- 8 months ago
Igra sudbine Epizoda 1670,Igra sudbine 1670,Igra sudbine 1671,Igra sudbine Epizoda 1670, Igra sudbine Epizoda 1671,Epizoda 1670 Igra sudbine ,Epizoda 1671 Igra sudbine
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00:00Snežana
00:30incident, gave her advice and after a few years she opened her school of language, I know it already.
00:36My friends, these cijenes are crazy, I don't know what to say.
00:40I was there and watched and talked to people, but the cijenes are much more than they cost.
00:46No, you're an expert, you've been trained for them.
00:50Where are you? You let them go!
00:52I was in a few places, I was in some states, I talked to people, but the cijenes are normal,
00:58it doesn't cost you money, it doesn't cost you money, it doesn't cost you money.
01:02God, you know, you're the same with the rules.
01:06I'm lost, I'm worried, I saw you call me something, you don't say anything, it's good news.
01:13I don't know how to tell you, but I don't know why I would stay in bed,
01:20I'm depressed, when I thought I would not let you know how to tell people.
01:26But tell me, what did you think when you said new, old ordination?
01:30That's not true.
01:32I wasn't there where I was, the store was sold, and I had to go for it.
01:36I went back to the ordination that I worked for a while.
01:41It was a little, but it was good.
01:43Well, tell me, are you close to Biljan?
01:47Lazare.
01:48What?
01:49Do you need help?
01:50I look at someone who needs help.
01:51Yes, that's why I ask.
01:52I don't have help.
01:53Do you need help?
01:54I look at someone who needs help.
01:57Yes, that's why I ask.
02:00No, there's no help.
02:02Good.
02:03Good.
02:04Good.
02:07Good.
02:08Good.
02:09Good.
02:10Good.
02:11Good.
02:12Good.
02:14Good.
02:15Good.
02:16You should say it's going to be a game day, very good.
02:17against the moon.
02:18I won't do it anymore.
02:19I think it's gonna be a game day.
02:20You should turn out and have a game day with an answer to it.
02:22How funny?
02:25Well, really funny.
02:29These are my mistakes. I think you should have to cut some parts of the text.
02:36You should have to categorize the number of characters,
02:39to be good for the prelom.
02:41I think you should have to preformulize some things.
02:44You should have to be clear, but you should have to categorize our style.
02:49No problem.
02:51No problem.
02:52No problem.
02:53Super. I think you have to be more than that, but it is clear.
02:57And what?
03:02It's not really nice to go towards the other side, you know.
03:05Okay, you should have to be a little optimistic.
03:08I don't know, but I'm talking about someone who has a little more life experience.
03:12It's not good to see you a lot.
03:14Okay.
03:15But I think it's good to make some big changes.
03:21How important is wrong that?
03:24Yeah.
03:26Whatever is wrong?
03:28Are you your father of the child of Gavriela?
03:58I'm your father of Gavriela.
04:28Only one chance to become no one, because the star will all be done.
04:38I play a song like a circle of happiness, someone wants to, someone doesn't want to.
04:48Ca'o na ruller tu sei se o peche
04:52A mi svolta o ti
04:55Sonhe surpine
05:18Good. How do you think of the change?
05:40Great. I thought I was thinking that,
05:43with our jobs, we will do a complete re-branding.
05:47What does it mean to me that we have to do so much work
05:52and that we have to be maltreted for a lot of money?
05:55When you look at our haljine,
05:57they are all unique, unique,
06:00we work with good materials, details.
06:03I think that they deserve to be a premium line.
06:08I'm 100%.
06:10You really deserve a lot more.
06:12And you deserve a lot more.
06:14Okay.
06:16I don't know. How do you think that you are doing?
06:48Okay. If you say that,
06:51I'm happy.
06:53Yes.
06:54Okay.
06:55Okay.
06:56Okay.
06:57Okay.
06:58I'm happy to go to the hospital.
06:59Okay.
07:00Okay.
07:01Okay.
07:02Okay.
07:03Okay.
07:04Okay.
07:05Okay.
07:06Okay.
07:07Okay.
07:08Okay.
07:09Okay.
07:10Okay.
07:11Okay.
07:12Okay.
07:14Well, hey,
07:18fine.
07:19No,
07:20no,
07:21no,
07:22no,
07:23no,
07:24no.
07:25No,
07:26no,
07:27no.
07:28No,
07:29no,
07:30no.
07:31I have it, I have it, don't worry.
07:51Oh, excellent! You need me.
07:55Me?
07:56You, you!
07:58Why? Why do I work?
08:00Because of the wickedness.
08:02It was a wickedness.
08:04I was a wickedness. Why?
