Laughter (1930) (Nancy Carroll, Fredric March, Frank Morgan)

Classic Public Movies

Watch Laughter (1930) (Nancy Carroll, Fredric March, Frank Morgan) - Classic Public Movies on Dailymotion

Transcript

00:00:00The End

00:00:51So I can call up tomorrow, can I?

00:01:27So I can call up tomorrow, can I?

00:01:41I'm not going to call.

00:01:41Oh, yes, Mrs. Gibson.

00:01:43I'm going out for some air.

00:01:45Shall I phone the garage?

00:01:47No.

00:01:48I'll take a test, please.

00:01:50Oh, that artist called again.

00:01:51He said he had a message for you.

00:01:53A message for me?

00:01:56For Paris?

00:01:57I don't know I told him to call tomorrow and what did he say he left

00:02:08Well, I'll be back before mr. Gibson get home. Yes, mr. Gibson

00:02:37Oh

00:03:04Oh

00:03:29Any place in particular lady

00:03:38Oh, no, I can't watch a drive over to this avenue and down and I'll tell you where to stop

00:03:49Always right a left

00:03:53Thank you, mrs. Gibson

00:03:56Lovely evening

00:03:59Brain

00:04:01Moon

00:04:03You like spring this is good

00:04:06Spring is the time for love

00:04:09Spring is the mating

00:04:11You made it didn't you mrs. Gibson

00:04:17Yes, you made it with mr. Gibson the public utility king

00:04:23Much better than marrying me isn't

00:04:26Oh

00:04:27Yeah

00:04:27Much better than living down here. Oh, yes much better

00:04:35I can call you up tomorrow noon, can I oh, isn't that nice I?

00:04:43Can call you from hell and reverse the charges?

00:04:48Well

00:04:49You know what you can do mr. And mrs. Gibson with your

00:04:54Money and your diamonds and your cars, you know what you can do, don't you you can go to

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00:32:21I'm not much good at flattering.

00:32:33You've got me.

00:32:35How do you mean I shouldn't have come back?

00:32:37You know what I mean.

00:32:40Are you happy?

00:32:42Yes.

00:32:44Happy with Gibson?

00:32:45Of course.

00:32:50All right. I'll go back.

00:32:52Where?

00:32:53I

00:32:54I don't know. Paris. Rome.

00:32:57When?

00:32:59Well, if you're in such a hurry, I'll go right away.

00:33:02Oh, don't say that.

00:33:03I don't want you to go back.

00:33:06No?

00:33:08Oh, Paul, try to use your head.

00:33:10I am.

00:33:12I'm sailing on Saturday.

00:33:13Next Saturday?

00:33:15Yeah.

00:33:16Well, you want me to go Wednesday?

00:33:19Thursday?

00:33:21Don't, Paul.

00:33:22I aim to please.

00:33:24Well, you don't have to go back.

00:33:27Well, there's no particular reason for my staying here.

00:33:30Is there?

00:33:32Well, did you come over here just to see me?

00:33:34Oh, no, of course not.

00:33:35I came over to see how the new subway is getting along.

00:33:39There isn't any new subway.

00:33:40Yeah, I know. That's why I'm going back.

00:33:44Don't you think we might have one good party before I go?

00:33:48Phone me tomorrow.

00:33:50I have a nickel.

00:33:55Here.

00:33:56And the number is Plaza 5699.

00:34:00Now, don't stand there for a soda.

00:34:02I won't.

00:34:15Have you any idea where we are?

00:34:17Not the pilot.

00:34:32Corrable.

00:34:32I don't want to know where I'm going to.

00:34:57Whee-whee!

00:35:04Let's take a look at the ocean.

00:35:05Remember the time we sat on the sand?

00:35:07Oh, we're nowhere near the ocean.

00:35:08Sure we are.

00:35:09Don't you smell the salt?

00:35:12No.

00:35:16That's not the ocean.

00:35:18Well, it's around here somewhere.

00:35:21Let's ask this fellow.

00:35:24Hey, Arthur.

00:35:28Can you tell me where the ocean is?

00:35:30What ocean?

00:35:33Let me see.

00:35:34What is the name of that ocean?

00:35:35It's the Atlantic, I think.

00:35:37Atlantic Ocean?

00:35:38I think that's the name.

00:35:40I'm not very good at remembering names.

