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00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:01:59The End
00:02:29If you'll only help me concentrate now
00:02:35I'll try to relate my fears
00:02:41Here are you
00:02:49And here am I
00:02:52No moon in view
00:02:54No star on high
00:02:58But it's a lonely night to school
00:03:02Let's pretend there's a moon
00:03:08Nights like this
00:03:14We're made for love
00:03:16We're made for love
00:03:18Regardless of the moon above
00:03:22The time and place are opportunities
00:03:26Oh, let's pretend there's a moon
00:03:32Oh, let's pretend there's a moon
00:03:34Oh, it's like to tell about the smell of moonlight bliss
00:03:38And they weave it into every rhyme
00:03:42Now we don't need a moon above
00:03:44Now we don't need a moon above to tell us when to kiss
00:03:48So why should we be wasting time
00:03:52Oh, let's pretend there's a moon above
00:04:00Here are we and here is love
00:04:02Here are we and here is love
00:04:04Here are we and here is love
00:04:06Here are we and here is love
00:04:08Oh, let's pretend there's a moon
00:04:24Would it be asking too much and want to know what this is for?
00:04:26Your salary for the week
00:04:27Well, but my good man, it's just a slight mistake
00:04:29This is only half of it
00:04:30Come, come, come
00:04:31Go ahead, show me
00:04:32Oh, now, wait a minute, Chisler
00:04:33You're not going to get away with this
00:04:34There was no money
00:04:35You saw the business
00:04:36I'm splitting what there was between the acts
00:04:38That's yours
00:04:39You mean to tell me we work five shows a day for seven days
00:04:41And get paid off an old used earmuffs
00:04:42Well, you're lucky
00:04:43I've been in this business 20 years
00:04:45And I haven't got even that
00:04:46Tomorrow morning it's either bankruptcy or I shoot myself
00:04:48Oh, yeah?
00:04:49Well, do me a favor and forget the bankruptcy, will you?
00:04:59Well, they told me there'd be nights like this
00:05:01You should have believed you'd have stayed home in Little Rock
00:05:03It doesn't matter, Bill, we're at regular
00:05:04How about those situations?
00:05:06By the time we get two pain and room rent
00:05:07We won't have enough left for the rattler back to the big town
00:05:09Looks like the old routine tosses the bags out the window
00:05:11You saw that landlady, didn't you?
00:05:13She knows we're closing tonight
00:05:14She's seen actors before
00:05:15Anyway, that old suitcase of mine won't stand one more
00:05:17Tossed in the first floor, much less the third
00:05:19Okay, mastermind, what do we do now?
00:05:21Don't worry about a thing
00:05:22I'll think of something
00:05:23Just give me time
00:05:24I've gotten awfully hungry waiting for you before
00:05:27Wait a minute
00:05:42There you are, boys and girl
00:05:43Maybe I'm nearsighted, but I just don't see my name there anywhere
00:05:46I mean, that's where we belong
00:05:48Oh, come on
00:05:49Are we gonna raise enough dough to get home?
00:05:50We go send some wires
00:05:51Maybe we find somebody silly enough to send it
00:05:53There you are
00:05:58Have you got a message for Charlie Sullivan?
00:06:12Sullivan?
00:06:13Uh-huh
00:06:20Here we are
00:06:21Wait
00:06:22For once you've made it
00:06:23Come on, let's have it
00:06:24Collect, Mr. Sullivan
00:06:2555 cents
00:06:26Collect?
00:06:27That's funny, there must be some mistake
00:06:2855 cents
00:06:30Well, 50 bucks ought to be worth 55 cents
00:06:34Scotty, let me have 55 cents
00:06:38Let him have 55 cents
00:06:45Thank you
00:06:52I'll repeat the pay telegram to the Earl Craft offices
00:06:54Earl Craft Theater Building, New York City
00:06:55I've received no answer to my wire last night about Harold Seabrook
00:06:57Stop
00:06:58If he is not down here today, I'll come up there myself and fire every...
00:07:02Sorry, Mr. Craft, I can't send anything like that over the wire
00:07:04All right, all right, make it good
00:07:05Every single one of you
00:07:06Stop
00:07:07I can't stand this heaven of the day, he's awful
00:07:08Signed, Earl Craft
00:07:09Signed, Earl Craft
00:07:10Right, thank you
00:07:11Well, I wonder what your high-pressure boyfriend is up to now
00:07:13Oh, don't be too hard on him
00:07:14One of his high-pressure boyfriend is up to now
00:07:15Oh, don't be too hard on him
00:07:16One of his high-pressure boyfriend is up to now
00:07:17Oh, don't be too hard on him
00:07:18One of his high-pressure boyfriend
00:07:19One of his high-pressure boyfriend
00:07:20If he is not down here today, I'll come up there myself and fire every...
00:07:21Sorry, Mr. Craft, I can't send anything like that over the wire
00:07:22All right, all right, make it good
00:07:23Every single one of you
00:07:24Stop
00:07:25Just have another day, he's awful
00:07:27Signed, Earl Craft
00:07:28Right
00:07:29Thank you
00:07:36Well, I wonder what your high-pressure boyfriend is up to now
00:07:38Oh, don't be too hard on him
00:07:40One of his ideas might work out someday and surprise you
00:07:43Hello, Western Union
00:07:44This is Earl Craft at the Apollo Theater again
00:07:46Yeah, I just gave you a wire
00:07:47Right, I want to cancel it
00:07:48Yeah, take this one instead
00:07:50Uh-huh, to the same address
00:07:55I shall repeat your paid message
00:07:58Hold Seabrook
00:08:00Pay no attention to previous wires
00:08:02Have Phil paused satisfactorily
00:08:04Signed, Earl Craft
00:08:08At this time, I got it sure
00:08:10Come on, let's go
00:08:11Where to now?
00:08:12The Apollo Theater
00:08:13What are we gonna do?
00:08:14Hand-to-hand balancing in the lobby?
00:08:16We'll skip the gags, dearie
00:08:17I just got Scotty a job at the 9 o'clock product
00:08:19Come on
00:08:25Where will I find the one?
00:08:37Tell me where can there someone be?
00:08:42Seems there can be no sun without that one
00:08:50Where can I find that love?
00:08:55Tell me where
00:09:00Stop! Stop!
00:09:01No, no
00:09:02A million times no
00:09:04It's the power thing that I've ever listened to in any series
00:09:07Get that guy out of my sight
00:09:09I never want to see his face again
00:09:11Throw him in the ocean
00:09:12Throw the whole show in the ocean
00:09:14Pig
00:09:15What kind of a New York office have I got?
00:09:20In three days I open
00:09:21And they can't find me a leading man that can sing a song
00:09:24Oh, I have a good mind to throw myself in the ocean
00:09:27Hello
00:09:28Oh, what have I ever done to deserve this?
00:09:30Mr. Craft
00:09:31Who are you?
00:09:32What do you want?
00:09:33Who sent you here to annoy me?
00:09:34I'm from the New York office
00:09:35I got your new leading man
00:09:36Seabrook
00:09:37Where is he?
00:09:38Well, uh...
00:09:39Well, what are you waiting for?
00:09:40This is not Seabrook
00:09:41We couldn't find him
00:09:42This is somebody you don't know
00:09:43What?
00:09:44I can't stand it anymore
00:09:45Now, listen, Mr. Craft
00:09:47I'm telling you, this boy's a positive sensation
00:09:49Mr. Cohn from your office saw him at the Capitol of New York yesterday
00:09:51And rushed us right down here
00:09:52Of course, we had to cancel the rest of the week to make it
00:09:54But we figured the chance of one of your shows was worth it
00:09:56And anyway, everybody knows Seabrook's reputation
00:09:58He's just south from the word go
00:09:59On your opening night, he's just as libel to fall flat in his face
00:10:01Yeah, I know all about it
00:10:03But I had to take a chance in the county before his
00:10:04What's this guy's name?
00:10:05Scotty
00:10:06I never heard of him, who are you?
