good game.
20:53It's a good game.
20:54It's a good game.
20:55It's a good game.
20:57It's a good game.
20:57It's a good game.
20:59I prefer that.
21:00It's a good game.
21:01It's a good game.
21:01It's a good game.
21:02Yes.
21:02I guess that.
21:03That's it.
21:04I think it's very important for us to always continue to give our beautiful icons their
21:10flowers while they're in the night.
21:14They're in the night.
21:15We are so very honored to just share space with you.
21:18Amazing.
21:19And I wanted to be here.
21:21And what I want to say is that we do not support each other.
21:27Nobody.
21:28Right.
21:30We have to have each other's back.
21:32That's what it is.
21:33So, again, thank you so much.
21:35Thank you, Lashon.
21:37And you are the most gorgeous thing.
21:41Thank you, Sousa.
21:42And I want to thank you.
21:44Thank you, Lashon.
21:45Thank you so much.
21:47Thank you, Lashon.
21:51And as this lady, I want you to grow up.
21:53I want you to grow up.
21:55You're in the teenager.
21:56And this beautiful, beautiful woman.
21:59I'm going to be on a mission of love.
22:00It's a fun man.
22:01It's a fun man.
22:02It's a fun man.
22:03Can we tell some love to these great nighthounds?
22:05What did I say in this kid?
22:07Do we praise everybody?
22:09I'm going to tell some love.
22:12Tell some love.
22:13Help some love, everybody.
22:14Help their flowers.
22:15Help their flowers.
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