- 6 hours ago
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00:00:00Oh
00:00:30Oh
00:01:16Thank you
00:01:17Has Mr. Gilder been in?
00:01:18Not yet, sir
00:01:23What is, Mr. Carney?
00:01:25This is my first trial, Mr. Demarest
00:01:27Well, I've lost one or two myself
00:01:29Well, it's nothing to worry about
00:01:33This particular case was a lot to worry about
00:01:35I hope you don't get too many pretty clients in your career, my boy
00:01:39It apparently goes to your head
00:01:42No, it goes to my conscience
00:01:48Oh, Major
00:01:49How are you?
00:01:50The judge sent for me, I wonder what he wants
00:01:52Hear ye, hear ye, hear ye
00:01:53This honorable court is now in session
00:01:55Judge Lawler presiding
00:01:56All ye who have business drawn near, give attention and ye shall be heard
00:02:03Call the Turner girl
00:02:04Call the Turner girl
00:02:05Mary Turner for her sentence
00:02:25You have been found guilty
00:02:28Of grand larceny in the second degree
00:02:31Have you anything to say
00:02:33Or any legal cause to show
00:02:35Why judgment should not be pronounced?
00:02:43Yes
00:02:43I got something to say
00:02:46I
00:02:48Please wait, Mr. Gilder
00:02:50What for, Your Honor?
00:02:53Is that Mr. Gilder?
00:02:56Why does he want me to go to jail?
00:02:58Why?
00:02:59I've got nothing to do with it
00:03:00Why does she want to steal?
00:03:02I didn't, I tell you
00:03:03I didn't
00:03:03Oh, I've got to talk
00:03:06I've got to get this lump out of my throat
00:03:10I've got to get this lump out of my throat
00:03:13Gilder
00:03:15You've asked me to swear to the ever-loving God
00:03:17And I swear to you now again
00:03:19I never stole
00:03:20And you can believe me
00:03:21Because I've never lost
00:03:22This isn't getting us anywhere
00:03:23There were times when I was tempted
00:03:25You get ideas standing on your feet
00:03:27Nine hours a day
00:03:28Everybody's doormat
00:03:30Hungry most of the time
00:03:31And at the end of the week
00:03:32Sixteen dollars
00:03:33To keep straight home
00:03:34Now, I must protest, Your Honor
00:03:36It's not Mr. Gilder
00:03:38Who's on trial here
00:03:39Oh, yes, he is
00:03:40Oh, we've heard this sob story
00:03:41For the past two weeks
00:03:42It is, Mr. Truth
00:03:43It's a very pretty act
00:03:44But it doesn't quite explain
00:03:45Why some of the stuff
00:03:46Was found in her locker
00:03:47And the rest of it
00:03:48In her bag
00:03:49I've told you a thousand times
00:03:50Somebody must have put the bag
00:03:51The jury have decided
00:03:53Who that somebody was
00:03:54They're not fair
00:03:54She's had a fair trial
00:03:55I haven't
00:03:56This girl is guilty
00:03:57May I remind, Your Honor
00:03:58You have no alternative
00:04:00Except to pass sentence
00:04:01I, uh
00:04:02I'd hope, Mr. Gilder
00:04:03That your recommendation
00:04:05Might enable me
00:04:07To temper justice with mercy
00:04:09You, uh
00:04:10Won't intervene?
00:04:13I might just as well
00:04:14Go out of business
00:04:15Don't the five years of work
00:04:16Going mean anything
00:04:17At least
00:04:17And how much did she
00:04:18Get away with them
00:04:19Those five years
00:04:19Please, Mr. Gilder
00:04:22Silence
00:04:24Mary Turner
00:04:25You have been found guilty
00:04:28Of the crime
00:04:28Of grand larceny
00:04:30In the second degree
00:04:32And for the felony
00:04:34As aforesaid
00:04:35I order
00:04:36That you be imprisoned
00:04:38In the state prison
00:04:39For women
00:04:39For a term
00:04:41The minimum of which
00:04:42Shall not be less
00:04:44Than three years
00:04:45And the maximum of which
00:04:47Shall not be more
00:04:48Than five years
00:04:55I'm sorry
00:04:56I'm sorry
00:04:57I hope it'll be a lesson
00:04:58To the others
00:04:58Are you saying that?
00:05:01You who get half a million
00:05:02To churches
00:05:03And that a thousand women
00:05:04Go to hell
00:05:04On starvation wages
00:05:06Why, you smug hypocrite
00:05:07You white
00:05:07How dare I?
00:05:08How dare I?
00:05:09You've done all the harm
00:05:10You can to me
00:05:11I went without any happiness
00:05:13I might have known
00:05:14All the time I worked for you
00:05:15Just to stay straight
00:05:16And for what?
00:05:17To be sent to prison
00:05:18For three years
00:05:18For something I did not do
00:05:19Oh, I dare no right
00:05:21He can take me now
00:05:23But three years
00:05:23Isn't forever
00:05:24When I get out of here
00:05:25You're gonna pay me
00:05:26For every minute of this
00:05:27There won't be a day
00:05:29Or an hour
00:05:29That I won't remember
00:05:30That it was you
00:05:31Who sent me to prison
00:05:32And you're gonna pay
00:05:33For that
00:05:34You're gonna pay me
00:05:35For everything
00:05:36I'm losing in life
00:05:37Wait and see
00:05:38Wait and see
00:05:39Wait and see
00:05:47All right
00:05:48Hold still
00:05:51Come on
00:05:52Come on
00:05:52This ain't no beauty contest
00:05:53Pull your head up, Marge
00:05:55I won't
00:05:56You've no right
00:05:58Yeah?
00:05:58Well
00:05:58This joint is full of dames
00:06:00Like you
00:06:01Which we got
00:06:01Say we got no right
00:06:02But they're here, ain't they?
00:06:05That's right, Marge
00:06:05Side view
00:06:47All right, girls, this rope
00:06:48I said this rope
00:06:54Oh, what do you think we're doing?
00:06:56I mean this girl
00:06:57I said this rope
00:07:20Don't fret, honey
00:07:21It all goes down the drain
00:07:23Come on
00:07:23Come on
00:07:27You smell the terrible stuff they cook in their tanks
00:07:31Do you ever think of those big steaks
00:07:34Six inches thick with the mushrooms all over them
00:07:37I used to dish up
00:07:38I used to dish up at the asters
00:07:39No
00:07:40I never eat that
00:07:41I never eat that
00:07:42In any place else they cost more than six
00:07:45Well, believe me, when I get out
00:07:47You and me's gonna have a real celebration
00:07:51Everything from caviar to shame to pain
00:07:57What on?
00:07:58Five bucks they hand you when you get out of here?
00:08:01I told you where you can get all the dough you want from Joe Garson
00:08:06We'll talk about this when we get out
00:08:09That's new, ain't it?
00:08:11Yeah
00:08:13Next month
00:08:13And then you'll join Aggie and see the world
00:08:25Lay off that stuff
00:08:27Yeah?
00:08:28Yeah
00:08:28I can hear you
00:08:30At least I think I can
00:08:32They just fed the animals and it's a bit noisy around here
00:08:39Say
00:08:39What's the age of this ambitious old gentleman?
00:08:44Seventy-six?
00:08:46Almost a century plant
00:08:48When you want a new fur coat you hide your false teeth until you get it, huh?
00:08:52Oh, I say
00:08:52Sure
00:08:54Yeah
00:08:55Yeah
00:08:57Yeah
00:08:58I'll meet you at the Everglades at 2 o'clock
00:09:00No, I don't eat lunch
00:09:02Hey, Aggie
00:09:03You could turn on a couple of dinners, too
00:09:06Say, Joe
00:09:07Sit up straight
00:09:08We're passing through a town
00:09:09No, no
00:09:10I was talking to Joe Garson
00:09:12Yeah, he's here
00:09:13Oh, we're just sitting around Garson
00:09:15Huh?
00:09:17No
00:09:17No
00:09:18Ninety-nine
00:09:19See you, too
00:09:21Hey, when I transact your little business on that phone
00:09:24I wish you mugs could learn a few manners
00:09:27Manners?
00:09:28And me
00:09:29Three years in the same cell with the college professor
00:09:33Hey, you've got a bunch of crooks
00:09:35You've got a lot of nerve calling on a lady and then panning her
00:09:38Yeah, Red
00:09:39How'd you ever get in a lady's house in the first place?
00:09:41Officer
00:09:42The window was open and we couldn't resist it
00:09:48Expecting anyone?
