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00:04:42Hmm. That's very interesting. Hawkins.
00:04:48Yes, sir?
00:04:50Hawkins, you could go over our wardrobe. We may be going to Nice.
00:04:55Nice, sir? Very good, sir.
00:05:18Hawkins.
00:05:21Hawkins.
00:05:22May.
00:05:22Hawkins.
00:05:22Hawkins.
00:05:23Hawkins.
00:05:47Oh, no, mademoiselle, I was doing this to his man, Joaquin.
00:05:54To it.
00:05:58That will do, Mary.
00:05:59Do it, no thanks.
00:06:22That note was a mistake.
00:06:33We will go to Nice.
00:06:39I understand, sir.
00:06:41Well, business before...
00:06:44Very good, sir.
00:06:58Hello?
00:07:01Yes.
00:07:05No, no, I can't.
00:07:08Oh, I hoped you'd forgotten I was alive.
00:07:13Yes, I suppose so.
00:07:17Yes, but...
00:07:18I know...
00:07:21All right.
00:07:22I'll be there directly.
00:07:30You will note the minute gradation from the largest burl down to the smallest.
00:07:35Each is microscopic in its exactness, Mr. Marathon.
00:07:38Nothing.
00:07:39Yes.
00:07:41Yes, the colouring is superb.
00:07:43Come on, sir.
00:07:55Peace, sir.
00:07:55The Mademoiselle Strab害.
00:07:56He's waiting for you, sir.
00:07:58Admit her.
00:07:58All right, sir.
00:08:00Well, this will do nicely.
00:08:04I'm glad you're pleased.
00:08:10You are proud. I'm glad to see you again.
00:08:14Well, I'm not glad to see you. I've begun to hope you'd forgotten me.
00:08:19Oh, you must not expect the impossible, even of me.
00:08:23What do you want of me this time? I have a new assignment for you.
00:08:27Quite the most interesting of the many you have handled so successfully for the organization.
00:08:33But I'm not the least bit interested.
00:08:36You will be. Indeed.
00:08:44Oh, it's beautiful.
00:08:46It is an imitation.
00:08:50And the original?
00:08:53It is at needs.
00:08:55At needs?
00:08:57It is owned by a wealthy American family, Sylvester Corbett.
00:09:03And you wish me to substitute this imitation and remove the genuine necklace?
00:09:10Splendid.
00:09:11Can you blame me for calling upon you for assistance?
00:09:15I told you the last time that I was through.
00:09:19Haven't I done enough for you?
00:09:21Why can't you let me alone?
00:09:23Well, because this particular assignment cost for a clever, attractive woman.
00:09:28And you are a clever, attractive woman.
00:09:31I think you would appear to be clever.
00:09:34They are pleasant American, nouveau rich, attempting to climb socially.
00:09:39And, uh, besides, they already heard of you.
00:09:44They've heard of me?
00:09:45Yes, through their daughter's singing teacher.
00:09:50I am sure they are most anxious to meet the Countess Stavrin.
00:09:55Countess Stavrin?
00:09:57Oh, you are the widow of an Austrian count.
00:10:01The poor fellow died several years ago of the mumps.
00:10:07So now I'm a widow, am I?
00:10:09Have I any children?
00:10:11None.
00:10:12What a pity.
00:10:14You live for least tonight.
00:10:16But I, but I don't know the language.
00:10:19I can't speak German.
00:10:20I could never pass to an Austrian countess.
00:10:22You are an American widow.
00:10:24Fortunately, the late Count spoke English.
00:10:27We have arranged everything.
00:10:30One of our latest cards will be at your disposal.
00:10:33May I present the chauffeur?
00:10:40Yes.
00:10:41Excellent, Carla.
00:10:42There is the Countess Stavrin.
00:10:45You missed it.
00:10:46See to it as you please, sir.
00:10:48Madam?
00:10:52And now, I suggest that you have lunch with number eight
00:10:56and discuss the necessary details.
00:10:59But I, but I can't.
00:11:01Oh, and now what?
00:11:03Listen, Mellotrop, and try to understand.
00:11:07I've been working with you now for two years.
00:11:10I've worked hard.
00:11:11I've done everything you wanted me to.
00:11:13I've never failed you.
00:11:14Oh, I'm not blaming you.
00:11:17I knew what I was doing.
00:11:18I'd probably still have been your secretary of thirty-five dollars a week
00:11:21if I hadn't gone in with you.
00:11:22No, no, no.
00:11:23Oh, thirty dollars.
00:11:25Well, I'm through now.
00:11:26For good.
00:11:28I want to be free.
00:11:30Not always cut off from everybody.
00:11:33Guarding every word I say.
00:11:35Wondering if everyone I meet suspects.
00:11:37Constantly changing servants so that they want suspects.
00:11:41Don't you see?
00:11:42I want to live the kind of life that other people live.
00:11:45There are things I want that...
00:11:47Well, things that every woman wants.
00:11:50All of which means that you are in love.
00:11:54Suppose I wanted to fall in love.
00:11:57Haven't I the right?
00:11:58Must I always be part of a machine?
00:12:01Exactly.
00:12:02Part of my machine.
00:12:05In this particular instance the machine fails unless you function.
00:12:10Therefore I shall see that you do.
00:12:13To me you are number fourteen.
00:12:17And number fourteen leaves for me tonight.
00:12:23I won't.
00:12:44This is the plane of the Colbert Hall.
00:12:48Please, look it over.
00:12:54You will accuse me.
00:13:01Number nineteen has nothing to say to me.
00:13:04Proceed as instructed.
00:13:08One moment.
00:13:13I see him.
00:13:15Bring him in.
00:13:21Maricott, I can't speak to you.
00:13:23Maricott, listen to me please.
00:13:24It wasn't my fault.
00:13:26The police got them.
00:13:27I couldn't help it.
00:13:27I'll never make it out of a mistake.
00:13:29I swear to you.
00:13:30You disobeyed orders.
00:13:32And two others met dead.
00:13:34You know the penalty of disobeying orders.
00:13:36Oh no, no.
00:13:37No.
00:13:38You, you wouldn't.
00:13:39You wouldn't do that.
00:13:40It's murder.
00:13:40You know it's murder.
00:13:42Carry out your orders.
00:13:44Maricott, Maricott.
00:13:45Give me another chance.
00:13:46Please.
00:13:46You wouldn't do this.
00:13:48Maricott.
00:13:49Maricott, you wouldn't take my life.
00:13:50I know you wouldn't.
00:13:52You wouldn't take my life.