00:10:07Charlie Sullivan, his manager
00:10:08I never heard of you either
00:10:09Well, that makes us even
00:10:10There was a time nobody ever heard of you
00:10:11All right
00:10:13All right
00:10:14Put him on
00:10:15And I warn you
00:10:16If he can't sing
00:10:17I'm going to twist your neck
00:10:18Until it looks like a spiral staircase
00:10:20Now, now, now, Mr. Craft
00:10:21Calm yourself
00:10:22Remember, you're a badly overworked man
00:10:23You're only going to upset yourself again
00:10:24Let's have it
00:10:26I want to say you muggins
00:10:27Sing like you never sang before
00:10:28Toby, play for him
00:10:29One wrong note
00:10:30And I'll throw the piano at you
00:10:31Go on, now, remember
00:10:32It's do or die for dear old Putnam Hall
00:10:34Clear the stage
00:10:36Sit down, everybody
00:10:45Where to hear this kid, Mr. Craft
00:10:46Is the answer to your prayers
00:10:47Music is the language Heaven sent from above There is nothing that's so grand Understood in every land You are all my music
00:11:16You're my one song of love It begins and ends with you dear It's you I hear
00:11:38You're like a lover's dream in the spring A song of the trees and the birds I don't know how to say it Too beautiful for words You're like a sweet refrain that won't cling A strength that won't cling A strength that won't be
00:12:07At the angels' rain
00:12:11All I can do is play
00:12:14Come on, be quiet
00:12:16Two beautiful for words
00:12:17Two beautiful for words
00:12:21Like the music of a Berlin or a Gershwin
00:12:25Or even a moonlight
00:12:28Sermon
00:12:29Though I can't compare with Berlin or with Gershwin
00:12:34To me you'll always be
00:12:38A perfect rhapsody
00:12:43For you
00:12:48Bring an inspiration to sing
00:12:52A song that can never be heard
00:12:58You're just a lovely love song
00:13:05Too beautiful for words
00:13:28About the contract, Mr. Kraft
00:13:38I didn't talk dough in New York
00:13:40I wanted you to hear him first
00:13:41Go to the office, I'll be there in a minute
00:13:43I'm practically there now
00:13:49Oh, you
00:13:54Bring an inspiration to sing
00:13:58A song that can never be heard
00:14:04You're just a lovely love song
00:14:11Too beautiful for words
00:14:17Too beautiful for words
00:14:26Hello
00:14:41No, who's calling?
00:14:43Who?
00:14:44I said this is Harold Seabrook speaking
00:14:48Seabrook?
00:14:50Yes, Mr. Seabrook
00:14:52You're in town?
00:14:53Oh, that's fine
00:14:54Where?
00:14:55Oh, at the car
00:14:57Listen, Mr. Seabrook
00:14:59This is Sullivan, Mr. Kraft's assistant
00:15:01You stay right where you are
00:15:02What's the room number?
00:15:03Okay, I'll be right over there
00:15:14Who's there?
00:15:27Mr. Seabrook?
00:15:28Certainly glad to know you're talking
00:15:29Just a few minutes ago
00:15:30I'm Sullivan, Mr. Kraft's assistant
00:15:31Oh, how do you do?
00:15:32Won't you come in?
00:15:33You can skip that, I am in
00:15:34Just wanted to make sure you were comfortable
00:15:36Anything I can do?
00:15:38No, no, I don't think so
00:15:40I'm also appointed as an entertainment committee
00:15:42Now what can you suggest?
00:15:43Entertainment committee?
00:15:44Oh
00:15:46Oh, pardon me, sir
00:15:47Just a slight headache
00:15:48I've been reading a video lately
00:15:50Yes, yes, yes
00:15:51Nothing like a good book
00:15:52Now about the entertainment
00:15:53You see, there's no rehearsal
00:15:54Until tomorrow night
00:15:55Mr. Kraft thought you might get a little lonesome
00:15:56I thought you were opening in three days
00:15:58No, we had to put the date back
00:15:59Couldn't get ready
00:16:00Oh
00:16:01Oh, that's fine
00:16:02Yeah, I thought you'd think so
00:16:04Well, how about it?
00:16:05Would you like to go out and look around
00:16:06And get some air?
00:16:07No, I scarcely think that
00:16:08Tut, tut, tut
00:16:09Not another word
00:16:10I've got a better idea
00:16:11Suppose I get out there and get a bottle
00:16:12It's nothing like a couple of little lips, you know
00:16:14To help you make up your mind
00:16:15But if I go too fast, now stop me
00:16:16Maybe you don't drink
00:16:17Oh, well, I take one now and then
00:16:19As a matter of fact, I believe I have a bottle somewhere with me
00:16:22Oh, just in case of a cold or something, you know
00:16:24Certainly
00:16:25I'll go look in my bag
00:16:26Don't bother, it's right in back of you
00:16:27Charlie, you've always admired me, haven't you, old boy?
00:16:32Why, of course, Brookie
00:16:33Where are we going?
00:16:35Just for a little trip
00:16:36I think I'll get a little sleep
00:16:37Okay, Brookie, open
00:16:38How do you do that?
00:16:39Where are we going?
00:16:40Just for a little trip
00:16:41I think I'll get a little sleep
00:16:44Okay, Brookie, open
00:16:46How do you do that?
00:17:09Hello, how are you?
00:17:10Where have you been?
00:17:11Out for a ride
00:17:12I, uh, I've been back a long time ago
00:17:13There's something happened
00:17:14A car and I had stopped and get it fixed
00:17:15Hello, how are you?
00:17:16Well, where have you been?
00:17:17I'm for a ride
00:17:18I, uh, I've been back a long time ago
00:17:20There's something happened
00:17:21with a car and I had to stop and get it fixed
00:17:23Well, where have you been?
00:17:25I'm for a ride.
00:17:27I, uh, I've been back a long time ago.
00:17:29There's something happened in the car, and I had to stop and get it fixed.
00:17:33Hey, you!
00:17:37Is there a guy named Charlie Sullivan around here?
00:17:39How dare you win if you're in my rehearsal like this?
00:17:41Who are you?
00:17:42Wait for the police.
00:17:43We want to know if there's a Charlie Sullivan here.
00:17:45Oh, oh, so it's you, Stephen.
00:17:47I don't know if there's a Charlie Sullivan here.
00:17:49Oh, oh, so it's you, Stephen.
00:17:51Yes, it's me.
00:17:53Well, what's the idea? What's a riot for?
00:17:55Well, I've been the victim of an outrage.
00:17:57We want this guy, Charlie.
00:17:59What for?
00:18:00Kidnapping and stealing an automobile, that's all.
00:18:02Oh, why didn't I think of that?
00:18:04What have you done?
00:18:05What is it?
00:18:06I can't stop for questions. I'll see you around sometime, folks.
00:18:08Where are you going?
00:18:09To the Canary Islands, if I can make it.
00:18:10Oh, no.
00:18:11Will you let go?
00:18:12Now listen, this is my route.
00:18:13You're sitting here with Captain. This is your chance. You're sticking here.
00:18:16Don't be a chump.
00:18:17Get along, little doggies.
00:18:19Get along.
00:18:21Sullivan.
00:18:26Sullivan.
00:18:27Is there any way to keep you from doing these things?
00:18:29How did I know it was going to turn out that way?
00:18:31You didn't have to steal his car to top it off.
00:18:33I wasn't going to walk back from where I left you.
00:18:35Oh, Charlie, you sure did.
00:18:37Oh, let's forget it. You were trying for all of us. We know that.
00:18:40It sure was great while it lasted.
00:18:42Don't worry. I'll figure something. I'll get you out of this.
00:18:44Out of this? Not me, you won't.
00:18:46It's the first place I've been sure of in weeks.
00:18:48I second the motion.
00:18:50Well, if you gentlemen will pardon me, I'm going to run upstairs and get some sleep.
00:18:55If you go through the East Wing, you'll find the Rose Room all ready for you.
00:18:59Try and get some sleep, honey.
00:19:01I'm sorry I messed things up.
00:19:03Oh, think nothing of it.
00:19:05I see a great big chair way in the back.
00:19:07Seek well, Kitty.
00:19:14Is a gal for you?
00:19:15She sure is.
00:19:16You know, it's the way she takes things that makes me feel the worst.
00:19:19She'd only squawk once in a while.
00:19:21You've got a pretty bad, haven't you?
00:19:23You're asking me?
00:19:24Well, I figured that when she first joined me.
00:19:26What are you planning to do about it?
00:19:28Why do you think I'd almost lie, steal, or commit arson?
00:19:33Just so I can do something about it.
00:19:38Well, I've finally broken down.
00:19:40It's never been exactly a secret to me, anyway.
00:19:42There's no use talking about it.
00:19:44You know, I've got a hunch New York's going to be a pretty hot place for little Charlie.
00:19:47Those cops weren't kidding.
00:19:49Do you hear what I hear?
00:19:52If I can, maybe it's an ambulance or something.
00:19:54I've got a feeling this is me.
00:20:02What happened?
00:20:06The gendarmes.
00:20:17This is the end. They got me.
00:20:19You just went by a main highway intersection at 40 miles an hour.
00:20:23And you're getting a ticket.
00:20:25Catch me, I'm going to faint.
00:20:26If you do, it'll be on top of me, because I'm doing it right now.
00:20:29I'll be first and we'll faint three high.
00:20:44Anything to it?
00:20:48I've only hit two officers and then quit.
00:20:50They're asking too many questions.
00:20:52What do you mean?