00:35:42But it's sort of wet on top.

00:35:44And full of waves.

00:35:45Does that sound like any ocean you know?

00:35:54Hey, hey.

00:35:57Darling couple.

00:35:59Maybe we're in France.

00:36:02Maybe they didn't understand us.

00:36:10Let's find it.

00:36:13Hey, Arthur.

00:36:15Wanting the mayor to let the sea?

00:36:19Sorry German.

00:36:22Can I see the lights?

00:36:24Yeah.

00:36:24From the Atlantic?

00:36:33It's a secret.

00:36:34What an unpleasant country.

00:36:37Oh, we'll find it.

00:37:01You're doing very nicely, Mr. Gibson.

00:37:08Well, here's a quotation on Amalgamate Copper, 147 1⁄2, 147 1⁄2.

00:37:31It's going to rain.

00:37:33No, no, it's not. I looked in the paper this morning.

00:37:38We really like to get him somewhere, don't we?

00:37:41If we don't, I'll never borrow another car.

00:37:48What's the matter?

00:37:52I don't know.

00:37:55This was only a piano.

00:37:57I've never been out on a piano.

00:37:59Yeah?

00:38:06Maybe we're out of gas.

00:38:08Oh, it's miles since we passed the filling station.

00:38:11Careful, dear, don't burn yourself.

00:38:13Yeah.

00:38:18But it's set in the paper that...

00:38:20What paper?

00:38:20The Times.

00:38:22Well, this can't be rain, then.

00:38:24I wonder what it is.

00:38:25Let's put up the hood.

00:38:26Yeah.

00:38:29I'll help you.

00:38:30Wait.

00:38:31Oh!

00:38:32Wait.

00:38:35Oh!

00:38:35There!

00:38:36Now that's fine.

00:38:37Fine, huh?

00:38:37Yeah.

00:38:38Well, we'd better run for that last house.

00:38:40Maybe we can get some gas, too.

00:38:54That's rain.

00:38:56Yeah, I guess you're right.

00:39:00Who lives here?

00:39:02Probably somebody named Smith.

00:39:04No, I don't think so.

00:39:06Just more like someone named Jones.

00:39:14Well, if they aren't in, we can just leave cars.

00:39:20It's awfully careless if the Smith could be out.

00:39:23Jones!

00:39:24Jones!

00:39:27A phone!

00:39:28A piano!

00:39:30That's just what we need now.

00:39:31A good piano.

00:39:34Have you got a crowbar?

00:39:37Add one.

00:39:39I hope it's in tune.

00:39:41Well, we need to come again.

00:39:42It's isn't...

00:39:43What a break.

00:39:54Anybody at home?

00:40:12Why, hello, Mrs. Smith.

00:40:14You're home early.

00:40:15Why, hello, Mrs. Smith.

00:40:17Is everything all right?

00:40:19Well, the grocery called up.

00:40:21I said they must have a check for a last month's bill.

00:40:24Oh, of course.

00:40:25We shan't pay them until the 30th.

00:40:27I, uh...

00:40:28I have a surprise for you.

00:40:34You don't need...

00:40:40I've made a strawberry pie for dinner.

00:40:43Oh.

00:40:45Oh, that's very sweet, dear.

00:40:49Oh, that's very sweet.

00:40:50Now, you come in and let me get your slippers and your pipe and...

00:40:55Thank you, dear.

00:40:58My, my, it was a hard day down at the office.

00:41:00Oh, I'm sure it was.

00:41:02Anyone telephoned?

00:41:03Well, the Turners called and wanted to know if we could play Braves this evening.

00:41:07The Turners?

00:41:09I'm so tired.

00:41:11I don't feel quite up to it myself.

00:41:14Hey, Peg, there's your phone if you want to use it.

00:41:20I'll be like, ah...

00:41:26Uh...

00:41:28Uh...

00:41:37Hello.

00:41:38Hello, operator.

00:41:40Hey, operator.

00:41:41Where am I?

00:41:43He's going to give me information.

00:41:46Look, I'm in some house down on Long Island, and I want to get home.

00:41:50Can you tell me where I am?

00:41:53Oh, the number is...

00:41:56Cedarhurst, 0479.

00:42:00Who?

00:42:02Higginbottom.

00:42:04Operator, oh, shoot, hold on.