00:13:53Maricott, I don't want you to take my life.
00:14:01One thing, Melody, isn't it?
00:14:05Whenever you feel, think of me.
00:14:09Think of me.
00:14:23If I do this...
00:14:25Will it be the last thing you'll ever ask of me?
00:14:29That is agreed.
00:14:32If you are successful...
00:15:09How much further is this one, Miss Villa?
00:15:13There it is, just beyond the next hill.
00:15:24Why don't you go through this thing?
00:15:26You're constantly talking, talking.
00:15:28What did I explain now I feel about?
00:15:30I told you to continue what my feelings were.
00:15:33I'm trying to be a reasonable listener.
00:15:35All I'm saying is this.
00:15:37I don't care what anybody does as long as they do it well.
00:15:42But when you fail, when you list, then you even admit it.
00:15:46Professor, I won't admit that I failed.
00:15:48Now look at me, Professor.
00:15:50When I started to make overalls,
00:15:52I made the best overalls in the whole United States.
00:15:55And I sold them.
00:15:57Sold them with a million.
00:15:59I am a success.
00:16:00Nobody's saying that you're not a success.
00:16:02And when you say to me, Sylvester,
00:16:04let's go to Europe and meet a lot of accounts and friendships and things.
00:16:08What did I say?
00:16:10You don't have to tell me what I said.
00:16:12I know what I said.
00:16:14I said, okay.
00:16:15Yes, you did.
00:16:16Now then, we've been here six months,
00:16:19spent $60,000, and what happened?
00:16:21The most expensive villa on the whole Riviera.
00:16:26And all three of us completely ignored by everybody that is anybody in the whole darn place.
00:16:33Look at these things.
00:16:35I don't have to even read them to tell you what's in them.
00:16:38The Count and Countess so-and-so regret their inability to accept the kind invitation of Mrs. H. Sylvester Corbin.
00:16:49Why, you've set enough of those invitations to paper the walls of our home in Youngstown.
00:16:56Nobody's ever accepted.
00:16:57I tell you, we're not a type.
00:16:59I know, darling, but if you'll only let me-
00:17:02What do I get out of it?
00:17:03I can-
00:17:04You can at least slide around and your honor won't be in and look at the people that won't look
00:17:09at you.
00:17:10And all I can do is go to some golf club where nobody wants to talk to me except a
00:17:15lot of caddies,
00:17:16and all they talk is French, and I don't speak French.
00:17:20Will you stop that noise?
00:17:24Sylvester!
00:17:26I know the most unreasonable man I've ever known.
00:17:29Here we are spending good money for Enid's singing lessons, and you won't even let our vocalize.
00:17:35Now, aren't you ashamed of yourself?
00:17:41Well, gosh, I'm sorry, I apologize, but this whole setup is getting on my nerves.
00:17:51Oh, gee, if I could just go to the Harmon house for lunch and chat and chin with a bunch
00:17:56of the boys.
00:17:57You know, I've never been so bored in my whole life.
00:18:00We never go to see anybody, and nobody ever comes to see us.
00:18:07Somebody's coming now, Daddy.
00:18:09Probably the man come to read the gas meter.
00:18:13Well, anyhow, I'm sorry for what I said, and I won't say it any more.
00:18:17And if this is your idea of a good time, go to it.
00:18:26Now, Sylvia, you're sweet.
00:18:29After all, you know, darling, Rome wasn't built in a day.
00:18:33And if we haven't met the right people, at least we've succeeded in avoiding the wrong ones.
00:18:40Your mother's right.
00:18:42I'll go with her.
00:18:53Sylvia.
00:18:54Well, I'll be a...
00:18:56No, Constance, then.
00:18:58Well, I know who she is.
00:18:59You do?
00:19:00Of course.
00:19:01My baby told me all about her.
00:19:02My mother.
00:19:04She's one of the most important people on the whole Riviera.
00:19:07Well, for the love of Pete.
00:19:10Well, let's grab her before she gets away.
00:19:12I'll go with me.
00:19:12Now, Sylvester, a little more of Paul, if you please.
00:19:17Please, I'll go with her.
00:19:23Ask the Countess to come in.
00:19:37I hope I'm not disturbing you, Mrs. Corbett.
00:19:41Mrs. H. Sylvester Corbett.
00:19:43This is my husband, Mr. H. Sylvester Corbett.
00:19:47How do you do?
00:19:48And this is my daughter, Ian.
00:19:50How do you do?
00:19:51My chauffeur stupidly drove the car too close to the edge of the road
00:19:54in front of your villa,
00:19:56and one of the rear wheels slipped into the ditch.
00:19:58Oh, how unfortunate.
00:19:59I was wondering if your chauffeur could help get the car out.
00:20:03Why, I'll have him get our car and pull you right out.
00:20:06That's very nice.
00:20:07Oh, no trouble at all, Countess, no trouble at all.
00:20:10I'll lend a hand myself.
00:20:12You know, these French chauffeurs are allowed to try to talk the cow out of the ditch.
00:20:19Won't you sit down, Countess?
00:20:30You have a very nice place here, Mrs. Corbett.
00:20:33Yes, isn't it so?
00:20:34Last season, the Marquis de Villeneuve lived in it.
00:20:37It's a little large for us, but after all, it's home.
00:20:43Is it your first visit, Miss?
00:20:45Well, yes.
00:20:47Did you ever see some of these tourists?
00:20:49Why, it just seems as though everybody was here this season.
00:20:53It's not at all exclusive.
00:20:55Yes, me dear, Crowley.
00:20:57I'm sure you'll have a cup of tea with us while you're waiting, won't you, Countess?
00:21:00Will you pour the air?
00:21:02Yes, Mother.
00:21:03Cream or lemon?
00:21:04Neither thing.
00:21:05And just one sugar.
00:21:07Charming girl, your daughter.
00:21:08I'm so glad you think so, Countess.
00:21:12You know, Mr. Corbett wanted a boy.
00:21:14But personally, I was delighted when Enid came.
00:21:20Oh, Countess, your ring.
00:21:25Oh, what a perfectly gorgeous room.
00:21:29It belongs to my late husband and great-grandmother.
00:21:31I shouldn't like to lose it.
00:21:32Oh.
00:21:34Are you fond of jewelry, Mr. Corbett?
00:21:36Well, either she's fond of jewelry or I'm out $500,000.
00:21:42$500,000?
00:21:44Why, you must be the Sylvester Corbett who bought the famous necklace that belonged to the Maharaja of...
00:21:50Campu.