00:20:53Everybody wants to know if you're the Charlie Sullivan that was in Atlantic City lately.
00:20:56Oh, they got the drag net out for me.
00:20:57From what I've seen, I'd say they have.
00:20:59I knew it.
00:21:00I've got to get out of town.
00:21:01That's exactly how we're going to arrange that.
00:21:03We?
00:21:04It has nothing to do with it.
00:21:05I pulled this, you're not in on it.
00:21:06I want to get sore at you pretty soon if you don't quit this.
00:21:08If any getting out of town, we'll do it together.
00:21:10How much longer is this dump good for?
00:21:14Oh, yeah.
00:21:15I forgot to tell you.
00:21:16Our charming landlady was up again today.
00:21:18What's the bad news?
00:21:19Three days more to pay or oomph.
00:21:21She's got a heart like a rock.
00:21:23The rock's a sponge compared to hers.
00:21:25Come in.
00:21:27Well.
00:21:28Meet your new boarder.
00:21:29Not for long.
00:21:30We're only playing three days here.
00:21:31Well, that's nothing.
00:21:32My old pal here turned out to be good for one more throw.
00:21:34Well, here you are.
00:21:35And it's all yours.
00:21:36I think I'll sleep for the next three days and get ready.
00:21:38I never could rest on a park bench.
00:21:39Now, look.
00:21:40Don't you worry about that.
00:21:41No, no.
00:21:42Don't worry about a thing.
00:21:43Everything's going to be just there.
00:21:44Oh, no.
00:21:45Don't worry about that.
00:21:46No, no.
00:21:47Don't worry about a thing.
00:21:48Everything's going to be just there.
00:21:49Oh, no.
00:21:50Oh, no.
00:21:51Oh, no.
00:21:52Oh, no.
00:21:53Oh, no.
00:21:54Oh, no.
00:21:55Oh, no.
00:21:56Oh, no.
00:21:57Oh, no.
00:21:58Oh, no.
00:22:02Don't be so upset.
00:22:03We've been broke before.
00:22:04That's not all.
00:22:05The cops are after me.
00:22:06How do you know?
00:22:07Every office Scotty went into, they asked about me.
00:22:11Well, where, when, and how do we go?
00:22:14Are you sticking to?
00:22:15I might as well job in company.
00:22:17Anyhow, I like to travel.
00:22:20You know something?
00:22:22You're the grandest thing that was ever invented.
00:22:24I'd like to be an invention that worked.
00:22:26We'll get out of this and everything will be all right.
00:22:27You wait and see.
00:22:29I'm so broken into hard luck now that I wouldn't know what to do
00:22:32if something good did happen.
00:22:34I'll make it happen.
00:22:35Gee, I hate to see you in a spot like this.
00:22:38I'll endorse that.
00:22:39I want you to have things, everything, and be comfortable
00:22:42and not have to worry.
00:22:44That's sweet of you, but I doubt if my heart could stand a shock like that.
00:22:49I'll get them for you.
00:22:50You wait and see.
00:22:51Well, let's figure out something immediate instead, like, uh,
00:22:54how to get dinner tonight.
00:22:56Why do you always clown when I get on a level with you?
00:23:00I'm not, darling, but this is hardly the time for the personal note.
00:23:07Has the brain trust developed any ideas?
00:23:14California. That's it. That's where we're going.
00:23:16How so? For a hamburger.
00:23:17That's where all the dough and show business is anyway.
00:23:19There's nothing left but pictures.
00:23:20You ought to be interested.
00:23:21Shh.
00:23:22I don't know why we could borrow some money.
00:23:23Don't do that.
00:23:24The cops are looking for us now from the last time.
00:23:26I'm going to take a walk.
00:23:27Maybe I've got an idea.
00:23:28Wait a minute.
00:23:29You think it's safe to make a personal appearance tour?
00:23:31I'll sneak through every back alley from here to the battery.
00:23:34The Pacific Coast needs us.
00:23:35California, here I come.
00:23:38What are you going to do with a guy like that?
00:23:42I think I'll go back and take a cold shower.
00:24:08Well, if things are as good as you say, what do you need 200 bucks for?
00:24:12Well, I'll tell you, I've got plenty to do all right, but it's all tied up. See, stocks and things.
00:24:15Close by selling now means taking a loss.
00:24:17We've got this contract starting next week, and this is just to tide me over.
00:24:19Things are too tight, Charlie. I haven't got it.
00:24:21Listen, Jim, I'm in a jam, and I need the dough to get out of town.
00:24:23I haven't got a dime.
00:24:24If you don't let me have it, I don't know what I'm going to do.
00:24:26Oh, you wanted me to give you 200 bucks, and then you were going to blow town.
00:24:29You'll get it back.
00:24:30No dice.
00:24:31You were still walking the wire.
00:24:33I could tell you why you could get it, though.
00:24:34Huh?
00:24:35No, I wouldn't tell you. It's too risky.
00:24:37Either in the wire or act on the show. That'll touch it.
00:24:39Listen, for 200 bucks, I'll walk the Atlantic cable.
00:24:41Now, you're going to tell me around. Do you hear? Let's have it.
00:24:43Okay, okay. Now, wait a minute.
00:24:45What's the lowdown?
00:24:46Well, there's a guy that's in the beer business, and he thought up a stunt.
00:24:58Are you sure this is all right?
00:25:00They couldn't find the law to make Kelly and his bride get down off the black hole, could they?
00:25:03I know, but this is different. It's over a public highway.
00:25:06It's in the bag, I tell you. I made a deal with the police department that if they'd rope off the side street with this stunt,
00:25:11we'd make the Kelly's get down off the pole and it was over.
00:25:14I don't know.
00:25:15Well, I do. I've been selling homemade wild men for 20 years. Beer is essential.
00:25:20Why, there's a million dollars worth of publicity in it. Every newsreel in the country's out there.
00:25:24How about it? Let's have the 200.
00:25:32What if something happens to him?
00:25:34Well, you've got your publicity anyway.
00:25:36Well, just a cow, aren't you?
00:25:38Well, I've found this little opera in there. Do you mind?
00:25:55I'm very smart, too.
00:25:57Let's go.
00:25:58Come on.
00:25:59Come on.
00:26:00Come on.
00:26:01Come on.
00:26:02Come on.
00:26:03Come on.
00:26:04Come on.
00:26:05Come on.
00:26:06Come on.
00:26:07Come on.
00:26:08Come on.
00:26:09Come on.
00:26:10Come on.
00:26:11Come on.
00:26:12Come on.
00:26:13Come on.
00:26:14I don't like to see you like this.
00:26:15We'll be all right.
00:26:16We've made money before.
00:26:17We'll make it again.
00:26:18Scotty.
00:26:19Did you ever hear the old bromide?
00:26:22He travels fastest and travels alone.
00:26:25So what?
00:26:26Why don't you forget about Charlie and me?
00:26:29You've got it and on your own you can make it.
00:26:32You're not serious, are you?
00:26:33I am.
00:26:34But you've been around me for a year.
00:26:35You ought to know me better than that.
00:26:36I'm talking to you for your own good.
00:26:38Charlie and I have been together for 10 years.
00:26:40We broke in together.
00:26:41Watering elephants and running errands.
00:26:43We fought our way through circuses, carnival shows,
00:26:45saloons and what have you.
00:26:47Do you think I'd split up with him now?
00:26:49Or for anything in the world?
00:26:51He's like cutting my arm off.
00:26:53He's just like my own brother.
00:26:55Where do I fit him?
00:26:57Oh, you know what Charlie thinks about you.
00:26:59He's been walking around in a dream since the first day he saw him.
00:27:06Did you ever like anybody very much?
00:27:08Like you say Charlie does me?
00:27:11Oh, I don't think so.
00:27:13I'm sort of a catch-as-catch-can guy.
00:27:15Maybe I just haven't had the right one.
00:27:17No, I...
00:27:19I guess you haven't.
00:27:22Well, how about something to eat?
00:27:26That would be another day.
00:27:28That would be another day.
00:27:45Hey, you!
00:27:46When you're capable, I have to call the police.
00:27:49Be quiet yourself.
00:27:50What do I ask you?
00:27:51Nothing but the way I shall find the business captain.
00:27:54Do I ask you to come with me?
00:27:56Now!
00:27:57I don't mind you.
00:27:58Go back into your kitchen.
00:28:00The way you go.
00:28:01You've got the British son.
00:28:02The British son!
00:28:03The British son!
00:28:04The British son!
00:28:05The British son!
00:28:06The British son!
00:28:07The British son!
00:28:08The British son!
00:28:09Now!
00:28:10All I ask you from you is a witch of wonder thing!
00:28:12The witch of dawn!
00:28:21What kind of place is this?