08:06Because of the opening of the castle.
08:09He works here and works here.
08:12A lot earlier than you said.
08:15You know what will happen with the child?
08:18Who normally brings such decisions,
08:21and doesn't think about the consequences?
08:23Okay. As a matter of fact, it's not the same as it looks like.
08:26Really? How does it look like that?
08:28Where will the child go?
08:30What do you think?
08:31Do you think that this is right?
08:33The castle is opening and there is no problem?
08:35Right?
08:36I don't know that the children have a right,
08:38a right on a good job,
08:40a safe place,
08:41a safe place,
08:42a shame.
08:43What are you doing?
08:44You don't have all the friends,
08:45you boys and girls.
08:46What happened here?
08:47What happened here?
08:48No.
08:49No.
08:50Here's the whole house.
08:51Can I get to the mic for a little while?
08:55The house is only so busy.
08:57The house is only a lot more lyrical.
08:58The house is less small.
08:59The house is alreadyksi.
09:01The house is only so major.
09:02The house is also a party.
09:03The house is also a party.
09:04The house is also a party.
09:05The house is almost the one who's living in the house.
09:06The house is always a party.
09:07The house is lost.
09:08Come on, come on, come on.
09:10Hello?
09:12Come on, come on.
09:14Come on, come on.
09:16Hey, hello?
09:18You are you, Danilo?
09:20Where is my house?
09:22Come on, come on.
09:24Come on, come on.
09:26Come on, let's just finish.
09:28Come on, come on, come on.
09:30Come on, come on, come on.
09:32What do you think? Sorry, I'm sorry.
09:34Nothing, nothing.
09:36Janko.
09:38No, Brate, Blažo.
09:40How do you call me Jankojo?
09:42That's because of the name of Janković,
09:44like Janko, Janković.
09:46What are you talking about?
09:48Jobla Janković, called Blažo.
09:50What are you going to do?
09:52Goksin Crnovi, called Goran.
09:54Adeksi, we live and healthy.
09:56Let's drink.
09:58Come on, Joblice.
10:02What do we have?
10:04One moment.
10:20Yes?
10:22Can I?
10:24Can I?
10:26What are you talking about?
10:28What are you talking about?
10:30What are you talking about?
10:34For now, he's flying in the office.
10:36And I wouldn't be surprised if I'm going to fly.
10:38What are you talking about?
10:40What happened?
10:42Someone came to Gabriela to meet him with him.
10:44Who and what I don't know.
10:46I didn't want to hurt my nose,
10:48but I just heard the chaos.
10:50You know what, Natalija?
10:52I've learned my job.
10:54You know what, Natalija?
10:56I've learned my job.
10:58I've learned to listen to my job.
11:00Let's go, Javla.
11:02Okay.
11:03Do you want to finish the member?
11:05I wanted to ask you.
11:07I'm a member of a small member from Pirota.
11:10You know what a woman.
11:12What a real fighter.
11:14What a real fighter.
11:15Really?
11:16Let's go.
11:17Let's go.
11:31Yes?
11:32Come on.
11:36Good morning.
11:38Good morning.
11:39Good morning.
11:40Good morning.
11:41Good morning.
11:42Good morning.
11:43Good morning.
11:44Good morning.
11:45Good morning.
11:46Good morning.
11:47Good morning.
11:48Good morning.
11:49We've asked all the addresses that are related to Marko Jović.
11:55What?
11:56And?
11:57There are 76 people in Beograd.
12:02There are names of Marko Jović.
12:05But no one does not live in Mirjevu4.
12:09The most close to the address is the address on Dušanovcu.
12:14Maybe.
12:15Okay.
12:16What does that mean?
12:17We don't have any information anymore, right?
12:20That's right.
12:21You know what?
12:22We'll have to talk about him with Snež.
12:25I understand.
12:26And that way, a little more direct.
12:29We'll have to talk about that.
12:31You know what?
12:32So, we'll be honest with you if we want to help you.
12:36Why don't you?
12:37I'm going to call you.
12:38No, I'm going to call you.
12:39You have number.
12:40No, I'm just going to call you.
12:41No, I'm going to call you.
12:42No, I'm going to call you.
12:43No, I'm going to call you.
12:44Okay.
12:45Da, da, da...
12:47Let's see what's going on.
13:02It seems to be that a woman brings decisions without thinking about what it means and what the following are.
13:12Okay, Panceta, let's go slowly.
13:14Let's go slowly.
13:15Let's go slowly.
13:16Let's go slowly.
13:17Let's go slowly.
13:18Let's go slowly.
13:19Kaja will stay without the job.