00:09:49No, but listen
00:09:50Keep up the chatter and I'll peek out the bedroom door
00:09:53Here McGraw's got a new third baseman
00:09:55Oh, yeah?
00:09:56Yeah, his name is Burns
00:09:57Comes from the South Atlantic
00:10:01Hello, Mary
00:10:02Hello, Ivy
00:10:03Why have you been keeping yourself?
00:10:05Come on in
00:10:06Did you get any breaks yet?
00:10:08Yeah
00:10:10I got kicked out of my room
00:10:13That's a break
00:10:14Has it been as bad as all that?
00:10:16Say, you ain't been hungry, have you?
00:10:18Oh, eating's just a habit, Aggie
00:10:22She is nice and soft
00:10:25All of us
00:10:28Aggie
00:10:32Could you
00:10:34Could you lend me a little money?
00:10:37Ah, gee, Mary
00:10:38The little bit of chicken feet I have wouldn't do you a darn bit of good
00:10:44I thought what would you do after that was gone?
00:10:47I don't know
00:10:49Hey, listen, Mary
00:10:50Joe Garson's in there
00:10:52And he just made a great clean-up
00:10:54You know, he'd be crazy about you
00:10:56Come on, huh?
00:10:57Oh, but Aggie
00:10:58I couldn't do that
00:10:59I can
00:11:01Now, listen, Mary
00:11:03You gotta get some sense
00:11:04In this world
00:11:05You don't get anything for nothing
00:11:07Now, come on
00:11:08Hey, gang!
00:11:09I want you to meet Mary Turner
00:11:13Hello!
00:11:22Here we are, baby
00:11:27Not bad, eh?
00:11:29Nice, comfy
00:11:41Like a little shot of booze? I got some I can swear to
00:11:44No, thank you
00:11:45No, thank you
00:11:45I'm not much given to drinking anything
00:11:47It's a good idea
00:11:48A mall that guzzles is a mall that gabs
00:11:51And I can't have nothing but deaf and dumb gals around me
00:11:55Say, you look good to me
00:11:58Do I?
00:11:59That makes it better, doesn't it?
00:12:01Uh-huh
00:12:02How do I look to you?
00:12:05Well, I'm here, aren't I?
00:12:07And don't I know it?
00:12:14You know, you burn me up
00:12:16I guess you've known lots of girls, haven't you?
00:12:19Oh, you know, coming and going
00:12:22But I'm crazy to get one I can hang onto
00:12:27And I think you're it
00:12:31What do you think of that, baby?
00:12:38Huh
00:12:39Kind of practice, aren't you?
00:12:41Been up the river so long?
00:12:43Yes
00:12:45I guess that's it
00:12:46You like me all right, don't you?
00:12:48Sure I do
00:12:49I'm here
00:12:51I'm gonna stay here
00:12:53Wait a minute
00:12:54Something wrong here
00:12:57Are you sore because I told you about the mother dames?
00:13:00No, Joe, I like you
00:13:01Oh, I know I'm gonna be crazy about you
00:13:04Atta girl
00:13:27Go on, get out of here
00:13:31Get out of here?
00:13:34That's what I said
00:13:35Get out of here
00:13:37Why, Joe? Why?
00:13:39Time wise
00:13:41You ain't a regular
00:13:43You're only a volunteer
00:13:44I just got you
00:13:47But I...
00:13:49I...
00:13:49Well, I don't know what you mean
00:13:51You ain't never...
00:13:54You know what I mean
00:13:55That's right, ain't it?
00:14:00Well...
00:14:00Yes
00:14:01I thought I had you, Peg
00:14:03Here
00:14:04Do like I say
00:14:06Get out
00:14:14What are you gonna do now?
00:14:16I'm going about as far as I could the other way
00:14:23Hey, wait a minute
00:14:25I ain't never worked with a dame before
00:14:30We got a job on now
00:14:33Say, we got a great racket
00:14:35Yeah?
00:14:39Who's we?
00:14:40Me and Red
00:14:41You met him tonight
00:14:42Oh, yes
00:14:43Great guy
00:14:43I've known him ever since we done time together
00:14:45And Danny Mora
00:14:47The great racket
00:14:49And...
00:14:49You've been to dinner, Mora?
00:14:51Well, that wasn't wise then
00:14:56And now?
00:14:57Wise as a tree full of owls
00:14:59That's me
00:15:02Joe
00:15:04How much time have you served all together?
00:15:08I say...
00:15:10Seven years
00:15:13Almost a fifth of your life
00:15:16Don't you realize that there must be something wrong with your game
00:15:19If it doesn't work out any better than that?
00:15:21Well, look, I can't be lucky all the time
00:15:24I know, but...
00:15:25Why trust to luck?
00:15:27You know, I studied
00:15:28Up at that place
00:15:30Studied what?
00:15:31Basket weaving?
00:15:33No
00:15:34Something I thought I could use when I got out
00:15:37The law
00:15:38The law?
00:15:41That's a laugh
00:15:42Not the law you find just in books
00:15:45The law of money
00:15:47That golden trick of getting rich legally
00:15:51And it would help me to collect from a man who stood before a judge
00:15:55And refused to save a girl from the pen
00:15:57How do you figure that out?
00:15:59Listen, Joe
00:16:01When Aggie shakes down an old man for a thousand dollars, that's blackmail
00:16:06And she goes to the pen
00:16:08But if she took that same old man and made him write a few sentimental letters
00:16:14And turn him over to a lawyer for legal action, that's hot bone
00:16:18And she gets ten thousand dollars
00:16:20Well, you certainly use your head to think with
00:16:22Then...
00:16:23Is it a go?
00:16:24It's a go
00:16:27And now?
00:16:29And now?
00:16:32Now I'm gonna send you home
00:16:37And Mary, about that other
00:16:39Well, maybe someday, when you get to know me better
00:16:44Gee, you're white, Joe
00:16:45Save the flowers for my funeral
00:16:47I'll call you a taxi
00:16:48Oh, never mind, I'll just walk around and get a little air
00:16:53No, ain't I your dummy
00:16:55You ain't got a bean, have you?
00:16:57Partner
00:17:01Oh, I'm only loaning it to you
00:17:05You'll get it back, Joe
00:17:06I should worry about that
00:17:12Good night
00:17:12Good night
00:17:17Joe, I...
00:17:19I can't tell you what I think of you
00:17:25Good night
00:17:25Good night
00:17:36Mary, this is General Harrison's attorney
00:17:41Uh, Mr...
00:17:42Irwin, Miss Tanner
00:17:44How do you do, Mr Irwin?
00:17:46How are you today, General?
00:17:56Oh...
00:17:58Oh...
00:18:00Oh...
00:18:01Oh, Mary
00:18:03Oh...
00:18:03I'm so frightened
00:18:05There, there, darling
00:18:06There's nothing to be afraid of
00:18:11Never mind the makeup
00:18:13We're not in court
00:18:14Now, come on and sit down
00:18:16And answer all the questions
00:18:17And you mustn't tell Mr Irwin anything that is not true
00:18:21And if the General did not promise to marry you, then you've no case
00:18:25Go on, we know you're 14
00:18:28Oh...
00:18:29Now, did he promise to marry you?
00:18:31Oh, yes, yes
00:18:33And I wish he would
00:18:35He's such a nice old gentleman
00:18:38Was that promise made in writing?
00:18:41No...
00:18:43But all his letters were in writing
00:18:45And, oh, they were such wonderful letters
00:18:48Weren't it, Cousin Joe?
00:18:49The General writes a very good hand
00:18:52I dare say
00:18:54He always signed him the big brown bear
00:18:58Doom! Doom!
00:19:01We can't afford a scandal
00:19:03So we're going to settle at your own terms
00:19:07Here's $20,000
00:19:09In exchange for the General's letters
00:19:13You have the letters, of course
00:19:15Have I? Take a peek down here, big boy
00:19:18Some of the time
00:19:19Here's your money
00:19:22If you'll take that money to my lawyers
00:19:24Miss Lynch will meet you there in his office at 4 o'clock
00:19:27And when her suit is legally settled out of court
00:19:31She'll give you the letters
00:19:33Very well
00:19:34Come on, General
00:19:37Just a moment
00:19:38You forgot your marked money
00:19:47Young woman
00:19:48You should have been a lawyer
00:19:51Thanks
00:19:54Don't you grow up
00:19:56Fool
00:20:03Well, Mary, you outsmarted them again
00:20:05How did you know it was marked?
00:20:07Instinct, Joe
00:20:08I would have took that dough if it had leprosy germs all over it
00:20:12Twenty grand?
00:20:14We'll get that money at 4 o'clock
00:20:17And all according to legal ethics
00:20:20What a great institution the law is
00:20:23Do you realize we couldn't make a nickel without it?