00:28:24These are people who look like a rabbit!
00:28:26I'm going to go.
00:28:30My boy!
00:28:35You look good.
00:28:37And the kids will be going to stop.
00:28:39Oh, that's swell.
00:28:41Yes, I'll see him, but I know him for just a while.
00:28:45I'm crazy.
00:28:50Scott, where is your room?
00:28:52One more floor off the first door to the right.
00:28:54Come on, we're going now.
00:28:56Mr. Scott.
00:28:58I'll be right up.
00:29:00Go ahead.
00:29:01Listen, Mr. Scott.
00:29:02I gave you three days.
00:29:04But I'll have no maniac in my house.
00:29:15Where?
00:29:17Where are you?
00:29:19You're going to have a marriage.
00:29:22You're going to have...
00:29:24You're going to have a wife.
00:29:25I don't have anyone.
00:29:26Oh, I see.
00:29:27Come here.
00:29:28This is Toby, one of my partners.
00:29:29This is Cellini.
00:29:30How do you do?
00:29:31It is my pleasure.
00:29:32Now, will you tell me what brought you here?
00:29:33God.
00:29:34You yourself, in this last letter, you said, Cellini, I wish you were here.
00:29:39Well, I am here.
00:29:40In any way, I always want to see America.
00:29:42Such marvelous country.
00:29:43So big.
00:29:44People have so much money.
00:29:46But, uh, if you make so much money, why do you live here?
00:29:49Well, uh, if you make so much money, why do you live here?
00:29:53Well, uh, we're not here very much.
00:29:54Oh, I see.
00:29:55Well, uh, now I've got to take a bath.
00:29:57Then I take a sleep, huh?
00:30:02See your supper time you wake me up, huh?
00:30:04I'd be so hungry.
00:30:05Now,mic grow up.
00:30:06Now, we have to come to us.
00:30:07What's your steak?
00:30:08Why do you live here?
00:30:09Well, uh, we're not here very much.
00:30:11Oh, I see.
00:30:12Well, uh, now I've got to take a bath.
00:30:15Then I take a sleep, huh?
00:30:19It's not the time you work me out, Pat.
00:30:21I'd be so hungry.
00:30:27Would you mind telling me what just went through there?
00:30:29I told you about Cellini a long time ago.
00:30:31Don't you remember?
00:30:33Oh, you mean the one who took you in when your folks died?
00:30:35What a merry little family we're getting to be.
00:30:37Now Father shows up.
00:30:39We must let him know how things are going.
00:30:41He thinks I'm at least a millionaire.
00:30:43What a merry little family we're getting to be.
00:30:45Now Father shows up.
00:30:47He thinks I'm at least a millionaire now.
00:30:49What are we going to do now?
00:30:51Well, it looks like it's my turn for a cold shower.
00:30:55Well, they're all set there.
00:30:57Uh-huh.
00:30:58Well, good luck, kid.
00:31:05I'm stuck up on the stairs. They're not getting any close-ups of me.
00:31:08Why, fine. Hold it.
00:31:09You heard me. Get that cheese box out of the way.
00:31:12Keep going.
00:31:14Keep going.
00:31:16Keep going.
00:31:18Keep going.
00:31:20You hear me.
00:31:22Keep going.
00:31:24I'm out.
00:31:25You think he has almost an honorни Berthold?
00:31:26If you're there....
00:31:27Keep going.
00:31:28Keep going.
00:31:30And you are yelling...
00:31:33...What the signs of him..
00:31:34...and you're yelling at me for the night.
00:31:43Every day...
00:31:45...
00:32:00Hey, let me alone.
00:32:03I'm all right?
00:32:05I look like that one.
00:32:06Pull him.
00:32:11He's lost!
00:32:12Well, any guy do what he did is crazy anyway.
00:32:15There's a man downstairs asking for Mr. Sullivan.
00:32:18What kind of a man? What does he look like?
00:32:20Oh, a little man with a black hat, and he's got a police badge.
00:32:23Police badge?
00:32:24Uh-huh.
00:32:25Listen, you go downstairs and look at his home.
00:32:27You ever stand?
00:32:28Huh?
00:32:29Nobody's home.
00:32:30Sure.
00:32:32Let's go to those cops from Atlantic City.
00:32:34We've got to get out of here and see if we can.
00:32:36Let's go.
00:32:37Let's go.
00:32:38Let's go.
00:32:39Let's go.
00:32:40Let's go.
00:32:41Let's go.
00:32:42Let's go.
00:32:43Let's go.
00:32:44Let's go.
00:32:45We've got to get out of here and see if we can't have Charlie off.
00:32:46Should we take our thing?
00:32:47Yes, and get his suitcase, too.
00:32:49Oh, what's going on here?
00:32:50Everybody crazy?
00:32:58Wait if you want to, because there's nobody home.
00:33:01Where's Mr. Sullivan's apartment?
00:33:03There's nobody home.
00:33:12There's nobody home.
00:33:13Come on.
00:33:14Come on.
00:33:15Come on.
00:33:16Hurry up.
00:33:17What's all this crazy business?
00:33:18What do you and I go crazy to?
00:33:19Can't stop to explain.
00:33:20Now we've got to move fast.
00:33:21Come on.
00:33:22Down the fire escape.
00:33:23Ah, ah, ah.
00:33:24Not that way.
00:33:25This way.
00:33:26This way?
00:33:27What's the matter with this way?
00:33:28Maybe it's Charlie.
00:33:29I hope so.
00:33:30Hello?
00:33:31Oh, Scotty.
00:33:32I just borrowed $200.
00:33:33Yeah, do you think it's safe for me to go back to the apartment?
00:33:34No, no.
00:33:35There's a dick downstairs waiting for you.
00:33:36Yes?
00:33:37All right.
00:33:38We'll meet you at the bus station.
00:33:40Come on.
00:33:41Come on.
00:33:42Come on.
00:33:43Come on.
00:33:44Come on.
00:33:45Come on.
00:33:46Come on.
00:33:47Come on.
00:33:48Come on.
00:33:49Come on.
00:33:50Come on.
00:33:51Come on.
00:33:52Come on.
00:33:53Come on.
00:33:54Come on.
00:33:55Come on.
00:33:56Come on.
00:33:57Come on.
00:33:58Come on.
00:33:59Come on.
00:34:00Come on.
00:34:01Come on.
00:34:02Come on.
00:34:03Come on.
00:34:04Come on.
00:34:05Come on.
00:34:06Come on.
00:34:07Come on.
00:34:08Come on.
00:34:09Come on.
00:34:10Come on.
00:34:17Nothing like a banana.
00:34:18That's so good for you.
00:34:20You like some?
00:34:25What?
00:34:26Why you not take a topi away from me, hmm?
00:34:28Hmm?
00:34:29What are you talking about?
00:34:30Well, you know what I'm talking about, huh?
00:34:33For the last time, Chalini, Toby is Charlie's girl.
00:34:35She's just a friend of mine.
00:34:36That's all.
00:34:37But Twana has gone.
00:34:38Maybe she has a different idea about that.
00:34:40Let's talk about something else, huh?
00:34:42Hmm?
00:34:43I'll see you in the little circles.
00:34:44I'll see you in the little circles.
00:34:47Glad there was New Mexico.
00:34:48Bet you never thought we'd get this far.
00:34:51Won't be long now.
00:34:52California.
00:34:53California.
00:34:54There's a place.
00:34:55We'll make a pile of dough and settle down.
00:34:58Then maybe later on we'll buy a great big house up on top of a hill.
00:35:01You ever think you'd settle down, hmm?
00:35:03You ever been talking to myself?
00:35:06What?
00:35:07Did you say something?
00:35:08Oh, just a small muttering in my beard, I guess.
00:35:11I'm sorry.
00:35:12I was thinking about something.
00:35:14You've been doing a lot of that lately.
00:35:16All right.
00:35:17What did you say?
00:35:18Let it go.
00:35:21Say, are you sure I don't know you from somewhere else?
00:35:24Listen.
00:35:25You've asked me that once every 10 miles ever since we've started.
00:35:28I'm positive I've never seen you before,
00:35:30and I don't care if I never see you again.
00:35:49Can't you do something about that?
00:35:52Hey, what's your lady?
00:35:53Time for lunch?
00:35:55No, no.
00:35:56Go back to sleep.
00:36:13How are we doing?
00:36:14Not so good.
00:36:15What have you done with me?
00:36:16He eats more than all of us put together.
00:36:18It's too late to worry now.
00:36:23We'll soon be in Santa Fe.
00:36:28And what other?
00:36:29Well, can I have a dollar?
00:36:31I gave you one yesterday.
00:36:33I know, but I need another one badly.
00:36:35Now, this will be the last until we get there.