00:21:51How wonderful it must be to own such a famous and valuable necklace.
00:21:55I've heard so much about it.
00:21:57Yes, you know, it contains the Kimberra ruby.
00:22:00The Kimberra ruby.
00:22:03You know, rubies are my favorite songs.
00:22:05I'd love to show it to you sometime.
00:22:08Oh, I would like to see it.
00:22:09Oh, I'll go get it now.
00:22:11It's so seldom that one meets anyone who really appreciates you.
00:22:15I'll be right back.
00:22:17Madame, the police.
00:22:20The police?
00:22:22Yes, madame.
00:22:24About the dog.
00:22:25Oh.
00:22:27Oh, my dear, will you excuse me for a moment, please?
00:22:30You see, our pet Pekingese has been lost or stolen or something, and we've asked the police to help us
00:22:36find him.
00:22:37He's very valuable, and he's really just like one of the family.
00:22:42I'll be right back.
00:22:43Oh, Amy, come with me here.
00:22:46These Frenchmen speak such terrible English.
00:22:49What's the matter?
00:22:50Well, I do hope we get that mutt back.
00:22:53You know, he is the one guy that I've met since we've been over here that hasn't tried to pull
00:22:58a wrist on me.
00:22:59Do you find the Europeans high hats, Mr. Colbert?
00:23:02High hats?
00:23:05Hey, Thomas.
00:23:07You speak dine good American.
00:23:09Oh, that's an easy one to answer.
00:23:11I was born in Chicago.
00:23:13Chicago?
00:23:14Mm-hmm.
00:23:14Well, I'll be up.
00:23:18Say T-bone steak.
00:23:20T-bone steak and hash brown?
00:23:22Gosh.
00:23:24I never thought I was ever going to hear that again.
00:23:27You know, for months now, I've been eating French words, and every darn one of them turned out to be
00:23:32cauliflower.
00:23:36Oh, no, no, my dog.
00:23:38It is a bit like those dogs.
00:23:40My dog's got a pet nose like this one.
00:23:42Only his head is yours.
00:23:44And his color is something like this.
00:23:46Only he's brown.
00:23:49And, uh, well, he's got a tail like this one.
00:23:52Only his curve's more.
00:23:54I see.
00:23:55He has a head like this one, but this one.
00:24:00And a collar like this one, but this one.
00:24:03That's right.
00:24:04And a tail like this one, but this one.
00:24:09It is very simple, madame.
00:24:12We will find your dog.
00:24:24You got him?
00:24:25Yes, sir.
00:24:26Come here, sir.
00:24:27I crawled on the hedges for four hours trying to catch that animal, sir.
00:24:32I feel like a hedgehog.
00:24:34If Mary could only see you now.
00:24:37You look like Ophelia.
00:24:41Well, I understand they paid $1,000 for you.
00:24:45And see that, Hawkins.
00:24:47That worked out about, um, $100 an inch.
00:24:50Yes, sir.
00:24:51Any further orders, sir?
00:24:53Yes.
00:24:55Take a bow.
00:24:59If you looked at him right quick, Steve,
00:25:01and he said, well,
00:25:02the sleep is no place for children to be playing yet anyhow.
00:25:08Oh, it's so hard to make those police understand anything.
00:25:15Now, let me see.
00:25:16What are we talking about?
00:25:17Oh, yes.
00:25:18I'm going to show you my neck.
00:25:19Well, I don't want to trouble you.
00:25:21Oh, it's no trouble at all, Countess.
00:25:23It'll be a great pleasure.
00:25:25I'll go and get it right away.
00:25:28Yeah, of course, I'm no connoisseur on jewelry, Countess.
00:25:31But, um, I think that was the wheel.
00:25:35Yes, yes.
00:25:36No.
00:25:36Pardon me, Countess.
00:25:41Is it me all right, Countess?
00:25:44It's that Paris, the private Englishman,
00:25:46who'll take a look at her next door.
00:25:49Oh, Harriet.
00:25:51A little more toys.
00:25:53A little more toys.
00:25:57Oh, tea, tea, my darling.
00:26:02Oh, how can I ever thank you?
00:26:05Not at all.
00:26:06I found him wandering in my rose garden.
00:26:08I thought one neighborly visit should be repaid by another,
00:26:11so, uh, I brought him in person.
00:26:13Well, I'm sure we're awfully much obliged.
00:26:16Not at all.
00:26:17Oh, please don't go.
00:26:18Won't you come in and have a cup of tea with us?
00:26:21Oh, I, uh, I've already had my tea.
00:26:22Well, I'd like you to meet my family.
00:26:25Why, yes, of course.
00:26:26I'll be counting.
00:26:29I'd like you to meet my daughter, Enid.
00:26:32Yes?
00:26:32Oh, and I beg your pardon.
00:26:34This is the Countess Patterson,
00:26:37the Honorable Courtney Parsons.
00:26:41Madam.
00:26:43How do you do?
00:26:45And this is my daughter, Enid.
00:26:47How do you do?
00:26:49Are you sure you won't have some tea with us, Mr. Parsons?
00:26:51Oh, no, thank you.
00:26:52Really, I have had my tea.
00:26:54Well, then sit down, won't you?
00:26:56Oh, thank you.
00:26:56Enid, darling, do take Hitchi and put her in her bath.
00:27:00This is a particularly happy moment.
00:27:02Well, Mr. Parsons,
00:27:05I am Mr. Corbett.
00:27:07Mr. Corbett.
00:27:08Very glad to know you.
00:27:09I'm very glad to know you, sir.
00:27:11You're sure you won't have some tea?
00:27:14Oh, no, no, no, thank you.
00:27:16I've already had my tea.
00:27:17Well, have a cigar.
00:27:18Not in the afternoon, sir.
00:27:19Well, smoke it after your dinner.
00:27:22Sit down.
00:27:23Make yourself at home.
00:27:24Phil Vexter, do you hear?
00:27:26Pardon me, sir.
00:27:28Yes.
00:27:31Are you spending all the season in Nice?
00:27:35Depends upon my securing a villa.
00:27:37There are very few satisfactory ones available.
00:27:40But I know definitely in a day or two.
00:27:42Yes.
00:27:42I was fortunate enough to secure the one immediately adjoined in.
00:27:47When did you arrive, Mr. Corbett?
00:27:49Oh, quite recently.
00:27:51After a very disappointing time in Paris.
00:27:55How unfortunate.
00:27:56Pardon me, madame.
00:27:57Your car is ready.
00:28:01If you don't mind, I think I'll run along now.
