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00:30Three years later, I fell in love with Drake.
00:34Keeping my identity a secret for the sake of his pride.
00:37I thought we were happy until...
00:44Hi.
00:51Where the hell have you been?
00:53I told you that Stephanie was coming to help set up for my brother's birthday.
00:56And instead of helping us, he just disappeared.
00:58What, did you fail so you could go and laze around or something?
01:02You know, people say that the only reason you're allowed to stay by Drake's side
01:06is because you're nothing more than a free maid.
01:09Otherwise, why would someone like you be allowed to marry my brother?
01:14What? A maid?
01:15I just hid my identity for the sake of this marriage.
01:19Well, I think Drake's idea is great.
01:21And it could be really good for us.
01:25But the risk is way too high.
01:27Dad.
01:38Please.
01:40Okay.
01:42And I'm sure you don't want him to know the real reason why I'm a person.
01:46Think about it, Dorothy.
01:51So if you got married, have he ever even touched you?
01:54How often does he actually come home?
01:56He doesn't even want to look at you.
01:59Let alone sleep with you.
02:00That's enough, Ellie.
02:02We're all here to celebrate Drake's birthday.
02:05I'm sure he wouldn't be happy to see us like this.
02:07Everybody knows that if it weren't for her, you would be married to Drake instead of being
02:11my late brother's widow.
02:12Ellie!
02:13Whatever happened between me and Drake is all in the past.
02:17Besides, I'm carrying Nick's baby.
02:19It's the perfect time.
02:27Oh my God!
02:28Oh my God!
02:29So, Dorothy just pushed Stephanie into the pool!
02:31What?
02:31She's carrying Nick's baby!
02:44Quick, get in there!
02:58He chose Stephanie over me.
03:01My baby!
03:05My baby is gone!
03:07Why would you do this to me?
03:10How dare you!
03:12You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:16Are you happy now that Stephanie's baby's gone?
03:18I didn't do it!
03:19I know you don't want me here!
03:21I told you whatever happened between me and Drake is in the past.
03:24You can hate me however you want to, but how could you be so cruel as to kill my unborn child?
03:29I didn't do it!
03:30You know me, I would never do that to Stephanie!
03:34Apologize to Stephanie.
03:35I'm not going to apologize for something I didn't do!
03:38I will!
03:39Apologize to Stephanie right now or I will divorce you.
03:48Divorce?
03:48If you apologize right now, then I'm willing to give you another chance.
03:59It's been three years, Drake.
04:01I gave up everything to be your wife.
04:03I've always kept to the shadows, Dorothy.
04:06I already have a life.
04:07And right now I just want to focus on being on my marriage or Drake.
04:12I thought you would always be by my side, but I was wrong.
04:18The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:23Since you got married, has he ever even touched you?
04:26He doesn't even want to look at you.
04:30Fine!
04:33Let's get a divorce.
04:34There's nothing left in my heart.
04:44Drake's nothing without me.
04:47Ah!
04:48My ring!
04:50My ring is gone!
04:52Well, you must have taken it.
04:54Why would I take her ring?
04:55Well, look how quickly you packed your suitcase.
04:57You're probably seeing someone else.
04:59Dorothy.
05:00We were married for three years.
05:04Were you seeing someone else?
05:06Of course she was.
05:07She'd probably been cheating on you for a really long time.
05:09Couldn't wait for the divorce.
05:12So what if I was, huh?
05:14And what about you?
05:15Still hung up on your so-called sister-in-law?
05:18What gives you the right to talk about me?
05:20I only look after Stephanie because she's my brother's widow.
05:24Yeah.
05:25But you actually seeing someone else?
05:27Who is he?
05:27Big talk!
05:28Don't bring me down to your level.
05:31I'm not like you.
05:33Since your sister-in-law lost her ring,
05:36why don't you take...
05:42this one?
05:48You've been waiting for this for a long time, haven't you?
05:55Bye.
05:56Bye.
05:56Bye.
05:58And so I left.
06:07This is ridiculous!
06:09We, the Bennett family, are one of the four major production companies in the world.
06:13I let him marry my daughter and even invest it in his business.
06:18How dare that, Drake!
06:19Do this to my daughter!
06:22Look, it's actually good from Dad.
06:24Now we know who he really is and he has no idea who I am.
06:29Still, you're my daughter.
06:31I can't let him do this to you.
06:33If it weren't for you, I would not have considered investing in his company.
06:37We're going to pull our investment immediately.
06:39Yes.
06:39It's time to cut him off.
06:41He doesn't deserve you.
06:43I'm over, Drake.
06:44If we withdraw the plans now, it's going to hurt the family business.
06:50He's not worth it.