00:20:26And we're breathing that good New York air
00:20:28Instead of being in the pen
00:20:30Oh, I wonder what the poor people are doing
00:20:39Good morning
00:20:40I'll call you, buddy
00:20:49This doesn't look like a restaurant for me
00:20:53Well, it is
00:20:55Good evening
00:20:56Good evening
00:20:58No, thank you
00:21:00Isn't this a restaurant good old?
00:21:02Yes, sir
00:21:03Yes, sir
00:21:04Now you look in here
00:21:05See?
00:21:07A private restaurant
00:21:09For two
00:21:11I see
00:21:13Oh
00:21:14Well, I suppose we could have gone to Dad's house
00:21:16But the joint's a mausoleum
00:21:18You never saw anything like it
00:21:20I may have to live there
00:21:21But I do draw the line of eating state dinners
00:21:24With a mounted policeman behind every chair
00:21:27They cocktails you, yellow peril
00:21:30Yes, sir
00:21:32Bob, what's the use of all girls?
00:21:34Oh, Mary, don't be the 1890s
00:21:36And after all, girls do dine in men's rooms nowadays
00:21:39Yeah, smoke cigarettes and everything
00:21:44Do they?
00:21:46I'm not shocked
00:21:47Only it's so stupid for you to lie to me
00:21:49I was afraid you wouldn't come
00:21:51And I hate restaurants
00:21:53You have to yell so
00:21:54And there were so many things I want to say
00:21:57Oh, don't tell me your mind
00:22:02Not terribly
00:22:07Nice apartment
00:22:08Like it?
00:22:11She had quite a bit of taste
00:22:13Who's she?
00:22:14Oh, whoever arranged it
00:22:16Meow
00:22:17Oh, the couch is the wrong color though
00:22:19Why?
00:22:20Girls never look their best against dread
00:22:23Still, she might have been an ash blonde
00:22:25Oh, cut it, Mary
00:22:26You're making me feel like a fool
00:22:28And is it such a novel sensation?
00:22:34Oh, how lovely
00:22:37Honey, why does a man always choose the most innocent flowers when he's up to the blackest villainy?
00:22:42Wait a minute now
00:22:44Just what kind of a fellow do you think I am?
00:22:45I know what kind you are, Bob
00:22:4922, spoiled by a rich father and a lot of easy women
00:22:53Pretty obvious about what he wants and pretty obvious how he gets it
00:22:56What do you mean by that?
00:22:58Look at all this
00:23:00Candlelight
00:23:02Champagne
00:23:03Flowers
00:23:05And then the worst
00:23:08Only I'm surprised that you have no incense
00:23:10That would impress some women
00:23:13What's the idea, Mary?
00:23:14Will you call a cab?
00:23:16A cab?
00:23:17What for?
00:23:18I was thinking of going home
00:23:20Why?
00:23:21Just because I lied to you
00:23:24I've heard about these apartments that men keep on the choir
00:23:26Yes
00:23:28It's been charming, thank you
00:23:30Mary
00:23:31Bob, there are so many other girls
00:23:33But there aren't
00:23:37I thought there were until just a minute ago
00:23:42Now here's my excuse
00:23:44Right from the shoulder
00:23:46And my apology, too
00:23:48I lied to you about coming here
00:23:51And I'd have made love to you
00:23:52If you'd let me
00:23:54Because you're in my heart and soul
00:23:57And I don't much care what happens to you, Emily
00:24:00So long as I'm with you
00:24:04That comes too easy, Bob
00:24:10And too late
00:24:12That's the trouble with lunatics like me
00:24:16We say things we don't mean so much
00:24:17That we can't put any real feeling over when we need to most
00:24:22I know I love you, Mary
00:24:25When did you find that out, silly?
00:24:27A minute ago
00:24:28When you were walking out of my life
00:24:31I'm still going
00:24:35To dinner
00:24:36Take me with you
00:24:37We'll eat anywhere you want
00:24:39In a lunch wagon, if you like
00:24:41I'd love a nice lunch wagon
00:24:43Take me along
00:24:43I'll just sit there
00:24:45And write I'm sorry on the menu 500 times
00:24:48Once would be enough
00:24:50Do you mean it?
00:24:51Do you really mean it?
00:24:53Oh, sweet
00:25:01Do you remember the first time I ever saw you?
00:25:03Having lunch with that half-witted Phil Franklin?
00:25:06You had on a blue dress with those funny sleeves, you know
00:25:08And one cockeyed curl falling over your eye
00:25:12I said the second I saw you, there goes my future
00:25:16What a dreadful memory
00:25:17It's your own fault
00:25:18You make a vivid impression on a boy
00:25:22My baby angel
00:25:30Even angels have to eat, Bob
00:25:32No, I'm sorry
00:25:35I will be done
00:25:36Anything as much, sir?
00:25:39Yes, Kudo
00:25:41Close up the place and give yourself a free trip to Japan
00:25:44Marry some nice little Japanese girl when you get there
00:25:46And be happy
00:25:50I've a changed man, Kudo
00:25:52A puritan from now on that I won't need to anymore
00:25:56It's sad
00:25:58No, it isn't
00:26:15Happy days are here again
00:26:26Oh, cut it, Aggie, will you?
00:26:28I'm as nervous as a witch today
00:26:31Did you say witch?
00:26:35Oh, all right
00:26:38You need a shot, Joe
00:26:39No, I don't
00:26:40You better lay off that stuff yourself
00:26:42We'll need our heads today
00:26:45Don't be a chump
00:26:46I know the guy that makes this stuff
00:26:53Miss Turner's apartment
00:26:57Who?
00:26:59Thanks
00:26:59Some dick's coming up here
00:27:01What's he want?
00:27:01I knew that last racket was too hot
00:27:03See what we did?
00:27:04Just when we need Mary, she's not here
00:27:05Didn't she leave a message where he could call her or anything?
00:27:08No
00:27:10Put that away
00:27:12Let him in
00:27:23Your name, sir?
00:27:28And a butler
00:27:36Where'd you leave your monocle, Joe?
00:27:38Never mind the jokes, Cassidy, what do you want?
00:27:41Well, they say crime don't pay
00:27:47I said what do you want?
00:27:49I'll tell you
00:27:51I want $30,000 worth of liberty bonds that you got in that Mortimer partnership deal
00:27:56And I want them quick
00:27:57Oh, yeah?
00:27:59Listen, Cassidy
00:28:01You haven't got anything on us
00:28:04Oh, I ain't
00:28:11Joe Garson
00:28:12Burglar
00:28:14First arrest 1921
00:28:16Again in 22
00:28:18Forgery in 25
00:28:21Well
00:28:22I don't have to remind you of the bombs law, Joe
00:28:26Your next trip is for life
00:28:34Listen, big boy
00:28:35You ain't got any right crashing in a private home with a lot of threats
00:28:39This ain't Russia
00:28:41Come through with the bombs or we open up on you
00:28:43Now take your pick
00:28:44Open up on who?
00:28:45The whole mob
00:28:47You and you and you
00:28:49Yeah, and that Turner day
00:28:51She's evidently trying to put some smart ideas into your head, Joe
00:28:55Judging from your present attitude
00:28:57But we got her record, too
00:28:59Three years in the pen
00:29:01For something she never did
00:29:02It was a cold-blooded frame-up
00:29:04She went into prison honest and she came out honest
00:29:07You mean careful?
00:29:09Oh, she's plenty smart
00:29:10But the smart one slipped, too
00:29:12And that little tramp ain't no exception
00:29:15That little, what did you call her?
00:29:18Oh, you been playing mom and papa with her?
00:29:21Stop it!
00:29:33What's going on here?
00:29:35I came up after the bombs he took from J.S. Mortimer
00:29:38That's what's going on
00:29:39And since when has the police department become a collection agency?
00:29:42This is the inspector's last offer
00:29:44Come through with the bombs or take the consequences
00:29:46The inspector knows, of course, that Mr. Garson is Mortimer's partner
00:29:49And that under the law, her partner can withdraw any or all of the partnership funds
00:29:53Besides, this guy Mortimer was trying to take me
00:29:56He's the crook!
00:29:57Yeah!
00:29:58Why, his name ain't even Mortimer!
00:30:00No!
00:30:02Plenty smart!
00:30:03Plenty smart!
00:30:05But you ain't gonna get away with it, see?
00:30:06Keep that on!
00:30:08You're going with me!
00:30:09What?
00:30:10All of you!