00:28:04Oh, must you go?
00:28:05Oh, you've been so very kind.
00:28:07But when I found my villa, would you give me the pleasure of dining with me?
00:28:10Oh, countess, that's just lovely of you.
00:28:14And we'd like to have you come and dine with us.
00:28:16Two minutes, thank you.
00:28:17Yes, would you, countess?
00:28:19I'd like to.
00:28:20Tomorrow night?
00:28:21Thank you, yes.
00:28:23Oh, and Mr. Parks, can't you come too?
00:28:26Oh, thank you.
00:28:27Yes, I'd be delighted.
00:28:29Goodbye, Mr. Corbett.
00:28:30Goodbye, countess.
00:28:32Goodbye, countess.
00:28:33Goodbye.
00:28:36Oh, madame, I have to go now, too.
00:28:39May I escort you to your car?
00:28:42I'll say good afternoon, then.
00:28:44Oh, good afternoon, Mr. Parks, and thanks again so much for bringing home my dog.
00:28:48Oh, thank you for losing him.
00:28:49He was a very perfect letter of introduction.
00:28:53Well, thank you.
00:29:04Well, that's what I call a couple of regular people.
00:29:08We're going to have a lot of fun from now on with us.
00:29:12There are all those sandwiches gone.
00:29:16Let me see.
00:29:16Tomorrow's Tuesday.
00:29:18Tuesday, uh, Japanica.
00:29:20And Wednesday?
00:29:21Roses.
00:29:22Yes.
00:29:23And Thursday?
00:29:24The, uh, gardenias.
00:29:26And, uh...
00:29:27All right, Carlo.
00:29:28Oh, but that's a minute.
00:29:29Friday.
00:29:30More kids.
00:29:31All right.
00:29:44Oh, now we must have a tender dinner for tomorrow evening.
00:29:48N'importe where, madame.
00:29:50The best French food you can find, and no cauliflower.
00:29:56Yes, I guess that's all right.
00:29:59Yes, we'll have some of that.
00:30:01Poulet.
00:30:02Poulet.
00:30:03Poulet.
00:30:03Poulet, that's chicken, sir.
00:30:04Oh.
00:30:05Oh, of course it'll have to have to be chicken.
00:30:08How about a T-bone steak, sir?
00:30:10Phil, then, sir.
00:30:11Why, you can't serve a counter to T-bone steak.
00:30:15You don't know this counter like I do.
00:30:18It's not a T-bone steak.
00:30:19Proceed.
00:30:20Poulet, sir?
00:30:21Poulet, sir?
00:30:21Nixon, that's your floor.
00:30:22That's cauliflower.
00:30:24I know that one.
00:30:25Poulet, sir?
00:30:27Poulet, sir?
00:30:27Poulet, sir?
00:30:28Yes.
00:30:28Poulet, sir?
00:30:29Oh!
00:30:30Potato, sir?
00:30:30Sure.
00:30:31Do we got a captain of the Arctic?
00:30:34Poulet, sir?
00:30:37CHANS
00:30:37Poulet, sir?
00:30:39Poulet, sir?
00:30:39Poulet, sir?
00:30:40No, no, no.
00:30:40Well, then what do use of reading it?
00:30:43Just let it happen.
00:30:44About the wine.
00:30:45Poulet, sir?
00:30:46The wine, but I'll mix the cocktails.
00:30:51You know family, I don't think there's any doubt about that being genuine, but I got a lot more confidence
00:30:58when I make it myself
00:31:02You know it play available we put the edge on these things thank you, right?
00:31:13Beautiful here at least with the car so much semi-truck
00:31:18Yes, I don't think that no, I think European they're just one there's no sort of different
00:31:26No
00:31:29You know I think it's because it's an older civilization people using they have so much more time for everything
00:31:35well
00:31:37practically everything
00:32:14Greetings madame
00:32:15Good evening
00:32:16Good evening
00:32:18You look perfectly charming. Thank you. You're just in time
00:32:23Good evening
00:32:25Good evening
00:32:25Good evening
00:32:26Mrs. Corbin will be right down
00:32:28That's quite alright
00:32:29I'm standing
00:32:30I want you to know Sandy Wayne
00:32:33How do you do Mr. Wayne?
00:32:35Pleased to meet you, Countess
00:32:36Sandy's from Youngstown, too
00:32:38He just arrived today on special business
00:32:42Oh
00:32:42Well, these are almost ready
00:32:44Right
00:32:45Right
00:32:53Hey
00:32:54What was the idea of all that talk?
00:32:56That Honorable Courtney Park
00:32:58Don't be silly
00:32:59I was just being hospitable to him
00:33:01Hospitable?
00:33:02Huh
00:33:02You were gaga
00:33:03Don't talk nonsense
00:33:06Well, you look to me like you were going to ask him for an autographed picture any minute
00:33:16Oh, I... I haven't thanked you for them, have I?
00:33:19You always remember them perfectly, I have no need of challenge
00:33:22I've thrown mine all away
00:33:24I live only by flowers
00:33:26Only by flowers?
00:33:28What a strange diet
00:33:30Well, it's done me an awful lot of good
00:33:33In a very short time
00:33:46Yes
00:33:46Will you excuse me just a moment?
00:33:48Please
00:33:58Oh, don't stop
00:33:59It's such a pretty melody
00:34:02What is it?
00:34:03Well, it's something about, uh, you belong to me
00:34:05Where did you get it?
00:34:07My singing teacher left it today
00:34:16Nice looking young couple, Courtney
00:34:18They said they are
00:34:19You know, uh, Sandy came all the way over just as he did to marry him
00:34:24Well, he'll be a very lucky fella
00:34:25Well, he's got the stuff in him
00:34:27And, uh, I'll show him how to make money
00:34:31Yes
00:34:32I'm sure you will
00:34:40Oh, I'm so sorry I'm late
00:34:42Welcome to our home country
00:34:44Good evening, Mrs. Corbett
00:34:45Well, I'm so happy to have you here, too, Mr. Parr
00:34:48Mrs. Collins?
00:34:48Oh, it's beautiful
00:34:50The Maharaja must have hated to part with it
00:34:53Well, he did until I had the Czech certified
00:34:55And then he tried to sell me his powers
00:34:58Oh!