06:52Honey.
06:53Why didn't you just take a vacation?
06:57I would just put all this aside and take some time out for yourself.
07:01Yeah.
07:04No.
07:05I've wasted too much time with Drake over the three years.
07:12You know, now I want to focus on something that actually matters.
07:17You know, Christopher has been saying that many people want to buy the movie rights to Liar's Game.
07:23Universal, Paramount, every major studio wants this.
07:30Liar's Game.
07:31Your story on the big screen.
07:33If you're in, I'd be happy to be the one headlining it.
07:36Oh.
07:37So that's why they're making it.
07:38Because of you.
07:39I'm sorry, Christopher Santoro.
07:42See?
07:42They're not funding the film.
07:45They're funding you.
07:46Wrong.
07:47They're funding the story.
07:49It's more than good.
07:51It's phenomenal.
07:53Christopher is right.
07:55I'm taking my life back.
08:01I'm going to adapt it myself.
08:03You are?
08:05Yes.
08:06I will.
08:08Good for you.
08:10I won't tell anyone I'm asking you.
08:11Congratulations to Aria Wong for winning the best director.
08:30This is my close friend from college.
08:33Aria, I need your help.
08:34I want to adapt the Liar's Game myself and I want you to direct it.
08:40Of course.
08:42All right.
08:42Okay.
08:43There's just one thing.
08:45I want to keep my identity as the writer a secret.
08:49I don't want anyone to know, especially not the team.
08:53SQ.
08:53Are you sure?
08:55But why keep it a secret?
08:56I just want people to focus on the story itself.
08:59Got it.
09:01Your secret's safe with me.
09:02Hey.
09:04Oh my God.
09:05That's not the one for me.
09:08Dave.
09:09It's a bit weird.
09:11Ever since news got out about our movie, my phone has not stopped ringing.
09:16Really?
09:17It's Stephanie.
09:28Yeah, just take it.
09:33Hello?
09:34Hello, Miss Wong.
09:35I've heard Liar's Game is being made into a movie.
09:38I'm interested in playing the lead.
09:39Can we arrange an audition?
09:40I'll speak to the writer and I'll let you know.
09:47Thank you, Miss Wong.
09:50What do you think?
09:53Anyone can audition, right?
09:54As long as they're right for the role.
09:58What happened between me and Stephanie is not important here, so...
10:01Okay.
10:03I'll call her back and let her know.
10:06Mm-hmm.
10:06Okay.
10:10What about me?
10:19Can I be your hero?
10:24Oh, you mean, uh...
10:26A film, right?
10:28I've...
10:29I've never considered anyone else.
10:34I have to take this.
10:36Hi.
10:40You know, I'm not just talking about the film, Dorothy.
10:46It's okay.
10:48I can wait.
10:51Waited this long.
10:56Well, well, well.
10:58Look who it is.
11:03Why are you here?
11:04Oh, I see.
11:06You're the production assistant.
11:08Well, do your job.
11:11Get me a water.
11:14Stephanie.
11:16Get your own water.
11:17I'm not your PA.
11:19Look.
11:20It's my first day on set,
11:21and I want to buy coffee for the crew.
11:24Why don't you be a doll and mark down everyone's order?
11:27Are you deaf?
11:29I'm not a PA.
11:32Here's your tip.
11:33Go on.
11:35Show some respect, Stephanie.
11:37Do you know who she is?
11:41What are you doing?
11:42Oh, no.
11:44She can't know I'm askew.
11:48I want to keep my identity as the writer secret.
11:51I don't want anyone to know,
11:53especially not the team.
11:58What do you mean?
12:00Who is she?
12:03No wonder to lower PA, I'm sure.
12:09Isn't that right?
12:10Well, actually, she's...
12:12She's just a PA.
12:17You're right.
12:18So why don't you show me a lower PA,
12:23your acting skills?
12:24Maybe I'll be impressed even by who the gofies myself.
12:28Watch this.
12:29I loved you once.
12:35Or so I thought.
12:39But now I see that it was all just a lie.
12:43A beautiful...
12:44painful lie.
12:48You took everything from me.
12:53My dreams.
12:57My future.
13:01See?
13:02There's no soul.
13:04That's not acting,
13:05it's just...
13:06reciting lines.
13:07Why don't you show her how it's done?
13:10What?
13:12Go on.
13:16Go on.
13:17I loved you once.
13:40So I thought.
13:44But now I can see.
13:47It was all a lie.
13:49A beautiful, painful lie.
13:52You took everything from me.
13:58My heart.
14:00My dreams.
14:03My future.
14:05And for what?
14:08For your own personal gains.
14:11How is that possible?
14:23Dorothy,
14:24that was perfect.