00:42:08Operator, get me the taxi cab, come in.

00:42:12Will you send a taxi right away to the residence of Mr. Higginbottom?

00:42:24Have you looked at the far clothes?

00:42:26Yeah, they need cleaning.

00:42:27Achoo!

00:42:29Oh, we better get out of these clothes before we catch cold.

00:42:32Oh, we won't do that.

00:42:35Achoo!

00:42:35Oh, yes, we...

00:42:37Achoo!

00:42:39Achoo!

00:42:42Achoo!

00:42:43Achoo!

00:42:44Achoo!

00:42:47Achoo!

00:42:56Achoo!

00:42:59Achoo!

00:43:01Achoo!

00:43:03Achoo!

00:43:04Achoo!

00:43:05Achoo!

00:43:06Achoo!

00:43:07Achoo!

00:43:08Achoo!

00:43:09Achoo!

00:43:11Achoo!

00:43:12Achoo!

00:43:13Achoo!

00:43:14Achoo!

00:43:15Achoo!

00:43:15Oh, oh, oh, oh, oh, oh.

00:43:49Could we have a photograph, please?

00:43:51Surely.

00:43:56Uh, Dicky Parton, what is your name?

00:43:58Ralph Lassan.

00:43:59The third.

00:44:01Certainly our lucky girl, Miss Gibson.

00:44:03Oh, but we're not engaged yet.

00:44:05But haven't you heard about your father?

00:44:06No. Has something happened?

00:44:08Well, you might call it that.

00:44:10He's just cleaned up a cool four million.

00:44:12Oh, that's fine.

00:44:15It's hot.

00:44:17All right.

00:45:11Good morning, Mr. Higginbottom.

00:45:14Good morning, Mr. Higginbottom.

00:45:17I wonder what can be keeping that taxi.

00:45:21Well, I hope it never comes.

00:45:25Are you really sailing tomorrow?

00:45:29Sure.

00:45:31Don't sail.

00:45:34Why not?

00:45:37Don't sail.

00:45:38See, you're a funny one to say that.

00:45:42Did you ever hear the story about the cake?

00:45:45No.

00:45:47Well, it seems that you can't, uh, have your cake and eat it, too.

00:45:52That's not a very interesting story.

00:45:53No?

00:45:54Well, you tell me one.

00:45:58Well, it seems it was a chorus girl married a millionaire.

00:46:01Well, that's not very interesting, either.

00:46:04Well, what do they do?

00:46:05Live happily ever after?

00:46:07I don't know.

00:46:09Want me to tell you that story?

00:46:12No.

00:46:14Well, it seems that this chorus girl was secretly in love with the, uh, brilliant musician.

00:46:20Who made the mistake of going away at the wrong time.

00:46:24And found it out too late.

00:46:30Too late?

00:46:34Come on.

00:46:35What's the matter?

00:46:36What are you doing in this house?

00:46:38Having tea.

00:46:39Would, uh, you like some tea?

00:46:42No, I don't want some tea.

00:46:44Uh, we're friends with Mr. Higginbottom.

00:46:47Oh, yeah?

00:46:48What's he look like?

00:46:49Uh, well, he's rather a short gentleman.

00:46:51Yeah, well, not too short.

00:46:52No, a rather tall, short gentleman.

00:46:54Oh, he's a tall, short gentleman.

00:46:57Yes, with curly, black hair.

00:46:59As it looks black in certain light.

00:47:03And a rather large nose.

00:47:06Oh, good old Higgy.

00:47:07Come on, Harry.

00:47:09Slip the cuffs out of him.

00:47:11Yeah.

00:47:12I take, uh, size eight, officer.

00:47:15You know, this is the third time this house has been broken into this year.

00:47:18Well, then that's why there wasn't any whiskey.

00:47:20No, no, no.

00:47:21Mm-hmm.

00:47:24Have you an umbrella?

00:47:30Not so bad for a day's work, Winslow.

00:47:33About $8,450,000.

00:47:37Not bad.

00:47:38Not bad at all, sir.

00:47:41$8,450,000.

00:47:46Where's Mrs. Gibson?

00:47:47I, I, I'll ring for her, sir.

00:47:49No, no, no, no.

00:47:49I'll get her.

00:47:51You order a bottle of wine.

00:47:53Yes, sir.

00:48:22Marjorie.