13:22Why are you thinking about what you're doing, bre?
13:25You're going to be on God's stone, bre.
13:28Alexa?
13:29I can explain this to you.
13:31What do you want to explain?
13:32Me?
13:33You don't want to explain anything to me.
13:35Explain, children, if you have something to tell them.
13:38No, I can't.
13:40What do you want to explain if I'm angry before I start talking?
13:44Ah, this is angry?
13:46Yes.
13:47You'll only see what is angry when I'm on you.
13:51Okay, let's go.
13:52Let's go.
13:53Let's go.
13:54Let's go.
13:55Let's go.
13:56Let's go.
13:57Okay.
13:58And?
13:59Look, punchy.
14:01I heard you.
14:02I listened to you.
14:03I'll talk to you with Gabriel.
14:04Just don't let me go.
14:05I'll hold you.
14:06I'll hold you.
14:07Okay.
14:08I'll talk to you with Gabriel.
14:09Let's go.
14:10Tell me something.
14:11You have your thoughts.
14:12Let the voice out of yourself.
14:14What do you hear, bre?
14:16Who is it?
14:17Who is it?
14:18Who is it?
14:19Let's go.
14:20Let's go.
14:21Let's go.
14:29Vidi Gala.
14:30Hmm?
14:31This is a really good text.
14:33I think it's a real expression.
14:35Do you really think that?
14:36Absolutely.
14:37I'm really happy if you think that.
14:38Wait, wait.
14:39I'm not clear.
14:40Is this woman really producing how many kinds of soy sauce are?
14:44Listen, it's not just that she produces.
14:46She sells everything.
14:47She produces everything.
14:48I mean, a woman is really unbelievable.
14:50She creates a brand and falls like she has a factory.
14:54She literally lives in the village.
14:56She has a house.
14:57She has two dogs.
14:58She has two dogs.
14:59And that's all.
15:00I've written about Matadorki.
15:03Yes, silly.
15:04Okay.
15:05Okay.
15:06She is brave to come out in front of the dog.
15:08But we women really don't have to prove her.
15:11She doesn't have to come out in front of the dog.
15:13We just wear it in front of the dog.
15:15Absolutely.
15:16But the boys are like that.
15:18Since the boys are not listening to them, I know.
15:20I know that the first person is known for the production.
15:23I have a barbara, I have a barbara, I have a barbara.
15:26I have a barbara.
15:27I have a barbara.
15:28I know that people are in the genes.
15:30They are doing things like that.
15:31But I tell you that she as a woman, as an individual,
15:34that everything is broken.
15:36That story is fascinating.
15:38Yes.
15:39I have remained without text.
15:40What do I think?
15:42What would I do?
15:43From home, as it would be my personal business?
15:49I don't know what to say.
16:19I don't know how to look at everything.
16:21I don't know how to look at everything.
16:23I'm good at that business club.
16:25Because it's symbolic.
16:27And we're starting a business series.
16:29And we're getting success.
16:31We're getting success.
16:33It's great.
16:35I have a new topic.
16:37Okay.
16:39I'm sorry to interrupt you.
16:41I'm a fan of you.
16:43Can I take a photo?
16:47You really see that you have a lot of stuff.
16:51I'm glad to hear that.
16:53Super profile.
16:55I plan to fix the machine.
16:57Really?
16:59That's a good idea.
17:01You should do it.
17:03Two rakie.
17:04Dobro.
17:05That we celebrate our new career success.
17:07Can we?
17:08Super.
17:11Okay.
17:12I'm ready to hear everything.
17:14Sorry.
17:15I saw you filming.
17:17I wanted to ask you if I can take a photo of you.
17:21Can we?
17:22Can we?
17:23Can we?
17:24Can we?
17:25Can we?
17:26Can we?
17:27Can we?
17:29My friends and I love your channel.
17:31You're so beautiful.
17:33You're so new and different.
17:38Here's my hand.
17:42I'm going to get one out of yourself.
17:45Of course.
17:46Let's go.
17:47Let's go.
17:48I'll go to the machine.
17:50Yes.
17:51I'll go to the machine.
17:52Yes.
17:54Enjoy.
18:08Gabriel, tell me what's going on with this story for unlocking the building?
18:19Let's go.
18:24And?
18:27It's going on to say that Vanja and I have passed the entire financial construction of the company
18:31and that we understand that the building, simply, takes the biggest treasure.
18:36Is there a lot of gubic that you have to do with Vrtić?
18:38Yes.
18:39Well, let me explain.
18:43We have a lot of children.
18:45The fees are huge.
18:46The price is big and we can't do it anymore.
18:49How bad is it?
18:51Yes.