14:26The role is yours if you want it.
14:29No!
14:31This role is mine!
14:34I'm the one with the investment.
14:35Without me,
14:36there's no funding for this movie.
14:37Your investment?
14:38Do you even know who she is?
14:41Who is she?
14:47Who is she?
14:49As you know,
14:50no one but a PA.
14:52Dorothy,
14:53this movie is important to Stephanie.
14:56I mean,
14:56why are you here?
14:56You're not a real actress.
14:58What are you doing?
14:58You're trying to ruin her career.
14:59You're trying to get back at me
15:00by ruining her career.
15:01I'm not ruining anything.
15:04If she can't handle the role,
15:06that's on her,
15:07not me.
15:08You can't blame this on anyone else.
15:09You embarrassed her
15:10in front of everyone.
15:12I know what you're doing.
15:13You're the one pulling all the strings here.
15:15You're trying to make her fail
15:16so you can take her place.
15:18She's using this whole thing
15:19to get to you,
15:19Drake.
15:20She's been jealous from the start,
15:22trying to ruin my chance
15:23just to get back to you.
15:24Okay, no.
15:25I don't want to fight anymore.
15:26Let's just take a look at the script
15:28and maybe we can
15:28work something out.
15:30And you were just so
15:32damn selfish!
15:34You already care about yourself!
15:36Just give Stephanie her role back!
15:38You know what?
15:41I didn't want to do this.
15:43But I will.
15:44I'll take the role.
15:46I'll play the lead.
15:47I'll play the lead.
15:52No way!
15:53You can't be serious!
15:54She's not even a real actress!
15:58Dorothy's performance
15:59was far stronger than yours.
16:01Everyone in the room
16:02can see it.
16:05I'm so glad
16:06you've agreed to do the role.
16:09Right, it's settled then.
16:11The lead roles go to
16:12Christopher and Dorothy.
16:15I will double my investment
16:17if you give Stephanie a role.
16:24I never thought I'd see
16:25the day my ex-husband
16:26would go this far
16:28for his sister-in-law.
16:30I can always count on you, right?
16:37I will double my investment
16:39if you give a role to Stephanie.
16:41You two are just such...
16:45Okay, look.
16:47If the money's on the table,
16:48there's no reason to turn it down.
16:50Let's just give her a part.
16:52We have nothing to lose.
16:54I guess that'll be fine.
16:57I'll talk to SQ.
17:03Your father's production company
17:05is already the biggest investor
17:06in your movie.
17:07So why take Drake's money?
17:08Don't...
17:09You don't still have feelings for Drake, do you?
17:12No!
17:13He's an asshole!
17:16Come on.
17:18I've got an idea.
17:20Why don't we just give her a character
17:22that'll make her miserable?
17:23Wow, Mrs. Suntaro.
17:28I feel bad now.
17:34I only wish you didn't have feelings for Drake anymore.
17:40How did she land herself the role?
17:42She's practically a nobody.
17:43No fan base, no real experience.
17:46Just one good scene.
17:48It doesn't make sense.
17:52Find out everything you can about Dorothy.
17:54I want all the dirt.
18:03Director, there must be a mistake.
18:05I'm only a side character
18:06and not even in the main scene.
18:08You wanted a role.
18:10We gave you a role.
18:11I came in with an investment.
18:15Well, you're more than welcome
18:16to take it back and leave the set.
18:20Even a small role in SQ's film
18:22is going to do great things for your career.
18:23Now is not the time for you to be messing around.
18:28Fine.
18:28Two, take one.
18:36Action.
18:38Lily, you are my best friend.
18:39How could you do this to me?
18:40I'm sorry, but this is...
18:42What the hell are you doing?
18:46It's part of the scene!
18:52Okay, take it again from the slap.
18:55Action.
18:58Cut!
19:01Stephanie, why aren't you saying your lines?
19:04You have to keep going in the scene.
19:07I think you've had enough for today.
19:09We'll just try again tomorrow.
19:17Did you see her face?
19:20Absolute gold.
19:22I mean, she got what she wanted.
19:23She asked for a role
19:24and that's what we gave her, so...
19:27Seriously, her performance
19:28is all over the place.
19:30Maybe we should just
19:31cut down on her screen time.
19:34We all know the film's better
19:35without her slowing us down.
19:37You're right.
19:39I'm not going to let anyone
19:41ruin your story.
19:46So if you can just give me
19:48something that's a bit more...
19:50something about her job.
19:52What's going on with my scenes?
20:00Why have so many of them been cut?
20:02It's a collective decision.
20:05Fuck that.
20:06Let me talk to the writer.