00:36:46We're entering Santa Fe, folks.
00:36:48You'll find the lunch room to the left.
00:36:52One hour for lunch.
00:37:16I'll take a break.
00:37:17Yes, sir.
00:37:18I'll take this.
00:37:19That'll be 79 cents.
00:37:20Oh, I paid 71 for it in Amarillo.
00:37:22Do you want it or not?
00:37:23Sure.
00:37:24Yes, sir.
00:37:26I'll take this.
00:37:28That'll be 79 cents.
00:37:30Oh, I paid 71 for it in Amarillo.
00:37:32Do you want it or not?
00:37:34Sure, I want it.
00:37:36Pack a lucky place.
00:37:38Hello, there. Oh, hello.
00:37:40Buy a little something for this trip?
00:37:42Yeah. I don't blame you. It gets pretty dull.
00:37:44We saw you on the bus. Uh-huh. I saw you too.
00:37:46You were with that pretty girl.
00:37:48We thought as long as we were going to be together, we might as well get acquainted.
00:37:50That's right. Yeah, my name's Scotty.
00:37:52My name's Joe. Joe Micholli.
00:37:54Pleased to meet you, Charlie. How are you, Joe?
00:37:56Well, you see, Joe's my real name,
00:37:58but all my friends call me Egghead.
00:38:01Well, well, well, Egghead.
00:38:03Do you mind if we call you that? It's more informal, you know.
00:38:05Oh, sure, Joe. Right here.
00:38:08Shall we go sit down someplace?
00:38:11Good idea.
00:38:12Yes, a good idea.
00:38:15Here you are, Egghead, old boy.
00:38:17Sit down, make yourself comfortable.
00:38:19Thanks. Where are you from, Mickey?
00:38:21Hollywood?
00:38:22That's a charming lady sitting next to you.
00:38:23Huh?
00:38:24I mean, on the bus.
00:38:26Oh, her.
00:38:27Oh, that's Madame Rose.
00:38:29She tells fortune.
00:38:30We're just coming back to the World's Fair.
00:38:32How did they ever let you get away?
00:38:33Huh?
00:38:34Nothing. I suppose she's a relative of yours.
00:38:35My aunt.
00:38:36Oh, she's your aunt.
00:38:37Well, not exactly my aunt.
00:38:39Not exactly?
00:38:40No, I just travel with her.
00:38:42Hey, old son, have another little mitt.
00:38:44Well, thanks.
00:38:45You don't buy much of the time, do you?
00:38:48Well, she don't give me enough money.
00:38:50That's why I can't give you fellas any,
00:38:52because this is the last till I get home.
00:38:54But she has quite a bit of money, hasn't she?
00:38:56Must be great to have someone take you around like this.
00:38:58I bet you don't have to worry about a thing, do you?
00:39:00Hmm.
00:39:02That's all I do is worry.
00:39:04That's why I drink, because I need courage.
00:39:07Aggie, don't tell us you're really worried.
00:39:09Mm-hmm.
00:39:10What a bomb.
00:39:13Well, I'm going to tell you fellas something,
00:39:16because you've been nice to me.
00:39:20Oh, don't get scared,
00:39:21because there ain't no bullets in it.
00:39:23I threw them away a long time ago,
00:39:25because I was scared.
00:39:26But what do you do with that?
00:39:31I'm her bodyguard.
00:39:34Well, how about something to eat?
00:39:36You go ahead, I'll be right with you.
00:39:38I'll be right with you.
00:39:59Say, I just remembered where I saw you.
00:40:02I saw you in a newsreel.
00:40:03Will you be quiet and go away?
00:40:04You're the fellow that walked the wire across the street
00:40:06ten stories up.
00:40:08Gee, I am glad to meet you.
00:40:09Why did you have to be born?
00:40:10The greatest thing I ever saw.
00:40:12Will you please go away?
00:40:13Wait a minute.
00:40:14This sounds very interesting.
00:40:15I'd like to hear more about it.
00:40:16Well, you're his friends, ain't you?
00:40:17You don't mean to tell me that you don't know, are you?
00:40:19All right, Sullivan.
00:40:20What's this all about?
00:40:23Oh, come on.
00:40:24Let's take a walk.
00:40:25Ouch!
00:40:26Ouch!
00:40:33There was nothing to it as long as I didn't look down.
00:40:35I may believe I was only two feet off the ground.
00:40:37It was a cinch.
00:40:38Oh, a cinch, huh?
00:40:39That's how you got the money.
00:40:40You should have known that nobody lent you $200.
00:40:43I don't know whether to kiss you or slug you.
00:40:45Oh, Charlie, you might have been killed.
00:40:48No, what do I care?
00:40:49I'm being paid with interest right this minute.
00:41:06How do you do, Mr. Palopolis?
00:41:08You don't remember me.
00:41:09I'm Charlie Sullivan.
00:41:10I worked for you once.
00:41:11Did you?
00:41:12Uh-huh.
00:41:13Scotty Brown and Sullivan.
00:41:14We're on our way to the coast.
00:41:15I'd like to talk to you about some hooking.
00:41:16I don't talk to you about anything.
00:41:17Now, now, Mr. Palopolis.
00:41:18We've got a swell angle.
00:41:19I don't care if you're doing a production of a bizarre role.
00:41:21Go away.
00:41:22Go away!
00:41:23That's the great Palopolis he's talking to.
00:41:25He owns about ten theaters on the coast.
00:41:30They're great paleos, isn't it?
00:41:31Skip it.
00:41:32You've got to do something.
00:41:33We can use this guy to get a bankroll.
00:41:34It'll carry us until we crash pictures.
00:41:35There's a piano here and you're going to sing a song.
00:41:36I am not.
00:41:37You've got to do it.
00:41:38If he goes for it, our troubles are over.
00:41:39With all these tourists here, not in your life.
00:41:40They'll love it.
00:41:41Come on.
00:41:42This is our break.
00:41:43We can't miss it.
00:41:44But we can't do that.
00:41:45Go ahead.
00:41:46Now listen, but it's not easy.
00:41:59Love is supposed to be exquisite.
00:42:02I wonder, is it wild or tame?
00:42:06What is the proper way to treat it?
00:42:10How can you beat that funny game?
00:42:14Ever since the world began, it's been puzzling every man.
00:42:26Love's a lot of trouble, and yet a blessing from above.
00:42:32Love comes along the world again.
00:42:33Love is a great idea.
00:42:34Love comes along to me, Homer.
00:42:35Let's sing along.
00:42:36You know, the people who went here, when you're in love, yeah.
00:42:37Love will gently pad you, and then upset you with a shark.
00:42:51Whether big or small, you'll learn how to crawl.
00:42:53When you're in love, love's a trail, you're always traveling, but you don't know where you're bound. Love's a game, you keep unraveling, it's a merry, merry-go-round.
00:43:10Love is bound to hit you, so make it bit you like a glove. You're a beggar alone, but a king on a throne, when you're in love.
00:43:31Come on, you're next. How about you?
00:43:32Well, you'll be funny.
00:43:33What's the matter? You lost your nerve?
00:43:34Remember, if they start throwing things, it's all your fault.
00:43:37Very nice.
00:43:39How do you like it, Mr. Lollipop?
00:43:41A lot of it.
00:43:44Love's a lot of trouble, and yet a blessing from above.
00:43:51You must learn it through.
00:43:54You're going to...
00:43:55You like them, too, eh?
00:43:56I noticed you on the bus, and I thought I'd try one.
00:43:59I saw you, too.
00:44:01They're good.
00:44:02Nothing in the world will like a banana.
00:44:04I, um, I think I'll, um, go and, um, get another banana flower.
00:44:11Would you like one, too?
00:44:12Well, if you like.
00:44:14Love's a train, you're always traveling, but you don't know where you're born.
00:44:23Love's a game, you keep unraveling, it's a merry, merry-go-round.
00:44:31Love is on the...
00:44:33She's okay, the laughing boy.
00:44:35If you like...
00:44:37Oof.
00:44:38Mmm.
00:44:39You're a beggar alone, but a king on a throne.
00:44:43When you're in love.
00:44:48Love's a lot of trouble, and yet a blessing from above.
00:44:55From all I've read, you're a wick in the head.
00:45:00When you're in love.
00:45:04Now, gently pet you.
00:45:07And upset you with a shower.
00:45:10Oh, the thrill it brings.
00:45:13You do funny things.
00:45:15When you're in love, love's a flame.
00:45:20To burn without regret.
00:45:23It's a joy, and then an ache.
00:45:26Just the same.
00:45:28It's like too much spaghetti.
00:45:30Gives you one big, big, dumb ache.
00:45:34Love is bound to get you.
00:45:38That's what I've been thinking of.
00:45:41You're a king on a throne.