00:48:37Oh, Benham. Mr. Gibson has just made $8,450,000. Yes, sir. That's very nice, sir. Is that all, sir?

00:48:51Yes, yes, that's all.

00:48:57Oh, well, we'll have some champagne anyway, Winslow.

00:49:00Yes, sir. Yes, sir. I'll open it, sir. No, no, that's all right. Let me open it.

00:49:04Here. I want you to have a cigar first.

00:49:08Thank you, sir.

00:49:18$8,450,000. Not a bad day's work, eh, Winslow?

00:49:23No, sir. No, sir. Not at all bad, sir. $8,450,000.

00:49:31Is that the latest model typewriter, Winslow?

00:49:34Oh, no, sir. No, sir. There's a later one. It's noiseless and lighter to carry.

00:49:40Oh, is it? Well, I want you to have one of those, Winslow.

00:49:43Oh, thank you, sir. Well, happy days.

00:49:48Happy days, Mr. Gibson.

00:50:01Hello? Yes?

00:50:05Who? What?

00:50:09I think you have the wrong number.

00:50:11It's the police station, sir.

00:50:13Oh, well, tell them we don't need a policeman today.

00:50:17Hello?

00:50:17I think you have the wrong number.

00:50:20Yes?

00:50:22What?

00:50:24Oh.

00:50:25Mrs. Gibson.

00:50:26What's that?

00:50:27It's Mrs. Gibson, sir.

00:50:32Hello?

00:50:34Yes.

00:50:39Yes.

00:50:43Yes?

00:50:45Well, let me speak to the sergeant.

00:50:51Hello. This is Mr. C. Mortimer Gibson talking.

00:51:01I'm certainly sorry this thing happened, Mrs. Gibson.

00:51:03Oh, not at all. It wasn't your fault.

00:51:05Well, I'm sure glad you think so.

00:51:07Well, better luck next time.

00:51:09Thanks.

00:51:10Good night, Mr. Gibson.

00:51:23Hey!

00:51:40That's what I do with the money.

00:51:40You can't go on with it.

00:51:42With what?

00:51:44With that.

00:51:46With everything that it stands for.

00:51:48That noise, that money, that power...

00:51:54Piggy, I want to talk to you.

00:51:56I want to talk to you calmly and sensibly.

00:51:58I want to tell you a few things that you don't know.

00:52:01I want to tell you that you're dying.

00:52:03Dying?

00:52:05Dying.

00:52:07I've watched you ever since I've been back.

00:52:09I've watched you trying to pretend that you're having a good time.

00:52:11I'm not pretending.

00:52:12Oh, yes, you are.

00:52:14You're not having a good time. You're having a ghastly time.

00:52:18Your whole life is false.

00:52:21You're living a dead life.

00:52:23A false life, a horrible life.

00:52:25Nothing that you do is really you.

00:52:27You can't live like this.

00:52:30God didn't mean you to live like this.

00:52:33You're dying.

00:52:35You're dying for one of nourishment.

00:52:37It's laughter.

00:52:39Laughter?

00:52:40Yes, laughter.

00:52:43You were born for laughter.

00:52:46There's nothing in this life of yours now that's as important as that.

00:52:49Laughter could take this whole life of yours.

00:52:51That house, that house, those people, those jewels, and throw them to pieces.

00:52:56You're rich as you're dirty rich.

00:52:59Nothing but laughter can make you clean.

00:53:03Will you come?

00:53:06Oh, Paul, why did you come back?

00:53:11Because I love you, thank you.

00:53:23I love you, thank you.

00:53:24Listen, dear.

00:53:25I'm not going to argue anymore.

00:53:26I've said everything I'm going to say.

00:53:28I'm sailing on the Rotterdam.

00:53:31If you don't come with me, I'll never be back.

00:53:34If you do, I...

00:54:02I'll never be back.

00:54:04I'm all right.

00:54:07Hello, Pa.

00:54:08Hello, Margie.

00:54:09Anything I can do?

00:54:10Yes, you might kill your friend Ralph for me.

00:54:13Ralph's all right.

00:54:16Good night, Pa.

00:54:17Good night.

00:54:46Here.

00:54:46I'm all right, honey.

00:54:47You better lie down a little.

00:54:49I don't want to lie down.

00:54:51Well, let's just sit down here anyway.