00:30:11Oh, no, we're not
00:30:12But you're going
00:30:15You can take that with you
00:30:16I have other copies
00:30:18What is it?
00:30:19A temporary restraining order from the Supreme Court
00:30:22Ordering the police department to let me alone until they've legal proof that I've broken the law
00:30:27Until you've broken the law
00:30:29Right
00:30:29What do you call that East Coast Bank deed?
00:30:31Covered by paragraph 8 section 324 A of the revised code
00:30:35Look it up
00:30:36And so are all the rest sergeants
00:30:38All within the law
00:30:41Now take that and get out
00:30:42I have an important engagement
00:30:46Well this is a new one on me
00:30:48Crooks appealing to the law
00:30:49Stick around, Flatty
00:30:51And you'll learn a lot of new ideas
00:30:54And hereafter, if the police want to see me
00:30:56Communicate with my lawyer, Max Hardy
00:30:58Hardy?
00:30:59Huh
00:31:00Business must be good if you can afford that crook
00:31:02Yes
00:31:03Business is good
00:31:05Well
00:31:06See you some other time
00:31:10I'll say you will
00:31:21Smajor birds than you have tried to cross me
00:31:23Smajor birds than you have tried to cross me
00:31:24And they're all up on the old home right now
00:31:26And they're all up in the old home right now
00:31:27Wondering how it happened
00:31:29Oh, Sergeant
00:31:30Did you bring a walking stick?
00:31:32What?
00:31:37you lost your head again joe with cassidy i'm sorry murray but every time i see that big monkey
00:31:42i want to twist his tail spring six five hundred please that's an old gag joe when they haven't
00:31:49anything on you they'll pick a fight then the first thing you know you're jugged for assault
00:31:53you didn't hear what he said yes sir i did you did oh uh mr hardy please from the hall
00:32:00don't ever do it again joe not even for me we're playing it safe now you're going to lose your
00:32:07head once too often and we're all going for a ride listen any time anybody makes a crack about you
00:32:13they're going to get clipped oh no i have him phone with turner please
00:32:22dr and cassidy to send you inspector all right cassidy bring him up one at a time
00:32:27bring who up who to send you out for that turner mob well when you ain't so busy i'll tell
00:32:33you the rest of
00:32:33that rest of what see if you can beat that i couldn't restraining order yeah judge congo
00:32:50well that's a nice one
00:32:59how long have you been in the department cassidy it's my 12th year chief
00:33:05well it's my 19th and never before in the history of this country have the police been up against
00:33:10what they are now why there wasn't a crook in this town 15 years ago had quite enough to hire
00:33:14lawyer big enough to go to the back for an order like that huh you should have heard him give
00:33:19me
00:33:19the bombs rush like i was the janitor yeah yeah well it's their coin that makes them so sassy cassidy
00:33:28and we've got to fight him with what little has left us well the police are supposed to protect the
00:33:32people all right that's what we're going to do no matter who likes it from now on you fight fire
00:33:38with
00:33:38fire and don't give them a break of any kind yes no swarm of lights like these are going to
00:33:42crawl
00:33:43all over me and make me like it the taxpayers put us here to get them and coin or no
00:33:47coin we're going to get it
00:33:51that's all cassidy go out and see if you can grab some poor thief huh
00:33:57i got you chief i got you well how do you like the old home good good evening mr robin
00:34:12oh hello
00:34:14what's going on your father's giving a birthday party sir for whom for you sir
00:34:22and on my birthday can you imagine that you go right on they've been waiting since eight o'clock
00:34:31hustle us up a couple of cocktails would you i'll tell you you wait in here
00:34:38so i thought mr gilder you ought to know you mean that my son has been running around with this
00:34:45notorious
00:34:45blackmailer for weeks i'm sorry but it was just reported to inspector burke today he came to me
00:34:51immediately i can't understand my son why that girl is just a common little trick she may have been
00:35:00once master i'll do something i'll send the boy away but hasn't the police department some obligation
00:35:07she's an ex-convict isn't she can't you put her where she belongs don't you worry mr gilder we'll put
00:35:13her where she belongs one way or another when they don't have to travel for her to violate the man
00:35:20act pardon me do you wish dinner to be served now sir mr robert has a right oh he has
00:35:26well i'll see
00:35:27him what is he in the line room sir i'll settle his turner woman right now
00:35:41i'll be back in a minute thank you
00:35:50you look surprised mr gilder i am a little i thought i knew everyone here we've met before
00:35:59oh yes only only it's been a long while i see
00:36:12i'm mary turner i thought you'd remember me what are you doing in this house i came to meet you
00:36:20at the invitation of your son my son i've heard about that you're shooting pretty high young woman but it
00:36:27just happens that the police are here and you're going to get out of this town tonight and if i
00:36:31see your face again i'll send you away for the rest of your life if you don't leave my son
00:36:36alone
00:36:36i'll go after you with every bit of money and influence i've got and i'll make your lives a
00:36:41miserable for you wish you never left prison now get out there what are you talking about what am i
00:36:47do you know who she is yes she's my wife your what his wife we were married this afternoon
00:37:02don't you understand i married your son mr gilder oh you didn't marry her she's done time kid don't
00:37:08you know that it's a lie it's the truth son she's an ex-convict mary that's right bob
00:37:19i've served three years it's a mistake
00:37:25blasphemy wasn't it mr demarest do you realize what you're doing to my son
00:37:30and what's that compared to what you've done to me i told you when you smashed my life that you
00:37:35owed me
00:37:36for all of it and i've just begun to collect and that's why you married my boy it is it's
00:37:44not
00:37:44you keep out of business and you this is my affair you married me because you loved me
00:37:51i didn't look me in the face and say that
00:38:03i don't love you bob
00:38:08just the same you're my wife i'm going to make you love me you can't you're his son i'll make
00:38:14you love
00:38:14me son stop it don't you realize what she is i don't care what she is
00:38:20do you hear i don't care what you've been from now on you'll go straight
00:38:27you'll put all thoughts of revenge out of your heart because i'm going to make you love me
00:38:36she's no good i tell you she's a crook and if i am who made me one you can't send
00:38:42any decent girl
00:38:42to prison and expect her to come out anything else why she didn't even get time off for good
00:38:46behavior no and i'm proud of it do you realize what goes on behind those stone walls do you
00:38:54and do you mr district attorney whose business it is to send people there
00:38:59oh i've said my time every minute of it three full whole years
00:39:071095 days do you wonder i want to get even how much do you how much what mr gilder money
00:39:13i don't
00:39:13want your money i've had that 16 a week for five years i've got what i want four years ago
00:39:21you took
00:39:22away my name and gave me a number now i've given up that number and i've got your name
00:39:33but why can't you get another injunction and keep the police from camping on our doorstep and
00:39:37button-holing everybody that comes in here listen mary i can get injunctions till the cows come home
00:39:42and the cops will go right on disregarding them and where are you in court for the rest of your
00:39:47life
00:39:47what i'd like to know is how can they tie up my old day in the bank on the ground
00:39:51that is stone property
00:39:53uh denveris can't prove that of course he can't but you'll start to death before you get it back
00:39:58now now listen what are you going to do when the rent comes around big boy i've asked you not
00:40:05to
00:40:05call me that a thousand times much more important things to talk about than that now listen mary
00:40:12why hold me responsible for a situation in which you hold all the cards and refuse to use them
00:40:19you are married to this boy he's crazy about you listen max it's 14 stories to the street and the
00:40:27windows wide open get me i'm telling you the only way out well forget that way i don't know why
00:40:33she
00:40:33married the boy she thought it was the thing to do i guess and that's good enough for me but
00:40:40she ain't
00:40:40going through a thing like this to get me out of a jam or any of us see well joe
00:40:48i got you into this jam
00:40:51it's up to me to get you out of it somehow we'll be all right
00:40:58there's nothing to worry about no
00:41:06gee i'm kind of lonesome for the old racket anyway
00:41:09oh hello eddie hello how'd you get by that red line of cops downstairs charm old boy pure charm
00:41:17oh max you know dapper eddie griggs he pulled that wells fargo job with me oh yes
00:41:26out again eh mr hardy delighted well goodbye i say uh this is a bit of all right what
00:41:37oh cut out the broad a's you're among friends ain't that rich and this mug born in south brooklyn too
00:41:42eddie wasn't born nowhere his mother caught him in a trap hello aggie hello eddie
00:41:49can i see you alone joe why we got no secrets go on speak your piece