00:45:44I wish I was home.
00:45:47When you're in love.
00:45:52Love's a train.
00:45:54You're always traveling.
00:45:56What's the matter, Mr. Volopoulos?
00:45:58Is that class or not?
00:45:59Very good.
00:46:00She's better than him for my dough.
00:46:03It's a merry merry merry-go-round.
00:46:07Oh, love is bound to hit you.
00:46:11So make it feel like a glove.
00:46:15You're a beggar alone.
00:46:18But a king on a throne.
00:46:22When you're in love.
00:46:32Very good.
00:46:33Very good indeed.
00:46:34A very fine act.
00:46:36Would you focus?
00:46:37I certainly would.
00:46:39If I hadn't just gone to New York and sold all my theater.
00:46:43What?
00:46:50All aboard!
00:47:09You're great big boy, you.
00:47:22You had the nice thing of the real artist.
00:47:25I knew it the moment I saw you.
00:47:27Well, they are going to sing the operas for you.
00:47:29I should enjoy it.
00:47:31Hey, what's he doing up there?
00:47:33Well, I should think I'll be a great relief for you.
00:47:35Oh, I'm jealous.
00:48:03Oh, I'm jealous.
00:48:33Hello, everybody.
00:48:45Guess what's happened?
00:48:50I found a job.
00:48:51We eat.
00:48:52Bravo!
00:48:53Bravo!
00:48:54You hear what he said?
00:48:55We eat the food.
00:48:56Wait a minute, wait a minute.
00:48:57Now, did you say a job?
00:48:58I did.
00:48:59Oh, I don't believe it.
00:49:00Tell him, quick.
00:49:01Well, it isn't much of a job.
00:49:02Never mind about that.
00:49:03They pay money for it.
00:49:04A few bucks a week and dinner for four every night.
00:49:06Miles!
00:49:07Now I'm going to tell her I'm a Rosa what I think of her.
00:49:10Oh, no, you don't.
00:49:11What's the matter?
00:49:12We got the job, but we make money.
00:49:14I'm going to tell.
00:49:15Listen, when I said a few bucks, I meant it.
00:49:17We won't get enough cash to pay rent on the doorhouse.
00:49:19Anyhow, it isn't set yet.
00:49:20Oh, I know there was a catch to it.
00:49:22A little dump out here that calls herself a roadhouse.
00:49:24It's a nice tryout.
00:49:25What if we miss?
00:49:26When lose the draw, we get fed tonight.
00:49:28That's the contract.
00:49:29Oh, that's all I love on my hands for one little stake.
00:49:31Sure, that's fine.
00:49:33But what about me and the fortune talent?
00:49:35You keep right on going the way you are.
00:49:37No, no more.
00:49:38Celina, you've got to for all of us.
00:49:39As long as your masculine appeal holds out,
00:49:41we've at least got a place to leave.
00:49:42No, no, no, no.
00:49:43Yes, yes, yes.
00:49:44No, no, no, no, no.
00:49:45Yes, yes, yes, yes.
00:49:46Me, Celina, the great artist?
00:49:48What do you want to make out of me?
00:49:50A gigolo?
00:49:51What's the matter?
00:49:52You liked her all right at first.
00:49:53That's right.
00:49:54But then I didn't know she was crazy.
00:49:58All the time she looked into that piece of glass.
00:50:01But as soon as she drove me crazy too.
00:50:04I tell you, I knew no more.
00:50:06No, no, no more.
00:50:08No more.
00:50:11Oh, Celina.
00:50:20He's in here, Madam Rose.
00:50:25Good afternoon, madam.
00:50:26Blessings, my children.
00:50:28Come, Celina.
00:50:29I'm ready for our walk.
00:50:31No.
00:50:32Why, Celina, what's the trouble?
00:50:33Not a thing, madam Rose.
00:50:35He's ready for his walk.
00:50:38Come, Celina.
00:50:39We shall go and commune with nature.
00:50:40Listen to the whisper of the breeze.
00:50:41Ah.
00:50:42And I shall teach you the language of the flowers.
00:50:43Ah.
00:50:44Ah.
00:50:45Ah.
00:50:46Ah.
00:50:47Ah.
00:50:48Ah.
00:50:49Ah.
00:50:50Ah.
00:50:51Ah.
00:50:52Ah.
00:50:53Ah.
00:50:54Ah.
00:50:55Ah.
00:50:56Ah.
00:50:57Ah.
00:50:59Ah.
00:51:00Ah.
00:51:01Ah.
00:51:02Ah.
00:51:03Ah.
00:51:04Ah.
00:51:05Ah.
00:51:06Ah.
00:51:07Ah.
00:51:08Ah.
00:51:09Ah.
00:51:10Ah.
00:51:11Ah.
00:51:12Ah.
00:51:13Ah.
00:51:14Ah.
00:51:15Ah.
00:51:16Ah.
00:51:17Ah.
00:51:18Ah.
00:51:19Ah.
00:51:20Ah.
00:51:21Ah.
00:51:22Ah.
00:51:23Ah.
00:51:24Ah.
00:51:25Ah.
00:51:26Ah.
00:51:27Ah.
00:51:28Ah.
00:51:29Ah.
00:51:30Ah.
00:51:31Ah.
00:51:32Ah.
00:51:33Ah.
00:51:34Ah.
00:51:35Ah.
00:51:36Oh
00:52:06Oh
00:52:23Good evening mr. Rue it is a pleasure mr. Babcock
00:52:29Oh, I'm sorry excuse it, please tell me you don't know me you never saw either one of us before
00:52:34Why of course not it is way, please
00:52:53Yes, but don't put anybody near us
00:52:57What a terrible dump
00:53:00Now you don't stop there sweetheart please you know why we have to come to Easter
00:53:04I'm getting sick and tired of these checkered table calls. This is the last time
00:53:09Dearly have a hot you might as well go to some decent place. You aren't fooling anybody in town
00:53:16Would you look at that
00:53:18All right now you see wait a minute. We're just going to eat you heard me think first any listen see
00:53:26Come on Toby let's get it over with you
00:53:28Come on Toby let's get it over with you
00:53:34Remind me to kill that guy some day
00:53:36This bump heads with me trying to be first
00:53:38I love to hear you say
00:53:40I love to hear you say
00:53:48Oh
00:53:50Oh
00:53:52Oh
00:53:54Beautiful for words
00:53:56You're
00:53:58Like a sweet refrain that will claim
00:54:00The strength that the angels prefer
00:54:02The strength that the angels prefer
00:54:06If I could only pray
00:54:08Oh
00:54:10Beautiful for words
00:54:12You're like a sweet refrain that will claim
00:54:14The strength that the angels prefer
00:54:24If I could only pray
00:54:26If I could only pray
00:54:28Oh
00:54:30Beautiful for words
00:54:32You are everything I've ever tried to picture
00:54:36Oh
00:54:38Really you're wonderful and sweet
00:54:42You're a bundle full of love
00:54:44A gorgeous mixture
00:54:46And you know how to start
00:54:50That's something in my heart
00:54:54Oh
00:54:56You
00:54:58Bring an inspiration to sing
00:55:02A song
00:55:04A song
00:55:06That can never be heard
00:55:10You're
00:55:12Just a lovely
00:55:14Love song
00:55:16Too
00:55:18Beautiful for words
00:55:20Too
00:55:22Beautiful for words
00:55:24Too
00:55:26Beautiful
00:55:28Too
00:55:30Beautiful
00:55:32That was great
00:55:34That was wonderful
00:55:36You got the job
00:55:38Look
00:55:40I give you dinner for four every night
00:55:42And thirty dollars a week
00:55:44What do you think of that, huh?
00:55:46Great stuff
00:55:48Well, all right
00:55:50Now you can eat
00:55:52Say, I'm putting out his fellow to do so much for you, no?
00:55:54Huh?
00:55:56I'm putting out his fellow to do so much for you, no?
00:55:58Huh?
00:56:00I'm putting out his fellow to do so much for you, no?
00:56:02Huh?
00:56:04I'm putting out his fellow to do so much for you, no?
00:56:06Huh?
00:56:08The big ape
00:56:10Oh
00:56:12An ape in his, huh?
00:56:14You do imitations for me
00:56:16You make jokes with me
00:56:18You call me a big ape, huh?
00:56:20Listen, mister, I'm sorry
00:56:22Not before I eat
00:56:24Wait a minute
00:56:26What's going on here?
00:56:28Oh, excuse it, please, mister Babcock
00:56:30Shh, quiet
00:56:32Go back in the kitchen where you belong
00:56:34I want to talk to these people
00:56:36Did he say, mister Babcock?
00:56:38You, uh, you know who I am?
00:56:40Of the international pictures?