18:52I'll show you the graphic.
18:55I have all the information and you can see it really bad.
19:02I don't know anything from here.
19:04I don't do anything from here.
19:06I have to carry out some unpopular claims
19:10until it wasn't for you.
19:12I'm sorry, but I won't allow the Redaktion to leave
19:15because of a segment that simply doesn't bring the opportunity.
19:20And Vrtić has to be the one who has lost it.
19:24Let's bring it home and bring it to me and tell me what you think.
19:29I don't need to carry it home.
19:31I don't know.
19:33Okay.
19:36I'll just allow you.
19:39My Natalia, if we are loved,
19:41we can eventually use, I don't know,
19:43to do some knives or to do some home
19:47to make some home snacks.
19:49That's our maximum.
19:50If we are really.
19:51Do you think?
19:52Definitively.
19:53I don't think about how many of us are.
19:56We can't do anything like that.
19:58We can't do anything like that.
19:59We can't do anything like that.
20:00We can't do anything like that.
20:01Yes.
20:02Yes.
20:02Yes.
20:03Yes.
20:03Yes.
20:04Yes.
20:05Yes.
20:06We can't do anything like that.
20:07No way.
20:08No way.
20:08Yes.
20:09No way.
20:09You know how? It's a joy that I don't fuck from here, but I'm going to shake it like that.
20:17That would be true.
20:19Gabriela, why do you look like that?
20:23In other words, when we're with her, it turns out that the situation is ok.
20:32Yes, that sounds like that.
20:34I'm going to go back to my office, and I'm going to go back to my office.
20:39Let's go.
20:40This idea is really good.
20:43I'm going to break everything, but you know, the jury jury is the most important thing, so we'll see.
20:50Ok, we'll see you later.
20:53Let's go.
20:54Bye.
21:04OJ, for you.
21:05Poor man.
21:06I'm sorry.
21:07My name is Alijem.
21:08I'm going to go back to my house.
21:10Let's go.
21:11Hello, everybody.
21:12I'm going back.
21:13I'm staying here.
21:14I'm going to stay at the school have a little bit.
21:15I'm not a Lot.
21:16I'm not a Lot.
21:17But I'm going to stay at you.
21:18I'm not an athlete.
21:19Well, I'm going back to my house.
21:20Let's go.
21:21I'm going back.
21:22I'm trying to stay at my house.
21:23Come on.
21:53I know that you're doing all this.
21:55Let's go.
21:56It's a bad thing.
21:57It's a bad thing.
21:59No, no, no, no.
22:01What am I saying?
22:03What am I saying?
22:05I know that you're doing all this.
22:07I know why.
22:09Because I didn't let you go and see you.
22:11It was a bad thing.
22:13What am I saying?
22:15I'm not a bad thing.
22:17I'm not a bad thing.
22:19I'm not a bad thing.
22:21Listen to me how you talk.
22:23And instead of saying you're here,
22:27you're better to ask.
22:29If you don't know what happened,
22:32you're asking me.
22:34I'll explain all this, Igor.
22:37When I had a man to ask him,
22:39I don't know.
22:41You can't even imagine.
22:43Maybe it doesn't matter.
22:45That's right.
22:47It doesn't matter.
22:49You don't mind.
22:51No.
22:52No, I'm not.
22:53Yeah, what is it?
22:55No, not.
22:56I'm concerned.
22:57So, yes?
22:58You can only be in the phone.
23:00No, no.
23:01What is he doing?
23:02No.
23:03No, no, no.
23:05I beat you like a string of horses.
23:08You are not lying.
23:10I don't have to lie.
23:12I'm not lying.
23:15I'm not lying.
23:17I don't have to lie.
23:20I know that I'm sad and that I'm going to repeat myself, but I have to say this again, because I think it's really important.
23:40I'm very proud of us. We've managed to show people like Alexa, Gabriela and so on that we don't need any shame or help, but we are women who are able to make us ourselves.
23:58Lenka, can you take a second to take your attention to me?
24:04I'm sorry, I'm sorry, I'm sorry, I'm sorry.
24:13I didn't get a job.
24:15Why didn't you? You got some better advice?
24:19No, Lenka, I didn't get anything.
24:22And I'll ask you to ask if I wasn't ready to pay for this.
24:29No, of course, let's leave it. How do you feel?
24:34I mean, how are you?
24:38And since I've been here with you, I'm a lot more.
24:46I don't understand why.
24:48Because I see you as a lot of love because of personal success.
24:59Sorry, what would that mean?
25:06It's only my experience.
25:08I mean, when I'm not good at all in my life, then I'm all good at all.
25:16And when I start a little bit, then I'm sorry.