00:54:55I'm all right, honey.

00:54:56There.

00:55:01It wasn't Ralph's fault.

00:55:03What was Ralph's fault?

00:55:06Am I getting a stew?

00:55:09Who says I'm stewed?

00:55:12No one, dear.

00:55:17You don't like Ralph, do you?

00:55:20Well, I don't like Paul.

00:55:24Ralph's twice the man that Paul is.

00:55:26And I won't have you two criticising him.

00:55:28What is this?

00:55:29Psychic?

00:55:30I'm not excited.

00:55:32No, of course not.

00:55:38I'm not excited.

00:55:38Good morning, dear.

00:55:39Good morning.

00:55:40You sent for me?

00:55:43Is anything wrong?

00:55:44Sit down.

00:56:15Good morning, my boss.

00:56:18Good morning.

00:56:21Good morning.

00:56:23Good morning.

00:56:30I told you before, I'm terribly, terribly sorry.

00:56:33Being sorry isn't enough.

00:56:35But I told you the truth about it.

00:56:38It was just one last little party before he sailed.

00:56:41Did he sail?

00:56:43No.

00:56:45But he's going to.

00:56:47When?

00:56:49Tonight.

00:56:51I'm not worried about that.

00:56:53I'm not worried about that.

00:56:53I'd rather you didn't see him again, but that's your own business.

00:56:58I won't see him again.

00:57:01I just want to remind you that you have certain obligations.

00:57:06If anything happened to Marjorie through your carelessness,

00:57:10I'd never forgive you.

00:57:11But don't you understand?

00:57:17What's the news?

00:57:20It must not happen again.

00:57:23It won't.

00:57:25Well that's all.

00:57:26Now let's forget it.

00:57:28And tell me, is there anything I can do to help about the arrangements for the party tonight?

00:57:32No.

00:57:34Thanks.

00:57:35It ought to be a wonderful party.

00:57:37Yes.

00:57:40Is that all?

00:57:41That's all, dear.

00:57:44Goodbye, dear.

00:57:45Goodbye.

00:58:22Oh, uh, I think Mr. Paul probably telephoned to say goodbye.

00:58:26Be sure to get home, Liz.

00:58:29I'm going to talk to you.

00:58:30Yes, Liz, please.

00:59:38I'm going to talk to you.

01:00:09I'm going to talk to you.

01:00:14I'm going to talk to you.

01:00:15You're working on the helicopter.

01:00:17Oh, a helicopter.

01:00:19Great helicopter.

01:00:25Hello?

01:00:26Oh, oh.

01:00:28How are you?

01:00:29Hey, wait a minute.

01:00:31I'll take it upstairs.

01:00:36I'll take it upstairs.

01:00:48I'll take it upstairs.

01:00:53I'll take it upstairs.

01:00:54What do you think, Benny?

01:00:58Not bad.

01:01:01I'll take it upstairs.

01:01:02Why start serving supper about 12 o'clock?

01:01:04Be sure that Mr. Gibson gets dressed.

01:01:07Oh, here she is.

01:01:08Come right in, Mr. Miller.

01:01:10Hello, dear.

01:01:11I wanted you to meet an old friend of mine, Mr. Miller.

01:01:14This is Mrs. Gibson.

01:01:15How do you do?

01:01:16How do you do, Mr. Miller?

01:01:17And I wanted you to meet my daughter, too.

01:01:18Where is Marjorie?

01:01:21Where is Mr. Dancy?

01:01:22No, he's just come from there.

01:01:25Oh, I bet I know where he is.

01:01:29Well, let's go back, Mr. Miller.

01:01:31You've done marvellous with the room, dear.

01:01:33The decorations are beautiful.

01:01:35How do you do it?

01:01:45Hang in.

01:01:48Oh.

01:01:51How did you get here?

01:01:52Pearl, let me in.

01:01:54Is he?

01:01:54Oh, I'm so glad.

01:01:56Why?

01:01:59I didn't want you to go away without saying goodbye.

01:02:05Your mind is still made up.

01:02:07Yes, Paul.

01:02:16All right, darling.

01:02:20It's been fun, hasn't it?

01:02:23I've never had so much fun in my life.

01:02:27Goodbye, Mrs. Smith.

01:02:29Goodbye, Mrs. Smith.