20:08The writer is SQ
20:09and as you know,
20:10they never show their face,
20:11so their decision is final.
20:15I'll see you on set in five.
20:17Now it all makes sense.
20:37Now it all makes sense.
20:39That's the head of the production company.
20:42No wonder she got the role.
20:43Let's see how John's wife
20:46feels about that.
20:56Everyone, I have an announcement to make.
20:59Today will be Stephanie's
21:00last day on set.
21:06You really think I don't see
21:08through your little gaze?
21:09Somebody will be walking
21:10out that door today,
21:11but it won't be me.
21:14You really think
21:15you can get away with this?
21:17Sleeping your way up?
21:21John's wife is on her way.
21:23Let's see how you
21:24talk your way out of this one.
21:26Slut.
21:31That's enough!
21:36So were you the one
21:37who was stalking
21:38and secretly taking photos?
21:39What?
21:40Scared the truth
21:41is going to come out?
21:42Someone had to expose her
21:44for who she really is.
21:45So you admitted.
21:47You did it.
21:48Damn right I did.
21:50And I'd do it again
21:50if I had to.
21:53You don't know
21:54who you just crossed!
21:55Oh, I know.
21:57Just some rich old
21:58bastard throwing a tantrum.
22:00I sent those photos
22:01to your wife, too.
22:02And now your mistress
22:03is about to be exposed.
22:04Yeah, security.
22:09Stephanie is banned
22:10from the studio.
22:11Make sure she never
22:12sets foot here again.
22:13You can't just do that!
22:15Oh, this is insane!
22:16Well, I have rights!
22:17I will only tell you
22:18the truth!
22:19She is a mistress!
22:20A loose woman!
22:21A lady of the night!
22:22Is it true
22:31that Dorothea
22:32is John's sugar baby?
22:33Otherwise,
22:34why would he come onto the set
22:35and get me banned
22:35from the movie?
22:37That's unbelievable.
22:38And he humiliated me.
22:40He had me dragged off the set
22:41like a criminal.
22:42You should have seen it!
22:44I'm not going to let her
22:45just ruin our reputation
22:47like this.
22:48I mean, this whole mess
22:49is making us look like fools.
22:52Dorothy's always been trouble.
22:54I mean, first she goes off
22:55with a married man
22:56and now this.
22:58Don't know how you put up
22:59with her for three years.
23:01You should have got
23:02a divorce earlier.
23:05Stephanie,
23:05are you 100% sure
23:07that Dorothy
23:07is John's sugar baby?
23:09It's the only explanation!
23:11She's clearly nothing
23:12but a slut!
23:13Oh!
23:15Drake,
23:16Stephanie is your
23:17sister-in-law.
23:19Now, you need to take care
23:20of her and forget
23:21about Dorothy.
23:23Can't you see
23:23she's the one
23:24behind all of this?
23:25She was sleeping
23:27her way to the top,
23:28killing Stephanie's
23:30unborn child.
23:32And John dragging her
23:33off the set.
23:34You should be sticking
23:35up for Stephanie.
23:39I'm not going to let her
23:41do this to you.
23:41I'm not going to let her
23:44do this to you.
23:45I'm not going to let her
23:46do this to you.
23:47I'm not going to let her
23:49do this to you.
23:49Do you think you can
23:57just walk away from
23:57what you did
23:58like nothing happened?
23:59I didn't walk away
24:00from anything.
24:01You did.
24:02You chose Stephanie
24:03over me.
24:04Remember this one?
24:04Well, she's my
24:05sister-in-law.
24:06I'm so sick
24:07of hearing this.
24:09You have feelings
24:10for her
24:11and I'm just tired
24:12of it.
24:12You're out of your mind
24:13if you think I'm going
24:14to let you get away
24:14with this.
24:16You do what you
24:17want to do.
24:18For now,
24:19get out!
24:20Why?
24:27We were married
24:27for three years.
24:29We never planned.
24:29Oh, God,
24:30you fucking might
24:31let go of it!
24:32Hey!
24:32Hey!
24:32No wonder
24:42you want me to go.
24:44Just look at yourself.
24:46You're not half
24:47the man Christopher
24:48is.
24:50Get out
24:51or I won't
24:52call the cops.
24:54Just go!
24:55Are you okay?
25:10Dorothy?
25:11Yeah?
25:12Remember,
25:13safety first.
25:14The lifeguard's
25:15right there
25:16if you need him.
25:17Okay.
25:20Anything you need
25:21to let the AD know.
25:22Okay.
25:22Got it.
25:23Got it.
25:24Yeah.
25:25Here's a coffee
25:32for you.
25:33Thank you.
25:34It's still early
25:34before the shoot.
25:35Take your time.