00:56:42Yes
00:56:43Mister Babcock, everybody knows
00:56:44Uh, yeah, that's fine, that's fine
00:56:46I'm here with my secretary and her sister
00:56:48They're strictly business
00:56:50Why?
00:56:52Why, of course
00:56:54Young man, come to my office tomorrow morning at 10 o'clock
00:56:56I'll have a job for you
00:56:58Here's my card
00:57:00Did I give you two?
00:57:01Oh, no, it's quite all I know
00:57:02What was that song you sang?
00:57:04Well, I wrote it
00:57:05Good
00:57:06I want that in my picture
00:57:07Uh, I'll talk to you tomorrow morning about that too
00:57:10Come on, let's get out of here
00:57:11Yeah, let's
00:57:12I'm sorry, I didn't know you knew mister Babcock
00:57:28Open the door
00:57:29Go ahead
00:57:30Yes, of course, yes
00:57:32Say, uh, what do we do now?
00:57:34Simplest thing in the world
00:57:35Borrow five bucks from Anna Rose and go eat
00:57:37Celina, go get it
00:57:38Me?
00:57:39No, no, no, no, no
00:57:40I am not hungry
00:57:42No, no, no, ha, ha
00:57:44Nice, Apollo
00:57:48Nice, Apollo
00:57:50Thank you very much
00:57:56Tomorrow we get the job
00:57:58Just a foot tonight and we have no money
00:58:00Dear boy
00:58:01Don't you know that all you have to do is to ask me?
00:58:05Oh, monsieur
00:58:06Well, I go now
00:58:12Celina
00:58:13Stay a little while
00:58:14I want to talk to you
00:58:16All right, to talk about the police and not torture
00:58:19Oh, Celina
00:58:21Oh, you're so cold
00:58:26Don't you like me?
00:58:28Why, sure
00:58:30It's because I am just nervous
00:58:33Oh, well then relax, little one
00:58:36Celina
00:58:37Do you know what I'm going to do?
00:58:39I'm going to pull aside the veil
00:58:41And look into our future together
00:58:43Please, not again, I cannot stand
00:58:46Celina, be quiet
00:58:47No, I gotta go
00:58:49Sit still
00:58:53Oh, it's Connie
00:58:55I'm going
00:58:56I said be quiet
00:58:57It's becoming clearer
00:59:00I can see us now
00:59:02We're two happy lovers
00:59:03Babes in the woods
00:59:04Strolling along the lane
00:59:06How beautiful
00:59:08Now we come to a rusty bridge
00:59:12We stand by the railing side by side
00:59:14Looking down into the sparkling stream
00:59:16As it sings its way over each little pebble
00:59:18On its way down to the sea
00:59:20I'm getting thirsty
00:59:21Now we turn to each other
00:59:22You take my hand
00:59:23Now we're talking
00:59:24What do we say?
00:59:25You're telling me that I'm beautiful
00:59:26As fair as the summer skies
00:59:28As lovely as the morning dew on a rose
00:59:31As tender as the first blush of dawn
00:59:34What do you say?
00:59:35What do you say?
00:59:36You're telling me that I'm beautiful
00:59:38As fair as the summer skies
00:59:40As lovely as the morning dew on a rose
00:59:43As tender as the first blush of dawn
00:59:47What do you say?
00:59:48What do you say?
00:59:49Thank you to me
00:59:50I tell you that I too love you
00:59:54That we were destined for each other
00:59:56That we were born for one purpose
00:59:58Just to be together forever and ever
01:00:02Our feet must tread the same path
01:00:05The rose-covered path of the rainbow
01:00:08It's destiny
01:00:10It's kismet
01:00:12It's our life together
01:00:14It's fate
01:00:15It's love
01:00:17It's beautiful
01:00:19Believe me
01:00:21Don't be the serpent
01:00:23Come back here
01:00:25My
01:00:32I liked it, didn't you?
01:00:33Oh, yes
01:00:34I think that Scotty boy
01:00:35is just too divine
01:00:36Yes
01:00:37I figured you did
01:00:38Oh, yes
01:00:39I think that Scotty boy
01:00:40is just too divine
01:00:41Oh, yes
01:00:42I think that Scotty boy
01:00:43is just too divine
01:00:44Yes
01:00:45I figured you did
01:01:08I thought you were just grand tonight
01:01:13and you and me
01:01:14Who were you looking at
01:01:15when you said that?
01:01:16She was looking at you
01:01:17Of course
01:01:18Quite all right, darling
01:01:19It's all coming to you
01:01:20You simply walked away with the honor
01:01:22I never thought I'd live to see the day
01:01:25What?
01:01:26When that girl says that anybody else
01:01:28in one of our lives
01:01:29I never thought I'd live to see the day
01:01:32What?
01:01:33When that girl says that anybody else
01:01:35in one of our lives
01:01:37is any good
01:01:39She's either being nasty
01:01:40or it's love
01:01:42And it doesn't look as if
01:01:43she's being very nasty
01:01:45Well, that's pictures for you
01:01:47She runs after him
01:01:48and now instead of firing him
01:01:50I've got to make a star out of him
01:01:52Oh, I thought you and Mr. Root
01:01:54had just a business agreement
01:01:55Sure, just business
01:01:56I
01:01:57You don't think for one moment
01:01:59Oh, no, no
01:02:00I guess I've been kidding myself too
01:02:05What's the matter, Ryan?
01:02:07What's the matter, Ryan?
01:02:29May I help you, sir?
01:02:30Thank you very much
01:02:31I have to be myself, please
01:02:43Come on, Iggy, let's celebrate the new picture, huh?
01:02:45Sure, I'll celebrate, but I'm not happy
01:02:48What's the matter?
01:02:49What's the matter?
01:02:52Charlie?
01:02:53It's Madame Rose
01:02:55She likes Chalini
01:02:56Very charming couple, don't you think?
01:02:58Yeah, but I'm scared
01:02:59Suppose she marries him or something
01:03:01Oh, what a horrible thought
01:03:04Why are you scared?
01:03:06Well, if she does, then what's gonna happen to me?
01:03:10Iggy, let me put your mind at rest
01:03:12You'll have no further trouble with Chalini
01:03:14You can fix it?
01:03:15Sure, it's all a matter of business
01:03:17Look, Madame Rose likes Chalini, so we get a bungalow
01:03:21But now that we're big shots, we got all this
01:03:24See?
01:03:25Oh!
01:03:26So now you're all set, huh?
01:03:27Let's have another drink
01:03:30You know, Iggy, I'm not happy either
01:03:34No, what's the matter?
01:03:36You know, Toby, she's my girl
01:03:38Your girl?
01:03:39I thought that she was Scotty's girl
01:03:42Yeah, I know, that's what I'm afraid of
01:03:44I'm beginning to think so myself
01:03:46Mmm, well, I just thought I didn't know
01:03:49Yeah, I know, I know
01:03:50You thought if she liked one of us, it must be him
01:03:53I know, right?
01:03:54Yeah, but she's awful cute
01:03:55You're telling me
01:03:56I want to marry her
01:03:57Well, look, Iggy, how are you gonna marry a girl
01:04:00that's in love with somebody else?
01:04:02How do you know she is?
01:04:04I know, I just got a hunch
01:04:06Oh, I know, you're in love
01:04:10Oh, it's terrific
01:04:14What am I gonna do?
01:04:16I got an idea, suppose I talk to her
01:04:18No, no, no, no, no
01:04:20Well, suppose you talk to her
01:04:22No, no, I might find out I was right, Iggy
01:04:26Who is it?
01:04:40That's what I've been wondering for a long time
01:04:42Come on, we'll go find out, quiet now
01:04:44Come on, we'll go find out
01:04:46Let's go, let's go
01:04:47Help, help, help
01:04:48Help, help, help
01:04:49Help, help, help
01:04:51Help, help, help
01:04:52Help, help
01:04:53Help, help, help
01:04:54Now then, who are you?
01:04:56Hey, the mouse is so full of grass they can't talk
01:04:59All right, we'll turn him over
01:05:01Hey, you know, I like him better than the other way
01:05:05No, no, wait, wait a minute, wait a minute
01:05:06Who are you?
01:05:07Yep
01:05:08Come in, it's Hack Taylor
01:05:09I knew it, you've been following me, haven't you?
01:05:11Yeah
01:05:12Well, what have you been waiting for? Why didn't you arrest me?
01:05:15What for? I can't arrest anybody
01:05:18I'm a private detective
01:05:19Right
01:05:20Well, what in the name of heaven you've been following me around for?
01:05:23Your ex-wife pays me to follow you and let her know when you go to work
01:05:26Well, love, here
01:05:28She's just being mean, that's all
01:05:30She's got more money than I'll ever see anyway
01:05:33Why, it costs her more to keep you on the road than she'll ever get out of me
01:05:36Yeah, I know that
01:05:37And I don't like her either
01:05:39You know, we may be able to talk this over
01:05:41What's your name, little man?