01:02:34Don't forget to pay the grocery bill.

01:02:37I won't, dear.

01:02:41Give Oliver his medicine every Tuesday.

01:02:44I will, dear.

01:02:49Don't forget to write.

01:02:56Don't forget to write.

01:02:59Goodbye.

01:03:00Goodbye.

01:03:19Goodbye.

01:03:33Goodbye.

01:03:39Goodbye.

01:03:40Peggy.

01:03:41Did you find, uh, Marjorie?

01:03:43Marjorie?

01:03:44Oh.

01:03:45Oh, no.

01:03:45I, I looked for her too.

01:03:49I don't know what to do.

01:04:07Can you imagine Dad when he gets the news?

01:04:09Very easily.

01:04:11And Peggy?

01:04:13Anything in here you want packed?

01:04:17Oh, what's this?

01:04:20Don't look out as loaded.

01:04:22Want a packet?

01:04:23No.

01:04:28Whoa, wait a minute.

01:04:32Oh, you're so grand.

01:04:34Yes.

01:04:36You do love me, don't you?

01:04:38More than anyone else in the world?

01:04:43You've never loved anyone the way you love me?

01:04:47Why, of course not.

01:04:53Charlie, eh?

01:04:55Yes.

01:04:57Look at that night.

01:04:58Paris, I suppose.

01:05:00What if it is?

01:05:02Ralph bought the tickets already?

01:05:04No.

01:05:05I bought them.

01:05:06Oh, really?

01:05:08Oh.

01:05:09How convenient.

01:05:11If you think Ralph is marrying me for my mother, I didn't say that.

01:05:15It's very interesting to hear you talk about someone marrying for money.

01:05:19Oh, then he is marrying me for your money.

01:05:22You keep out of it.

01:05:23I think he asked a question.

01:05:27Of course, there's no reason why Ralph shouldn't marrying for your money.

01:05:32He's a great artist.

01:05:34He could give you a certain amount of leisure.

01:05:37Well, artists need leisure and luxury.

01:05:41I said you keep out of it.

01:05:44But, Margie, my dear.

01:05:45I'm simply trying to help you in Ralph.

01:05:49You know, I knew Ralph would make you a better than you do.

01:05:51Don't I, Ralph?

01:05:53I know that Ralph hates money and luxury.

01:05:56That's why I'm a little surprised.

01:05:59He Ralph lived only for his arm.

01:06:01He almost made a suicide once because of his arm.

01:06:04Didn't you, Ralph?

01:06:06Margie told me you did.

01:06:10Tell her the truth, Ralph.

01:06:12So you love me and you'll marry me because you love me.

01:06:15That I'm the only girl you ever love.

01:06:16And then tell her that you'll...

01:06:20Tell me the truth.

01:06:22Tell me the truth.

01:06:24Tell me that you love Margie more than anybody else in the world.

01:06:28Do you?

01:06:30Do you?

01:06:33How can you ask me that?

01:06:51Now...

01:06:53Are you satisfied?

01:06:55Yes.

01:06:57Oh, I could kill you.

01:07:04You wouldn't kill me, Ralph.

01:07:06You haven't been nervous.

01:07:34You haven't been nervous.

01:07:36It's been a long time.

01:07:37You haven't been nervous.

01:07:37I'm so happy.

01:07:37I had to go in and see her.

01:07:38I'm so happy.

01:07:39I'm so happy.

01:07:40I've been very happy.

01:07:44I'm so happy.

01:07:46I'm so happy.

01:07:49I'm so happy.

01:08:10What's your name?

01:08:12Mrs. Gibson.

01:08:15Mrs. Seymour McGibson.

01:08:20Where do you live?

01:08:22Ten hundred and sixty three fifth avenue.

01:08:25Open up, open up, give it one.

01:08:33Hello. Hello.

01:08:34Get me a circle, one six three three.

01:08:37Why, you. Why.

01:08:39Who. Who THEhu.ī

01:08:40Can't you see I'm phoning. Hello.

01:08:46Hello. Mack? Say Mack,

01:08:47this is Joe. Say I've

01:08:49got a great story.

01:08:56Oh, good. I, uh, I'll see them in my den.

01:09:02Ah, good evening, gentlemen. Glad to see you.

01:09:05Come right in. I didn't imagine that my little party would assume such proportions.