00:41:57what do you say to 200 000 split three ways what's the catch it's a cinch and right in our
00:42:05midst only what
00:42:08ever hear of a painting called the mona lisa you mean the one that was stolen out of the loo
00:42:14that's the big museum in paris well i know where i can lay my hands on it in an hour
00:42:19how can you when
00:42:20they found it and took it back the french claimed they found it to save their face but what went
00:42:24back
00:42:25was a fake the real mona lisa's hanging in the library of a certain millionaire right in this town
00:42:29well whatever i know where i can get 200 grand for it tomorrow that's one of it two hundred thousand
00:42:36dollars for a daffy painting wait a minute eddie just what is the proposition why all this build up
00:42:44well i i guess you'd call it burglary that's out of our line and you know it wait a minute
00:42:50very give them a chance yeah we gotta eat this is the sweetest proposition i ever heard of not only
00:42:55is the picture stolen but it's smuggled besides this fellow gilder can't even squawk who did you say
00:43:00gilder sure the department store check and look look at the layout of his house never mind that
00:43:05you're talking about burglary and we're not interested well i'm interested in gilder here's
00:43:11your chance i ain't forgotten who's better than houdini when it comes to spring in a lock
00:43:16no joe we're safe inside the law and we're going to stay there 200 000 is a lot of money
00:43:23mary
00:43:23we could quit on that i said that we stay within the law
00:43:31okay mary on the private line it's uh
00:43:41aggie talk to him will you well i say i'll listen and tell you
00:43:54it's a shame 200 grand is a stake worth playing for i'll say it is look at those nice big
00:44:01windows
00:44:01just crying because we won't open them and walk inside and the burglar alarms jill there they're
00:44:0620 years old gee it's like something you dream about ain't it but look supposing you get this
00:44:12moona what's her name how you're gonna pedal it why'd it be like trying to sell the brooklyn bridge
00:44:17you suppose i'd meddle with this job if i didn't know where to sell it i'm telling you the dough's
00:44:21on
00:44:21the line who's the fence no fence the biggest art gallery in this town got a telephone book she's out
00:44:27bob out where i don't know where just out well i've got to see her please let me come up
00:44:32you can't
00:44:34um we're house cleaning you know how it is oh aggie don't lie to me well you must know i'm
00:44:40taking a
00:44:41bath then gee whiz how do you spell it s-t-e-n-d-a-l-l you know the
00:44:51gallery's on fifth avenue i don't know
00:44:57what about mary mary ain't running me and besides i got my future to think about and a blonde that
00:45:03goes
00:45:03through a hundred dollar bill like a rabbit eat lettuce are you gonna let mary talk out of that much
00:45:08dough say with that much dough we could quit clean out of here mary never have to worry again would
00:45:14she go on call them up murray hill 6131 awesome mr green
00:45:28stand a lot gallery mr green yes mr green
00:45:43uh i'm with eddie griggs yeah are you interested in a certain painting
00:45:50yeah that's the one
00:45:53well uh what would you pay for it delivered what'd he say
00:45:57uh no i i don't like talking over the phone either but uh
00:46:02i just wanted to be sure see
00:46:07okay have the dough on the line tomorrow morning
00:46:16thanks mr standal uh of course uh treat this confidential uh certainly inspector burke
00:46:21anytime i can be of service you know uh if they should phone again and ask for green why
00:46:26stall them off you understand uh surely
00:46:35only when i'm talking to your boy don't be surprised at anything i might say
00:46:40you sent for me come in son inspector burke wants to talk to you
00:46:45well if it's any more of what mr denverist had to say i don't want to hear it
00:46:49no i'm sorry
00:46:51but if this girl had married a thirty dollar a week clerk the entire police force wouldn't be
00:46:56hounding her now son don't you think you've had enough for tonight you know how i know there
00:47:03are too many things i want to forget things like
00:47:09who's money's back of all this anyhow and while we're on the subject how many times would i have
00:47:15gone to jail on wild parties and everything if it hadn't been for your money son please now you're
00:47:20using your sanctified coin to run this girl out of town i know she's already left town on her own
00:47:27accord when why she took the 20th century this afternoon i expect you'll find her in chicago where
00:47:32in chicago well knowing the ladies are due you might try the best hotel she'll be there until i tip
00:47:39off the department don't do that until tomorrow what do you mean i'm going out there tonight
00:47:43you're doing nothing of the sort no dad if this is the end of you and me all right
00:47:50i know what mother was you never had to believe in her so you don't know what it's like
00:47:56if i thought about mary as you do why i might as well be dead let him go mr giller
00:48:02why
00:48:03the only way you'll find out i don't need to find out i know mary goodbye dad son
00:48:13the girl's right here in town i sent your boy on a wild goose chase what for well i want
00:48:17to get him
00:48:18out of the way because tomorrow mary turner's going on a long trip well how can you do that there's
00:48:23a
00:48:23little burglary going on tonight right here in this house well how do you know i fixed it with an
00:48:30informer named dapper ready griggs and if my plan works she'll be here and when your son comes back from
00:48:36chicago she'll have a new address things are coming too fast for me i guess you mean she's
00:48:41she's breaking in here tonight no but she can't prove that that isn't what she was doing here
00:48:47what's that well that's a light on the metropolitan tower oh now i want you to help us carry out
00:48:51a
00:48:51plan first have this house in complete darkness and you'll be out of the way by 11 o'clock i
00:48:58know but
00:49:05mary mary what's the matter don't stay here oh mary you've got to help me eddie's out doing a job
00:49:09with joe garson what not gilders yes you've got to be down there and stop them you're married to
00:49:15that guy and they won't touch you ah let him clip the joint we've got it coming taking a chance
00:49:19like
00:49:21that say mary what are you going to do you stay here i know kid but don't mind me you
00:49:26for an alibi
00:49:36that's gilders house over there
00:49:50uh what are they doing over there telephone truck working on a short circuit why didn't you shank
00:49:55him out it's an emergency case they said oh hope it doesn't scare garson away i'm beginning to think
00:50:03that garson had a previous engagement yeah eddie griggs will get him here all right why didn't
00:50:08griggs phone like he said he was he probably didn't get a chance are you sure that turner game will
00:50:14be with
00:50:14him eddie griggs his wife's attending to that all right now let's all be nice good boys and i'll
00:50:22let you take the ropes and bandages home to prove to your wife what kept you out so late
00:50:46how much longer are you fellas gonna be well we're working as fast as we can
00:50:55we're working as fast as we can see what's he trying to do wake up the whole neighborhood
00:51:17what's the idea of going to all this trouble to crash into gilders you could walk right in the front
00:51:21door the lights been hot for an hour i'm running this racket come on come on we're going in
00:51:44there you sure they didn't put anything over on you not on me chief not on me i've had my
00:51:52eye on
00:51:52every brick in that building not even a mouse could get in without me saying
00:51:59someone's coming
00:52:04it's a damn
00:52:12hello baby what are you doing out so late
00:52:16mary what are you doing here hi big boy how you fix the steady company look at her give her
00:52:23a telephone ducky that works take me in there oh no no no no no no no i uh listen
00:52:35listen
00:52:36that's all
00:52:38what i can hear
00:52:40i got a whole night's work here
00:52:42i got to run that down in the tube
00:52:44Look how big my shoes are, right?
00:52:46I gotta go clean this.
00:53:04That's it.
00:53:07What became of the daze?
00:53:09Maybe she followed him down the manhole.
00:53:13And that guy will probably charge the company overtime.
00:53:16So get me with them.
00:53:24What are you doing here?
00:53:26You lied to me.
00:53:27That can be settled later.
00:53:28You'll fool all of you.
00:53:29I won't let you rob this house.
00:53:31If this goes through, we can both quit you and I.
00:53:33We can go somewhere.
00:53:34But don't you realize if you're caught, you'll get life.
00:53:36I'll take a chance.
00:53:37Come on, Eddie.
00:53:38Give me that knife.
00:53:40Please, I'll take you.
00:53:41I'll take him out the door.
00:53:42Joe, stop it.
00:53:45Somebody just come in.
00:53:57What's that?
00:53:58Bob.
00:53:59Eric, that's you.
00:54:01Red, let go.
00:54:03Stop it, Joe.
00:54:04Get him off the way.
00:54:05I'm going, Red.
00:54:06What do you want to do?
00:54:07I'll go.
00:54:08Bob.
00:54:09Never mind.
00:54:10Who is this guy?
00:54:11Her husband.
00:54:11Who are you?
00:54:12Don't talk any of you.
00:54:13Don't let him in your voice.
00:54:14Well, this is hitting below the belt.
00:54:18You think because I love you, I can't make a move against these men.
00:54:21That you can make a fool of me.
00:54:22Walk all over me.
00:54:35How's that, brother?