01:05:43Hilda Bryan
01:05:44And don't call me Hildy
01:05:45Oh, no, I let him call me Egghead
01:05:47All right, Hildy, we may be able to talk this over
01:05:50I haven't had a chance to congratulate you tonight, I'd like to
01:06:05Sure, thanks
01:06:06I thought you were wonderful
01:06:07Yeah, I was a bit surprised myself, the way things went
01:06:09Are you kidding, aren't you, Scotty?
01:06:10About what?
01:06:11You're not really letting all this throw you, are you?
01:06:12I don't know what you're talking about
01:06:13What's throwing me?
01:06:14Oh, the sudden thing that's happened
01:06:15Well, I don't see anything sudden about it
01:06:16I've worked all my life for it, haven't I?
01:06:17So the town's really got you
01:06:18I've never believed it
01:06:19Oh, forget it, Will
01:06:20You and I used to be friends
01:06:21What's that got to do with anything?
01:06:22I know you've been acting funny lately, but
01:06:24I thought it was just because you were busy
01:06:26Oh, stop it, Will
01:06:27But you really believe all this
01:06:28You've lost your head, the town's got you
01:06:29You've gone Hollywood
01:06:30Listen, you bother me
01:06:31I've brought us up from being hungry to this
01:06:33What more do you want?
01:06:34Now look, be a good little girl
01:06:35Run along and find Charlie
01:06:36There are quite a few people in here that want to see me
01:06:38Oh, there you are
01:06:39Oh, there you are
01:06:40You've lost your head. The town's got you. You've gone Hollywood.
01:06:43Listen, you bother me. I brought us up from being hungry to this.
01:06:46What more do you want?
01:06:50Now, look. Be a good little girl. Run along and find Charlie.
01:06:54There are quite a few people in here that want to see me.
01:06:57Oh, there you are.
01:07:03Come on, darling. They all want us to do a number.
01:07:40I don't know how to say you.
01:07:47Too beautiful for words.
01:07:52You're like a sweet, sweet, sweet...
01:07:57Well, I was just...
01:08:00Hey, hold on there.
01:08:01Let me go, Charlie.
01:08:02No.
01:08:03Please.
01:08:04Not until you tell me what this is all about.
01:08:07Listen, sweetheart. I want you to tell me the truth.
01:08:11Is it, Scotty?
01:08:13Is it?
01:08:15I thought so.
01:08:17Oh, I should have told you a long time ago.
01:08:19I should have made it my business to find out.
01:08:22I was afraid it would ruin everything from the three of us.
01:08:25Well, how could that happen?
01:08:27He'd never let me.
01:08:29I was afraid it would ruin everything from the three of us.
01:08:31Well, how could that happen?
01:08:33He'd never let me think they'd come between you two.
01:08:36Well, don't you think I could take it any better than that?
01:08:39Well, there's no use talking about it anyway.
01:08:41That's that, and we'll call it a day.
01:08:43Oh, stop being silly.
01:08:44It's not silly.
01:08:45I couldn't stay here now.
01:08:46You're out of your mind.
01:08:48Now, listen.
01:08:49I, Charlie Sullivan, alone and unaided, positively guaranteed to fix everything for you.
01:08:52Charlie, you're out of your mind.
01:08:54Now, listen.
01:08:55I, Charlie Sullivan, alone and unaided, positively guaranteed to fix everything for you.
01:08:59Charlie, you won't.
01:09:01Promise me.
01:09:02For what?
01:09:03Take a word about this.
01:09:04Anyone, please.
01:09:05I couldn't stand it.
01:09:06Promise me.
01:09:07All right.
01:09:08I'll promise you.
01:09:09I'm sorry.
01:09:10Honest.
01:09:11OK.
01:09:12I'm sorry.
01:09:13Honest.
01:09:14OK.
01:09:15I'm sorry.
01:09:16Honest.
01:09:17OK.
01:09:18I'm sorry.
01:09:19Honest.
01:09:20I'm sorry.
01:09:21Honest.
01:09:22OK.
01:09:23I'm sorry.
01:09:24Honest.
01:09:25I'm sorry.
01:09:26Honest.
01:09:27Honest.
01:09:28Honest.
01:09:29Honest.
01:09:30Honest.
01:09:31Honest.
01:09:32Honest.
01:09:33Honest.
01:09:34Honest.
01:09:35Honest.
01:09:36Honest.
01:09:37Honest.
01:09:38Honest.
01:09:39Honest.
01:09:40Honest.
01:09:41Honest.
01:09:42Honest.
01:09:43Honest.
01:09:44Honest.
01:09:45Honest.
01:09:46Honest.
01:09:47Honest.
01:09:48Honest.
01:09:49Honest.
01:09:50Honest.
01:09:51Honest.
01:09:52Honest.
01:09:53Honest.
01:09:54Honest.
01:09:55Honest.
01:09:56Honest.
01:09:57That's the angels prefer
01:10:02If I could only you play it
01:10:08So beautiful, boy
01:10:12You are everything that I never tried to picture
01:10:17Oh, really, you're wonderful and sweet
01:10:22You're a bundle full of love, a gorgeous mixture
01:10:28And you know how to find
01:10:32There's something in my heart
01:10:36Oh, you bring an inspiration to sing
01:10:45A song that can never be heard
01:10:49You're just a love with a love song
01:10:59Too beautiful a world
01:11:06Too beautiful a world
01:11:14That's what you brought me all the way up here for?
01:11:30I'm telling you, now you're going in there and talk to her or else
01:11:33The manager, you're tremendous
01:11:34But you're forgetting there's a redhead downstairs
01:11:35And you're wasting a lot of my time
01:11:36Listen, sonny boy, we've been together a long time
01:11:38And we haven't had any trouble
01:11:39Well, I don't want any out of you now
01:11:42Don't let me spill over the edges about this, will you?
01:11:45Exactly what you're writing about
01:11:46She's not for me, it's you
01:11:48And she's going to get what she wants
01:11:49If I have to knock you over the head
01:11:50And chase all the redheads out of Hollywood to get it
01:11:54Then run along and have another nip
01:11:55When the fever dies down, you'll be all right
01:11:56I'm telling you what she just told me
01:11:58She's probably in there packing right now
01:12:00What are you going to do?
01:12:01Let her go while you clown around
01:12:02With somebody that isn't worth the tiniest part of her?
01:12:05Are you sure you know what you're doing?
01:12:06I was never sure
01:12:10You're quite a fellow
01:12:13That's what I always told you, haven't we?
01:12:15Funny part is you've been right about
01:12:17Well, now go on in there, will you?
01:12:19Go on, go on
01:12:37He told you, didn't he?
01:12:40Come here
01:12:41No, go away
01:12:47You don't suppose there are many of the things I've been doing, do you?
01:12:50No
01:12:53Oh, she's beating
01:12:55Oh, you naughty boy
01:13:01You've been hiding
01:13:03You just wanted to make me find you, didn't you?
01:13:06No, it is not so, madam
01:13:08I hide here, away from everybody
01:13:11Because I am suffering
01:13:13Suffering?
01:13:15Oh, poor little one, tell me
01:13:17It isn't because you are so beautiful
01:13:20It is because you are so lovely
01:13:23Your eyes, your hair, everything about you
01:13:26No, I'll tell you
01:13:28But I am no good
01:13:30What? I have lied to you
01:13:32What do you mean?
01:13:34In Italy, I have a wife and seven kids
01:13:37What?
01:13:39But you are so beautiful, I cannot tell you
01:13:42But now I must...
01:13:43See, master
01:13:45You heartbreaker
01:13:47You...
01:13:48You...
01:13:49You snake in the grass
01:13:51Aiden, my crystal
01:14:03Aiden, come on
01:14:04What's going on?
01:14:11Well, that's left
01:14:13Now I'll have something to eat
01:14:22Ladies and gentlemen
01:14:26May I have quiet, please?
01:14:31This party tonight is not only a celebration of the new picture
01:14:34It's a double celebration
01:14:36And I've been allowed this signal honor of announcing the other reason
01:14:38It gives me great pleasure and happiness to announce the engagement of Mr. Paul Scotty
01:14:43To Miss Toby Brown
01:15:05How's the mother?
01:15:07And you, sir?
01:15:10Well, little man
01:15:12What now?
01:15:15You bring an inspiration to sing
01:15:21A song that can never be heard
01:15:25You're just a lovely
01:15:31Love song
01:15:34Love song
01:15:36Love is beautiful
01:15:39The way
01:15:40The way
01:15:53Love song
01:15:55Love too
01:15:57THE END
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