25:36Take your time.
25:46Take your time.
25:47Take your time.
25:47Take your time.
25:48Take your time.
25:48Take your time.
25:49Take your time.
25:49Take your time.
25:50Take your time.
25:50Take your time.
25:51Take your time.
25:51Take your time.
25:52Take your time.
25:52Take your time.
25:53Take your time.
25:53Take your time.
25:54Take your time.
25:54Take your time.
25:55Take your time.
25:55Take your time.
25:56Take your time.
25:56Take your time.
25:57Take your time.
25:57Take your time.
25:58Take your time.
25:58Take your time.
25:59Take your time.
25:59No, no, no.
26:29Something's wrong.
26:33That's not acting.
26:35She's in trouble.
26:41Where's the lifeguard?
26:47Where's the lifeguard?
26:59Where the fuck is the lifeguard?
27:19Come on, Dorothy.
27:20Why did you do that?
27:45I don't do anything for you, Dorothy.
27:51Christopher risked everything without hesitation.
27:55How could I have been so blind?
28:15I wasn't expecting that.
28:29Where were you?
28:30Dorothy could have drowned.
28:32I'm sorry.
28:32I had a stomachache.
28:34I had to go to the bar.
28:34Make sure it doesn't happen again.
28:35Do you think that I should call Dorothy just to make sure she's okay?
28:45Are you still hung up on her?
28:48No.
28:49It's not like that.
28:50I'm just trying to be helpful.
28:52Don't you remember, Drake?
28:53She's the one who had me kicked out of the movie.
28:57She's the one who killed my baby.
29:00Not just my baby, but Nick's baby.
29:02I know I'm just her sister-in-law.
29:04Whatever happened between us in the past.
29:06But I have no one now.
29:09No husband.
29:11No baby.
29:12I have left us new.
29:17Can you see through Dorothy yet?
29:19She's nothing but a slump, sleeping her way to the top.
29:22You don't know that.
29:24You know I'm right.
29:26Why else would John come onto the set and stand up for her?
29:29Not just John, but Christopher too.
29:31She's sleeping around with anyone she can find.
29:33She's a whore.
29:34Shut up!
29:42You want war?
29:47I'll give you war.
29:51Do it.
29:53Make sure Dorothy feels every bit.
30:01Breaking news.
30:02Unknown actress seduces Hollywood heartthrob.
30:05Rising star or opportunist.
30:08Actress Dorothy's shocking affair with Christopher.
30:10Christopher's new flame for a heartless gold digger.
30:13Dorothy!
30:15Liar!
30:15I'm a bitch!
30:18This is getting out of hand.
30:21Maybe we should just reveal her real identity.
30:24Let everyone know she's not just some random actress.
30:30No.
30:32Dorothy, once we tell them who you are,
30:34there's no reason for them to attack you.
30:35There's someone behind this.
30:38And whoever they are, I'll make them hang.
30:40Fuck off.
30:54This can't be right.
30:59I die in the second scene.
31:02This must be Dorothy and John forcing SQ to cut me out.
31:06They won't get away with this.
31:07Trey, can you believe this?
31:15They completely written me out of the script.
31:17Do you remember when Nick was lying in that hospital bed?
31:20You promised him you'd look after me.
31:23I've already lost my husband and my baby.
31:25I can't lose my career too.
31:27Don't worry.
31:29I'll get you your character back.
31:30There's a tape of a documentary that apparently SQ has always wanted.
31:51So, we win this bid and we gift it to them.
31:55We should be able to get you your rollback.
31:56Up next, a rare gem.
32:02The original film documentary chronicling the creative journey of none other than herself.
32:08Legendary screenwriter, Margaret Lane.
32:10What's she doing here?
32:16I don't know.
32:18I'm not going to let her win this.
32:2060,000!
32:2170,000!
32:29100,000!
32:32This is my grandmother's documentary.
32:35It's her legacy.
32:37She's the one who inspired me to become a screenwriter.
32:40I can't let it fall into the wrong hands.
32:41500,000!
32:54500,000!
32:58Trying to get you your rollback.
33:00Don't worry.
33:01I've got it covered.
33:03Ladies and gentlemen, we are down to the final bid.
33:07Standing at a whopping 500,000!
33:09500,000 going once.
33:14500,000 going twice.
33:17Sold!
33:18To the lady in the blue dress.
33:27I can't believe this.
33:29You have no right to take that film reel with you.
33:37You have no right to take that film reel with you.
33:39What's going on?
33:48Ahem.
33:49Ladies and gentlemen, I've just been informed that Miss Dorothy is in fact not an invited
33:55guest.
33:56Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
34:02This is ridiculous.
34:04I was invited.