25:19See, Senka, I don't remember that I'm sorry for my success.
25:24So, if I'm sorry for you, it's your problem.
25:29Let's see.
25:31I'm sorry for you.
25:32I'm sorry for you.
25:33I'm sorry for you.
25:34I'm sorry for you.
25:49What do you say?
25:53I have to tell you that you're right.
25:55I told you.
25:57Vrtić stvarno pravi velike troškova.
26:01You don't think that it was easy to do?
26:03I don't think anything.
26:04I don't think anything.
26:08Okay.
26:09You're right.
26:10You're right.
26:11I don't see him.
26:12I don't see him.
26:13I don't see him.
26:14I don't see him.
26:15I don't see him.
26:16I don't see him.
26:17We don't see him.
26:18Because we have less people.
26:19And yes.
26:21What do you say?
26:22I'm sorry.
26:23I have to think well about everything.
26:24But the last thing I want is to go to Vrtić.
26:29Okay.
26:30I really understand.
26:32Gabriela,
26:34if we go to Vrtić,
26:35the employee will not have a place to leave a child.
26:37Then he will go to work.
26:39He will use free days.
26:40And then it's a new problem.
26:43I know.
26:46I just want to tell you that I really think
26:48that you're a great person
26:49that you think so.
26:50I don't think so.
26:51But I really think
26:52that we'll just turn around
26:53and turn around
26:54and turn around.
26:55I really think
26:57I'm sorry.
26:58But I think
26:59that we'll have a solution
27:00to go to Vrtić.
27:12Let's go.
27:13Let's go.
27:14Let's go.
27:15Let's go.
27:16Let's go.
27:17Let's go.
27:18Let's go.
27:19Well, you can't stop this.
27:20Just stop it, say it.
27:21You can't stop it.
27:22You can't stop it.
27:23What did you do with the hands of the hands of the hand?
27:26You're not in the way, when you've heard your hands.
27:30Why not?
27:31You can't put the hands of the hand off, legend!
27:33What did you call the hands of the hand?
27:35I am not able to do the hands of the hand off,
27:37I am not able to get the hands off.
27:38What?
27:39God, what do you do?
27:40You're just listening to the hands of the hand.
27:42You know that?
27:43That's my mother, the school officer, the inspector.
27:46That's what I wanted to tell you, but I knew the other school.
27:50What was it?
27:51What happened?
27:53What happened?
27:54What happened?
27:55What happened?
27:56Proma.
27:57Proma.
27:58But Proma didn't get to the doctor for Proma.
28:02It's not that I didn't call me a man.
28:04I'm just going to call him.
28:06What happened?
28:07What happened?
28:08What happened?
28:09What happened?
28:10What happened?
28:11What happened?
28:12What happened?
28:13I fell in a minute.
28:15I took the back of my head.
28:16I didn't see it.
28:17My hands got off.
28:19I was going to call him.
28:20I said to him.
28:21In a minute, I'm not going to say anything.
28:23What happened?
28:24What happened to you?
28:25I went to Pjanović, who is there?
28:26I'm not going to throw him in the back of my head.
28:28I'm not leaving him.
28:30Why did you just gave me a phone call?
28:32I told you that I knew that you were alive.
28:34I'm not afraid of the man's son.
28:36What's with you?
28:37What happened to you?
28:38I didn't mean to him.
28:39What happened?
28:40I got to go to my head.
28:42What happened? I didn't know when it was finished.
28:44I can't. I can't. I'm going to break my fingers.
28:47What are you doing?
28:49Oh, my God, you're not normal.
28:52Let's go to the situation because of the circulation.
28:56I can't see you.
28:58I can't see you.
29:00I can't see you.
29:02I can't see you.
29:04I can't see you.
29:06I can't see you.
29:08I can't see you.
29:10Let's go.
29:12Let's go.
29:14Let's go.
29:16Thank you, my brother.
29:18Oh, my mother.
29:20Oh, my mother.
29:22I have to go.
29:24Forgive me.
29:26God, help me.
29:28I don't like you.
29:30I can't see you.
29:32You know what I'm saying?
29:34What?
29:36What do you call?
29:38Blažo.
29:39Blažo.
29:40Ajde.
29:41Žobla.
29:42Žobla.
29:43Na zdravlja ti, Blažo.
29:45I'm sorry.
29:47I'm sorry.
29:48I'm sorry.
29:49Did I do it?
29:50I can't.
29:51I can't.
29:52I can't.
29:53I can't.
29:54It's going, it's going.
29:55It's going.
29:56Well, let's go.
30:09Go ahead.
30:10Good morning.
30:13Good morning, Snežena.