01:09:09I think he did want some photographs of my camera.

01:09:15Well, here, boys. I want you to have a cigar.

01:09:17Oh, thanks. Help yourself.

01:09:22Thank you. Do you mind posing for a picture for us, Mr. Hibbson?

01:09:25No, certainly not. Well, that's fine. Am I holding this flag?

01:09:29Truly. Well, just a little higher, please.

01:09:35Fine. All right.

01:09:38Hold it. Well, wait a minute now. I, uh, I think that this would be more appropriate.

01:09:44Yeah, absolutely.

01:09:47Hold it. A smile.

01:09:51Now, have you any photographs of Mrs. Hibbson you could let us have?

01:09:53Well, that's very simple. We'll just call for this.

01:09:56I'm afraid. That would be a little difficult.

01:09:59To tell you the truth, Mrs. Hibbson is in a little trouble.

01:10:03A couple?

01:10:05It couldn't have been more than ten seconds after the shop that I entered the room.

01:10:08You're sure of that?

01:10:09Yes, sir. All right. Thank you. That's all.

01:10:21Mrs. Hibbson, this is obviously a case of suicide. You are free to go until we need you.

01:10:26Thanks, Mrs. Hibbson.

01:10:27Let me see you for your car, ma'am.

01:10:30How long have you known, Mr. Hibbson?

01:10:31I don't see you.

01:10:32Where did you meet him first?

01:10:33Did you know when you're in the family?

01:10:35Oh, thank you.

01:10:35Thank you, boy. Thank you.

01:10:41How'd you like to take a shot at me sometimes, Hibbson?

01:11:02Can I get that thing?

01:11:05Hang on, Mr. Hibbson, these way.

01:11:07It's all right for us all.

01:11:07Good news.

01:11:10Thanks.

01:11:17Good morning, thank you.

01:11:18Look for you, Mother.

01:11:19Thank you, Mother.

01:11:20Good morning, Mother.

01:11:21Good morning, Mother.

01:11:22Good morning.

01:11:23Good night.

01:11:24Good night.

01:11:25Good night.

01:11:27Happy birthday.

01:11:39Good night.

01:11:41It's an excellent job!

01:11:52Shut the door.

01:12:01Madam.

01:12:04Mr. Gibson is waiting for you in the library.

01:12:34I'll leave you.

01:12:34I'm leaving, Mortimer.

01:12:36That may not be necessary.

01:12:38Yes, it is.

01:12:39It's the most necessary thing I've ever had to do.

01:12:43Your going will not be necessary.

01:12:49You're very generous, Mortimer.

01:12:52But I'm going.

01:12:54Peggy, listen to me.

01:12:55I know you better than you know yourself.

01:12:58For one thing, this is your life.

01:13:01You can't leave.

01:13:03For you, you need comfort and luxury.

01:13:06You need money.

01:13:07I need something more than that, Mortimer.

01:13:09I found that out tonight.

01:13:12I need love.

01:13:13Love?

01:13:16As though love were the most important thing.

01:13:19As though love were a matter of life or death.

01:13:21That's just it.

01:13:23That's what I found out tonight.

01:13:25Love can be a matter of life and death.

01:13:29I saw a man kill himself tonight because of love.

01:13:34I saw him become himself again.

01:13:37I want to be myself again.

01:13:39I want to leave this place.

01:13:41I want to leave everything that I thought I couldn't leave.

01:13:44I want to go.

01:13:46But you can't.

01:13:48But I must move.

01:13:51Goodbye.

01:13:52Bye.

01:14:02Bye.

01:14:04Bye.

01:14:36Let's go.

01:14:50Well, Mrs. Lockridge, where do we eat?

01:14:53I don't know, Mrs. Lockridge.

01:14:56Let's get home early.

01:14:58All right, dear.

01:15:00Do you love me?

01:15:02You know, I've got a great idea for a finale today.

01:15:05Instead of bringing the trombones into that front,

01:15:09I'm going to hold them until later and build it up with a string.

01:15:17Then I think I'll repeat the original there.

01:15:20Just once, maybe with the strings.

01:15:23I don't know.

01:15:25Perhaps it'll be better if I pack them up with the drums.

01:15:39I didn't say anything.

01:15:42I didn't say anything.

01:15:43Thank you, sir.

01:15:44Ha ha ha!

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