00:35:00They certainly are perfectly matched
00:35:02And such exquisite colouring
00:35:04Yes
00:35:04I understand that it took years to match these pearls
00:35:09Imagine waiting all that time for them to blow up
00:35:12Well, I'd like to propose a toast to the oyster
00:35:16To the oyster who cries
00:35:18And thus provide the world with pearls
00:35:21Oh, man's nice
00:35:22Uh, just a minute
00:35:24To the lady who said the oyster
00:35:26As he started him to cry
00:35:28Every crystal tear I'm dropping
00:35:31Will cost plenty by and by
00:35:34Very good
00:35:34That's an empty bar drop
00:35:38Not bad, are they?
00:35:40Very good, I'm going to get the recipe
00:35:41I'd like to do it too
00:35:42What a thrill it must be just to wear them
00:35:45Do let me try them on just for a moment
00:35:48Why, certainly, Countess
00:35:49It would make me very happy to have you tie them on
00:35:51Thank you
00:35:52Oh, thank you
00:35:52Your dark beauty should set them all perfectly
00:35:58This craft is rather difficult
00:36:00It's new, you know
00:36:02I, uh
00:36:04I wonder if I could, uh, help you
00:36:05Oh, please
00:36:11Sir
00:36:11Thank you, thank you, come on
00:36:14Now, Countess, if you would just turn round
00:36:18Wonderful
00:36:18What a kick these women get out of jewellery, isn't it
00:36:21This
00:36:21Yes
00:36:22Oh, that's charming
00:36:24Charming
00:36:24I knew it
00:36:25Oh, I must see how I look
00:36:26It looks better on the Countess than it does on me
00:36:30Isn't there a long mirror in the hall?
00:36:31Yes, there is
00:36:32Rosie, go out
00:36:42You're almost like a mahalaya.
00:36:45My erroret着
00:36:47Oh
00:36:48Anmoha
00:36:48Anmah
00:36:49Anmoha
00:36:50Anmoha
00:36:51Anmoha
00:36:52Anmoha
00:36:52Anmoha
00:36:53Anmoha
00:36:53Anmoha
00:36:54Anmoha
00:36:55Anmoha
00:36:55Anmoha
00:37:12Can I be of any assistance?
00:37:16Why, thank you.
00:37:18The clats got caught in my hair.
00:37:21Oh, that's too bad.
00:37:24It's a dreadful commotion on the lawn.
00:37:27It's not quite suddenly, too.
00:37:29Yes, I wonder what it was.
00:37:31Oh, it's some poor fellow trying to get away from the police.
00:37:35Ah.
00:37:37They are lovely, aren't they?
00:37:39Yes, aren't they?
00:37:41Oh, permit me.
00:37:45There was somebody there, all right, but when they saw me coming, they got scared and beat us.
00:37:51Well, it's certainly queer.
00:37:53Well, if you ask me, I think you were trying to get our attention away from the house.
00:37:57I think there was somebody after the pearls, and I scared them off.
00:38:02Where is my left?
00:38:04Quite all right, Mrs. Corbett. Here they are.
00:38:06Oh, well.
00:38:09May I put it on for you?
00:38:11Thank you, if you will.
00:38:12Lovely.
00:38:13There we are.
00:38:16You're already served, madam.
00:38:18May I?
00:38:19Here we go.
00:38:20I wonder what the flowers were.
00:38:21Why, no.
00:38:23You know, I could get away from the people to sleep tonight, but next time.
00:38:32Everything is all right?
00:38:34Well, everything's perfect.
00:38:35I didn't get the signal until I saw it around the neck.
00:38:38But where is she?
00:38:39I don't know.
00:38:41Butler came out and told me to go home alone.
00:38:43Said she was riding back with one of the guests.
00:39:04I thought you were riding with my maid.
00:39:09That was why I pulled down the turkey.
00:39:10Well, say you're sorry, and I'll forgive you.
00:39:14Sorry.
00:39:15Forgiven.
00:39:21Would you like to go to the casino?
00:39:23No, the music sounds so much better here.
00:39:27And yet, you know, if you hadn't pulled down the blind, I might never have come to me.
00:39:35Well, we might still be separated by those 20 feet between your window and mine.
00:39:44Careful.
00:39:46Of what?
00:39:48The Riviera Moon.
00:39:50Why?
00:39:52Makes honest men lie.
00:39:56But I don't have to lie to you.
00:39:59That's what I've been trying to tell you.
00:40:02But anyway.
00:40:07Anyway, what?
00:40:09You said you wanted to stop here for a few moments to see the moonlight on the water.
00:40:15That was before I saw the moonlight on you.
00:40:21It's getting silly, and you have no coat.
00:40:24I think we'd better go now.
00:40:28I can stand the coat.
00:40:30If you can.
00:40:32I can't.
00:40:35Couldn't you better take me home now?
00:40:46I can't.
00:41:10Well, good night.
00:41:15You invited the Corbett's to lunch tomorrow.
00:41:19Yes.
00:41:20And you didn't invite me.
00:41:24No.
00:41:25No.
00:41:25I was only going to say that if you care to invite me, I should probably accept.
00:41:32Well, as a matter of fact, I need an extra man.
00:41:35If I might suggest, I am that man.
00:41:39That one of love.
00:41:41Au revoir.
00:41:42Au revoir.
00:41:44Au revoir.
00:41:46Au revoir.
00:42:11I am so happy.
00:42:32I am happy.
00:42:32I am happy.
00:42:37And then I am happy.
00:42:40Okay.
00:42:46Good evening.
00:42:49I came for the necklace.
00:42:52But I haven't got it.
00:42:54Why not?
00:42:56You had it on.
00:42:57The chauffeur saw you.
00:42:59It turned everything exactly.
00:43:01Yes, I know, but it had a very difficult clasp,
00:43:03and I was trying to unfasten it when one of the guests came to help me.
00:43:07Oh, and that guest was Mr. Park.
00:43:12I thought so.
00:43:14What do you mean?
00:43:17And you're supposed to be clever.
00:43:20Do you realize who he is?
00:43:22Why, I...
00:43:24Think a moment.
00:43:26When did you arrive in Nice?
00:43:29Three days ago.
00:43:30Well, he arrived here three days ago, too.
00:43:33Every time you have seen the Corvettes, he has been there, hasn't he?
00:43:37Yes.
00:43:38And three months ago, he was in Rome when two of our men were caught.
00:43:43Then he's a...
00:43:44Detective.
00:43:46Oh, I don't believe you.
00:43:50But you need not worry about Mr. Park.
00:43:54We will attend to him, should he trouble you again.
00:43:58You understand?
00:44:01Yes, I understand.
00:44:05Well, to the point, then.
00:44:07Our agreement calls for the delivery of the necklace to me.