34:05Well, in that case...
34:08May I see your invitation?
34:14I did have it.
34:15I swear.
34:15I'm sorry, Miss Dorothy.
34:17If you do not have the invitation at hand, the documentary reel has to go to the second
34:21highest bidder.
34:22This is the protocol.
34:23No, you don't understand, do you?
34:24I'm sorry.
34:25I'm sorry.
34:25These are the rules.
34:46The documentary reel will go to the honourable couple.
34:48Thank you.
35:08Stephanie, wait.
35:09Just sell it to me.
35:12Name your price.
35:13I'll pay you anything you want.
35:15It's really important to me, please.
35:17Why are you doing this?
35:19Are you just trying to get my attention by going after something that Stephanie wants?
35:23No, you don't understand.
35:25Just let me buy this.
35:28Whatever it takes.
35:30Dorothy.
35:31Dorothy.
35:31You think this is about money?
35:34Please.
35:34This isn't something you can just buy.
35:37Dorothy.
35:38What the hell are you doing?
35:40Why do you always have to go against her like that?
35:42This reel is important to Stephanie.
35:44She can use this to help her career.
35:46Her career?
35:48Is this about your role being cut on the road?
35:52Is that why you're doing this?
35:56I'm the writer.
35:57I'm going to fix this.
35:58Can you write the story and bring your character back?
36:01Just let me have the real things.
36:05You're the writer.
36:07Are you telling me that you're SQ?
36:13You.
36:13The writer SQ.
36:15Can you give us a break?
36:17Look.
36:18This reel is important to Stephanie.
36:20End it.
36:21Don't make this harder than it has to be.
36:25You've been with Dorothy for so long and you don't even know her.
36:27Oh, and you do.
36:29A hell of a lot more than you.
36:30Who the fuck do you think you are?
36:31Both of you, calm down.
36:33Ah!
36:33Ah!
36:47Scratched all over.
36:48It's ruined.
36:49Not even fit to be a gift anymore.
36:51I can fix this.
36:53Stephanie, I know someone who can restore it.
36:54Just sell it to me.
36:56Please.
36:56Just name your price.
37:00Even if I had no use for it, I'd never give it to you.
37:03I want to be a writer like you, Grandma.
37:33I want to make movies like you do.
37:36This reel has more than pictures and sound on it.
37:41Really?
37:42An entire world I've captured.
37:45But it's just one way of seeing things.
37:48The magic is creating it yourself.
37:51Someday you will.
37:52Dorothy.
38:04I need you to go apologize to Stephanie and give her her role back.
38:10Apologize?
38:11To her?
38:12She destroyed the reel.
38:13And she wouldn't have done that if you hadn't pushed her.
38:20So go apologize or I'm pulling my funding.
38:24Look, Dorothy.
38:25Let's be real here.
38:28Without Stephanie, there is going to be the best.
38:32Even the production company will pull out if they hear that she's not involved anymore.
38:35Her name carries weight.
38:35Let's not pretend that your reputation is exactly stellar right now.
38:40Christopher's fans hate you.
38:42Stephanie's fans hate you.
38:44Even if you actually make this film,
38:46no one's going to support you.
38:48You will be buried.
38:49If you apologize to Stephanie now,
38:54I can help you.
38:57I can control the press.
38:59I can control the narrative.
39:00I can actually give you a chance.
39:04What's so funny?
39:08What's so funny?
39:11You're funding.
39:12Do it.
39:14You'll see it does nothing for the movie.
39:16Okay.
39:16So what if I tell the production head to pull his funding too?
39:21Didn't I tell you that I know Mr. Bennett?
39:23Oh.
39:24Go ahead.
39:25Try it.
39:26You want me to call?
39:28Uh-huh.
39:29Fine.
39:34Hi, Mr. Bennett.
39:35It's Drake.
39:36Drake Mossbacher.
39:38Yeah, I'm pulling my funding from Liars Game
39:39and I suggest that you do the same thing.
39:41I've seen it and it's a sinking ship.
39:45You're pulling, huh?
39:46Great.
39:47I'll take full control of the investment.
39:49Not a problem.
39:56So you're sat with him?
40:00That's why he's supporting you, isn't it?
40:05Is this how you see me?
40:06The type of woman who would use her body to get what she wants?
40:09What other explanation do you have?
40:12You know nothing about Dorothy.
40:13Apologize to Stephanie, cut ties with Mr. Bennett and end this.
40:20Dorothy, come back to me.
40:22Whatever he's offering you, I'll match it.
40:23I'll double it.
40:25You must be out of your fucking mind.
40:27What makes you think I would ever go back to that living hell?
40:31Living hell?
40:32You heard me.