30:19I am Lukasin.
30:20Snežena.
30:21Snežena, dear.
30:22Dežana, good to see you.
30:23Good evening.
30:24I'm the owner of the agency.
30:25Sit down, sit down.
30:32Jelica told me everything in your case.
30:37I'm sorry.
30:38I'm sorry.
30:39I'm sorry.
30:40I'm sorry.
30:41I'm sorry.
30:42I'm sorry.
30:43I'm sorry.
30:44I'm sorry.
30:45I'm sorry.
30:46I'm sorry.
30:47We can help you to find the reality of theありがとうございました.
31:00Does it not really matter?
31:02No.
31:05bore am I forming his name Marko Jović?
31:11Yes.
31:12Are you able to tell us something about him?
31:21Snežana, Snežana, I know that it is not pleasant to you,
31:29but we would help you.
31:33We must make it possible to do this in the way that you will give us
31:39any additional information. These information that we currently have,
31:44we can't do anything with them.
31:46Yes, Snežana.
31:52I know that it is not pleasant to you,
31:56but everything that you have been here,
32:00will remain in this space.
32:04Snežana, absolutely, believe us.
32:07Everything that we have told us, stay between us.
32:10Don't care.
32:12I was in connection with Mark.
32:16He was my teacher in the language school.
32:19He was a full-year-old.
32:22It was very intensive and specific.
32:28We kept it in a deep secret.
32:31Nobody knew it.
32:32Nobody knew it.
32:33Nobody knew it.
32:34It was a very long time.
32:35Then it was recognized.
32:37Everyone discovered it.
32:39Parents, colleagues, the director of school,
32:42even the neighbors.
32:44Then the torture began.
32:46I experienced horror.
32:48I was not able to go to the street because of their torture.
32:52Of course, because of the shame.
32:55Then, of course, I decided to give away.
32:58I went to the other end, to Mirjevo.
33:01I have never seen Mark anymore.
33:04Never seen.
33:05I don't know where he is.
33:06I don't know what he is doing.
33:07Do you think he is standing for this?
33:16I don't know.
33:18But I take my my way to think of it.
33:20No.
33:21I don't know.
33:23That's what I will ask.
33:25I'm not.
33:26Stop.
33:28I don't know who he is.
33:31I'm not very arable.
33:34Please, listen.
33:41Yes.
33:43Come, you're a little boy.
33:46Yes.
33:49Well, good for you.
33:51You don't want to promise you that you're Freda white,
33:53that's enough for me to do so.
33:55Well, I'm sorry.
33:57I don't know how I'm trying.
34:00I don't know why I'm stupid, because I'm stupid, because of the vrti, Aleksa.
34:09Two seconds ago she didn't think about what will happen with the deceased.
34:14What will happen with the children?
34:16What will happen with the children?
34:18Who will be the children that they will be?
34:20Where will they be?
34:22Oh, Kaja, don't worry.
34:25What will happen with the street?
34:27How will you live with them?
34:31Okay, Pañči, I promise you that I will do everything that will be my own, and that Vrtić will stay.
34:39Did you know about her decision?
34:42No.
34:45Not the sign?
34:48She did it without consultation with me.
34:51No, my Zelenko.
34:55You've spent so many years in prison.
34:57Can you learn something?
35:00Aleksa, you haven't been in the company for a long time.
35:03You've been driving a horse.
35:05She's driving a job like she thinks she needs to be.
35:08She, not you.
35:11I ask you to take things in your hands.
35:15You see, I thought I was thinking about it.
35:18Okay.
35:19And what's your mind's head thinking about?
35:23That you criticize me with full rights and that I have to take care of things in my hands.
35:28I ask you to take care of yourself.
35:31I'll remind myself.
35:33Pañči, Pañči, I'm not such a guide like you.
35:36I'm ashamed of you too.
35:37Pañči, niísimo.
35:38Pañčiстрbiooš!
35:40No, expresión.
35:42Pañči, nemoj dame laskaš.
35:44Pañči, ti me žnednu preko vode, ljute sam samo da znaš.
35:51Pañči, ja sad moram do Maldiva da vidim što oni zgubibanije Radeo.
36:04Come on, come on.
36:20This is how we looked at you and my former wife.
36:24You know when we looked at the panchettines recipes on YouTube,
36:26we were constantly looking at the kitchen
36:28to buy something to improve cooking.
36:30Yes, my brother, it's not all in the equipment,
36:34but something in the habit.
36:36I went to the habit and was excellent
36:39until you didn't get to it.
36:41Okay, let's go, let me give it to you.
36:45Let me give it to you.
36:47I'll finish everything in the habit.