00:54:36I suppose I call for help when only Carl wants.
00:54:38Let him alone.
00:54:39Let me give her this chance.
00:54:40I don't want a chance.
00:54:41But let them go.
00:54:42He was pulled into it anyhow.
00:54:44I'm thinking about you.
00:54:45Can't you just keep...
00:54:45Well, don't think about me anymore.
00:54:47I'm what I am.
00:54:48And I won't change.
00:54:50Listen.
00:54:51Let them go and tomorrow I'll find anything.
00:54:53I'll do anything that'll wash this wedding up.
00:54:56I was only after your father.
00:54:59I didn't mean to cut you to pieces, too.
00:55:01Let me involve you.
00:55:03Can it, Shatter?
00:55:04Let's grab this family.
00:55:05That's why I was going to follow you to Chicago.
00:55:07Just to tell you that nothing mattered.
00:55:08To Chicago?
00:55:09Burke said she'd gone there.
00:55:11Burke?
00:55:13Inspector Burke?
00:55:13Yes.
00:55:18When did he say that?
00:55:19Tonight.
00:55:19He was here talking to my father.
00:55:23Jill, turn on those lights.
00:55:28I want to see the face of every man in this room.
00:55:47That's the Mona Lisa.
00:55:48That's a very bad copy of it.
00:55:51And not worth $200,000.
00:55:54Are you crazy?
00:55:55It isn't worth anything.
00:55:56Well, they had to give you $200,000 to take it away.
00:55:58He's lying to you.
00:55:59You stupid pigeon.
00:56:00Did he just convert you?
00:56:01I swear I didn't.
00:56:05If you were going to use me to railroad her,
00:56:07then here goes.
00:56:09Joe, stop it.
00:56:10Hey, get it off.
00:56:11Red the window.
00:56:11To the gun.
00:56:12I'll fire the first flash.
00:56:13You skunk.
00:56:15I'll find you where you smell.
00:56:16Somebody stop it.
00:56:17Listen, Joe.
00:56:17I got a wire.
00:56:19Give me a way out.
00:56:21Now, you stool pigeon.
00:56:22Tell that to work.
00:56:24Boy, you luckhead.
00:56:26You had your hands on them all night.
00:56:27Hey, now don't pass the buck to me, Jim.
00:56:29What are you doing here?
00:56:31What are you doing, boys?
00:56:32Here's a dump.
00:56:33Come on, Joe.
00:56:34That blast will wake them all up.
00:56:37Don't look.
00:56:42Come on, Joe.
00:57:17Come on, Custody.
00:57:23Stick him up and wait.
00:57:28Aren't you going pretty far with this, Inspector?
00:57:31Just who do you think you are breaking in here at this hall?
00:57:34What's she doing here?
00:57:36You mean my wife?
00:57:36Why shouldn't I be here?
00:57:40Where's your father?
00:57:42He's in bed, I suppose.
00:57:44What are you doing here at this time of night?
00:57:50Call your father.
00:57:52Well, it's late. I'd rather not disturb him.
00:57:55Well, just the same I'd like to see him.
00:58:02Well, I see, Inspector. I'll have to tell you the truth.
00:58:05You see, my wife has decided, well, we're going away.
00:58:12Together.
00:58:13But naturally, we wanted to talk things over enough.
00:58:15If you want to see Dad, why don't you come back in the morning?
00:58:18Oh.
00:58:20Oh.
00:58:22Pardon me, I...
00:58:25I didn't know that.
00:58:52Uh, you see, I had some visions with you, Father, and I want to...
00:58:55I'll see Dad in the morning.
00:58:57Oh.
00:58:58All right.
00:59:17What's that?
00:59:20Cassidy!
00:59:24Cassidy!
00:59:27Right where you are, both of you.
00:59:28What is it, Chief?
00:59:30They got rigs.
00:59:31Got rigs?
00:59:32Yes, you could drive a hearse through the hole they've made in him.
00:59:38So now it's murder.
00:59:40Where's the gun?
00:59:41Hand it over.
00:59:43Search him.
00:59:44Here it is.
00:59:46What is this?
00:59:47You wait.
00:59:48So you did it, huh?
00:59:50Well, look here, Inspector, you can't do that to my boy.
00:59:53I can and I will.
00:59:54Eddie Griggs was an undercover man for our department.
00:59:56Let this crime go unpunished and you might as well have no police.
00:59:59I'll sweat the truth out of your son the same as I would the poor strand.
01:00:02Cassidy, you and Townsend, take him both downtown.
01:00:04Now, Per, you don't want to kill it.
01:00:05It's all wrong.
01:00:05Bob, Bob, don't talk.
01:00:06Why, certainly.
01:00:06What do you expect?
01:00:07Either you killed Eddie Griggs or she did it.
01:00:09Did she know it?
01:00:10Good God, no.
01:00:11Then it's you.
01:00:11It isn't, it isn't.
01:00:12Now, one of you killed Griggs.
01:00:14Did she know it?
01:00:15I told you, no.
01:00:16Did he kill him?
01:00:17You!
01:00:18I'm talking to you.
01:00:19Did he kill him?
01:00:20Yes.
01:00:20Mary, so that's your revenge.
01:00:23Oh, I don't want revenge.
01:00:25But they'll try my boy for murder.
01:00:27They can't, I tell you, they can't.
01:00:28What's the reason they can't?
01:00:29You can't convict him.
01:00:31They can't.
01:00:31There's the boy in the gun was found on him and you'll swear he killed him.
01:00:34Quite true.
01:00:35But that man was a burglar.
01:00:36And he shot him in defense of his home.
01:00:43Well, you heard the doctor, Red.
01:00:47You're in a bad way.
01:00:49Yeah.
01:00:52Who shot Griggs?
01:00:56Sandy Claus.
01:00:58What?
01:00:59Yeah.
01:01:00Griggs wanted a red wagon for Christmas and Sandy brought him a sled.
01:01:09They had some words and Sandy outs with his pop gun and let him have it.
01:01:21Quit your kidding, Red.
01:01:23You're dying.
01:01:26I was there, wasn't I?
01:01:28I heard the argument.
01:01:31It was Joe Garson?
01:01:36Who's Joe Garson?
01:01:40I always said they built these roofs too high in this cockeyed town.
01:01:56Now, see here, Inspector Byrne.
01:01:57Yes, Mr. District Attorney, what is it?
01:01:59Well, it's about young Gilder.
01:02:00Well, what about him?
01:02:00Well, this boy's father and I have been friends for 20 years.
01:02:04That friendship's worth something.
01:02:05I'm wearing stripes on my uniform and say the people of this city have been my friends for 20 years
01:02:09and that's worth something.
01:02:10Oh, come now, Burke.
01:02:11This boy's no common crook.
01:02:13We can admit him on bail.
01:02:14He won't run away.
01:02:15You wouldn't advise that unless he was who he is.
01:02:18But who he is doesn't make any difference to me.
01:02:20He may not be a crook, but he's acting like one.
01:02:22He knows who killed Eddie Grayson.
01:02:24He won't squat.
01:02:25Do you hear that?
01:02:25He knows.
01:02:26And under the law, I can hold him here for 48 hours and right here he stays for 48 hours
01:02:31and I don't care who Sonny is.
01:02:32All right, old man.
01:02:33But I think you're making a great mistake.
01:02:35Yeah, well, I've been making them ever since I got this job.
01:02:37Attorney that boy loses one mistake I won't make.
01:02:39Oh, Gilders had the whole Bauer Association calling me up all last night and today.
01:02:44They're running me ragged.
01:02:45You're like all the others, squawking your head off because of lawlessness and police inefficiency.
01:02:50And then when we use the only possible means to get results, you squawk even louder.
01:02:54You think we can get the truth from the underworld with a lot of pink teas?
01:02:57Listen, Demarest.
01:02:58I'm after a confession and I'm going to sweat those two till I get one.
01:03:01Well, you've worked up enough lather already in this case to shave all of Cincinnati, Ohio.
01:03:06Goodbye.
01:03:07Goodbye.
01:03:11Won't you please take that light out of my eyes?
01:03:14It's driving me crazy.
01:03:16Who killed Greg?
01:03:17Oh, it's the sentence house.
01:03:19It's time you've asked me that question.
01:03:21My husband, I told you, and he had every right to...
01:03:23They tried to call the police if he had a right.
01:03:24Why didn't they tell Burke instead of trying to conceal it?
01:03:26He did tell Burke.
01:03:29Yes?
01:03:29Oh, Frank, any news on Garson yet?
01:03:31Not a thing yet, Inspector.
01:03:32Well, we've got to find Garson today.