40:33Being married to you was a fucking nightmare.
40:37You made me believe you loved me.
40:39And then you had me waiting in vain for three years, Drake.
40:44You said you'd always protect me, but then when I need you the most,
40:49you just turned your back on me.
40:51You chose your sister-in-law over your wife.
40:54I've had enough, Drake.
40:58You were my prison.
41:00So just go back to your precious Stephanie.
41:07Let's just go.
41:08Why are you hurt?
41:19Are you okay?
41:27What are you doing?
41:28Well, you want me, don't you?
41:30Just kiss me.
41:30I'm all yours.
41:31Steph!
41:32You're Nick's wife.
41:33I've always thought of you like a sister.
41:36Sister?
41:36Funny.
41:39Don't you remember when you came to me the night Nick and I got married?
41:41Don't you remember what you said?
41:45Remember this?
41:46Yeah.
41:46Why not marry Stephanie?
41:49God.
41:50You were practically begging me not to marry Nick.
41:52No, I shouldn't have said that.
41:53I shouldn't have said that.
41:53I don't see that.
41:57What's that?
41:58Oh, it's nothing.
41:59Yeah, what is that?
42:00No, Drake, no.
42:01Please.
42:04You lied about this.
42:06You said that Dorothy pushed you into the water, but this shows you shoving her in.
42:18It's a glitch.
42:20A glitch.
42:21So, do you actually expect me to believe that?
42:24What's this?
42:27Find pills off the black market.
42:30Tell them I hit your pregnancy.
42:31It's you.
42:33This time when you blamed Dorothy like some sort of scapegoat and she was innocent the
42:37whole time.
42:38Don't, please, no.
42:38You have to believe me.
42:40I didn't...
42:40Do you know what?
42:41I've always thought of you like a sister.
42:43I've always taken care of you.
42:44I even thought that I loved you once, but that was before you were Nick's wife.
42:50You changed.
42:54You changed.
42:55You changed.
42:55You're not the person I thought you were.
43:01I only looked after you because I thought it was my duty as Nick's brother to look after
43:04his widow.
43:06I guess there's no need to look after you anymore, huh?
43:10What does that mean?
43:11You're just going to throw me away?
43:14I'm not going to throw you away.
43:16But this is my house.
43:19When I'm back, I hope you'll be gone.
43:20But you can't just walk away from me like that.
43:24I've said everything that I need to say.
43:25Now I'm going to go find the person that I actually care about.
43:33This is all your fault.
43:39Let's take this bitch down.
43:40Don't I say please?
43:59No.
44:00I was wrong.
44:03I misunderstood everything about you and about us.
44:06Can you please just hear me out?
44:12You think you can just come here and apologise?
44:16After everything?
44:17I didn't mean to hurt you.
44:20Look, I understand what I did, but it was just because it was definitely an enemy.
44:24Can you please just forgive me?
44:27I don't need your apology, Drake.
44:29You let me down.
44:31You abandoned me.
44:33When I needed you the most.
44:34You used me.
44:37Manipulated me.
44:38And now you beg for my forgiveness.
44:41Oh my God, please just don't show me out.
44:43I can fix this.
44:45I can fix that.
44:46I can do anything, Dorothy, please.
44:48No.
44:50You were never the person who thought you were.
44:54And I'm not either.
44:56I've moved on.
44:59I don't need you.
45:00I don't need you.
45:04Not like I used to.
45:06Just stay back.
45:08After everything.
45:09Yeah, that's it.
45:21I deserve better than this.
45:23Before you all celebrate this movie,
45:52Dorothy, there's something you should know.
45:55Dorothy is nothing but a homewrecker.
45:57What's going on?
45:59A glorified mistress who's been playing the part of a wonderful actress
46:03when all she's really done is ruin lives.
46:06This is true, Dorothy.
46:09We're being involved with a married man.
46:11What's your response to Stephanie's claim?
46:16This is ridiculous.
46:18Let's talk about how she got here.
46:21Shall we?
46:22She didn't get here off her talent.
46:24Oh, no.
46:25She got here by clinging to powerful men.
46:28No real experience.
46:30No skill.
46:31Just a man's name and a man's money.
46:34Security, get her out of here.
46:36Wait.
46:37If she has something to say, let's hear it.
46:40Dorothy, it's a trap.
46:42I'm not afraid of the truth.
46:44Let's see what she's got.
46:49What's going on?
46:50Go tell us, Dorothy.
46:52How did you get here?
46:54Did you use your relationship with John Bennett to land the part?
46:58Homework, are you saying?
47:16Is there something wrong with me appearing with my own dad?
47:20You're the one who sent me this photo, right?