00:44:11I shall want it no later than tomorrow night.
00:44:15What do you intend to do?
00:44:18Well, I don't know.
00:44:19I've invited the Corvettes for lunch tomorrow, just to keep up the contact.
00:44:23For lunch?
00:44:27Good.
00:44:48Is everything ready?
00:44:50Oui, Madame Lacombe.
00:44:50Thanks.
00:44:54How do you do?
00:44:55How do you do?
00:44:56Am I the first?
00:44:58Yes.
00:45:00Uh, did you get my rosie?
00:45:03Oh, yes, I got them.
00:45:05But you're not wearing them.
00:45:08No, I'm not wearing them.
00:45:10How do you do, Countess?
00:45:11How do you do?
00:45:12How do you do, Countess?
00:45:14How do you do?
00:45:14Oh, I can't.
00:45:15Shall we go in now?
00:45:16Oh, I hope we're not too long.
00:45:18Oh, right here.
00:45:31Well, sit on the left hand of the counter.
00:45:34Well, for you, Mr. Corbett.
00:45:36And, uh, who is sitting on the right hand of the counter?
00:45:42Mr. Sandy, you want to come and sit next to me.
00:45:45I want you to tell me about the football games last fall.
00:45:47Sir?
00:45:47And this is Corbett next to Sandy.
00:45:50And, Mr. Corbett, an evening.
00:45:59I do hope you'll like what I've ordered.
00:46:01Well, personally, I can eat anything except choux brews.
00:46:06Beware of choux brews or Sandy, my boy.
00:46:09That means follow-up now.
00:46:11So they slip it over on you, just for a chance to get.
00:46:14Yeah?
00:46:15He will have his little joke.
00:46:18And, of course, you know, the reason I just adore Englishmen is because they seem to have this perfectly marvelous
00:46:25manner.
00:46:26Yes?
00:46:26Oh, I don't mean to really kiss the hand, isn't it?
00:46:28But there's something.
00:46:30Oh, I don't know.
00:46:32There's something so, um, sincere about them.
00:46:36No, really.
00:46:37Do you think so?
00:46:38Yeah, you look a bit down, Connor.
00:46:41Worried about something?
00:46:42No, not at all.
00:46:43I'm just a little tired.
00:46:45I've been out all morning looking for a villa.
00:46:47Oh, I nearly forgot to tell you.
00:46:49I think I've found the most attractive place just a half mile from yours.
00:46:53Oh, how wonderful.
00:46:54Why, that'll make us practically neighbors.
00:46:56Yes, I'm so pleased.
00:46:58Well, at least I will be if I get it.
00:47:00They promised to let me know at noon.
00:47:02If I can't get it, I suppose I'll have to go on to Antique.
00:47:05Oh, I hear there's some lovely places available there.
00:47:07Oh, now, listen.
00:47:08You can't be running away just when we are beginning to know you.
00:47:12I assure you, the last thing I want to do is run away.
00:47:15We've known each other for such a short time.
00:47:18And it's all just so charming.
00:47:20And when Mrs. Corbin I...
00:47:22It does seem as though a man can have to meet a broad to really become friendly, doesn't it?
00:47:29Will you forgive me?
00:47:31Oh, I certainly come and just take a hit.
00:47:44That isn't the worst luck.
00:47:46Oh, any bad news, Countess?
00:47:48The worst possible.
00:47:49I can't get that filler.
00:47:51At least not for another fortnight.
00:47:53Now, what's rough and luck.
00:47:55Now, she'll have to go to Antique.
00:47:56Oh.
00:47:56I couldn't possibly live in a hotel for another two weeks.
00:47:59Oh, gosh.
00:48:01Now, this is a real disappointment.
00:48:03Well, it can't be helped.
00:48:15I don't know.
00:48:17I don't know.
00:48:19I don't know.
00:48:20I don't know.
00:48:21I don't know.
00:48:21But after all, you know, Americans in Europe and, uh, well, why don't you come and say
00:48:28that?
00:48:28Well, surely that's a great idea.
00:48:30Look, we have a whole wing up there we're not even using.
00:48:33Yes.
00:48:35Well, you're all so kind.
00:48:38You're so gracious.
00:48:39I, I, well, I don't know how I could accept.
00:48:41Now, you're not accepting a darn thing.
00:48:44Now, well, Mr. Park's here next door.
00:48:47Why, we'd have the greatest little group on the whole Riviera.
00:48:51What do you say?
00:48:52Come on, Countess.
00:48:53Give us a break.
00:48:54I want to be able to tell the gang back in Youngstown that I was a guest in the same
00:48:57house
00:48:57with the Countess.
00:48:59Well, you're all so very kind and so gracious, I, I can't see how I can possibly refuse.
00:49:04Oh, I would like to propose a toast.
00:49:07To the oyster?
00:49:08Now, now this time, now this time, to our charming new neighbor, madame.
00:49:17Well, Mother, I've often told you, if you haven't got them, don't sit them.
00:49:23Well, who taught you how to play bridge, I'd like to know.
00:49:28Well, Countess, I hope you'll find everything comfortable in your suite tonight.
00:49:31I've had the servants sitting there all afternoon, so I...
00:49:34Did you get a plenty of blankets, Mother?
00:49:35Now, Silveta, I know how to run my own house.
00:49:39I think I'll run up, though, and just see that everything is all right.
00:49:45Now, Countess, we want you to feel perfectly at home.
00:49:49If there's anything you want and you don't see it, ask for it.
00:49:52Thank you, Mr. Corbett.
00:49:54Good night.
00:49:54Good night, Countess.
00:49:59Mr. Corbett, would you do something for me?
00:50:02Why, the surest thing you know, Countess.
00:50:05I know it sounds silly, but ever since that disturbance on the lawn the other night,
00:50:09I've been worried about my jewels.
00:50:10Just let me put them in the safe for you.
00:50:13Will you?
00:50:13Why, gladly, Countess.
00:50:15Have you all over here?
00:50:17Oh, yes.
00:50:18All that are of value.
00:50:19Fine.
00:50:23You know, I'm not very familiar with the safe yet.
00:50:38There we are.
00:50:39You know, that's a left-handed combination.
00:50:44Now for the pretties.
00:50:46Ah, fine.
00:50:49There they are safe and sound right next to the Maha Raja's big safe.
00:50:54Well, they're in good company, anyway.
00:50:56Yes, indeed.
00:50:57Well, nothing more to worry about.
00:51:03Thank you so much, Mr. Corbett.
00:51:05Good night.