01:03:34Right.
01:03:37Here's the name.
01:03:38Dame?
01:03:39Never mind the Ritz.
01:03:41What were you doing in Mary Turner's apartment?
01:03:43I was visiting Miss Turner.
01:03:46May I ask how that concerns you?
01:03:48Oh, cut out the English accent, will you?
01:03:50Makes me nervous.
01:03:51You'll have occasion to be nervous when my father hears of this outrage.
01:03:55Yeah?
01:03:56Who's your father?
01:03:57A bootlegger?
01:03:59My father is Burton J. Webb.
01:04:06Are you Helen West?
01:04:08Yes.
01:04:09And if you want to call my father, he's at the bank.
01:04:12Oh, uh, no, he's home.
01:04:14The number is Rylander 4905.
01:04:20Go on.
01:04:21Tell him you dragged his daughter from a private home into a police station.
01:04:25And then make your own plans for the winter.
01:04:29Well, now, uh, just a moment, please, Miss, uh...
01:04:31I said call him.
01:04:35Well, uh...
01:04:36Sit down, Miss West.
01:04:39Now, you can't blame the police department for this.
01:04:42Where did you meet, Mary Turner?
01:04:44Through, uh, Mr. Robert Gilder.
01:04:46Anything wrong in that?
01:04:49Don't you know they're both locked up?
01:04:53No.
01:04:54It's in all the headlines.
01:04:57I never read the newspapers.
01:05:01Hmm.
01:05:07Now, may I phone my father or not?
01:05:09Well, that isn't necessary.
01:05:11If you'll just forget the whole thing, Miss West, uh...
01:05:14I'll send you home in the commissioner's car and give you a motorcycle escort.
01:05:18And that's more than we did for the Queen of Romania.
01:05:21Oh, I like that.
01:05:23Only I have some shopping to do first.
01:05:26Um, could I stop at Gilder's?
01:05:28And a couple of other little places?
01:05:30Why, yes, anywhere you like.
01:05:32Only, please, overlook this unfortunate incident.
01:05:37How can I?
01:05:39When I've met such a charming man.
01:05:48Well, thanks.
01:05:50You know, that's the first kind word that I've heard in three weeks.
01:05:54I hope I have the pleasure of seeing you again.
01:06:07Hello, Aggie.
01:06:10Well, I was sitting pretty till you horned in, old kidney foot.
01:06:19Why ain't you out stealing penis off the pushcars?
01:06:22That'll do it from you.
01:06:23That'll do.
01:06:25Don't worry, Inspector.
01:06:26She's taking bigger saps than you for a riot.
01:06:28I beg your pardon.
01:06:33Who is she?
01:06:36The love interest in the Mary Turner mob.
01:06:39Better known as America's Playground.
01:06:41Well, so long, boys.
01:06:43I see you have something to say.
01:06:44Wait a minute.
01:06:44Wait a minute.
01:06:45Let me, if you don't mind.
01:06:48Where's Joe Garson?
01:06:50Up in Minnie's room.
01:06:52What's it to you?
01:06:53Save your jokes for the judge.
01:06:56When's the last time you saw Mary Turner?
01:06:59Nine o'clock this morning.
01:07:01You see, we sleep in the same room.
01:07:03You're a liar by the clock, Aggie.
01:07:05We picked her up at midnight last night.
01:07:09All right.
01:07:10Call me a liar for a few hours.
01:07:14You know, you're in a pretty tough spot, kid.
01:07:17Why don't you come clean?
01:07:19Save you a lot of grief.
01:07:22Come clean?
01:07:23Yeah.
01:07:24You tell me what you know, and I'll see that you get out of this.
01:07:29Will you?
01:07:30Absolutely.
01:07:32Just for telling you what I know about Mary and Joe?
01:07:35That's all.
01:07:36Now, what do you say?
01:07:38I say you can take a running jump at a galloping goose.
01:07:43Say, made you guys think I'd turn stool pigeon.
01:07:48Is it my shape or what?
01:07:51You fool guys, I'll take a course in physiogamy.
01:07:55That's the science of reading the human pan.
01:08:00Oh, get her out of here.
01:08:02Yeah, and hurry up.
01:08:03Before he turns my stomach.
01:08:06Come on.
01:08:07All right.
01:08:11Yes?
01:08:13Did that Turner girl spill what she knows?
01:08:15No.
01:08:15Well, tell Cassidy to leave her alone in the witness room with young Gilder.
01:08:19Give her a chance to talk.
01:08:20She may open up when they're together.
01:08:22Okay.
01:08:22Now, what's the latest on Garson?
01:08:24Nothing yet.
01:08:24Well, put some more men on the job and tell them it's promotion for whoever makes a pinch.
01:08:28All right.
01:08:43I want to know what's happened to my wife.
01:08:45Now, Mr. Gilder, my order...
01:08:47I don't care what your orders are.
01:08:49If they put her through what they gave me, there's going to be trouble around here and plenty of it.
01:08:54Well, why pick on me?
01:08:56I don't run the police department.
01:08:57Well, I'll find out who does.
01:09:01Mary.
01:09:03Are you all right?
01:09:04Sure I am, Bob.
01:09:06Uh, Cassidy.
01:09:10But what have they been doing to you?
01:09:11Everything.
01:09:12Tell me.
01:09:12Tell me.
01:09:13Did they give you a bad time of it?
01:09:15I'm all right.
01:09:16And you?
01:09:17Gosh, what I've been through the last 12 hours.
01:09:21But the only thing I could think of all that time was you, Mary.
01:09:24Oh, it was wonderful of you, Bob.
01:09:26The questions they shot at me.
01:09:28Like machine guns.
01:09:30I didn't say one word they could use.
01:09:32They gave me an awful right about Garson.
01:09:35But here's all I said.
01:09:38I suppose you told them the truth, of course.
01:09:43That you'd never seen Joe Garson in your life.
01:09:45What?
01:09:48Poor Joe.
01:09:50Isn't it awful what they do to a man once they start in?
01:09:57They actually believe that Joe shot that burglar.
01:10:01These cops are funny, all right.
01:10:07Bring that Turner dame up here.
01:10:08Yes, sir.
01:10:12William, you get behind that window and take down everything that's said.
01:10:15All right.
01:10:16All right.
01:10:26All right.
01:10:54oh hello Mary I heard they were giving you a rough time did you well it's all
01:11:03right now we're going to turn you loose do you mean I can go sure Garson has confessed oh no
01:11:16he
01:11:17hasn't how do you know he hasn't because he didn't do it well he said he did but how could
01:11:25he when he
01:11:25went to where did he go you ought to know that if you've arrested him
01:11:33who killed Eddie Griggs my husband shot a burglar with his name great now see here I can make it
01:11:38a
01:11:38whole lot easier for you if you talk come on now who killed Eddie great that's for you to find
01:11:43out
01:11:45Dan yes sir take her back come on help thank you we got Garson fine we've got Garson I know
01:11:54it
01:12:00keep him outside like give you the word and tell him nothing let his imagination get going I got you
01:12:15now Mary I'm going to be your friend are you yes tell me the truth about young Gilder I know
01:12:24he shot
01:12:24great but I'm not taking any stock in that burglar story and no court will either was your husband
01:12:30jealous of Griggs is that why he killed no no he didn't he didn't kill him I thought so who
01:12:35did kill
01:12:35him Mary I've got the whole gang they're all crooks now why don't you begin again I'll give you
01:12:45every chance in the world I'm on a level with you this time listen Mary you're stuck on young
01:12:54Gilder aren't you but believe me I'm for it it's very seldom you see a real romance in this record
01:13:01what are you leading up to now inspector only this it occurs to me that you owe your husband and
01:13:06even
01:13:06break because there are no bridal sweets where you're headed for well tell the truth Marion you can
01:13:12wipe the slate clean and live happily ever after sounds just like a story book Vic it is like that
01:13:20in a way
01:13:33now Mary here's your record say the word and it's in the fire as far as we're concerned only we
01:13:40might
01:13:41uh hold out one item concerning a Helen Morris do you know her yes well here's her confession for that
01:13:53unpleasant incident that you were sent up for and say the word I'll see that old man Gilder sees this
01:14:01believe me I got to know him the last few days and I'm not kidding you Mary you could write
01:14:06out your own
01:14:08ticket get to the point inspector what do you want I want the works Mary what about God you expect
01:14:14me to
01:14:14turn on the only friend I've ever had but listen Mary you're stepping out in another class now you're
01:14:19in the big league and besides whatever you say to me is between ourselves did you get it all no
01:14:32ma'am not quite
01:14:38all on the level with me aren't you Bert I couldn't reach that high figure back and tell Cassidy to
01:14:44come in
01:14:44yes sir
01:14:45yes sir
01:14:47yes sir
01:14:47yes sir
01:14:47yes sir
01:14:48yes sir
01:14:48yes sir
01:14:49yes sir
01:14:50yes sir
01:14:51yes sir
01:14:51yes sir
01:14:51yes sir
01:14:52yes sir
01:15:05no we got the rest of the gang
01:15:06no no nothing he's worried great well you'll be worried greener before I get through with him
01:15:10bring him in wait Williams take out these chairs right sir when I read a bunch of the first time
01:15:15you
01:15:15left basing one of those cells the second time walking by this window and the third young gilder
01:15:20and the fourth time you come in here yourself and take your cue for me okay no no leave that
01:15:25all right sir
01:15:36untu 네가 is um
01:15:46no no no no no no no no no no no no that…
01:15:57okay no no no no no no no no no no no no
01:15:57Here's Garton, Chief.