36:49I'll see you.
36:51Midoni, you can't wake up tomorrow or tomorrow,
36:53my Midoni.
36:55You're a mother.
36:57I'll see you.
36:58You're a mother.
36:59Okay, so I got to ask you.
37:01That's right.
37:02Okay, listen, I'll be right back.
37:03Tomorrow, tomorrow in the air,
37:06you'll be on the back,
37:07I'll be right back.
37:08I'm just going to wake up a little water.
37:10You don't care.
37:11You're waiting for me, brother.
37:12Okay, I'm going to get to bed.
37:14It's time to open up. Do you understand?
37:17Don't let me go there, after working time in the cafe.
37:22When you buy a store, it will burn the light and the sun. Is it clear?
37:25No, you don't teach me, I'm a little kid.
37:28No, you don't teach me, I'm a little kid.
37:32That's why you tell me that you're not a little kid.
37:35If anyone will burn the light later, this man will be beside you.
37:40Don't let me tell you, but it's time for me to start slowly.
37:48Let's go.
37:50I'm going to stop, I have to go.
37:52Let's go. Let's go, you'll find the first cafe in the afternoon.
37:56No, I'll ask you, I'm going to ask you.
37:59Let's go. Let's go, let's go.
38:02Let's go.
38:10Let's go.
38:17Here's the fish.
38:19Here comes, comes, comes.
38:25And what do you say? You did it.
38:27That's it, that's it.
38:30What now?
38:31I've been told that the homeless are in the parking lot.
38:34You understand?
38:35You know how I heard him?
38:38Yes, absolutely.
38:39And she was talking about the house as a flood.
38:45This is really scary.
38:46No, it's not.
38:48Who are you, Džubre?
38:51How are you?
38:53Where are you?
38:54Where are you?
38:55Hello, hello.
39:00Where are you, Burazer?
39:01You're happy.
39:03Maksime, what did you say, Jivani?
39:08Jivani?
39:11What did I say Jivani?
39:14What?
39:15Well, I'm talking about the doubts, the souls,
39:20about how we will be together.
39:22Really?
39:24Oh my God.
39:26Here, I'm going to tell you.
39:30I mean, it's just that she's gone further.
39:33How did she improve?
39:34So, she's asking me if she's more like a rollerball,
39:37or with the fingers, and so on.
39:40Oh my God, she's broken down.
39:42I don't know if I'm broken,
39:45or I'm totally crazy.
39:47Or is it broken?
39:49Or is it broken?
39:50There's no third one.
39:51Honestly, my mother.
40:00The woman who made it into the middle of the neck of a lot of wealth?
40:06Sležana, recite mi,
40:07da li postoji mogućnost možda
40:11da Marko posadoje neki kompromitujući materijal?
40:15Toj snimak koji bi mogo da vas ucenjuje?
40:18Da.
40:19Hmm.
40:22Dobro.
40:23There is a picture of our intimate relationship that we have done while we were in the way.
40:29And I don't give up to that.
40:32Well, it's not really scary. I mean, you are the only one.
40:36Many people are working on it. In principle, it's not a shame.
40:40I don't care about it.
40:41I was young, stupid, naive, and I believe.
40:47Well, Snežana, tell me if you were in contact with him after the investigation.
40:51No, no, no, never. I didn't call him, I didn't call him, I didn't call him.
40:56He tried to contact me many times.
40:59I received all the calls, messages, and I blocked him, and then he left me at peace.
41:08Okay.
41:11Sorry.
41:19Snežana, all right?
41:21To me…
42:19But now I'm here.
42:21Okay, how are you?
42:24There's nothing.
42:26Let's go ahead and talk to you in a bit.
42:29Please, please, please.
42:34Senka, see.
42:36Tomorrow, we have a great deal.
42:39I pray for another night.
42:41I don't have time.
42:43You don't have time for me.
42:45Senka, I understand.
42:49I don't have time for myself.
42:51Yes, I don't have time for myself.
42:53I don't have time for myself.
42:55I don't have time to drink one drink.
42:59Okay, Senka, let's go.
43:01Who's going to die?
43:03Who's going to die?
43:05I'm going to die.
43:19I don't have time for myself.
43:21I don't have time for myself.
43:23I don't have time for myself.
43:25I don't have time for myself.
43:27Hello?
43:28Hey, Alexe.
43:29Hey, I know, I know.
43:31How did we go after that?
43:32Sorry, I'm sorry.
43:33What do we call it after that?
43:35It's nothing.
43:36I wanted to talk about this.
43:38Did something happened?
43:40Did something happen?
43:42I think it's been time for us to remember who we were,
43:45what we were, what we were doing.