47:22How about you take another one?
47:23This time, of my lovely family of three.
47:26Dorothy, Dorothy, Dorothy.
47:28Are you really John Bennett's daughter?
47:30Yes.
47:31I bet you never ask my last name.
47:33It's Bennett, by the way.
47:36So, Dorothy is the producer's daughter.
47:40Dorothy, so did you use your father to get the part?
47:43So, it's just nepotism, then.
47:46Well, even if she didn't fuck her way to the top, she still only got here through her connections.
47:55Whether you like it or not, my performance speaks for itself.
47:58And everyone here saw it.
48:00She was actually really good.
48:01Yes, she handled the models.
48:03Or are you saying that everyone here is wrong?
48:06You think you're so clever, don't you?
48:09Fine, you can act a little bit.
48:13But let's be real.
48:14You didn't land this role on your own.
48:16You just snapped your bony little fingers and let daddy give you a role.
48:21How else would a nobody like you have let you land yourself the lead otherwise?
48:26Dorothy isn't just a nobody.
48:30She wrote Liar's Game.
48:33She is SQ.
48:34Dorothy is SQ.
48:41How can that be possible?
48:43Liar's Game is a masterpiece.
48:44There's no way you could have written it.
48:46You don't have to believe me.
48:48Just let the credit speak for itself.
48:53How can this be true?
49:00Dorothy Bennett, you're the daughter of the producer and the famous writer.
49:04Yes, you.
49:05Why did you keep your identity a secret so long?
49:13Why did you keep your identity a secret so long?
49:16Stephanie Marsbecker, Linda Marsbecker and Ellie Marsbecker, I'm arresting you on suspicion of defamation.
49:21No, no, no, no.
49:22I didn't do anything wrong.
49:23This was all Stephanie's idea.
49:24I didn't do anything.
49:25I didn't do anything.
49:25This whole time, she was actually telling the truth.
49:36Dorothy's SQ.
49:38She's genius.
49:39That's why she always had a book in her hand.
49:45Always writing something on her laptop, always lost in her thoughts.
49:51Didn't you ever see her?
49:54Guess I was blind all along.
49:58I don't deserve her.
49:59I don't deserve her.
50:00I've missed this place.
50:21Don't you remember?
50:22Of course I do.
50:25We saw so many films here.
50:27We would just stay in our seats and talk about life and everything.
50:34But you just made me feel like I could face...
50:37Or anything, really.
50:38Someone had to be there to make sure you didn't ever think everything.
50:59I remember you used to unpick every little detail like it was a life or death situation.
51:08You know, Dorothy, life's not been the same without you.
51:16Even when we parted ways, I...
51:19I always knew that we would find each other again.
51:24I don't care what we've been through.
51:27I don't care what's happened.
51:29All I know is that I need you now.
51:35More than ever.
51:38And the award for Best Adapted Screenplay goes to...
51:55Dorothy Bennett with Liar's Game!
52:00Wow.
52:02Best screenplay.
52:04What, shall I start calling you Your Majesty?
52:06I think that's a great idea.
52:08Why don't I start now?
52:11You deserve this.
52:13Your Majesty.
52:15Every bit of it.
52:17Now.
52:19Since you won, I think this calls for a reward.
52:23Oh, yeah?
52:26And what would that be?
52:29Me.
52:30Me.
52:30Me.
52:30Me.
52:30Me.
52:30Me.
52:30Me.
52:30Me.
52:31Me.
52:32Me.
52:32Me.
52:32Me.
52:32Me.
52:32Me.
52:32Me.
52:32Me.
52:33Me.
52:34Me.
52:34Me.
52:34Me.
52:34Me.
52:34Me.
52:34Me.
52:34Me.
52:35Me.
52:35Me.
52:35Me.
52:35Me.
52:36Me.
52:36Me.
52:36Me.
52:37Me.
52:38Me.
52:38Me.
52:39Me.
52:39Me.
52:39Me.
52:40Me.
52:40Me.
52:40Me.
52:40Me.
52:41Me.
52:41Me.
52:41Me.
52:41Me.
52:41Me.
52:42Me.
52:42Me.
52:42Me.
52:42Me.
52:43Me.
52:43Me.
52:43Me.
52:43Me.
52:43Me.
52:43Me.
52:43Me.
52:44Me.
52:44Me.
52:44Me.
52:44Me.
52:44Me.
52:44Me.
52:45Me.
52:45Me.
52:45Me.
52:45Me.
52:45Me.
52:46Me.
52:46Me.
52:46Me.
52:47Me.
52:47Me.
52:47Me.
52:47Me.
52:47Me.
52:47Me.
52:47Me.
52:48Me.
52:48Me.
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