00:51:06I think I'll get the hay myself.
00:51:15I hope you enjoy the well-known beauty sleep, Countess.
00:51:19Not that you need it.
00:51:20Oh, Mr. Corbett.
00:51:44Well, it was all the sweet of you to take me to the casino.
00:51:47Even though I did have to invite myself.
00:51:50It was a distinct pleasure.
00:51:52I had a grand time.
00:51:54Thanks a lot.
00:51:56Not at all.
00:51:57Well, good night.
00:52:01Good night.
00:52:10I want to speak to you a minute first, Andy.
00:52:13I want you to answer me just one question.
00:52:15I did, I'm sure.
00:52:16Are you or are you not going to ask Gina to marry you?
00:52:20My dear boy.
00:52:21Come on, I've got a right to know.
00:52:22I'm engaged.
00:52:23I congratulate you.
00:52:24Well, at least I was until you showed up.
00:52:27Now I want to know what my intentions are.
00:52:30Yes.
00:52:31All right, listen to me, Sandy, and I'll tell you.
00:52:33I am not going to ask Miss Corbett to marry me
00:52:36because, in the first place, she's in love with you.
00:52:39Yes, but she's always with you.
00:52:41My dear boy, have you never heard of a woman
00:52:43making love to one man in order to make another jealous?
00:52:46Yes, but I...
00:52:48Besides, I happen to be in love with, uh, somebody else.
00:52:52You are?
00:52:54The Countess?
00:52:55Exactly.
00:52:55Now run along, Sandy, and stop worrying about nothing.
00:52:58Oh, just a minute.
00:53:00I've been an awful fool, Mr. Parks.
00:53:02I want to apologize.
00:53:04Oh, that's all right, Sandy.
00:53:05Forget it.
00:53:28Uh-huh.
00:53:30What's the matter?
00:53:31I know what you're doing down here.
00:53:35Why, I came down to get a book.
00:53:37Don't kid me.
00:53:40I know all about it.
00:53:44He's out there.
00:53:45He?
00:53:47Who?
00:53:47Come on, I'll show you.
00:53:49What are you talking about?
00:53:50Well, you see, the joke was on me
00:53:51because I thought that he was in love with him.
00:54:04We're looking for the joke.
00:54:05I don't want to know him.
00:54:06I don't know him.
00:54:09I think the joke was about to be here before the plot and round it in.
00:54:09Do you think around him when the blue is cutting it in?
00:54:09I can't think of him as if I can...
00:54:17I don't know, I want to be right there.
00:54:17I think I'm starting to call him, too.
00:54:22I don't know how to be oh this morning, just a either way.
00:54:22That kind of thing that you need to go.
00:54:28hello hello it is a pleasant surprise surprise nothing less all day long you seem to have been
00:54:35avoiding me as though i were uh shall we say the menace but i don't understand well last night it
00:54:42was a cold white moon but your heart seemed warm today there was a warm bright sun oh last night
00:54:51i
00:54:51was silly for just a moment i don't remember what i said as a matter of fact i don't think
00:54:56i said
00:54:56anything why should i have to answer to you you see can't you see that with just a little
00:55:06encouragement i shall probably tell you i love you yes and you're not going to give me that little
00:55:14encouragement i can't i can't but why what do we know of each other after all well you know i
00:55:23love you
00:55:26you do believe that don't you
00:55:33you want me to say it for you
00:55:37you know you love me don't you
00:56:03good night
00:56:03why lucy what's the matter with you
00:56:06a moment ago
00:56:07oh just a moment ago i was on the point of making a colossal fool of myself
00:56:13remember last night i told you
00:56:15the moon made honest men liars
00:56:19it apparently does the same thing to women
00:56:24that's all
00:56:28i'm sorry
00:56:29i thought you were taking it as seriously as i
00:56:34to think i nearly changed my plan
00:56:38for you
00:56:42good night
00:56:43good night
00:56:43good night
00:56:50good night
00:56:51good night
00:56:51good night
00:56:54good night
00:56:59good night
00:57:00good night
00:57:12THE END
00:57:43THE END
00:58:12THE END
00:58:39THE END
00:58:39THE END
00:58:42THE END
00:58:42THE END
00:58:47THE END
00:58:47THE END
00:58:54THE END
00:58:54THE END
00:59:02THE END
00:59:02THE END
00:59:02THE END
00:59:04THE END
00:59:04THE END
00:59:04THE END
00:59:05THE END
00:59:10THE END
00:59:10THE END
00:59:14THE END
00:59:16THE END
00:59:16THE END
00:59:16THE END
00:59:17THE END
00:59:20THE END
00:59:20THE END
00:59:20THE END
00:59:21THE END
00:59:25THE END
00:59:27THE END
00:59:58Do it.
01:00:19Congratulations.
01:00:24I'm sorry.
01:00:25Never mind the regrets.
01:00:28It's all right with me.
01:00:31You know what this reminds me of?
01:00:34Back home once, I was pinched by a traffic cop for speeding.
01:00:39He was dressed in plain clothes.
01:00:42He was on a motorcycle with a sidecar that had groceries painted on it.
01:00:47Good idea, wasn't it?
01:00:50Well, you used charm like that cop used a sidecar.
01:00:56You wouldn't fight in the open.
01:00:59You're afraid.
01:01:07Well, come on.
01:01:09What are you going to do with me?
01:01:11You've caught me.
01:01:14My dear, I'm very fretful, sorry, but I seem to have beaten you to it.
01:01:28Then, then you're not from Scotland Yard?
01:01:30Well, I've always kept as far away from Scotland Yard as I possibly could.
01:01:37You know, I almost wish you were a detective.
01:01:43At any rate, that would give me the right to take charge of you.
01:01:51I don't suppose I could expect you to understand, but, well, you were something that I was sort of looking
01:02:00forward to once I got rid of Nelotrof.
01:02:04This was till then my last job.
01:02:07I wanted to, well, I suppose they call it, go straight.
01:02:14Nelotrof promised me that if I pulled this off successfully, he'd let me go.
01:02:18And now?
01:02:19And you remember?
01:02:20I told you tonight, I nearly let you change my mind.
01:02:24Do you know what that meant?
01:02:27To quit?
01:02:29Exactly.
01:02:30And marry you.
01:02:31Oh, you see, I have a galloping imagination.
01:02:35Well, why don't we quit?
01:02:39Together?
01:02:41Together.
01:02:43That would be more thrilling than any adventure I've ever known.
01:02:54Well, here's to a new start.
01:02:58This goes back in the safe.