43:47I think we forgot about those beautiful moments
43:50that you and I have lived together.
43:53And I think it's been time for us to finish all this.
43:59Really nice guest. Thank you.
44:01I'm glad I feel.
44:03I'm not sure that this is a real moment for us.
44:06You know, there's a lot of problems.
44:08Alex is so much on the stairs.
44:22Lenka?
44:33Lenka.
44:34Lenka.
44:35Lenka.
44:54I'm going to try it to be a story.
44:58What?
44:59What's the story?
45:01I have to ask a little bit about our territory.
45:04Let me see if I really know if I'm a member of the state.
45:08If he knows, then I'll say that
45:13it's the state of my friend who went on a long way
45:17and left me the keys to be able to sleep at some point.
45:21Listen, do you think it's true?
45:25Of course, it's true that it wasn't true.
45:28It's because you live in my head already in that state.
45:33Whether it's her state, whether it's your friend,
45:36you don't understand.
45:48Hello, Manchete.
45:49Hello?
45:50I didn't expect you to.
45:51Really?
45:52Yes.
45:53Who did you expect me to be in my dad?
45:55My babakuran?
45:56Yes.
45:57I've just come to talk about something with Goran.
45:59Well, you can talk about it.
46:00Do you want to talk about him?
46:01No.
46:02No.
46:03Okay.
46:04You don't know what it is.
46:06I don't know what he's doing.
46:07In other words, I see your son who can take care of himself,
46:09and he needs to be a mother to protect him.
46:11Hymeter Dolste.
46:12Okay…
46:21Hi!
46:22Good morning, good morning!
46:23Good morning!
46:24Good morning!
46:25Wait a little before down.
46:26Come on to see!
46:27Guys, you can see all the cars that say—
46:29inside and in to see what we're doing,
46:30there's all that there—
46:31black, brown, technical,
46:38What are you talking about? You're from Germany, I've heard it.
46:41See how much it went.
46:42Let's go buy a car.
46:44Okay, see how old it is.
46:47A new cashier.
46:49In Germany, it's a few times used it and then they buy it.
46:53They buy a new car.
46:55The quality of the name is from Germany.
46:57That's a guarantee.
46:59You understand?
47:00What's the best is our best.
47:03That's it.
47:08I'll go back to something so I don't keep you in awareness.
47:17Yes, I'm listening.
47:19When I came back to the hospital, there were many things that I was wondering.
47:24What do you mean?
47:27For the beginning, the text about Dr. Vojošević, who was a little bit surprised by our writing.
47:32I hope we'll get out of it, but it's okay.
47:35And then at the second place, all this is related to Marianne.
47:39And that she was working with us.
47:40And that happens at the moment when the company...
47:43When the company is a bad job.
47:46When the sale fell off.
47:47How many to ask him ?
47:48How many to ask him?
47:49Three thousand euro.
47:50I have already done one sentence.
47:52I have now.
47:53But I have already said, one sentence,
47:54if he was watching someone now, he will show the film to my family.
48:02Don'tälj me. Don'tälj me, that's not going to happen.
48:04He added another sentence.
48:06If someone will be watching him, he will show my family's picture.
48:12Don't stop. Don't stop. This will surely not happen.
48:27I have my ideal idea, which I have already established at one point.
48:33I was the main designer on the modern line of Adi Kanački.
48:38And...
48:39Are you ashamed of me?
48:41No.
48:42Don't be ashamed of me.
48:43And let me see it.
48:44Wait, now I will see the pictures.
48:45Yes.
48:46That was the idea of Adina and her whole concept.
48:50But I worked quite a lot on that.
48:53Is it possible that you didn't thank me until now?
48:57Okay.
48:58Here I am.
49:00Wait, wait.
49:01Yes.
49:02Yes.
49:03Yes.
49:04Yes.
49:05Thanks for taking off.
49:06Thanks for taking off.
49:07Like, what about today?
49:08The show dedicates you in the air.
49:09Is it possible that you be taking off the air?
49:10There won't be anything in your view, but I am absolutely mad at it
49:12You don't need any new ones, you have for anything to do with...
49:14And I see it out of this maddening channel or there will nobody do with you!
49:17Absolutely?
49:18drama. It's not drama if you will get paid or not.
49:23If Donna don't work, we are all the problems.
49:27I have no time to fight, I have no time to fight because
49:31we are no longer going to go on and we are all the way to do it.
49:36I have no time to work for the first time, because I have no time to fight
49:39for the first time, because I have no time to fight for the first time.
49:42You have no time to fight for the first time?
49:45You have time for everything I need for the rest of the day.
49:48Listen to me, okay.