01:16:03Hello, Joe.
01:16:04Hello.
01:16:13Sit down, won't you?
01:16:33What am I pinched for?
01:16:35Why, who said you were pinched?
01:16:37Well, when 20 cops grab me and start jumping up and down on my stomach,
01:16:41I know they ain't playing marbles.
01:16:43Is that what they did here, Joe?
01:16:45Well, I'll have to speak to them about that.
01:16:49Now sit down, won't you, Joe?
01:16:57Say, I'd like to send for a lawyer.
01:16:59Oh, no use hollering until you're hurt, Joe.
01:17:02You know you're not under arrest.
01:17:05Maybe you never will be.
01:17:07Now, uh, a little of my keeps there, will you, until I finish this?
01:17:28Say, Inspector, if you've got any charge against me, I'd like to know what it is.
01:17:32What's the matter with you, Joe?
01:17:34Told you I only want to ask you a few questions.
01:17:37Now sit down, will you, and keep still until I finish this.
01:17:53Say, Inspector, if you've got anything against me, I...
01:17:55Who said there was?
01:17:58What's the matter with you today, Joe?
01:18:00You seem nervous.
01:18:02No, I ain't nervous.
01:18:05Why, what makes you think that?
01:18:08Only, this ain't exactly the kind of a place I'd pick out to spend a pleasant morning.
01:18:19Say, can I ask you a question?
01:18:21What is it?
01:18:23Well, I was gonna say if...
01:18:26If what?
01:18:28I was gonna say if...
01:18:31Well...
01:18:32If it's anything about Mary Turner...
01:18:38I don't know a thing.
01:18:41Not a thing.
01:18:47What made you think you wanted to know anything about her?
01:18:50Oh, I don't know.
01:18:52You were up at her house.
01:18:54Don't you see?
01:19:06Yes, I did want to see her, that's a fact.
01:19:08But she wasn't home.
01:19:10I guess she must have taken my advice and skipped out.
01:19:15Clever girl, that, Joe.
01:19:17Yeah.
01:19:21I was thinking about going west myself.
01:19:25Were you?
01:19:26Well, tell me about as soon as I finish this report.
01:19:29It's about Eddie Griggs.
01:19:33Say, I heard about that.
01:19:35Tough, wasn't it?
01:19:38Very.
01:19:40Know what undertaker he's at?
01:19:42Why?
01:19:44I'd like to send him some flowers.
01:19:47It's real white here, Joe.
01:19:50Only I don't know whether these florists sell stinkweed.
01:20:03Why did you kill Eddie Griggs?
01:20:07I didn't kill him.
01:20:12I didn't kill him.
01:20:14You killed him last night and you did it with this.
01:20:16Now come on, why?
01:20:16I didn't tell you.
01:20:17I tell you, you did.
01:20:18I tell you, I didn't.
01:20:19I tell you, I didn't.
01:20:23Why, you got me all wrong, Burke.
01:20:27I wouldn't carry a cannon like that.
01:20:31I'm afraid of a gun.
01:20:33Honest.
01:20:43No, I don't think you did kill him.
01:20:45But I wasn't sure, so I had to take a chance.
01:20:48No, you understand.
01:20:49Yeah, sure.
01:20:51We've got the right party safe enough.
01:20:55You have?
01:20:56You can bet on that.
01:21:04Well, then, if you don't want me, I...
01:21:06What's that?
01:21:09I say, if you don't want me, I'll...
01:21:12I'll be getting along.
01:21:16What's your hide?
01:21:20Where did you say Mary Turner was last night?
01:21:22I don't know where she was.
01:21:24I'm...
01:21:26She was home.
01:21:28She never left the house last night.
01:21:30You know where young Gilder was?
01:21:31No.
01:21:37Did Daisy open up?
01:21:38Hey, Squawk, friend.
01:21:40Send Mary Turner up.
01:21:41Hey, what are you trying to hand me anyhow?
01:21:43He spilled all right.
01:21:45Everything he knew.
01:21:51Get ready by the tools, Mary Turner.
01:21:52I'm going to book you for the murder of Eddie Grace.
01:21:54She didn't do it.
01:21:55He spilled you.
01:21:55Take her down and book her.
01:21:56She'll be up the river in a week.
01:21:57You can't do that.
01:21:58I'll tell you, it was me to talk.
01:21:59Joe, don't talk, don't talk.
01:22:00Joe's talked plenty.
01:22:01He was lying to save me.
01:22:03St. William's up here to get Garson's confession.
01:22:05Joe, don't say a word until you get a lawyer.
01:22:06You better get a lawyer yourself,
01:22:07because you're going for a nice long trip.
01:22:09Accessory before and after the fact of murder.
01:22:11If that doesn't draw 10 years, I'm crazy.
01:22:13You must be crazy, Burke,
01:22:14if you think he can make that step.
01:22:15He's blocking, Joe.
01:22:16Yes?
01:22:16Well, I'm asking the chair for him.
01:22:18No.
01:22:19Oh, no, no.
01:22:21And young lady, you're going where you belong.
01:22:28Listen, Burke.
01:22:30I'll make a deal with you.
01:22:31What do you mean, Joe?
01:22:31Get your head shut.
01:22:32That's the only way, Mary,
01:22:33and I can save you a lot of trouble.
01:22:34What's your proposition, Joe?
01:22:35No, Joe.
01:22:36How about letting this kid go if I come clean?
01:22:37Joe, don't.
01:22:38Don't say another word.
01:22:39It's me you're after,
01:22:39and I swear she didn't know a thing about it.
01:22:41Not a thing.
01:22:41I get a full confession.
01:22:42He's lying.
01:22:42No, we're not going to confess anything.
01:22:44It works.
01:22:46Okay.
01:22:46She ain't even called as a witness.
01:22:48You're off.
01:22:49Then here goes.
01:22:50Joe.
01:22:50No, Mary.
01:22:51I'm going through with it.
01:22:53They ain't going to railroad you again.
01:23:09My name's Joe Garson.
01:23:11Elias.
01:23:11Elias nothing.
01:23:12Garson's my moniker.
01:23:14I shot Eddie Griggs because he was a skunk and a stool pigeon.
01:23:17Well, now we can't take a confession like that.
01:23:20Because he was a skunk and a stool pigeon.
01:23:23Have you got that?
01:23:29The rat came to me with a scheme to rob the Gilder house.
01:23:34Oh, when I say rat, I mean the late Mr. Griggs.
01:23:40Say, Inspector, I sure put one over on you by covering up with a telephone truck, didn't I?
01:23:46You sure did, Joe.
01:23:53I bumped them off and I'm glad I did it.
01:23:56And this is all true, so help me God.
01:23:58Mary.
01:24:04Say, you want to quit worrying about me?
01:24:07Why, I ain't worrying.
01:24:14Say, you didn't fall for that bologna about the electric chair, did you?
01:24:17Oh, Joe.
01:24:19Why, Bert was only kidding.
01:24:25Sure, sure I was.
01:24:28Goodbye, Mary.
01:24:32Oh, Joe.
01:24:33Oh, Joe.
01:24:35I can't say goodbye.
01:24:40It's all right.
01:24:43It's all right.
01:24:56It's all right.
01:25:00You'll take good care of her, won't you?
01:25:06Well...
01:25:06So long.
01:25:10By the way, Bert, if the newspapers want some photographs to me, can I have some new ones taken?
01:25:14Those you got in the rogues gallery are terrible.
01:25:16Sure.
01:25:32I think it's all right.
01:25:38You'll see us soon.
01:25:39Number two.
01:25:39Good.
01:25:41In the, in the world, the people go through a long time.
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