01:03:04Just a minute, dear.
01:03:09Don't you think we might as well let them have the real one?
01:03:25A gift to the Corbett family from the future Mrs. Courtney Park and fiancé.
01:03:53Hold up your hand.
01:03:55Melotrof.
01:03:55Melotrof.
01:03:55Stay where you are.
01:04:00Good evening.
01:04:02I seem to be just inside.
01:04:05I will trouble you for the necklace.
01:04:09Truly, neither of you had any intention of leaving here with it.
01:04:14We haven't got it.
01:04:17Unfortunately, if you don't give it to me immediately, I shall have to...
01:04:43Are you hurt?
01:04:44No, no.
01:04:44Are you all right?
01:04:45Yes.
01:04:45Now, come quickly.
01:04:48Stay where you are.
01:04:50Stand over there.
01:05:00Let's stop walking.
01:05:02Sit in front, Inspector.
01:05:08Consider yourself my prisoner.
01:05:27You say you were in the garden with Mr. Parks when you saw someone entering this room.
01:05:33Yes, Inspector.
01:05:35You were suspicious and came in just in time to prevent that man from rubbing the safe.
01:05:42Yes.
01:05:50How did you happen to be in the garden with Mr. Parks?
01:05:54Why, I...
01:05:55Was it a previously arranged meeting?
01:05:58Yes, yes, I...
01:06:00That will do.
01:06:07Mr. Parks, will you come here, please?
01:06:11Excuse me.
01:06:12Sure.
01:06:17Well, I'm getting a little sick of this.
01:06:18I wish I'd get it over with.
01:06:19Mr. Parks, if I haven't sick, why don't you do it?
01:06:22What happened in this?
01:06:24Sit here.
01:06:26Very well.
01:06:26Mr. Parks, you told me before, Monsieur, that you have taken Miss Corbett to the casino.
01:06:35That's right.
01:06:36And that, after saying goodnight to Miss Corbett, you have a chat with Mr. Wayman.
01:06:41Right again.
01:06:46Then, may I ask you why you did return home after speaking to Mr. Wayman?
01:06:50Oh, I was on my way home when the countess came into the garden.
01:06:55You are quite sure there was no previously arranged engagement with her by that?
01:07:00Well, quite positive.
01:07:01On the contrary, I was...
01:07:05I mean...
01:07:06Well, just a minute, I'm...
01:07:08Wait, if you'd only let me explain...
01:07:10Madam, you have both done already quite enough explaining.
01:07:14You told me you had an appointment to meet Mr. Parks in the garden.
01:07:17Yes, I did.
01:07:17Mr. Parks denied it.
01:07:19Mr. Corbett claims that you bet him goodnight in front of your bedroom door.
01:07:23Yes, I did.
01:07:24Then, may I ask why did you lead Mr. Corbett to believe you were retiring for the night,
01:07:29and then steal downstairs again?
01:07:33Well, I...
01:07:33I came downstairs to get a book.
01:07:35I wanted to read before I went to bed.
01:07:37To get a book?
01:07:39Yes.
01:07:39Did you get it?
01:07:41Why, no, I...
01:07:42Why didn't you get it?
01:07:43Well, when I got to the foot of the stairs, I met Mr. Wayman.
01:07:46Oh, you met Mr. Wayman.
01:07:48Yes.
01:07:48I see.
01:07:49No doubt Mr. Wayman's forbade you to get a book.
01:07:52Don't you think Mr. Wayman's the best one to settle that?
01:07:55Sandy!
01:07:56What?
01:07:57I hope you understand, Inspector, that the countess and I are just as anxious against the bottom of this as
01:08:01you are yourself.
01:08:03Sandy, the countess says that she met you coming downstairs and that you prevented her getting a book.
01:08:08Is that so?
01:08:08Oh, no, I didn't prevent her.
01:08:10No.
01:08:11Did you hear?
01:08:14No.
01:08:14Well, you see, I just come in from the garden.
01:08:16I was talking to Mr. Park.
01:08:18I was coming in to look for Enid.
01:08:20That's Ms. Corbin.
01:08:21And I did run into the countess in the hall and, as a matter of fact, she did say she'd
01:08:26come down for a book, but I knew better.
01:08:29But sure, she didn't fool me for a minute.
01:08:32I knew all the time what she'd really come down for.
01:08:34Oh, you did.
01:08:35You see, Mr. Park here, well, he's in love with the countess.
01:08:40And at lunch, she was being pretty snooty to him.
01:08:43So, I guess when she ran into me in the hall, she felt pretty embarrassed, and she didn't want me
01:08:47to know that she'd come down to look for him.
01:08:49But I know how love is, so.
01:08:51Well, I watched her right out into the garden.
01:08:54I hoped we could finish this without bringing in the personal affairs of Mr. Parks and myself, but you make
01:08:59it impossible for me to be silent any longer.
01:09:01The situation is simply this.
01:09:04I'm very much in love with Mr. Parks, and...
01:09:08Well, please, that sounds plausible.
01:09:13If I have mistaken love or guilt, all I can say is I'm...
01:09:17Goodbye.
01:09:30Monsieur, do you admit I've been shot by that man?
01:09:33All I know is that in the struggle, the revolver went off.
01:09:37Then we owe you a debt of thanks.
01:09:39You have read us of the worst criminal in Europe.
01:09:42That man was Malatron.
01:09:45Malatron, Malatron.
01:09:46Oh, yes, I didn't remember that name.
01:09:48He's a Nazi, sir.
01:09:49Well, let me tell you.
01:09:51He was what you call in America.
01:09:53A top baby.
01:09:57And now, I must say to myself,
01:10:01let me assure you that tomorrow's hearing will be a mere for madness.
01:10:06I am most unhappy if I call in America.
01:10:16Well, I fixed it.
01:10:18I fixed it.
01:10:19I fixed it.
01:10:21It's all okay.
01:10:22The inspector ended up by shaking hands and apologizing.
01:10:25Oh, Xanny, you're wonderful.
01:10:27Thank heaven.
01:10:28My never-to-unbalance in all my life.
01:10:31That poor dear cunt.
01:10:34Well, I hope they'll forgive us.
01:10:36I think we'd better go right in there now and apologize.
01:10:38Wait just a minute.
01:10:39I wouldn't go in there just now if I were you.
01:10:41Well, why not?
01:10:42Well, I'll tell you.
01:10:43I seem to have an idea that they're a little bit this way about each other.
01:10:50Oh, and there she is.
01:11:10Go ahead.
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